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Fox News Digital Marks 3 Straight Years Leading Multiplatform Minutes

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Fox News Digital finished the first quarter leading news brands in multiplatform minutes, marking the 12th consecutive quarter leading the category.

The network saw double-digit year-over-year growth in the sector with 9.8 billion multiplatform minutes, according to Comscore.

Additionally, Fox News led the first quarter in multiplatform views with 4.9 billion. On average, the network featured 111 million unique visitors per month to its digital platforms, including 5.8 million unique visitors to its mobile app in the first quarter.

Fox Business also saw victories in the business media sector. The YouTube channel for the network garnered 182 million views in the quarter, up 20% compared to the same time frame in 2023.

Also, FoxBusiness.com averaged 28.7 million unique visitors per month in the quarter, up 21% in year-over-year growth.

Meet The Bettors: Kelly ‘In Vegas’ Stewart

Kelly Stewart is the kind of person that the gambling media needs. She has thoughts not just on the players and results, but she thinks hard about the industry and what trends will be the next to rise to the top.

Maybe you first heard her name because of the controversy surrounding her hiring and firing from ESPN. Maybe you’ve never heard her name at all, because you only know her as Kelly in Vegas. 

What I can say for sure is that she isn’t hard to find. Her content is everywhere. She hosts shows for Outkick, the Superbook, and WagerTalk, a brand she also owns a piece of.

Kelly is the latest conversation in our Meet the Bettors series presented by Point to Point Marketing. We talk about the evolution of gambling Twitter, the challenges faced by media companies launching their own sportsbooks, and why customer service is so important for picks services.

Demetri Ravanos: Can you tell me how you learned to make your way, and I might even say conquer, gambling Twitter? I mean, that’s how most people came to know Kelly in Vegas in the first place. 

Kelly Stewart: Oh, boy. I don’t know if I’ve even still been able to navigate gambling Twitter. It is such an awesome place and very unique. I’m going to say that, because I have met some of my best friends in the world on gambling Twitter. But my brain also wants to say the word cesspool because that is also what it is, right? 

DR: Chris Fallica from FOX used that exact same word for it.

KS: There is so much hate and vitriol when in reality we all have the same goal. We’re all laying eleven to win ten. It’s all of us versus the bookmakers. These trolls on the internet, unless they’re bookies, which they could be, should not be mad at me. I’m not battling. You know, my good friend Hakeem has it pinned to the top of his page from years ago. “I’m not here to compete with anyone.”            

Once you kind of realize that the competition is you versus the books, this is a competition within yourself and you’re trying to be a better version of yourself every single day. Then you really start to look at Twitter a lot differently.            

I’ve muted several types of words. I muted tons of people. Unfortunately, I’ve had to block some people, but overall, I would say that is a great place to have some really cool discord, whether you agree on a team or you disagree on a team. I have gotten great information from absolute utter strangers in my DMs. “Hey, just so you know, this team’s flight is four and a half hours late.” I mean, this is years ago, before it became public knowledge like it was with the UConn team plane. It was stuff like “Oh, hey, I happened to watch practice today, and this is what happened to point guard A” or “Guy B got carted off.”          

Being able to get the best of the information is so critical. So, when you have that network and it works to your advantage, it can be a really beautiful thing. 

DR: So, whether it is because Twitter has changed or because the amount of access to gambling has changed, how have you seen gambling Twitter change? 

KS: Well, it’s crazy because when I got on Twitter in 2009, you just said whatever without any repercussions. Clearly, I was one of those idiots. You just got on and you just typed away.           

I could go on and say, “I don’t like Notre Dame for this reason,” and every Notre Dame person would be mad at you and tell you why you’re wrong. Then it became just such a bigger entity.    

You’re absolutely right. I think gambling Twitter, pre-PAPSA, was a little different. It was a lot more of a hateful place. Touts, people that sell picks, were all over it. It was like the tout world with the customers being able to talk back, and then there was a battle between touts. Who’s smarter? Who knows more? Who’s getting better information? Who’s got the best CLV (closing line value)?        

Now, it’s just such a free for all. There’s so much free content out there. Like we have 38, 39 states about to be 40 states coming on board, and the more states that come on board, the more mainstream that gambling has gotten. That’s really what’s happened to Twitter, too. It’s really brought out a younger demographic. I mean, some of these kids that produce content are barely old enough to place a legal bet, right? And they have more followers than I do! It’s because they’re objectively hilarious. They’re objectively more talented from the creative standpoint. No one is watching them because they win or lose. They’re watching them for entertainment.        

You even hear the word, wager-tainment, which my friend Nick Kostos coined. It’s really interesting because people are going to hate you even when you’re winning, right? They’re going to hate you when you’re losing, but they’re going to still hate you when you’re winning. But if they’re entertained, they’re going to stay around. It’s a really unique pair of words that he put together to describe what I think Twitter is really turning into. 

DR: Let’s circle back on something you said, regarding touts because I do want to ask you about that. But first, just sort of give me an idea of where all people can find your content these days because you’re not just at Wager Talk. 

KS: No, I’m actually all over the place. So, unfortunately, with the layoffs that happened over the summer at Barstool Sports, I was one of those and I thought, “You know, it’s end of June. Football season’s right around the corner. I’ve got a lot of work to do, and I can’t be worried about scrambling to find another job. I’m just going to freelance.” So that’s what I’ve been doing since then.           

