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How Casey Daniels Evolved on 93.1 WIBC to Help Lead a Rally at the Statehouse

In April 2022, Casey Daniels was named as co-host of the midday show Kendall & Casey, alongside Rob Kendall, on 93.1 WIBC in Indianapolis.

At the time, Daniels was a news/talk radio newbie, never really working in the format before. But now? The station is one of the top-rated brands in the format, and a recent rally showcased its power on the steps of the Indiana Statehouse.

On St. Patrick’s Day, Daniels, along with her co-host Kendall and afternoon co-host Jason Hammer, led a rally against property taxes at the state capitol.

Daniels admitted that Kendall was one of the driving forces behind the rally that saw more than 1,000 attendees protesting property tax laws in the Hoosier State, but said it showcased the power of radio, 93.1 WIBC, and her midday show.

“We were sitting in the production studio one day and Rob just said ‘Hey, I think we’re gonna have a rally,’ and I said ‘Ok. Great.’ And he said ‘We’re kicking around some dates in March’ and I said we should really do it on St. Patrick’s Day and we can have everybody wear green to kind of symbolize that we want our money back. He thought that was a great idea,” said Daniels, who joined 93.1 WIBC after previously working in music radio and in local television at a variety of stations in Indiana and Michigan.

“Of course, we have the support of the lieutenant governor’s office and they filled out all of the paperwork to make it happen. We just started hitting it on the air telling our listeners ‘Hey, this is the deal’ and they showed up in full force.”

“It was absolutely amazing,” she added. “I kinda got a little choked up when I saw how many people showed up, but that’s just how we view our success of the Kendall & Casey show. It’s not Rob and I, it’s our listeners. We just have the platform, but they are the reason that we are successful. Without our listeners in our audience, there is no Kendall & Casey. So it’s kind of a symbiotic relationship. We become their voice and we do it together.”

Casey Daniels shared that in the three years since joining 93.1 WIBC, she’s earned the trust of not only the trust of her co-host in Rob Kendall, but also station management and the audience.

“When Rob and I first started working together, I think I had to prove myself and gain trust with him, but also the audience,” said Daniels. “It’s been an evolution of being able to keep up with him and I have knowledge on the information, but I believe we’re to the point now that we’re even beyond coworkers. I consider him a friend but also somewhat of a mentor because I’ve learned so much from him over the past three years.

“I always say the best seat is the one that I have right across from him in the studio for three hours a day. But it’s kind of one of the situations where you can go into it in an assigned role where it can evolve over time. I think that’s something that David Wood and Matt Hibbeln — our bosses — have allowed me to do in the position is to have my place evolve over the past three years working with Rob.”

Daniels admitted having the faith and trust of those at the station has meant everything to her, and having the freedom to expand her presence on the show has meant all the difference in her success since joining the station.

After having such a long history in local television and music radio, being an opinionated talk radio host took some adjusting for Daniels.

“It’s a big change from what I used to do,” said Daniels. “I was in media for so long and it was don’t give your opinion because I wanted as many people through the doors as possible and you don’t wanna try to offend anybody if they have an opposite opinion. And at this position, it’s trying to sway them to your side to come along and work together to make change.”

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Quu Unveils 2025 In-Vehicle Visuals Report

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Quu has released its 2025 In-Vehicle Visuals Report, which showcases how audio options like AM/FM radio, SiriusXM, mobile, and built-in streaming apps are showcased in new makes and models.

Some of the key findings include that automakers are now packing the infotainment centers of new models with audio options. Additionally, 66% are equipped with HD radio capabilities, despite a recent surge in built-in streaming apps.

74% of new models surveyed by Quu are labeled as “audio-forward” meaning the car generally defaults to the last audio source, while 26% were classified as “radio-forward” meaning the in-vehicle dash offers a designated “radio” button.

“AM/FM radio’s focus on earning the last touch is really important. By looking good and delivering the compelling local content only radio can provide, we can strengthen our position in the dashboard and the lives of listeners,” said Quu CEO Steve Newberry. “There are more choices than ever, but radio has spent over a century building deep relationships in our communities. This year’s report highlights new opportunities to build on that legacy with creative strategies that keep us relevant, visible, and valued.”

