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‘The Roula & Ryan Show’ Sign For Five More Years At KRBE Houston

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Cumulus Media and Top 40 KRBE Houston have signed “The Roula & Ryan Show” for another five years.

The newly adopted title, “The Roula & Ryan Show with Eric,” emphasizes the contribution of longtime cast member and Executive Producer Eric Rowe within the show’s ensemble.

Roula Christie added: “We are also thrilled to commit to KRBE for another five years! This will make us the longest-running morning show in the history of KRBE. It is our home, and we love that we are further cementing our bond with this city. Thanks to our Cumulus family, Dave Milner, Brian Philips, Leslie Whittle, Alex Cadelago, and our agent, Paul Anderson, for always supporting us. A great show is made up of a great team, and ours is world-class. To our audience, we are privileged to be part of your family- thanks for being part of ours!”

Alex Cadelago, Regional Vice President, Cumulus Media, said: “I’m excited for the opportunity to extend our partnership with this talented, award-winning team of radio pros. It’s satisfying to know that KRBE and “The Roula & Ryan Show with Eric” will continue entertaining Houstonians during their morning commute, as they have for the past twenty years!”

Leslie Whittle, Regional Content Director for KRBE-FM, remarked: “I’ve been honored to work with this fantastically talented group for almost twenty years and am ecstatic to look forward to (at least) another five with “The Roula and Ryan Show with Eric.” This show truly is the Heartbeat of Houston, as they prove every day. Listen once, and you’ll understand what they mean to our city and what Houston means to them.”

Christie said of the new show moniker, “We are so excited to add Eric’s name to the marquee of our show. He has earned it and deserves it! Eric Rowe is the best executive producer in radio. He is hilarious on the air and a genius behind the scenes.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Defensive Showdown: How the Eagles Plan to Contain Patrick Mahomes

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As the Eagles prepare to face football’s most dynamic quarterback in Super Bowl LIX, defensive coordinator Vic Fangio has crafted a meticulous plan to disrupt Patrick Mahomes’ rhythm.

Philadelphia’s league-best defense, which held opponents to 17.1 points per game during the regular season, faces its ultimate test against Kansas City’s creative play-calling and Mahomes’ improvisational genius.

Here’s their four-phase approach to containing the Chiefs’ offensive juggernaut.

Controlled Chaos in the Pass Rush

Philadelphia plans to attack Mahomes with calculated pressure rather than all-out blitzing. While their 2023 record-setting 70-sack unit has been dismantled, the Eagles still boast the NFL’s deepest defensive line rotation.

Veterans like Fletcher Cox and newcomers Jalen Carter will employ a ‘mush rush’ technique – a strategy that could become Philadelphia’s defensive signature en route to potential 2025 Superbowl contention.

The key adjustment: using stunts and delayed blitzes from off-ball linebackers Nakobe Dean and Zach Cunningham to collapse the pocket from unexpected angles. This disciplined approach could reduce Mahomes’ league-best 9.4 yards per scramble while forcing hurried throws.

Eliminating the Ground Game

Philadelphia’s top-ranked run defense (3.4 yards allowed per carry) will prioritize stopping Isiah Pacheco early. By stacking the box with five-man fronts and using safety C.J. Gardner-Johnson as a hybrid linebacker, the Eagles want to force Kansas City into obvious passing situations.

This strategy proved effective in their NFC Championship win, holding Christian McCaffrey to 2.8 yards per carry before halftime.

Secondary Shell Games

The Eagles defensive backs will deploy multiple coverage looks:

  • Cover 6 hybrids: Combining quarter-field and half-field zones to confuse Mahomes’ pre-snap reads
  • Trail technique: Physical press coverage on Travis Kelce with safety help over the top
  • Simulated pressures: Showing blitz before dropping 8 into coverage

Cornerbacks Darius Slay and James Bradberry will alternate between shadowing Rashee Rice and playing zone, leveraging their combined 27 passes defended this season. Rookie safety Sydney Brown’s range could prove critical in limiting Mahomes’ signature cross-body deep throws.