I have talked with several companies about what I want to do, and I have to make some decisions with my agents, but as of right now, I’m all over the place. I revived The Kelly and Murray Podcast because that was something that I really enjoyed doing. I’m doing a little bit more stuff for the Superbook. I’ve been friends with those guys for years, so that was a very natural fit. You already mentioned WagerTalk, which has been such an integral part of my career. I owe those guys the world, and they gave me a little piece of the company, so that didn’t hurt either. Then I even got into doing some more of what I would call daily fantasy stuff, but more from the player prop side, which is kind of in a gray area.  Some people say it’s gambling, some people say it’s not. It’s definitely gambling. Whether that’s Betr or the Prize Pick world.           

I was doing the rough with Betr. Those guys were super fun because they are hyper creative. Like, that entire office is just a creative vibe. Those guys and I parted ways after Super Bowl because, well, there’s not a lot for me to do until football season starts again. Then I partnered up with the Slash Sports guys. So, we’re doing survivor contests. My girlfriend Pam and I did a Masters pool, which was really tough for me because I have been slacking on the golf front, which is why I decided to partner with Pam. She’s such a great golf handicapper.

Now, I’m just trying to sift through all of it. Where do I want to be? I’m doing some of the stuff with Outkick, which, of course, is now owned by Fox. We’re in some negotiations about what is the bigger picture for me with them, but really, I’ve just been enjoying myself this whole season and saying, which is not something that when you’re under contract, you really ever get to do. You’re pretty much exclusive to that one entity, and that’s okay. That works for some people. I really like being able to kind of set my own schedule. I got to go to Mexico last week for one of my best friend’s birthdays. That would have never happened if I worked in a very rigid, corporate media position. They’d have been like, “you want to go where for March Madness?” I remember telling Clay I was like, “Oh, I’ll be in Mexico next week.” He goes, “Do you want to cancel the show?” I was like, “No, I’m doing it from the beach.” 

DR: As a gambling content creator, do you ever approach making a new video or podcast, whatever it might be, do you ever approach it with the idea of your goal being turning people into gamblers or are you always approaching it with the idea that you are talking to people that are already gambling? I don’t mean for that to sound nefarious, but is there ever stuff that you are putting out there in your mind, at least, part of the goal with it is to show people that might be interested that “hey, this doesn’t have to be as scary as you think it is?”

KS: That’s very interesting. A few years ago, we were filming a series at the Superbook on showing people how to bet. This was way before phones, right? Like we’re talking 2017, 2018. What it was, was “are you scared to walk up to the window? Well, here’s what you do before you walk up to the window.” So, you’re prepared, right? The videos did okay. Then phone apps came out. Now we don’t have to explain that to people because they just start typing on their phone and they figure it out, right?           

My boyfriend’s little sister, we live in Florida. She’s like, “I got a Hard Rock account.” I’m like, “why?” She got it because “I want to put money on the games with my boyfriend, and I want to have fun.” And I’m like, “how much money did you put in there?” She says, $200, and I go, “okay, what are you going to do when you lose that $200? Because it’s going to happen.” And she’s like, “Well, I haven’t thought that far yet.” I said, “Well, you should think that far.” You know, I hope at WagerTalk, what we do is educate people to become better bettors.           

I don’t think I actually have really done much in terms of growing people into gamblers. Maybe that’s something I should look at, because if you have somebody who’s green and doesn’t have any experience and you explain to them in the beginning, you are going to lose, you’re laying eleven dollars to win ten, and here’s the reality versus they’ve already been gambling for 50 years. Those people are like, “quiet lady, I’ve been doing this for a while and don’t need your opinion.” It’s kind of funny, because some of those people, you can’t educate them. There are other people who are willing to learn. I wish I had a better answer for you because I don’t think that I’ve ever gone into it. Like saying, okay, we need to get more gamblers, but definitely some companies I’ve worked for, that’s how they make money. 

DR: So, I want to circle back on the tout discussion because, especially in states where online is legal, getting information as you place your bet is very easy. In a lot of cases, the tout advertising that used to be all over local TV and radio at night has disappeared. The idea of those businesses has become almost like a bad word.

WagerTalk is a pay-for-picks service. So talk me through how it’s different from the days of calling a 1-900 number and having to wait five minutes to hear a lock of the day. Why does one work in 2024 and the other doesn’t?

KS: We’re definitely a pick service. The bottom line, yes, we have a YouTube channel with 100,000 plus subscribers where we give free information out every single day, but you’ve got to watch the shows to get it for free. You’ve got to follow the Instagram channel. You need to follow some of the guys themselves. They give out tons of free information and that I’m very proud of. As I mentioned, my goal is to make people better bettors and to lose less money. Something that used to get said in the industry a lot when I worked for Don Best in like 2013, 2014 was “People don’t stop buying picks. They stop buying picks from you.” Like, that’s kind of weird but not incorrect.           

I wonder though, as the generations get younger, if people are just going to stop buying picks, because here is what the other psychology of it is: why do people buy picks? Well, because they want to win or they want to think they’re going to win, but if they still lose, they want someone to blame. I find that also to be another interesting side of the psychological aspect of gambling.           

I’d also like to think that people are paying for information that they don’t have.  Let’s use Ralph Michaels, for example. He and I do a weekly show during football season called Bet on It. His segment is called “Trends and Angles,” and I only want actionable information from Ralph. I don’t want him to say, “well, the last ten games, UConn has covered the spread in the NCAA Tournament.” That stuff you can find everywhere. “Yeah. Thanks, Ralph. We know that, right?”  

