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‘Don Cheto Ai Aire’ Show To Be Represented By Entravision Audio Network

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Entravision Audio Network has announced a strategic partnership with Estrella MediaCo to oversee advertising sales for the syndicated morning show “Don Cheto Al Aire,” which is broadcast on Regional Mexican stations Que Buena 105.5 and 94.3 in Los Angeles.

“Don Cheto Ai Aire” expands its reach by joining Entravision’s sales network, which features popular programs such as “Erazno y La Chokolata,” “El Show De Piolin,” “La Bronca Mañana,” and “The Shoboy Show.” Additionally, it supports the digital audio platform AudioEngage and broadcasts in Spanish for the NFL.

Juan Carlos Razo has portrayed the character ‘Don Cheto’ on the KBUA/KBUE/KEBN simulcast in Los Angeles since 2003.

Liliana Aristizabal, Senior Vice President of Entravision’s Audio Network said, “We are excited to join forces with Estrella MediaCo to represent their beloved ‘Don Cheto Al Aire’ show. This collaboration underscores our commitment to delivering exceptional value to our advertisers and listeners by providing comprehensive market reach and superior content. Together, we will redefine the landscape of Spanish-language media and advertising.”

Cumulus Names Leslie Whittle Regional Content Director Atlanta And Houston

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Cumulus Media has announced Leslie Whittle’s appointment as the Regional Content Director for Atlanta Top 40 Q99.7 and Houston Top 40 104.1 KRBE.

In this newly established role, Whittle will lead the programming initiatives for both stations. Additionally, Cumulus Media has broadened Whittle’s responsibilities to include oversight of its Top 40 stations, now under the title of VP of CHR/Hot AC Formats. Whittle has been serving as the VP of Hot AC Formats since 2019.

Brian Philips, Chief Content Officer, Cumulus Media, said: “Leslie Whittle has masterfully programmed 104.1 KRBE for almost two decades and has led as VP of Hot AC Formats for six years. Everyone acknowledges that this natural expansion of her role will serve Houston and Atlanta well, two monster CHRs with dominant morning shows. Leslie’s warm and unaffected management style commands the respect of her Cumulus peers and the entire industry.”

Whittle added, “The Q997 team is incredibly talented, and the Q997 brand iconic. I’m honored to be part of building its future along with being very thankful for the support of the KRBE crew in Houston. This truly is the best of both worlds. Many thanks to Brian Philips, Melissa Forrest and Alex Cadelago for their faith in me!”

Whittle began her radio career at KISS 96.7 in Austin, Texas, eventually rising to the position of Program Director. In 2000, she transitioned to 104.1 KRBE in Houston as Assistant Program Director, and by 2006, she had been promoted to Program Director. Under her guidance, 104.1 KRBE achieved notable success, winning the Marconi Award for Top 40 Station of the Year in 2017 and 2019.

Mike Francesa to Watch World Series Game 5 in the Barstool Sports Cave

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Barstool Sports announced a big in studio guest tonight for Game 5 of the World Series between the New York Yankees and the Los Angeles Dodgers. When the game reached a 7-run lead in the 8th inning and Game 5 became a certainty, the team announced their guest for the game will be none other than New York sports radio legend Mike Francesa.

The announcement was made, “Let’s say it now, a seven-run lead is a good cushion, assuming the Yankees hold on, we’ve got a big guest joining us in the cave tomorrow night, Mike Francesa.” Afterwards, the team claps and yells and you hear a big, “Yeah baby!” in the background. “We’re pulling out all the big stops!”

The announcement concludes with, “We are pulling out all the big guns, Francesa, in the building tomorrow night.”

Harrison Francesa, Mike’s son, is an intern at Barstool Sports and he posted on his X account last night saying, “Over the past few years, I’ve received many comments about wanting to see my Dad’s live reactions during games, so tomorrow night, he will join Barstool’s Yankees stream for game 5.”

The Dodgers lead the series 3-1 and can close out the seven-game series tonight in New York. First pitch is scheduled for 8:08 p.m. ET,

Fox News Earns Top 5 Spots in October Cable News Ratings

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Fox News featured its second-best October during an election year in network history as it featured the top five finishers in the cable news ratings.

During the month, the network averaged 1.6 million viewers in the total day ratings. In primetime, that figure jumped to 2.8 million.

