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101 KXL Adds Heather Roberts to Mornings Alongside Brett Reckamp

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101 KXL has added Heather Roberts as co-anchor of Portland’s Morning News alongside Brett Reckamp.

Most recently, Roberts had been serving as a morning news anchor on a fill in basis before Veronica Carter departed the station for a similar position with iHeartMedia’s 600 KOGO in San Diego earlier this year.

“I’m thrilled to be part of such an amazing news team in my hometown,” Roberts said of the move. “It’s exciting to be back in a newsroom, doing live radio news again with an amazing team.”

In addition to her time at KOGO, Heather Roberts also has experience working for ABC News. She also owns and operates Oregon Radio News Network, which will add 101 KXL as an affiliate.

“Heather is a consummate professional, who has demonstrated her news chops across Oregon,” said 101 KXL News Director Grant McHill. “When we started the process of searching for our next anchor, we made it a priority to find someone who has a relentless sense for finding the stories that matter. So, we’re fired up to welcome Heather to the team.”

‘The Facility’ on FS1 Features an Eclectic Mix with Emmanuel Acho, LeSean McCoy, Chase Daniel and James Jones

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The Facility, airing weekday mornings at 10:00 a.m. ET is part of FS1’s revamped daily lineup of sports shows. This program, hosted by Emmanuel Acho, separates itself with a unique cast of characters. Despite the fact that all of the participants come from a football background, they are quite diverse in talent and approach.

LeSean McCoy, the erstwhile All-Pro running back, provides a casual and, at times, comical style. Acho, also an ex-NFL’er, is a man of letters – an author, raconteur, motivator, and truly spiritual dude. Chase Daniel played 13 years in the League largely as a backup quarterback, and James Jones was a tough and tenacious wide receiver chiefly for the Green Bay Packers.

As we wade neck deep into the stretch run of the NFL season, this time of year suits The Facility cast perfectly. This particular program, which aired on Tuesday, November 19, opened with Acho on stage behind a graphic of a whiteboard listing the show’s topics. His enthusiasm is palpable, kicking the show off with an excitement and a verve that rubs off on his colleagues. Acho bolts over to the set as if he’s heading into a huddle or a pregame mash up to fire up his teammates.

The panel reflected on the ESPN Monday Night Football game between the Texans and Cowboys. McCoy, Acho, and Jones are mainstays on FS1, but Daniel is new to the crowd. As a career backup, he hopped from team to team and coach to coach, an experience that has given him a wealth of knowledge.

Daniel made a solid point about the Cowboys saying that there’s a lack of discipline throughout the team with players airing their dirty laundry on podcasts and social media. He painted a picture of Dallas as a rudderless ship and stated that head coach Mike McCarthy’s lame duck status lessens his clout. He said that, because of this, the Cowboys were “doomed before the season even started.”

Jones offers a more laid-back approach to his commentary. He analyzes subjects and takes his time. In fact, his analysis of the Cowboys began with a simple head shake and deep sigh. Jones is like the anchorman in a tug-of-war. His teammates in front are pulling with non-stop action, while he lays back and holds that rope – quiet, understated, and effective.

A gifted speaker, Acho might just be at his best when he leaves the table and heads to the big screen to analyze plays. He is enlightening, eloquent, and educated, but just as comfortable getting down and dirty with the X’s and O’s football.

Reflecting on the Kansas City Chiefs’ loss to the Buffalo Bills, The Facility took an interesting take with a graphic asking if it was time to stop ignoring Chiefs’ red flags? Despite a 9-1 record, the two-time defending champs have been flat on occasion and ineffective offensively with Patrick Mahomes tossing 11 interceptions, tied for the league lead.

McCoy, however, disagreed with the narrative wondering why anyone would question Kansas City. He said the Chiefs don’t have red flags; they have red banners. Antagonistic viewpoints are a hallmark of The Facility. Show topics are planned in pre-production, but McCoy had no problem shooting holes in the subject. His point was valid. The Chiefs did not look like world-beaters last year either, but turned it on when needed to win the championship.

I was not a fan of McCoy as a panelist on FS1’s Speak, but with Acho, Daniel, and Jones, he seems more comfortable in his role. What McCoy lacks in depth, he makes up for with directness and real on-field experience.

