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Quu CEO Steve Newberry Saw a Gaping Hole the In-Vehicle Visuals Report Could Fill

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Quu recently released the results of its inaugural In-Vehicle Visuals report, which showcased how AM/FM radio is presented in the top 100 best-selling new car models of the last year.

In the report, it was revealed — not unexpectedly — that AM/FM radio still has a strong position in new vehicles, with 100% featuring the FM band and 98% offering the AM dial. Quu found that 92% of the models were equipped with SiriusXM, while a surprising 70% had HD Radio capabilities.

Meanwhile, digital options were also strong in the latest models. Both Apple CarPlay and Android Auto saw integration in 98% of vehicles.

In a question and answer session, Quu CEO Steve Newberry told Barrett News Media about his biggest takeaways from the study, the biggest surprises, and how the idea even came to be.

Garrett Searight: Before we dive into the results of the study, I wonder if we can talk about the genesis of the In-Vehicle Visuals Report. Where did the idea come from and what was the undertaking of getting that started and finished?

Steve Newberry: Well, I’ve been involved in looking at the dashboard as it relates to the radio industry for a number of years. First, during my time at NAB as a member of the team there and then as CEO Quu. It became very obvious that there was a lot of disparity among the vehicles but there was no central place or point of information gathering. Radio stations would call Quu and say ‘I’ve got a client that’s got this type of vehicle, but they can’t see the logo.’ We would do everything we could to help but no one has ever gone out and gathered this information.

And so last fall, we kind of got to the point that if no one else is going to do this, we will, because I’ve probably looked at as many automotive dashboards over the past four years as anybody in the country. And I knew that that information was needed. So we said that the industry needs this information, and let’s set out about doing that.

GS: Were there any big surprises when you sat down and studied the data? Anything that stood out that made you think ‘I would not have guessed that’?

SN: Yeah, there were some positive surprises and there were some not-so-positive surprises. I think what I was excited to see was the significant increase in the adoption of HD Radio across many vehicles.

70% of the vehicles have HD Radio, and of that, 30% remaining, 19% of that — or over half of that — is directly attributable to the General Motors policy. So the positive is 70% of the vehicles have HD Radio.

Then the point of concern or the fact that I did not know is that General Motors just seems to be zigging while everyone else is zagging. The rest of the automotive world is embracing that technology and General Motors has chosen not to. Which I don’t know what the course of action is on that, but the radio industry certainly needs to know that the General Motors vehicles are intentionally not equipped with HD radio. And we need to figure out a strategy related to that.

GS: A lot of talk has been made about the future of AM Radio. 98% of those new vehicles still have it. Were you surprised at all by that number?

SN: Not at all. I think the AM radio issue is a public safety issue. It’s really not something that Quu has been too involved in, but I do think that that issue seems to be limited to a very small number of electric vehicles. And they just haven’t permeated the top 100.

So I was not at all surprised with the ubiquitous nature of A, radio. It’s in 98% of vehicles on the road. That’s pretty high presence. So I wasn’t surprised by that at all.

GS: The image display was at 60%. Can we expect that to grow in the next few years?

SN: I would certainly think so. Historically, of all the vehicles on the road — and that includes dump trucks, taxi cabs, and buses — of all the vehicles, that number has historically been about 20%. So to see that it’s as high as 60% of adoption in the new model years, that’s really good news.

It’s a significant increase in the amount of vehicles equipped and I think that’s a direct relationship to the demand that the consumers have for wanting that visual experience in their cars.

GS: The second biggest takeaway Quu presented was that Radio no longer has a monopoly on the in-dash experience. Is that visual component expected by users why that monopoly has gone away?

SN:

SN: I think that’s just technology. There are a lot more places to get music than there were 20 years ago. There are a lot more places to buy things online than there were 20 years ago. We’re in a society that has a lot more options and choices. Think about television. 30 years ago, it was three channels and your public broadcasting station. And now it’s cable, now it’s over the top and streaming. That’s just the nature of media.