The Five — led by Greg Gutfeld, Jeanine Pirro, Dana Perino, Jesse Watters, and Jessica Tarlov, among others — regained the top spot in the cable news ratings during the month. The program featured an average audience of 3.6 million viewers.

Jesse Watters Primetime was second with 3.5 million. The primetime show hosted by Sean Hannity (3 million) was third, while Greg Gutfeld’s late-night show (2.9 million), and Special Report with Bret Baier (2.9 million) finished fifth.

The Ingraham Angle, hosted by Laura Ingraham, just missed out on the top five, but won the 7 PM ET hour in the cable news ratings with an average audience of 2.8 million.

Of the top 100 rated cable news broadcasts during the month, 94 were from Fox News.

FOX, FOX Deportes and FOX Sports Streaming Draw 13.64 Million for World Series Game 3, 16.7 Million for Game 4

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On a busy sports night on the calendar complete with a Sports Equinox with all four major sports going on at once, FOX, FOX Deportes and the FOX Sports streaming services drew 13.637 million fans on average for Game 3 of the World Series between the New York Yankees and Los Angeles Dodgers. The game peaked at 14.253 million viewers from 9 p.m. ET to 9:15 p.m. ET.

With the combination of over-the-air, Spanish-language viewers and streamers added together, the game beat the Monday Night Football game by a slim margin. Reports say the football game averaged 13.34 million viewers.

Game 4 saw the audience rise to 16.7 million viewers on average while the game peaked at 18.218 million. FOX had 16.275 million viewers alone which made the game the most-watched World Series Game 4 on FOX since 2016 when the game featured the Cleveland Guardians and Chicago Cubs.

Game 4 was up 92% over last year’s Game 4. Through Game 4, the 2024 World Series across all networks is averaging 14.984 million viewers, the best since 2017.

Mark Belling Ending Weekday Radio Show on WISN-AM 1130, Returning in 2025 in Podcast Form

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After more than three decades of hosting his popular talk show on WISN-AM 1130, Mark Belling has revealed that he’s transitioning to a podcast format at the end of 2024.

Since March of 1989, Belling has occupied the prime afternoon drive time spot on iHeartmedia’s Milwaukee talk radio station. From the start, Belling said he wanted his show to be “the best local radio talk show in America.” Now, after years of success and hard work, Belling believes he’s achieved that goal.

In a press release, Belling expressed his excitement for the future of spoken word programming. He said, “podcasting is the way of the future” in our on-demand world. He admires the success of podcast-exclusive shows like Joe Rogan, Megyn Kelly, and Tucker Carlson as proof of this statement. The full commentary from Belling regarding his move from radio to podcasting can be read here.

Belling assured his fans that he is not finished. In fact, he plans to continue podcasting from the same WISN-AM studios where his radio program was recorded. The content will still cover both local and national topics but with even more freedom and spontaneity.

The conservative political commentator also said he will remain with iHeartMedia as a podcast host. He has signed a new contract for the role. The plan is to deliver the podcast three times per week starting May 1, 2025.

Belling’s final show on WISN-AM 1130 will be on Monday December 30th. He doesn’t want any farewell or going-away events. Instead, he says the show will become bigger and better in its new form.

NFL Fans Wanted Tom Brady in the Broadcast Booth, Not the Part Owner of the Las Vegas Raiders

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At this point, the question isn’t really whether Tom Brady can figure out how to become – and remain – an upper echelon NFL broadcaster. First, while the bar is set moderately high, it doesn’t stretch to infinity. Second, Brady is a quick study, as anyone watching the Fox broadcasts could surmise.

So that’s not it. The question, instead, is how seriously viewers take Brady’s part ownership of the Vegas Raiders, and whether they think it colors what the man says on air.

Brady has had a couple of broadcasts since his buy-in on the Raiders became official, and there’s not much to make of it so far. He was pretty positive (but why not?) while doing the Chiefs-49ers Super Bowl rematch, and last weekend’s Bills-Seahawks broadcast will be remembered, if it’s remembered at all, for Brady using the word “spaz” to describe Josh Allen’s early work as a pro quarterback.

But the NFL’s restrictions on owners, including partial owners like Brady, are real enough. Owners are not to criticize the referees, for example. How does Brady get through a game without doing that, when he did it all the time as a player?

