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Muting Sports Play-By-Play is Technology That Networks Should Never Consider

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It’s a big week in Las Vegas as the annual Consumer Electronics Show (CES) is underway. Massive amounts of new technology are being unveiled, with high-dollar executives pitching the latest innovations their networks plan to introduce in the year ahead. For traditional sports media talent, CES can spark excitement and intrigue, but also a familiar anxiety about where technology fits into the future of their profession.

NBC Sports is widely recognized as one of the industry’s leaders in presenting live sports play-by-play. The network’s visuals consistently hold audience attention, and its commentary teams are regarded among the best in television. From owning Sunday night in America with the NFL to high-profile NBA coverage and the return of baseball later this year, NBC has built its brand on premium production values and trusted voices that guide viewers through the biggest moments.

Networks are constantly looking to make the user experience as unique and customizable as possible. One CES announcement that stood out was the reveal of Dolby products being integrated into the Peacock streaming platform. These features allow viewers at home to control volume levels for crowd noise, on-field action, and—most notably—commentary. That raises an unavoidable question: why would a network willingly give viewers the option to mute the very commentators it pays millions of dollars to enhance the broadcast?

David Bohunek, NBCUniversal SVP of Global Video Engineering, made the announcement at CES where he unveiled Peacock will begin using Dolby’s Vision and Atmos products. The intention is to upgrade to Vision 2 and AC-4 when they launch later this year. That’s tech talk that common folk may not understand, but the idea stemmed from Peacock’s first exclusive NFL game when executives and the league both shared their thoughts on the audio levels of the broadcast.

Then Bohunek dropped a quote that struck fear into every sports broadcaster alive.

“With AC-4 and the personalization of the audio, we can let the customers do what they prefer with a very simple control in our own UI,” Bohunek said, “and maybe let them turn off commentary completely if that’s what they want.”

Did you miss that last part? Why would a network who pays massive amounts of money to the best of the best develop it’s own option to allow their audience to mute those same highly paid professional broadcasters? Does this not seem like a bridge too far, and what could lead to a horrible trend for broadcasters themselves?

On the surface, this move is about consumer choice. Modern audiences expect personalization. From music playlists to sports, users want control over how content is delivered. This is why the adaption of the Alt-Cast makes complete sense as networks provide another option for a different experience.

In that context, adjustable audio features feel like a natural evolution. It’s almost like a video game, being able to control however and whatever you want for the experience you desire. But sports broadcasts are not a typical content category, and what works for entertainment or lifestyle platforms does not always translate cleanly to live sports.

Live sports broadcasts are not simply about showing a game. If they were, networks could dramatically reduce costs by offering a camera feed and little else. Instead, broadcasts are carefully produced experiences, with commentary serving as one of their foundational elements.

Play-by-play announcers and analysts provide structure, context, and storytelling. They explain strategy, frame pivotal moments, and elevate drama in ways that visuals alone cannot. The viewing experience on your couch is likely more often than not better than in the arena because of this.

That is precisely why networks invest so heavily in top broadcast talent. These voices are not interchangeable parts; they are brand assets. From Mike Tirico to Mike Breen, viewers associate networks with the people who call their biggest games.

Trust, familiarity, and credibility are built over years, sometimes decades. When a network signs elite talent to lucrative contracts, it is making a statement about the importance of that voice to the overall product.

This is where the strategy begins to feel contradictory with the mute option coming to Peacock. If commentary is valuable enough to justify massive financial commitments, why invest in technology that makes it optional?

At a certain point, innovation stops enhancing the product and starts undermining it. Do network’s truly want to open Pandora’s box?

Advocates of commentary-muting options will argue that most viewers will never use them. That may be true. But the issue is not adoption rate; it is perception. Offering the ability to mute announcers sends a subtle but powerful message that commentary is expendable rather than essential.

Over time, that perception can erode the value of one of the network’s most expensive and influential assets. When I heard this news, the first thought wasn’t about AI replacing commentary. It was about networks extinguishing it.

