77 WABC has seen a resurgence since being purchased by billionaires John and Margo Catsimatidis of Red Apple Media. President Chad Lopez has some theories for why that has come to pass.
In his response, Lopez shared that a change in philosophy from some advertisers and some content companies has led to an overall resurgence of the medium.
“Once the new shiny thing was digital. Big brands leaped to advertise and it exploded. But that’s wearing off,” said Lopez. “Broadcasting went to the wayside because it was all too much to manage but not sustainable without traditional media, which just needed to shine up a bit. Phones and radio, a one-to-one connection, it’s theater of the mind.”
He continued by noting that digital platforms do help radio, and pointed to evidence of just how popular the 77 WABC has become as proof.
“Streaming also popularizes radio because phones stream these shows. There’s 173 countries streaming us right now,” he shared. “Some don’t allow our content in at all. But we’re in 149.”
Last week an ESPN.com report on former New England Patriots head coach Bill Belichick said he was close to signing a deal with Peyton Manning’s Omaha Productions. A new report from Andrew Marchand of The Athletic says all signs point to Belichick being a recurring guest on Monday Night Football with Peyton and Eli, also known as the ManningCast.
Belichick recently announced on The Pat McAfee Show he will take part in their Draft Spectacular on Thursday night for day 1 of the NFL Draft. McAfee has stated on a couple of occasions that he would like to have Belichick as a regular guest on his show, as he has done previously with Aaron Rodgers and Nick Saban.
In Marchand’s report he also notes there could be a podcast in the works for Belichick through Omaha Productions. The Athletic and ESPN have previously reported Belichick is also writing a book which will focus on leadership.
So, while not coaching this season, Belichick looks to stay very busy. Those close to the second winningest NFL head coach of all time, believe his plans are to be back on the sidelines next season.
Fuse Media is embarking on a second season of Like A Girl, which includes conversations with athletes, executives and coaches who own the aforementioned phrase. The series grants viewers perspectives regarding issues that women face on and off the field, including equal pay, mental and reproductive health and race inequality. The company named Joy Taylor and MJ Acosta-Ruiz the hosts of the show, building off their chemistry that began with a friendship while attending Barry University.
Taylor and Acosta-Ruiz are also executive producers of the show, which will premiere over the summer. Outside of her work with Fuse Media, Taylor is the host of Speak on FOX Sports 1 featuring LeSean McCoy, Emmanuel Acho and James Jone. Additionally, she co-hosts the Two Personal lifestyle podcast with Taylor Rooks. Acosta-Ruiz is the host of NFL Total Access and co-host of the El Huddle Podcast through NFL Media. Moreover, she works with women’s empowerment groups including A Seat at the Table and aspires to continue amplifying voices of marginalized communities.
Previous guests on the show have included Olympic medalist April Ross, WNBA player Angel McCoughtry and Paralympic three-time champion Anastasia Pagonis. The first season of the series was a six-part program that was previously hosted by Beija Marie Velez that premiered last March.
In addition to the return of Like A Girl, Fuse Media has announced the creation of She Leads, a series of short-form videos that aim to inspire the next generation to shatter glass ceilings. The series will be focusing on highlighting the women who break barriers and subsequently inspire others. The short-form videos are aimed to connect with social media-focused audiences and encourage women to advocate for themselves and defy stereotypes.
“We remain steadfast in our mission to create and distribute content that ignites the ambitions of the next generation of trailblazing women,” Tania Campos, head of affiliate marketing and special projects at Fuse Media, said in a statement. “By amplifying women’s voices, we not only celebrate their leadership but also catalyze meaningful action through an engaging mentorship series, impactful narratives, and entertaining content.”
Last week, Fuse Media agreed to a partnership with Oscar De La Hoya’s Golden Boy Promotions and the El Rey Rebel FAST Channel to start a Friday Night Fight series set to commence on Friday, May 3 at 8 p.m. EST. The series will look back at memorable fights of the past, including De La Hoya’s bout against Luis Ramon “Yori Boy” Campas.
