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Hanna Yates is Preparing to Balance Fire and Ice for Bally Sports South

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With a deluge of varying platforms through which sports fans engage with content surrounding their favorite players, teams and leagues, there is a tacit competition to accrue the largest aggregate sum of attention span. Several recent studies have corroborated that humans have an average attention span shorter than that of a goldfish, and digital platforms render it more facile to rapidly disseminate and interact with content that fits this paradigm. The sheer amount of content sources and engagement therein is part of the reason why Hanna Yates and the Carolina Hurricanes broadcast team frequently meet to come up with ways to keep shoulder programming surrounding live game telecasts informative and entertaining.

The Hurricanes are widely regarded as a legitimate contender to win the Stanley Cup championship, situated near the top of the National Hockey League standings and featuring a flurry of young, dynamic players. Yet the team also has its share of veterans providing significant contributions such as Dmitry Orlov, who inked a two-year contract with the team this past offseason. Ahead of the NHL trading deadline, the Hurricanes acquired center Evgeny Kuznetsov, Orlov’s former teammate in Washington, D.C. with whom he shares a close friendship.

Yates and her colleagues decided to display the teammates’ personalities and rapport after a recent Hurricanes game, deviating from the usual presentation strategy. Rather than interviewing one player, they paired Orlov and Kuznetsov together for a joint conversation that conveyed the intangible affinity and chemistry that translates onto the ice. The end result garnered positive feedback from fans and several views on various digital media outlets.

“I felt it was super effective and really just humanized who these people are and showcased a really fun side of them that you might not be able to see otherwise,” Yates said, “and we were able to use our postgame show to our advantage in that way.”

Yates has worked on Bally Sports South broadcasts of Hurricanes hockey since the start of last season, serving as both a host and reporter. The multifaceted role keeps her busy throughout the 82-game NHL regular season, which is ultimately a marathon to reach the playoffs and capture the elusive Stanley Cup. Over the last year-and-a-half, she has stepped outside of her comfort zone and feels fulfilled with her overall progress and growth in the role.

“That’s what’s so unique about this position that I have with the Hurricanes is that I get to do both, and that’s what I enjoy so much,” Yates said. “I love hosting and I love reporting, and so being able to do both of those things, it just requires different skillsets or different experiences, and so I felt like they felt based on that experience that it would just be a good fit, and it’s ended up working out great.”

Ahead of a typical home gameday, Yates attends morning skate and takes notes on line adjustments and potential narratives, observations off which she bases part of her questioning upon speaking with personnel in the locker room. After the session concludes, she interviews head coach Rod Brind’Amour in the press conference room to glean his perspective before the matchup. Early in the afternoon, the Bally Sports South team has its in-game call where they review elements of the broadcast before arriving at PNC Arena. Following a brief rehearsal, Yates hosts the Hurricanes Live pregame show with a studio analyst – usually former Hurricanes forward Shane Willis – and previews the action prior to puck drop.

“I kind of look at the strengths for each person and try to just highlight those to set them up to the best of my ability, but a lot of that just comes with getting to know that person and developing a solid relationship both personally and professionally,” Yates elucidated. “I feel like I have that with all of our co-hosts now to where we’re all friends and family, and you kind of learn the sense of humor with each person and you’re able to play off of that and just be yourself.”

Once the game begins, Yates supplements the commentary of play-by-play announcer Mike Maniscalco and color commentator Tripp Tracy through her reporting hits and interviews during intermission. Since Yates did not play professional hockey, she tries to extrapolate different insights and esoterica from players and coaches to augment the depth of coverage.

Conversely, there are moments when her reporting centers on storytelling, perhaps amplifying a triumph over adversity or new wrinkles in the game. Nonetheless, she is invariably yearning to contribute to the narrative without interfering with the frenetic pace at which hockey is played.

“I really just try to highlight the storylines,” Yates said. “I will look at, ‘Hey, this player has a really unique story outside of hockey or that has contributed to his success with hockey or highlighting friendships within the game or different aspects that makes this team, this player [and/or] this game so special,’ and so for me, those just come with conversation; of repetition; of building those relationships and establishing those to where you can kind of get those storylines.”