There is also a long-term business implication. When commentary becomes something viewers can simply turn off, it becomes harder to justify escalating talent costs internally. Networks risk training both audiences and executives to see announcers as background noise rather than central figures in the broadcast.

In an era when rights fees continue to climb, voluntarily weakening the case for premium commentary seems counterintuitive. How can you sell the game for viewers when it’s just the game, and no human element to it?

Beyond economics, commentary plays a critical role in shaping the shared experience of sports. Iconic moments are remembered not just for what happened, but for how they were called. Signature phrases, emotional reactions, and well-timed silence all contribute to moments that live on long after the final whistle.

We saw that this past weekend as Tirico and analyst Cris Collinsworth earned rave reviews for their calls of the Balitmore Ravens loss to the Pittsburgh Steelers.

There is also the question of who benefits most from these features. The casual fan relies heavily on commentary to stay engaged and informed. Making commentary optional (for now) risks weakening the experience for viewers networks are trying to grow.

From the talent perspective, how would you feel to know that the network cutting your check is also giving the viewer an opportunity to mute you. And just you.

Commentary muting can create a sense of uneasiness. At a time when AI, automation, and alternate feeds are already reshaping the industry, giving viewers the ability to silence announcers can feel less like innovation and more like a signal that voices matter less.

Even if that is not the intent, perception carries weight.

None of this suggests networks should avoid innovation. Technology should absolutely improve the viewing experience. However, not everything is the right thing.

Innovation should complement premium assets, not compete with them. If networks want to offer alternatives, there are smarter approaches. We’ve seen the rise of alt-casts reap rewards for networks already. From analytics-driven feeds, team-specific broadcasts, or immersive audio options that enhance the call rather than diminish it.

There’s no question that CES is about showcasing the future. For sports broadcasting, that future will include more customization, more interactivity, and more technological sophistication. But as networks rush to demonstrate what is possible, they should be careful not to undermine what already works.

High dollar commentary is not an accessory to the broadcast—it is one of its most valuable components.

Giving viewers the power to mute it may feel progressive, but it also raises a fundamental question about priorities. When innovation begins to neutralize one of your most expensive and defining assets, it may be time to reconsider whether that investment is truly moving the product forward.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

SiriusXM NFL Radio Served as the Best Destination for a Black Monday Feast

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The worst day of the year for many NFL coaches is actually one of the most intriguing and interesting days for NFL fans. It is called Black Monday, but Pack Monday would be more appropriate, as many coaches are packing their bags after choosing or being asked to leave their teams.

It happens to the best of them, even Super Bowl–winning coaches like Tom Landry and Bill Belichick. This year, John Harbaugh was also let go, perhaps the most surprising firing of the 2025 season.

When the Cleveland Browns, Arizona Cardinals, or Las Vegas Raiders fire a coach, it is more a rite of winter than a surprise. These witless and rudderless franchises rip through coaches like Joe Walsh rips through a guitar solo. At the time of this writing, seven head coaches have lost their gigs. In addition to Harbaugh, Kevin Stefanski, Jonathan Gannon, Pete Carroll, Brian Callahan, Raheem Morris, and previously Brian Daboll were bid not-so-fond farewells.

Black Monday is also a prime day for football media. Every gridiron gabber has an opinion on why this coach was sacked and that one wasn’t. They also debate why coaches were fired while the general managers who hired them stayed.

The usual suspects, like ESPN, NFL Network, and FS1, had Black Monday covered with their live programming, but my attention wisely went somewhat off the grid to SiriusXM NFL Radio.

If you did not catch the satellite radio giant’s NFL talent lineup this past Monday, you simply missed out on the best football talk going. And I’m talking about real football talk—not soundbites, hot takes, stupid predictions, inane banter, dumb opinions, or baseless reports. No channel on any media platform combines knowledge and entertainment in football talk better than SiriusXM NFL Radio.

The truth is that this has been the case for a long time. The channel’s program lineup has a tremendous mix of broadcast veterans and former NFL players and coaches. SiriusXM NFL Radio is not the sexiest football outlet in the world. You are not going to get the bombastic braggadocio of Stephen A. Smith, the sarcastic sass of Nick Wright, or the ribald ramblings of Pat McAfee. What you will get is down-and-dirty, enlightening football discussion based on knowledge and experience.