Coming back from the first break, The Facility featured a segment called the QB Room. The panel debated whether another loss by the Ravens would curtail Lamar Jackson’s MVP hopes. Jones pointed out that the Ravens have been inconsistent all season citing losses to the lowly Browns and Raiders.

While many sports debate shows clutter the screen with graphics and charts, The Facility keeps it simple. Each show topic has a lower third with a blurb about the subject, some basic stats, and subtle previews of what’s coming up on the program. Graphics are nice, but The Facility is a personality-based program. It is panelist driven. I also liked the casual slant of this particular show as well. Acho, McCoy, Daniel, and Jones were not decked out in flashy suits, just casual nice like they were meeting for a Tuesday boys’ night out talking ball.

There is a suave coolness about The Facility that is very appealing. McCoy is the cut up of the crew, often moving the other three panelists into fits of laughter. You can tell that they are entertained by his skewed and unbridled thoughts. McCoy did have a sobering take on the 49ers, however, adamantly stating that their Super Bowl window has closed. Jones joined in the discussion pointing to age and injuries as reasons for San Francisco’s 5-5 record.

FS1’s new lineup is all about conversation. Whether it is Breakfast Ball, The Facility, First Things First, or Speak, the network brass is clearly embracing free-flowing discourse, opinion, humor, and personality. On this edition, The Facility did take a break from the conversation for an interview with Eagles’ cornerback Darius Slay. In a five-block showing all four panelists with Slay pictured in the middle, the interview was rapid fire with questions and reaction mixed in with anecdotes and fun.

Acho does a really nice job as the figurehead of the show, but he does not separate himself from the group once things get going. He intros the show and moves from one topic to another, but once the exchange of ideas begins, he is just part of the band creating a truly an ensemble experience.

Acho and Jones are the most experienced on air personalities on The Facility. Their TV games are strong. I’d like to see Daniel make his points a little bit more confidently. Often times, he makes a key statement, but then pulls back on the assertion in mid-thought. He also needs to bring his technical experience as a quarterback more forcefully to the show a la Matt Hasselbeck, Dan Orlovsky, and Phil Simms.

My thoughts on McCoy are similar. While all four members of The Facility crew played pro football, McCoy was the most decorated player in the bunch. The 6-time Pro Bowler needs to balance the comic relief with some more in-depth points based on his accomplishments. This dude was quite often the best player on the field when he played. I want to hear real talk from those experiences.

Speaking of experience, Acho has become a TV natural in his years in front of the camera. We all know that he can talk, but on The Facility, he does a nice job of laying back and giving his compatriots the floor, all the while keeping his mind moving toward the next question. When introducing a new topic, Acho often uses metaphors from real life situations. In leading into a conversation about Bears’ quarterback Caleb Williams, he talked about the car he drove while in high school. The Facility gives Acho a great vehicle to combine grit and glibness.

The same can be said for all four of the show’s stars. While different in backgrounds and resumes, Acho, McCoy, Daniel, and Jones share the gifts of passion and personality. With ribald repartee, football facts, and a charismatic cast, it’s definitely worth spending some of your viewing time in The Facility.

Your News Talk or Sports Talk Program Director Was Laid Off, Now What?

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Ok, there have been a few people dislocated from their jobs and your office may have experienced a loss of a Program Director. You are hosting a show and what now? Your Program Director’s feedback is essential to allow your show to grow. Some managers are walk around types. These managers give you quick feedback in the hallway. I know some amazing Program Directors who love this style of direction.

Other Program Directors love to meet with their hosts. I prefer this because I can determine their motivation on an idea that the host is exploring on their show. I worked with a talent in my first radio job named Mike Church. Mike was a talent who was always experimenting with different approaches. Mike was smart enough to know that not every idea was a good one.

Mike is the lone host that I have worked with who did this – he sent me a segment from his show and wanted to listen to it with me. Mike was curious if the segment worked. Most of the time the ideas were pretty good and sometimes an idea needed to be refined. Mike and I talked it through and figured out how to make it work. Sometimes, Mike’s ideas were terrible. Since we had a relationship built on professionalism and friendship, I could tell him, and Mike was cool with it.

