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The Dr. Bob Martin Show Expanding, Moving to New Timeslot

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As it begins its 28th year in national syndication, The Dr. Bob Martin Show is undergoing several transformations.

Radio America has announced the weekend program has been expanded to three hours, and will now be heard at a new time. The Dr. Bob Martin Show will now air Sundays from 9 AM to noon ET.

“We are excited to celebrate Dr. Bob’s anniversary in this highly competitive industry. The additional hour to Dr. Bob’s show will only enhance his presence. He has been a solid part of our lineup for decades,” said Radio America Vice President for Affiliate Marketing Steve Graham. “It’s exciting to continue and deepen our partnership with his program.”

Currently, the program is heard on more than 150 stations across the nation.

OutKick Adds New Show Hosted by Fox News Contributor Tyrus

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OutKick has announced plans for a new show hosted by Fox News contributor and former professional wrestler Tyrus.

Maintaining with Tyrus will debut on Thursday, February 1st. Its debut guest will be former CNN host Piers Morgan. It will also contain interviews with famed investor Jordan Belfort and reality TV host Mike Rowe.

“I’ve been following OutKick for a while now and what they have built is something special. They don’t hold back and are always speaking their mind, so joining the platform was an easy decision,” Tyrus said. “I can’t wait to get this show started. I promise it will be engaging, compelling, and sometimes funny.”

Tyrus made his professional wrestling debut in 2006 for the WWE, before later joining NWA and winning the world heavyweight championship. He has served as a Fox News contributor since 2016, and been a regular presence on the network’s late-night show Gutfeld!.

“I’m thrilled to have Tyrus join the OutKick family and I have no doubt he will be a perfect fit,” said Outkick Senior Vice President and Managing Editor Gary Schreier. “He’s had a fascinating career and brings a unique and an incredibly smart perspective to the OutKick audience that continues to grow.”

77 WABC’s Sid Rosenberg to Broadcast From Israel Next Week

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77 WABC morning host Sid Rosenberg has unveiled plans to broadcast his program from Jerusalem next week.

Rosenberg will host Sid and Friends in the Morning live from Israel on Monday, January 29th through Thursday, February 1st.

“I am in awe of the strength of the Israeli people,” said Rosenberg. “It is with great reverence that I make this trip to honor those who were killed, tortured, or are still held hostage. I am proud that John Catsimatidis and WABC Radio support this important mission.”

Rosenberg plans to visit the site of the Nova Music Festival, where the October 7th terrorist attacks from Hamas began.

“WABC Radio is guided by the principles of fairness, common sense, and truth. Our hearts go out to Jews around the world, as well as all innocent civilians who have lost their lives during these attacks initiated by terrorist groups on October 7, which hurt all people in the Middle East,” said 77WABC owner John Catsimatidis. “Many Israelis and Palestinians were trying to work together until Hamas created this chaos. While there have been other attacks over the past twenty years, this is the most significant. Sid is carrying 77 WABC’s message for world peace.”

“Like all Americans and people around the world, we are distraught by the actions taken against Israel,” added Red Apple Media and 77 WABC president Chad Lopez. “Sid is making a noble journey, and 77 WABC listeners in New York and around the world will tune in as he shares his experience.”

Unions at Forbes, New York Daily News Plan Walkouts

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Unions at both Forbes and the New York Daily News have planned walkouts to protest tactics from management amid recent mass layoffs at other large publications.

At Forbes, a walkout we be a first in the 106-year history of the outlet, according to Axios’ Sara Fischer. “We are taking this unprecedented step to show that we will not allow such disrespectful behavior towards our negotiations to continue,” a statement from the union read. The Forbes Union, which joined forces with the NewsGuild of New York in 2021, has been angling for a contract with management for two years.

The plan is currently for Forbes employees to walk off the job until Monday at 11:59 PM ET.

“We are disappointed by the Union’s decision to stage a walkout, but respect their right to take this action,” a statement from the publication read.

At the New York Daily News, employees are walking out for the first time since 1991 in protest of cuts expected from parent company Alden Global Capital.

“Alden wants to act as if we are not being chiseled,” said NewsGuild of New York union steward Michael Gartland. “We’re not going to engage in that intellectual dishonesty. In reality, we’re being crushed for cash. As a result, staff is diminished, which means our ability to cover the city is diminished. We believe this is bad for New York.”

