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KUZZ’s ‘Kenn & Ness In The Morning’ Is Laser Focused On Bakersfield

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Kenn McCloud and Ness Heraldez are “Kenn & Ness In The Morning” on Bakersfield’s Country KUZZ. KUZZ is owned by Buck Owens Productions and was started by legendary Country star Buck Owens.

The station has a big legacy with Owens and is the keeper of “The Bakersfield Sound.”

Kenn and Ness have just been together as a morning show for a year and a half, but a couple of things that you notice talking to them are 1) that they respect the station’s heritage and 2) that they seem to genuinely like each other and are having fun.

The two come to the show from different perspectives and blend well on the air.

“The unique thing about the show, I would say it is the fact that we’ve got two different ends of the spectrum covered. Even as parents, we’re similar, but we’re not. She’s got an eight-year-old, and I have an 18-year-old, said Kenn.

Ness added, “We have one child each, not together, but we are very similar in our morals and ethics. Our opinions on things are pretty much the same, but we are so different in navigating them. So different perspectives.”

Ness came to radio from a unique background. Before joining KUZZ, she worked in a California prison where she taught computer and college programs. A career she said helped define her on-air personality.

“Working with inmates, and I talk to Kenn about it, defines my personality, what I will put up with, and what I won’t. Knowing that when we hit the studio, it’s game time, like we don’t have bad days, and you’re ready to do things for inmates. You’re ready to work. Whatever’s going on in your personal life doesn’t exist. You take that into being on the radio as well.”

The duo’s number one tent pole is for the show to be authentic.

Ness said, “Number one is authentic like I’m always making sure no matter what we do, it is truly authentically us. And, unfortunately for Kenn, I’m crazy.”

Kenn adds, “My goal every day is to make her laugh. And if I can figure out a way to make her laugh, I know I’m doing the same thing for people in their car.”

Kenn and Ness take the station’s legacy seriously and intend to keep it alive.

“This is an incredible gift they’ve given us, and we have to be able to keep this going. We’re really the only third morning show in the history of this radio station as far as teams go. There are big, huge shoes to fill. And we don’t take that lightly ever,” said Kenn.

“Ness added, “When we started this morning show, one of the first things we said was we should make Buck proud. He has a bronze statue in the front office when you get in, and we always say good morning.”

A humble Kenn added, “And we point out that the red, white, and blue guitar, which is our logo, is way more important than either one of us.”

The Buck Owens Crystal Palace is a music venue next to the station. It is used for station shows and concerts.

“It’s the world’s greatest radio home field advantage,” said Kenn. “Every time you go in there, it’s a piece of Buck. And you’ll see something you didn’t see before. We still learn things about Buck and the artists that have been through there. It’s still a big deal. I still get goosebumps going in that building.”

Kenn and Ness spend time gathering content during the day, and Kenn sees an advantage to having a younger co-host in this area.

“One of the blessings of having a younger co-host is that she’s so plugged into TikTok and Instagram and things like that. She minds that so well. Whether we talk about it on the next show or the show three days from now, she looks for ideas that will spur something that we can wrap our lives around and talk about.

The two started by sending videos to reach each other before simplifying it to notes.

Ness said, “Now, what we’ve been doing, instead of sending videos, I will take the idea and have it in my notes. So, when we’re sitting down, what do you want to do?” I go back to my notes. I was like, ‘What if we did this, this, or this?’ Because sometimes it gets so redundant, we’re like, hey, what happened to this? And we’re scrolling back, trying to find it.”

The team is focused on Bakersfield radio, and while ideas like a podcast are appealing down the road right now, it’s about serving the listeners and the city.

“A podcast would extend the brand, but we’re mostly worried about extending our reach in this town. A podcast can be something more global, and that’s great, but for us, we want to dominate. We want to be number one in Bakersfield, as we have been, and we want to stay there because if it doesn’t relate to Bakersfield, it’s not on our show,” added Kenn.

In addition to dominating Bakersfield, Ness said upping the social media game is a 2025 opportunity.

“Our goal this year is to do more socials and go that way. Kenn and I are more focused on that, number one. That’s what we agreed on for 2025,” said Ness

The two are optimistic about the future and looking forward to tackling it as a team.