Well, a good air talent is like Mike Church. They naturally want to push the edges of the boundaries. If there is no Program Director, who is pushing you or pulling you back?

I have had the opportunity to work with three Market Managers who came from programming. They understood what it took to create three or four hours of amazing radio every day. Nearly every other Market Manager that I have worked with came from the sales department. No money, no job. I get it.

I saw a Market Manager decide that he was going to ‘fix’ a morning show on an Adult Contemporary station. In the wake of his programming ‘Genius’, he destroyed a station. His poor ideas led to a very capable Program Director being fired. The loss of market share and revenue for that station was never fully recovered from that piece of radio insanity.

Especially for News Talk or Sports Talk stations, community buzz is essential. The hosts should be creating an emotional response from their listeners. The hosts should be a lightning rod that provokes their audience to think, “I love that”, or “I hate that idea.” For our dear friends in the sales department, this creates a lot of heartburn. A client may call and complain. With no Program Director to buffer the complaint, it will go directly from the Market Manager to the talent often in an unfair and brutal manner.

I don’t know one air talent who wants to be blamed for the loss of billing just for doing their job. A radio personality is charged with building a large audience to sell ads. Ok, because News Talk or Sports Talk features opinions, there will be complaints. Market Managers, if you want to tap down the controversy, be prepared for falling ratings. If you need big ratings for agency buys and rate integrity, stay out of the way.

UFC’s Dana White has a great story about this. Dana told this story on a podcast. A big sponsor called him and demanded that Dana take down a post. Dana White told the sponsor to screw themselves and that this is America which allows for people to state their opinions. Dana said that he did not back down. Oh, UFC is insanely popular, and he doesn’t seem to be chasing away any people who enjoy that sport. Dear Market President, defend your talk show hosts. If someone complains, Market Managers, you must deflect or defend your on-air personalities.

Ok hosts, if you are receiving little to no feedback, get your on-air team together for an aircheck. Play just one segment. In my previous role as a Program Director, unless I heard something that obviously was not working, I always pulled a random segment. Listen through it as a team. Ask each person on the show to tell you what worked or didn’t work in the segment. Ask the person how they could have made the segment better.

If you are the lead, open with how your execution worked or failed. If you watch NFL coaches and quarterbacks speak with the media, these individuals always take responsibility for a loss or mistake. The great coaches and QB’s never blame their teammates in public.

Even if a person on your show screwed up the segment, try to coax them into understanding their error. Audio is like kryptonite to Superman for most of us. We hate it. The greatest hosts aircheck themselves.

I know that you want to be great. Listen to yourself. When your on-air team participates in a self-aircheck session, it is your opportunity to admit that you screwed something up. It allows for the truth. If you have a meddling Market Manager, ask them to give you an aircheck session. It gives that meddling manager an opportunity to understand your job. You will have the unique opportunity to ask him or her what they would do differently. Most of these people will not want to aircheck you. You know your Market Manager. Some managers would be empowered to mess with your show even more. But, if your manager is a meddler, put them on the defensive.

Your company’s format captain may be a great resource to arrange an aircheck by a capable Brand Manager. If you feel like your show is off center in some way, it probably is. Listening to yourself is so essential. You will hear ways to improve your craft. Were you interesting and/or funny? Was your point unpredictable? I hear so many hosts who do not have unique opinions. Whatever the issue is, having a take that no one else has is gold. Do not listen to your station or read opinion pieces. Don’t allow your opinions to be soiled or influenced by others.

A Call To Stand Up To The Big Radio Companies Met With Silence

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This has been a remarkable week of 180s: RFK Jr. ate a McDonald’s burger, Biden and Trump were all smiles hanging out for a couple of hours, MSNBC’s morning team went to Mar-a-Lago, and Tyson held his own with Jake Paul.

Here’s something that remains remarkably stable and salient, however: the deafening silence of radio’s rank and file after what might well be the darkest few weeks in our industry’s storied history, as iHeart, Beasley, Cumulus, and Cox all enacted sweeping, painful, and shocking personnel cuts.  

