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Adam Symson: Scripps’ Free Distribution Platform ‘Has Opened Up the Opportunity For Us to Acquire Live Sports Rights’

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Diamond Sports Group, the subsidiary that operates the Bally Sports-branded regional sports networks, has been marred in Ch. 11 bankruptcy proceedings for over a year. Scripps Sports president Brian Lawlor claimed in an interview with Broadcasting & Cable last October that the company had contingency plans in place with teams should Diamond decide to terminate their existing contract within Ch. 11. At the moment, Scripps Sports broadcasts games for the Vegas Golden Knights and Arizona Coyotes on several regional affiliates in addition to Montana and Montana State athletics.

With the changing landscape of sports media and uncertainty in the environment, E.W. Scripps president and chief executive officer Adam Symson wrote a memorandum to staff about the challenges the company is facing and how to position itself for future growth. From the beginning of the bulletin, he explained that company leaders are reaffirming their dedication to more frequent and detailed communication about its strategy and direction.

Symson then conveyed the disquietude taking place about how to subsidize streaming platforms, explaining that traditional media companies are accelerating shifts to streaming in order to compete with technology giants. Part of their business proposition, he stated, was that they are using linear platforms to underwrite necessary content creation to drive subscriber growth and subsequent retention.

“We are in the midst of a shift in the media industry in which many companies are pursuing business models that have yet to be proven and may never pan out,” Symson said. “As consumers shift to an on-demand approach to television viewing driven mostly by digital delivery of video, many of the biggest media companies, far bigger than Scripps and our peer-group broadcasters, have taken steps to break their content out of the exclusivity of existing bundles that have served the industry so well for the last 50 years.”

Consumers deciding to obtain their television content á la carte has disrupted the media industry, leading to widespread cord-cutting. Symson expressed that the traditional pay television ecosystem, which consists of cable and satellite distribution, has a penetration rate below 50% leading to alterations in the business models. Various factors are being affected as a byproduct of such changes, including revenue gained from retransmission fees and advertising, along with continuing audience fragmentation. Despite these hardships and potential impediments, Symson has confidence in the future of the business.

“I believe that linear television isn’t going away but instead is being transformed,” Symson said. “While traditional TV used to be our daily destination for everything, today it is most appealing for live sports, news and channel-surfing ‘comfort food’ viewing that on-demand doesn’t seem to serve up as well. Consumers are increasingly using over-the-air (OTA) broadcast as a free platform for live news and sports. Broadcast’s digital cousin, Free Ad-Supported Television (FAST) platforms, are growing quickly too.”

Scripps has been working to remain committed to its stakeholders, employees and communities by continuing to serve the media consumer. The E.W. Scripps Company paid $2.65 million to acquire ION in late-2020 and has also created the Scripps Networks. Symson affirms that these business decisions have led the company to be economically durable and thus does not make them reliant on the revenue stream emanating from traditional pay television. As a result, he believes Scripps to be a leader in OTA broadcast and connected TV FAST platforms, areas of linear television that he says are demonstrating growth.

“Our unparalleled free distribution platform also has opened up the opportunity for us to acquire live sports rights, both for ION and in our local markets,” Symson said. “We’re leaning into the content genres that consumers crave most from linear television.”

The E.W. Scripps Company signed a multi-year deal with the WNBA last year to televise games during Friday night windows during the regular season. These broadcasts will continue in the 2024 campaign and are coming off a successful first year. The 23 games that were presented over 15 weeks reached 12.3 million viewers and augmented the total season audience of WNBA basketball by 24% to 39 million unique viewers. Additionally, Scripps inked a media rights agreement with the National Women’s Soccer League in which it will broadcast 50 games nationally on Saturday nights on ION as part of a weekly doubleheader.

Symson revealed that Scripps is generating approximately 180% more revenue and 400% more profit than 10 years ago, in addition to serving larger portions of U.S. audiences and advertisers. In its most recent earnings report for the fiscal fourth quarter of 2023, Scripps generated $616 million in revenue, down 9.6% from Q4 2022, and an attributable shareholder loss of $268 million ($3.17 per share). The company has used 98% of its discretionary cash flow to pay down debt since its acquisition of ION, and Symson stated that debt paydown is among its top priorities. At the same time, it will look to remain objective and remain true to journalism, which Symson referred to as the company’s “North Star.”