He’s not going to do that. He’s going to dig deep into a database that goes back into the 90s. And he’s going to say, “here’s how double-digit home dogs have done in college football since 2003.” Like he’s got something to either play on a game or play against a game. When you’re getting his stuff, you’re getting a lot of that actionable information that might not only pertain to that game, but several others throughout the course of the season. There are other guys like Marco D’Angelo who don’t use a lot of power ratings. He’s looking for those sandwich spots. Sure, you can find those sandwich spots yourself, but are you going to scour through, you know, 313 NCAA basketball schedules to find them? It’s what he’s doing before the game tips off in November. He’s thinking, “Okay, here’s a really flat spot. This could be really interesting. Let me write this on my calendar so that it’s here.”           

We’ve got guys that are, you know, particularly in NBA circles, they get great inside information. A few weeks ago, I never knew this. I should have. It made sense as soon as one of our guys said it. Of course, the Pacers bus to Chicago, why the heck would they fly to Chicago, right? I never really thought about that. Well, their bus broke down. They had a flat tire. It took four hours. They walk into the gym and say screw it; we’re not doing shootaround. We’ll see you at game time. Guess what. They got the doors blown off, okay. They just were pissed off and annoyed. Those types of things, you’re not going to get all the time and those are the types of things, I think, that do still provide a value, but I am genuinely curious to see where the industry is going.           

We see a lot of different sites, they provide different analytics, whether it’s KenPom or Bart Torvic for college basketball or you hear from the shot selection guys. You have to kind of be able to dissect your information. I like to think that that’s what our handicappers at WagerTalk do for those guys that have full time jobs that can’t do this full time, because all of that data collection really is a full-time job. They’re going to give you your information and you can pick and choose. “Do I want to play all their stuff? Do I only agree with them here? Do I only agree with them there?”

We have a really great customer service team and I give them tons of kudos. We always like to take care of people, and if there’s somebody who’s unhappy, we always are, like, “Here you go. Here’s a refund or you can join up with another guy.”

So, I like to think that we are the, least tout-y of the touts, right? When it comes to a gambling scale, we only allow guys to do 1% to 5% of your bankroll. You should never bet more than 5% of your bankroll. We don’t allow them to have more than four five-percenters a month, because that would be 20% of your bankroll. There are limitations in place.            

I don’t sell picks. Have I sold picks? Yeah, absolutely. Have I thought about selling picks after the Action documentary? I definitely did. Plenty of guys made a lot of money selling picks, but I said, “No, I’m having a really good time. I’ve got plenty of media gigs where I give these all out for free.” 

DR: Because of the way you have been in the media, you have a little more freedom than your typical over-the-air network has had in terms of the way you cover sports and look at gambling angles. So, Fox started out covering betting, then launched its own book. Barstool starts out talking about betting, launches its own book. Now they’re both out just as ESPN has launched its own proprietary book. What are some of those traps or obstacles that come with trying to be both the media and the book that maybe even the companies just can’t avoid, because of how these business and the laws are set up?

KS: That’s really interesting. I’m not actually even sure what happened with Fox Bet, but I can tell exactly what happened to Barstool. They have been called the pirate ship for a reason. They are unapologetically, just completely out of their minds and say whatever they want with almost zero repercussions. Well guess what? Gaming is going to deal with 40 different states that are going to have something different to say about it. As somebody who grew up in the Nevada gaming world, Nevada has its own sets of rules and regulations.           

I sat in on three different Massachusetts gaming meetings, and I was appalled by some of the ideas and some of the things that these people who have no idea about gambling outside of a casino in regard to sports betting are upset about a can’t-lose parlay with Big Cat, but in the same breath, now we have Rece Davis saying the same thing on ESPN. That’s why I called a spade a spade. I know a lot of people were like, oh, you’re being ridiculous. I said, “When it comes to the law, it has to apply to everyone. And if it’s got to apply to some, it’s got to apply to all.”           

That’s literally what I think happened with Penn. They said, “Oh, shit. We maybe should have looked into this company a little bit more.”           

I think maybe they thought Dave was just going to ride out his contract and ride off into the sunset. I remember there were so many times with Penn where I’m like, “hey, guys, if you want me to go do this event, if you guys want me to do this, you guys want me to do that” and Dave’s like, “you’re not using my talent to do X, Y, and Z. This is what we agreed to.” And I’m like, “oh, okay, I volunteered, but if you don’t want me to do that, okay.”           

I’m guessing something similar happened at Fox, right? They had the show, they were in L.A., they, you know, had Todd they had Clay, they had Sal, and they were the first ones to launch. I did Fox in the Westgate Superbook in 2014, and it was a really fun show.  I’m guessing that it doesn’t always equate to players though, so it didn’t always equate to hard dollars. When you’re spending millions upon millions of dollars to acquire customers – only the certain kind of customers though. Don’t forget, they don’t want the sharp customers. It’s tough to do.           

WagerTalk is based out of Michigan. If there’s something that I want to bet, I can just make a call like, “hey, you have an MGM account and like, can you beat this?” It takes like five seconds because they have everything at their disposal versus in Nevada, which doesn’t allow DraftKings or FanDuel and probably will never. Then you’ve got Massachusetts that seems to be the strictest. New Jersey still can’t bet on college games. There are a couple other states that are now going “we may backtrack and rewrite the law and not allow you to bet on college games.” So, there’s a lot of hoops. There’s a lot of things to navigate, especially in multi-state situations. And I think that’s ultimately that’s what’s going to be the hardest for some of these operators, because you may be able to offer something in one state but not in another, and then you’re going to piss people off. It’s a muddy situation to try to navigate. 

