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KFI-AM 640 to Produce News Special on Differences Between Misinformation and Disinformation

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As the 2024 election nears, credible information has never been more critical. KFI-AM 640 is dedicating a special program to pointing out the differences between misinformation and disinformation.

Mis/Dis* will be a two-part series hosted by KFI National Correspondent Steve Gregory. The program will feature “subject matter experts from journalism, academia, and the California State Assembly,” according to the station.

Gregory will also speak to a California lawmaker who authored legislation requiring large online platforms to either remove or label deceptive and digitally altered content related to elections.

The special news program will showcase the rise of misleading facts, propaganda, and errors in reporting. It will also explore the key differences between what consists of misinformation and disinformation and why the distinction is an important one.

“This news special is especially important with the upcoming election,” said KFI-AM 640 Program Director Robin Bertolucci. “We hope this program will teach people the skills to become a better-informed voter and citizen.”

Mis/Dis* will air on Sunday, October 20th and Sunday, October 27th at 2 PM.

Bret Baier: ‘No Stipulations, No Caveats’ on Fox News Interview with Kamala Harris

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Fox News anchor Bret Baier will sit down with Vice President Kamala Harris for the first time on Wednesday, and he says it’s a no-holds-barred interview.

It was announced Monday that Baier would feature a lengthy conversation with the Democratic presidential nominee during his Special Report program on Fox News. Baier’s sit down with Harris will air the same day the network has a town hall with Republican nominee Donald Trump that will be centered on the top issues facing female voters. That town hall event will be broadcast during The Faulkner Focus at 11 AM ET.

While previewing the interview on Monday, Baier shared that no topic will be off limits during his discussion with the Vice President.

“There are no stipulations on the questions, it will be wide open, there are no caveats to doing the interview, so she will take all and any questions,” said Baier.

The Fox News host then shared that he is soliciting questions from viewers.

“I ask the audience to drop me a line via X at BretBaier or Instagram with any suggestions,” he concluded.

Fox News, MSNBC, CNN, and The Weather Channel See Nearly 9 Million Viewers During Hurricane Milton Landfall

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Hurricane Milton made landfall in the Tampa area last week, and between Fox News, MSNBC, CNN, and The Weather Channel, a large audience viewed the carnage.

From 8 to 11 PM ET, all four networks featured extensive coverage with reporters on the ground surrounding the Florida Gulf Coast as what was once a Category 5 storm barreled toward the area.

The storm officially made landfall at 8:30 PM ET.

Fox News led the coverage with just over 3 million viewers. The Weather Channel saw strong viewership, finishing with 2.9 million viewers. Meanwhile, MSNBC (1.5 million) and CNN (1.4 million) finished in third and fourth places, respectively.

In the Adults 25-54 demographic, The Weather Channel dominated the ratings with just over 1 million viewers. Fox News saw an average audience during the timeframe of 419,000 viewers, with CNN close behind at 388,000. MSNBC lagged behind with 192,000 viewers in the demographic.

During the 4 PM-Midnight time window, more than 5 million viewers across Fox News (2.8 million), MSNBC (1.5 million), and CNN (1.2 million) watched coverage of the storm.

Has Sports Radio Lost its Election Year Appeal?

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It’s an interesting time to be working in not just radio, but all traditional broadcast media. There is still an audience there, but we do openly wonder if a new generation of listeners and viewers is coming behind them. That reality has been on display in the 2024 Presidential Election. 

Donald Trump cancelled his interview with 60 Minutes the same week that he sat down with comedian Andrew Schulz on his Flagrant podcast. It is a month after he joined Theo Von on his This Past Weekend podcast.

Kamala Harris did make time for 60 Minutes. She also has done several late night talk shows, another tradition for presidential candidates. But last week, the Vice President appeared on Call Her Daddy, the über-popular sex podcast on Spotify. The previous week, she was on the basketball podcast All the Smoke. 

Democrats say their VP candidate, Tim Walz, will embark on a similar podcast tour soon. The current Minnesota Governor and former defensive coordinator is expected to make the rounds on some of the most popular sports podcasts. That really caught my eye, not for political reasons, but because of what it says about how the campaign sees broadcast media in 2024.

Sports conversations have always been the great equalizer. It’s where candidates from either party could go to talk to both parties at the same time. That usually happened on the radio. 

In 2020, Clay Travis was still on FOX Sports Radio and welcomed President Trump to his show. In 2015, Trump, then just a candidate for the Republican nomination, called into FSR to talk to Colin Cowherd. Perhaps no presidential campaign knew the value of sports talk radio better than Barack Obama’s campaign. If it weren’t the President himself, surrogates were made available to every Fan, Game, Zone and Ticket in every swing state in America in 2008 and 2012. 

But this isn’t something that started in our hyper-partisan era. I can remember being eleven in September 1992 and listening to Alabama’s 38-11 drubbing of Arkansas on the radio (95KSJ in Mobile I believe) and who popped into the booth with Eli Gold at halftime to talk about the Hogs’ recent move to the SEC? Why, it was Arkansas Governor Bill Clinton, who just happened to be running for President!

Are those days coming to an end? Sports will always be a valuable way for a candidate to get their message to the masses, but it seems like radio won’t be the way they go about it in the future.

Hell, sports TV shows may not be the way they do that. George W. Bush, during his two Presidential campaigns, knew and embraced the power of ESPN. The same is true of Obama and John McCain. You would think that by now, we would have seen Tim Walz pop up on College GameDay, Big Noon Kickoff or on CBS’s broadcast of Navy’s win over Air Force last month.

I think it’s worth asking why. The numbers say people still watch sports on TV and still listen to sports talk radio. But the campaigns aren’t going there. Has the devotion of podcast audiences weakened the influence of traditional media?