The eclectic lineup that I listened to on Monday, January 5, began with Solomon Wilcots and Ryan Leaf hosting the Opening Drive show.

Most football fans know the story of Leaf. He was the second pick in the 1998 NFL Draft, chosen by the then-San Diego Chargers after the Colts selected Peyton Manning. Leaf never came close to the promise he showed as a terrific quarterback at Washington State. He then found himself in numerous legal and personal troubles over the years.

To his credit, Leaf has reclaimed his life and, along the way, helped others while fostering a damn fine sports media resume. He has become a solid analyst on a number of different networks and platforms over the years. Paired with Wilcots, he expertly delved into the coaching moves on Black Monday.

This dude has seen the ups and downs of football and uses this experience to offer deep, honest, and thoughtful talk.

Similarly, Wilcots has really honed his skills as a host and broadcaster. In his early days at SiriusXM, I was completely unimpressed with his work. I felt he stumbled over his words, talked before he thought, and struggled to communicate his knowledge of the game. This has changed completely. Wilcots now runs Opening Drive and has become a proven commodity at SiriusXM. The former Bengal and Steeler defensive back is a solid listen.

The midday team of Bob Papa and Matt Simms took over the airwaves next with their Airing It Out show.

Papa is a bona fide broadcasting talent and New York icon as the radio voice of the New York Giants. He has also provided great TV work for NBC, HBO, GOLF Channel, and Westwood One. This cat is totally tapped into the NFL scene, with his Big Apple sensibility and deep knowledge of the game past and present.

Simms, the son of Phil and brother of Chris Simms, had a cup of coffee as a QB. He is not quite at the level of his dad and brother as a broadcaster, but he is getting there and provided a nice complement to Papa on Black Monday.

The pair not only discussed the coaches who were fired but also looked ahead to possible replacements. Papa even brought up the ever-present and lingering specter of Bill Belichick as a possible candidate for some of these open jobs. The fun part of listening to a live show on Black Monday is being right there when news breaks.

With word of Carroll’s firing in Vegas, conversation turned to Tom Brady. As a part-owner of the Raiders, he will have significant influence over the team’s next head coach.

This sparked the hot debate as to whether Brady should leave his job as a FOX analyst due to a perceived conflict of interest. Can Brady be a team owner, talent evaluator, and personnel executive, and also be an objective broadcaster? This is becoming more of an issue in media, with both CBS’s Matt Ryan and ESPN’s Troy Aikman taking on executive roles with the Falcons and Dolphins, respectively.

My opinion is simple: make a choice—team or TV.

Much of the conversation among SiriusXM NFL Radio personalities focused on which open jobs were the most desirable. This was before the Baltimore job became available, but opinions were aplenty.

Is it the Giants because they have a young quarterback in Jaxson Dart and a big market in New York?

Could it be Atlanta because they have real talent speckled across that roster in a winnable division?

Is it Tennessee, in a growing media market like Nashville, with a top-pick quarterback like Cam Ward?

Is it the Raiders, with a still-recognized Silver and Black brand and Brady in house?

Bruce Murray and ex-NFL quarterback Rich Gannon next picked up the Black Monday radio gauntlet with the SiriusXM Blitz.

Murray is a terrific broadcaster with a deep, distinctive voice. Gannon offers excellent insight—not just as a former Super Bowl QB, but also as a veteran media professional working network TV games.

Gannon, perhaps better than anyone at SiriusXM, taps into his ex-player prowess and knowledge. He was a respected leader on the field and takes a similar role on the show. Murray is a true pro, ably setting up Gannon to be his best radio self with great questions and topic transitions.

The duo did a solid job analyzing the Atlanta Falcons. They discussed what the team needs in the front office and on the sidelines to reach its potential.