To learn more about Point-To-Point Marketing’s Podcast and Broadcast Audience Development Marketing strategies, contact Tim Bronsil at tim@ptpmarketing.com or 513-702-5072.

Blake Thompson Led a Digital Revolution for Dave Ramsey and Ramsey Solutions

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In 1996, Dave Ramsey — host of what was then called The Money Game — told SuperTalk 99.7 WTN executives he wanted to nationally syndicate the program. When engineers told him they were too busy to handle the technical aspect, they asked who would handle the syndication. Ramsey pointed to his producer — Blake Thompson — who was in his first week on the job.

Thompson didn’t know it at the time, but that moment would go on to represent much of his tenure at Ramsey Solutions, leading the company into new frontiers.

While maybe not viewed as a usual suspect in the digital media landscape, The Ramsey Network has seen some of the medium’s greatest success in the podcasting and digital video mediums. The Ramsey Show’s YouTube channel features more than 626,000 subscribers. That number pales in comparison to its “Highlights” channel, which boasts just over 3 million.

The company has compiled more than a billion views on YouTube, while simultaneously eclipsing more than a billion downloads on Apple Podcasts.

Blake Thompson was hesitant to take credit for the company’s overwhelming success in the spaces. Instead, he pointed to the message Dave Ramsey and Ramsey Solutions present, and the need to embrace whatever platforms their intended audience uses as the biggest drivers of the content’s success.

“It’s the same mindset of wanting to get to people where they’re at. So maybe a new generation comes up, and they’ve heard about our show because of radio, because their parents listened, or some older generation. The real young generation is starting to come up and they already know about us because of radio, which is so cool to see. But they happen to have a new Tesla that doesn’t have a radio, and they have a CarPlay, or they only use YouTube. They don’t even know what cable TV is,” Blake Thompson joked.

“And so with that mindset, it’s just about reaching the most people where they’re at. That’s how we went about it. We just learned early on to always try to be a step ahead in what’s coming … We try to stay ahead of the industry in with the right context and kind of see where it’s going and try to be a step ahead in planning of production … but now we’ve learned to shift and also spread and disperse more in our distribution department to these other platforms.”

Despite the network’s current success, getting to this point was a series of trials and errors.

“The thing we learned earlier was the format difference. We did, forever, just cut and paste. And when I say that, we did a radio format three hours a day, and then just put those three hours on a podcast Monday through Friday. We just threw up three hours up on YouTube,” Thompson said. “Well, the way you’re measured for success with analytics are just different on those and as time goes, they look at things differently. Where, of course, you want to be on radio all day long, but maybe on YouTube, they’re going more for consumption and how much time is really spent on the content you’re putting up.

“So we really learned that, actually, you could do too much content on some of those digital platforms. On podcast, we were doing 15 hours a week. You normally said ‘That’s great because people are getting all this information.’ But at the end of the day, you’re not having someone sit in their car for three hours. It’s the same with radio. You’re trying to catch up on where they’re at back in the day that we started trimming that stuff down. And we had to learn that we had to do those in different formats or different lengths in order to win in those spaces.”

Ramsey Solutions is actually seeing its digital efforts translate to increased listenership for its terrestrial radio offering of The Ramsey Show.

“The best way to describe it is that they’re going to a Short because they happen to be on YouTube and they see a clip of Dave — even an old clip in the studio — and he hits a felt need with them that we’re doing a good job leading them further down and then they realize ‘Oh, this guy’s on the radio. I just happen to be on YouTube looking on how to fix my car hood. And I see this guy and then I recognize him from a billboard in my market or I’ve heard that name.’

“So in our last survey, we’ve really seen a crazy amount of people who have even come from those digital shorts, or Instagram, or TikTok over into listening to radio,” Blake Thompson shared. “It was neat to see people discovering us in those really short formats on video in other places, and then realize that we’re in their market on radio and tune it in when they’re in their car heading to work.”

One could think that seeing the expansive growth on the podcast and digital video fronts would be a tempting endeavor to chase full-time, leaving behind the show’s radio roots. However, Blake Thompson remained adamant that Ramsey Solutions will continue to be a radio-first organization.

“The fact that we’re still winning there and that we still get testimonies from people who have paid off all their debt, or call in, or come to the lobby to watch this on the glass, it’s still a major thing. We just treat it as equal as any other thing, we kind of have the mindset of whatever we’re doing, we want to be the best at that,” he shared. “We don’t say one thing’s more important than the other.

“Because if you come at it with a mindset that it’s about the people and not the platform and the analytics and just the ROI, and it’s truly about the people, then that’s the way you’ll go about treating radio, treating YouTube, treating Spotify, and treating whatever the new thing is down the line. Radio is just so special to us because it’s what made The Ramsey Show more of a household name. Because that was the original. That’s the way we grew, that was our baby. That’s our mothership.

“So it’s a mixture of me being an old timer here, making sure (new employees) understand that mixed with that, ‘Hey, it’s about the audience.’ So as long as radio’s around — and I’ve had many platforms that have come down the line of ‘That’s going to beat radio,’ and guess what a lot of those are dead and gone, and radio’s still here.”

Blake Thompson has been the right-hand man of Dave Ramsey and his radio network for nearly 30 years. The media world has certainly seen transformative change in that time. And while Thompson freely admits he never saw the company reaching the heights it has, especially in the digital realm, he was quick to point out that Ramsey Solutions has grown into the image its founder had when he launched it decades ago.

