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Anatomy of an Insider: Shams Charania, ESPN

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When he realized, after failing to make his high school’s freshman basketball team, that an NBA career was not in the cards, Shams Charania had to figure out what was next. Growing up in the Chicago suburbs, Charania loved the NBA and always had a passion for writing. So, being able to put 2 and 2 together, the only logical path was to combine the two loves and become a sports writer.

He attended New Trier High School where he received his first experience in the field of journalism. After his ‘hoop dreams’ were dashed, he was encouraged to join the school newspaper. Charania followed the advice and became the sports editor and a writer.

“That was the first moment for me where I started down this path,” he told the Chicago Sun Times last month.

From high school, Charania attended Loyola University Chicago and while there picked up a few paying jobs in the industry that really set him on the path to where he is today.

Now, Charania is one of the youngest ‘insiders’ in the business who just inked a deal to become the top NBA Insider for ESPN.

THE BEGINNINGS ON THE ROAD TO ESPN

He began his sports writing career at the age of 17 covering the Chicago Bulls for ChicagoNow, which was a subsidiary of the Chicago Tribune.

“I didn’t have a writing voice; I really didn’t know the industry. So that allowed me to find my voice, get experience writing. I was probably writing 3,000-5,000 words a day sophomore, junior, senior year of high school.” Charania told the Sun Times.

In 2012, Charania began writing for RealGM, and reporting small transactions around the league, while still attending Loyola.

In order to cover the NBA, Charania would be forced to drive to either Milwaukee or Indianapolis. That’s because the Bulls didn’t credential high school or college students. The Bucks and Pacers offered the chance to take in NBA games and gave Charania the chance to get in front of players.

Early on he wasn’t the ‘news breaker’ he is today. He would interview players one-on-one and that was the material he provided to bosses and fans alike. The skill of becoming an insider was starting to develop though as he would become more known and trusted by players.

“I remember the first time I broke a 10-day contract,” Charania told the Sun Times of his scoop in 2013. “Shavlik Randolph going to the Boston Celtics. My hands were trembling. I was sweaty.”

He was starting to get noticed. In 2015 Adrian Wojnarowski, then working for Yahoo Sports was planning to launch The Vertical. It was to be a Yahoo website dedicated to NBA coverage. ‘Woj’ wanted him to join the platform as a ‘news breaker’. Charania didn’t disappoint. After joining Yahoo, he began to break major deals and high-profile signings in the summer of 2016. That included DeMar DeRozan’s re-signing with the Toronto Raptors and Jamal Crawford’s signing with the Los Angeles Clippers.

Charania spent almost 3 years working with Wojnarowski, and is thankful for their relationship.

“I’m grateful to have been a part of that team at The Vertical and the opportunity that he gave me,” Charania told The Sun Times. “He paved the way. I’m forever grateful for the impact and the guidance that he had on me when we were together, how he helped bring me along as a young reporter.”

In August of 2018, Charania announced he was leaving The Vertical and was headed to The Athletic and Stadium. Then about a month ago, Charania announced that he would be joining ESPN as the network’s Senior NBA Insider. He replaced Wojnarowski, who left the role to become General Manager of the St. Bonaventure Men’s Basketball program. Charania is appearing across multiple shows and platforms at the network.

He actually broke news on his very first appearance on First Take, telling Stephen A. Smith that veteran Danny Green was retiring from the NBA. Good first day huh?

RIVALRY W/ WOJ

There has been a perceived ‘feud’ between Wojnarowski and Charania, ever since the latter left The Vertical. They did in fact become rivals, fighting for the same scoops which is what led to this supposed battle between the two insiders. The rivalry was propelled mainly by fans and NBA media members.

Reports of a rift surfaced in 2021, NBA reporter Ethan Strauss alleged a falling-out between the two and that Wojnarowski expresses contempt for Charania. Whatever the case was, the two gentlemen were seen as being beneficial for the league, by many high-powered agents.

Neither Wojnarowski nor Charania have ever spoken publicly about the rivalry. Woj did offer a thought about Charania on the Jim Rome Show, revealing that Shams texted Adrian following his retirement announcement. Then Wojnarowski offered a comment about Charania.

“I hope he has as fulfilling and as rewarding a career as I’ve had,” he said. “I certainly wish that for him. And he’s right about the incredible group of colleagues that he’s going to find at ESPN.”

Charania was asked by CNBC what he texted to Wojnarowski.

“It was a congratulatory message on just the appreciation that I have and his amazing career,” Charania said. “We spent two years together at Yahoo, and I was brought on to The Vertical, and the help that I had early on in my career as a younger reporter, that will never be lost on me. Just wishing him the best in his retirement and his next chapter. I’m forever indebted, and I think everyone in the industry should be as well.”

WHY GO TO INSIDER?

It’s hard to question Charania’s work ethic, considering how long the 30-year-old has been doing this. He decided at a young age what his passion was, and he absolutely went for it without looking back. That’s the kind of style I want in my ‘insider’, one with a relentless approach to the job. Charania has that drive.