As the SiriusXM NFL broadcast day moved along, the best tandem on the channel took center stage. Former NFL front office executive Pat Kirwan and ex-NFL quarterback Jim Miller are absolutely sensational in dissecting NFL football on Movin’ the Chains.

They can do anything—X’s and O’s, strong opinions, lively debate, and fun speculation. One of the true strengths of Movin’ the Chains is how Kirwan and Miller interact with live callers. When a caller states an opinion, Kirwan and Miller are not afraid to challenge that viewpoint and engage in debate.

They do this without being condescending or insulting.

Miller had a great back-and-forth with a 49ers fan who called in to talk about San Francisco’s upcoming Wild Card game against the Eagles. Debate focused on whether San Fran could beat the defending champs, given their lackluster performance against Seattle this past week.

Kirwan and Miller welcome callers into the conversation as if they are part of the show. This is refreshing. Far too many local and national radio shows mock or brush off listeners and move onto the next call. Kirwan and Miller provided the perfect end to a terrific day of listening.

It may have been Black Monday, but SiriusXM NFL Radio shined brilliantly, with illuminating programming and bright hosts across the program lineup.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

What Advice Would News/Talk Radio Programmers Give Dan Bongino Ahead of a Potential Return

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By many accounts, Dan Bongino is going to return to the news media space. Whether that includes a return to the news/talk radio game, or if it’s just podcasting, remains to be seen.

Should he return to nationally syndicated news/talk radio, it would mark a return to a space he saw great prominence in before departing in March 2025 to join the FBI as its Deputy Director.

Few hosts had the success and influence that Dan Bongino featured before his departure from the space.

With a potential return to the medium on the horizon, Barrett Media spoke to two major market program directors to ask one simple question: what advice would you give to Dan Bongino ahead of his return to news/talk radio?

Both program directors we spoke with were granted anonymity to speak more freely on the topic, and to also not hinder any potential negotiations or sour any relationships should they be interested in carrying any potential programs launched by Bongino in the coming days.

Program Director #1

An experienced news/talk radio leader, this program director took an overwhelmingly positive approach to what they’d said to the host.

“Be yourself,” they said, succinctly. “I believe that talent are at their best when they’re unafraid to be themselves. Being himself got Dan Bongino to where he is now. And being himself got him to where people want to see him return.

“Working in news/talk is show business. And if you’ve been out of the business for any length of time, you can forget what it is that makes you great. I would tell Dan that he’s going to think his first show back is terrible. He might be right. But that isn’t going to last forever. He knows what works for him and what doesn’t, and he’ll be back to crafting the show that he feels good about in no time.”

This program director added that they viewed a potential return to the news/talk radio space as unlikely for Dan Bongino.

“I think he’ll just do podcasting,” they shared. “He’s made his name. He has the following and doesn’t need a syndicator anymore. I always thought he loved his podcast more than his radio show. And when you’re motivated to do what you love to do, you don’t return to the things you didn’t enjoy.”

Program Director #2

This brand leader took almost the opposite approach of the optimistic approach seen by our first program director.

The major market figure stated that they believe there could be a potential uphill battle Bongino will face should he return to national syndication.

“Every programmer wants consistency with their hosts. Even more so when they’re using a national talent. That’s the goal, right? The expectations don’t change just because they’re not in my building,” the Program Director said. “What I need from Dan Bongino is the same thing I need from my morning show: the expectation that you’ll still be here in five years. And I don’t know if he brings that to the table.”

They continued by pointing to the longevity — or perhaps more important to them, the lack thereof — in Bongino’s previous stops.

“He has a history of either quitting or threatening to quit. Look at his time with Westwood (One). Said he would quit when his contract was up, and that he didn’t want to renew it. Threatened to quit if they didn’t change their vaccine mandate during COVID. Quit the Fox News show. Now quit the FBI.

