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Tony Reali: Hosting ‘Around the Horn’ on ESPN ‘Never Felt Like Work’

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ESPN recently announced that Around the Horn will be coming to an end after more than two decades as part of its afternoon programming, officially ending with its final show on Friday, May 23 at 5 p.m. EST. Tony Reali, who has hosted the program since February 2004, has led the sports media panel show who look to garner points and convey their distinctive insights and expertise. Reali recently appeared on The Dan Le Batard Show with Stugotz to discuss the culmination of the program, remarking that he was at the top of the news stories when he opened up Google.

Le Batard opened the segment by explaining that Reali did something that was “damn near impossible” from parlaying hosting sports trivia in sports bars on campuses to an afternoon program on ESPN that has lasted for 23 years. Even though he acknowledged that it may feel like a sad day in some ways, he wished to celebrate Reali and the unbelievable run the show has had on the network. Reali opened by articulating how he is a present and intentional person and felt every minute of the program over the protracted run.

“Never felt like work, still doesn’t feel like work,” Reali said. “The next two months won’t feel like work. I enjoy doing it, I enjoy performing. I felt connection to the audience every day for the 23 years, so to see what happened yesterday in the release or the comments, I am overwhelmed, of course, because my goal is to respond to everybody. That’s a goal of mine. I’ll take the next two months and respond to everybody because that’s how I feel.”

Reali conveyed that the reason he started working in sports media was to perform, and it is something he has tried to do on Around the Horn since becoming the host of the program. Reflecting back on the venture, he estimates having hosted about 4700 episodes and also previously appeared on Pardon the Interruption daily as well with Michael Wilbon and Tony Kornheiser.

“I didn’t come up for air, and I don’t need to come up for air,” Reali said. “My energy is just the same as it was the day I took over the show and my love for that sort of thing. What I evolved in is how I see my role maybe as host. I was a sports brainiac know-it-all that wanted to demonstrate that and also score the debate like judge-jury and all that to somebody who wanted to actually pull at the strings of what’s behind a story and have the most real moment on TV, if I can say that.”

Reali shared that he has shared moments with members of the audience who have shared their memories of the program. Being part of a platform that showcased reporters from around the country is something he voiced as being important, along with fostering diversity in the regions and panelists featured on the program. Le Batard wanted the audience to appreciate what Reali has brought to television and spoke about the legacy of the sports media personality on the airwaves.

“He’s as fundamentally decent as anyone in this business,” Le Batard said. “Everyone who comes on his show, the people, the reporters who are scared and nervous, the way that he welcomes them is the way that a family member would welcome you. It’s not the way television is. He built something purposely warm, even though that’s not the reputation it might have had because it’s sports argument television and they were keeping score, but he did build a community and it’s really hard to do there.”

Le Batard was curious about the rationale as to why the show was being canceled, explaining that he looked at the ratings and that the show was doing well. In response, Reali clarified that he did not really look at the numbers and added that everyone is hired to say goodbye to shows at some point. Reali referenced WNBA legend Diana Taurasi, who recently retired after 20 seasons in the league, and saying that she was “full and happy,” a quote that resonated with him after doing a story about her on the show.

“Well, I can still eat,” Reali said. “I’m hungry, and I’m happy, and I know everybody who I work with, they can still eat. Everybody can still eat, and there’s a lot of food to go around. But I feel hungry, and I know I’m happy, I’m going to be happy.”

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ESPN Secures Most-Watched February in Seven Years

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With its presentations of the 4 Nations Face-Off Championship, various prime time NBA games and compelling studio programming, ESPN attained its most-watched February in seven years. According to data from Nielsen Media Research, which defines the month of February as consisting from Jan. 27 to Feb. 23, the network garnered an average of 575,000 viewers per minute, which is up 21% from the previous year. Furthermore, fans watched more minutes of ESPN programming and sports content on ABC this past month than any other February since 2015 across the two networks.

ESPN collected a 30% share of sports viewership across all networks during the month, which is up from the 27% finish it had last year. Aside from FOX, which was the television home of Super Bowl LIX, no other competing networks were measured to have a double-digit share. The 4 Nations Face-Off averaged 4.3 million viewers on ESPN platforms during the month, indicative of a 1079% rise from the World Cup of Hockey nine years prior. On top of that, the championship game between the United States and Canada averaged 9.3 million viewers on ABC, marking the largest hockey audience in ESPN history.

The month concluded with an NBA tripleheader featuring games that all averaged more than 2.2 million viewers, according to a report by Jon Lewis of Sports Media Watch. The games featured major-market teams such as the New York Knicks, Boston Celtics and Los Angeles Lakers, all of whom are currently in playoff position. ABC averaged 2.9 million viewers for its broadcast of the game between the Dallas Mavericks and Golden State Warriors, marking the 10th-largest audience of the NBA season.