The big message that I would say from this is radio is in vehicles, others are in the vehicles as well. But let’s not try to win by default, let’s win because we have the best products. And so the monopoly is no longer there, because technology has evolved, but the opportunity is still there as much as it’s ever been. We’re in 100% of the vehicles on the FM side and 98% on the AM side.

The opportunity for us to thrive is there. It’s a content issue in many cases. Are we providing the content that the listener wants? That’s what I think the ultimate battle is in the dashboard of the vehicle right now. We’re equipped to receive what we do. Let’s put our best foot forward and let’s go win.

GS: Is there a concern with the radio button only being 36% of vehicles, that there isn’t that dedicated button?

SN: The concern is not so much about the button as much as it is how hard it is to get to your radio station. I think that’s one of those things that will be a trend that we’ll pay attention to in future years. If for three years it stays at 30-35-40%, that’s okay. If it goes to 20% next year, I think the industry needs to pay attention to them.

Because you want it to be easy and convenient for people to immediately get to their radio driving down the road. There’s an automobile accident. or there’s threatening weather. or there’s something that you need to get information and not just be entertained, but you really need the information from your local radio station. I don’t think anybody wants to have to go through a menu of media, audio, and then finally get to the radio selections. Whatever those different tiers may be if you can just push a radio button and you’re on that AM/FM.

If you have that direct access, I think that’s good for the listener. I certainly think it’s good for the radio industry. So I don’t call it a concern. Because it’s the first year I’ve really known that. I’ve had my suspicions, but I didn’t know what the percentage was. I think that we’ll be seeing more in future years of what the trend will be with that number.

Imagine a World with a Transfer Portal for Sports Broadcasters

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Chaos. That’s what the transfer portal is bringing to college football and basketball these days. Players thinking they’ll get more NIL money, or exposure, or a better chance at a title are on the move. They also move on after a coaching change, or if the experience isn’t quite what they thought it would be at their current school. Whatever the reason, it’s all anyone can talk about when it comes to college sports. Fair or not, it’s reality and not going anywhere.

I thought it might be fun to create a “Broadcasters Transfer Portal.” Just to see who might fit better somewhere else or be worthy of a ‘trade’ to another network to fill a hole. Now of course in this ‘land of make believe,’ I’m not taking contracts into account. That would ruin the fun of the process here, since some deals may be too much for the other network to really afford. Trades will be encouraged here as the networks create their dream teams to move forward.

There have been some interesting deals between networks in real life as well. Al Michaels for example, was traded in 2006 from ESPN, owned by the Walt Disney Company, to NBC for a cartoon character. Yes, it’s true. Oswald the Lucky Rabbit was a popular cartoon character that Disney produced for Universal Pictures. When Disney tried to renew the contract, they realized they didn’t own the intellectual properties anymore. This deal brought the rabbit back to Disney.

ESPN was involved in another broadcasting trade when Joe Buck came over from Fox. Buck was allowed to leave a year early in exchange for a single Big Ten football broadcast, Penn State vs. Purdue.

I’m going to limit the movement here to those involved in network coverage of the major sports, including college football and hoops. Play-by-play, analysts, studio hosts and reporters are all fair game.  So, ABC/ESPN, NBC, CBS, FOX and TNT/TBS are where we’ll draw from.

Let’s start in the portal.

Broadcaster                                                    Former Network                    Interested Networks

Brian Anderson (MLB/NBA/NCAA)                        TBS/TNT                                FOX, ABC/ESPN

Why leave? Anderson is a terrific broadcaster and a very versatile one as well. Right now, he is covering the NBA, MLB and NCAA Hoops for the TBS/TNT family. It’s a good gig for sure. But I wonder if there are other things he could be doing as well. 

Who is interested? FOX would be an option, for their coverage of baseball. But that might not be a good landing place with Joe Davis in place as the top baseball guy there. FOX could also offer NCAA basketball, but not the NCAA Tournament.