“These moves have been critical to the ability of our company to thrive going forward,” Symson said of its recent acquisitions and media rights deals. “Just like each of us has to pay off accumulated school loans, car payments, mortgages and credit cards, so does Scripps have to focus on paying down our debt. Our company is on firm financial footing, but our current debt is putting pressure on our stock price, especially following two years of lower U.S. advertising spending and interest rate hikes.”

WNBA Draft Averages 2.45 Million Viewers, Most-Watched in League History

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The 2024 WNBA Draft on ESPN garnered an average of 2.45 million viewers on ESPN, breaking a record for the most-watched iteration of the event. Iowa superstar guard and NCAA Division I Basketball all-time scoring leader Caitlin Clark was selected with the No. 1 overall pick by the Indiana Fever, officially beginning her career in the WNBA. Additional selections included Stanford forward Cameron Brink, LSU forward Angel Reese and South Carolina center Kamilla Cardosa.

In the games that Clark and the Iowa Hawkeyes played during the NCAA Division I Women’s Basketball Tournament, ESPN reported several viewership milestones and new records. Although the team did not win the National Championship, the game drew an average of 18.7 million viewers and peaked at 24 million, up 89% from the year prior when Iowa faced LSU. The women’s tournament as a whole averaged 2.2 million viewers on ESPN, ABC and ESPN2, which is more than two times the total from the year prior.

The most-viewed WNBA Draft of all time ahead of Monday’s event from the Brooklyn Academy of Music was set in 2004 when Diana Taurasi was selected first overall by the Phoenix Mercury. An average of 601,000 viewers watched the Draft during that year, making this year’s broadcast up approximately 308% from that time. Last year’s Draft averaged 512,000 viewers when Aliyah Boston was selected by the Indiana Fever with the first-overall pick. This year’s WNBA Draft, which is up 328% year-over-year, is the first time the event has surpassed 1 million viewers and is the largest audience for any WNBA event in 23 years.

ESPN’s coverage of the WNBA Draft included the lead WNBA on ESPN broadcast team of play-by-play announcer Ryan Ruocco, color commentator Rebecca Lobo and Holly Rowe. ESPN basketball analyst Andraya Carter also took part in the coverage, which was preceded by a live edition of WNBA Countdown featuring LaChina Robinson, Chiney Ogwumike and Carolyn Peck. Elle Duncan hosted SportsCenter live from the Brooklyn Academy of Music where Carter and Ogwumike previewed the WNBA Draft leading up to coverage on ESPN.

Last year’s WNBA Finals were the most-watched in 20 years, averaging 728,000 viewers on ESPN. A WNBA contest has not surpassed an average of 1 million viewers in 16 years, something that could change once Clark begins her career. Thirty-six of the 40 Indiana Fever games will be carried by national media platforms, eight of which are on linear channels owned by The Walt Disney Company.

Arizona Sports Becomes First Ever Sports Radio Station to Win NAB Crystal Award

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Congratulations to Arizona Sports. The Phoenix sports brand received one of 10 Crystal Awards given out by the National Association of Broadcasters. The honor gave the Bonneville sports station the honor of becoming the first ever sports radio station to receive the prestigious award.

Winners were announced at the We Are Broadcasters celebration on Tuesday at the NAB Show in Las Vegas. The 10 winners were chosen from a list of 50 finalists. Arizona Sports had been a finalist in 2023.

Since 1987, the NAB Crystal Radio Awards have recognized radio stations for their exceptional year-round commitment to community service. Winners were chosen by a panel of judges representing the broadcast industry, community service organizations and public relations firms.

“It’s a major part of the fabric of what we do and to have it be recognized sort of brings it all into perspective why we do what we do,” said Bonneville Arizona Director of Programming Operations Brian Long about the commitment the station and cluster make to working within the community.

Bonneville Phoenix SVP, Market Manager Ryan Hatch added, “Thank you to all Bonneville Phoenix teammates for their efforts to build up, inform and uplift our community. Whether it’s connected to a station program or volunteering on a project to help improve our neighborhoods, it has a meaningful impact.”

One example of the work done by Arizona Sports and sister station KTAR News 92.3 saw the two brands team up with Phoenix Children’s Hospital for a Give-a-Thon week in 2023. The two outlets combined to help raise $2.15 million for kids and families in need.

Dan Le Batard: Will the ‘TikTok Generation’ Understand Significance of a Baseball Radio Broadcaster?

