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Will Radio Become Irrelevant If It Doesn’t Embrace AI?

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About two weeks to go, and I assumed that Bob Pittman’s infamous quote, “There’s not a spot for everyone,” would be the line that reflected the too often foul mood of particularly corporate radio in 2024. Then this week along comes Futuri’s CEO Daniel Anstandig with this one “(radio) embrace AI’s transformative potential or risk becoming irrelevant in a rapidly advancing media landscape.”

Stop the press! Just when I thought I was ready to react to that, I got a newsflash as Baltimore icon Laurie DeYoung announced iHeart is ending her show just short of its 40th anniversary as part of their ongoing cuts, allowing her a last regular show with days’ notice days before Christmas. Yes, Ms. DeYoung is receiving the grace of a public statement and final show (at a time of low risk for the company), and she says she’ll do a weekend show and events in 2025.

Could there be anything as indicative of the genocide of the radio industry by corporate radio as forcing the end of a show like the one DeYoung had hosted on WPOC (still a top station particularly Women 25-54)? If the financials are really poor, you sell the station van, cut the marketing budget, hustle the sales team, and even resort to cutting part-time hours, but you don’t abruptly kill a generationally popular content creator who is part of the fabric of the Baltimore market as crab cakes and expect some syndicated BS will do. They won’t be gone today or tomorrow, but in 8-12 months? You’ve tried to improve the quarter by killing the future.

But back to Daniel Anstandig. He wrote a piece on the importance of AI, how inconceivable it is that radio hasn’t fully embraced it as of yet, and how we aren’t all doing that very business with him.

Dan sanctioned his very own research study to create talking points, saying, “Most listeners already think radio is using AI. One out of five radio listeners said in our study that they already listen to a station that uses AI. And three out of four said that AI would improve the DJ content, music, weather, and service elements. I believe the audience generally considers the use of AI to be forward thinking”.

Wow! Dan got regular terrestrial radio users together, and they said, “the company that offers AI to radio, we must tell you, AI would improve the content on the radio.” That is world-class self-gratification.

Anstandig adds, “The best way to use AI? To create live and local content. A computer algorithm is not a living, breathing entity, so no, it’s not life, and it functions through the internet. It’s not local. But it’s here to help that big staff of DJs be live and local, NOT take jobs and duties away.”

No of course not!

Back to his study, “74% of respondents expressed comfort with AI voices in sports programming and 80% approving of their use in commercials.” Again, this is absurd. No focus group would ever be specific like that without receiving very directed, and leading questions. He ended by adding, “What is our industry going to do? Embrace AI to create a more dynamic and engaging experience. Or stand by and watch as audiences gravitate toward platforms that have more frequent and timely local content?”

Maybe our industry should take a hard look at how it operates and what matters financially to the product. There is a long list of professionals who are very much capable of not only creating timely local content but innovative content. They are people who can engage directly with others.

Dan stresses again, “Embrace AI’s transformative potential or risk becoming irrelevant in a rapidly advancing media landscape!”

Ok, Bob Pittman is off the hook for the most self-serving comment in radio for 2024. Happy holidays! Here’s to a prosperous new year that sees more local owner-operators and content creators embraced and rewarded for their talent and efforts. I’ll be here fighting the good fight with you.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

TikTok Ban Isn’t About Free Speech, It’s About Ending Media Warfare

Freedom of speech is dead. In fact, freedom of speech is limited almost everywhere. You can’t say George Carlin’s “Seven Dirty Words” on TV (or radio). That is freedom of speech. Most websites have user terms of service which limit what you can say. That is infringing on your freedom of speech. Social media sites are notorious for limiting posts that “others might find harmful.” This is your freedom of speech out the window. Online outlets also can limit who sees your post. This is silencing your speech. 

TikTok claims banning them is infringing on freedom of speech, yet they fail to recognize they already limit this very statute. They are not alone in this. Facebook won’t let you call the October 7th terrorist attacks in Israel a “massacre”. Sites like YouTube, X, Bluesky, Pintrest, and Reddit all have “code of conduct” agreements for users, which most of us have not read. However, if you read those “terms and agreements”, you’ll soon see how you are limited. TikTok is no different your speech is limited in some way shape or form.  