ABC/ESPN Anderson could get his fill of baseball and college basketball but would have to give up on the NCAA Tournament. He could be the voice in waiting for the NBA, whenever Mike Breen steps aside. Plus, ABC/ESPN could offer him golf coverage as well, that’s where Anderson got his start. My guess though, would be that Anderson would stay put.

Noah Eagle (NFL/College Football)                     NBC                                          CBS/ABC/ESPN

Why leave? He probably shouldn’t, because he’s just really starting out on the network stage. But he’s pretty darn good right now. Can’t hurt to explore right?

Who is interested? CBS where he could join his talented father Ian on the roster. The younger Eagle would be a natural to work on the NFL or College Basketball. CBS can offer a lot of both for him, which would keep him pretty busy. He’s already sort of worked there, with the Nickelodeon animated broadcasts during the NFL playoffs and Super Bowl.  

ABC/ESPN Eagle would get a good mix of assignments at both ABC and ESPN. The network has every sport under the sun available. The only thing he probably wouldn’t get to do there is the NFL, with the Buck and Aikman duo entrenched in the MNF booth. Eagle would get to showcase his talents on College Football/Basketball and Major League Baseball. Those opportunities could be too good to pass up.

Adam Lefkoe (Studio host)                              TBS/TNT                                      Fox/CBS/ABC/ESPN

Why leave? He deserves a little more airtime than he gets hosting the NBA on TNT Tuesday. Lefkoe came from the digital ranks and worked himself into an up-and-coming studio host. He’s impressed during his time in the early rounds of the NCAA Tournament. Lefkoe finds a way to interject some humor into his hosting, without trying to hijack the spotlight from his analysts.

Who is interested? Fox Lefkoe could be a big addition to the network in a few fashions. Would be nice to see him in a prominent role in Fox’s coverage of NCAA football and basketball. His style would seemingly fit the network, which tends to draw in younger viewers. I think it’d be a great match. Plus, during the baseball playoffs, when Kevin Burkhardt is knee deep in the NFL season, Lefkoe would be a perfect #2 guy in that role.

ABC/ESPN Lefkoe could add a lot to ESPN’s various studio shows, whether it’s baseball, basketball or football, he’d be a great fit. The opportunities at the World-Wide Leader might be too good to pass up.

What do you think? Now, let’s get into some ‘Fantasy World’ broadcasting trades. I highlighted some of the real ones that have gone down over the years, but of course these are just me thinking out loud.

Proposed Trade:

Fox sends Greg Olsen to NBC, in exchange for Jason Garrett and Noah Eagle

There’s’ a lot to unpack here. Olsen, of course, is getting squeezed out of the top NFL booth at Fox for Tom Brady. Olsen is too good to go back to a secondary role. At NBC, he joins Mike Tirico and Cris Collinsworth as a 3-man booth on Sunday Night Football. Eagle would be a good get for Fox, who is building a young group of announcers. Eagle could find a role in an NFL booth, or with their college football or basketball booths. Garrett still is a work in progress to me. He gets loud when trying to make a point and it’s a little hard to watch. He could find a role on a lower-level NFL booth with Fox.

Proposed Trade:

Three Network Deal

Fox acquires Dave Pasch; ABC/ESPN gets Andrew Catalon; CBS acquires Kevin Kugler

I’ve always thought the three announcers in this deal were kind of underrated. Pasch is an excellent play-by-play man, that can handle basketball and football with ease. He would fit right into Fox’s college booths and might even get a crack at the NFL. Catalon is also versatile. It would be tough for him to leave, especially after an expanded role in this year’s NCAA Tournament but hear me out. ESPN can use him as a play-by-play announcer for most all of their sports, especially college basketball. The carrot they’d use to entice Catalon, is being the main guy when it comes to golf coverage. Right now, he is the understudy to Jim Nantz.

CBS would be smart to grab Kugler. They could plug him right in on NFL coverage and both college football and basketball. Plus, the incentive for Kugler would be a role on the NCAA Tournament coverage. He does the Final Four on Westwood One, so he could easily do the early rounds.