“It blows my mind that Dave envisioned the campus we have now, the size of the team we have now, and more importantly, the amount of people affected by the messages in the lives helped and change in the hope given,” Thompson said. “We both started together in a closet doing a radio show here in Nashville at the time, and we would drive 40 miles round trip to go do that show in a little closet studio on the campus of the Opryland Hotel.

“He sold me on this vision because it had happened to him, gone into debt, and doing it the wrong way, that he was called to teach people how to avoid the way he did it. And the phones my first day when I’m in there were lit up. There wasn’t an open line.

“And I didn’t know much about money. I wasn’t taught this stuff in high school … but I saw the need, I understood that it was bigger than just Nashville and that other people needed it, but I never would have guessed that we would have hit a billion downloads on Apple … I had no clue that this was going to be ahead of us, at this size. Dave knew it because it equaled how many people’s lives were changed.”

Does Anyone Really Think Radio Will Be Helped By the Rise of AI?

What’s one of the biggest complaints about broadcast radio and television? Too many commercials, right? The interminable wait before getting back to whatever you really want to hear? The stop sets so long that you can’t imagine the client whose spot runs in the middle of the break is getting any kind of value from it?

Then why are some podcast networks doing the exact same thing?

Take iHeartRadio. I listen to some of that company’s podcasts, and they open with several pre-roll spots and promos, insert several more in the body of the show (mostly pre-recorded, not host-read), and close out with the ultimate in useless, several post-roll spots and promos– the show’s over, the goodbyes and see-you-next-weeks are done, and… more spots and promos?  The thing podcast listeners are escaping broadcast radio to avoid? The saving grace is that listeners can fast-forward or skip ahead, but that’s not good for business, either.

Which brings me to the NAB Show. I missed this year’s show for the first time in decades, mostly because nobody was gonna cover my travel expenses, and so I missed this year’s Next Big Thing, which, of course, was artificial intelligence. From what I gather through others’ reporting, AI was everywhere at the LVCC, and everything had some kind of AI component involved. New-ish technology! Revolutionary! This changes everything!

Sigh. This isn’t going to change the things that need to be changed. The problems facing the media are more about humans than they are about technology. As podcasts are repeating the mistakes made by radio, AI-driven operations will only be as good as the people programming, feeding, and operating the platforms.

Radio people, handed podcasting as a new medium, applied their radio way of thinking to it, and so we have a half-hour podcast starting with a thick morass of ads and promos. Give them AI and what are they going to do? They’ll use it to crank out the same tired, personality-free, liner-card-reading content they’ve been doing on broadcast stations, just with fewer (or no) humans involved. They’ll use it to do back-office stuff with fewer (or no) humans involved. Will they do something creative, revolutionary, or different?

What do you think?

Here’s what I’d do: I’d assemble a team of the most creative people I could find, regardless of the medium in which they work. I’d present them with the technology and explain the capabilities. And I’d let them imagine what they could do with it, encouraging them to ignore what’s been done in the past.

Anyone who suggests doing a standard radio show but with an AI-generated “host” would be fired into the sun. Okay, maybe not that, but it would be unacceptable. If the cream of creatives can’t develop new, different, and compelling uses for AI, what’s AI worth to the programming side of broadcast media?

Right, reducing payroll to nothing might buy some companies a couple more years. I get that. But it’s like inventing the airplane and using it as a paperweight. You’re being presented with something a convention hall full of people are touting as revolutionary. If you can’t find a way to use it to lead a revolution, perhaps it isn’t the game changer everyone says it is.

Or maybe you’re not the game changer.

4 Tips for News/Talk Radio Hosts to Become Essential

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Markets are tumbling. Audiences are segmented. Advertising avenues are growing. If you are a radio host in any format, you must prove that you are valuable.

As I have said over and over again, the worst lie that can ever tell is the one that you tell yourself. So, here comes the definitive guide for being essential and indispensable.  

How Much is Your Radio Show Billing?

You need to know this. You may not be an Account Executive, but your show’s billing is enormously important. Your station’s Market Manager knows this. What is it? Ask your Market Manager this frightening question: “Is the billing good enough?”

Follow up with this even more scary question: What can I do to improve the situation? I have the answer for you.

You are an ambassador for your station and company. Everything that you do in public and quite frankly in your private life reflects your show, station, and company. Are you a good example? I don’t know, are you? Be honest. It’s just you and this article. What is the truth? Bad service at a restaurant, do you tip poorly or yell at the waitress? That sucks if you do this.

I guarantee you this: someone in that restaurant knows who you are. One bad impression spreads like mononucleosis among smooching 13-year-olds. You have someone repairing your car. Are you gracious? You hire an advertiser to fix something in your home. Do you argue over the bill? This can never happen. You must be gracious in all situations no matter if you have been wronged. People gossip like crazy if a “famous” person has been a jackass.

You have been taken on a sales call. How do you behave? A lot of talk show hosts are introverts. A lot of people in programming can only become alive when a microphone is on.

If you are to be considered essential, this must change. Shake hands with the owner, manager, or decision-makers and look directly in their eyes. Not in a creepy way like a stalker of Britney Spears. Smile. Ask questions. Pay real attention to these humans. Ask for a picture with the people you are meeting for your station’s social media. This is really important. You are making them the star. It matters not if they are buyers or not.