Armed with this in mind, the TikTok ban is actually about control of algorithms. The company claims the legislation passed by the United States is infringing on users’ freedom of speech. This is wrong. TikTok users don’t have freedom of speech. Their own terms and agreements say they have the right to ban you if you post, “material that, in the sole judgment of TikTok, is objectionable or which restricts or inhibits any other person from using the Services, or which may expose TikTok, the Services or its users to any harm or liability of any type.”

Meaning they determine if you are free to say “China Sucks” on TikTok. (Full disclosure I don’t Tik or Tok, but friends on the left and right say they have never seen an anti-China post.)


Social media algorithms are not speech. They are manipulative tools being used to keep you scrolling and addicted to your phone/apps. ByteDance’s claims its freedom of speech is being infringed upon by banning TikTok has clearly never had a post censored on social media or followed any other country’s social media regulations before. Just like any other business that operates in the United States, you must follow our country’s “terms and services” agreement. Don’t pay taxes? You go to jail. Caught insider trading? You go to jail (except if you are in Congress). Have you exploited your customers? You pay a fine, go to jail, or both. 

To put it simply, algorithms exploit their users. There is no freedom with algorithms (this goes across all social media). The internet and algorithms do not set you free. They are being used to label you and put you into a state of doom/zombie scrolling. These algorithms can be and have been manipulated by the left, right, and bad actors across the world. 

The two truest quotes from Revenge of the Nerds are: “Those nerds are a threat to our way of life” and “No one is really going to be free until nerd persecution ends.” I say this being a full-fledged nerd who loves Star Wars, comic books, and Magic the Gathering. However, I have no ill intentions in mind for the internet, others do. 

The nerds who are controlling algorithms are controlling the narrative. With TikTok, those nerds who are making algorithms have the Chinese Communist Party in mind. Sure the outlet may not be owned by China (technically) but we are seeing the direct effects of allowing TikTok into our world with Gen Z. 

Yes, TikTok needs to be banned. This is not a freedom of speech issue, as your speech on all social media platforms is limited in some way, shape, or form. This is an issue of allowing our foreign adversaries to manipulate what we see. With their flaws Facebook, X, and Bluesky were all made in America by Americans. We may not always agree politically, but no other country has come close to being able to connect people (or filter bubble them) like we do, until TikTok. 

Banning TikTok would, pure and simple, end the online power struggle the United States is facing. Today’s battlegrounds are becoming more of a theater of the mind and less of a theater of the physical world. Banning TikTok is not a freedom of speech issue. It would end the mental battleground we currently find ourselves in. 

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

The Watch: The Five on Fox News

Time and time again, The Five from Fox News has been the most-watched cable news show. Month after month, the ensemble program beats shows hosted by network staples like Sean Hannity, Laura Ingraham, and Bret Baier, in addition to challengers at networks like CNN, MSNBC, and Newsmax.

So what is it about The Five that sets it apart from the rest? Well, I attempted to find out by watching the Tuesday, December 17th episode.

On this edition of the show, the cast included Jeanine Pirro, Dana Perino, Jesse Watters, Brian Kilmeade, and resident liberal Harold Ford Jr.. That’s something the show has always done — welcome a liberal perspective, whether it be Ford or Jessica Tarlov, or in the past someone like Geraldo Rivera, Bob Beckel, or Juan Williams.

The show, which features five co-hosts at 5 PM ET — hence the name — allows each panelist to helm a segment. Initial expectations, in my opinion, are that you expect chaos. Five opinionated people in a studio opining on the top stories of the day should — in theory — lead to an oftentimes unruly set. But that never came.

In fact, as Pirro helmed the first segment on Tuesday, it took more than 10 minutes for one panelist to talk when it wasn’t their “turn” to speak. It is a highly regulated environment, which sort of flies in the face of what many other cable news programs feature today, especially CNN’s NewsNight, hosted by Abby Phillip which I wrote about extensively earlier this month.

The contrast between the two shows was stark. While at times I found CNN’s program to be dysfunctional, the Fox News show was insanely structured. Each person knew their role in each individual segment and rarely stepped outside of it.

Is there an obvious conservative slant — to the point of being a detriment unless you’re firmly entrenched in the MAGA movement? It’s Fox News, isn’t it? But Ford Jr. is more agreeable than Tarlov, so this episode wasn’t filled with the sometime contentious, sometimes explosive arguments that can transpire on the show. However, I couldn’t help but notice the only time Pirro cut off a fellow panelist was when Ford Jr. was speaking. But the moments weren’t controversial. This is a good thing because the light-hearted nature of the show is its biggest selling point.