Proposed Trade:

ABC/ESPN sends Bill Walton and the rights to the “Conference of Champions” to TBS/TNT, for Shaquille O’Neal and the rights to Stupid Pet Tricks. Oh, what I wouldn’t give to hear Walton sitting alongside Charles Barkley on Inside the NBA. Walton and his jibber jabber would constantly be rebuffed by “Sir Charles” and man would it be an interesting view. Ernie Johnson would be seriously tested though, trying to keep control of that show. O’Neal’s personality would allow him to thrive wherever he goes. ABC/ESPN would plug him in right away on their NBA studio show and would be better for it. The throw ins for this deal are about equal. The Pac-12 is no more, and Stupid Pet Tricks should also be no more.

Chaos. Indeed.

A Guide on How to Bust Onto the Talk Radio Scene in 2024

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This used to be the career path to becoming a radio talk show host: You were a jock or morning show host who either aged out or just wanted to do anything else than play more Taylor Swift records. You could be a writer with a blog who wants to be on the radio. You are a news human or board operator wanting to get a shot. How do you get that chance?

I am going to explain how it used to be. These examples are most likely more unusual than common. You could con the Program Director to give you a weekend show (I did that). You could charm the powers that be into getting a fill-in opportunity for an ill or vacationing host (I did that). Or you could make that move to a faraway place to get a hosting gig (I did that).

When I was a producer in the early moments of my career, I would make sure that every on-air moment counted. I would say something that added to the show, I was not scared to play the fool or rile up the host, and I made every moment count. I made a place for myself in the show. Lots of radio hosts have carried out this strategy successfully.

I waited for my chance. Out of necessity, I showed much patience and grace. I was that guy who was at the radio station in every free moment. I was often booted out of the station by my first Program Director. This is not how it is done anymore. In the mushrooming of available media, there are more avenues than ever to be a “content” creator. 

I often get calls from friends, acquaintances, and frenemies for tips on how to become a radio talk show host. Today, you must do it yourself more than any time before us. You also have more opportunities to show your intellect, talent, and skills. There are ways to “prove your worth.” 

If you are an aspiring radio talk show host, start a podcast. You can do this on YouTube with just your cell phone’s camera. You can opine, entertain, and inform to your heart’s content.

I have seen many poorly produced YouTube videos. You need show biz. Take a shower, dress up a bit, get a table or desk to get behind. Have some amazing backdrops on your set. Books are good. Makes you look smart, even if you are not that bright. Have a painting or poster in the background. Dress it up a bit.

YouTube is visual. There are approximately 1 billion videos on YouTube. There is usually some strong visual component. If you are interested in basketball and there are 10 videos to choose from on Lebron James, which one are you choosing? Probably the introduction with the greatest visual appeal. TikTok & Instagram are built on short visuals.

Content: you must let the viewer or listener know your opinion on the issue. “Lebron is the greatest basketball player ever, he would dominate the 70s, 80s, and 90s because those players sucked.”  There are people who will agree with you completely and others who would think that you are an idiot.

It is a reasonable, yet provocative opinion. This will bring many more videos. I can’t tell you how many times I see videos or podcasts that just don’t have a point. They will not have many views. Evaluate the whole video.

Program Directors/Brand Managers don’t have time to give you tips. They are running sometimes multiple stations. Asking a stranger for a critique is rude. It is terrible. I had an employee from years ago. He is a nice enough guy. He will send me clips from his podcast asking me to give him advice. No! It’s not that I am mean or don’t like the guy, I have limited time. Every Program Director knows exactly what I am saying.

Let’s talk about social media. Do you have followers? The amount of X, Facebook, Instagram, Twitter and/or YouTube followers prove that you can probably drive an audience to you. When you work at a radio station, you are the beneficiary of a brand. That brand may be great or poor, but you are benefiting from that brand.

When you build it yourself, it is on you. You have proved that are marketable commodity. Check out Jillz Foods on seemingly every social media channel. I have known Jill a little bit for years. She has figured out the social media space. She built her channels from nothing, competing against millions of competitors. You must do the same.

