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Radio Mourns The Passing of K-104’s John Reynolds

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Radio is mourning the passing of another long-time personality. Country K-104 Monroe, LA’s John Reynolds, has passed away at the age of 55.

On Facebook, K-104 announced the news posting, “John has been a member of our family and yours for 25 years now. We’ve laughed and cried with him. John loved fiercely; his spirit was bright, his heart was huge, and his personality was even bigger. We here at K-104 and the Radio People will continue to work hard to bring fun and music into your lives each day, and as we do, we will strive to honor John’s memory. We truly loved him, and none of us will ever be the same without him. Thank you for listening, and please remember John’s family and friends during this sad time.”

Reynolds, a veteran of the Navy who served during the first Gulf War, returned to Monroe to complete his college education. In 1998, he began his career at Country “K104” KJLO-FM as a newscaster and quickly advanced to the position of morning host.

He held this role until 2017, when he relocated to Key West, FL, to pursue acting. In 2019, Reynolds rejoined the company, taking on the dual responsibilities of co-hosting “The Morning Vacation” alongside Jim Elliot at Classic Hits “LA 105” KLIP-FM and serving as the midday host at KJLO-FM. He has also previously held the position of Program Director at KJLO.

Radio and friends reacted on social media.

John Smoltz: Joe Buck ‘Is as Good As it Gets and Joe Davis Hasn’t Missed a Beat’ Calling World Series on FOX

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FOX Sports baseball analyst John Smoltz was the guest on The Varsity podcast hosted by John Ourand of Puck. The two talked about several different topics including the 2024 World Series which Smoltz is calling along with Joe Davis on FOX. This is the third year for the pairing of Davis and Smoltz following six years of him calling games with Joe Buck.

Ourand asked Smoltz to compare the two broadcasters. “Well, I’ll say this, and I’ve said it a million times, I can’t believe that Joe Davis has replaced two of the greatest all-time. I mean, at his age, I don’t even know of another scenario where you could say, yet alone replacing Vin Scully, but Joe Buck.

“I agree with you on Joe Buck. He is as good as it gets, and Joe Davis hasn’t missed a beat. It takes time, no different than Vin Scully and Joe Buck, when they broke in, to create a longevity that they both were at the top, and so Joe Davis is replacing two icons.”

Smoltz went on to say about Davis, “I honestly think it’s one of the most amazing stories that will get told someday, and to think that we grew up 15 minutes apart, now in a different time frame, I’m a little bit older than Joe, but he grew up in Potterville, and I grew up in Lansing, Michigan, and to think that the booth is being represented in two of the smallest cities in Michigan is a pretty cool thing for he and I.

“We share a lot of the same likes as far as teams growing up and rooting for. We’re both Lions fans, so I just think this year is the ultimate test for Joe Davis, and he’s passed it so far, in my opinion, in flying colors.”

Ourand and Smoltz went on to talk about Davis’s role as the voice of the Dodgers and that he knows no matter how good of a job he does, the Yankees fans will think he was rooting for the Dodgers and there’s a good chance some Dodgers fans will think he didn’t root hard enough for the team.

“When this World Series is over, mark my words, it’s been nine straight years for me, the opposite radio stations of the team that loses will accuse me and Joe Davis for rooting for the other team. It happens every year. Joe Buck told me, ‘When you get into this business, just be prepared, people think that you root for a team in the booth.’ It is the most nonsensical thing there is, but I understand it because they’re used to their home play-by-play announcing teams who never say anything about the other team in a glowing fashion.”

Smoltz later added, “I don’t have any social media. I don’t really care what people think, but it’s all around you.”

Another subject was about the various play-by-play voices Smoltz has worked with and Ourand asked about how his job changes when his partner does, such as the switch from Joe Buck to Joe Davis.

“Once you learn the tempo and the cadence and what each person brings, it’s pretty much my role is the same,” Smoltz said. “It’s just knowing, like I felt like there for years, I could close my eyes, I could be never looking at Joe Buck and never feel like I could step on him. I knew the cadence. I knew what he was trying to do. I knew when he was passing the ball.