On the following Saturday, May 11, the company will air Combate Global MMA, the premier Hispanic Mixed Martial Arts (MMA) sports franchise that is exclusive to Fuse Media in English. Lucero “La Loba” Acosta will square off against Alejandra “Azul” Lara in a three-round flyweight main event live from Miami airing on Fuse at a start time to be determined.
Late last year, MSNBC host Mehdi Hasan announced he would exit the cable news channel. After launching a new digital media company, Hasan calls the departure from his cable news home a blessing.
While being profiled in New York Magazine, Hasan shared that while he was sad to see his time with both Peacock and MSNBC come to an end, there is a bright spot.
“Look, was I disappointed when they canceled my show? Of course,” he said. “But in hindsight, it was a blessing. I can say whatever I want in a way a lot of folks who have employers can’t. I think being self-employed is gonna be the greatest thing that ever happened to me.”
Mehdi Hasan announced the launch of Zeteo earlier this year, with a focus on digital video and podcasts. At the time of the company’s announcement, the former MNSBC host claimed he had assembled an “Avengers-style team of contributors” that “will blow your mind.”
While being on the opposite end of the political spectrum of those who have created similar outlets — like Tucker Carlson, Ben Shapiro, and Bill O’Reilly, Hasan said he is studying the business practices of similar enterprises.
“I don’t have to agree with people to see what they’re doing and what works,” he argued.
Hasan side-stepped questions about whether or not he signed an NDA with MSNBC during his exit, but did say “We’ve both agreed we’re not going to spend time going over what happened in the past or critiquing each other.”
Brooke Baldwin left CNN in April 2021 and has never really spoken publicly about her exit. Until now.
In a story with Vanity Fair, Baldwin alleges she was mistreated by her executive producer, and later by then-CNN President Jeff Zucker, leading to her exit from the cable news outlet.
Baldwin claims after she moved from Atlanta to New York City, her executive producer stayed behind in Georiga, ultimately fraying their working relationship. She went on to claim that after the partnership grew completely untenable, she went to Zucker to ask for her producer to be reassigned inside the network.
The longtime anchor alleged a male colleague had done something similar. However, her request was denied. After her agent later informed her that Zucker was “furious” with her, she went to a meeting with the two. According to Baldwin, Zucker told her “I could give your show to someone in Washington tomorrow.” [Long pause] “But I won’t…because I believe you’re the best broadcaster on this network.”
She added over the next year, her stock began to decline inside the organization before ultimately being pulled off the air during the lead-up to the 2020 presidential election.
After Baldwin told a commenter on Instagram that it wasn’t her decision to be off the air, Zucker apparently decided it was time for her to leave the network.
“Jeff wanted me out. No explanation. Just out. From that moment on, after I’d spent 13 years at CNN, Jeff never spoke to me again,” Baldwin wrote. “Neither did my former executive producer, who ended up getting moved to another show for COVID-protocol reasons and then eventually promoted.”
She added that she was so concerned about bumping into Zucker during her final days at the network that she considered going to the bathroom in a Gatorade bottle at her desk to avoid the executive.
However, Brooke Baldwin — who spent 13 years at CNN, including anchoring CNN Newsroom — claimed she is viewing the situation as a positive one, allowing herself to change from within.
“Part of my own unraveling meant I became a believer in divorce. Including my divorce, so to speak, from CNN. Like my marriage ending, it was painful. I miss being a vessel for information and clarity and news—the good and the bad,” she wrote. “I miss my audience. But I’m experiencing a rebirth. As with a forest fire, you can burn out the debris and foster new growth.”
Ahead of the Kentucky Derby and an attempt for the first Triple Crown of Thoroughbred Racing winner since Justify in 2018, FanDuel TV has revealed its coverage plans for the marquee event. The 150th “Run for the Roses,” set to take place on Saturday, May 4 from Churchill Downs, will broadcast live on-site throughout the week to provide exclusive access, reporting and analysis regarding the race.