While Yates is fully immersed with the Hurricanes at this point, she grew up around the St. Louis Blues with a passion for sports and played soccer competitively. Although she briefly wanted to practice law, she realized through a class in high school that combining sports and storytelling encapsulated a desired career path.

As a student matriculating at the University of Missouri-Columbia, she became involved with KOMU-TV 8, the university-owned local NBC affiliate, and started by covering both news and high school football games in her junior year. Additionally, Yates produced and anchored sports coverage while also contributing to the outlet’s website and finding her voice. The role encompassed a variety of different niches of media, allowing her to develop versatility and flourish across several platforms.

 When she graduated though, Yates was having trouble finding a fit at local television stations and determining her next step. Despite the hardship in advancing her career, she remained optimistic that things would eventually work out. Moreover, Yates refused to conform to a certain standard or alter her approach, deciding to demonstrate loyalty towards being genuine and not deceiving the viewing audience.

“When I go back to those days of just learning that I had to take it [with] a day-by-day process,” Yates said, “and instead of just having assumptions and thinking that it was going to be this perfect path [in] the way that I had drawn out in my head, that’s just not how this industry works.”

Through networking she had executed while in college, Yates learned that a Mizzou graduate was hiring in St. Louis, Mo. who had interest in adding Yates to 590 The Fan as an on-air talent. Working in sports radio is something she had never even considered, and there was a sense of hesitancy on her end to inquire about the role. Upon learning that there was a digital component, Yates acquiesced and was subsequently hired by the station. The opportunity ended up representing a “dream scenario” where she was able to move back home and work in a multifarious job.

“Having that radio experience where it’s just a conversation – you’re conversing with people and talking about opinions and debating and talking about different viewpoints on things – and then from a digital aspect, it was really just transitioning that conversation to having a camera right in front of your face and it was the same thing,” Yates said. “And so for me now, it’s basically all of those components combined, and so it was the perfect experience to get to where I’m at right now.”

Yates was a co-host on the afternoon drive program, The Hard Line, which included former NFL wide receiver T.J. Moe and former NHL forward Cam Janssen. A programming alteration created The Cam Janssen Show on which Yates remained a co-host and further cemented a strong, entertaining sound in the marketplace. The St. Louis Blues organization enjoyed parts of the show and ended up adding Yates as an in-arena host during intermissions where she would work with an analyst or team alumnus to synthesize the action.

“It was just kind of similar to what I do now intermission-wise with Bally, and so I felt like it was [beneficial] in that way of just having that conversation on camera,” Yates said. “And had I not done radio to really be comfortable in that format, then it wouldn’t have led to that opportunity, and so it was just kind of one door opening after the other just based on my start.”

Frank Cusumano was also hosting a sports talk program at 590 The Fan while working as the sports director at KSDK-TV in St. Louis, and he ultimately asked Yates if she would be interested in auditioning to become an on-air talent at the station. She ended up landing the job and worked as an anchor and reporter for the NBC-affiliate station, gaining further opportunities in storytelling by covering sports for a news outlet.

“[It] gave me a really great experience of learning how to tell those stories and working alongside people who had been in the business for a long time of, ‘Hey, here’s a really great way to tell this story and lay this out,’ and I got a ton of repetition and being able to do so,” Yates said. “And then as well, I would go to Blues games and Cardinals games and speak with the manager or speak with the coach or speak with the players in being able to kind of get my feet wet with reporting at that level as well.”

The blend of radio hosting and television reporting made Yates an ideal fit to join Bally Sports South and contribute to its Carolina Hurricanes coverage. Being able to follow the team over the last two seasons coincided with a move across the country to the Raleigh-Durham media market, something she had never considered beforehand. As part of the Hurricanes beat of reporters and commentators over the regular season, she strives to avoid becoming fatigued and retains acuity.