“I tell people, and I will say this, I wouldn’t be doing this job without her, and I don’t want to do this job without her because it was magical when we first met,” said Kenn.

“We knew then that something special could happen. We worked hard to put it all together. We kept working hard once they gave it to us because we can’t take anything for granted, and we will continue to give it 100% because this is a dream job.”

“To be doing mornings on KUZZ is a huge deal, and we will never forget that.”

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A Local State of Mind is Helping ‘Bloomdaddy’ Connect at Cleveland’s WTAM 1100

From TV to radio, David “Bloomdaddy” Bloomquist can do it all, but he’s made his home in the City of Light on 1100 WTAM.

“I love what I do and where I do it. Cleveland is a very underrated city, and the people of Northeast Ohio are awesome,” Bloomdaddy — who recently finished as the 5th ranked mid-market afternoon show in the Barrett News Media Top 20 — said. “They love WTAM 1100 and it’s an honor to be a small part of this legendary station.”

It all began in Wheeling, West Virgina, as the young Bloomdaddy embarked on his career as a news anchor/sportscaster.

“I was a morning news anchor and sportscaster at a CBS TV affiliate in the early 2000s, when I was approached by WOMP-AM in Bellaire, OH about me hosting a radio show.”

The extra cash was helpful in a small market so, “I decided to do it without having any clue as to what I was doing.” Bloomdaddy worked both the TV and radio gigs. But the two-hour daily show was more than he bargained for.

“I was honestly a little too green. I thought it wouldn’t last long, but when the ratings started climbing, I got a call from iHeartMedia to join the legendary 1170 WWVA and got out of TV altogether.”

He recalled the transition from one medium to another to be relatively painless. “The transition was easy for me because radio is all about personality and I have plenty of it. TV is so regimented and scripted that I was ready to ad-lib and just let it rip from the hip.”

Bloomdaddy doesn’t credit his big personality for his success. He also has strong opinions, which, for many in talk radio, gives life to a better show. However, building a better show wasn’t all easy.

“I really had no idea about how to put a show together until I was guided by the coaching from the numerous resources at iHeartMedia, who helped me tremendously,” Bloomdaddy said. “From there, it’s just been about refining skills and trying to get better.”

He’s refined his skills with the help of coaches at iHeart.

“[They] continue to help me grow each show. I was always on my own researching and putting in the hours daily to formulate my monologues and opinions. Their guidance has given me insight into making what we do entertaining. I’ve honed my listening skills as an invaluable tool to improve.”

Part of Bloomdaddy’s training is to remember he is more than just a host; he is a friend to the audience. “I remind myself daily that I’m a companion to a listener. I talk with them as I would if we were sitting in a restaurant or coffee house. And I consider myself ‘down to Earth.’ I want to make sure that comes through every day with a little bit of show biz thrown in.”

Another key to his success at 1100 WTAM? Keeping it local.

“I believe local hosts need to focus on one word: local. There are plenty of places to get opinions about national issues and the administration. Listeners should expect that when there is a big story in Cleveland, my show is where they should come.”

For Bloomdaddy, he does more than just keep it local. He brings radio to the listeners. “I’m a big fan of being in public. I love remote broadcasts, especially from the stadiums and arenas.”

He went on to note how important being with the listener is. “We must get out of the studio and meet the listeners. Be visible in the community more frequently. When people get to meet you, they feel like they know you. Connections are important and the best way to do it is to be up close and personal with the public.” 

Some of the ways he connects with listeners is by living life to the fullest. “I live my life like a Clevelander would. I attend the Guardians, Browns, and Cavs games, I check out the hot new place that opened, and visit the restaurants that have been around for 80 years.”

Bloomdaddy went on to say, “I love to meet and talk with new people. That ‘face to face’ connection is the best way to maintain and gain listeners.”

For those looking to transition to radio or TV — or those looking to the mic for the first time — Bloomdaddy’s advice is simple.

“You can’t let haters get in your head,” he shared. “In this business people are going to dissect and ridicule just about everything you have to say.  Don’t let it change your opinions or who you are.”

He later added, “There is an entire subculture living on social with nothing to do but get in our heads. Don’t let them.”