When you arrive at a radio station, you could appeal to a wide and local radio audience. About 90% of Americans listen to radio every week. Local TV stations must be green with envy.

Nothing is handed to us in this world. Even if you come from a very wealthy family, you must earn your place. Build your brand from the ground up. Study what is successful on the platform of your choice.

I have a warning about schtick. I hear a lot of radio shows, social media posts, and videos built on inside jokes and humor without substance. Start with substance and let the humor develop.

Danny Parkins: Ken Carman and Anthony Lima Are “Frauds”

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670 The Score host Danny Parkins accepted an invitation to go on with 92.3 The Fan’s The Ken Carman Show with Anthony Lima, however, there was a slight miscommunication. While Lima had previously texted Parkins about his new book coming out and having him as a guest “on the show,” when Parkins connected for the interview, he realized he was on the after-show podcast and host Ken Carman was not going to be on with them.

As Parkins explained to his co-host Matt Spiegel, “I have been doing a lot of book promotion recently…basically, their morning show, Carman and Lima has a post-show podcast that I went on and I thought I was going on the show, but then it [also] opened their show today.”

Then, 670 The Score played the clip from 92.3 The Fan with them talking about Parkins.

As the show in Cleveland began, Ken Carman asked, “You had Danny Parkins on to talk trash about me apparently?”

Lima replied, “…I will be honest with you, Danny Parkins is one of these highfalutin Syracuse, Nick Wright, Andrew Fillipponi people, right…they only look out for each other, they only care about each other’s success. While me and you, we’re the ones getting all the headlines. It’s every day. Barrett Sports Media, the trades, the Talkers Heavy 500…it’s us every single time…So, Danny Parkins wrote a book about Division III basketball…”

“Well finally somebody wrote it,” Carman exclaimed. “Bill Simmons wrote The Big Book of Basketball, and Danny wrote the Big Book of Division III basketball, ok.”

Lima went on to explain he thought it would be an interesting topic since they talk on their show about where certain Browns front office people come from and that some of the subjects in the book have a connection to Cleveland, such as Mike Fratello.

Lima said about Parkins, “He wasn’t happy he was coming on the podcast to begin with and then he wasn’t necessarily happy that you were not on the podcast.

“He wanted to come on the regular show?” Carman asked. “Is there a guy driving down 480 now who wants to hear about Division III basketball?…He shouldn’t take it as some sort of slight about the podcast. Thats where we can get a bit wonkier and do a deep dive – he should be happy that he is on the podcast.”

Parkins and Spiegel played that audio on their show in Chicago and Parkins reaction was to say, “These guys are such frauds. And I love their show, they’re both really good.”

He went on to explain that he had received a text from Lima back at the end of January and Lima had said they would have Parkins on to talk about the book when it was coming out. He then said he got a short-notice invitation from Lima to do something in an hour and fifteen minutes and said the topics would include the book, NBA talk as well as NFL draft talk. Parkins didn’t think about the fact that the radio show would be over at the time Lima had asked about.

“We had talked about going on the show. Not the podcast. The show. The highly rated highly successful…show…I was pissed that I was on a podcast and not a radio show. I thought I am doing a 10-minute or 12-minute radio hit, and I’m doing 32 minutes on a podcast. It’s ridiculous…I’m trying to sell a book. How many people do you think listen to their new podcast compared to their radio show which is in morning drive?”

As Parkins finished, he summed it all up by saying, “I wasn’t planning on insulting Cleveland on their show. But when they bait and switch me and I’m on a podcast and not a show and it’s 35 minutes long…But they have a great show, very talented guys. I would have loved to have been on it.”

Cody Tapp: Paying for Kansas City Royals TV ‘Just Seemed More Convenient’ in the Past

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The Kansas City Royals have been off to a hot start on the 2024 MLB regular season, with the team attaining victories in seven of its first 11 games played. Young phenoms such as Bobby Witt Jr. and established veterans including Salvador Perez are showcasing their talents as they look to help the Royals attain a playoff berth for the first time in nine years.