“There’s a lot of sacrifices that you have to make from a social level [at] some points just to make sure that you’re prepared and ready to go through the grind of a season just the way that the players and coaching staff would,” Yates explained. “You’re all on the same schedule together traveling and doing different things in that way, and so for me it’s just making sure that I’m mentally and physically kind of on point and ready to go the best that I can.”

Yates will be making another move once the Hurricanes season either concludes or continues past the first round of the Stanley Cup Playoffs. Bally Sports South announced that she will be among the reporters covering the Atlanta Braves for the regional sports network this season, marking her first opportunity to regularly work on MLB broadcasts.

Yates is part of a rotation of reporters that will contribute to coverage during the year, which also includes Wiley Ballard and Ashley ShahAhmadi. Beginning in mid-May, she will be live from Truist Park to cover the team throughout the regular season as they work towards earning a National League East division title. Yates is entering the role with no expectations aside from performing her role to the best of her ability and enjoying the journey.

“The expectation is to win the World Series, and they have the full capability of doing so, and so for me being able to come into this unique situation and be around some of the best talent in the game is just really special,” Yates said. “There’s so many storylines that I can look at from last season to build off of heading into this season and new storylines that will take place throughout the year.”

The Braves broadcast team has introduced several new voices over the last two seasons, including play-by-play announcer Brandon Gaudin and analyst C.J. Nitkowski. Bally Sports South also presented two alumni broadcasts where former Braves stars John Smoltz, Jeff Francoeur, Chipper Jones and Tom Glavine occupied the booth to bring fans division rivalry games. Yates recently traveled to North Port, Fla. to attend spring training and had a chance to meet her new colleagues.

“They’re so intelligent and so kind and so personable,” Yates said. “It’s like every factor that you would want in a broadcast team combined, and everyone brings something unique to the table from what I’ve seen, and everyone gets along and is so kind and helpful to one another, so I think it’s going to be fantastic team coverage.”

From the start of spring training, Yates has ensured she does not miss a single game and either watches the television presentation or listens to the radio broadcast to learn more about the team. Regardless of the consumption method, she takes notes and reviews statistics and storylines from last season, all of which is meant to build her knowledge base and ensure she is up to speed by the time she makes her broadcast debut. Yates considers her ability of being over-prepared to be an inherent strength, and she intends to continue as such even after Opening Day.

“I’ll obviously watch every single game leading up to when I am there, and I will have conversations with all of the broadcast team of, ‘Hey, what are storylines that are going on behind the scenes that you’re seeing just to make sure that I’m in the loop?,’” Yates said. “Even though I won’t be in Atlanta physically until mid-May, I definitely want to be a part of everything in circulation to make sure that I am ready to go and feel confident that I will be when I get there.”

As a member of the television broadcast teams for the Hurricanes and Braves, Yates is in a unique position to be covering two perennial contenders over the last several years. The Hurricanes and Braves are among the favorites to win their respective league championships, a unique pairing that Yates affirms makes her job easier. There is plenty of interest and intrigue during the year with stars such as Seth Jarvis, Ronald Acuña Jr., Sebastian Aho and Spencer Strider spanning the two locales.

“For me, I just step into the situation and make sure that I’m highlighting all of those storylines and making sure that I’m doing my due diligence of really showing how special these teams are and finding the best way to showcase that,” Yates said, “whether it be through what makes them so successful or highlighting certain players who are really thriving for each of those organizations.”

Akin to how Yates never envisioned herself working in sports radio, she tries not to excogitate an obstinate future outlook with no room for fluctuation. From the beginning, she has never had an answer to the standard interview query of where she sees herself in five years, and remains dedicated to discerning how she can add to the broadcast experience and position her colleagues for success. There is no specific sport she aims to cover down the road, instead living in the moment by anticipating the next gameday with an indefatigable equanimity to shine the spotlight on various elements both within and surrounding the competition.

“I never want to be part of the storyline, [and] I never want to be part of the game. I just want to do my job to highlight the game – to highlight the players and people that I’m working with…. If people are feeling emotion and they really enjoyed a telecast because of the stories or the reports that we’re able to share, then I feel like I [did] my job.”