“That’s the same thing now with Joe Davis after three years in now. It’s just been kind of smooth to where he’s obviously a little bit different than Joe Buck and his people that he has been replacing and who he works with on a daily basis. It’s like any other team. Once you get the rhythm and you understand where everybody’s going, then you can close your eyes and know without looking at your partner that he’s done talking or he’s handing the ball off to you. It’s definitely a learned booth for sure.”

Joe Rogan Shares Demands From Kamala Harris Campaign For Interview, Set to Host JD Vance This Week

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After more than 30 million watched the conversation between Joe Rogan and Donald Trump, many are wondering if Kamala Harris will also appear on the podcast. That hasn’t been confirmed, but a conversation with JD Vance is reportedly in the works.

On social media, Rogan reiterated what he’s said on his podcast: that he is more than willing to sit down with Vice President Kamala Harris. He also shared what the hang-up has been in sitting down with the Democratic nominee.

“For the record, the Harris campaign has not passed on doing the podcast,” Rogan shared. “They offered a date for Tuesday, but I would have had to travel to her and they only wanted to do an hour. I strongly feel the best way to do it is in the studio in Austin. My sincere wish is to just have a nice conversation and get to know her as a human being. I really hope we can make it happen.”

Time is running out for Harris to appear with Rogan ahead of Election Day, which is in seven days.

After The Joe Rogan Experience host shared that he’s still interested in sitting down with Harris, a report surfaced that he’ll interview with Republican Vice Presidential candidate JD Vance.

CNN reporter Alayna Treene — who is covering the Trump campaign for the network in the lead-up to the 2024 election — reported that Vance will go to the Austin studio on Wednesday for a conversation that will be released later this week.

Apple TV Says MLS Playoff Debut for Lionel Messi Was Their Most-Watched Sporting Event Ever

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According to Apple, the MLS Cup Playoffs debut of superstar Lionel Messi was the most viewed sporting event ever for the company. Apple did not release specific viewership numbers for the match which Inter Miami won 2-1 over Atlanta United.

Apple had heavily promoted the broadcast was available to stream free through MLS Season Pass on Apple TV. The game also streamed at Apple.com and was shown in Apple Stories in certain major cities around the world.

In addition, fans on TikTok could watch a special “Player Spotlight: Messi” presentation of the match where the camera was trained on Messi throughout the game. Apple reports as many as 150,000 viewers at a time watched the TikTok offering. This also marked the first time TikTok has streamed an entire live soccer match with a single-player focus.

Messi signed a reported $150 million deal to play for Inter Miami starting in 2023 which also gives him an ownership stake in the team when his playing days conclude. He is signed through 2025 and there is an option for an extension for an additional year. Messi and Inter Miami will have their second match in the best-of-three series on Saturday.

Radio And Friends Remember WAKY Louisville’s Mark Strauss

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Mark Strauss, midday host at WAKY Louisville, has passed away at the age of 71. His time in the Louisville market dates back to the 80s

On the station’s website, Strauss wrote his obituary writing, “It pains me to admit it, but apparently I have passed away, and I’m pissed about it,” the earthly signoff of Mark E Strauss, 71, who is now the radio somewhere in the great beyond. “Everyone said it would happen one day, but that’s simply not something I wanted to hear, much less experience. If you want to, look for me in the evening sunset, on a cruise ship, with a Patron margarita in hand. You know I’ll be there in one form or another. This will probably comfort some while antagonizing others, but you know me, it’s what I do. Any questions, sorry too late.”

Social Media reacted to his passing.

Ben Shapiro, Tucker Carlson Share Strong Responses About YouTube Demonetization to New York Times Reporter

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Both Ben Shapiro and Tucker Carlson have shared their responses to a New York Times reporter working on a story about YouTube and conservative hosts to social media.

The conservative hosts each shared a message received from New York Times reporter Nico Grant, who covers YouTube and Google for the outlet, to social media.

In the message purporting to be from Grant, the reporter seeks comment on a story the outlet is preparing centered on YouTube demonetization of election-related videos. He says the outlet is utilizing data from Media Matters that identified 286 videos that shared misinformation about the election.