Baseball fans can watch the Royals through Bally Sports Kansas City, the regional sports network responsible for the team’s local television broadcasts. Additionally, fans are able to subscribe to Bally Sports+, the network’s direct-to-consumer option, where fans can view the games without a television provider. There are various kinds of subscriptions from which to select, something that encapsulated the recent discussion on the 610 Sports Radio midday program Cody & Gold.

Co-host Alex Gold revealed that he has been annoyed by people discerning how others can be excited about the Royals since they cannot watch the team. This proposition, he stated, is false because there are numerous ways to consume the live game broadcasts in real time. One of them is through the Audacy app, which Gold noted is free to download and includes Royals broadcasts on 610 Sports Radio, the team’s flagship radio home. For those who want to see a video feed of the game though, they will need to utilize a different method.

“You may not like the app – and I’ll admit the app sucks; it just does,” Gold said. “The Bally app sucks – it’s not a great app, it crashes. It’s not great… but the idea that you can’t watch the Royals though is laughable. It is just as accessible as any other ballclub. Yeah, it’s not 2005 where you can just flip on the TV. I wish it was on YouTube TV as well; I’m right there with all of you guys.”

Gold asserted that it is a choice whether or not to watch the Royals, leading his co-host Cody Tapp to share that he also argues with people about the accessibility to the games. Consumers can subscribe to Bally Sports+ for $20 a month, a pricepoint he states can be cut in half if you are able to find someone with whom to split the plan. Gold conveyed that you can share the password with one other person to access two concurrent streams. Not being able to do that, he said, equates to someone complaining that they cannot watch Ted Lasso on Apple TV+ when, in reality, it is available on an OTT streaming platform rather than traditional linear television.

“It’s just because back in the day, you were able to just flip on the TV and watch, and that’s just not reality of how streaming and how baseball and how sports in general are going, and the NFL is the exception,” Gold replied. “The NFL’s the one exception with live sports that you can still flip on – and it’s trending in the other direction, hence the reaction to the playoff games being on Peacock if you weren’t in Kansas City.”

Gold admitted that the Bally Sports app cut out two times when he was watching the Royals game on Tuesday night, which ended with a walk-off victory over the Houston Astros. It began to work when he re-entered the app after each impediment, allowing him to ultimately be able to watch the game. Tapp added that MLB.TV allows Royals fans to watch the games if they are out-of-market and costs “about the same depending on where you buy it.” The discontent towards the situation, however, is somewhat of a matter of perspective as the media landscape continues to evolve.

“You were paying for it still before – it just seemed more convenient,” Tapp said. “It was built into your cable, but you were paying something for it, and we all went to this chop-down version where essentially we’re paying the same amount as cable, I get it, for like seven different streaming apps.”

Tapp suggested that if fans want to watch the Royals play baseball throughout the season, it would be advisable to cut out another streaming app in the time being. One hundred sixty-one of the Royals’ 162 regular-season games during the 2024 campaign with the primary broadcast team of play-by-play announcer Ryan Lefebvre and analyst Rex Hudler.

“Like, ‘No Netflix for the Summer,’ and instead you get Royals baseball,” Tapp stated. “I don’t think that that’s crazy to me. ‘No Peacock, no Prime,’ whatever one you pay for monthly that you don’t think you’re going to use as much in the summer because you’re watching the Royals, do that or just don’t watch. But I’m telling you, the excuse of, ‘I can’t watch them. They’re not available to me,’ I just think, like you do, is just factually untrue.”

ESPN and Omaha Productions Reach Long-Term, Multi-Platform Media Rights Extension

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ESPN and Omaha Productions have agreed to a nine-year, multi-platform rights extension that will continue its work into 2034. As part of the deal, Monday Night Football with Peyton and Eli will continue, which recently attained an average of 1.24 million viewers over its nine-game slate. The series, which has been on the air for the last three seasons, features former NFL quarterbacks and Super Bowl champions Peyton and Eli Manning who break down the game and welcome several special guests. The series won the Sports Emmy Award for Outstanding Live Series in 2022, and Peyton Manning won the Sports Emmy Award for Outstanding Personality/Sports Event Analyst in 2023.