100% of models in 2025 featured FM radio compatibility, while AM Radio remained steady at 98%. While 67% of vehicles were equipped with HD radio, that figure is down slightly from the 70% featured in 2023.

SiriusXM saw an uptick in vehicles with 94% of models in 2025 coming with the equipment. Android Auto and Apple CarPlay are each in 98% of models in 2025. 100% of models came equipped with text displays for radios, with an additional 60% featuring image displays.

The biggest downturn studied by Quu was the dedicated “radio” button in models. In 2025, only 26% of models surveyed had the feature, down from 36% in 2024.

Quu is planning a webinar on Wednesday, April 2nd to discuss the findings. Featured speakers will include Newberrym Paul and Fred Jacobs of Jacobs Media, Xperi Senior Vice President of Broadcast Radio and Digital Audio Joe D’Angelo, and McVay Media President Mike McVay. To register for the webinar, click here.

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Radio Must Learn From Its Past to Strengthen Its Future

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Since its April Fools Day, I thought I’d have some fun. Perhaps a screaming headline that the major radio groups plan to hire hundreds of on-air talents! How about Wall Street analysts putting out “strong buy” recommendations on the public radio groups? Maybe Mark and Randall Mays will buy back iHeart and rename it Clear Channel.

Even wilder: how about Patrick Mahomes purchasing all the equity in Cumulus (as I’m writing this, CMLS’s equity is around $20 million, Patrick makes far more than that, and perhaps he likes a few of their KC stations)?

You can make up your own that might be funnier than mine. “The Best Value in Town is a Hole in the Ground”

Instead, let’s go with a spoof that really happened. If you’re close to my demo or know your radio history, the tagline might ring a bell. In 1984, broadcasters in Cincinnati got together with a plan to prove the power of radio by running a series of spots, only on radio, for Plummet Mall, a fictitious underground shopping mall. The spots, which ran in January 1985, said the mall would be opening soon (no location was ever given), that the underground environment meant lower energy costs so “the savings will be passed on to you” and of course, the weather is always perfect even before you leave your car!

Jerry Galvin and Jay Gilbert wrote and produced the spots (you can hear some examples on YouTube if you search for Plummet Mall) and the campaign worked. Burke Research, still headquartered in Cincinnati, did a study in February 1985, that found 60% of those asked had heard of Plummet Mall. A typical figure would have been 10%.

Fake commercials have been a staple of morning shows for years. Saturday Night Live has produced thousands in the last half-century. I’m a fan of Firesign Theatre’s fake commercials, for example, Bear Whiz Beer (“It’s in the beer, that’s why it’s yellow”). With the current furor over illegal aliens/undocumented migrants (choose the term you prefer), I remember the PSAs on television in the early to mid-’60s reminding aliens that they had to register with the government each January. Firesign did a spot ordering all aliens to register with the “National Space Administration.”

Could a Plummet Mall-style campaign work today? Something crazy but just plausible enough for listeners to believe it? The Plummet Mall campaign violated FCC rules because the sponsor was not identified, but the Commission didn’t take any action. And don’t run it on April Fools Day, but during the year. I’m certain January was chosen by the Cincinnati broadcasters due to lower spot loads at that time of year.

Let’s think about how a campaign might work. We didn’t have social media or even the internet in the mid-’80s, but it’s safe to say that more misinformation appears today from all sorts of dubious sources. You can fill in the blanks.

Could we pull off a plausible fake campaign compliant with FCC rules and on enough radio stations in a market? Could we even have noncommercial radio take part (“This local portion of All Things Considered is made possible by Plummet Mall”)? What would the product or service be in 2025?

Even if the campaign were run only on radio, it would need a social presence as well. What business of any size doesn’t have a website? What business is not on social media? If we’re “spitballing” here, the online presence could always point back to the radio spots.

Further, if we assume a 2025 version of Plummet Mall could be created, would radio be dealing with lawsuits or would the public think “that was creative and funny”, go about their business, perhaps spend more time with radio or rediscover the medium because many would hear about the campaign through word of mouth.