Turnover Tsunami

Philadelphia’s defense has forced multiple turnovers in 11-of-18 games this season using:

  • Peanut punches: Emphasis on strip attempts during tackles
  • Coverage disguises: Rotating from two-high to single-high safety looks post-snap
  • Tip drills: Capitalizing on Mahomes’ occasional high releases

Their playoff-leading 12 takeaways directly correlate with their 5-0 record when winning the turnover battle. Look for Haason Reddick (6 forced fumbles in 2023) to target Mahomes’ throwing arm during sack attempts.

The X-Factor: Philadelphia’s Clock-Control Offense

While not strictly defensive, the Eagles’ ground game is crucial. With Saquon Barkley averaging 5.1 yards per carry and their “Tush Push” converting 93% of short-yardage situations, Philadelphia aims to limit Mahomes’ possessions through methodical drives. Their league-leading 34:12 time of possession average could prove decisive in a potential shootout.

Historical Context

This approach echoes Philadelphia’s 2023 Super Bowl strategy against Mahomes but with critical upgrades:

  • Improved gap discipline (25% fewer missed tackles vs 2023)
  • Faster secondary communication (allowed 11.2% fewer explosive plays)
  • More sophisticated pressure packages (38% QB pressure rate vs 31% last meeting)

Conclusion

As kickoff approaches, the chess match between Fangio’s defensive ingenuity and Andy Reid’s offensive mastery will determine whether Philadelphia can dethrone Kansas City’s dynasty.

And there is only one certainty: this showdown will test every ounce of Mahomes’ legendary poise against football’s most complete defense.

Barrett Sallee Hired as Pre and Post Game Show Host for Atlanta Braves Play-By-Play on 680 The Fan

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The Atlanta Braves Radio Network and 680 The Fan have announced the hiring of Barrett Sallee as the new host for the Braves Network Pre and Post Game Shows. Sallee has been involved in sports media since 2001 as a college football writer for CBS Sports, an analyst for CBS Sports HQ, and a host on SiriusXM’s college sports channels. 

“We are excited to welcome Barrett Sallee to the Braves Radio Network and 680 The Fan family,” said David Dickey, President Dickey Broadcasting in a release. “Barrett’s extensive knowledge of sports and his dynamic presence will enhance our coverage and provide our listeners with in-depth analysis and engaging content before and after every Braves game.” 

Sallee said, “As a lifelong Braves fan, I am honored to join the Atlanta Braves Radio Network and 680 The Fan. The Braves have a rich history and a passionate fan base, and I look forward to connecting with the listeners and bringing them the best pre- and post-game coverage.”

The Pre and Post Game Shows will air on 680 The Fan, the flagship station of the Atlanta Braves Radio Network, which broadcasts Braves baseball throughout the Southeast on the Atlanta Braves Radio Network. 

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Tom Kraeutler, Longtime Money Pit Host, Dies

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Tom Kraeutler, the longtime host of the home improvement-focused radio show Money Pit has died after complications from a recent surgery.

An accomplished craftsman, education, and former chair of New Jersey’s first regulatory authority for licensing home inspectors, Krauetler’s show is heard on more than 450 stations around the country.

Kraeutler’s production company, Squeaky Door Productions, will explore succession plans. The weekly Money Pit show, however, will continue with co-host Leslie Segrete handling the program for now.

Segrete, who co-authored one of the two books written by Kraeutler, shared fond memories of her co-host.

“When my kids were born, Tom was there in the hospital,” said Segrete. “When my husband died, he held my hand and got me back to work. He was way more than just a friend and coworker. He was family.”

Tom Kraeutler is survived by his wife Susan and their three children.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Townsquare Media Announces Three Executives to New Positions

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Townsquare Media has announced it has created three new executive roles in its organization and is promoting from within to fill the positions.