Last week, I wrote what I believe to be a fairly bold and pointed article regarding particularly iHeart and particularly Bob Pittman, and the very first email I got was from a former colleague of mine at the executive level who said, “Hope you’ve saved money and hope you realize you’ve tanked your career because no one will hire you after that.”

I had another say, “Pittman may do his best to ice you out even at other companies,” and my favorite, “Man, you are a crazy asshole.” Actually, the most telling notes I got were from more than one iHeart employee who shared they were read the riot act about not talking to me any longer and warning they better not turn out to be a source for me (neither were, I’m not a journalist, I talk to people and network as they do with me).

It was good to hear from many friends and some new ones too, both privately and on social media, who appreciated what I shared, calling out the draconian pink slip spree as short-sighted and damaging to all of broadcast radio.

Further, I’ve been debating that the big companies ought to sell. They’ve clearly shown they don’t want to be operators, but their problem is they expect to get the same inflated prices they paid for many signals with interest adjusted. That’s not going to happen, so they’d rather burn the business down it seems.

What I didn’t hear from one single person was an interest in what I closed last week’s column with. I said if significant interest existed to form a talent advocacy group akin to AFTRA to attempt to stand up for talent’s rights I’d start a change.org. Not a single word.

Maybe it’s not the right idea. But do we do nothing? Are we going to just put our heads down and accept radio being slowly choked to extinction?

Some friends took their own columns with Perry Michael Simon and Dan Mason essentially warning talent that it may well be game over for terrestrial radio. Fred Jacobs and Mike McVay predicted a turbulent year ahead full of change, some of it uncomfortable.

As all this swirls around, Forbes ran a piece this week on the value proposition of radio and its resilient consistency in holding the largest share of the ear. Imagine if radio content was better than it has ever been rather than the canned muck being turned out so often across American dials.

Maybe I am nuts, but here’s what I replied. Regarding my speaking out too vocally to my friend who saw me committing career suicide: I wouldn’t work for an iHeart without a pile of cash, a pay-and-play deal, and freedom to do what I need to do to win for an agreed upon window.

Why else work for them knowing they’ll nail you no matter what? I guess what irritates me most is Bob Pittman is a skilled, blue-blooded radio guy who just doesn’t worry about the business; he cares about himself and his entourage being paid. That’s the C-Suite, right he’s in, and I’m not.

Well, you stand for something, or you stand for nothing. If it eventually ends my career opportunities, I’d rather it be my way than blindsided by a pink slip so a big conglomerate can try to make another quarter by slashing its own.  

Wondering if I put my money where my mouth is? You bet I do!

700 WLW Host Mike McConnell Never Thought He’d Be a Morning Host But Now Dominates the Cincinnati Radio Ratings

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Mike McConnell spent more than 25 years in his radio career outside of morning drive. In fact, he never even considered that he would be capable of working in the daypart. But, as you well know, things change. And that’s exactly what happened at 700 WLW, the heritage iHeartMedia news/talk brand in Cincinnati.

His move to morning drive was one born out of a simple motivation.

“That’s where they needed me when our long-time morning man Jim Scott decided to retire,” McConnell said of his 2015 move to the morning timeslot.

He admitted, however, that the change from longform news/talk host to morning news host wasn’t an easy transition.

“I am good at long-winded and getting a point across concisely is not my strong suit,” he said with a chuckle. “I’m better at it now because I’ve done it for a while, but being quick and concise was not something I ever worked on until I had to, let’s put it that way.”

Despite not being second nature to him, Mike McConnell said quickening his delivery did get easier with practice.

“It took probably half a year,” he said. “My on-air approach is very loose and very relaxed, and I will laugh at myself or mock myself. So it’s not real pressure, because whenever something goes wrong to start the show, I always say the first hour (5-6 AM) is the practice hour, and then the real show starts at 6 AM. So anything I do stupidly in the first hour doesn’t count. And that’s just my attitude. It kind of carries over to the rest of the show, too … I don’t put that much pressure on myself, because I think the audience can take the joke.”

700 WLW has seen a ratings surge in recent months. The iHeartMedia Cincinnati station has experienced ratings that haven’t been reached since the 1970s. And McConnell believes that loose approach plays an important role in the success of the station overall, and also his morning news show.