Flutter Entertainment rebranded TVG channel to FanDuel TV in September 2022, launching with Up & Adams hosted by Kay Adams. As the network approaches its two-year milestone, Adams will return to Louisville, Ky. to host her show on Thursday, May 2 and Friday, May 3. Consumers can watch the weekday program live on FanDuel TV and YouTube, along with a replay stream of the show on Max. Up & Adams, along with The Dan Le Batard Show with Stugotz, was added to the Max B/R Sports Add-On and includes new episodes available to watch at 2 p.m. EST/11 a.m. PST. Adams broadcast special editions of her program live from Churchill Downs last year, which included special guests such as Mike Tirico, Bobby Flay and Randall Cobb.
In addition to the on-site edition of Up & Adams, the network will also utilize experts and handicappers to contribute to its programming. Some of these personalities include Todd Schrupp, Christina Blacker, Scott Hazelton and Matt Bernier. Additionally, NBC Sports race caller Larry Collmus, who has been calling the Kentucky Derby since 2011, will be part of FanDuel TV’s coverage of the first leg of the Triple Crown.
“We couldn’t be more excited to bring our loyal audience live racing and unprecedented access during Derby week on FanDuel TV,” Kevin Grigsby, executive producer and senior vice president of FanDuel TV, said in a statement. “We thank Churchill Downs Inc. for our partnership. There is no bigger event in horse racing than the Kentucky Derby and FanDuel TV will be there for every step of the action.”
FanDuel TV will assist bettors by monitoring Kentucky Derby and Kentucky Oaks contenders during their final workouts. Furthermore, this coverage will also include access and interviews with trainers, jockeys and key newsmakers.
“The Kentucky Derby is a special sports tradition and FanDuel is proud to partner with Churchill Downs for the 150th edition of the race,” Andrew Moore, general manager of racing at FanDuel, said in a statement. “FanDuel continues to lead the industry as the only online sportsbook to offer a single account and wallet for sports and horse racing wagering. Coupling this exceptional race and our leading technology is a unique opportunity to introduce new fans to the sport of horse racing. We will be utilizing our platform to bring FanDuel customers a set of special offers and a one-of-a-kind experience for the Derby.”
St. Louis has long been a strong news/talk radio city, served by brands such as Audacy’s KMOX and 97.1 FM Talk, and The Big 550 KTRS. The winter ratings period showcased the strength of the format with both KMOX and 97.1 FM Talk involved in a close race. Both stations are owned and operated by Audacy.
Starting with weekday prime (M-F, 6a-7p), KMOX saw its strongest ratings in the Persons 35-64 demographic with a 3.6 share, good for 11th place. When the station’s stream is added, the share rises to 4.1 in the demo. The station finished with a 2.5 share with Persons 25-54, earning a slightly higher share with Men 25-54 with a 2.9.
The Dave Glover Show, which airs from 2p-6p, earned the highest share on the station, finishing the quarter with a 4.1 in the Persons 35-64 sector. That number rises to a 4.5 share with the station’s stream added in. An identical 2.9 share was recorded in both Persons 25-54 and Men 25-54.
Total Information AM — hosted by Debbie Monterrey and Tom Ackerman — airs from 5a-10a on the Audacy-owned station. In the Persons 35-64 demo, Monterry and Ackerman produced a 3.8, which earned them a 10th place tie. With the station’s stream included, the figure grows to a 4.0 share. Total Information AM earned strong marks with Men 25-54, earning an 8th-place finish with a 3.4 share (3.6 with stream included). Among Persons 25-54, the show delivered a 2.5 share (2.6 with stream).
The Chris and Amy Show — featuring Chris Rongey and Amy Marxkors — is heard weekdays from 10a-2p on KMOX. With the Persons 35-64 demographic, the program recorded a 3.6 share. Chris and Amy also performed well with Men 25-54 sector, snagging a 12th-place finish with a 3.0 share. In the Persons 25-54 category, the program earned a 2.2 share.