“What, precisely, is NYT doing? It’s perfectly obvious: using research from Media Matters, a radical Left-wing organization whose sole purpose is destroying conservative media (see below), in order to pressure YouTube to demonetize and penalize any and all conservatives ONE WEEK FROM THE ELECTION,” Shapiro argued. “That’s the entire game here. Run an article in America’s ‘most trusted newspaper’ that declares pretty much every major conservative a purveyor of ‘misinformation’ on YouTube, thus strong-arming YouTube into taking action against conservatives.”

Shapiro concluded by writing “So, The New York Times wants comment? Here’s my comment: kindly, go (expletive) yourself.”

Tucker Carlson shared a similar sentiment to that of Ben Shapiro.

“So the New York Times is working with a left-wing hate group to silence critics of the Democratic Party? Please ask yourself why you’re participating in it,” Carlson responded. “This is why you got into journalism? It’s shameful. I hope you’re filled with guilt and self-loathing for sending me a text like this. Please quote me.”

When Grant responded by asking if Carlson wanted to comment on any of the questions asked, the former Fox News host — like Ben Shapiro — responded with profanity.

“Would I like to participate in your attempt to censor me? No thanks,” Carlson retorted. “But I do hope you’ll quote what I wrote above and also note that I told you to (expletive) off, which I am now doing. Thanks.”

CNN Bans Panelist Ryan Girdusky After Racist On-Air Comment Directed at Mehdi Hasan

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CNN has banned writer/author Ryan Girdusky from appearing on the network after he directed racist comments at Mehdi Hasan during a discussion Monday evening.

During a discussion on Abby Phillip’s primetime show, Hasan stated that he was a “supporter of the Palestinians.”

Girdusky responded by stating “I hope your beeper doesn’t go off,” referencing the attacks by Israel against the terrorist group Hezbollah by hacking their pagers and beepers, causing the batteries to overheat and explode. The attacks killed 37 people and injured another 3,000, the country estimates.

Hezbollah is a Lebanese terrorist organization. It has limited ties to the conflict in Gaza between Israel and another terrorist organization, Hamas.

Hasan, a Muslim and journalist who founded Zeteo News, quickly responded to Ryan Girdusky by asking “Did you just say I should die?” The panel descended into chaos for several moments before Phillip tried to regain control. After a returning from a commercial break following the incident, Phillip apologized on-air to Hasan for the comments made by Girdusky.

“First, I want to apologize to Mehdi Hasan for what was said at this table,” Phillip said. “It was completely unacceptable. When we get this discussion started, you’ll see that Ryan is not at the table. There is a line that was crossed.”

After the appearance, CNN released a statement saying Girdusky would not appear on the network in the future.

“There is zero room for racism or bigotry at CNN or on our air,” the statement said. “We aim to foster thoughtful conversations and debate including between people who profoundly disagree with each other in order to explore important issues and promote mutual understanding. But we will not allow guests to be demeaned or for the line of civility to be crossed. Ryan Girdusky will not be welcomed back at our network.”

Girdusky took to social media after the ban to argue that he was subjected to a “double standard” by the network.

Stephen A. Smith Proved on Hannity That No One Can Do What He Can Do on TV

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If you won’t listen to me, maybe you will listen to Stephen A. Smith. God knows he is going to shout loud enough to make it impossible to tune him out. Sports talk requires a level of talent that news talk simply does not. Sean Hannity never stood a chance.

Smith was invited on the FOX News talking head’s eponymous show last week, and when he wasn’t spawning new memes, he was leaving Hannity fumbling to defend his statements.

While I would never try to convince you that I am Smith’s biggest fan, I have always touted that every broadcaster should study his performance. There’s no one on Earth capable of watching Smith in a debate and not recognizing they are seeing a master at work.

That was Hannity’s biggest problem. I just don’t think he realized that not only is Smith exceptionally good at arguing for entertainment, but that a political talk show cannot prepare you for combat with the First Take star.

Pick your network: FOX, MSNBC, CNN, you name it. All of them are echo chambers. They may invite people on with opposing viewpoints, but outside of The Five’s Jessica Tarlov (who is likely only allowed on TV to shield FOX from another billion-dollar lawsuit), these people are all toothless by design. Those shows aren’t doing the news. They aren’t having discussions. They are appealing to the target demo.

I wrote about this years ago when Tucker Carlson admitted that sometimes he just blatantly lies because he doesn’t have facts to support his point of view. Believe it or not, despite the fact that the stakes of what we talk about in the sports world are so much lower, the standards for your content are so much higher.