Brady also isn’t permitted to criticize other franchises, and he cannot attend pregame production meetings with other organizations. Those sessions are generally high-value targets for on-air broadcasters – who, after all, are first and foremost expected to know as much as possible about the two teams on the field.

The longtime QB has the savvy he needs to navigate that part, especially right now, in the first throes of his retirement. He’s very connected to the current state of play in the league. That could change over time, at which point those production meetings would feel more important, but for now it’s not much of an issue.

Brady can also get through a season without blatantly ripping an organization, especially considering that Fox will pay close attention to be sure he’s never teed up to do so. But that’s not the same as saying that viewers will be getting the broadcasts they want or deserve.

You don’t have to guess about the NFL’s motivation in all this. The league is constantly determined to operate behind an iron wall, and that starts with the owners’ club. You’re not likely to see an owner go off about Nick Bosa’s political stunt from the Sunday night 49ers game, for example. It’s not what they do.

But Tom Brady – he’s supposed to be different. His massive deal with Fox, when it was announced, was touted as a way for true NFL fans to really dig in deep, listening to the unfiltered views of a future Hall of Famer who thoroughly understands both the game and the league.

Brady was presented as a guy finally freed up to tell it like it was, especially once he got more comfortable behind the mike. You’re talking about a person who doesn’t need the gig, after all. Sure, it’s insanely profitable (10 years and a reported $375 million), but Brady’s financial portfolio would be fine either way. The idea was that Brady would absolutely say what he thought, because – well, because why not?

But we now have the why not right in front of us. Brady, as a part owner of the Raiders, has reasons to pull his punches, to withhold his true feelings about a significant NFL issue or the way a certain franchise is being operated. If a team is a flaming wreckage and part of the reason is terrible, sustained mal-ownership, does Fox simply not ask Brady about it?

This sounds like an NFL dream, by the way – milking Brady’s gravitas for TV ratings without having to worry about him saying something truthful that happens to be unflattering. Instead, Brady will break down some X’s and O’s, maybe focus in on why a play did or didn’t work.

That’s useful, but it’s not everything. We liked the idea of freewheeling Brady, in part because he’s always been salty enough to matter. Although it’s still early, we like the idea of the part owner of the Raiders sitting in the booth a lot less.

The Joe Rogan Experience Interview with Donald Trump Isn’t a Pivotal Moment in the Radio vs. Podcast Battle

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More than 35 million people watched the much-anticipated interview with Donald Trump on The Joe Rogan Experience. And the reaction to the episode has been all over the place.

Some have argued it was a borderline sycophantic conversation, others have said it’s one of the greatest pieces of interviewing they’ve ever seen, and others questioned if Rogan would feature the same discussion with Kamala Harris.

And for some, the popularity of the show and the high-profile discussion have led to questions about whether this is the turning point in the radio vs podcasts battle.

To be frank, I don’t think that’s the case.

Have both Donald Trump and Kamala Harris fully embraced podcasts in their campaign strategies in the final weeks of the election? Absolutely.

But they also have embraced radio. Kamala Harris did a town hall hosted by Charlamagne Tha God for iHeartRadio. Donald Trump has been on countless news/talk radio shows, both local and national, in recent weeks.

The reason the conversation between Donald Trump and Joe Rogan was so anticipated isn’t simply because The Joe Rogan Experience is the most popular podcast on the planet. Does that play a part? Sure. But the reason so many people tuned into the conversation was for one reason: scarcity.

Donald Trump had never been on the podcast. Truthfully, he might not ever be back on. Should he decide he didn’t like the experience or decide that the next time Rogan is critical of the Republican nominee means he isn’t loyal enough to reward with an interview, this conversation before the election could be the only time the two are in the same studio.

So, that scarcity drives a need to pay attention. To watch. To listen. Or however you consume the Spotify show.

On the other foot, last week Hugh Hewitt interviewed Trump on his nationally syndicated radio show with Salem Media Group. On social media, Hewitt noted he had interviewed the former President more than two dozen times. Or, in other words, the exact opposite of scarcity.

Is news/talk radio — like the rest of AM/FM radio — in competition with podcasts for ears? 100%. And the entire industry should operate that way.

But the things that make Joe Rogan interesting are the same qualities top news/talk radio hosts have. The difference is in the distribution platform. But that doesn’t mean that traditional AM/FM radio — or news/talk for that matter — are in danger of being swept away just because of a massive podcast audience for select shows, like The Joe Rogan Experience.