An Open Letter to Elon Musk

Dear Elon Musk, 


Having shows with “prominent names” from both political sides on X won’t help bring more users to your site. Washed-up notables like Don Lemon (who you rightfully squeezed) or Shepard Smith will cost you more than you should be paying and will be more of a headache than they are worth.

Names who would attract more users — like Tucker Carlson and Megyn Kelly — already recognize they have the ability to make more money without your help. This being said, you do have options other than those ‘prominent names’ you are looking for.

If all you want is to further create users’ filter bubbles via your aggregators, buy Democracy Now and Blaze Media. Both represent the left and right side of the spectrum (respectively) and both already have the infrastructure to produce biased news shows. This would save you a lot of headaches instead of building from the ground up, and save you money in the long run.

You could also purchase Substack and select a few columns which could service you well. Merging would after all be easy as it would bring significant attention to your articles section on X, a feature which might entice more people to purchase a Pro subscription.

Another alternative is to use AI. You already have the capability via Gork. Witty scripts about news events can quickly be written with AI. Then, pull a Roger Ailes, put a good-looking 22-year-old in front of a camera, and tell her to read. It would certainly catch the eye of the 62% of men who use X. If you’d want to go a less sleazy route, contact Walter Cronkite’s family to use his voice and likeness. The most trusted man in America reading the news once more. What could be better than that? For several ethical reasons, I don’t believe this is the right way to go about things. It’s better if you leave Gork like HAL 9000 so we can better understand the meaning of life.

What I believe you are trying to do with X is break the media. If this is the case, you need people who believe in what you are doing. Breaking Points has a podcast, a decent-sized following, and you might be able to pay Saagar Enjeti and Krystal Ball more than what they make on Supercast. You could also keep it simple and give columnists with a large following a show, like Brian Cates and Ezra Klein. One is right, one is left. You are representing both sides and call it a day. May I also suggest, you’d need someone who can call the media out on their bulls— (*cough cough*, I do this very well.)

Yup, it totally sucks that you overpaid for X. Mostly because the legal system doesn’t understand the idea or concept of “bots.” The media’s coverage of your purchase and what happened after also hasn’t helped you. I’m sure you remember these headlines:

Bloomberg: December 18, 2022: Musk’s Volatility Is Alienating Twitter’s Top Content Creators

(In the first sentence they call your content policy moves “haphazard.” This is subjective phrasing)


CNN: Oct 10, 2023: Elon Musk’s Twitter Takeover marks a chaotic year since the billionaire made X his spot

(The word “chaotic” is sensationalist and should not have been used here)


CBS: Jan 2, 2024: Elon Musk’s X worth 71.5% less than it was when he bought the platform in 2022, Fidelity says

(Well duh, the previous owners weren’t honest about users and bots which is why you walked away from the deal. Not your fault even though this headline makes it seem to be.)

Not only are these headlines misleading and/or sensationalist, they prove many outlets are against you and want to see X fail.

I only started regularly using X again after your purchase because I want to be less filter-bubbled and more cognizant of the madness from both sides of the aisle. I, like many others, put my trust in your algorithms to make my X feed so. In the United States, 48% of your users want the latest news. On average, they spend 35 minutes per day on X. It’s not going to take much to expand users or time on the app. You just need originality.

Part of why I believe most people trusted Cronkite in the first place is because his newscast was only 15 minutes. Every single outlet talks about the same 5-7 topics with talking heads, reporters, etc.

Making a good neutral newscast does not take long. However, it takes an extreme amount of effort and knowledge of what neutrality looks like. Sadly, most people today don’t know what this looks like. So the challenge becomes not just showing neutral news but also educating people on neutral news.

Elon Musk, you have a long road ahead of you. While “prominent names” in the short term may help, in the long haul they will be a detriment to your brand. Be original, be inventive, but most importantly, please don’t be another outlet that features talking heads. We need freedom from the echo chambers and X could be it.