Cristina Cipolla has been named the company’s first Chief Data Officer. She joined Townsquare Media in 2013 and was promoted to President of Data and Analytics in January 2022.

“There is no one more deserving than Cristina for this position – her leadership, innovation, collaboration, work ethic, inspiring positivity, and true understanding of our entire business have helped us win at the local level while focusing on how our Company wins in the future,” said Townsquare Executive Vice President and Chief Operating Officer Erik Hellum.

Matt Kiger will serve as Chief Revenue Officer for Local Media after previously serving as Senior Vice President of Sales since January 2022. He has been with the company since 2012 and will oversee the broadcast and digital advertising.

“On a daily basis, Matt has made a big impact on our Company with his leadership, contagious enthusiasm, in-field coaching, teaching ability, and daily focus on driving the Townsquare playbook,” said Hellum. “Matt will now be working on sales initiatives that will drive growth across all of our markets, and will also be an invaluable partner to me and our RVPs in helping our local teams win with the Townsquare playbook.”

Meanwhile, Kelly Quinn has been named the Chief Revenue Officer for Townsquare Ignite, the programmatic digital advertising arm of the company. She Has worked at Townsquare Media since 2010.

“Kelly possesses a unique skillset for empowering high-performing sales teams to achieve exceptional results,” said Senior Vice President of Sales Todd Lawley. “There is no one better at coaching, leading, and motivating teams, which makes Kelly the ideal choice to step into the CRO position at Ignite. With his leadership, Ignite will continue to deliver industry-leading results across all our strategic initiatives.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Kevin Winter Let Go by ESPN Radio After More Than 20 Years

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After being with ESPN Radio for almost 21 years, Kevin Winter announced via social media he was recently let go by the company. Winter started with ESPN in 2004 as an ESPN Radio SportsCenter anchor and was a studio host for MLB, NBA, NFL, college football and college basketball. He also called college football play-by-play for ESPN Radio.

From 2005-09, Winter was a host on 890 ESPN Radio in Boston, MA. He was also a writer and editor at SportsTicker for nine years and the host of Sports Pulse on CN8 for four years.

Winter wrote the following on his Facebook account:

“I buried 2 parents before I turned 40 years old yet what happened a week and a half ago was harder for me to deal with,” he started the post. “Kentucky Derby day 2004. That was the day of my first solo shift at ESPN Radio. And after almost 21 years I was told it was over.

“I have been informed due to ‘cost cutting’ my contract was not being renewed. I’ll let you all discuss the idea of a multibillion-dollar corporation needed to cut my small 6 figure salary in order to keep the lights on. There are a few reasons I’m just now getting around to posting this.

1) I would have said some really mean things about people.

2) most of you would have asked how I was doing when the answer was unquestionably not good.

A play-by-play announcer I have worked with for a long time says I’m the best at what I do…in the country. Well, if that’s the case the number 1 studio host in the country is a free agent! Been a hell of a ride at ESPN and the friendships I have made will last a lifetime. At 47 years old, a new chapter awaits.”

screengrab of a Facebook post from Kevin Winter

Winter graduated from Hofstra University in 2000 with a Bachelor of Arts degree in broadcast journalism.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Barrett Sports Media Top 20 of 2024 – Major Market Midday Shows

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The 10th edition of the Barrett Sports Media Top 20 series presented by Steve Stone Voiceovers continues with a look at sports radio’s top Major and Mid Market Midday Shows of 2024. Stay updated on all the results by visiting the website, following BM on X, Facebook or LinkedIn or signing up for our newsletters. At the end of the series, Dave Greene and I will record a video for the Barrett Media YouTube page sharing our thoughts on the results. Make sure to subscribe to the YouTube page so you’re notified once the video goes live.

As you review these results, please remember that they represent the collective feedback shared by our industry voters. I do not vote in this process. My role is to assemble the group, collect their votes, and present the information.