“I don’t say that to disparage the guy. But those are the things that I have to think about when I think about the future of (their brand). If he worked for me, and I wanted to light a fire, I’d tell him that he’s going to have to prove that he wants this more than other hosts knocking at our door. Are you a long-term play? If the answer isn’t yes, I think he’ll struggle to gain traction, unless he comes back with a company like iHeart, who can put him everywhere. And I don’t think that’s what will happen.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

YES Network, Comcast Reportedly Reach Carriage Agreement for 2026 Yankees Season

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YES Network and Comcast have reportedly resolved a carriage dispute, securing continued access to New York Yankees and Brooklyn Nets broadcasts for viewers in the New York metropolitan area. The agreement, reported by Front Office Sports, follows months of negotiations, short-term deals, and public scrutiny over the network’s distribution.

The RSN, home to MLB’s New York Yankees and the NBA’s Brooklyn Nets, will stay on Comcast’s expanded basic tier. This move avoids efforts by the nation’s second-largest pay-TV provider to shift the channel to a higher-priced, more limited package.

Comcast had long pushed for a tier shift like those applied to other regional sports networks, citing industry trends and costs. YES Network resisted, arguing the change would unfairly burden fans and disrupt longstanding access to top local programming.

The dispute intensified early in the 2025 baseball season. It drew the attention of FCC Chair Brendan Carr, who urged the parties to reach a “quick and favorable resolution” to prevent broader disruptions.

The two sides were nearing the expiration of a deadline for their previous agreement in March of 2025. The parties avoided a blackout of YES Network amid the expiration of that deal. They came to an agreement before the Yankees began the first week of action last year, and the Nets closing out the regular season.

According to the report, YES Network executives raised concerns about Comcast’s preferential treatment of SportsNet New York. That network, partially owned by Comcast and home to the rival New York Mets, had not faced similar pricing pressures.

Under the new reported pact, YES Network will remain widely accessible across Comcast systems in the region. Fans can follow the 2026 MLB season and remaining NBA contests without disruption. Financial terms and duration are not known. Sources told Front Office Sports that the deal is expected to run at least through 2027.

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Kayla Anderson Joins Sactown Sports 1140 as New Midday Host

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Sports radio personality Kayla Anderson has been tapped to join middays at Sactown Sports 1140, the station announced. The move marks Anderson’s return to full-time radio after a seven-month hiatus following her departure from 104.5 The Zone in Nashville.

Anderson, a former television sports anchor and reporter at WKRN-TV in Nashville, spent six years covering local teams. She transitioned to radio in 2022. At 104.5 The Zone, she co-hosted the popular Ramon, Kayla, and Will program, quickly building a bond with Nashville sports fans.

Allen Stiles, who was announced as the new co-host of The Drive Guys alongside Kevin “Whitey” Gleason on Tuesday, shared the news with listeners today during an in-studio conversation with Anderson. Anderson will be part of a duo to take over Stiles’ former timeslot of M-F 10a-2p starting January 12th. Her co-host will be revealed on Thursday.

Anderson told the audience during her chat with Stiles that she is invested in the opportunity and excited to be a part of the city’s sports scene. Since joining the station in a fill-in role, she has been impressed with the staff, calling it a unique and awesome situation.

Prior to the on-air announcement, Kayla posted on X. She reflected on the challenging months following her Nashville exit.

“Since unexpectedly losing my job in Nashville back in May, these last 7 months have been really tough, but those of you who know me know I’m a fighter and I’m not going down that easy,” she wrote. She thanked her supporters, including family, friends, and fans, crediting them for helping her persevere during the transition.

“And now to some positive news… I’ve accepted a new job in sports,” she added, teasing her role at Sactown Sports 1140 without initially naming the station. Anderson reassured Titans fans that she will continue following the team closely. She plans to keep sharing her insights despite moving to a new station.

Anderson is a native of Spokane, Washington. She told Barrett Media in June following her exit from The Zone that she considered a move closer to her home. Kayla remained active in between her time at The Zone and her new stop in Sacramento covering the journey of Vanderbilt baseball and the Tennessee Titans—while in search of her next steps.

“It’s kind of a journey where you’re betting on yourself,” said Anderson about her search in June to Barrett Media. “I feel like I have enough experience, and I’ve done enough good things in this business that somebody will eventually give me a shot somewhere.”