Both ESPN and Omaha Productions originally reached a three-year deal in 2021 and announced an extension in 2022, during which they have partnered on various projects. The two entities will continue working together on original content creation during the long-term extension. Omaha Productions produces original podcasts within ESPN’s audio library, including This is Football with Kevin Clark, Lead By Example with Bob Myers and Moxie Bets with Katie Mox.

ESPN and The Walt Disney Company are currently in an 11-year media rights contract with the National Football League that includes the ability to broadcast Monday Night Football games, a Week 18 Saturday doubleheader, Monday night Super Wild Card game and divisional playoff round game. ESPN will broadcast Super Bowl LXI in February 2027 from Los Angeles, Calif. and Super Bowl LXV in February 2031 in a city to be determined. This new agreement with Omaha Productions extends into 2034, and will also continue Omaha Productions content including Peyton’s Places and Eli’s Places.

Premiering this May on ABC and ESPN+, Omaha Productions and Words & Pictures, in partnership with ESPN+, will present Full Court Press. The new ESPN+ original series documents the journeys of women’s college basketball stars, including Iowa guard Caitlin Clark, South Carolina center Kamilla Cardoso and UCLA guard Kiki Rice, from the preseason through next week’s WNBA Draft. The first two episodes will air on Saturday, May 11 at 1 p.m. EST on ABC, while the final two episodes will commence on Sunday, May 12 at 12:30 p.m. EST. All episodes will be available to stream on ESPN+ as well following the linear broadcasts.

Mike McVay on Quu Report: Radio Must Present at High Level to Compete With Other Audio Options

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Quu recently released its inaugural In-Vehicle Visuals report, which showed some encouraging figures for AM/FM radio. However, longtime industry consultant Mike McVay said the business cannot rest on its laurels in an increasingly competitive market.

In a webinar discussing the results of the findings from Quu, McVay was asked to give his key takeaways from the report’s findings.

While he shared his optimism for radio’s future in new automobiles, Mike McVay argued that radio must remain vigilant in maintaining high standards when it comes to how the product is presented to auto owners visually.

“The in-dash experience has to be at a high level for radio to be seen as an equal to the other audio sources available,” McVay said. “This requires improving the listening experience with both quality and content, as well as displaying text, logos, and other images to enhance the easy accessibility of the medium.”

McVay later added that it’s important for radio stations to continue featuring strong mobile apps. He shared an anecdote about his grandchildren taking over the radio in his car, utilizing apps to listen to music stations even when inside the broadcast range because it was easier for them.

ESPN Announces 2024 WNBA Broadcast Schedule

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ESPN has announced its schedule of WNBA games it will broadcast during the 2024 regular season. The slate of games will feature all 12 WNBA teams, including the Las Vegas Aces and New York Liberty, both of whom met in the WNBA Finals last year. The Indiana Fever, who are expected to add consensus first-overall draft selection Caitlin Clark to their team in the coming weeks, will also be featured across the schedule that can potentially reach up to 52 games. Clark and the Iowa Hawkeyes recently competed in the NCAA Division I Women’s Basketball Tournament and consistently attained high viewership, including record-setting numbers in the Elite Eight, Final Four and National Championship Game.

ESPN will feature the Aces, Liberty and Fever eight times across its platforms, including three of the first four Fever games. This will include the home opener for the Fever on Monday, May 20 against the Connecticut Sun at 7 p.m. EST on ESPN.