Stephen A. Smith has outgrown First Take and ESPN. We’ve known that for a while now, and I have speculated that it could mean that the man has a future in late night or on cable news. The reason the conversation persists is the result of a perfect combination – Smith really is that talented and the bar really is that low in cable news.

Hell, because the bar is so low, Smith may look at politics and see a future not on television, but in office. I am still convinced he has those aspirations.

There are a little over seven months left on Smith’s current deal with ESPN. There has been a lot written and said about the amount of money the network would be willing to pay to keep him and what it is he will demand in order to stay. I am not sure there is a number that both appeals to Smith and makes sense for ESPN, but we won’t even know what numbers we’re talking about until something is said publicly by either side.

With that in mind though, I would expect to see Smith seek out more opportunities like this. Maybe they will be with Hannity. Maybe they will be elsewhere, but it’s not crazy to think Smith will go looking for them.

Every time Stephen A. Smith makes headlines for putting some political talking head on roller-skates or charming a new audience, it reminds ESPN that he comes with a price. It may not be set, but there may not be much wiggle room. 

Smith is not his former partner Skip Bayless. He will not be lost in a world without sports. He’s also not Sean Hannity. He doesn’t need to worry about being exposed the second he steps outside of his comfort zone.  

If ESPN doesn’t want to meet Smith’s demands, he can hit the open market knowing that he brings value to any show or network that wants to make him an offer.

Inspiration 101: How Program Directors Can Energize a News Talk Radio Staff

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True story: When I was program director of KFBK, Sacramento, Rush Limbaugh was our 9-noon talk host. This was mere months before he was swept off to the Big Apple and national stardom. One day, I took Rush to lunch after his show to give him some friendly advice. “Rush,” I said, “I’m not going to tell you how to do your show, but if you don’t find something to talk about besides politics, your career will go right down the toilet.”

(Rim shot)

Twenty years later, I reminded him of that conversation. He laughed and thanked me for not slowing his flight to fame and fortune.

Experience is life’s teacher. I’m not going to stand in your way, either. Whether your station has only one live and local show or the increasingly rare bounty of a 24/7 identity, I won’t suggest what topics, approaches, and coverage should drive your information efforts. You live there, I don’t.

But I do have some big-picture stuff that can be invaluable to success in programming news and talk formats in small to large markets.

If you are a News Talk programmer or aspire to be one, there are some things you need to understand and goals you should strive to achieve. Much of what I say here will seem obvious, but most assumptions need frequent examination.

I won’t discuss format policies, audience measurement, website management, counter-programming, or other aspects of the job that are unique to your company, station, and market. This piece aims to help current and future programmers understand what’s involved and whether you’re suited to the job. Hopefully, we can inspire each other to stimulate creative excitement.

Let’s call this: Inspiration 101.

For starters, why do you want to be a program director? (I prefer that term to program manager. It’s a minor difference, but to me, the word “director” brings to mind somebody at the helm of a joint creative effort while ‘manager’ is a generic business term that can apply to many aspects of any industry and makes me think of people wearing suits and working in cubicles. Nothing wrong with that, and it’s not fair. It’s just not the independent image I prefer for oddly creative people. Program managers fill out corporate paperwork and go to sales meetings. So do program directors, but with that title, I imagine spending most of my time working with talent in studios and brainstorming ideas in restaurants or bars. (I know brainstorming in bars is old school and somehow inappropriate. I’m writing this at home and have no HR to deal with. The point is that getting out of the office is a swell way to think creatively, literally outside the box. And besides, some of my best ideas grew out of bar conversations)).

Digression aside, why do you want that job? If you just think it’s time to advance from being on the air to the next rung on the ladder, I disagree. None of the great PDs I’ve known gave a rat’s patootie about being a boss; they all wanted to create great radio. We perform, live, learn, and shine in studios. If you’re hungry for that challenge, ask yourself about your qualifications. What can you offer your staff, listeners, and everyone in every other department at your station? They’re all depending on you.

Start with some soul-searching.