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The New York Yankees announced on Monday afternoon that longtime radio play-by-play announcer John Sterling is retiring effective immediately, ending his 36-year tenure calling games for the club. Sterling is widely regarded as having left an indelible legacy on Major League Baseball, coming on the air with his sonorous tenor and creative home run calls. Dan Le Batard took time out of the Tuesday edition of his program – The Dan Le Batard Show with Stugotz – to honor Sterling and his six-decade career working in sports media, explaining to his audience why Sterling is of such grandeur and significance within the sport.

Le Batard emphasized that Sterling is not retiring because of his health; rather, he is simply tired and does not wish to handle the heavy workload associated with the 162-game slate. Sterling leaves amid a season where the Yankees lead MLB in wins, albeit early in the 2024 regular-season campaign, and are projected to be competing for a World Series championships. Sterling was behind the microphone for six Yankees World Series championships and called 5,060 consecutive games, including every at bat in Derek Jeter’s Hall of Fame career.

“The baseball schedule is an insanity, and John Sterling is a bonafide legend when you broadcast that long, but it’s not in the perfectly pristine broadcasting case where Vin Scully exists,” Le Batard said. “From a bygone age – Ernie Harwell, old-time broadcaster who raises your dad, your grandad and you on baseball on the radio when America; when people wore top hats to the game and suits because baseball is our most historic sport – Vin Scully dies, and he takes that with him. John Sterling retires at the beginning of a Yankees season when they’re in first place.”

Within his remarks, Le Batard conveyed that Sterling should be celebrated as a legend who was broadcasting “for a time, a place and a team.” After the show played several of his broadcasting highlights and mistakes from over the years in addition to a clip of him being struck by a foul ball while on the air, Le Batard began to outline the changing times within the sports media industry by asking a question to his colleagues.

“Do you think the TikTok generation is going to have any understanding of a radio broadcaster mattering to a region on behalf of a team?,” Le Batard said. “This ends with this crop of broadcasters, right, where somebody is handed down – that the sport is handed down to you as a child from a parent or grandparent who was also listening to this person locally in the car as you grew up. That dies with this crop of broadcasters, right?”

As Le Batard explained his point, he underscored that he is not trying to insinuate that Sterling was the last broadcaster considered among the generation who can have that kind of an impact. Instead, he believes that there is never going to be anything like radio broadcasters in Major League Baseball because of the specific connection that has been created and maintained through radio across generations. Verne Lundquist, he stated, received a nice sendoff from The Masters over the weekend, something that most broadcasters will not get. Yet he understands that when you say the names of John Sterling or Verne Lundquist, it means something to the audience.

Jon “Stugotz” Weiner stated that Bob Uecker is still on the air for the Milwaukee Brewers, but Le Batard seems not to believe that people are going to be listening to games on the radio going forward. As a result of the multifarious content ecosystem through which sports are consumed, Le Batard is not sure if radio broadcasters will resonate with the next generation as they had in the preceding years.

“[John Sterling] is somebody who has existed in the traveling circus of the baseball economy going from place to place to broadcast on radio something to people back home who cannot see it,” Le Batard said. “That voice gets ingrained in a region, a people, gets passed down to families, and what I’m asking you is does it die now because it’s a very specific thing.”

Dan Patrick: I Don’t Want to Win Sports Emmy Award Posthumously

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Last week, the National Academy of Television Arts & Sciences (NATAS) announced the nominees for the Sports Emmy Awards, which take place on Tuesday, May 21 from New York City. Much to the chagrin of those on the Dan Patrick Show, the program was not among the list of nominees within the category of “Outstanding Studio Show – Daily.” Dan Patrick broke the news to the Danettes and members of the audience during Tuesday’s edition of the program, which now only has three more attempts to be nominated before its planned conclusion at the end of 2027.

Patrick acknowledged that he should have mentioned the news on Monday’s program, but added that he needed another 24 hours to process the news because it was painful. He did not mention the topic to ask for sympathy or beg for a nomination; rather, he felt bad about coming up short for the Danettes and audience. Patrick himself has won an award at the ceremony before, but he wants the program to win one before it concludes.

“We’ve got three more tries and then that’s it because I don’t want to get one posthumously,” Patrick said. “When I’m dead, and all of a sudden they say, ‘You know what? On second thought, we should have honored that show because that show did spawn a lot of other shows.’ You don’t have Pat McAfee without this show; you don’t have [Dan] Le Batard without this show. We’ve left a legacy, but it’d be nice with a Sports Emmy for that legacy.”