He has a tenacious style. You just know that he’s on his phone most of the day and night, texting or calling players, GM’s or his sources. Charania understands the delicate balance of searching for answers and stories and being a pest.  But it’s all part of the job, pursuing scoops. Sometimes that intense chase can have people thinking that he’s nothing more than a guy spreading news that the GM’s or agents want him to spread. Charania says that’s a completely false read on what he does as a reporter.

“I’m here to dig information up,” he told CNBC. “Over the course of my career, I’ve tried not to be that annoying, but you understand it. You know when you feel like you have news or you’re digging on news, you’re digging on a tip. There’s a level of relentlessness to it. And I definitely think there have been times where people might feel like I am maybe overwhelming when I’m reaching out to dig up a trade, or dig up a signing, or dig up a major piece of news. But I’d rather be characterized that way than not being aggressive and trying to hunt and do my job.”

As a fan or a viewer or reader, that makes me believe that what he is telling me is the truth as his fully vetted sources are telling him. For him, being right, is much more important than being first to the story.

“Being accurate, being 100%, nothing can come out until you feel that way, and there definitely are boxes,” Charania said on the OGs Podcast. “If I’m 99% on something, it’s not going to go out. I’ve lost a ton of stories being 98% or 99%, but that is most important for sure. Obviously being first is what you strive for, but being accurate is the most important.”

Has he been wrong before? Yes. But show me a photo of an insider that hasn’t gotten one wrong. I’ll be staring at a blank photo. Understand?  It’s how you recover from a mistake that makes you worth your salt in this business. So far so good on that front.

Charania is a kid born in the ‘social media age’ and used the various platforms to prove his credibility, even before he got a real shot. Knowledge of X, Facebook, Snap Chat and Instagram gives him a leg up on the competition.

Building that base of followers by dropping some nuggets and then a big nugget is a great way to get that brand noticed. And the more of those little items that pan out, the more and more credibility you build. Having a trusting relationship with viewers and readers is what it is all about. Charania has proven his ability to get things right, whether it be a small signing, to a very impactful one, involving well known and established players.

Charania is not that far removed from the days when he too would check the internet to find out what transactions were made that day. His relative youth, gives him the ability to relate to those younger readers, like he once was.  

“I view myself as someone that understands the audience very well,” Charania told the Sun Times. “I was the audience. I was obsessed over where is this player signing, where is this player getting traded to. I was always wondering those things when I was coming up in middle school, high school and college. Now fans crave that, and I definitely understand their passion.”

Meet The Leaders: Mike Hartel, Alpha Media

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Very few people have had the kind of impact on my career that Jason Barrett has. He taught me a lot about programming, evaluating talent and more. But I don’t know that I even get to the point that JB knows my name if it weren’t for Mike Hartel.

Before he stepped into his current role as Alpha Media’s Chief Revenue Officer, he oversaw the company’s Columbia, SC cluster. Years before that, he was the General Manager of 96 Rock in Raleigh, NC and hired me to be his morning guy.

When he got to South Carolina, Hartel had a sports property (RIP ESPN Columbia 1230) that he wanted to give some kind of local identity. Knowing that as much as I love 90s rock music, I always loved SEC football more, he gave me the chance to make the most significant pivot of my career.

These days, both of us are thinking on a grander scale. I’m writing about what I see and hear on a national level, while Mike is overseeing the revenue strategy for all of Alpha’s 45 markets. That’s why it was the right time for this conversation.

In the latest interview for our Meet the Leaders series, presented by Point-to-Point Marketing, Mike and I talk about the evolution of the business of radio. What do agencies want now? Can clusters function as their own ad agency? What do buyers think of AI? 

Demetri Ravanos: What has been the evolution of radio’s relationship with ad agencies? How much of what they used to provide is now being done in-house? 

Mike Hartel: That’s a really good question. I hate to say this, but in a lot of ways it’s completely different than when I started in the business, and in a lot of ways it hasn’t changed at all.

What I mean by that is a lot of the relationships are still pretty similar, in that those accounts really didn’t want us for any of the other services that we could handle. Some of the smaller ones did, but the larger ones have all of the services and capabilities in-house. They’d actually get offended when we bring that up. The smaller ones that act almost more like local direct accounts and don’t have deep staffs, we can really help them with a lot with our capabilities.

You’re right, I think, in the intent of the question. In many ways, if not in reality, the way we’re set up, it is as a full blown agency. Creative audio, video, every digital tool and tactic under the sun, reporting – I mean, there’s nothing we can’t do. So you’re absolutely right. From that perspective, we are for all intents and purposes, an agency. 

The relationship is still account by account though. Some need us for all those capabilities and others want us just for the scale and reach of radio and all the benefits from that perspective. I mean it sounds silly to say out loud, but that’s what I mean when I say it’s very different but in a lot of ways still very similar. 

DR: Does your ability to serve the smaller agencies that need the full depth of Alpha’s capabilities vary from market to market? We’ve both worked in places where everyone has multiple jobs and in places where multiple people have an assistant. In those smaller markets Alpha serves, are the clients at the mercy of what you have available in the market, or is that where you can tap into resources in other buildings across the country?