  1. Are you qualified? Do you have the experience, confidence, and empathy required to be a leader and not merely a boss? Can you encourage others, teach by example, and remain open to new ideas and perspectives?
  2. Are you honest with yourself and transparent with others? If people sense you’re hiding something or plotting behind their backs, you’ll create a barrier that will stifle your efforts to achieve goals and find innovations. You will fail.

This could be a long list, but every new item will be a variation of the theme: excellent programmers must be smart, likable, flexible, and honest. It all starts with confidence in yourself and between you and your staff.

Confidence is borne of experience and being a good person. Of the many excellent PDs I’ve worked with, one shining example is Tyler Cox, who hired me to co-host the morning show at KLIF, Dallas, thirteen years ago.

Tyler is retired now, doing well, and still missed by his former staff. He always described his management style as “Walking around drinking coffee.” That’s exactly what he did. He would pop into a studio or newsroom and engage us in brief, friendly conversations that often included a quick and subtle bit of programming wisdom. Then, he was off again to continue his rounds. He only sat behind his desk to do paperwork or take phone calls. Even then, his door was open, and he made time for you to share pleasantries, explore strategies, and exchange ideas. When a decision was required, Tyler made it calmly and confidently.

That kind of mature wisdom inspires faith and makes innovation possible.

The best Program Directors I’ve known were more experienced than the rest of us but also wise enough to want the benefit of our individual creativity. Great ideas frequently come from unexpected sources, even the weekend newbies.

As a leader, also be a follower. Ask your talent to help you reimagine old ideas. Encourage them to suggest ways to interact with listeners where they live, outside of your studios and offices. Remote broadcasts, charitable events, school or business promotional visits, neighborhood softball games, etc., bring your on-air stars face-to-face with their listeners. That’s exciting for everyone.

What else? Just one thing: Give your people the necessary tools, then get out of their way.

Allowing talent to create opportunities will keep them charged and infuse them with a sense of value and energy. They will grow, and so will your station’s endearment.

Once your news and talk teams start diagramming plays, you’ll have their hearts and minds. Then, you can begin the most important and exciting part of programming: discussing the craft of great radio. This is where postgraduate studies are achieved, and master’s degrees are earned.

When I was a lad, my colleagues and I lived to discuss the finer points of talking up records, talk hosting, and news presentations. We shared airchecks of radio personalities we admired and picked apart our own work. Together, we grew and discovered ourselves. We also became lifelong friends.

As program director, you can encourage these stimulating sessions but needn’t lead them or always be present. In fact, it’s often better just to light the fire and step away.

Inspiration begins with a hint of suggestion. “What if …” works every time.

The reality of radio programming has changed drastically over the years. Today, PDs have much more work, and much less of it actually involves directing the programs. We old-school guys feel for you, but there are no limits to inspiration. It still works, and you don’t have to be personally responsible for all of it. You’ve hired creative people.

Inspire them to create.

Market Your Product Benefits And What It Can Do For The Audience

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“There’s no shortage of remarkable ideas – what’s missing is the will to execute them.” Seth Godin

You read in-depth broadcast and media coverage with analysis on this site and certainly other quality content providers.

I do the same.

Scrolling through the weeds of tweets a few weeks back, I stumbled on THIS one from Yasmine Khosrowshahi.

The concepts are far from new, but in her short time as a marketer, she’s bright enough to learn from those before her and put into practice strategies to assist her colleagues.

Many of these you’ll find ring true of a Simon Sinek, Josh Spector, or Seth Godin piece.

Or – old school – Ries and Trout.

Let’s review a handful which translate into actionable efforts for broadcast:

Sell Benefits – Not Features

We get caught up in building features – rarely translating into measurable results.

Long music sweeps (when the average occasion is around 11 minutes) – contesting (when less than 3% of your cume plays) – short weather forecasts (when they exist solely for a sponsored feature).

Think about the simplest benefits – obvious to us – but a great benefit for the end-user.

Non-Radio Example – there’s a Subaru dealer in Central Indiana that tags their commercial with “we never charge a dealer or dock fee…” pointing out a benefit that a fair amount of other auto dealers also do not charge those fees. This company only points it out to their marketing advantage in the shopper’s minds.