So, podcasts have the advantage on scarcity. Some shows, even insanely popular programs, only release episodes once per week. And some of them are only an hour or so in lenght. Meanwhile, news/talk radio hosts are doing as much as 25 hours per week in some cases of content, so scarcity is never going to be on your side.

But do you know what is on radio’s side? Urgency and immediacy. And that’s something podcasts are never really going to be able to replicate. So that’s something we need to highlight and reinforce to the audience. When you want instant reactions, analysis, updates, and breaking news, it’s something you can’t get with pre-recorded, on-demand audio.

So, no, I don’t think the conversation between Donald Trump and Joe Rogan represents a seismic shift in the media landscape. Is it something the industry needs to be cognizant of? Absolutely, but, despite the insistence that the legacy media is dead, and traditional forms of media are on the way out the door, millions of people still use AM/FM and news/talk radio every day. And I don’t think that’s changing anytime soon.

Things are different, yes. But gone the way of the dodo? Not even close.

The Transformation of Journalism Challenges Long Standing Ethics

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Journalists have always done their best to inform the public while holding those in power accountable. After all, free speech has always been a cornerstone of the Constitution’s First Amendment. “Congress shall make no law respecting an establishment of religion or prohibiting the free exercise thereof, or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.”

However, the art of journalism has dramatically changed over the past several decades. A multitude of factors are responsible, including technological advances, cultural and societal shifts, and a basic transformation of how the public consumes media.

News today is delivered through a plethora of digital platforms, from websites, social media, blogs/vlogs, streams, podcasts, and, of course, broadcast media. The internet now allows real-time reporting with instant access from virtually anywhere on the planet using mobile phones, laptops, and tablets to report stories. Delivery speed has increased exponentially, resulting in a 24/7 news cycle with constant updates. When I was growing up, we had to wait for audio and video to be hand-delivered or uplinked via satellite.

Journalism used to be funded mainly through advertising dollars from publications and broadcast media. Subscriptions and newsstand sales also contributed to the financial stability of news organizations. That model has been completely upended.

Print advertising revenue has declined sharply, and many news operations have been forced to adapt in order to survive. Digital advertising, paywalls, and subscriptions have become standard revenue streams. Let us not forget the thousands of independent journalists who depend on newfound revenue, as well.

Until relatively recently, reporting and engagement moved in only one direction. Readers, viewers, and listeners received information with no interaction from those journalists delivering the info. Viewers never spoke with Walter Cronkite or Peter Jennings. You had to write to the editor or call the stations to give your opinion and that took time as well. Speaking of Cronkite, no one ever knew what his political affiliation was, even though he certainly had opinions. He just never spoke about them on or off camera. He believed his job was to inform the public with fact-driven truth.

It couldn’t be more different today as journalism currently thrives on a great deal of interaction and engagement. Social media platforms give journalists a direct link to their consumers in real-time. Comments, likes, shares, and reposts provide instant feedback and offer a new level of relationships with the public, allowing journalists to measure opinions, interests and concerns in real-time.

The slower news cycle of years gone by gave journalists more time for thorough fact-checking and oversight. It helped ensure that the information published was accurate and was verified using several sources. While that did not always work, journalistic ethics had established standards and codes of conduct that focused a great deal on impartiality, accuracy, and responsibility. That seems to have fallen by the wayside and, all too often, has gone to hell in a handbasket!

The pressure to deliver info quickly and be the first to do so often compromises the depth of fact-checking. Sadly, this rapid process can lead to spreading misinformation. The good side to this technology also allows for immediate corrections and updates.

Ethical journalism should still and always be a cornerstone for those in the industry, but the challenges of the fast-paced digital world are significant. Is it speed or accuracy we desire most? Perhaps the problem is due more to consumers’ belief that whatever they read on the internet is true, on top of an overall lack of desire for people to fact-check on their own now. This becomes frightening in an election cycle when a large percentage of what we read and hear has not been fact-checked at all.

Will this continuing evolution of journalism be sustainable as a working model? It seems to me that core values of “journalism” have been put to the test. Should not the primary objective always be to inform the public, uncover the truth, and hold power to account? We have all learned that change is inevitable, but at what cost? I would hope that we continue to explore ways to generate revenue while navigating this complex landscape, balancing speed and accuracy with uncompromised journalistic values, ethics, and public trust.