For the full week (M-Su, 6a-12a), KMOX finished 12th with Persons 35-64 (3.3), tied for 12th with Men 25-54 (2.8), and 16th with Persons 25-54 (2.3).
Sister station 97.1 FM Talk meanwhile also enjoyed a strong showing in the winter ratings period. The station earned a 3.4 share with Persons 35-64 and Men 25-54 in the weekday prime (M-F, 6a-7p) category. That placed them 12th and 10th, respectively. In the Men 25-54 sector, the station’s share rises to a 3.9 share with the stream included. 97.1 FM Talk also attained a 3.7 in the Persons 35-64 demo, and a 2.1 with Persons 25-54. An additional three tenths of a share gets tacked on when streaming figures are added for both demos.
Middays was the biggest winner for the station. The nationally syndicated Brian Kilmeade Show heard from 9a-12p, and the first two hours of The Annie Frey Show occupy the daypart. During the 10a-2p window, the station produced a 5.2 share with Men 25-54, rising to a 5.4 with streaming. Among Persons 35-64, the daypart popped a 4.0 (4.2 with streaming included), good for 10th. It also ranked 10th with Persons 25-54 with a 3.4 share, finishing with a 3.7 once streaming is added.
The majority of the morning daypart features The Marc Cox Morning Show — which airs from 5a-9a. The first hour of The Brian Kilmeade Show also straddles the daypart. From 6a-10a, 97.1 FM Talk earned a 3.1 share (Persons 35-64), a 1.7 share (Persons 25-54), and a 2.4 share (Men 25-54). With streaming figures included, the numbers rise to a 4.1 share (Persons 35-64), a 2.5 share (Persons 25-54), and a 3.6 share (Men 25-54).
The final hour of The Annie Frey Show wades into the afternoon drive daypart, with the rest of the timeslot featuring The Mark Reardon Show. The station saw its best performance from the Persons 35-64 demographic with a 3.5 share (3.6 with streaming included). Meanwhile, the daypart scored a 2.7 share in the Men 25-54 demo, and a 1.7 share in the Persons 25-54 category.
For the full week (M-Su, 6a-12a), the station saw identical 2.8 shares with Persons 35-64 and Men 25-54. With Persons 25-54, the number drops to a 1.7 share. Adding streaming to the mix, the figures jump to a 3.1 (both Persons 35-64 and Men 25-54) and a 1.9 (Persons 25-54)
Ratings data for The Big 550 KTRS and NewsTalk STL was not available.
Ratings reports and analysis are written by BNM and sponsored by Crowd React Media, a division of Harker Bos Group. Learn more about the different ways media research can benefit your station and cut through the noise by clicking here.
The ratings battle between Sportsradio 96.7/1310 The Ticket and 105.3 The Fan remained fierce in the Dallas winter ratings book. Each sports radio station recorded wins, starting with The Ticket grabbing a first-place ranking in weekday prime (M-F, 6a-7p). According to the latest Nielsen numbers, the station produced a 10.6 share with Men 25-54. That was three-tenths of a share higher than their previous quarter.
Mornings on The Ticket featured The Musers with George Dunham, Craig Miller and Gordon Keith. The trio amassed a 12.8 share, first-place finish from 5:30a-10a. Measurements within the fall book spanned the 6a-10a CST daypart, and tabbed The Musers with a 12.2 share and first-place outcome. The co-hosts were all inducted into the Texas Radio Hall of Fame during the fall book. They also welcomed a new producer, Jacob “Detty” Detamore.
Middays on Sportsradio 96.7/1310 The Ticket were split between The Invasion and The Sweet Spot, shows that were added following the retirement of Norm Hitzges and departures of Dan McDowell and Jake Kemp. Donovan Lewis and Matt McClearin of The Invasion, and Sean Bass and David Mino of The Sweet Spot combined during the 10a-3p CST hours to deliver a 6.9 share. That performance placed the midday programs in third-place for the quarter. The result was a full share lower than the fall book.