Yours Truly, 


Krystina Alarcon Carroll

Understanding the Nielsen Control Panel — Part 3

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We’ve been reviewing the Nielsen CPR for the past two weeks and while there won’t be a quiz at the end of this column (“Compare and contrast the average weights for the market with the number of unique panelists” with a minimum of 500 words), this column will wrap it up for you.

We left off with the market and station average weights and raw time spent listening, so let’s move on to the “Distribution of Heavy Listener Quarter Hours”. 

While your (or your competitor’s) heavy listeners will be there, for the purposes of this chart, Nielsen considers heavy listening to be a minimum of 28 quarter hours per month. That’s an average of one quarter hour per day which doesn’t seem very heavy to me. I’ve never found much value in this chart. The top 25 panelists are already in a previous chart with a lot more specifics. 

Here, you can see how many “heavy” listeners you had and compare to the previous month and one year earlier. However, the little table embedded in the distribution chart is probably the best item to look at here.

Let’s move on to “QH Contribution and Percent of Station Total”. I used to start my analyses with this chart because it gave me the grand total of QHs generated by the station and compared it to the previous month as well as one year ago. 

Are you improving or regressing? The other interesting piece of information is the percentage of your QHs generated by the top ten and top 25 panelists. If a big percentage of your QHs are coming from just the top ten, you’re sitting on a knife edge. Of course, based on the sample sizes, all of PPM is a knife edge. What if one or two of your top panelists leave the panel for any reason? 

While we all want our P1s to spend a great deal of time with us, consistency over time suggests that you don’t want to be dependent on just a couple of panelists for your success. Is there a set number? Not in my mind, but you would be wise to trend this information in a spreadsheet and give yourself an early warning system.

Next is “Number of Panelists by Specific Age” and you can see the age and gender of your panelists. Remember, this is everyone, whether they gave you one QH in the month or 100.  The next charge is a slight twist “Total Quarter Hours by Specific Age” and here you can easily see the demo that’s driving your audience. 

Yes, you can get this post-weighting in PD Advantage as well, but this is a useful visual way to see where the lion’s share of your audience is coming from.

Now we move to “Percent of Total Station and Market QHs by Specific Age”. The station-specific information is already in the previous charts, but the blue line is interesting. What age groups spend the most time with radio in your market?  It’s probably 50+, but here’s where you see it.

The next chart, “Station QHs by Install Date” shows how long your panelists have been in the panel.  Look for the dots that are up on the y-axis (Quarter Hours). Remember that two years in the panel is the maximum (that can be stretched to 26 months under certain circumstances). 

If your heaviest listeners are nearing the two-year mark, watch out! Not that you can do much about it, but maybe that is the time to beg for more marketing money (if there is any at all), contesting, or other promotions. At least, you’ll have data behind the request.

Finally, we get to the zip code report. Where do your panelists live? This lets you see where your heaviest panelists reside and with some manipulation, you may be able to match up the top panelists with their zip codes. Do you target these panelists? Just leave them alone because they already think you’re a great station? If it’s a competitor, some micro-targeting (social, etc.) may be an inexpensive move for you.

That’s it! No quiz for you, but I hope you’ve learned something over the past three columns.  The CPR can be an incredibly useful tool for PPM markets if you do your best to get the most from it. Even if you consider yourself an expert at using the CPR, it often helps to have a second opinion. I’m good with this stuff, but not always right, so if you have thoughts about it, drop me a note at doctoredresearch@gmail.com.

Let’s meet again next week.

NBC News Adds Former RNC Chair Ronna McDaniel as Political Analyst

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After exiting her role as chair of the Republican National Committee, Ronna McDaniel is set to join NBC News as a political analyst.

The news was announced by Senior Vice President of Politics Carrie Budoff Brow to employees in an internal memo Friday.

“It couldn’t be a more important moment to have a voice like Ronna’s on the team,” Budoff Brown wrote. “As chair of the Republican National Committee, she spent nearly eight years at the highest levels of American politics before stepping down earlier this year.