Important Information

#1 – These results are based on 2024’s performance. 2025 changes have no effect on the voting. Given that some shows went through changes, we promote them based on how they end, not how they start. A few examples of this are the changes this year at 670 The Score, KNBR, and ESPN 880.

#2 – We’ve asked the voters to supply photos and logos to avoid headaches. Some comply, but most don’t. It forces us to spend a lot of time digging for images to highlight everyone. For that reason, there are no photo changes unless it involves a mistake. Thanks in advance for understanding.

#3 – Our executive panel consists of forty six (46) program directors and corporate executives from a number of top broadcasting companies including Audacy, iHeart, Cumulus, Beasley, Good Karma Brands, ESPN Radio, FOX Sports Radio, SiriusXM, Radio One, and a number of independently owned and operated radio stations. We involve a large group in this process in order to include feedback from all parts of the country, as well as to prevent the results from heavily favoring one company.

#4 – Voters were asked to consider a bunch of factors when making their selections. The criteria included the ear test, originality, multi-platform impact, ratings success, clearance (national shows) and industry buzz. Keep in mind that our voters live in different cities, work for different companies, have different tastes, and value certain factors higher than others. This is not a perfect system but it’s one we feel good about using to showcase the industry’s best.

#5 – A total of 37 shows were eligible for voting consideration in the Major Market Midday Shows category.

I want to thank Dylan Barrett for helping with our graphics, and Stephanie Eads for her assistance with the voting process. I’d also like to thank every single voter who made time to participate. Now without further delay, here are the Top 20 Major Market Sports Radio Midday Shows of 2024.

Additional Notes:

  • Zolak and Bertrand won the category for the fourth straight year, and fifth time total by besting Brandon Tierney and Sal Licata by thirty two (32) points. Tierney and Licata tied The Hub’s midday show in first-place votes with six (6), and cut the lead in half from last year. Nonetheless, Zolak and Bertrand reigned supreme once again.
  • Spots 21-25 belonged to Jones & Keefe, Polumbus, Hastings & DMac, Cellini & Dimino, Kevin Sheehan, and Travis & D’Marco.
  • The closest contests saw Mike Missanelli finish one point ahead of Steiny & Guru, and Papa & Silver best The Steakhouse also by one point.
  • Of the 37 shows to appear on submitted ballots, ten (10) received at least one 1st place vote.

BNM Top 20 of 2024 Remaining Schedule:

  • Wednesday February 5 = BSM Top 20 Major/Mid Market Sports Radio Afternoon Shows of 2024
  • Thursday February 6 = BSM Top 20 National Sports Radio Shows of 2024
  • Friday February 7 = BSM Top 20 Major/Mid Market Sports Radio Program Directors of 2024
  • Monday February 10 = BSM Top 20 Major/Mid Market Sports Radio Stations of 2024

Barrett Sports Media Top 20 of 2024 – Mid Market Midday Shows

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The 10th edition of the Barrett Sports Media Top 20 series presented by Steve Stone Voiceovers continues with a look at sports radio’s top Major and Mid Market Midday Shows of 2024. Stay updated on all the results by visiting the website, following BM on X, Facebook or LinkedIn or signing up for our newsletters. At the end of the series, Dave Greene and I will record a video for the Barrett Media YouTube page sharing our thoughts on the results. Make sure to subscribe to the YouTube page so you’re notified once the video goes live.

As you review these results, please remember that they represent the collective feedback shared by our industry voters. I do not vote in this process. My role is to assemble the group, collect their votes, and present the information.

Important Information

#1 – These results are based on 2024’s performance. 2025 changes have no effect on the voting. Given that some shows went through changes, we promote them based on how they end, not how they start. A few examples of this are the changes this year at 104.5 The Zone and 93.7 The Fan.

#2 – We’ve asked the voters to supply photos and logos to avoid headaches. Some comply, but most don’t. It forces us to spend a lot of time digging for images to highlight everyone. For that reason, there are no photo changes unless it involves a mistake. Thanks in advance for understanding.