The strong February performance comes after ESPN amassed its most-watched month since 2015 with a record-setting January containing an average minute audience of 1.6 million viewers. During the month of January, Nielsen-rated ESPN networks were responsible for 42% of all sports viewership in the month, with the singular ESPN network accounting for 29% of viewership in this category individually.

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NewsNation Adds Chris Cillizza as Contributor

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NewsNation has announced the addition of Chris Cillizza as a contributor to the upstart cable news network.

Cillizza most recently served as a contributor to Scripps News. Before for that, he worked as a political reporter and digital editor-at-large for CNN from 2017 to 2022. At CNN, he launched The Point with Chris Cillizza, a multiplatform brand.

Before his time in television, Cilizza worked as a columnist and daily political blogger for The Washington Post.

Cillizza owns a production company — Cheney Road Productions — which includes a weekly series on Monumental Sports Network in addition to a YouTube channel with more than 60,000 subscribers. He also writes a Substack newsletter entitled So What.

Cillizza will make his first appearance on NewsNation on Wednesday evening during On Balance with Leland Vittert at 9 PM ET. On social media, Vittert shared that the duo will discuss the speech from President Donald Trump to a joint session of Congress on Tuesday evening, including the reaction from both sides of the political aisle to the speech.

He will provide political analysis across all NewsNation programs and platforms.

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Average News Podcast Listener Nearly 25 Years Younger Than Cable News, Sounds Profitable Data Shows

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The news podcast space continues to be one of the top genres. But new data shows how different that realm is compared to cable news.

Data from Sounds Profitable shows that the average age of news podcast consumers is 47, which is close to the average of the 18+ population.

That pales in comparison to the average age of cable news audiences, as MSNBC’s average is 70, Fox News is at 69, and CNN is at 67 years old.

“The fact that news consumers can balance daily news podcasts (crucial for developing a podcast habit) with weekly, long-form analysis and commentary podcasts that they trust cements podcast very firmly into the lives of these consumers in a very unique way,” said Sounds Profitable partner Tom Webster.

The overwhelming majority of news podcast consumers are over the age of 35, however. 35% of those who are regular consumers of the genre are in the 35-54 demographic. An additional 38% are aged 55+. 27% of listeners come from the 18-34 demo.

The format benefits from social dynamics, as 73% say they receive recommendations from their social circle, compared to 51% of non-news podcast listeners. An additional 83% say they’re likely to at least sample a recommended podcast to them by someone they know.

“This isn’t just marginally higher – it’s dramatically higher than non-news podcast listeners,” said Webster. “News podcast consumers aren’t passive – they’re active evangelists who drive discovery through word-of-mouth,” said Webster. “This word-of-mouth factor can’t be overstated.”

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TNT Sports to Sublicense Select FIFA Club World Cup Matches from DAZN in United States

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Warner Bros. Discovery has entered into a multifaceted partnership with DAZN that will allow TNT Sports to sublicense and present 24 matches within the FIFA Club World Cup 2025 in the United States on TNT, TBS and truTV. These games take place in the group stage, knockout stages and Final, granting fans more ways to watch these live game broadcasts. In addition, DAZN will remain the global home of the tournament and broadcast all 63 games therein for free in multiple languages.

TNT Sports will assist in producing English-language studio programming and other ancillary shows surrounding the tournament, and it will also produce and disseminate content on Bleacher Report, House of Highlights and B/R Football. The partnership between Warner Bros. Discovery and DAZN also involves collaboration in cross promotion, marketing and advertising, allowing the brands to leverage their reach and innovation to reach a broad audience in the United States.

“Partnering with DAZN to present the FIFA Club World Cup 2025 further bolsters our sports portfolio this summer and brings another world-class event to our TNT Sports portfolio,” Luis Silberwasser, chairman and chief executive officer of TNT Sports, said in a statement. “We’re looking forward to this new partnership with DAZN as we collectively deliver this exciting new global soccer club competition in the US this summer.”

The tournament commences on Saturday, June 14 from Hard Rock Stadium in Miami, Fla. and games will be played across 12 venues in the United States. The final matchup of the tournament will emanate from MetLife Stadium in East Rutherford, N.J. on Sunday, July 13, the culmination of the endeavor featuring 32 teams across six continents.

DAZN agreed to a deal to broadcast the inaugural FIFA Club World Cup last December, a contract that is reportedly worth close to $1 billion. The company reached an agreement with TelevisaUnivision last month for the Spanish-language rights for 18 Club World Cup matches in the United States. The deal with TNT Sports occurs after a collaboration between both entities in Europe, including a contract that places Eurosport 1 HD and Eurosport 2 HD on DAZN in various countries.