MH: I think it varies market to market. Obviously, in our bigger markets, there’s not as many of those boutique agencies that can really use our help. You do see us doing that more in those mid-sized markets and certainly the smaller ones. And yeah, there are those where they can’t afford to just step up completely again to fulfill every digital capability and tactic required. So, we have a full-blown fulfillment team, CS team, all of that. 

We place all that business directly, so for that boutique agency, it works out well, because they don’t have to step up like they normally would. They can come to us and we can handle all of that stuff for them.

DR: Think about now, but also, I want you to think back to your days of leading individual markets. When you talk to agencies, what do they tell you about their hold ups to doing business with radio in a world with so much digital competition? It’s not just audio, right? This business is competing with every website and streamer for ad dollars. So, how do the ones that say the internet is more important than local radio justify it?

MH: You know, D, this to me is the topic of the day. I’ve had several of these discussions this week. I actually saw it on Inside Radio again this morning, 31% of people’s time is spent with audio. That’s including digital audio. Only 8.8% of the advertising budgets are dedicated to audio media. It’s absolutely insane. 

As an industry, we have this massive perception problem that we really have to tackle as a group collectively. You know, Alpha’s not going to be able to get it done on our own, even the largest of these companies can’t get it done on their own. It’s got to be collective. But we’ve really got to push back because it’s just hurting our ability to grow. 

We all have all these digital capabilities, which was supposed to be, you know, a significant part of the growth strategy. Now, it is starting to play this role that was never intended, which is for it to offset radio’s declines. That’s not good for any of us. So, we got to hit that perception problem head on and really get to the root of it.

We spoke with one big agency and they were pretty frank with us. It’s like, “Wait a minute! We’re the largest reach medium. We’re more efficient than just about every other medium, so you’re reaching more people for less money. Why is this not a prominent part of your plans?”

The answer was a shock. It was. “Well, you know, a lot of my clients, they want all cutting edge, and they want us to be thinking forward. We’re a little afraid that if we bring up radio, they’re going to think we’re not cutting edge and we’re too old fashioned and we don’t get it.”

That response was from a sizable ad agency that will remain nameless. So, that’s what we’ve got to deal with and reposition our industry, too, so it’s not deemed as this old thing. It’s the most powerful medium out there. Now, we’ve never been in a better position as a medium. The only problem is we are the only ones who know it. 

DR: Is the best way to combat that going to the agencies or is it to go to the general public to reframe the way they think about radio? You mentioned those agencies say their clients want to be cutting edge. I feel like the story of “radio is dying” has been a trickle up kind of thing rather than the advertisers being the ones making that declaration.  

MH: Yeah, another great question. It is all of the above, because you’re absolutely right, it’s not just the big Madison Avenue and international ad agencies. It’s the local ones as well. They are feeling the same thing. 

A few weeks ago, I had a beer with an old friend, and I could have strangled him. He was kind of asking me questions about this stuff out of concern about me, my future, and my career. It was all predicated on the fact that he listens to podcasts and he’s just like “everybody does that.”

It’s that misperception you’re getting at ground up, from an individual. But we’ll see that at agencies as well, that same perception. “Well, nobody’s listening to radio anymore. That’s old news. Everybody’s listening to podcasts and Spotify and all that.”

They don’t see the numbers we do, so we have to attack it head on, and the RAB is actually taking some steps in this direction, which is good. It’s not happening fast enough, in my opinion. We’ve got to get going, but they’re trying to address it from more of a global and national perspective. 

We have to reposition ourselves to the local community too. Not just the advertisers, but everybody, because you’re right, their influenced by those around them – their friends and their family. If friends and family have this misperception, then a business owner, a decision maker is going to have that same misperception. That’s where we’ve got to get better. 

This is probably a topic for a completely different conversation and it’s probably an unpopular opinion, but part of it, I think, is self-inflicted. We’ve lost a lot of stars from the medium and we haven’t done a good job replacing them. Because of that, it’s harder for the local rep to go in and talk to a business. It’s just so much harder today, aside from the virtual nature of the business relationship today versus five years ago, but when you had more stars that you were representing and you went and said, “I’m with this station” and they were like, “Wow, I love that guy,” whoever it might be.

You know what’s driving me nuts? You’ll get this. I see Mad Dog Russo on television. It drives me crazy that we let a guy like that, a Radio Hall-of-Famer, we let him get away. And now he’s on ESPN and SiriusXM. What are we doing? 

DR: So, it’s interesting you bring up the star point because this is something I’ve thought about a lot since I made the transition over to sports. I think that radio, throughout its history, being so associated by the masses with music more than talk has sort of driven this or maybe kicked this narrative into overdrive because there are so many options for getting music now. 

I firmly believe the future of radio is all in the talk formats, but it is not going to work the way it should. If you are not investing in keeping whoever the next Mad Dog is. 

MH: One hundred percent. You’re right, and it’s been like this for a while. You can get music anywhere. Now, look, radio still does have the advantage of the ease of access and the free nature of it, right? But what’s missing is what you said. When you jump in the car, you kind of put it on out of habit, right? But what you’re not doing as much as you used to as a listener is “Man, let me see what Mad Dog said about this!”