How Fatherhood Helped KiddChris Evolve as a Radio Host

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KiddChris, known for his unfiltered radio shows and jokester personality, can be heard regularly on 102.7 WEBN in Cincinnati as well as on Saturday nights on Detroit’s Channel 955. His time in Cincinnati marks his longest stretch in any city, predated by stints in Wichita, Philadelphia, Atlanta, and more.

While he talks about the evolution of his shows over the years, he recognizes that the inspiration for his radio career started with prank calls over the Utica, NY airwaves via Bill Keeler’s Keeler in the Morning.

“I was raised in Syracuse and there was a guy on the radio in Utica…and on his morning show, he would do prank phone calls. I’d be in the shower getting ready [for school], and right at that time the prank call would happen.” KiddChris thought it was awesome and set his sights on one of Keeler’s later shows at a rock station.

“I was just working at a grocery store, and I ended up meeting that show. They needed help, so I ended up being an intern. From then on, I just started working part-time for them, and it just became a thing,” he says.

Eventually KiddChris went on to host a show in Wichita, where he learned a lot about what he does now. “You learn people and their different sensitivities,” he says. “That was in the ‘90s, so that was fun. I have tapes I hear now, and I go, ‘What was I thinking?’ But that’s all part of it.” 

KiddChris’s style when it comes to hosting a show comes down to doing the job he was hired for. “Whenever I work for a company, I get a handbook of what they want. They tell me the game plan, then I do it.”

“The places that I’ve had the biggest success happen to be where they wanted me to have some teeth. Maybe sometimes when their plan goes the way they didn’t think it was gonna go, I’m out.” 

Over the years, his show has taken different forms as he’s learned more about what makes good radio, and becoming a father plays into the differences as well.

“I’ve learned more, especially after becoming a dad and stuff, that I’m not gonna attack the other radio stations and all that stuff. That’s where it’s been a big learning experience,” he says.

Adding “dad” to his roles has also contributed to many of the evolutions his show has seen. “There’ll be stuff where I’ll stop because I’ve got a daughter. That plays a huge role.” 

“I used to fight about everything I wanted to do on the show, and these are just ideas that the audience didn’t even know about, and I’m screaming about it for no reason. I look back now and think, ‘Why did I waste my energy?’. Things like that, as a dad, it’s not even worth fighting over stuff.” 

In recent years, he’s also found himself advocating for mental health. “During COVID, I had a massive breakdown at work in the boss’s office. When COVID happened, everything was collapsing, and I was scared to death. I freaked out.” He adds that he’s been more in tune with his mental health since noticing the impact shorter winter days have on his mood. “I usually will put up a blog or something reminding people around this time that they may have someone in their life who disappears [during the winter], and you should check in.”

He continues, “I never ran from that stuff. If it’s there, and it’s something I want to talk about, I’m gonna talk about it. It’s not like it’s some big revelation. It didn’t happen before because I didn’t know before.” 

KiddChris still finds himself adapting to how things are done on a regular basis. “Every day it’s a constant learning thing,” he says. But something that has always been a part of his process is embracing digital.

“I’ve embraced the digital stuff for years,” he says, noting that there are challenges that come with shows who don’t embrace even some of the simpler digital platforms like some social media channels, as well as honing their brand and creating connections with their audiences in unique ways.

“Anyone can go on and go, ‘That’s Guns N Roses, here’s Papa Roach.’ You’ve got to make your worth…You have to come up with something else other than just being the jock on the air. You’ve got to come up with ways to sell it,” he says.

With rounds of layoffs happening sporadically across the industry, KiddChris finds space to both feel for his fellow jocks while respecting the tough financial decisions that have to be made on a larger scale. He fondly remembers an email he received from Michael Smerconish when he was leaving Philadelphia that read, “You’re not dead until you’re dead.” 

KiddChris adds, “People end up getting jobs. You’re gonna work.”

The content of KiddChris’s iconic shows comes down to how he relates to the listeners who love him. “That’s something that took me forever to learn. I would spend hours on my computer trying to come up with funny bits around a story or a joke or writing a song or commercial parody. Whenever I would go out to an appearance though, no one would say, ‘That was a great parody or bit you guys did.’ It was, ‘Hey, that story you told about this was hilarious.’ I learned to just go out and live my life and take notes as I go along. That’s the stuff that sticks with people, and you can’t get it from a prep sheet.”