The one part of which I have no doubt is that the industry has the creative capabilities to pull it off. I had the pleasure a while back of meeting the late Dick Orkin at the Radio Ranch in LA who created some of the funniest radio spots ever made. If there was one “hero” I looked up to in radio, it was him. I’m sure there are some latter-day Dick Orkins out there now, whether at stations or working with agencies.

Instead of letting April Fool’s Day pass with fun jokes and then going back to our day-to-day lives on April 2, which for too many in the industry means collecting unemployment, how about if we consider an updated way to show the power of radio?

Like many other people, I read Pierre Bouvard’s weekly missives on radio’s strength. The material is excellent. Radio still works as an ad medium in 2025, so why is revenue declining? Is it time to do something different by taking a tactic from our medium’s history to strengthen its future?

Let’s meet again next week.

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David Samson: Comcast Has The Leverage In Dispute With YES Network

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New York Yankees fans are anxiously waiting to see if the YES Network and Comcast/Xfinity will reach a deal before the midnight deadline tonight. Without an agreement, the network will no longer air YES Network games on the carrier.

On Sunday, YES Network CEO Jon Litner joined the Yankees broadcast with Michael Kay and Paul O’Neill to update viewers on the ongoing stalemate. He emphasized that the network is seeking to remain part of the expanded basic cable package.

Meanwhile, former baseball executive David Samson weighed in on the situation during his podcast, Nothing Personal with David Samson. He explained that while this type of dispute is not new for either party, the circumstances surrounding this negotiation differ from past agreements.

“Comcast is being realistic about what YES Network is, and the Yankees are trying to hold on like fingers on a slipping iceberg to what YES Network used to be,” said Samson. “YES Network used to be on a basic tier. YES Network used to be what you got with the cable package. YES Network was getting paid for every subscriber for Comcast. YES Network was then paying some of that money to the Yankees, keeping the rest, showing a profit, and building value.”

However, Samson pointed out that Comcast’s stance is based on shifting consumer demand. The company argues that its customer base would prefer to have the network on a separate tier rather than on basic cable, as many customers do not want to pay extra for it.

As the primary broadcaster for both the Yankees and Brooklyn Nets, YES Network spent the weekend running messages urging Comcast subscribers to switch to another cable provider.

“There have been carriage battles galore,” noted Samson. “This carriage dispute is a problem. You have got political intervention with the Governor of New York. This could go all the way up to the President of the United States. Who knows the involvement the President would want to or think he can or should have.”

When assessing the leverage in this dispute, Samson believes Comcast holds the upper hand “all the way around.”

“Think about this,” questioned Samson. “The days of asking other people to pay for your entertainment, those days are over.”

While YES Network may go dark for Comcast customers, alternatives remain available. The network can still be accessed through the streaming service Fubo and satellite provider DirecTV. Additionally, YES Network offers a direct-to-consumer subscription, allowing fans to purchase access through the YES App.

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NBC Olympics Tabs Betsy Riley Senior Vice President and Coordinating Producer

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NBC Olympics has named Betsy Riley as senior vice president and coordinating producer, the network announced Monday via a release. Riley will be tasked with overseeing production of the Olympic Primetime Show, beginning with the Milan Cortina 2026 Games.

She begins immediately and will report to Molly Solomon, executive producer and president of NBC Olympics Production.

“We are thrilled that Betsy Riley is coming home to NBC,” Solomon said. “I’ve worked with Betsy for more than two decades, and her experience producing the Games’ highest-profile sports makes her the perfect person to oversee the Primetime Show. She brings the unique combination of a live-event producer’s instincts and an Olympic veteran’s expertise.”

Riley returns to NBC Olympics from Prime Video, where she served as senior coordinating producer. During her tenure, she oversaw game production and played a key role in launching the streaming service’s Thursday Night Football franchise. She also led the development and production of the first-ever Black Friday Football game in 2023 and oversaw Prime Video’s coverage of the NWSL.

Her experience with NBC Olympics spans more than two decades. She has contributed to the production of nine Olympic Games, beginning with Athens 2004, with the exception of Sochi 2014 and Beijing 2022. Most recently, she worked on the primetime swimming segments for Paris 2024. In Rio 2016, Riley made history as the first woman to produce Olympic track and field coverage, leading NBC’s daytime programming for the event. She also produced all track and field coverage for Tokyo 2020.