If you’re a local seller, to get back to that example, and you go into a business and say, “hey, you know, I represent Mike and Mike and ESPN,” that was celebrity. It’s name recognition, it’s credibility. 

I think the music formats can do that as well, particularly with the drive time shows, but the thing is where are the new stars coming from? In morning drive and afternoon drive, especially with top 40 and rock, the stars are the same people that have been there 25 years. We’ve got to replenish.

Maybe I’m getting off topic and maybe it seems out of my lane as the revenue guy, but like I said, it does relate back to that misperception. If we had those stars, as a medium, radio would be in a very different place than what it is today. That’s something that’s within our control, but we can’t let too much more time slip before we get back on track with that. 

DR: I think this is where we have to get uncomfortable, and I have to hold your feet to the fire a bit. Because you’re right. We have to replenish and develop new talent, but Alpha is now giving airtime to AI. Couldn’t that time be used to build people that show promise into the future stars the medium needs?

MH: Well, it is. However, the goal of the AI is really supplementing. Obviously, the story that got all the notoriety was the Live 95.5, right? In that scenario, the jock, Ashley, actually was moving. I believe she was getting married. I can’t remember the exact story.

The idea was like, “Well, wait a minute. What if we just kind of clone your voice and create a hybrid of your personality?” So rather than just blow out the midday person, we had a unique opportunity. We really haven’t done that in any other circumstances. 

If there’s a strategy, it’s more, “can we do something with AI in place of an overnight shift that’s kind of swept?” It’s more incremental to the lineup as opposed to replacing the lineup. 

DR: Okay, but if I am being honest with you, it’s kind of hard not to think where things stand now is not a destination. It’s just the beginning. 

MH: I hope, and don’t think, that’ll be the case, because I do think as an industry, everything I was just saying before, we understand that we need somebody that’s going to be in the moment, incredibly topical, visible, all those things. 

Now, the difference is you’re not going to have eight people on staff filling some roles in the way it used to be. You might have two or three. That would be the big difference. So, I still don’t think it’ll be a scenario if we just fast forward, let’s say, 30 years from now where the staff will be dominated by AI versions of people, at least in the midsized and larger markets.

I don’t see Alpha wanting to create a situation where you still don’t have that calling card, that person carrying the flag that really makes a listener say, “I want to hear what so-and-so is saying.” So, I think you’ll see more AI a few years from now, but again, supplemental and not replacing personalities. Look, that could be incredibly naive of me, but I still believe that’s the case. 

DR: You mentioned that Live 95.5 and AI Ashley got all of the attention. Was the attention mainly media driven as “this thing is weird and interesting”, or did you hear from some advertisers about what they thought or what this might mean for them going forward? 

MH: It’s funny when you talk about it, Phil [Becker, Alpha’s EVP of Content] did say in his head it was like a marketing event. To his credit, he did say he did not want to do the opposite and say, “Hey, let’s just put AI Ashley on the air and let’s not tell anybody. Let’s just kind of fool everybody.”

He wanted to be wide open and transparent about the fact that this is not a real human. It’s actually the AI version of Ashley. I thought that was the brilliance of it.

I think, what radio does so well at its best, although not as much lately, is things like that to get people talking. That’s kind of what that was. That was his main intent. We were really, if I’m not mistaken, the first ones that just called ourselves out for it and said, “this is AI Ashley.” I think that genuine nature of it got a ton of attention. 

DR: As much as I don’t like what could be the trend, I will give Alpha credit where it’s due. I know places that are at least interested in experimenting with AI, and Alpha is the only one that I’ve seen say “here it is!” 

MH: Well, thank you. I appreciate that. And I think people appreciate the honesty. And the worst thing that can happen is they figure it out on their own and they’re like, “Alright, you just BSed me and now I don’t like you as much anymore. I can’t trust you. 

To learn more about Point-To-Point Marketing’s Podcast and Broadcast Audience Development Marketing strategies, contact Tim Bronsil at tim@ptpmarketing.com or 513-702-5072.

99.7 Now’s St. John Is A San Francisco Smash

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Since 1995, St. John has been presenting his pumped-up, high-intensity afternoon radio show to the San Francisco Bay area. His personality-intensive afternoon show can be heard from 2 to 7 pm on KMVQ Bonneville’s “99.7 Now,” a Top 40 station.

He appreciates the role he plays in people’s daily lives and says his connection to the audience is incredibly rare.

He’s also got a prolific voice-tracking career and dabbles in DJing, especially EDM and underground house music and LGBTQ-inspired dance mixes.  

At the Forefront of House Music and EDM

“I play at raves, festivals (like the How Weird Street Faire after party), and clubs as support for talent, including Tiesto, Afrojack, and the late Avicii. I gear more towards EDM, but every now and then, I play open format gigs (including a friend’s recent wedding.)”

He’s really proud of his groundbreaking late-night radio show, “House Nation,” which ran for almost twenty years in the 1 to 6 am time slot.

“We put a show with underground dance music…underground house music on the air. Putting the music I love front and center and representing that underground culture is really cool.

“We put stuff on the air that was not in daily rotation. Biggest and best of what you would hear at the clubs. That was really important for the dance community.”