As for handling naysayers on and off air, he follows a simple rule of thumb. “If it’s a spirited conversation on-air, we have the discussion. Off-air? I don’t engage. If it’s not coming through the speakers, it doesn’t matter. Silence is a true friend who never betrays.”

Most importantly, when you have strong opinions make sure you have the facts to back it up. “Research your topics, formulate a great opinion, and lay it out there like you own it and never look back,” the 1100 WTAM host concluded. “If the audience senses any lack of confidence in your ‘take,’ you’re cooked.”

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The Watch: The Rachel Maddow Show on MSNBC

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Rachel Maddow is MSNBC’s biggest star. I know that, she knows that, and the network knows that.

So it makes sense for a network like MSNBC — who takes a decidedly liberal political stance — to bring back Maddow for a nightly show for the first 100 days of Donald Trump’s second administration, which it announced earlier this week.

With that news, it brought Maddow to the forefront once again. Because it’s easy to wonder if Maddow has lost some zip on her proverbial fastball after dropping down to just one day a week. Conventional wisdom would suggest that doing something less frequently — even if it’s a cable news show — would mean you’re not consistently at the top of your game as when you were doing it nightly. But is that reality?

I watched The Rachel Maddow Show this week to get a feel for how the 100-day stretch — that will last until May 1st — might go for MSNBC as it tries to reestablish itself after seeing a significant ratings decline since the 2024 election.

Before we go too far into dissecting Maddow’s program, I think it’s important to note that I like MSNBC’s presentation. I like the somewhat stripped-down on-screen style the network utilizes during its primetime programs. It doesn’t utilize some of the grander graphics that clutter and overwhelm the screen that some of its cable news counterparts use.

In the episode of Maddow’s show that I watched, she began by talking about the upcoming inauguration of Donald Trump, and how January 20th, 2025 couldn’t possibly be worse than January 20th, 2021 — or, by proxy, January 6th, 2021. And while Maddow made good and fair points in her monologue, there was a nagging issue: there was feedback. Or maybe an echo is the better term. Every word Rachel Maddow said was repeated to me, faintly, a few seconds later. It was accompanied by a loud and noticeable hum. To the point that I question if someone was using an electric shaver just off-screen.

Now, I know what you might be thinking. So, I went back and watched the video on YouTube. And on MSNBC.com. I also found a clip on TikTok just to make sure it wasn’t my TV going bad. Nope. MSNBC was just having audio problems. Which happens. But this is primetime, baby. With your biggest, most recognizable star. There are just some things that can’t happen. The echo did go away after a while, but the hum persisted. But enough about the audio.

Monologues can be a finicky thing in the cable news world in 2025. While hosts still have plenty to say, and make larger points, it’s harder than ever. Attention spans are shorter, and there’s certainly a pressure to create viral moments that will play well on Instagram Reels, YouTube Shorts, and TikTok.

And yet, I was enthralled with Maddow’s opening monologue on this Monday night. Not to dive into the political content of her statements, but the way with which she connected dot to dot to make her about how the Trump administration has taken shape, and why — in her opinion — it was off to a disastrous start was great television.

Whether or not you agree with the statements is one thing. But the presentation was another. It was unlike anything else I’ve seen since beginning this series.

Instead of an opinion being shouted down from the mountaintops, I felt as if Rachel Maddow was teaching me about why she felt the way she did. To borrow a phrase from a teacher, she “showed her work” on why she felt the way she did, taking a step-by-step approach that made her thought process difficult to argue with. It wasn’t a sales pitch for me to agree with her. Her presentation left me with an understanding of why she felt the way she did, rather than with a “You should agree with me because I feel this way, and I’m the only person you should trust today” air of superiority that persists in cable news today.

Has Rachel Maddow lost her fastball? In a word, no. She hasn’t. Now, while I’m sure she’d like to be returning to a nightly show under different circumstances, Rachel Maddow is still good at this. And while she told USA Today she has no interest in returning to MSNBC on a full-time basis, I hope she reconsiders. I think cable news is better when both sides of the political aisle are well represented by high-profile, smart talents making salient points. And it’s something that MSNBC could use right about now.