“The combined expertise of DAZN and TNT Sports will deliver what FIFA and fans want – a tournament for generations to remember,” Shay Segev, chief executive officer of DAZN Group, said in a statement. “With our new partners at Warner Bros. Discovery, DAZN will enhance and expand production, marketing and ad sales for the tournament, to maximize engagement and reach and ensure that fans receive the very best viewing experience.”

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AEW Announces Agreement for Pay-Per-View Distribution On Prime Video

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All Elite Wrestling (AEW) announced today that it has reached a multi-year agreement with Prime Video, giving subscribers the opportunity to purchase pay-per-view events through the platform. According to Wednesday’s press release, All Elite Wrestling and Prime Video will expand their partnership by making all AEW PPV events available for purchase across the United States, Canada, and the United Kingdom. This will begin with AEW Revolution, taking place this Sunday at Crypto.com Arena in Los Angeles.

This agreement opens new doors for AEW, allowing its signature events to reach even more fans through Prime Video.

“We are thrilled to work with Prime Video to bring all AEW pay-per-view events to their incredible service, marking a major milestone in the continued expansion of AEW’s global reach,” said AEW CEO, GM and Head of Creative Tony Khan.

This announcement comes just months after All Elite Wrestling revealed a separate broadcast rights agreement with Warner Bros. Discovery late last year. As part of that multi-year renewal, All Elite Wrestling extended its previous five-year deal while expanding AEW Dynamite and AEW Collision programming. These shows will now stream live exclusively on Max in the United States, with on-demand access available to all Max subscribers.

“AEW pay-per-view events are consistently the most exciting professional wrestling events in the world,” said Kahn. “Fans will now be able to experience that firsthand through Prime Video beginning with AEW Revolution this Sunday, March 9.” 

At the time of publication, All Elite Wrestling has not yet announced a price point for the pay-per-view events.

This deal further expands Prime Video’s growing sports portfolio, which already includes agreements with the NFL, NBA, NHL, and UEFA Champions League soccer. Additionally, the platform offers add-on agreements with FanDuel Sports Network, Max, Apple TV+, and Discovery+.

Founded in 2019 by Khan, All Elite Wrestling presents more than 100 live events per year worldwide. The company describes its roster as bringing “new spirit, freshness, and energy” to the professional wrestling industry.

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77 WABC Confirms Addition of Anthony Cumia, Announces Time for New Show

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As Barrett Media first reported, former Opie & Anthony host Anthony Cumia is set to join 77 WABC, with the New York news/talk station confirming his new timeslot.

The Anthony Cumia Show will air on Sunday evenings from 8-10 PM ET. It will debut on Sunday, March 9th.

“I am beyond thrilled to join 77 WABC,” said Cumia. “They are the only ones doing great radio, and I’m looking forward to having a blast and connecting with my fans. I’m grateful to John (Catsimatidis) and Chad (Lopez) for offering me this opportunity. We’re going to have a great time!”

“Anthony has a strong and loyal following who have missed him on New York radio,” added 77 WABC and Red Apple Media President Chad Lopez. “Anthony brings another element of entertainment to our weekend programming, which is about having fun.”

Cumia previously hosted afternoons at WNEW from 1998 to 2002, before Opie & Anthony were fired by Infinity Broadcasting for what the company considered an uncouth promotion. It was one of several times Cumia exited a broadcasting job under similar circumstances. Cumia was fired in 2014 by SiriusXM for sharing racially charged tweets after claiming to be the victim of an attack by a Black woman.

Anthony Cumia had spent a decade with the satellite broadcaster, joining then XM Radio in 2004. Other radio stops include working at WAAF in Boston.

Since his high-profile ouster from SiriusXM, Cumia has hosted a digital show on his subscription-based Compound Media. Since 2021, he has hosted CompoundCensored with VICE Media co-founder Gavin McInnes.

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Gary Bettman: NHL Aiming to be “Widely Distributed”

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The NHL is coming off two signature viewership moments, first with the 4 Nations Face-Off tournament last month and then the Stadium Series matchup this past weekend. Hockey drew an average of 16.1 million viewers for the 4 Nations Face-Off final between the United States and Canada, while the Red Wings and Blue Jackets game on ESPN Saturday night attracted 1.6 million average viewers.

Building on the success of these broadcasts, NHL Commissioner Gary Bettman told CNBC on Wednesday morning that the league’s primary focus is maximizing the distribution of its content. He emphasized leveraging existing partnerships while also exploring potential streaming opportunities.

“It’s a combination, and I think it’s going to continue to evolve,” Bettman said on CNBC. “Particularly because of the difficulties we’ve seen with the regional sports channels. So I think you’re going to continue, as contracts come up, you’re going to see a mix.”

The NHL signed seven-year media rights agreements with Walt Disney Co. and Warner Bros. Discovery in 2021. These deals, which are set to expire after the 2027-2028 season, have so far aligned well with the league’s goals, according to Bettman.