WNBA Tip-Off on Saturday, May 18 will include an ABC doubleheader starting with a matchup between the Indiana Fever and New York Liberty from Barclays Center in Brooklyn, N.Y. The second half of the doubleheader will feature the Los Angeles Sparks against the Las Vegas Aces from Michelob ULTRA Arena in Las Vegas, Nev. at 3 p.m. EST. The first rematch of the WNBA Finals between the Las Vegas Aces and New York Liberty will take place on Sunday, June 15 at 3 p.m. EST on ABC. The two teams will meet again on Sunday, Sept. 8 on ESPN at 4 p.m. EST.

The WNBA All-Star Game will return to ABC in prime time this season on Saturday, July 20 at 8:30 p.m. EST. On the day prior, the WNBA Skills Challenge and WNBA 3-Point Contest will also be presented in prime time at 9 p.m. EST on ESPN. Upon resumption of the WNBA season after a break for the Paris 2024 Olympic Games, the Los Angeles Sparks will host the New York Liberty from Crypto.com Arena in Los Angeles, Calif. at 9 p.m. EST on ESPN.

Once the regular season concludes, ESPN will continue working with the WNBA to broadcast all playoff games – which could be as many as 27 depending on how the series play out on the court. All regular season and playoff games will be available to stream live on the ESPN App.

Apple TV+ to Carry MLB No. 1 Prospect Jackson Holliday Home Debut

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Apple TV+ and “Friday Night Baseball” will feature two of baseball’s top young players this Friday. In game one of their doubleheader, Jackson Holliday will make his Camden Yards debut for the Orioles as they face Jackson Chourio and the Milwaukee Brewers. On the current list of the top 100 prospects in MLB, Holliday is ranked No. 1 while Chourio is ranked No. 2.

The 20-year-old Chourio has already played in a handful of Brewers games this season, while the 20-year-old Holliday was just called up and will make his MLB debut later tonight.

Coverage begins at 6:00 p.m. ET with Alex Faust calling the play-by-play with analyst Ryan Spilborghs and sideline reporter Tricia Whitak.

Game two of the doubleheader, scheduled for 9:30 p.m. ET will feature the Chicago Cubs taking on All-Star Julio Rodriguez and the Seattle Mariners. Wayne Randazzo, Dontrelle Willis and Heidi Watney will be on the call.  Brian Gorman and Dale Scott  — both former MLB umpires — will join in as rules analysts.

Last week, the “Friday Night Baseball” pre-game show became the first in baseball with access to MLB’s Dugout app. During this Friday’s pre-game show, former MLB player Xavier Scruggs will continue to use Dugout to analyze the stars of the games, alongside host Lauren Gardner and insider Russell Dorsey. 

“Friday Night Baseball” will be available to all Apple TV+ subscribers on Fridays throughout the regular season. Fans in 60 countries and regions can enjoy two marquee matchups over 26 weeks with no local broadcast restrictions.

Sean Hannity: Nearly Every Newsroom in America Produces Biased News Coverage

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The topic of journalism and political bias in media has come to the forefront after an NPR editor claimed his network has lost the trust of Americans by its biased reporting over the past decade. Sean Hannity says anyone who didn’t see it before now wasn’t paying attention.

During his Fox News program Tuesday, Hannity decried the current state of journalism in the country, pointing to the internal strife at NPR as proof of his theory that objective news reporting no longer exists.

“These are organizations filled with self-proclaimed journalists. They’re not journalists. One big problem: Journalism is dead, it is buried. This is something that I, accurately, said back in 2007 or 2008 when the press turned into giddy cheerleaders for the Anointed One — Barack Obama,” said Hannity. “Now almost every newsroom in America, they’re not news. They’re opinion, they’re talk show hosts, they’re radical leftists at all costs.”

Sean Hannity continued by sharing his belief that media executives have an ulterior motive by providing biased coverage.

“With a few exceptions, journalism has now been replaced by liberal radical activism. Journalists are far-left hacks, some of them flirting right on the borderline with communism. There is no fidelity to the truth whatsoever,” posited Hannity. “They will lie, they will censor, they will obfuscate the truth all as a means to an end. Their goal is political power, a left-wing utopia where dissent no longer exists.”