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Dan Patrick: NFL is Either ‘Bending Over Backwards’ or ‘Looking the Other Way’ Regarding Potential Tom Brady Conflict of Interest

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Seven-time Super Bowl champion quarterback Tom Brady will continue his first season in the broadcast booth on Sunday when he calls the NFC Divisional Playoff game between the Detroit Lions and Washington Commanders. Brady has been operating under limitations this season since putting forth a pending bid to become a minority owner of the Las Vegas Raiders, which was eventually approved by NFL owners last October. Brady is unable to attend production meetings in person or online, cannot access team facilities and also is prohibited from divulging public criticism of league officials and other organizations. Yet Dan Patrick and his colleagues discussed a potential conflict of interest forthcoming when he is on the call Sunday afternoon.

The Raiders fired head coach Antonio Pierce last week following his first full season in the position, creating a vacancy that the team is looking to fill. Lions offensive coordinator Ben Johnson is reportedly considered a lead candidate for the job and is said to be “seriously considering” the position, according to Vic Tafur of The Athletic. Patrick articulated a possibility of people reading into some of what Brady says on the air, perhaps looking for clues surrounding the direction of the Raiders’ head coaching search or other plans.

“What happens if they show Ben Johnson on the sideline?,” Patrick asked on Wednesday’s edition of the Dan Patrick Show. “Is Tom Brady, minority owner of the Raiders, allowed to talk about Ben Johnson? Does he have any inside info, which I would believe he would. I like how the NFL makes it seem like, ‘This isn’t a conflict of interest.’”

Offering an analogy to compare the situation, Patrick reiterated what director of operations Paul “Seton” O’Connor said Wednesday morning. O’Connor hypothesized Dallas Cowboys owner and general manager Jerry Jones serving as an analyst for a game while looking for a head coach and wondered if that would be a conflict of interest there. Brady is slated to call Super Bowl LIX with FOX Sports next month, marking the conclusion of his first year as the lead analyst on these broadcasts.

“The NFL is bending over backwards to help Tom, it feels like, or looking the other way,” Patrick said. “‘Conflict of interest? Oh, it is what it is,’ and then you go back in the wayback machine to how they went after Tom. They were going after him in a big-time, big way; like they were investigating him then. This, it’s like, ‘Oh, he’s with FOX, he’s going to be calling the Super Bowl. Let’s play nice. Probably his last year as a broadcaster – no conflict of interest here.’”

O’Connor emphasized that this is a “blatant conflict of interest,” and it made him wonder what other situations the league could potentially be choosing to neglect. Patrick then thought that if the game was a blowout and the broadcast was looking to fill time, Brady could potentially discuss Johnson in the greater context of NFL news and rumors. The show also mentioned possibilities of Brady pretending he is not interested, questioning Johnson’s style of calling plays or accidentally letting information slip about the Raiders.

“How many times do you listen to a game where you’re going to be reading into maybe an ulterior motive?,” Patrick said. “Troy Aikman came out after the last game that he and Joe [Buck] did and said something about the Cowboys’ job not being a good job or desirable, but Troy is not part of the Cowboys, or he’s not part of another organization ripping the Cowboys. Tom, he’s got his fingerprints all over this. He’s going to making these changes, he’s making these decisions, but he’s also going to be broadcasting a game where maybe the No. 1 candidate for the head coaching vacancies is going to be coaching.”

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Warner, Sony, BMG All Cancel GRAMMY week events

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Speaking to Variety, Warner Music Group, Sony Music, and BMG have said they are canceling GRAMMY week events due to the Los Angeles wildfires.

BMG wrote in an email regarding the cancellation, “It is with heavy hearts that we announce BMG will no longer host its Pre-Grammy Party on Tuesday, January 28. Our thoughts are with everyone affected, and we extend our deepest gratitude to the firefighters and first responders in Los Angeles County who are working tirelessly to contain the fires.”

UMG announced on Monday that it is canceling its showcases and GRAMMY after-party for the second year in a row.

Warner made the decision after donating $1 million to the relief efforts.

The GRAMMY awards will be held on Sunday, Feb. 2, at the Crypto .com Arena.