#3 – Our executive panel consists of forty six (46) program directors and corporate executives from a number of top broadcasting companies including Audacy, iHeart, Cumulus, Beasley, Good Karma Brands, ESPN Radio, FOX Sports Radio, SiriusXM, Radio One, and a number of independently owned and operated radio stations. We involve a large group in this process in order to include feedback from all parts of the country, as well as to prevent the results from heavily favoring one company.

#4 – Voters were asked to consider a bunch of factors when making their selections. The criteria included the ear test, originality, multi-platform impact, ratings success, clearance (national shows) and industry buzz. Keep in mind that our voters live in different cities, work for different companies, have different tastes, and value certain factors higher than others. This is not a perfect system but it’s one we feel good about using to showcase the industry’s best.

#5 – A total of 59 shows were eligible for voting consideration in the Mid Market Midday Shows category.

I want to thank Dylan Barrett for helping with our graphics, and Stephanie Eads for her assistance with the voting process. I’d also like to thank every single voter who made time to participate. Now without further delay, here are the Top 20 Mid Market Sports Radio Midday Shows of 2024.

Josh and Swain

Additional Notes:

  • Rothman & Ice earned their career win in this category, finishing thirty seven (37) points ahead of Buck Reising. The Columbus duo and Reising each scored three (3) first place votes. Kentucky Sports Radio landed the most with four (4).
  • Spots 21-25 went to Cody & Gold, Erik Ainge, Adam Gold, Mark Rodgers, and Hans & Scotty G.
  • The closest contest saw JT The Brick edge Pomp & Joe by one (1) point.
  • Of the 59 shows to appear on submitted ballots, thirteen (13) received at least one 1st place vote.

BNM Top 20 of 2024 Remaining Schedule:

  • Wednesday February 5 = BSM Top 20 Major/Mid Market Sports Radio Afternoon Shows of 2024
  • Thursday February 6 = BSM Top 20 National Sports Radio Shows of 2024
  • Friday February 7 = BSM Top 20 Major/Mid Market Sports Radio Program Directors of 2024
  • Monday February 10 = BSM Top 20 Major/Mid Market Sports Radio Stations of 2024

FOX Sports, and the NFL Do Not Care About Tom Brady Criticism

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I’m over Tom Brady criticism. I’m not saying it’s unfair or unwarranted. He isn’t a great analyst and FOX’s presentation of its marquee NFL game each week has suffered because he replaced Greg Olsen on the broadcast. 

But let’s be blunt about the lesson here: America just doesn’t care who is in the booth. Trashing Brady’s performance or comparing him to his predecessor or his colleagues at other networks is just wasting your own time. 

Ratings for the NFL slipped in the 2024 season. It’s pretty easy to explain. It was an election year. Chiefs fatigue is real. The Dallas Cowboys and New York Jets offered viewers nothing interesting yet still dominated media narratives at ESPN and FOX. 

None of it had to do with Brady. More importantly, in the end, none of it even matters, because every other broadcast on television would kill for the ratings of any NFL game.

The league knows this is true and so do the networks. We have written about this before, but with the Super Bowl now less than a week away, it bears repeating. The NFL wants broadcast partners that value the league and treat it like the fourth branch of the federal government.

Doing business with the NFL is like The Wire. You don’t win Clay Davis’s loyalty with a check. That’s obligatory. You win his loyalty with public displays of fealty. 

It’s why networks fight for headlines about who will be part of the broadcasts and throw obscene paychecks at their top broadcasters. Sure, these people are good at their job, but the eight-figure salaries are a way to show the league just how important their games are.

Plenty of critics have pointed out the obvious: Tom Brady, the Raiders minority owner, gets in the way of Tom Brady, the broadcaster. There is nothing inaccurate about that statement. 

But until the owners of other teams definitively say Brady is not allowed to do both, the league is giving its approval of the unorthodox and complicated situation. 