Anderson’s full-time debut on Sactown Sports 1140 is scheduled for Monday.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Sports Betting Writer Doug Greenberg Signs Multi-Year Extension with ESPN

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ESPN has signed a multi-year extension with sports betting writer Doug Greenberg, ensuring he remains a key voice in the network’s growing betting coverage. Greenberg, who joined ESPN in January 2024, will continue reporting on trends, major wagers, and the financial swings shaping the sports betting landscape.

“Doug complements our sports betting coverage by delivering stories our audience truly values,” said Andrew Feldman, senior deputy editor at ESPN.com. “He has a talent for breaking down the fast-moving world of sports betting in a way that’s accessible and informative. We’re thrilled he’s staying with us.”

Greenberg expressed enthusiasm for the extension, highlighting ESPN’s commitment to comprehensive betting coverage.

“It’s a pleasure to continue with ESPN and cover the sports betting industry,” he said. “The network embraces what betting brings to fans, and I look forward to keeping readers informed on the latest trends and significant news.”

At ESPN, Greenberg works closely with fellow sports betting reporter David Purdum. He’ll continue to contribute in-depth analysis and news-focused stories that appeal to both casual fans and industry insiders. His reporting covers everything from high-profile bets to market shifts, providing context for the decisions shaping the betting world.

The extension reflects ESPN’s continued investment in sports betting content. This comes as the market grows in the U.S. and internationally.

Over the past several years, the network has expanded its betting coverage. It integrated analysis and reporting into its digital platforms and leveraged seasoned journalists like Greenberg. Their work helps educate fans about wagering trends, odds, and strategy.

Sports betting journalism has become increasingly competitive, with audiences seeking timely insights and behind-the-scenes reporting. Greenberg’s work at ESPN has helped position the network as a trusted source for news and analysis in this rapidly evolving sector.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

ESPN Announces Multi-Year Extension for Fantasy Sports Senior Writer Eric Karabell

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ESPN has secured a multi-year extension with fantasy sports analyst Eric Karabell, a veteran of the network whose coverage spans football, baseball, and basketball. Karabell, recently named a Baseball Writers Association of America Hall of Fame voter, will continue contributing to both ESPN’s fantasy sports and sports betting content.

Karabell, who joined ESPN in 1997, has served in a variety of editorial and writing roles during his career. He is widely recognized for his signature preseason columns, including the Do and Do Not Draft List, as well as his Don’t Be Surprised series and weekly player rankings. In addition, he has frequently appeared across ESPN platforms and hosted the Fantasy Football Baseball podcast.

“Eric has been a transformative voice in the fantasy sports industry,” said Andrew Feldman, Senior Deputy Editor at ESPN.com. “He combines analytical rigor with practical advice, and our audience will continue to benefit from his perspective as they prepare for upcoming seasons.”

Karabell expressed excitement about continuing his work with ESPN. “Being a resource for the millions of fantasy players who follow my work is incredibly rewarding,” he said. “I’m humbled to do what I do every day, and I look forward to another season, especially as fantasy baseball approaches.”

The extension underscores ESPN’s commitment to maintaining a strong presence in the fantasy sports and sports betting arenas. Over the years, Karabell’s work has become a staple for fantasy enthusiasts seeking in-depth analysis, strategic advice, and actionable rankings.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

93.7 The Fan Host Joe Starkey Caught off Guard by End of the Pittsburgh Post-Gazette

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Another legendary newspaper is going out of business. When news broke on Wednesday that The Pittsburgh Post-Gazette’s ownership announced that the newspaper plans to shut down operations on May 3, reaction to the news came swift from both Pittsburgh based sports media and national media. 93.7 The Fan hosts Bob Pompeani and Joe Starkey were live when the news broke, with both talents saying they were shocked about the story.

Especially Starkey, who has hosts middays on 93.7 The Fan but also contributes a daily column to the newspaper.

“This affects a lot of people, including me,” said Starkey. “So, this is shocking. This is a shocker. Should they have sent us an email? I don’t see an email in here. If there were an email, I would have gotten texts from my friends over there… I need to go find someplace to write columns if I want to keep writing them.”