He released a dozen well-received mix CDs and, more recently, online downloadable. St. John has also created numerous LGBTQ-themed dance mixes to represent that vital community.

Afternoon Antics

St. John’s afternoon show is known for its high-energy delivery, positive attitude, and dedication to dance music. His irreverent bits on the “All the Hits” station include “St. John’s Confession Mondays,” “What’s in My Mouth Wednesday?” and “Fierce Fridays.”

The station and St. John give back to the community through partnering with local organizations and spreading the word about numerous charitable events like the recent “Jackets and Jams” where they collect warm coats for the needy. St. John says station owner Bonneville encourages community connection.

Early Influences

His first radio experience was in high school. He spent his free period at the nearby college radio station at Virginia Wesleyan University in Virginia Beach, spinning Top 40 tunes and learning how to announce.

His first professional radio gig was weekend on-air talent at Top 40 “Z 94” WZOU Boston (now WJMN). He’s been hooked ever since. He developed his unique hosting style by immersing himself in the airchecks of some of the best radio hosts in the country.

 “Growing up, I was listening to some legendary Top 40 radio stations through older airchecks of WRKO in Boston, KRFC in San Francisco, and John Landecker on WLS in Chicago.”

As for voiceover influences, he cites varied talents. (Voice actor) “Chuck Riley had an amazing voice; he could bring the copy to life. Jim Cutler, who I’ve worked with in Boston, really puts attitude and spin on the copy and makes things pop off the page with a little bit of sarcasm and delivers a line where it really just sticks,” he explains.  

By observing talent like the late Mark Driscoll, St. John learned to have a sense of playfulness in order to get into a zone.

“Watching sessions and listening to a lot of radio promos and getting the feel was super important.”

He incorporates the aspects of others’ work that click with him but doesn’t imitate them or overthink his work. He believes that talking to colleagues about their approaches to announcing can help spark inspiration. He found working with a voice coach valuable. “Being challenged and encouraged to see things differently can give you a new edge and a serious advantage,” he says.

Theater of the Mind

St. John, who got into radio because he loves music and the art of communication, also really responds to the actual nuts-and-bolts work of voice tracking and has had a successful voice-over business for twenty years.

While working in Boston at KISS108 as a fill-in for the creative director, St. John felt like he was struck by lightning by the creative process of imaging and hearing his work on air defining the station.

 “I enjoy not just doing voice-over but the interactive process, whether it’s coaching or getting input. I love the immediate feedback and being with people who want to be hands-on.”

He fell in love with what he calls “the theatre of the mind: the ever-present ‘phantom personality’ the imaging announcer,” and says, “The voiceover artist conveys more in three seconds about a station than many personalities do in an hour.”

He works with Program Directors to create something completely unique. He explains that his sound and energy level are more over-the-top and intense than a lot of other voice talents feel comfortable with. His goal: engagement. “With station imaging,” he says, “that’s the whole point.”

He likes a challenge, and he’s got one. St. John does voice-overs in foreign languages he does not speak, like Portuguese, Spanish, and Mandarin. These stations must really want his unique sound.

“It’s sort of like the ABBA records back in the 70s where they didn’t speak English, and they did it phonetically. I do that,” he explains.

Engineer’s Worst Nightmare

St. John is a technophile.

“I tend to geek out on the electronic aspect of stuff. I’m super specific and searching for the holy grail of microphones and processors. I’m an engineer’s worst nightmare. Joking, or maybe not.”

Childhood: New England to the Middle East

“I grew up all over the place,” says St. John. “Initially Boston. I was in Saudi Arabia for my early teenage years. My dad worked for a defense contractor. Not a ton of fun, but interesting.” He graduated from high school in Virginia, then Brandeis University just outside of Boston.

He says his adventurousness and love of travel probably stem from his extensive early travel experiences.

Armenian Ancestry

“My grandmothers were born here, but both of my grandfathers were born in Turkey,” he says.

“I traveled to Armenia in 2015 for the hundred-year anniversary of the genocide. Pretty heavy but a really cool trip. I’ve been back several times since. It really resonates.”

He is a visible part of the Bay Area’s Armenian community and appreciates the diversity and inclusiveness in Northern California. San Francisco showed its commitment to the Armenian community by lighting City Hall in red, blue, and orange in memory of the murders of 1.5 million.

Homefront

St. John is pretty content on the personal front.

He and his partner of twenty years, Bernie, live south of San Francisco in Pacifica, a one-minute drive from the ocean, in a home with a water view. Bernie is in the celebrated San Francisco Gay Men’s Chorus, and St. John says Bernie’s career skills are the polar opposite of St. John’s strengths.

“Bernie works in a senior memory care unit. I could never do that. He’s the most patient person in the world,” he says of his partner.

As a Bay Area staple, St. John often gets recognized in public, though he says he’s “not so much of a grocery store person. We tend to eat out a lot.”

He’s an avid foodie, a shoe person, and a taxpayer. His iconic voice recently recognized him while paying his property taxes.