Radio Example – Zimmer Communications in Mid-Missouri places on their RDS and tag self-promoting audio with the line “A FREE service of Zimmer Communications.” ALL terrestrial radio is – FREE. The Zimmer’s merely point out the obvious for their marketing – and aural activator – advantage.

Another Radio Example – radio remains the #1 out-of-home marketing medium and it is – portable. Internet flickers? Spotify – You Tube – Tic Tok also flickers. Internet failure does not disrupt terrestrial radio. Consider developing audio messages about the strength of radio – free and portable.

Check out a wonderful piece on non-broadcast features vs. benefits – here.

Scarcity Drives Demand

Last week, we published a piece on Secret Weapon Records. Records that differentiate your brand from all others. 

In most cases, the gamble you take to identify and air a Secret Weapon Record makes you the only brand embracing that record.

Develop audio that reflects your unique position – on both sides of airing the song. 

Example – “Here’s a song from (Artist) that you only hear on W***.”  Follow with “(Title) from (Artist) – a song you only hear on W***.” 

Play it.  Own it.

Additionally, it’s an easy putt to say “you’re running too many spots” to owners or General Manager. 

However, “you’re running too many spots.”

It takes fortitude to limit – or cut – commercial messaging. 

Limiting your load with a strong strategic plan and a long tactical tail WILL increase your revenue by creating greater demand.

This is only accomplished by the market leaders. Does not work if on a failing brand.

Progressive Pricing works for airlines – hotels – and ride-sharing companies.

Marketing is not about which product you sell – Marketing is about which story you tell

When we begin working with talent, we invite them to craft a thoughtful ‘elevator speech ’ for the show.

A short background on an elevator speech – it’s a speech or pitch designed to be delivered in the short time span of an elevator ride.  Under two minutes to include:

  • Who you are
  • What you offer
  • Unique point to your brand
  • Final call-to-action

We develop Elevator Speeches for morning show ensemble talent to use in audio pieces or networking events.

Tell – a story – not sell a story.

Consider developing the same for your brand(s) to arm your in-the-field sellers with a punch-through story about why a client needs to be a brand partner.

Contact us for a template.

What do you think you need to create content – VS – What do you actually need to create content

The entry point for audio – and video – has never been easier or cheaper.

More than ever, long-form spoken-word talent or talkers are extending their on-air brands through extra audio outside the show or – better yet – video on social platforms.

Most audio newbies envision building an extensive audio studio in a room or closet in order to break into the podcast or voice-acting space. All you need to begin is a less-than-$100 dollar USB mic, FREE Audacity Editing Software and Hobby Lobby pillows for sound soak.  Speaking from experience here.

On the video side, forget the story-large green screen or massive infinity wall. With just your phone and free – yet elaborate – video capture/editing app, you’re in the video game in minutes. Lighting – under $15. There’s even a teleprompt app for your phone to remain screen-focused.

Attract the audience with short-form content – Keep the audience with long-form content.

When story-telling, the value and intrigue of an effective pre-promote or tease cannot be understated.

Efficient and ear-grabbing is key. Most should be no more than two sentences. News organizations – both audio and video – are using the tease tactic with great success.

Don’t confuse your customers with too many options

KISS – Keep It Simple Stupid. 

This is a phrase that has been around for over 50 years – coined by The Navy and Lockheed in the 1960s, referring to aviation design.

The project – your project – works best when kept simple.  Use simple best practices in your talent coaching, imaging messaging, and commercial copy.

Simplify your sell line after station ID—or eliminate it. Your brand lives in your listeners’ minds, driven by the experience you create for them. 

Simple hits harder.

Big money is made by selling status

There was – a time – when passion-driven brands led listeners to PAY for the affinity association.

In its heyday, WXRT in Chicago rarely gave away gear. XRT made a boatload of cash by selling its swag. While a ‘store’ is still open, the merch has come to a standstill.

In St. Louis, Christian Music Joy FM has a FREE sticker that is wildly popular. They.  Are. Everywhere.

So well-liked – prompting The Riverfront Times – a local alternative magazine – to openly mock their affinity.

Status – it’s earned, and it’s big money.

Thank you – Yasmine Khosrowshahi – for the prompt to visit – or revisit – these marketing drills.

People don’t care about your product – they look for “what is the BENEFIT” of your product.

And – what your product can do for them.