According to the news union, the Daily News once boasted 4,000 employees, but has since withered away to just 54 employees represented by the NewsGuild.

Steve Cohen to Receive The Jeff Smulyan Award at the 2024 BSM Summit

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In professional sports, an athlete’s career often ends between 25 and 45. When the last game is played, some move on to family life, passion projects or embrace new challenges in business. Others look to stay connected to the world they once knew. They give their knowledge back through coaching, broadcasting or creating content. The accrued years of wisdom is valuable to the next generation of players, and teams invest in continuing the relationship to make sure the next crop of talent is given every advantage to succeed.

That sounds like a pretty smart formula for growing a business, right? Except in the media industry, we don’t do that enough.

An accomplished executive in our business accumulates skill and decades worth of experience. But when they move on, the line to retain them to help future broadcasters is small. It doesn’t matter if they’ve seen it all and done it all, the bottom line becomes the focus. While the sports world has larger dollars and budgets, they find ways to continue partnerships with their best. More importantly, they celebrate those who helped their franchise enjoy success.

The greats of the sports media game often sign off and vanish. As an industry we haven’t done enough to celebrate those who create impact on-air and in programming. That’s especially true in sports and news/talk formats. It’s why BSM partnered with Premiere Networks to create the annual awards ceremony at each year’s BSM Summit. If we don’t lead this charge, who will?

We’ve recognized some incredible people since 2019, connecting them to awards named after proven difference makers. Jeff Smulyan and Mark Chernoff are two of those professionals who changed the sports radio business and I look forward each year to having them with us to celebrate others who are moving the industry forward.

Kraig Kitchin, Dan Mason, Traug Keller, Julie Talbott, Mitch Rosen, Rick Radzik, and James Powers are all past award recipients. So too are Al Michaels, Mike and the Mad Dog, Felger & Mazz, Pat McAfee, Clay Travis, Jay Glazer, Adam Schefter and Keith Murphy and Andy Fales. Great work should be highlighted. Even more importantly, the people involved deserve the recognition for their life’s work.

Which brings me to today’s reveal for the 2024 Jeff Smulyan Award.

This gentlemen helped develop and build one of the finest sports radio networks in the industry for two decades. SiriusXM is now a monster, offering everything from internally produced national talk shows, programming from national sports radio providers, league focused content on individual channels, and play-by-play of every game that matters. They’ve become a force in sports talk by luring and building top talent and programmers, and creating hit shows. The man charged with bringing the vision to life and cementing SXM’s position is Steve Cohen, our 2024 recipient of the Jeff Smulyan Award.

Steve will join us Thursday March 14th to accept the honor from sports radio format founder Jeff Smulyan. The ceremony will take place at the Ailey Theater between 11:40am-12:15pm.

Upon learning of the honor, Cohen said “The first check I ever received as a full time radio employee was signed by Jeff Smulyan. To say I’m honored and humbled to receive this award would be an understatement. Our sports talk radio journey began in 1987 with the vision Jeff had to create this format. I’m incredibly grateful for being recognized as someone who helped evolve, grow and nurture Jeff’s original vision for the last 36 years at WFAN and Sirius XM.”

Emmis CEO Jeff Smulyan added, ““It’s a great thrill for me to present the Jeff Smulyan Award to Steve Cohen. Steve has had an incredible career at Sirius XM for many years, and before that he started his career with us at WFAN. As Steve noted, I signed his first paycheck at WFAN, so receiving this award brings it full circle. Congrats to Steve on a very well deserved honor.”

Tickets for the 2024 BSM Summit are on-sale now through BSMSummit.com or by visiting the BSM Store. Full details of this year’s final agenda will be posted online at the end of February.

Justin Craig Sees New ESPN Radio Lineup Gain Traction

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Every move at ESPN is scrutinized. Both internal and external brains put every decision and change under a microscope looking for evidence of either failure or genius. Justin Craig has heard all of the opinions about what goes on at his company, especially at the radio network. He has had a front row seat for changes both to the on air product and behind the scenes operations. 