You will create an amazing story that these people will share at church, with friends, with fellow business owners, and at the bar. You will create a connectivity that will demonstrate that you are an amazing human being. They will share this picture, guaranteed. You will raise the status of everyone in that picture. Yes, you. The radio star who came to meet with this business that employs people. This business has many loyal customers. You are making a great memory.

Bring Ideas to the Table

Do you have an idea for a sponsored segment or benchmark? Tell your sales manager or market manager that you won’t air this until it is sponsored. Tell that revenue leader that if you can’t get it sponsored, you cannot air it.

Create excitement and opportunity for your Account Executives. Salespeople generally are not that creative. They sell what is put in front of them.

Back in the 90’s when I broke into radio, most market managers had a background in programming. During that time, these individuals had a fundamental understanding of your job. Your current Market Manager likely has very little understanding of your job and the programming department at your radio cluster. You must lead them. To be essential, you must educate them.

Make Sales Calls with Account Executives

Make one day per week dedicated to sales. Become that air talent who is willing to grind for more sales on your show. Come with recommendations.

When you are at a business, ask to be introduced to the owner. Tell that business leader that you love his/her company. Also, explain that you want to share your fandom on the air. Make an appointment to return with an Account Executive. This is a slam dunk for a sale.

Deliver Unforgettable Live Copy

Do you sound like you love the product or service? Are you excited about it? Your listeners will connect with what you love. These amazing people who listen to your show love you! These folks already share your passions, love your personality, and most importantly, trust you. This is sales gold!

The social media age has launched “influencers.” You are a real influencer. It’s not feigned victimhood, whacky stunts, or unreal circumstances. You have thousands and thousands of friends in that audience. By the way, never take it for granted.

You are essential. You mean so much to your audience. Be the face of your radio station, but never believe that you are bigger than the brand that you work for. You are a steward of that brand. Respect and love that brand. Know your place.

Remember this fact: Revenue trumps ratings, dedication, or longevity. Make yourself essential.

Rich Eisen is the Top Pick as NFL Draft Host

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We’re still a week away from the NFL Draft in Detroit. Who among us hasn’t attempted a few mock drafts through one of the many popular “draft simulators” out there? I know I have. Talk about this year’s selections seem to have started earlier than even last year. Coverage of prospects’ “pro days” have become commonplace on NFL Network and streaming platforms. So much attention paid to every little detail about players.

Draft coverage is big business for the folks at ABC/ESPN and the NFL Network. Both networks drum up the excitement of what may or may not happen for months leading up to the big night. They debut new and interesting things, like this year, Nick Saban joins the ESPN crew for analysis. The attention is massive as more and more fans dig deeper into their own team’s needs and possibilities. Thanks to all the information online, the average fan, can feel as educated as the bosses in the NFL. Ok, maybe that’s a stretch, but you know what I mean.

The coverage is wall-to-wall, minute-to-minute, pick-by-pick. It’s crazy how much depth there is to the telecasts, with backstories and packages on interesting players. The analyzation is so crazy these days, some of the information has nothing to do with the way a player may or may not perform if drafted. The stories are fine, but the over analyzation can be a bit much. For example, here in Chicago, we’ve heard the pontificators break down every word uttered by Caleb Williams, to see if he really wants to be the next Chicago Bears quarterback. It’s over the top.  

There’s only so much ‘predicting’ and ‘disappointment’ by the ‘experts’ on each and every pick in the draft. Especially on day two and day three. It’s nauseating at times. Listening to the criticism every single pick because it doesn’t match their “board” can be entertaining to some, but really annoying to others. As hard as it is to believe for some fan bases, the teams know their needs and what direction they may end up going a lot better than some of these analysts.

The NFL Draft is a lot to consume. Some viewers will watch, because they are such big NFL fans, they want it all. Others will watch the first round to be elated or disappointed at their team’s pick. More probably duck in and duck out of the coverage and take in as much as they can until it reaches the point of oversaturation. To me the glue that keeps a network’s coverage together is the host. A person that talks to you and not at you. The person sitting in that ‘anchor’ chair, had better be prepared and have a good disposition and a sense of humor.

If I had the #1 pick in the NFL Draft Host draft, I wouldn’t hesitate to take Rich Eisen. He is my favorite. Eisen has the perfect demeanor to host this marathon of an event. He figures out a way to make it entertaining without going over the top. After 20 years at the NFL Network, he has the hosting thing figured out.

Before last year’s draft, Eisen appeared on the Sports Illustrated Media Podcast with Jimmy Traina. The two discussed the hosts’ job when it comes to the NFL Draft. Eisen was honest and candid.

“If you’re gonna literally sit there and want to spend an hour or two, I got to make sure it’s entertaining, you’re engaged, but also informed and not gonna hit the button,” Eisen said.

Bingo. That’s the key. A host that understands not only what HIS role is, but also has a respect for the viewer. He knows that there is a lot coming at fans in the course of the long broadcast.

“My job is to if you are actually going to sit down and watch a four-to-five-hour event, I need to make it something that you want to hang and watch,” Eisen told SI. “If there’s too much of me in it, if I’m in your face, if I make everything a joke, if I make everything about me, you’re gonna turn off. And that’s the last thing I want to do. For lack of a better phrase and I’ll say it anyway, I just want it to be a ‘douche-free environment’. That’s it. That’s literally my radar screen the entire time when I weave in what I need to weave in.”