Afternoons with Bob Sturm, Corby Davidson and Dave Lane on The Hardline represented the station’s best quarterly finish. The show ranked first with Men 25-54 with an 11.3-share, up four-tenths from the fall book. The Hardline airs M-F 3p-7p CST.
Moving to 105.3 The Fan, the brand finished second for the quarter with an 8.4 share among Men 25-54 in weekday prime (M-F, 6a-7p). The station added one-half a share from the fall while delivering higher weekly cume than The Ticket (120,800).
In morning drive, Shan Shariff, RJ Choppy and Bobby Belt generated a 9.2 share for the quarter, equating to a second-place finish during the 5:30a-10a CST daypart. Shan & RJ improved by 2.1 shares from the fall book with Men 25-54.
The Fan scored a win in middays thanks to K&C Masterpiece. Kevin Hageland, Cory Mageors and Mike Bacsik finished second with a 7.0 share, one-tenth of a share above The Ticket from 10a-2p CST. The separation between both stations diminished though by six-tenths of a share from the fall book.
During the traditional midday hours of 10a-3p CST, The Fan was two-tenths of a share ahead. Those hour are occupied by K&C Masterpiece and the first hour of GBag Nation. Combined the two shows delivered a 7.2-share for 105.3 The Fan, three-tenths better than The Ticket. The only downside, The Fan lost 1.3 shares from the fall book during the 10a-3p CST block.
From 2p-7p CST, Gavin Dawson, Lucious Alexander, Bryan Broaddus, Eric Chiofalo and Zack Wolchuck collected a 7.7 share. That placed the program second, nearly three points behind The Ticket. GBag Nation lost seven-tenths of a share from the fall book. The Ticket dropped one-tenth during that time period.
Both afternoon drive shows saw a bump during the 3p-7p CST hours. The Fan snagged a 7.8 share, second-place finish. The Ticket enjoyed its aforementioned 11.3 share and first-place outcome. The margin between both outlets grew by eight-tenths of a share during this broadcasting window on the quarter.
Another interesting stat to pass along, 105.3 The Fan finished ahead of The Ticket in weekday prime (M-F, 6a-7p) among Men 18-49. The Fan produced a 9.0, first-place ranking. Sportsradio 96.7/1310 The Ticket garnered a 6.1 share, third-place outcome.
Ratings reports and analysis are written by BSM and sponsored by Crowd React Media, a division of Harker Bos Group. Learn more about the different ways sports media research can benefit your station and cut through the noise by clicking here.
Down seasons from the Carolina Panthers and Charlotte Hornets had no impact on the Charlotte Winter book. In fact, they might have helped. The market’s longtime leading sports radio brand WFNZ made history, securing its first #1 finish for a quarter since moving to the FM dial in March 2022.
The Charlotte sports brad ranked first in weekday prime (M-F, 6a-7p) with a 12.2 share according to the latest Nielsen data. WFNZ gained 3.3 shares from the fall, and an even more impressive 4.9 shares year-over-year.
Strong stories existed throughout all dayparts too.
In mornings, Chris “Mac” McClain and Travis “T-Bone” Hancock had the best performance for the quarter with a 14.6 share to finish first with Men 25-54. Their 3.9-share gain from the fall was the largest improvement at the brand as well. Year-over-year, Mac & Bone moved from second to first, adding 5.8 shares in the process.
The two-hour early midday slot with Jeff Rickard and Colin Hoggard produced an 8.4 share for the quarter, up three-tenths of a share from the fall book. That placed the show in third. Charlotte Sports Today accrued a 6.0 share in last year’s winter book, meaning the program has grown by 2.4 shares year-to-year.
The ensuing three-hour midday slot with Walker Mehl and Wes Bryant moved up four ranking positions to first with a 9.9 share for the fall. The duo improved 2.9 shares from the fall, and 3.1 shares year-over-year. Mehl and Bryant joined the WFNZ lineup in the fall of 2022. They had not finished higher than fourth prior to this ratings book.