The latest ESPN Radio lineup debuted just as the football season was getting under way. Craig, who has served as the network’s Senior Director of Network Talk and Operations since 2017, likes what he has heard so far.

“We’ve been going since September 5th, and to know where we are and where we have the potential to go is very exciting,” he says. “The continuous growth on every show in front of the mic and behind the mic is what’s most exciting.”

Layoffs at the Walt Disney Company hit ESPN Radio particularly hard last year. Losing good people is never a positive, but it did require Craig and his colleagues to come up with a new strategy. What they settled on seems like a no-brainer in hindsight: why not trust the radio network to radio professionals?

It started with the announcement that Evan Cohen would be coming to the network from SiriusXM to join Chris Canty and Michelle Smallmon in morning drive. Then network personalities Chris Carlin and Joe Fortenbaugh, veterans of sports talk radio in New York and San Francisco respectively, were put in middays. ESPN Radio stalwart Freddie Coleman would move to afternoon drive to work with Harry Douglas.

There was a time when ESPN wanted its radio network to be filled with its TV stars. Now, Craig had the chance to stock it with dyed-in-the-wool radio professionals. So far, it has paid off. He can see it in the way the audience responds to every question asked on air.

“In these last five months, you’re really starting to see some traction where we are a part of the routine of our listeners and we are building an audience.”

It’s the beginning of a long journey though. Justin Craig has built radio lineups before and knows nothing is ever a finished product. Even if the puzzle pieces fit together perfectly, there is always room to improve and make the finished product a little crisper and clearer.

“Our mission is to serve fans anytime, anywhere. I think we’ve always done that,” he says. “Like anything, any good lineup needs some tuning. Everything needs to be fine tuned. I think we’re at a point where people are looking at us saying, ‘I can I understand what they’re talking about. I feel good about what I’m listening to.’”

I’ll own that I am one of the many that have looked at the ESPN Radio lineup in the past and wondered “what about this is special?”. Craig has heard and read it all – every critique, every prediction, every suggestion.

Maybe the days of tentpole talent are over in national sports talk. Maybe the competitive landscape has changed in a way that you can’t rely on swiping talent from rival companies and expect their audience to come with them. Craig is confident that if there is such a thing as “the next big sports radio star,” ESPN is going to find it.

“We’re nonstop looking to find talent from all over the country in various locations,” he says. “It’s not the traditional wait for someone to give you a call. No, you’re always looking. You’re always trying to find, ‘all right, who is it?’. I don’t think we’re in a position in the industry anymore where you just take one person and think, okay, this is, the gold standard. Everybody has to live up to that. I think because it’s so different in every market and every company that you’re trying to perform for that there isn’t a true model that says, ‘well, this has worked in other places, so it should work here too.’”

He isn’t just looking for people. He is also looking for information. What types of creative investments are paying off? How is the audience consuming content? What kind of content is memorable and driving people that stumbled on a show to become an evangelist for it?

That’s why Justin Craig keeps coming back to the BSM Summit. Sure, he wants to hear what will be said on stage at the Ailey Center in March, but it’s more about the conversations he will have in the hallways and at receptions. 

“I consider it a space that is a lot like what Radio Row used to be ten, twelve, fifteen years ago,” he says. “That was the spot where you could go and hang out and meet people and see different people, and everyone pitches their wares and feels really proud of themselves. When you get something that’s this much more hyper-focused on the industry and the growth and the development of the industry, that is just a chance to hang out and talk, and you’re talking to people that are interested and excited and passionate and really thrilled to see where this industry is going to be taking itself, that’s what I like.”

Craig will see plenty of familiar faces in the room, old friends and rivals that he has had relationships with for years. There will also be plenty of fresh faces. It’s the young people that will see Craig shake hands with the likes of Don Martin or Mitch Rosen and feel the way you did when you found out that Hulk Hogan and Andre the Giant were actually friends outside the ring.

Keeping the secret sauce a secret isn’t that important. Sports media is changing so much that Craig says there is a lot of value in letting others know what is working for you. More successful people and companies mean the industry is in a good place. That is what he wants to see.

For that to be not just a reality, but a sustained reality, it’s important to Craig that he do more listening than talking when approached by one of those fresh faces.