 New Sound

That recognizable voice, though, may sound a bit different soon, sometimes. St. John has been working with Kelly Doherty on “a new demo taking me into a new kind of zone. It’s in a lower register for different intonation. The intention is to take me out of my comfort zone to see where I could go.”

It’s a sound that could be suitable for classic rock and other formats he’s not currently voicing.

He’s hoping to win over new audiences. “I love making real connections with people through radio and voice-over. Engagement drives everything I do.”

Advice to Aspiring Radio Stars

St. John says the climate looks great for aspiring radio pros these days.

“Anybody who is young or who wants to break in now’s a really good time. So many younger people want to be content creators. I feel like hard work right now really stands out. I’m not saying it’s easy. It’s no secret that budgets are shrinking, and people are doing multiple jobs. But that said, if somebody ‘gets it’ and really just shines and wants to jump out of the radio, I feel like the sky’s the limit. If somebody can make a significant difference that will not go unseen.”

Eric Von Haessler Was Motivated to Try Talk Radio By An Old Man Dancing at a Disco

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People can often be shaped by random encounters in their formative years. That’s what happened to 95.5 WSB afternoon host Eric Von Haessler.

Being taller than most, Von Haessler talked his way into a nightclub as a teenager when he noticed something striking on the dance floor. At the time, he didn’t know it would come to shape his thought process on several fronts.

It was the early 1980s. Disco, while falling out of style, was still around. Underneath the lights and the powerful speakers blaring up-tempo music was an older man, probably in his 70s, wearing a red jacket. He was surrounded by younger, attractive women as they danced to the no-longer-in-style beat.

In that man’s mind, the women were dancing with him because he was still desirable. A catch. Someone who oozed masculinity and could still fulfill whatever fantasies they could dream up.

But to Eric Von Haessler, it was clear that the women were mocking the elderly gentleman. Dancing with him because he was a novelty, not because he “still had it” at his advanced age. And he vowed to never be the butt of that joke.

“I made a mental note then to myself: ‘Never be the old man on the dance floor,'” he said.

A rock radio jock by trade for more than 20 years, Eric Von Haessler began his talk radio career at the Atlanta news/talk station in 2014 with the old man in the red jacket at the disco in mind.

“In my early 40s, it was just starting to feel like maybe I was kind of being the old man on the dance floor,” said Von Haessler. “Those active (rock) morning shows, it’s kind of a young man’s game. So I had thought about ‘What happens after this?’ And in some ways, maybe that wasn’t radio. But I always had (talk radio) in the back of my mind.

“It’s funny. Here I am now, and it’s WSB, it’s a political station, and I’m actually at this point, I’m less political as a person and my show is — I think — less political in nature than it’s ever been before.”

Eric Von Haessler admitted he was much more political when he was younger, so the transition to hosting a talk radio show wasn’t completely out of his comfort zone.

“I went through that phase where I just knew I was I was right and everybody else was wrong, and I had to convince them,” he said.

That, however, is no longer the case.

“Now I don’t care,” he stated, bluntly. “I don’t care to convince anybody to do anything or vote any particular way. I just think of the show now as a current events show. It may seem like not a big deal or big difference, but I don’t see it as a political show. I see it as current events.”

The Von Haessler Doctrine — which airs from 3-7 PM on 95.5 WSB — is completely improvised by the host, and “The Doctrinaires”, Jared Yamamoto, Autumn Fischer, and Tim Andrews. And he says the program, which finished second behind Tim Conway Jr. in the 2023 Barrett News Media Top 20 Major Market Afternoon Shows, has a simple goal in mind each day.

“For me now, the show is about rhythm. I just want to entertain the audience,” he shared.

Despite the “improvised” nature of the show, that doesn’t mean Eric Von Haessler doesn’t prepare. He shared that he’ll put as many as 30 potential stories in the show’s Slack channel. While the co-hosts add more, the total often rises up to more than 40. However, they often only get to five or six stories in the four-hour program. There’s a specific angle the 95.5 WSB host is looking to take, more often than not.

“I’m looking for the jokes in every headline,” he admitted. “Sometimes things are a little too tragic for that … I’ve learned that I need to know what I’m going to say first. It’s all about setting the nose. So 10 or 15 minutes into the show is really when I’ll settle in and say, ‘Ok, what’s the first thing I’m going to bring up? What am I going to put on the table?’ And then, after that, just see where it takes us and bounce off of the current events.

“That’s the only way I know to keep myself from getting bored. I have to be on a high wire. If I’m on a high wire without a net, and everybody else on the show is as well, it just keeps you awake,” said Von Haessler. “You’re not thinking, ‘This is the 3000th show that I’ve done.”

That high-wire act continues to excite the host 10 years into his talk radio career.

“I tell my bosses — and I tell the audience — to me, it’s like, I’m one of those guys that spin the big plates on a stick. They’re running around and they’re trying to keep them up there. And the thing is, if one didn’t crash every once in a while, you’d be like, ‘Well, this is probably some kind of trick. Like, it’s not even real.’

“It’s the same thing with improv. Every once in a while, it kind of goes wrong. And every once in a while, it’s got to lead to nowhere, and not work. That almost proves to the audience I’m not lying to you: 80% of this show every day is made up as we go along.”