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Charlotte Hornets, WSOC-TV to Simulcast Five Games on Free, Over-The-Air Television

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For the first time since the 2007-08 season, Charlotte Hornets fans will be able to watch their favorite basketball team for free. According to the NBA, the Hornets and local affiliate WSOC-TV channel 9, along with sister stations TV 64 and FanDuel Sports Southeast are teaming up to air five games this season featuring some of the NBA’s top stars.

“We’re thrilled to partner with WSOC-TV and TV 64 to make our FanDuel Sports Southeast broadcasts available for free and over-the-air for the first time since the 2007-08 season,” said Hornets president of business operations Shelly Cayette-Weston. “We are dedicated to enhancing the fan experience, strengthening the connection with our passionate fanbase, and expanding the reach of our broadcasts. This is a great opportunity to bring our games to a wider audience and increase the exposure of our games.”

Four of the five games will feature Western Conference opponents, including a game against the Los Angeles Lakers (Jan. 27,) the Los Angeles Clippers (Jan. 31,) the defending Western Conference Champion Dallas Mavericks (Feb. 27,) and the Golden State Warriors (March 3.) The lone Eastern Conference team that will be aired for free is the Milwaukee Bucks (Feb. 5).

“This partnership brings together two iconic brands that have community at their core,” said Cox Media Group Charlotte VP/GM Cedric Thomas. “We’re proud to make these entertaining games accessible to everyone we reach in the Carolinas.”

WSOC-TV and TV 64 will simulcast FanDuel Sports Southeast’s production of the games. The Hornets broadcast team consists of play-by-play announcer Eric Collins, analyst and Hornets legend Dell Curry, and host/sideline reporter Shannon Spake. You can view a full list of games and times below:

DateOpponentTime (ET)Stations
Jan. 27Los Angeles Lakers 7 pmWSOC-TV & FanDuel Sports Southeast
Jan. 31                 Los Angeles Clippers 7 pmTV 64 & FanDuel Sports Southeast
Feb. 5   Milwaukee Bucks  7 pm TV 64 & FanDuel Sports Southeast
Feb. 27  at Dallas Mavericks8:30 pmTV 64 & FanDuel Sports Southeast
March 3Golden State Warriors 7 pm WSOC-TV & FanDuel Sports Southeast

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FOX Sports Announces Super Bowl LIX Coverage Plans, Includes 4K Live Stream of Game on Tubi

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As FOX Sports prepares to broadcast Super Bowl LIX from Caesars Superdome in New Orleans, the company has announced its plans for its presentation of the championship game. For the first time in its history, the network will present a takeover of Tubi, its free ad-supported streaming television (FAST) service, where viewers can stream the broadcast live in 4K without authentication. As a result, the game will now be available to watch on FOX, FOX Deportes, Tubi, Telemundo and on NFL digital properties.

Last year, FOX Corporation chief executive officer Lachlan Murdoch stated that the company had not thought about bundling content from the Venu Sports joint streaming venture onto the Tubi app. Earlier in the month, FOX Corporation, along with The Walt Disney Company and Warner Bros. Discovery, ended its plans to launch the application. Despite Fubo withdrawing its legal claims upon reaching a merger deal with Hulu + Live TV, DirecTV and EchoStar Corporation filed briefs affirming the anti-competitive nature of the platform. Tubi currently has a FOX Sports channel on its platform and also offers content from several professional sports leagues on FAST channels.

The takeover will include a new pregame show airing from the Tubi Red Carpet at Super Bowl LIX. Hosted by Olivia Culpo, the show will highlight celebrities, fashion and culture taking place at the championship matchup from the Caesars Superdome. Tubi will also air the FOX Super Bowl LIX pregame show and the live game broadcast itself with the expected broadcast team of play-by-play announcer Kevin Burkhardt, analyst Tom Brady and reporters Erin Andrews and Tom Rinaldi.

Two days before Super Bowl LIX is set to kick off, FOX will present a five-hour stretch of programming featuring its roster of studio programming from FS1. The Friday, Feb. 7 show lineup begins with First Things First at 12 p.m. EST followed by The Facility in the next hour. The late-afternoon show, Speak, will air at 2 p.m. EST, while the new morning program, Breakfast Ball, takes place at 3 p.m. EST. Lastly, The Herd with Colin Cowherd will be on the air at 4 p.m. This endeavor takes place as the studio shows will air concurrently on FS1 as part of its regularly-scheduled lineup.