That’s an interesting way to look at it, but he’s right. Who wants to watch The Rich Eisen Show, featuring the NFL Draft? Nothing is cut and dry when it comes to the draft. Trades, reaches and head scratchers are commonplace, but you don’t know when they are going to happen. Eisen is one of the more prepared hosts out there and that certainly helps when the draft gives you a squib kick that’s bouncing all over the place.

To take the ‘if there’s too much of me’ portion of his answer above, Eisen uses his cast extremely well.  Eisen is the host, who has some talented analysts surrounding him, and he’s going to let them do what they do. The best hosts realize when it’s time to take a backseat to those more in the know. That’s why they are there right?

It’s not like Eisen doesn’t have opinions about the NFL and the draft. He recently said this on The Rich Eisen Show.

“J.J. McCarthy, right now is rising up draft stock conversations. He’s the odds-on favorite to be the 2nd quarterback mentioned now in the state of Michigan when the draft night hits.”

Shocking revelation, since Eisen doesn’t hide his Michigan allegiances. But the point I make is, there’s a time and place to make your thoughts known. That’s the reason people listen to and watch his show. That’s not why they tune into the NFL Draft, viewers want him to guide them through the experience and that’s what Eisen does, very well.

Spike Eskin Introduces Rules for Callers on WIP Afternoon Show

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Earlier in the week, Audacy announced that it hired Ryan Hurley to serve as the brand manager of WFAN and Infinity Sports Network, officially naming a successor to Spike Eskin and allowing him to begin his role on the afternoon drive program with SportsRadio 94WIP. Eskin officially made his on-air debut on Monday where the show discussed a variety of sports teams in the area, including the Philadelphia Eagles and Philadelphia 76ers. On Tuesday, the show continued its sports discussion but also introduced new facets to its structure, including a list of rules by which callers will need to abide in order to be featured on the WIP Afternoon Show.

Named the “Bill of Spike,” the document of six rules was revealed by Eskin during the broadcast, each of which was followed by a subsequent explanation. Before he began to read from the list, which he stated is non-negotiable, he provided his rationale as to why he was implementing these regulations within the program.

“Some things have gotten out of hand,” Eskin said. “There is a new sheriff in town. We need some rules. It is with great respect and honor that I introduce the Bill of Spike, the rules for calling the WIP Afternoon Show. A polite society, an organized society, a civilization has rules, and we will have rules for calling the WIP Afternoon Show.”

The first rule on the list mandates that callers must reach their point immediately. Even if the primary topic does not pertain to sports, it is essential that they begin discussing it upon being placed on the air. Should a caller have an issue with another listener of the show, the program will eventually get to it, but it will not be the first thing.

“Rule No. 2 – please do not ask how we are doing,” Eskin continued. “We’re great. We’re having such a good time. This is such a good job; it is silly; we all like each other. You don’t need to ask us.”

Eskin also added that if a team lost the game on the day before, it should be obvious that the hosts are not doing well. They will likely express those sentiments on the air within their discussion about the games and teams as well. When they are speaking with a listener though, Eskin made sure to inform them that they should not be calling into the show on speakerphone.

“If you’re on a speakerphone, just take the L,” Eskin said. “Do not ask us for a second to take us off speakerphone. We’ve already hung up; I’m already on to the next caller.”

The fourth rule on the list reads, “Don’t tell me the rules, I’ll tell you the rules,” something Eskin highlighted because there have been several callers who have questioned specific rules. Instead, he wanted to make it clear that he would be informing the callers of the rules rather than it being the other way around. He then proceeded to outline the fifth rule on the list, which specifically mentions how listeners should address Eskin, co-host Ike Reese and producer Jack Fritz.

“You can greet the hosts in any order possible, but please, limit the times you passive-aggressively do not say hello to one of us,” Eskin said. “I can see what you’re doing if you call up and you say hi to Ike and Jack and don’t mention me; you say hi to Jack [and] don’t mention me and Ike, so and so. We’re not doing that – we’re all friends here. If you’re going to say hi, say hi to all three of us. You don’t have to say hi to anybody by the way – you can just go.”

Fritz asked a follow-up question to Eskin regarding this rule pertaining to what would happen if a caller specifically asked for his takes about the Phillies. In response, Eskin said that he would drop the call, leading to Reese to provide his input on this directive.

“I have seen that scenario happen before where somebody has called up and said, ‘I just want to get Jack’s opinion on the Phillies,’” Reese said. “Now me, it doesn’t offend me at all – I’m like, ‘Go right ahead.’”

“You know what?,” Eskin replied. “I’m going to change my opinion. If you greet all three hosts and you want to ask Jack something specific about the Phillies, we can let that slide.”

The final rule within the “Bill of Spike” is that callers are not allowed to say that any of the hosts only received the job because of their father. Spike Eskin is the son of Howard Eskin, who was a longtime host on SportsRadio 94WIP and continues to appear across its programming while sideline reporting for its broadcast of Eagles football. Even so, Spike Eskin said he was standing up for everyone on the show with this rule on the bill, concluding the list and commencing a new era in afternoons on the station.

“The Bill of Spike – the rules are ingrained,” Eskin said. “They are in stone, they are posted on the wall, they are tattooed on my abdomen.”

While Reese believes that Eskin did an adequate job crafting the bill, he believes that the callers are going to initially fight against the mandate. After some time though, he thinks that they will conform to the rules about calling into the show.

“They will fall in line,” Eskin said, “or they will fall out of order; out of the rotation.”