In a statement, Block Communications Inc. said continued financial losses have made it impossible to keep the paper operating under current conditions. The family-owned media company, which is based in Toledo, Ohio, has owned the Post-Gazette since 1927.

“Over the past two decades, Block Communications has invested more than $350 million in cash to sustain the Post-Gazette,” the company said. “Despite those efforts, the ongoing financial challenges facing local journalism mean losses of this magnitude are no longer viable.”

Pompeani also shared his reactions to the news. He called the end of the newspaper a devastating blow to the local Pittsburgh community.

“I’m sorry to see it, because it’s a big part. Since all of us were young kids,” said Pompeani. “So many great stories that were broken there and told there. But if you’re gonna lose $350 million if that’s accurate, I suppose that’s the decision they have to make.”

The news drove massive reaction on 97.3 The Fan during the afteroon, but also social media was buzzing about the news as well.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

How KDKA Newsradio Covered the Closing of the Pittsburgh Post-Gazette

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On Wednesday, the Pittsburgh Post-Gazette announced that it would cease operations later this year. That news dominated the discussion on KDKA in the aftermath.

The newspaper dates back to 1786 during the first publication of The Pittsburgh Gazette. Its owner, Block Communications, shared that it had lost $350 million operating the paper in the past 20 years.

A recent order from an appeals court mandated that the organization operate under a 2014 labor contract with its union, which the parent company called “outdated and inflexible,” and that the terms of that contract are “unsuited for today’s local journalism.”

On Sunday, May 3rd, the Pittsburgh Post-Gazette will publish its final edition and thus cease operations.

The news was a major story on KDKA Newsradio in the Steel City. Afternoon drive host Colin Dunlap — who spent nearly a decade working at the publication — took to both social media and the airwaves to cover the news.

Dunlap later procured the video distributed to employees as part of a Zoom meeting that was called with little notice on Wednesday afternoon. He then shared that audio on the air, allowing listeners to react to the news.

The station also welcomed Joe Starkey, who works for its sports sister station 93.7 The Fan as well as the Pittsburgh Post-Gazette, to the show to share his thoughts on the publication’s demise.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Tony Dokoupil Debut on CBS Evening News Earns More Than 4 Million Viewers

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Tony Dokoupil began his CBS Evening News tenure earlier than expected due to the military action in Venezuela over the weekend, leading to him anchoring the program on Saturday instead of his regularly scheduled Monday debut.

On Monday, just under 4.5 million viewers tuned into the nightly newscast for Dokoupil’s first edition leading the program.

Of those nearly 4.5 million viewers, 609,000 came from the Persons 25-54 demographic.

While that total viewership figure outpaces what the newscast averaged throughout 2025, it shows steep declines when compared to other debuts for the network.

When Norah O’Donnell began anchoring the CBS Evening News in 2019, the program averaged 5.6 million viewers for her debut episode. That’s 20% higher than the debut of Tony Dokoupil on Monday evening.

Furthermore, the 4.5 million viewership figure marks a 27% decline compared to the premiere of the nightly broadcast being anchored by Scott Pelley in 2011.

In fact, when Katie Couric helmed her debut broadcast as the anchor of the newscast in 2006, there were 4.7 million viewers alone in the Persons 25-54 demographic. In total, 13.6 million viewers watched her initial episode. That marked an 87% decline compared to Dokoupil’s first broadcast and a 67% decline in overall viewers.

CBS Evening News, however, isn’t alone in seeing declining viewership figures for its linear nightly news broadcasts since 2006. ABC News’ World News Tonight and NBC Nightly News have also seen steady decreases in overall viewership during the nearly 20 years since Couric’s debut.

The total viewership figure for the debut of Tony Dokoupil represented a 22% decrease compared to the same day last year.

For the Monday evening broadcast ratings, the David Muir-led World News Tonight led with 8.1 million viewers, while the Tom Llamas-anchored NBC Nightly News averaged an audience of 7.2 million viewers for the night.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.