“Betsy is a terrific leader and innovator whose creativity will be vital as we continue to build off the success of Paris and reimagine how NBC presents the Olympics in Milan, L.A., and beyond,” said Solomon.

Beyond the Olympics, Riley has worked extensively on NBC Sports’ NFL coverage. She has served in multiple roles, including as a sideline producer for Sunday Night Football, an augmented reality producer for Super Bowl LVI, and an assistant director for NBC’s Thursday Night Football. Additionally, she played a key role in covering multiple Triple Crown campaigns, including American Pharoah’s historic win in 2015 and Justify’s victory in 2018.

Riley is an eight-time Sports Emmy Award winner and was named one of Sports Business Journal’s “Game Changers” in 2024. She graduated from the University of Notre Dame in 2003 and began working on football broadcasts for NBC while still a student. During her time in South Bend, she was also a member of the track and field team, where she set school records in the pentathlon and heptathlon.

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LaShayna Sawyers and Kim Price Named 107.9 The Beat Co-PDs

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LaShayna ‘What Shayna Say’ Sawyers and Kim ‘Fly KP’ Price have been named Co-Program Directors of 107.9 The Beat in Lexington, KY.

RadioInsight first reported that the duo fills the spot vacated by PD and afternoon host Jay Alexander earlier this month to focus on a position outside of radio.

Sawyers was caught in Radio One layoffs last October from her midday host position at Hot 100.9 Indianapolis. This is her second tour with The Beat, which she originally joined in 2017. In addition to Co-PD duties, she will host afternoons.

Price joined 107.9 The Beat in 2013. In addition to his duties as the Music Director, she hosted weekends and was a producer for the cluster’s ESPN affiliate. He will take over middays.

The station’s weekday lineup includes The Steve Harvey Morning Show, Middays with Fly KP, afternoons with Shayna, and evenings with Young Si.

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Mike Prendergast Signs On With Star 101.5 In Denver

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Mike Prendergast has joined Christian Star 101.5 in Denver. He will contribute to both programming and promotions.

Prendergast began his consultancy after 20 years of programming Salem Media’s KLYT in Dallas before its sale to EMF. Additionally, he served as music director for 93.3 The Fish in Little Rock.

Pillar Media Brand Director Matt Stockman commented, “I am thrilled to welcome Mike Prendergast to our team. His track record at KLTY will be invaluable as we work to grow our influence and impact in Denver with STAR 101.5. Christian radio for the Mile High just got even more exciting!”

Prendergast said, “I’m beyond excited to work with Matt Stockman and his team at STAR 101.5 in Denver. It’s an amazing opportunity to gain insight into the world of Pillar Media and the Denver radio market!”

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NewsNation and The Hill Ink Deal with Decision Desk HQ for Next Two Elections

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Nexstar Media Group-owned NewsNation and The Hill have announced they will continue to partner with Decision Desk HQ to cover the 2025 and 2026 election cycles.

As part of the agreement, Decision Desk HQ will provide exclusive insights, voter analysis, and election data to NewsNation and The Hill, and will help the television network make race projections on election nights in 2025 and 2026. The Hill will receive polling averages, forecast models, race calls, polls, and final results in a dedicated election center on its digital platforms.

“We look forward to welcoming our terrific partners at Decision Desk HQ for yet another election season,” said NewsNation and The Hill President of News and Politics Cherie Grzech. “They are masters of their craft who allow the results to be driven solely by the data. NewsNation’s top priority is to remain independent and transparent in the election process.”

“We’re excited to continue our partnership with the great teams at NewsNation and The Hill, who share our commitment to accuracy, transparency, and explaining to Americans what they need to know about their elections,” added Decision Desk HQ President Drew McCoy. “We look forward to helping these great journalists tell the important stories of next year’s midterms and what this year’s outcomes do and don’t mean for 2026.” 

NewsNation utilized Decision Desk HQ during the 2024 Presidential Election. It led the network to be the first to call the race in favor of President Donald Trump.