“As we gear up for the longest general election season in recent memory, she will support our leading coverage by providing an insider’s perspective on national politics and on the future of the Republican Party — which she led through some of the most turbulent and challenging moments in political history. And as a longtime Michigan resident, she’ll be an important voice from one of this year’s key battlegrounds.”

McDaniel ascended to the role of RNC Chair in 2017 after previously serving as the head of the Michigan Republican Party

She’ll make her on-air debut on Meet the Press on Sunday.

NFL Chief Media and Business Officer Brian Rolapp: Streaming-Only Super Bowl Is a Long Way Off

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A streaming-only Super Bowl won’t happen in Brian Rolapp’s tenure in the NFL, he says. The NFL’s chief media and business officer spoke to Benjamin Strauss of The Washington Post about a variety of topics, including a Super Bowl held behind a streaming paywall. Rolapp doesn’t think technology is quite ready for that yet.

“I don’t think I’ll be working there when that happens,” Rolapp said during the paper’s Futurist Summit via Sportico. “I think we’re a long way off from that. We had 200 million people watch the Super Bowl. I think the Internet could handle that technically, but we’re not quite there yet.”

NFL brass have maintained that broadcast TV is the best way to reach viewers. Commissioner Roger Goodell said during Super Bowl Week that we wouldn’t see a streaming-only Super Bowl in his tenure, either. He says the league is, “committed to broadcast television” because it’s the broadest platform available. Rolapp echoed the commissioner’s statement:

“I think the NFL specifically, but sports in general, is really the reason why people are showing up to linear television,” Rolapp said. “It serves our purposes very well: The vast majority of our games are still on linear television and even the games we stream exclusively, like the Amazon games, are on over-the-air television for free in the local markets of the participating teams.”

In Rolapp’s perspective, streaming is a complimentary service that aims to capture younger fans who may have either ditched cable or never signed up for it at all. However, broadcast TV will be the NFL’s primary residence for at least the next decade.

“We have made our bet for the next seven-to-11 years that linear television will still play a very important role in our distribution, and I don’t think it’s going to zero.”

Study: Peacock Retained 71% of NFL Wild Card Game Subscribers Seven Weeks Later

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During the NFL Wild Card round, NBCUniversal OTT streaming platform Peacock served as the home of the first ever streaming-exclusive National Football League Wild Card game and finished with a record performance. The thrilling playoff matchup that registered as the coldest game in the history of GEHA Field at Arrowhead Stadium resulted in a 26-7 win for the Kansas City Chiefs over the Miami Dolphins.

An average minute audience of 23 million viewers tuned in to witness the pivotal game amid the gelid conditions, rendering it the most-streamed matchup in NFL history. This figure includes Peacock and NFL+, along with local NBC stations in Miami and Kansas City that were presenting the game to local viewers. In addition to driving 30% of internet traffic on the day, Peacock garnered its largest single-day performance in audience usage, engagement and time spent with 16.3 million concurrent devices utilizing the service.

A new study by Antenna demonstrates that 3 million users engaged in paid sign-ups for Peacock in a three-day window surrounding the exclusive NFL Wild Card game broadcast. According to the most recent Comcast earnings release, subscribers for the service increased by almost 50% year-over-year to 31 million. Seven weeks after the game’s conclusion, Antenna measured 29% churn among users whose sign-ups it attributed to the Wild Card game. As a result, it presumes that 71% of this group of users remained subscribed to the service.

NBCUniversal, a subsidiary of Comcast, paid $110 million to stream the game in a landmark agreement with the National Football League. Amazon is reportedly paying $120 million to serve as the exclusive home of an NFL playoff game next season, adding to its slate of Thursday Night Football contests throughout the regular season schedule.

NBC was the television broadcast home for Super Bowl LVI in February 2022, which resulted in a championship for the Los Angeles Rams over the Cincinnati Bengals. The game was also available to stream live on Peacock, and two months later, Antenna found that 62% of the related sign-ups remained subscribed to the service.