Look, there is only one Michael Jordan. He may be one ring shy of Tom Brady, but Brady was never the cultural force that Jordan still is. 

Jordan’s commercial and business success allowed him to buy the Charlotte Hornets. Tom Brady isn’t worth as much as Jordan and NFL franchises are much more expensive than NBA franchises, so the closest the NFL could come is having its GOAT buy a share of the Raiders. 

It still sends the same message to young and future players – it is possible to be so good at this game that it one day gets you into the club where the real power lies. It also sends the message to fans that football comes first, not business interests.

Tom Brady is a competitor. I take him at his word that he wants to be great on TV and he knows that it requires time and reps. Because he is a competitor though, he will never say that he is incapable of doing both jobs well. That means all of the time he is willing to invest in broadcasting can only help so much. 

The other NFL owners are rightfully worried about Brady’s influence meddling with their own rosters. That’s why he’ll never really be able to prepare for a game like his colleagues. It doesn’t matter to FOX or to the NFL. 

All either of them wants from Brady is star power, and he has that in droves.

Maybe that is all that matters to the casual viewer too. Our job is to analyze this business like it’s the Luka Doncic/Anthony Davis trade. We get so wrapped up in the industry implications of who calls what game on which network that maybe we lose sight of the fact that we are a very tiny population.

Broadcasting is not a science. It’s an art and art is subjective. Look, I still think The Eagles are a genuinely terrible band. Maybe the worst I’ve ever heard.  The band members, their management and venue owners aren’t losing any sleep over me though. The Eagles have sold a ton of albums and plenty of people stream their dumb songs and pay a lot of money to see them when they go out on tour. 

I think we may be looking at a similar situation with Brady, who for the record, I don’t think is as bad at broadcasting as I think The Eagles are at music. 

“Desperado” is a garbage song. Fight me!

Tom Brady isn’t great at this. Maybe you and I can rattle off names of a dozen people that would make FOX’s Super Bowl broadcast better. At the end of the day though, it’s the Super Bowl. People aren’t going to base their decision to watch or not on who is in the booth. 

Tom Brady is a star and if anything can add to a Super Bowl that already includes the Chiefs going for a three-peat and a halftime show that could result in legal action, it’s the star power of the biggest name in the sport’s history.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

A Look Inside ‘aBreak Music’, a Platform For Music And Artist Discovery

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“Music is the great connector—discovering a new song is like finding a hidden part of yourself.” –Anonymous.

As music curators, adding fresh tunes to our Music Matrix is like a single marketing decision. In August 2024, we covered music research without a budget – using free tools to gauge the coming popularity of a song. The following week, we wrote a piece about multiple avenues of music discovery.

Included in the body of that column was this:

aBreak Music —This outlet is headed by music trending pioneer Bruce Tyler and brilliant innovative programmer Jay Stevens. Taking submissions from all genres, this platform grooms and mentors emerging artists to get them ‘label-ready.’ Their aBreak58 playlist is a must-follow for music discovery. Put their player on your toolbar today.

Bruce Tyler gave us the renowned A.I.R Competition. PDs were awarded prizes and predicted the chart success of a record. It was a genius way to get us to listen!

Long-time friend and colleague Jay Stevens is a legendary Brand Builder and former Vice President at Radio One who captained successful brands in multiple formats, leaving corporate radio to consult. As aBreak Music grows, we thought it would be a perfect time to have a word with their co-founder.

Kevin Robinson – Tell us about aBreak Music.

Jay Stevens – aBreak Music is a US-based, free platform for music and artist discovery for independent artists.

Through our aBreak 58 playlist, published bi-weekly, and our online aBreak Music radio station, we are here to help Indie artists get the attention of the gatekeepers of the industry. 

We know how hard it is and what a struggle it is for Indie artists, so we’re helping them “get a break,” thus the name. aBreak Music was founded by my partner, Bruce Tyler, who, you may remember, ran A.I.R., the leading independent research and Music Promotion Company, and was EVP for SONY Music. 