Patrick “Seton” O’Connor contributed to the discussion by explaining that he believes the Danettes would be neglected if the show was to be honored in this manner. Dan Patrick replied by stating that someone would have to be there to pick it up, and he yielded permission for the Danettes to attend the ceremony to do so. Additionally, he has a plan to bypass the rule that only one person is allowed to speak on behalf of the show while accepting the honor.

“I would like for everybody to speak at the same time, so when they say, ‘Here on behalf of the Dan Patrick Show, it’s Todd Fritz, Seton O’Connor, Marvin Prince and Pauly Pabst,’ and then you guys go up there collectively and then you start the acceptance speech,” Patrick said.

After everyone in the studio simulated what such a speech would sound like, Pabst divulged the nominees within the category, which includes MLB Tonight, NBA Countdown, NFL Live, Pardon The Interruption and SportsCenter. Fritz, however, believes that the show is not classified correctly within the categories because of the topics being covered.

“They need to kind of look into some other categories because so many times we’re put against shows and it doesn’t match up with the traditional sports talk show and other programs,” Fritz explained. “They’re highlight shows – they’re very different than what we do.”

As the discussion continued, Patrick opined that if the nominating committee saw what it took to put everything together for the Dan Patrick Show, the program would win a Sports Emmy Award every year. O’Connor countered with another possibility that it would devalue the nominating process and does not want to win an award in a category for “Best radio show on TV.” Instead, he wants to beat the other people in this category, mentioning how he wants to win the award over the people who work on SportsCenter.

“We’re going up against behemoths,” Patrick said. “It’s just us – we’re just a couple of guys here in a converted tool rental place. I’ve got guys doing jobs they never did before, but you know what, that’s the beauty of it.”

OAN Settles Defamation Case with Smartmatic

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After a defamation lawsuit was brought by voting machine company Smartmatic against conservative cable outlet OAN in 2021, the case has been settled.

An attorney for the right-wing outlet stated “The case has been resolved pursuant to a confidential agreement,” on Tuesday afternoon, according to a report from CNN’s Oliver Darcy.

After the 2020 presidential election was won by Joe Biden, conservative media organizations like Fox News, Newsmax, and OAN made claims or allowed claims from guests and contributors suggesting that companies like Smartmatic and Dominion Voting Systems had tampered with and interfered with the election. Famously, Dominion won a $787.5 million settlement from Fox News for its false claims.

While it has settled with OAN, Smartmatic is still in the midst of litigation against Fox News and Newsmax, as well as other pro-Trump figures.

The lawsuit is the latest settled by the network. In September of last year, it came to terms to end a lawsuit brought by former Dominion Voting Systems executive Eric Coomer.

As the case with Smartmatic comes to a close, OAN is still facing a separate defamation lawsuit from Dominion.

Masters: 9.59 Million Viewers; Down 20% From Last Year

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The final round of the Masters on Sunday, when Scottie Scheffler took home his second green jacket, saw a 20% dip in viewership and a 5% drop in ratings compared to last year. This year’s final round only tops the two COVID-affected years of 2020 and 2021 as the lowest-rated since 1957 and the least-watched since 1993.

Part of the dip is due to the fact that last year’s final round fell on Easter Sunday, which meant a bump of 21% in out-of-home viewership. This year’s final round received only a 9% out-of-home increase.

ESPN said its numbers were up on both Thursday and Friday with Thursday being its best ratings in nine years. Friday was reportedly up 69% compared to 2023.

Sunday’s final round averaged 9.59 million viewers on CBS, according to Sports Media Watch, a decline from last year’s 12.06 million. Scheffler’s win two years ago averaged 10.17 million viewers.

ESPN ‘Sunday Night Baseball’ Draws 1.96 Million Viewers in Padres-Dodgers Showdown

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ESPN presented its weekly Sunday Night Baseball matchup between the San Diego Padres and Los Angeles Dodgers this past Sunday from Dodger Stadium in Los Angeles, Calif. The game featured at-bats from superstars including Shohei Ohtani, Mookie Betts and Manny Machado and a stellar pitching duel between James Paxton and Yu Darvish. ESPN viewers were also able to enjoy a mic’d-up interview with Padres outfielder Jurickson Profar, who was on the microphone during play in the bottom of the third inning. The coverage of the matchup culminated into a viewership milestone with an average audience measurement of 1.96 million viewers, according to data from Nielsen Media Research.