While others may view his show as political, Von Haessler purposely doesn’t pitch the show that way, because he views the entire political sphere as a bit of a turn-off.

“I don’t care how the audience votes. I don’t vote anymore, I voted for 40 years, and I don’t do that anymore. Articles try to address people like me and convince me, ‘Oh, your vote does count.’ That’s my fear. That’s why I’m not voting anymore. I’m afraid my vote will count. I voted for 40 years and look at the country. I didn’t do a very good job.

“So, now it’s my job just to sort of observe. And try to entertain.”

Perhaps predictably, portions of the audience didn’t necessarily jive with the approach from Von Haessler.

“That I’m irresponsible,” Eric Von Haessler said when asked what the response from Atlanta listeners was when he revealed he no longer votes. “There’s a whole thing where ‘You can’t complain if you don’t (vote)’. You get a lot of loud people who are just condemning me for it … Honestly, I can’t do this job chasing something. Either the audience is going to dig my point of view and how I present things, or not. And it’s ok for them not to like the show. I just need to keep enough of them that I keep my job. And so far, I’ve done that.”

Mix 101.9 Chicago’s ‘Men Of The Mix’ Raise Money For Breast Cancer Awareness

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October marks Breast Cancer Awareness Month, and for the fifth year, Hubbard Broadcasting Chicago’s 101.9 The Mix and The Men of the Mix, led by Chris Petlak, has joined forces with the Men Wear Pink campaign. This initiative aims to raise funds for the American Cancer Society, a leading organization in the battle against breast cancer in the 21st century.

The Men of the Mix, with support from corporate partner Chick-fil-A Chicagoland, hosted two live shows at Chick-fil-A locations in Niles and Chicago. As a thank-you for donations, the first 100 listeners enjoyed a complimentary lunch.

For the second consecutive year, the Men of the Mix organized a sold-out comedy night at Zanies Rosemont. The event showcased a stand-up comedy lineup, segments from The Morning Mix and Afternoon Mix, and a performance by MIX artist Andy Grammer.

The Men of The Mix successfully raised $440,543 for the American Cancer Society of Greater Chicagoland, securing third place in nationwide fundraising efforts.

This contribution plays a vital role in the fight against breast cancer, as every dollar supports innovative research, provides essential education to reduce risk, and ensures comprehensive care for patients.

Chris Petlak, host of The Morning Mix, said, “This year, The Mix audience helped us make a major impact in the fight against breast cancer for researchers, doctors, families, and most importantly – those fighting this horrible disease. I’m so grateful to Whip and McCabe – The Men of The Mix – and our partners in Chick-fil-A Chicagoland and Zanies Rosemont for their support. As a co-chair of the Men Wear Pink campaign here in Chicago, I am beyond proud of what we all accomplished together.”

SEC on ABC Scores Most-Watched Afternoon Game and Most-Watched Primetime Game in Week 10

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The investment made by Disney/ESPN to acquire the rights to the SEC continues to pay off in viewership numbers. This past weekend saw the ESPN Networks average 7.4 million viewers for the Florida Gators and the Georgia Bulldogs in the 3:30 p.m. ET slot. In primetime, the game between the Texas A&M Aggies and South Carolina Gamecocks drew an average of 5.6 million viewers.

The afternoon game peaked at 9.5 million viewers and was Week 10’s most watched afternoon game. The evening game peaked at 6.2 million viewers and help ABC score the top college football primetime audience for the 8th time in 10 weeks.

FOX won the week drawing 9.9 million viewers for the Big 10 matchup between Ohio State and Penn State. That made it two weeks in a row FOX came out on top, as it won the previous week in college football with the Nebraska-Ohio State game averaging 5.96 million viewers. ABC has won five of the ten weeks and each of the four major networks has won at least one of the college football weeks.

This coming weekend, the SEC on ABC features a tripleheader with Florida at No. 5 Texas at 12 p.m. ET, followed by No. 2 Georgia at No. 12 Ole Miss. The primetime window will see No. 11 Alabama at No. 13 LSU.

Dan Patrick: Tom Brady Doesn’t Know What Good TV Is And Won’t Ever Learn Due to Ownership Limitations

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FOX Sports NFL analyst Tom Brady is limited in his ability to converse with coaches and players due to his minority ownership in the Las Vegas Raiders. Dan Patrick believes it could be his ultimate undoing as a broadcaster.

During The Dan Patrick Show, the longtime radio host argued that Brady is hindered by the NFL rules and restrictions placed upon him, which limits him from being as good as he can be.

“He’s not going to be doing 10 years of broadcasting. He’s just not,” said Patrick. “They’re paying you a lot of money. He’s probably got other things he’s going to do, but you would hope he would be able to do his job like everybody else in that position does their job, but he can’t.

“I do think that that would make him better at his job, because there are times when Tom relies on cliches. When you get information, when you have something pertinent, that’s what you want. I want Tom telling me something that I don’t know.”

Dan Patrick continued by noting that it is not likely that Tom Brady has ever been asked what makes good television.