“We kind of have a reputation, sort of a legacy maybe, of being a news/talk station that doesn’t take itself overly serious,” said McConnell. “When it’s time to be serious, you get serious, but it’s always sort of a loose on-air approach. It’s fluffy, not stuffy. That has a lot to do with it. If you go back to when I first started here, and we had a different set of on-air people, it was the same then. It’s a reputation that’s been like this, probably since the 80s.”

McConnell believes that many in the industry misunderstood the success of Rush Limbaugh during his heyday. The prevailing thought, McConnell shared, was that being conservative was the key to big ratings and revenue. Instead, it was much more important to be entertaining than conservative, which is what Limbaugh perfected and what hosts at 700 WLW have continued to do.

Mike McConnell spent 25 years at 700 WLW before joining WGN Radio in 2010. He returned to the Cincinnati station in 2014 before moving to mornings in 2015. Count it all up, and he’s approaching his 50th year in the medium.

So, naturally, he’s fielding questions about what the future looks like. And he thinks there is still gas left in the proverbial tank.

“I got the gas in the tank, but I still like the idea of doing some other things. So I’d say retirement is on the horizon, the not-too-distant horizon, but that’ll probably come along,” he shared.

Despite that not-too-distant horizon drawing near, Mike McConnell still finds value in having a platform with a large audience. That, coupled with the management he receives with a Program Director like Scott Rinehart who “hire people who know what they’re doing and then leave them alone,” he isn’t chomping at the bit to call it a career just quite yet.

“When I started, my college radio station was a paid position. we were the only commercial FM in the country led by students, at the University of Dayton. So I started there in April of ’75. So, next April will be 50 years of doing this for a living. At that point, you can say whatever happens, that’s a pretty good run. And maybe it’s just about enough. It’s good to have a nice round number like that.”

ESPN Plans to End Around the Horn After More Than Two Decades, Per Report

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According to a report from Ryan Glasspiegel of the New York Post, ESPN’s Around the Horn will come to an end sometime in the summer of next year. Glasspiegel had reported this possibility going back to July, with sources telling him the show would end before the start of the 2025-26 football season.

The show, which launched on ESPN in 2002, has been hosted for the last 20 years by Tony Reali who took over in 2004 from original host Max Kellerman. Reali stepped in when Kellerman left the network for Fox Sports Net. The show had taken the time slot previously occupied by Unscripted with Chris Connelly.

The show has aired over 4,800 episodes and has been overseen by Erik Rydholm who is the creator of Pardon the Interruption and serves as its executive producer. Aaron Solomon has been the longtime producer of Around the Horn.

The Gazette’s Woody Paige will go down as the all-time leader in wins and appearances on the show as he has earned the title more than 1000 times more than The Dallas Morning News’ Tim Cowlishaw who is the only other person besides Paige to win more than 500 times. Other top performers include Bill Plaschke, Kevin Blackistone, J.A. Adande and Jay Mariotti.

Only seven panelists have ever appeared on the show without winning at least once. John Powers and Dan Shanoff both have the distinction of having appeared on the show the most times without ever winning, both appeared five times.

Five people can claim a 100% winning percentage, all appearing on the show once and winning the episode. That group is made up of Mark Cuban, Lil Wayne, Bruce Arthur, Malika Andrews and Christine Williamson.

KIRO Newsradio 97.3 FM Host Gee Scott Sr. Celebrates 10 Years with Seattle Station

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Gee Scott Sr. has become a fixture on Seattle radio at KIRO Newsradio 97.3 FM. Today, he is celebrating his 10th anniversary with the station.

In a post on X, Scott shared the excitement that today marks his 10th year with the Bonneville International news/talk station, a milestone he could have only ever dreamed of.

“Today I celebrate year 10 at my job. I embarked on a path filled with dreams, challenges, and opportunities, and I can confidently say that this journey has transformed me in ways I never imagined,” Scott wrote. “I have had the privilege of working alongside some of the most talented and dope people who have for sure laced me with the game needed to be better in this space.”

Scott began his radio career after previously working as an automobile detailer with the Seattle Seahawks. He also previously hosted a program on Seattle Sports 710 before shifting to his role with KIRO.