Following this broadcast, NBC Sports announced new Sunday Night Football broadcasters in play-by-play announcer Mike Tirico and sideline reporter Melissa Stark joining longtime color commentator Cris Collinsworth. Rob Hyland was also named the new coordinating producer of the property, collaborating with director Drew Esocoff. During the 2023 regular season, Sunday Night Football averaged a total audience delivery of 21.4 million viewers and remained on pace to finish as the most-watched prime-time television program for the 13th consecutive year.

In a previous interview with Barrett Sports Media, NBC Sports President Rick Cordella explained that Peacock is part of every rights deal that the sports division executes. The most recent Nielsen Gauge Report states that Peacock is responsible for 1.4% of total day viewing among persons 2+, part of a streaming category with a 37.7% share in the total scope of outlets. Yet Peacock total-day average viewership declined to 791,000 in February, down 19.5% from the 982,000 it amassed in January.

NBCUniversal recently announced that it will air a daily whiparound program titled Gold Zone during the Olympic Games Paris 2024. The program will be hosted by Scott Hanson, Andrew Siciliano, Matt Iseman and Akbar Gbajabiamila, officially taking the air for its season debut at 7 a.m. EST on July 27. This show will bring viewers the latest highlights and achievements from all of the Olympic events, which could include up to 40 occurring simultaneously. NBC will also present its traditional Olympics coverage on linear television, marking the 11th time the network is serving as the home of the Summer Olympic Games.

The company also revealed that former NFL quarterback Peyton Manning and singer/songwriter Kelly Clarkson will join host Mike Tirico for coverage of the Opening Ceremony. Jimmy Fallon, host of The Tonight Show Starring Jimmy Fallon, will work with Tirico during the Closing Ceremony on Aug. 11 in Paris, France.

Jesse Watters: I Don’t Ever Really Think About My Rise at Fox News

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Jesse Watters has worked his way up through the ranks at Fox News to now helm a primetime spot previously occupied by the likes of Bill O’Reilly and Tucker Carlson. But he doesn’t think about his ascension that often.

While talking with Watters about his new book — Get It Together: Troubling Tales from the Liberal Fringe — radio host Mike Gallagher mentioned that Watters used to call him frequently to appear as a guest with Bill O’Reilly. Watters got his start with the network working for the cable news legend and has since worked his way up to appearing on The Five and Jesse Watters Primetime, two of the most-watched programs in cable news.

After telling Watters how proud of him he is, Gallagher asked if he ever wakes up and asks how he went from “the guy that used to book cars for schlubs like Mike Gallagher” to “one of the most prominent faces on Fox News Channel has ever had?”

“Do I bask in my meteoric rise to the top from the basement to the top of cable? No, it’s not something I think about very much,” Jesse Watters said. “But, Gallagher, I love you, and I love that you’re having me on. It feels like we’ve come full circle.”

Gallagher continued by sharing that Jesse Watters has earned his success. The Fox News host said one of the best pieces of advice he got was not to read his own press clippings.

“When I started at seven o’clock I went out, and I asked for advice from people,” Watters shared. “One of the things Tucker Carlson told me when I got the seven o’clock, he said don’t read the newspaper articles about you. And that was pretty smart that Tucker didn’t read newspapers about himself, because that wasn’t the nicest thing anybody’s ever said. But I don’t read it. I stay away from it. I don’t read my own headlines, and emotionally, mentally psychologically that’s the best thing you can do.”

SiriusXM to Air All 2024 United Football League Games

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The United Football League has announced all games will be heard on SiriusXM in 2024.

According to a release, UFL games broadcast by FOX Sports will be simulcast on FOX Sports Radio (SiriusXM channel 83), while games broadcast by ESPN will air on ESPN Xtra (SiriusXM channel 81).

The UFL season kicks off on Saturday March 30. The league was formed through a merger of the XFL and USFL. The league has eight teams located in Arlington, TX, Birmingham, AL, Detroit, MI, Houston, TX, San Antonio, TX, Memphis, TN, St. Louis, MO and Washington D.C.