“There are many conversations that I’ve had with people at the summit and in and around the industry that I actually look forward to having further dialog. I want them to tell me how they consume it, because that’s the real barometer. You know, is someone sitting, in, classes thinking, ‘boy, I would love to be the next local or network radio star’ or they thinking, ‘I just want to be a star.’ There’s a difference.”

Justin Craig’s professional life is a bit of a whirlwind right now, but that is a good thing. He is challenged by and excited about the new era of ESPN Radio. He’s in a constant state of fluctuation between teaching and learning. Frankly, it’s a headspace he wants to be in. It’s the only way to ensure that you are getting better yourself as you focus on making your product the very best it can be.

Michael Strahan: I Love FOX NFL Sunday Today Just Like I Did The Day I Joined

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15 years after retiring from the NFL, Michael Strahan has made a name for himself in the media space. He’s a co-host on Good Morning America, part of the FOX NFL Sunday studio cast, and hosts The $100,000 Pyramid for ABC.

Talking to Tom Brady and Jim Gray on Let’s Go!, Brady asked what Strahan has enjoyed the most professionally post-playing days. Michael said it had to be the role at FOX.

“Football is football. I love it. I love it. The guys are amazing. We are a family,” Strahan said. “If I had to take one thing that is probably my favorite thing in the world is where I started, which is there at FOX doing football shows.”

“I love it today just like I loved it 15 years ago when I joined,” he added. “And the amazing thing is I’ve never been there on a Sunday morning at 5:30, 6, 6:30 in the morning when we have to be in and said, ‘I don’t want to be here,’ or ‘I’m tired today, I just want to go home,’ ever. Because the energy of each other lifts us all up, and we know we’re gonna have fun.”

Being a football fan on top of being a Super Bowl champion player, Strahan said there’s nothing better than getting to watch games every week with Curt Menefee, Terry Bradshaw, Jimmy Johnson, and Howie Long.

“I’m gonna watch them anyway,” Strahan said. “Might as well watch them with my buddies and get paid for it to be honest with you. It’s an incredible gig.”

Strahan added of his GMA role, he’s an information sponge around Robin Roberts and George Stephanopoulos.

“It’s been like a masterclass for me in television,” Strahan said. “Like I’m sitting next to Robin and George and watching how they use their strengths.”

“I sit there every day, and I just don’t sit on set and let them do their thing and don’t pay attention,” he continued. “I pay attention to why they’ve been able to do it for so long and why they’ve been able to connect and try to use that to help myself as much as I can.”

Michael said it’s hard to top what he’s doing currently.

“I don’t have a bad job. I really don’t,” he said. “I’m like you two, just going with it.”

Andrew Marchand: WWE/Netflix Deal Paves Path for Amazon to Get NBA Rights

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The multi-billion dollar agreement announced Tuesday between WWE and Netflix is turning out to be a key factor in determining what the NBA’s new media rights deal could potentially look like.

Andrew Marchand on The Marchand and Ourand Sports Media Podcast said the path seems clear for Amazon to get a streaming package as part of the next rights agreement.

“To me, my big takeaway, this points to Amazon even more so getting the NBA,” Andrew Marchand told guest co-host Austin Karp. “I think Amazon could’ve been involved in the WWE deal, and I think it points less that the NBA is gonna end up with Netflix. Because I just don’t think if they’re gonna make this big bet on WWE, I’m not sure they’re just gonna right away make a huge bet on the NBA. It’s a little counterintuitive.”

“This is Netflix, yes, getting into sports. But how far into sports are they going?” he asked.

Netflix has limited experience in producing live events, however, WWE handles its TV event production internally. But given the lack of a track record compared to Apple or Amazon, Karp said it makes sense for Netflix to capitalize on a product like WWE.

“I think they want to walk before they run, and I think they’re gonna want to really make sure that they do WWE properly before they get hot and heavy with some of the other sports rights that might be out there,” Karp said.

While churn rate has been a big topic of discussion particularly with regards to the streaming-exclusive NFL playoff broadcast two weeks ago, Netflix won’t have to worry about that with WWE fans. Andrew Marchand thinks Amazon wouldn’t have to worry about churn rate if the NBA was on Prime Video.

“The NBA is gonna be fine,” he said. “They’re gonna get the most money they’re probably gonna have to do four partners I think.”