He added that his longevity is as much a milestone for KIRO Newsradio 97.3 FM as it is for him.

“I mean, 10 years is not just a number; it’s a testament to the commitment and belief that this organization has for me. Reflecting on the past decade, I am grateful for the opportunities I’ve had to grow both personally and professionally. I’ve learned from challenges and for sure celebrated success.”

Gee Scott Sr. hosts Gee & Ursula alongside Ursula Reutin from 10 AM-2 PM on KIRO Newsradio 97.3 FM.

Political Advertising Reached Nearly $11 Billion During 2024 Election, AdImpact Data Shows

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The 2024 election brought on political advertising that was labeled as “unprecedented” in the lead-up to Election Day. New AdImpact data shows just how big it was.

In total, $10.86 billion was spent on political advertising throughout the 2024 election cycle. That figure represented an uptick compared to the $8.47 billion during the 2020 election season.

“The pace of spending in the Presidential general election was largely defined by Biden’s historic decision to exit the race,” AdImpact shared. “Between July 22nd and Election Day, the Presidential election saw $2.3 billion in political spending. Over that time, Democrats held a nearly $460 million spending advantage.”

It wasn’t simply the race for the White House that propelled the record spending. Senate races were also large drivers. For instance, in Ohio, the election between Sen. Sherrod Brown (D-OH) and challenger and eventual winner Bernie Moreno (R) was the most expensive Senate race in history, with $477 million was spent on that race alone. In total, $2.6 billion was spent on Senate elections.

U.S. House of Representatives races tallied $1.68 billion in political advertising during the cycle. Additionally, digital saw a large portion of election spending. From when Vice President Kamala Harris entered the race until election day, $420 million was spent in the digital sphere, accounting for 18% of all spending.

KQ98 La Crosse Picks Up ‘Fish With Friends’ For Mornings

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Fish Calloway’s “Fish with Friends” has launched in a second market. Based at Mid-West Family’s Q-106 WWQM Madison, WI., the show has now debuted on the sister Country station “KQ 98” KQYB, La Crosse, WI.

“Fish with Friends” made its debut on Q-106 in February 2022, showcasing a diverse lineup of co-hosts, including Jennifer Stephens, Traci Lee, Cailynn Hensen, Elizabeth Mary, and Jake The Trainer.

Before joining Q-106, Calloway was known for his long-standing role as co-host of “Connie & Fish” alongside the late Connie Kellie in Madison at iHeartMedia Top 40 “Z104” WZEE and Mid-West Family’s Rhythmic Top 40 “93.1 Jamz” WJQM. He also had time at Townsquare Media Hot AC “Mix 95.7” WLHT, Grand Rapids, MI.

Fish with Friends succeeds Tony Schultz, who recently departed after thirteen years with the La Crosse cluster.

Disney, ESPN and the NBA Team Up to Present Dunk the Halls – the First Real-Time, Animated NBA Game

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Disney, ESPN and the NBA are teaming up to present Dunk the Halls – the first real-time animated NBA game using Sony’s Beyond Sports technology. The game will air on Christmas Day, at 12 p.m. ET when the New York Knicks host the San Antonio Spurs. 

Dunk the Halls will be presented on ESPN2, Disney+ and ESPN+. The special alt-cast marks the first animated presentation of an NBA game and the first NBA game to stream on Disney+.

Drew Carter will serve as the play-by-play commentator alongside ESPN basketball analyst Monica McNutt. The duo will be joined by a sideline reporter Daisy Duck.

Other features of the broadcast include a halftime performance featuring the Disney characters, led by Mickey Mouse, competing in a special slam dunk contest. Additionally, Santa’s Elves will operate the cameras for the game while Santa himself will operate ESPN’s “SkyCam” during the game.

All five NBA Christmas games on December 25 will be available on ABC, ESPN, Disney+ and ESPN+. The traditional broadcast of the Spurs vs. Knicks game will be called by Ryan Ruocco, analyst Cory Alexander, and reporter Cassidy Hubbarth.

ESPN recently announced it will also produce an animated, real-time alt-cast for Monday Night Football on December 9 called The Simpsons Funday Football, streaming on Disney+ and ESPN+.