For instance, during the segment hosted by Kilmeade, he messed up. He went to ask Pirro a question before recognizing that he needed to continue his monologue after playing a clip of Kamala Harris. She said “What?” when he began speaking to her, to which he replied “‘What?’ We’re doing the show,” with a smile. He then realized why she responded the way she did. “Oh. I’m gonna continue,” he said as he looked at the camera, noticing he had more script to read. Everyone had a laugh, and moved on, after Kilmeade said “please pay attention” while holding back a chuckle.

It’s moments like those that make me see what viewers enjoy about the show. While it’s five different voices, and often rotating voices, there’s a familiarity there between the panelists that exudes chemistry. Do they agree on everything? Not hardly. But the respect shown to one another jumps off the screen. There aren’t competing egos for airtime or someone looking to get a quip in for a viral moment.

So, essentially, it’s a cable news unicorn. It’s attempting to do the exact opposite of what every other cable news show looks to accomplish. The show is calm and opinionated, and one could even argue at times it’s borderline boring. But that’s a good thing. Because good television doesn’t have to always be based on conflict. I don’t know how entertaining or compelling the show was as much as it was refreshing. A cable news palate cleanser, if you will.

Ultimately, I can see why hardcore Fox News viewers can find The Five enjoyable. It is a light-hearted approach to the day’s news, without taking itself too seriously. It’s a model that other programs could find as a blueprint for higher ratings.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Week 15 NFL Late Window Draws Nearly 40 Million Viewers

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The NFL must be pleased with its latest viewership totals, as the Week 15 late window amassed a monumental amount of viewers — even by its standards. According to Front Office Sports, nearly 40 million football fans tuned in to either CBS or FOX during the 4:25 PM EST window to watch either the Buffalo Bills take on the Detroit Lions or the Pittsburgh Steelers face the Philadelphia Eagles.

The CBS broadcast of Bills/Lions averaged 23.3 million viewers, while FOX’s Steelers/Eagles broadcast drew 16.4 million, although the former game lasted about a half-hour longer than the latter thanks in part to Philly’s long final drive.

FOS reports that this is just the second time since the 1970 merger in which two separate games each featured teams playing each other with ten wins by Week 15 or sooner. 

NFL ratings have been soaring over the past two seasons, and this year is no different. NFL games accounted for the top 16 most-watched programs throughout October, even in a month which included the World Series, proving that nothing will stop the NFL in its march towards broadcasting supremacy. 

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CHGO Lays Off On-Air Talent Part of New Content Strategy

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Media layoffs continue, this time from digital sports media company CHGO, who laid off five forward-facing personalities and back-end production staff. According to Jeff Agrest of the Chicago Sun-Times, CHGO laid off five hosts and some production personnel as part of parent company ALLCITY Network’s round of cuts.

Agrest says Greg Boysen, Vinnie Duber, Ryan Herrera, Herb Lawrence, and Nicholas Moreano were the on-air talents affected, according to ALLCITY CEO Brandon Spano. According to Agrest’s report, the layoffs are part of a resource shift the company is making as it aims for a wider distribution on its free ad-supported TV channels.

“We created a new content plan for 2025,” Spano said in a statement. “We would like to cover sports in the exact same manner, but the reality is that certain sports command a different scale of audience and advertiser interest at the local level, and we’re moving our resources to better align with that.” Spano also says these cuts were the first ever in the company’s history and that he doesn’t anticipate the company’s other outlets in Denver, Phoenix, Philadelphia, and Dallas to be affected by layoffs.

In his statement, Spano also elaborated on why these cuts were made, saying that certain sports leagues and teams generate more interest than others. “As much as we would like to cover all sports in the exact same manner, the reality is that certain sports command a different scale of audience and advertiser interest at the local level and we’re moving our resources to better align with that, Spano said.

“These decisions were made using the large pool of data that has been accumulated over the last few years. It doesn’t mean that we’re no longer covering all teams in a city, but it does mean that we are reimagining what that looks like while being more conscious of our commitment to it. This means a smarter mix of daily shows, short-form content, and tentpole coverage.”

Those sports, apparently, are hockey and baseball, as CHGO laid off a Blackhawks writer (Boysen,) a Cubs writer (Herrera,) and two White Sox writers (Duber and Lawrence). While we know that ratings indicate football and basketball are the two most popular sports in the country, the Blackhawks have a high-profile talent in Connor Bedard and still couldn’t generate interest. Ultimately though, Spanos is hopeful for the future.