The broadcast of Sunday Night Baseball peaked at 9:30 p.m. EST with nearly 2.22 million viewers, marking the property’s most-watched game in the last six years, those featuring the New York Yankees and Boston Red Sox notwithstanding.

Through the first four game broadcasts of the season, which included MLB Opening Night in Seoul, South Korea and three presentations of Sunday Night Baseball, MLB games on ESPN are averaging approximately 1.72 million viewers for the 2024 season. The metric is up 20% from the same point last season, which began with a game between the Philadelphia Phillies and Texas Rangers. Karl Ravech, Eduardo Perez, David Cone and Buster Olney have all remained on the Sunday Night Baseball broadcast team for the 2024 campaign.

Viewership for the Padres-Dodgers game was up 38% compared to last year’s Sunday Night Baseball season average, which ended with an average of 1.45 million viewers according to Sports Business Journal. Moreover, the National League West showdown was up 58% in the Persons 18-49 demographic. The Padres ended up winning the game 6-3 after overcoming a deficit in the late innings on the strength of a three-run double from the aforementioned Profar.

ESPN will broadcast the interleague matchup between the defending World Series champion Texas Rangers and National League East division champion Atlanta Braves this Sunday, April 21 at 7 p.m. EST. Additionally, ESPN was also recently nominated for a Sports Emmy Award in the category of “Outstanding Audio/Sound – Live Event” for its Sunday Night Baseball property.

News/Talk Radio Well Represented in 2024 NAB Crystal Radio Award Winners

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The 2024 NAB Crystal Radio Award winners were announced during the 2024 NAB Show in Las Vegas Tuesday, and several news/talk radio stations took home honors.

The winners were chosen by a panel of judges representing the broadcast industry, community service organizations, and public relations firms.

KFI-AM 640 in Los Angeles, KSL Newsradio in Salt Lake City, and Newsradio 92.3 WNRP in Pensacola took home three of the 10 victories.

Other winners included:

  • KKBQ-FM Houston
  • KMVP-FM Phoenix
  • KNDE-FM College Station
  • WBZZ-FM Pittsburgh
  • WHPT-FM Tampa Bay
  • WJJY-FM Minneapolis-St. Paul
  • WLBC-FM Muncie

The NAB also awarded Hubbard Broadcasting’s KSTP-FM with its Crystal Heritage Award during the ceremony. The honor is given to stations that have won five Crystal Radio Awards, which has only been bestowed on 11 other stations.

Will Cain: I Value Having ‘Platform Where I Can Have Deep, Interesting Conversations’

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Will Cain has seen his profile grow at Fox News since joining the network in 2020, including the launch of The Will Cain Show podcast. He places a high value on having that platform.

While speaking with the hosts of the Ruthless podcast, Cain was asked what he would be doing if he could do anything in the world. The Fox News host said he’s nearing that right now.

“I’m getting close to doing that. Honestly, it is The Will Cain Show. I want to have a platform. I don’t actually — in the end — care about how big it is. I want it to be big, but I want to have a platform where I can have deep, interesting conversations, lay out my thoughts, interact with the audience, and just be real. That’s what I want. And we’re getting really close to that with The Will Cain Show.”

Cain also shared his media journey, discussing his rise through local newspapers and local media entrepreneurship that led to him appearing on both Fox News and CNN before moving to ESPN.

He shared that he secured a role with CNN by directly emailing the outlet’s top executive.

“I guessed at the email address of the president of CNN. It was first name, last name at Turner. And I sent him some clips. I said, ‘You need a voice like mine over at CNN’, and this is like 2009 or 2010. This is when CNN was liberal, but not propaganda,” said Cain. “He emailed me back within 15 minutes and he said, ‘You’re right. Come on in.’ So we set up a meeting.”

Will Cain said the story represents his viewpoint on getting things done in this industry.

“My life lesson for everybody on that is like — first of all, I’ve never been afraid of hearing no. And I don’t care if you get a thousand no’s, it only takes one yes. But make sure you go to the people that have the ability to say yes,” he suggested. “I could have asked a dozen people under him, and all they would have been able to say is no. They wouldn’t have been able to say yes. But he could say yes.”