Bruce and I had talked about starting this company for years and when it was coming to fruition, I gladly joined him as a partner. This an extension of what I’ve been doing for years. The list of artists that I have been involved with is endless.  There is no better feeling than helping artists get attention, potentially get a label deal, and watching their careers ascend.

KR – What inspired you and Bruce to start aBreak Music? 

JS – Bruce and I have been deeply involved in the music and media/radio business for years. Both of us have been involved with many major artists as well as breaking new and upcoming artists. 

Bruce was from the label side, me from the radio side. Finding hit music and developing relationships with artists was a major part of what I did over the years, running major radio/media companies.

There are literally millions of Indie artists around the world who are immensely talented and will never get a shot at getting a record label deal; they’ll never get a look. We have seen first-hand how difficult it is for these talented artists. So, we’re offering them another way to get exposure through aBreak Music platform.

Artists will tell you how tough it is to break through!  We understand that and are here to help the artists and labels find each other. 

KR – If I’m a music talent, how do I get on the aBreak Music platform?

JS – It’s very simple. Go to aBreakmusic.com. There, you register and upload up to two songs at a time.  It’s free and available worldwide. While there on our website you can listen to our online radio station and read about all that we offer.

Our A&R (Artists and Repertoire) team listens to every single song that is submitted. Our “human” A&R team – that’s right, “human” curation. The best of the best songs make our bi-weekly playlist.  

KR – How does a talent you’ve heard – and liked – get developed? 

JS – We have had several of our Indie artists become part of some big things. A recent example is Huntley. He was on our first playlists back when we launched in 2022 and went on to win The Voice last December. 

We will help artists with coaching advice as well as get them attention from our connections with the gatekeepers of the industry.

KR – Many reading this have not heard of aBreak Music.  How are you different from others like – say – Bandcamp? 

JS – There’s an ecosystem of platforms where Indie Artists can submit songs. Bandcamp being one of them. We want to be part of the ecosystem, but what we offer is different and unique. 

We have unmatched music execs running our platform, executives with deep connections in the industry. We’re FREE, and as I mentioned earlier, every song submitted is listened to by our “human” A&R team. And we have an online radio station where our aBreak58 playlist of songs is played. 

Yes, our artists actually get played on a radio station! After hearing them on our radio station, the labels will do a deep dive on the artist to see if they’re for real.  We get label feedback often. That’s very positive for us; we are having an impact.  That’s why we’re here!

KR – What social media do you utilize for exposure for your artists – different than what the artists use?

JS – We are heavy on social, specifically Instagram and TikTok.  Follow us at aBreakmusic. 

KR – As a program director, how do I get a record I’ve heard – and liked – on my radio station? 

JS – We are not a distributor; instead, we’re an artist discovery platform.

The songs that are submitted generally are on other platforms. As I mentioned earlier, there’s an ecosystem of platforms for Indie artists, with one of them being Spotify. So, if a PD or radio person likes a song, they’re usually available. 

Gatekeepers of the industry are the main listeners to our online radio station, and they receive our published bi-weekly playlist. Labels tell us they hear the songs on our aBreak 58 playlist and when interested, they go to the artist’s social media, their websites, Spotify, etc. 

KR – What advice do you have for emerging artists preparing to get ready to submit to the abreak platform?

JS – The songs they submit will be listened to by seasoned A&R vets. When an artist is ready to submit to us, their music better be amazing! They need to have a strong social media presence with a substantial following, and they need to be performing and/or busking. 

Getting their songs on aBreak Music is a big deal; it could be the biggest thing to happen in their career, so they need to be ready to shoot their shot!

KR – How do we get in touch with you?

JS – I’m at jaystevens@aBreakmusic.com.

Bookmark and follow – aBreak Music. New music discovery is up to you – and it’s everywhere.