ESPN recently named their broadcasters for UFL coverage with their first team being split by play-by-play announcers Mike Monaco and Drew Carter who will work with analyst Sam Acho along with field reporter Stormy Buonantony and field analyst Cole Cubelic.

Arena Group Will Not Relinquish ‘Sports Illustrated’ Site & Social Channels to Minute Media

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What once looked like a done deal maybe isn’t so close to reaching the finish line. According to Front Office Sports’ A.J. Perez, The Arena Group is now refusing to hand over the Sports Illustrated website and select social channels.

Perez says via his X account,” Arena alleged in an email reviewed by [Front Office Sports] that it was ‘investigating potential unauthorized extraction of data and IP,'” and thus would not yet hand over the sites. Perez continued, saying, “Arena shut down access to Google Suite accounts of SI staffers, who (outside a few) technically remain Arena employees.” However, sources told Perez that the allegations in that email were false.

He also said that Arena tried to unsuccessfully take back the SI.com domain just as Minute Media was migrating content to its side on Thursday. Arena also reportedly tried to take over multiple SI social channels.

What a difference 24 hours makes. Just yesterday, Minute Media was taking over control of Sports Illustrated, The Arena Group would cease publishing under the SI banner, and the company was ready to use its new Athlon Sports site to post sports content. While the remains of SI FanNation and its writers were in limbo thanks to multiple parties (including The Arena Group and its former CEO), all parties seemed focused on a peaceful transfer of power.

However, that doesn’t seem to be the case any longer and we may have a very sticky situation on our hands.

Power Panel Talks Strength of Sports Audio at BSM Summit

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One of the morning sessions on Day 1 of the recent Barrett Sports Media Summit in New York was ‘The Power Panel’ which was hosted by longtime media executive and McVay Media president Mike McVay. On the panel were three people who help shape sports audio conversation across the country: Good Karma Brands president Steve Politziner, Westwood One Senior Vice President of Sports Bruce Gilbert and Audacy Executive Vice President of Programming Jeff Sottolano.

To put the group into perspective, Audacy has sports programming on over 40 radio stations across the country and airs over 5,000 games through various play-by-play partnerships. Most of what Good Karma Brands does is in sports, including eight ESPN radio stations in markets including New York, Los Angeles and Chicago. They have over a dozen play-by-play partnerships in professional sports. Westwood One, who has the rights to the NFL and the NCAA Tournament, amongst several other properties, is owned by Cumulus Media who also has sports on over 40 radio stations across the country and many local play-by-play partnerships.

Needless to say, this power panel knows a thing or two about sports programming. The whole discussion was terrific, but I wanted to share the answers to just the first question Mike McVay asked which was, “What is the strength of the sports talk format?”

“What we deliver is that engagement around that orbit that is sports,” said Sottolano. “We do it in a really relatable, organic, accessible way…What people are attracted to is that connection we have…I think it starts with sports…That real-time engagement and passion that our best talent and programmers are able to tap into…We are a highly engaged format that has proven to be durable across these different mediums.”

Politziner said, “When you think about sports radio, sports audio, sports media… the difference now is things have gotten so much more fragmented everywhere else that sports historically was more of a niche play and has become more of a mainstream play. Not to mention more of a brand-safe play, so it is a great time to be there…It’s as valuable as ever.”

McVay asked Bruce Gilbert, “Is the biggest strength the audience, the listeners, the personalities?”

Gilbert said, “There’s one thing that’s a common thread…it’s about the talent, the talent drive it and what is attractive about the talent is the subject matter of sports…We are living in crazy times, it’s a divisive time…Everyone wants to be angry about something. Sports is the great unifier; it brings people together. I don’t care how you grew up or what your politics are. If you root for the same team as me, we’re together, we are united. We have always been able to provide this escape for people from all of the things that get on their nerves in real life.”

To watch the full session and all of the other conversations that took place at the BSM Summit in New York, click here.