“We want to be widely distributed, which we are with ESPN and Turner,” Bettman said. “TNT and ABC are doing a great job for us here, particularly over the last few years since we’ve re-engaged with them.”

Bettman also addressed the league’s Canadian broadcasting rights, revealing that exclusive negotiations are currently underway with Rogers Communications Inc. The negotiation window, which opened on January 1, will last for two months before the league can entertain offers from other broadcasters. The NHL’s current 12-year, $5.2 billion agreement with Rogers was signed in 2013.

“We’re currently in an exclusive negotiating period with Rogers,” Bettman said. “With our contract coming up, and we think that the broader the distribution, the better our fans are going to be served.”

The Commissioner praised the league’s use of modern technology to engage new fans, highlighting innovations such as puck and player tracking and animated versions of live games designed for younger audiences.

The NHL is no stranger to digital distribution, having integrated streaming into its model through past agreements with Rogers and its current deal with ESPN and ESPN+. While many sports properties are shifting more toward streaming, Bettman stressed that traditional television remains a critical component of the league’s strategy.

“I think linear is still important,” Bettman stated. “That’s still your most viewed distribution for most people, particularly people my age or your age. Younger people who are ‘cord nevers’ or ‘cord cutters,’ they’re going to look for ultimate sources of getting their content. You got to be agile.”

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Cumulus Media Job Cuts Hit KQRS And 93X Minneapolis

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As first reported by RadioInsight, cuts were made on Monday at Cumulus Minneapolis.

Brian Zepp is out as co-host of the 92.5 KQRS morning show. The station Facebook posted a “Brian Zepp Appreciation Post” reading, “We want to thank Zepp for his time with 92 KQRS. We had a helluva a ride over the years and want to thank him for every early morning wakeup call, too many late-night parties and all the laughs in between. We wish him only the best and know he’ll smoke it to the butt.”

Zepp joined the station initially as part of the Tom Bernard Morning Show.

Andrew Wappel was let go from his morning show producer/voice tracker position down the hall at 93X KXXR. His Facebook post read in part, “By now most of you have heard the news. I’m no longer with 93x and Cumulus media. I didn’t get fired and didn’t do anything wrong. I was let go. 93x was my first big boy job out of Brown college 12.5 years and I’m thankful for the opportunity and all the awesome people I’ve met along the way.”

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Dana Walden: ESPN Flagship is ‘Incredibly Exciting’

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The Walt Disney Company is in the midst of its third year under a strategic restructuring under chief executive officer Bob Iger, separating its company into three distinctive business segments. The media conglomerate continues to innovate amid the dynamic media ecosystem, focusing resources on streaming initiatives such as the ESPN Flagship direct-to-consumer platform and a new venture granting it 70% ownership over Fubo. The company reported a proliferation in overall revenues and total segment operating income for the quarter, along with $228 million in operating income at ESPN.

Dana Walden, the co-chairman of Disney Entertainment at The Walt Disney Company, recently participated in a question-and-answer session at the Morgan Stanley Technology, Media & Telecom Conference. Walden, who is responsible for leading brands and businesses such as ABC Entertainment and Disney Branded Television, also has a shared oversight towards the direct-to-consumer group within the company. Within her appearance, she was asked about the significance of the new ESPN Flagship platform coming to market and what it means for the business.

“I’ve seen a little bit, it’s incredibly exciting,” Walden said. “The new features that they’ll bring to market with the launch of Flagship, I think are really going to blow people away. From a Disney+ perspective though, sports is the biggest, most successful form of entertainment right now.”

Walden explained that the company recently launched an ESPN tile on Disney+ for its standalone subscribers that includes more than 3,000 hours of long-form programming. On top of that, the company recently launched SC+, a daily version of SportsCenter exclusive to Disney+ subscribers. As a whole, she observed that ESPN is helping drive more subscribers to upgrade into the trio bundle that also includes Hulu and ESPN+, along with generating more engagement with this type of content.

“It is going to help us, I think, to include people who are casual sports fans in this conversation that is obviously dominating cultures around the world and again a daily touchpoint for sports on Disney+,” Walden said of the SC+ enterprise, “a reason every day to open the app to check out what are the top 10 moments in sports and then allow the algorithm to surface to those subscribers other content that they’re going to engage with.”

Walden also acknowledged the progress Disney has made pertaining to streaming and how the company is now profitable in this regard, recently reporting $293 million in profit for Disney+ and Hulu in its fiscal first quarter. Moreover, she articulated how it begins with excellence in storytelling and discovering the best way to compile the portfolio it has across a variety of genres. For example, Hulu content can now be accessed within the Disney+ application, streamlining the overall consumption experience and integrating programming across multiple platform.s

“It’s an extraordinary value for subscribers, it’s driving engagement, it is improving our churn dynamic, and that in itself is cause for extreme optimism about our future,” Walden said, “but it’s also, again, continuing to deliver.”

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