“Netflix made their bet on WWE instead of NBA, and I think Amazon’s gonna make their bet on NBA instead of WWE,” Marchand added.

Are There Media Opportunities in the Wake of Mass Layoffs?

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Sports Illustrated. The Los Angeles Times. Pitchfork. Time. National Geographic. The Washington Post. It has not been a good few weeks to be employed in the media. It has not been a good few decades to be employed in the media.

Just this week, a huge number of journalists joined, um, me, among the ranks of experienced reporters and support personnel bounced from their jobs in mass layoffs. This is nothing new, of course, and the employment market for people who report and write for a living is not getting any better with time.

We can look at how the advertising-supported business model can’t support the workforce necessary to do the job. We can look at subscription-based operations, and how consumers have limits on how much they can spend on news and entertainment. Or we can point fingers at management and private equity investment, and how even the most civic-minded multi-millionaires have little patience when they buy the local paper to “save” it and discover just how bad the business has become.

It has to be the peak of discouragement to feel the high of working at a news organization sold to a local civic leader rather than one of the notorious slash-and-burn private equity consolidators, only to get canned anyway when the owner decides to cut losses and pare the operation down to a minimum (which is what just happened to the L.A. Times).

Or… we can ask ourselves why the public doesn’t want to spend anything on what we’re offering. What — we need to ask ourselves — does the audience want that they don’t want to get from us? How did we get to the point where a headline from a questionable “source” on Facebook is good enough for most people? Will they even notice when those “sources” become AI, and the information contained therein is even less reliable than it is today?

I once thought public media would be the answer, the bulwark against the flood of bad information flooding social media, but there aren’t enough Pro Publicas or public radio news consortia to do the job, and their good work is getting lost in the noise. Living in what might be the largest public media desert in the nation – the West Palm Beach market has no NPR affiliate of its own, relying on a translator of Miami’s fine WLRN, and its PBS affiliate was swallowed up by its larger Miami competitor and its antenna moved down there – we are at the mercy of newspapers owned by Gannett and Alden Global Capital and a handful of local news sites.

Maybe that’s the answer, and maybe that’s where we’re headed. People do like their Nextdoor and their Facebook groups, and maybe more truly local reporting published not through traditional means but through social media would cut through. Maybe the way to fight the trash news sources is to do what they do, just with the truth. But monetizing that… I dunno.

So many unemployed or underemployed journalists are doing Substack newsletters that I can’t imagine too many of them making any money on it. Patreon is basically a tin cup. Email newsletters with ads? Maybe. Podcasts with local news? There’s opportunity there, but it sends us back to the advertising model, which hasn’t been as robust as it needs to be.

Then there’s this: It’s not like all media is unprofitable. In fact, take corporate debt out of the equation and even radio is economically viable; it’s just not growing, which is an issue for the investors, and AM is rapidly becoming unviable. Some newspapers and magazines have been able to maintain economic viability in the transition to digital. Some new content companies have found a receptive audience for what they do.

And the common denominator is that they offer content that enough people want, for which they are willing to pay. I subscribe to a bunch of newspapers in digital form, but I also pay for Defector. I listen to radio and podcasts, but I also pay for Spotify so I can hear the music I want on demand. Content I want in a form I prefer. That works.

What doesn’t work is cutting out the content people want. The L.A. Times just laid off the beat reporters covering several local sports teams, including firing their Dodgers reporter weeks before Shohei Ohtani makes his Spring Training debut. Someone decided that the primary newspaper in Los Angeles doesn’t need a local reporter covering the Dodgers in a season fans can’t wait to get started. Entertainment coverage also got the ax. If you want to fast-track a news organization’s demise, that’ll do it.

The opportunity is to fill the void being left by overleveraged or poorly run news media. The monetization is the head-scratching part. Whoever figures that out will be a hero. Anybody out there got a cape in their closet?

Public Radio Week: Adam Fox Knows WDET in Detroit Can Be a Beacon

As some local stations struggle to keep the lights on WDET’s Programing Director, Adam Fox has a plan.

“One of our strategies is we need to continue to invest in our community,” Fox said. “I think with the increase in competition for eyeballs and ear holes, we have to do what we can do better than anybody and we have to distinguish ourselves from other media.”