TNT Sports Registers Average of 4 Million Viewers Across NBA Play-In Tournament Doubleheader

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The Western Conference slate of games within the National Basketball Association Play-In Tournament included plenty of star power and provided many exciting moments concurrent with the implications of the matchups. TNT Sports’ NBA on TNT provided coverage of the contests, the first of which squared the No. 7 New Orleans Pelicans against the No. 8 Los Angeles Lakers. Forward LeBron James and center Anthony Davis led the Lakers to a 110-106 victory in a game that an average of 3.91 million viewers watched across TNT and truTV.

The second game of the night featured the No. 9 Sacramento Kings against the No. 10 Golden State Warriors that measured an average audience size of 4.05 million viewers. Stephen Curry and the Warriors were eliminated after losing the contest 118-94, officially leading to a Friday night game between the Pelicans and Kings with the final conference playoff spot hanging in the balance. That matchup will be broadcast on TNT with tip off scheduled for approximately 9:30 a.m. EST from Golden 1 Center in Sacramento, Calif.

As a whole, the two games averaged 4 million viewers across TNT, truTV and the B/R Sports Add-On, which is up 37% from 2023. The Pelicans-Lakers game – broadcast by play-by-play announcer Kevin Harlan, analyst Reggie Miller and reporter Allie LaForce – was the third most-watched play-in game ever and up 74% over last year’s game between the Atlanta Hawks and Miami Heat.

Additionally, the Kings-Warriors game – broadcast by play-by-play announcer Brian Anderson, analyst Stan Van Gundy and reporter Chris Haynes – was the second most-watched play-in game ever and up 17% over last year when the Minnesota Timberwolves faced the Los Angeles Lakers. TNT was also the most-viewed network in prime-time television on Tuesday night among Persons 18-34, Persons 18-49 and Persons 25-54.

Jon Lewis of Sports Media Watch reports that the games rank fourth and sixth on the full season, four of which have included the Los Angeles Lakers. The Warriors have played in three of the six highest-rated NBA games in the season. Both contests also averaged a 1.5 rating among adults 18-49, which tripled the prime time broadcast of FBI on CBS. The only NBA Play-In Tournament game to top Tuesday night’s doubleheader was the Warriors and Lakers matchup in 2021 on ESPN, which averaged a total of 5.62 million viewers and ended in 103-100 Lakers victory.

Bill Belichick Co-Hosting ‘The Pat McAfee Show Draft Spectacular’ Next Thursday

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Former New England Patriots general manager and head coach Bill Belichick will join The Pat McAfee Show for its Draft Spectacular simulcast taking place next Thursday. The fifth annual edition of the broadcast will take place live from the NFL Draft in Detroit, Mich. and feature Belichick, appearing on the show to provide his insights and analysis surrounding the draft selections.

“I’m looking forward to it,” Belichick said. “Draft day; draft weekend is always an exciting time for everybody – for the teams that are building their teams and for the fans and for everybody involved in it – so it’s a great event and I’m looking forward to seeing it from the other side. It’ll be fun to be in Detroit, be with you guys and get your expertise.”

Earlier on Wednesday, ESPN reporters Don Van Natta Jr., Seth Wickersham and Jeremy Fowler released an article detailing how Belichick was unable to land a head coaching job after he and the Patriots officially parted ways. Belichick is third on the all-time wins list among NFL head coaches and helped the Patriots attain six Super Bowl championships over his 24-year tenure with the organization. The report also divulged that Belichick is expected to sign a deal with Omaha Productions to provide analysis and is interested in potentially coaching either the Dallas Cowboys, Philadelphia Eagles or New York Giants.

Within his interview with The Pat McAfee Show on Wednesday, Belichick discussed how teams go about preparing for the NFL Draft and the strategy behind the process. Ahead of the broadcast next week, he is watching film to get ready for the broadcast, which will air live on ESPN+, the ESPN App, YouTube and TikTok next Thursday starting at 8 p.m. EST.

Coverage of the 2024 NFL Draft on ESPN and ABC will include several network hosts, analysts, reporters and insiders including Mike Greenberg, Rece Davis, Laura Rutledge, Kirk Herbstreit, Adam Schefter, Mel Kiper Jr., Molly McGrath and Field Yates. Former Alabama Crimson Tide head coach Nick Saban will also make his debut on College GameDay on ESPN and the ABC broadcast of the NFL Draft. ESPN and ABC will present NFL Draft broadcasts on Thursday at 8 p.m. EST and Friday at 7 p.m. EST, which will span the first three rounds of the event. The final four rounds taking place on Saturday will include the ABC broadcast team on ESPN.

Rob ‘WorldWideWob’ Perez Joins SiriusXM NBA Radio

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SiriusXM announced that popular social media personality Rob ‘WorldWideWob’ Perez is joining the talent roster on the NBA Radio channel. Perez and his X account,  @WorldWideWob, have more than a million followers.

Perez will host SiriusXM NBA Radio’s live postgame show multiple nights each week through the Playoffs, reacting to the results and standout performances, interviewing players and taking calls from fans across the country.

“After so many years as a listener, it’s an honor to join SiriusXM NBA Radio as a host,” said Perez in a release. “There aren’t many late-night postgame shows like this one that are able to connect with fans and capture the emotion of the night’s wins and losses, so I’m quite excited for this opportunity. Being a voice of the NBA fan has been a strength and a passion for me, and I’m looking forward to bringing to that to the air.”

SiriusXM will once again have live play-by-play broadcasts of each game throughout the NBA playoffs.