“We believe these changes create long-term sustainability for our employees as we continue to scale and add networks across the country.”

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ESPN Announces MegaCast Production Plans in First Round of College Football Playoff

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ESPN will be presenting approximately 12 different broadcast offerings as part of its MegaCast production during the first round of the expanded College Football Playoff on Friday and Saturday. Beginning on Friday, Dec. 21 when No. 10 Indiana faces No. 7 Notre Dame, ESPN and ABC will simulcast the main telecast featuring broadcasters Sean McDonough, Greg McElroy, Molly McGrath and Katie George.

ESPN2 will present the Command Center feed on Friday, which is a multi-angle presentation that displays up to four vantage points at one time featuring real-time player and team statistics. The broadcast feed will air on ESPNU for Saturday’s matchup between No. 9 Tennessee and No. 8 Ohio State, which will also have its main telecast airing both on ABC and ESPN.

On Saturday night, Pat McAfee and the cast of his eponymous weekday sports talk program will return for its third season Field Pass with The Pat McAfee Show. The alternate broadcast will offer commentary from the field level with McAfee and the crew of AJ Hawk, Darius Butler, Connor Campbell, Ty Schmit and Anthony DiGuilio live from Ohio Stadium.

Both prime time college football games begin at 8 p.m. EST and will also be broadcast on ESPN Radio. Mike Couzens, Max Starks and Alyssa Lang will call the Indiana-Notre Dame game, while Marc Kestecher, Kelly Stouffer and Ian Fitzsimmons will be at Tennessee-Ohio State. The television call of Tennessee-Ohio State will include Chris Fowler, Kirk Herbstreit, Holly Rowe and Marty Smith.

Spanish-language coverage of all four first-round games will air live on ESPN Deportes, as well as the ESPN app and Max depending on the television broadcast network. ESPN is sublicensing two first round games to TNT Sports in the first season of a five-year agreement between the two companies. Tennessee fans wishing to listen to the local radio broadcast of the Volunteers with Bob Kesling, Pat Ryan, Brent Hubbs and Jayson Swain can watch the SkyCast presentation on SEC Network with the audio feed. The ESPN App will highlight halftime marching band performances from both games for the fourth consecutive year as well.

The College Football Playoff will be available to view on ESPN-affiliated networks and businesses overseas that will reach sports fans worldwide through 64 linear networks and digital platforms in 141 countries. ESPN is also going to distribute College Football Playoff action through several partnerships in Canada, France, Spain and several other countries. The company has also extended its theatrical distribution agreement with Theater Sports Network to present all 11 CFP games at venues around the country.

Earlier in the year, ESPN and the College Football Playoff reached an agreement to expand its current media rights package for the final two years of the existing deal. Furthermore, the two entities reached a new six-year media rights deal for the entirety of the College Football Playoff and ancillary programming, reportedly worth $1.3 billion per year. Both deals allow ESPN to sublicense a select number of games.

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Lotus Communications To Purchase ‘100.7 Big FM’ San Diego

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Lotus Communications is set to purchase Variety Hits “100.7 Big-FM” KFBG San Diego from Local Media San Diego. (LMSD)

Lotus will be entering the San Diego market with its latest deal, expanding its portfolio, which currently includes 46 stations across Arizona, California, Idaho, Nevada, and Washington. Details concerning the terms of the agreement have not yet been revealed.

Local Media San Diego will maintain operations of its three Mexican-licensed radio stations in the San Diego area: Top 40 “Z90.3” XHITZ-FM, Alternative “91X” 91.1 XETRA-FM, and Rhythmic AC “Magic 92.5” XHRM-FM.

LMSD acquired the former KFMB-FM and its sister station, 760 KFMB, in December 2019 for $5 million.

Following the acquisition, LMSD sold the AM station to iHeartMedia for $1.2 million and launched the “Big-FM” brand after the transaction closed in April 2020.

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Magellan AI Data Shows Top Podcast Advertisers Spent More Than $62 Million During November

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The beginning of the holiday shopping season usually features an uptick in advertising. Magellan AI data shows just how much podcast advertisers spent in November.

The top 15 podcast advertisers during the month spent a combined $62.8 million according to figures released by Magellan AI.