Kyle Bailey recorded his third consecutive quarter of growth in afternoons, earning a first-place finish with a 12.8 share. Bailey’s figure with Men 25-54 was up from his 8.3 share, fourth-place finish in the fall. Year-to-year, afternoons have picked up 5.8 shares and four ranking positions.
The station’s evening program, Instant Replay, which runs from 6p-7p, and leads into Charlotte Hornets broadcasts ranked first in the market with a 9.8 share. Additionally, the 7p-12a EST block recorded a second-place tie with a 7.7 share with Men 25-54.
For the full week (M-SU, 6a-12a), WFNZ finished first with a 10.4 share. The 2.4-share gain breaks a second-place tie it held during the fall book. Ratings information for FOX Sports Radio Charlotte and 730 The Game was unavailable this quarter.
Ratings reports and analysis are written by BSM and sponsored by Crowd React Media, a division of Harker Bos Group. Learn more about the different ways sports media research can benefit your station and cut through the noise by clicking here.
In 2023, The Walt Disney Company laid off 7,000 employees in an effort to slash $5.5 billion in operating costs. Four percent of the company’s global workforce was affected by the changes, including local program directors Amanda Brown at ESPN LA 710 and Ryan Hurley at ESPN New York. They were tough outcomes for both media professionals who had been with the company in various capacities for a combined four decades.
“The position or the job becomes part of your identity after almost two decades, so yeah, it was obviously tough [and] not an easy thing to cope with,” Hurley said. “But listen, if you stay negative about something too long, it’s not going to get any better.”
While Hurley was the program director of ESPN New York, the station underwent several changes to its lineup but always had a consistent presence in afternoon drive with The Michael Kay Show. Afternoon drive ratings battles between ESPN New York and WFAN drew public interest and cultivated on-air discussion about the metrics. Being within the number one media market in the United States, Hurley felt that he and his management team maintained a strong culture that held despite several alterations.
“You know you’re going to get your sports,” Hurley said. “It’s ESPN – we have that backing there over the years of course from a great sports brand, and you know you’re going to get there, but we really did a good job with the entertainment value as well I thought, and that’s throughout the building – production-wise; imaging-wise – and I just think the biggest part of that is the way the culture is building the team.”
Although Hurley was no longer in a media building on a daily basis for the first time since college, he did not sit on the sidelines. He spent more time with his family, something he had not done in recent years, while remaining vigilant and monitoring the business for potential openings in content creation, production or management. Whether or not an opportunity came in radio was not a deciding factor; rather, he wanted to assimilate back into the media business.
At the same time, Hurley also reflected on his career. He thought about decisions and subsequent outcomes during his time with ESPN New York. Over those two decades, he built several relationships with media professionals, receiving several offers of assistance and guidance.
“I’m not even over-exaggerating – the people that were just there and supportive [of] me – it’s humbling to be honest with you, and to see that, it was actually pretty awesome,” Hurley said. “The people and the support I got to try and make sure everything was going okay on my end, trying to help me out looking to get back in somewhere – all that stuff is positive stuff I took from a huge negative.”
While Hurley was preferential towards the business and greatly values the craft, he did not want to limit his options. Aside from wanting to work in New York, he did consider other industries in order to support and take care of his family. Despite being proud of what he and his colleagues achieved at ESPN New York, he wasn’t going to be restrained by the business.
“There weren’t a lot of opportunities, I’d say, in the beginning, and that goes for everybody in different industries,” Hurley said. “I just think it was a tough climate for openings and job availability, so eventually if I had to go do something else, I would have, and I don’t care what that is to be honest with you.”
When Jon Marks chose to decline a contract extension and exit SportsRadio 94WIP after six years, it began a chain reaction of events within Audacy that led to a drastic internal shakeup – at least it appeared that way superficially. In reality, then-Audacy vice president of programming Spike Eskin had informed Audacy New York market president Chris Oliviero that he was going to be leaving the station in October, roughly three months ahead of the public announcement.