“He’s going to be graded at the end of the year. Maybe Jim Gray, his buddy, will do that,” said Patrick. “Or somebody at Fox would sit down and say going into the Super Bowl, ‘Here’s the deal. These are things that are really good.’ Tom is a rookie and needs to know what is good TV. He’s never, probably, been asked that question. ‘Tom, do you know what good TV is?’ And the answer is, he does not.”

Patrick concluded by noting that the job of lead NFL analyst for a network is “tough enough” without the “distractions” that come with Tom Brady, and believes that being able to be around coaches, players, teams, and front offices would make him a better broadcaster. However, due to NFL ownership rules, Brady is prohibited from participating in those activities.

“You’re getting paid all this money. You have to be great, and we’re still waiting for him to be able to relax and do a game instead of trying to be a broadcaster doing a game. And I look forward to that,” the host said.

Mike Golic Jr.: Jason Kelce Learned Hard Truth About Being a Media Member in Viral Phone Incident

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Jason Kelce has seen his star rise rapidly with ESPN and the success of his New Heights podcast with brother Travis Kelce. But Mike Golic Jr. believes in the recent viral incident that the former NFL star learned a valuable lesson.

After Kelce smashed the phone of a heckler last weekend, he apologized on ESPN’s Monday Night Countdown. He stated he needed to handle the situation better.

During Golic and GoJo, Mike Golic Jr. agreed with Kelce’s assessment but said the situation is part of what happens to media members.

“Jason … is probably gonna have to find ways to get himself out of these situations in the future,” Golic Jr. said. “He’s been an awesome, accessible star while him and Travis have watched their profile grow. But people are just not responsible enough for all that access to a guy that nice.”

While he believed Jason Kelce needed to handle the situation better, Mike Golic Jr. did agree that the situation was an unfortunate one and largely out of the ESPN NFL analyst’s hands.

“This sort of underscores the larger societal mentality where people just continue to think they can say anything they want inside the arena with no consequences,” he said. “Like this is Twitter and they think it’s sweet out here and quickly find out in a way that could have gone markedly worse for the person involved on the receiving end of this from Jason Kelce that that’s not gonna fly here.”

Jacobs Media Announces Plans For ‘Techsurvey 2025’

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Jacobs Media has announced the opening of registration for its annual Techsurvey 2025, calling on commercial radio stations throughout the U.S. and Canada to take part in what is considered the largest research initiative in the radio industry, concentrating on media and technology usage.

The survey is scheduled to commence fieldwork in January, building on the success of the 2024 survey, which involved 500 radio stations and garnered responses from over 31,000 participants.

Techsurvey 2025 is set to explore the evolving digital habits that are impacting the broadcasting industry. This year, the survey will focus on trends, including the use of smart speakers, advancements in voice technologies, and the increasing popularity of on-demand content such as podcasts and streaming platforms like Netflix.

Additionally, it will offer valuable insights into the growing role of social media engagement and the emergence of new media formats.

Jacobs Media will broaden its upcoming survey to encompass 10 to 12 radio formats, including music and spoken word genres. This initiative will enable participants to evaluate their performance against national standards.

This year’s survey introduces new questions focused on exploring the effects of time-shifting on listening behaviors, the appeal of online newsletters, patterns of YouTube usage, and the impact of short-form video content.

Jacobs Media President Fred Jacobs said, “Techsurvey 2025 represents over two decades of trend analysis in broadcast and digital media consumption. It is vital for us to track these changes to help the industry adapt and thrive in an increasingly digital world.”

Interested stations must register by December 19th. For further information visit the Jacobs Media website.

Broadcasters Foundation Launches Effort For Colleagues in Need

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The Broadcasters Foundation of America has initiated its annual Year-End Giving Campaign, which aims to generate donations through tax-deductible personal contributions to the Guardian Fund and corporate contributions to the Angel Initiative.

The Foundation is the sole organization that provides monthly and emergency financial assistance to colleagues facing severe challenges due to life-altering illnesses or disasters.

“We are devoted exclusively to providing aid to colleagues in broadcasting who are suffering from extreme illness or hardship from a devastating disaster,” stated Tim McCarthy, President of the Broadcasters Foundation. “We also take care of colleagues who have retired. Grants are supported solely by contributions from individuals and companies within our industry and offer a ‘hand-up’ to our colleagues during trying times. We’re asking everyone in broadcasting to please consider including the Broadcasters Foundation in your 2024 charitable giving.”

In the last two decades, the Broadcasters Foundation has provided more than $15 million in assistance to colleagues in need throughout the United States, including all states and territories.

“Requests for aid continue to grow exponentially as more of our peers and their families are affected by severe illness or disasters, such as the recent flurry of destructive hurricanes,” explained Scott Herman, Chairman of the Broadcasters Foundation. “Whether it’s a monthly grant or one-time aid in response to an emergency, the Broadcasters Foundation is often a refuge and beacon of hope for colleagues whose lives have been upended by unforeseen and tragic circumstances. Please consider a donation. Donations go directly to helping our colleagues who are in desperate need.”

For more information about the Broadcasters Foundation, including how to apply for aid or make a donation, visit www.broadcastersfoundation.org, or contact 212-373-8250 or info@thebfoa.org.