Growing up in Windsor, Canada, (Southwestern Ontario) Fox had the best of both worlds, not only listening to American NPR but also the CBC, Canada’s version of NPR. “It’s south of Detroit and so ironically, it gets called South Detroit sometimes, like that Journey song (Don’t Stop Believin’).” Fox later added, “I grew up with Detroit radio and Detroit media, and the Detroit media landscape really captured my imagination as a kid. I was always a writer, communicator, music lover, and musician, even as a young kid. And I fell into journalism.”

Fox studied journalism at Humber College in Toronto. From there he went on to receive his English Literature from University of Windsor. It’s where Fox’s career really sprung, thanks, in part, to a work-study program. “I was the music director [at CJMF], and then quickly just had accidental competency and, you know, became the program director, and then eventually the station manager.”

From CJMF, Fox worked tirelessly in community radio across the Great White North including in Toronto, Alberta, and the CBC. Before coming home to Detroit, Fox spent eight years at the National Music Center for Canada. Adam Fox landed back in Detroit in 2023.

Of his position now he said, “I thought it’d be a great opportunity to come back to, the area I grew up in, get close to the family. That’s most important. And the biggest attraction for me was to be able to contribute to Detroit through this work. Probably my favorite city in the world. A place that I deeply admire and have a deep affection for and, and deep identification with.”

Growing up with both CBC and NPR stations, Adam Fox said there are a lot of similarities between both country’s public broadcasting. “It was kind of similar because we had a news department. We had a lot of local programming. We didn’t carry as much syndicated programming there as we do here. But we also had a great mix of music hosts. Music hosts and cultural and current affairs programs and political programs.”

Fox later added, “The thing I love about public radio is the stations that are the most successful are the ones that really reflect their communities well and effectively. That’s what I love about it. [Public Radio] has a history of just having really great local programming.”

Fox also noted that nationally syndicated shows are also important, “Because you want to feel connected to your country. You want to feel connected to your state, you want to feel connected to the world.” He added, “But I think the true strength of a community radio station or story of a public radio station is its pursuit of really trying to reflect the community it serves in, in its unique and distinct ways.”

Fox’s Detroit station is doing just that with their reprogramming for WDET’s 75th anniversary. “We literally just announced our programming changes. We are continuing to evolve our local programming to reflect our community. So we’ve got current affairs and news programs like Detroit Today connecting people to things that are happening in the community. We’ve got arts and culture programming that helps keep you connected to the things that are happening in the arts and culture scenes. And we have an amazing roster of locally produced music programs on our weekends and Friday nights that reflect the diverse music community we have in Detroit.”

Another programming change includes one of Fox’s passions: music.

“We’re also adding a bunch of new music programs to the evening that reflect the diversity of Detroit’s music legacy. While also kind of helping push the envelope about, great music traditions happening all over the world, too.”

His public radio listening habits as a kid influenced his passion for music.

“If it wasn’t for public radio, I don’t think that I would be a passionate music fan and music person.”

Adam Fox later added, “It wasn’t just about hearing music you couldn’t hear anywhere else. It was also about the curation. It was about the host leading you through it and guiding you and bringing you along. That’s another way that I think public radio and public media is really still vital.”

Fox made note, while there are other music streaming stations out there, “The algorithm can do a pretty good job. It can lead you in different ways. But it’s really just ones and zeros getting you there. When you have someone that can connect dots for you and show you the connections that you otherwise wouldn’t see, or highlight something about the music that is emotionally resonant, then you have a deeply human exchange and dialog happening.” He went on to say, “I think radio — public radio and human-led radio — has been essential to me in educating me in opening my mind about music and leading me to places that I wouldn’t have been.”

The changes in WDET’s programming come on February 5th, and Adam Fox is “pretty jazzed” about it.

“I think this marks a new stage and a new step in our history and our legacy. And I just want to continue it. Especially in radio. You got to rise and grind. You’ve got to keep going every day. File a program? You get it done, and then it’s like, go out, do it again. We got it. And so I think it’s just about finding new ways for us to get excited about doing that mission, about achieving that mission and, injecting a little bit of freshness and some new folks, and new voices and, new perspectives into the organization.”