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Political Advertising Hits Nearly $150 Million During First Quarter, New AdImpact Data Shows

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Despite a lack of much-anticipated elections, political advertising is still a strong sector during the first three months of 2025, new data from AdImpact shows.

During the first quarter, $146 million in political advertising has been spent, which outpaces previous post-presidential years. In 2021, $109 million was spent in the first quarter on political.

Despite the lack of attention-getting national races, some state issues have proven to be hot-button drivers of spending. In New Jersey, nearly $30 million has been spent on the governor’s race ahead of the June 10th primary. Of the $28.9 million bought, $26.6 million has been by Democratic Party candidates.

Additional races include the chance to fill the seat previously held by Rep. Matt Gaetz (R-FL), which has seen nearly $4 million in ad spending.

The largest race thus far has been the Wisconsin Supreme Court election. AdImpact projects it will be the most expensive state supreme court race ever, with already nearly $70 million spent and reserved. The most recent Wisconsin Supreme Court election saw $40 million total spent during the race. That was previously the most expensive race on record, topping $22 million spent in Illinois in 2022.

AdImpact reports nearly 45% of all spending on the election has been from outside groups and political action committees and not the candidates and parties themselves. One such group is Building America’s Future, funded by Elon Musk, which has already spent more than $7 million on the race.

“With Musk promising his involvement in future primaries and other elections around the country, WI’s Supreme Court race marks the first major test of Musk’s political influence after Donald Trump’s 2024 victory,” AdImpact said.

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Seattle Storm Enter Multiyear Partnership with Local Sinclair Affiliates for Game Broadcasts

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The Seattle Storm have agreed to a new multiyear partnership with local Sinclair affiliates KOMO-TV and KUNS-TV to serve as its exclusive broadcast television partners. Games for the four-time WNBA champions will be accessible to more than 2.3 million fans across the Western region of Washington State for free, presenting 33 broadcasts to fans throughout the upcoming WNBA season. This marks the first time these local networks have agreed to a deal with a women’s professional league, and it will further broaden the reach of coverage.

“We are thrilled to welcome KOMO and the CW to the Storm family. From the start, it was clear we shared the same vision of making Storm basketball even more accessible for our fans and creating a larger impact amongst the broader community,” Nate Silverman, chief commercial officer of the Seattle Storm, said in a statement. “We wanted to provide fans the ability to watch our team in a way that best suits them, whether that be on cable, local TV or digital platforms. We’re excited to now offer more ways to watch the team this season as we compete for a fifth championship.”

KUNS-TV, an affiliate of The CW, will be broadcasting all non-national exclusive Storm games and distribute contests across cable, satellite and over-the-air television. KOMO-TV will be airing 13 of those games this season, and matchups broadcast on both networks will also be available on digital platforms such as YouTube TV and Hulu Live. In addition, KOMO-TV will be producing pregame content for select contests in addition to features during other programming as well, including its daily lifestyle show Seattle Refined. Features will also run on the ARC Seattle community program airing on KUNS-TV.

With this deal, the Storm have become the fifth team in the WNBA to earn remuneration from over-the-air broadcast networks, joining the Indiana Fever, New York Liberty, Las Vegas Aces and Dallas Wings in this regard. For the last four years, Storm games have aired on Fox 13 and Fox 13+, a deal that was negotiated in house, according to a report from Tom Friend of Sports Business Journal.

“Sinclair is committed to expanding access to high-quality local sports coverage, and the broadcast partnership with the Seattle Storm is a testament to that mission. Bringing Seattle Storm basketball to KOMO and KUNS ensures that more fans across the region can experience the excitement of the WNBA,” Rob Weisbord, chief operating officer and president of local media for Sinclair Broadcast Group, said in a statement. “We are dedicated to elevating women’s sports, from our partnership with the WTA, to expanding visibility for the WNBA, we aim to provide more avenues for viewers to watch their favorite players and teams.”

The regular-season slate of games begins on Saturday, May 17 when the Storm face the Phoenix Mercury in the quest to win their first league championship since the 2020 campaign. One of the games on the schedule is against the Fever, who have the last two No. 1 overall draft selections in Aliyah Boston and Caitlin Clark as part of their starting lineup.

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