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Registration Is Open For 2025 NAB Show In Las Vegas

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Registration is now open for the 2025 NAB Show, which will unite the global media and entertainment industry from April 5-9 at the Las Vegas Convention Center. Exhibits will be available from April 6-9.

The NAB Show is poised to bring together creative storytellers and broadcasting innovators for a transformative experience in media and entertainment. According to the press release, the 2025 event aims to provide an exceptional opportunity for 65,000 attendees, covering all aspects from creation to distribution and monetization.

The showcase will feature 1,300 exhibitors, eight stages offering dynamic educational sessions at no cost, and ten professional conferences designed for the broadcast, media, and entertainment community.

NAB Global Connections and Events Executive VP and Managing Director Karen Chupka adds, “NAB Show has led the charge in innovation for media and entertainment, and this year is no exception.”

Register for April’s NAB Show here.                    

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Bobby Marks Signs Contract Extension with ESPN

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Bobby Marks has signed a contract extension with ESPN, the network announced on Wednesday afternoon. Marks, who serves as an NBA front office insider and contributes across programming such as NBA Today and SportsCenter, has been a member of ESPN since 2017. As a former executive with the Brooklyn Nets, he provides insight and intel pertaining to the NBA front offices, specializing in league economics and business transactions. Tom Friend of Sports Business Journal reported that Marks agreed to a four-year deal with the network that he was approached about before the expiration of his current deal in June

Marks worked with Adrian Wojnarowski at Yahoo Sports before joining ESPN, and he is now collaborating with Shams Charania surrounding NBA coverage. ESPN added Charania to its basketball coverage following Wojnarowski’s retirement from the journalism business last fall, working as its senior NBA insider and appearing on various studio programs. Marks also breaks news at ESPN, including the blockbuster trade sending Karl-Anthony Towns to the New York Knicks.

Marks continues to provide NBA coverage across multiple platforms of dissemination, including through his social media accounts. Earlier on Wednesday, he put out a list of 18 NBA players that were now trade eligible and explained the signing restriction rule that applies on this day. Moreover, he posts infographics that convey details surrounding contracts, draft selections and other NBA league matters.

The extension for Marks comes ahead of The Walt Disney Company beginning a new 11-year media rights contract with the NBA. ESPN/ABC will continue to televise games throughout the regular season and playoffs. The company will broadcast 11 iterations of the NBA Finals, along with 10 Conference Finals series through 2035. Furthermore, the company acquired the rights to launch a new studio show that features whiparound coverage of the league on game nights.

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NPR Names Ryan Merkley as New Chief Operating Officer

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NPR has announced it has appointed Ryan Merkley as its new Chief Operating Officer.

Merkley most recently served as the CEO of Conscience, a non-profit in the biotech industry that researched drug developments utilizing AI and collaborative science. He also previously served as the Chief of Staff at the Wikimedia FOundation, CEO at Creative Commons, COO at Mozilla, and worked in the political sphere in Vancouver and Toronto.

“I believe deeply in collaboration – especially things we can only do together – and I’ve spent my career in organizations that do just that. Public media is a collective effort, beginning with communities and local stations across the country and connecting across the network,” Merkley remarked.

“Public media and its unique mission of service is essential to give people the information and context they need to make choices about their lives and their families and to understand each other at home and around the world,” he added. “We need that connection and understanding more than ever, and I’m so inspired by this team and our mission to ensure we protect and grow it.”

As COO, Ryan Merkley will oversee all of the network growth, technology operations and distribution, and production and audience technology teams at NPR.

“Throughout his career, Ryan has demonstrated a commitment to the public trust, leading organizations that prioritize universal access to the common good. He has a proven track record in helping companies with ambitious missions achieve high-performance outcomes, and his success working with complex distributed network organizations and fluency in product and emerging technologies make him an ideal COO for NPR at this moment in time,” NPR CEO Katherine Maher said in a statement announcing Merkley’s appointment.

“I look forward to working with Ryan to build the NPR Network into a truly national public media network with local audience services at its core and to develop and sustain the technologies that make this work possible,” she concluded.

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