BetterHelp led the pack with $8.6 million spent during the month, featuring a slight uptick compared to October. Amazon spent slightly less, but still accounted for $8 million total. T-Mobile was the only other advertiser that spent more than $5 million, as the mobile phone provider increased its spending to $6.5 million during the month.

Capital One ($4.5 million) and SimpliSafe ($4.1 million) rounded out the top five.

Of the top 15 podcast advertisers, 11 increased their spending during the month. However, three of the top six — Amazon, SimpliSafe, and Shopify — scaled back compared to the previous month.

The sports genre was the biggest beneficiary of the nearly $63 million in spending, as 13 of the top 15 marketers spent the most in the format. True Crime and News accounted for the other two top spenders.

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KIRO Newsradio 97.3 FM Names Frank Lenzi as News Director

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KIRO Newsradio 97.3 FM has announced the addition of Frank Lenzi as the station’s News Director, stepping into the shoes vacated by Charlie Harger.

Harger is departing his post to become the new host of Seattle’s Morning News, replacing the venerable Dave Ross and Colleen O’Brien who are exiting the daypart.

Lenzi joins the Bonneville International station after previously serving as the News & Programming Director at crosstown Northwest Newsradio 1000 KNWN.

“I am incredibly thrilled to have been invited to become a part of the news team at KIRO Newsradio,” said Lenzi. “KIRO has always been the gold standard for radio journalism not only in the Seattle market, but across the country. It is an honor to lead this fine team of veteran broadcasters. Seattle is an important city when it comes to news and events. Other cities look to the example Seattle sets when it comes to politics, economics, and tourism. It is an important place to be, and an exciting place to cover. A lot of history is made in this town, and I love being in the middle of it.”

In addition to his tenure at Northwest Newsradio, Frank Lenzi also previously worked at AM 860 The Answer in Portland.

“We are thrilled to welcome Frank Lenzi to KIRO Newsradio,” said Bonneville Seattle Senior Vice President and Market Manager Cathy Cangiano. “Frank’s extensive experience and proven leadership in the industry make him the perfect fit for our team. His dedication to journalistic excellence and his ability to inspire and lead will keep our newsroom standards high. We look forward to the fresh perspectives and innovative ideas he will bring to KIRO.”

“Frank has a deep commitment to keeping audiences informed and connected,” added Program Director Bryan Buckalew. “I’m confident he’ll be a great addition to our team.”

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Steve Covino, Rich Davis Celebrate 20 Years On Air Together

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Steve Covino and Rich Davis, the weekday afternoon duo on FOX Sports Radio, recently celebrated their 20th anniversary hosting together on the air. Covino and Davis first started working together on Maxim Radio through Sirius Satellite Radio in December 2004 and remained on the outlet for 17 years before moving to FOX Sports Radio in 2021. The hosts became part of FOX Sports Radio as part of the weekend’s football lineup, and they attained a weekday timeslot one year later. A sports-focused iteration of the Covino & Rich show broadcasts weekdays from 5 to 7 p.m. EST on over 300 stations nationwide, along with the FOX Sports Radio channel on iHeartRadio.

The FOX Sports Radio program continued to experience double-digit audience growth in the Spring 2024 ratings book, according to data from Nielsen Audio. The audience proliferated 47% year-over-year among Adults 25-54 in the survey. In the Fall 2023 ratings book, the show was up 22% year-over-year in the same demographic. Covino and Davis were recently on hand at Media Row from Las Vegas, Nev. where they broadcast their show ahead of Super Bowl LVIII.

“Crazy thing is, we feel like we’re doing our best work at FOX Sports Radio and still getting better,” Davis said in a statement. “We’ve been doing radio together for LeBron’s whole career and we still have our hairlines! Despite 20 years together and my teams winning zero championships, I hope to have more to brag about in the next 20. Somehow, we still really enjoy each other’s company!”

Last September, Covino and Davis launched an original video series and podcast, which is titled Overpromised with Covino & Rich. The show brings audiences through headlines, trends and debates that were not discussed on the daily radio show. New episodes of the program post on Thursdays through the FOX Sports Radio YouTube page, iHeartRadio and other podcasting outlets.

“Twenty years might as well be 120 years in this industry, so it’s hard to believe we’re celebrating this milestone and somehow still the youngest in the game!,” Covino said in a statement. “We genuinely love what we do. We stay true to ourselves and have a blast every step of the way. We consider our listeners as friends, so with their support and the amazing team at FOX Sports Radio, we know the best is yet to come!”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.