With Marks out of afternoons, SportsRadio 94WIP crafted a new program with Eskin joining co-host Ike Reese and producer Jack Fritz. The vacancy for a role with oversight over WFAN and Infinity Sports Network intrigued many candidates to inquire about the position and resulted in a three-month selection process.
“This is a legendary station I grew up listening to, and even though I was with ESPN – the competition – for the last 20 years, being out of work and laid off and the climate for jobs being what it was, No. 1, I was looking feverishly to get back in and applying for a lot of positions,” Hurley said. “So, when this one came about and I saw that it was posted, I was very interested in [it and] basically through my hat in the ring right away.”
In his youth, Hurley would accompany his father to sporting events as he worked as a cameraman for several marquee matchups, including various Mike Tyson fights on HBO. Yet he always found time to listen to the station from his days in elementary school, often setting a 60-minute sleep timer on his alarm clock as he listened to shows at dusk.
When Hurley woke up in the morning to prepare for classes, he remembers hearing Imus in the Morning and Mike Breen delivering sports updates. Even though he ended up programming against WFAN at ESPN New York for the majority of his career, he always remained cognizant and respected the station’s standing as a pioneer in the sports radio format dating back to its launch in the summer of 1987.
“The appeal is that it is the station in the genre and iconic [and] historic,” Hurley said, “and just to be able to be considered and then throw my hat in the ring to possibly be the one who’s going to be a PD and basically the third person in the station’s history, it was very appealing.”
Going into his meeting with Oliviero, Hurley heard from other people in the business that he was a consummate professional, a sentiment that he concurs as being accurate. Being in his office and seeing the radio memorabilia that Oliviero has collected over the years, Hurley could evince the passion that he had for radio. The discussions centered around various facets of the station and included time to speak with Spike Eskin and Sean Argaman about the role as well.
“You want other people that you trust in your building and to say, ‘Hey, why don’t you meet with them as well?,’ and we did that as well at 98.7 – I thought that was important,” Hurley explained. “It’s just good to get other people involved in the process to bounce stuff off of, but the process was excellent and the people here are great, and it was great to sit with them.”
Hurley and Oliviero had several conversations about the role and ultimately ended up landing the position as brand manager of WFAN and Infinity Sports Network. Before he was offered the job though, he learned that Jon “Stugotz” Weiner was in the running for the role. A longtime WFAN enthusiast, Weiner expressed interest in the position. As time progressed, Weiner was in conversations for the job but ultimately did not take on the position.
“I know him well and he’s a good dude, and it would have been a definite interesting hire, but the way it shook out and the way they talk about it, I don’t know how everything really ended up working out as far as the conversations he had because I just wasn’t privy to it, and I wasn’t 100% sure if I was the guy afterwards,” Hurley said. “I felt I was the guy to do it – I’ll tell you that, and that’s not to be cocky – but just my confidence and I thought I’d be a great fit here and just thrilled that it worked out that way.”
Once the news circulated pertaining to Weiner, speculation and noise surrounding the decision continued to amplify, especially when Eskin shared that Audacy was on the precipice of making a decision in what was his final morning show appearance leading the station. Hurley was offered the role late the following week, an outcome to which he responded with exhilaration and euphoria. Galvanized by the possibility from the beginning, he arrived in the office for his first day the next week and has been interacting with personnel around the station.
“This is a team that already has a really good culture and has had some success. I’m being sarcastic with the word ‘some’ success,” Hurley said. “This is the place, and they do great work here and have for years, and the talent on the air we have here is incredible and the production staff is incredible and management is incredible.”
Concurrent with Hurley’s hiring was the promotion of David Mayurnik to assistant brand manager of WFAN and Infinity Sports Network. Mayurnik got his start in radio as a tape operator with WFAN and moved over to serve as the news operations manager and New York Yankees radio network producer for WCBS. In 2012, he became the executive producer of CBS Sports Radio and assumed program director responsibilities for the national outlet seven years later. Gaining insight on both brands, especially the recently-renamed Infinity Sports Network, is an invaluable resource for Hurley to utilize throughout his formative time at the outlet.
“The first few days here, we’ve already dug in and had a few meetings already and talking some strategy,” Hurley said. “It’s going to be great working with David – he’s an awesome guy – and then everybody here that has worked with David has just the most amazing things to say about him, and I’m looking forward to it.”
Last summer, WFAN instituted a new programming lineup upon the departure of Craig Carton from afternoon drive to work at FOX Sports 1 on a full-time basis.
“I think the lineup is in great shape,” Hurley said. “These guys do great shows and their production crews are incredible, and I’ve already dug in with some of the producers already for a few meetings and I’m just getting to know them as well.”
Through the changes at the station, its morning drive duo of Boomer Esiason and Gregg Giannotti have remained a consistent presence at the top of the ratings. The Boomer & Gio program includes well-versed personalities that Hurley acknowledges collectively operates akin to a machine.
“They know what they’re doing, and they’re doing a great job and they have done a great job for years,” Hurley said. “They put together incredible, entertaining radio and shows, and you’re going to get your sports obviously. You’re going to get your opinions and expert insights, but you’re also going to laugh your ass off, so I think that’s important.”
Infinity Sports Network contains a lineup of several prominent hosts, including Jim Rome, Bill Reiter and Zach Gelb. In fact, Hurley remembers Gelb’s father and WFAN executive Bob Gelb setting him up to do shows on Radio Row when covering the Super Bowl from the time he was in elementary school. Hurley will look to remain ahead of the curve with both outlets and cultivate a long-term strategy for continued prosperity despite fluctuations in radio and incessant discussions surrounding its sustainability.
“Its death has been predicted a million times, but there’s no other kind of platform that creates a type of intimacy and relationship with a listener or who someone consumes,” Hurley said. “Now there’s different modes and maybe some better technology in certain areas, but honestly, that relationship between radio and listener, it’s not going anywhere.”
On the same day Audacy officially announced Hurley as the new brand manager of WFAN and Infinity Sports Network, New York Yankees radio play-by-play broadcaster John Sterling retired from calling games after 36 seasons on the air.
No full-time successor has been named to the position, with Justin Shackil and Emmanuel Berbari currently among the rotation of announcers throughout the regular season. Upon hearing the news, Hurley reflected on the anecdotes he had heard about Sterling from Michael Kay, who worked with him on radio broadcasts for 10 seasons on WABC. During Hurley’s time at ESPN New York, he also produced The Michael Kay Show in afternoon drive and was on hand for its 20th anniversary celebration a year-and-a-half ago.
“The guy’s a legend – he’s going to be missed for sure – and it definitely came as a bit of a shock to hear that, but just some of those calls over the years are just iconic, fun and the creativity that he’s put on it,” Hurley said. “It’s going to be different – it’s going to be very different without him in the booth with Suzyn [Waldman].”
As Hurley begins his tenure with WFAN, his former employer is set to enact a drastic change to its means of dissemination. Good Karma Brands will end its local marketing agreement with ESPN New York 98.7, forsaking the lease of the FM signal from Emmis Communications. As a result, the outlet will be available to hear utilizing the 1050 AM signal or through other digital distribution means, including the ESPN New York app.
“It’s definitely a difference in sound and sometimes quality, but I don’t know that it’s essential to have an FM signal,” Hurley said. “It’s definitely helpful for sure, but you’re looking at a place in 98.7 or ESPN that still had 1050 rolling with either simulcasting or using 1050 for network programming and also as overflow for play-by-play properties and partners, so that’s the same here [with] 101.9 and then having 660 to simulcast but then also help out with overflow play-by-play is huge.”
Hurley intends to maintain the success of WFAN and Infinity Sports Network while also positioning both outlets for future growth under the aegis of Audacy Sports.
“The plan is to do everything we can to [try and] stay ahead on those other platforms and produce good stuff and content there that supplements and supports,” Hurley said. “But content is king, and we’re just going to work as hard as we can and do everything we can to keep churning that out.”