This is something I talked about in the most recent column in our Meet the Leaders series. I asked Beasley CRO Tina Murley if political advertising on radio had seen the same evaporation that candidates appearing on radio had. 

She said no. In fact, political spending on radio has gone above and beyond her original forecast for the 2024 election. Where she sees a real impact is on the TV side. 

“The biggest change is the introduction of OTT [over-the-top video services like Peacock, PrimeTV and Netflix],” she said. “There was basically no OTT spending in the 2020 election. Now, with people cutting the cord and TV ratings on the decline, we are seeing more of a shift toward OTT and really geo-targeting their video commercials.”

It’s the same story, right? More people watch the various NCIS spin-offs that seem to make up the entire CBS schedule, but more social media conversation is about The Penguin, Love is Blind and The Boys. Political campaigns are putting more value on influence than reach.

It is a problem that I have been thinking about a lot recently. It’s something we’ve been sounding the alarm on at Barrett Media for as long as I have written here. We take for granted that there is a new generation of radio listeners and broadcast and cable viewers coming. Why? 

We can be cynical and dismissive of what is going on here. Trump is going to go on with bro comedians. Harris is going to go on with influencers. Neither of those groups will ask hard questions. But that isn’t always true. Kudos to Republican VP nominee JD Vance for going on The Daily despite knowing he was going to get hard questions and not win anyone over.  

I’m as cynical as anyone when it comes to politics. I know that we live in a system that doesn’t demand candidates face scrutiny from the voters. But I don’t think that’s what’s going on here. If it were, local sports radio stations across America and national networks wouldn’t be cut out so easily. 

The answer to why traditional radio and television are losing influence in elections is pretty simple. The median age of the average broadcast TV watcher is 64. That’s 30 years older than the median age of podcast listeners. The median age of radio’s audience is 46 – twelve years older than podcasts.

New and undecided voters will always be the most valuable audiences for political candidates. There are a whole lot more of them in the podcasting audience than the broadcast media audience. That’s why Tim Walz is likely more interested in sitting down with Bill Simmons, Pardon My Take and the Kelce Brothers than with Mike Greenberg or Dan Patrick.

I don’t have the answer for how to combat that. I just know that it’s a reality radio and television have to face.

News Networking: Locally Produced News Feature Sharing

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Thirty-some years ago I had what I thought was a good idea: Why couldn’t radio companies with news stations in multiple markets share the efforts of their talented local staffs with the other stations in the chain? For example, say a fine iHeart reporter in Florida produces a great series of feature reports of heart wrenching personal stories of the recent hurricanes. Wouldn’t iHeart stations in markets across the country want to run them? Of course, they would. The better question is why don’t they?

If 1010 WINS, WBBM, or KCBS created an amusing and touching piece about Halloween excitement for kids, wouldn’t it also be a great human-interest feature for Audacy stations KMOX, WWL, WBEN, and many others?

Why, in these days of severe budgetary challenges and fears for the industry’s very survival aren’t radio companies taking maximum advantage of their widespread talents? For some reason, we’re fine with airing network reports, which tend to be dry and monotonous, but we rarely share the creative, emotional, and informative wealth produced in our own studios.

Yes, some stations in some chains do occasionally swap pieces and conduct live chats with reporters in other markets but it’s the exception rather than standard practice. It’s the bare beginning of what I’m thinking, and I don’t understand why it hasn’t grown of its own merit. Whenever I’ve been involved in such an exchange, newsies in both cities involved were very pleased with the result. We loved working with our own family in different markets but for some inexplicable reason, we rarely did it.

The idea first occurred to me in Sacramento in the 90s when deregulation suddenly allowed American cities to explode with new corporate ownership. I was at KFBK when it was sold by McClatchy as a local operation to corporate upstart Chancellor Communications and then Clear Channel. Suddenly one signal with three sister stations had 50 and then 100 and more.

When I was working in L.A. at KNX in the early 2000s, I mentioned it to someone in management and the response was something like, ‘hey that’s not a bad idea.’ No, it was a good idea but at the time KNX was owned by CBS which also had an entrenched national network filled with available feature reports. That may have had something to do with the fact that local O&O affiliates never exchanged content. I’m just guessing. Nobody ever told me.

The problem with feature reporting as it was then and remains today is that topics being strictly local/state or world/national give relatively no attention to the people, stories and issues with universal appeal and relatability. There might be some fascinating things and people in flyover country. We may never know.

I carried the idea with me to my next stop: Chicago’s Merlin Media. I hear you snickering and you’re right, Merlin was hardly the success many thought it could be and never achieved the large stable of stations it dreamed of. Say what you will of Randy Michaels, he did activate the shared features concept between the Merlin stations he ran in Chicago and New York. I had no part in that but was excited to see it happen. Our reporters and hosts got a kick out of knowing their work would be heard in the Big Apple and the NYC talent felt the same of their work airing in the Windy City. With a couple more markets it could have been a model that would now be flourishing among hundreds of stations in markets of all sizes if Merlin had just survived.

From Chicago, I moved to Dallas where I found a welcoming home with Cumulus for 12 years. Dark and early each morning Amy Chodroff and I would settle into our studio with our producer and check the news queue for the fresh crop of sound bites and features available for our show. We seldom had more than one or two locally produced feature-length pieces to air and sometimes none because we had a small staff of overworked reporters.

The networks, Cumulus’ own at first and then Fox, had stuff we could run but they were nationally and internationally focused, and while full of timely information they weren’t usually listener relatable. So again, throughout my dozen years at KLIF, I shared my companywide feature fest idea with three different PDs. They all said it was interesting, but I never heard another word. I assume they mentioned it to corporate management, but it never came to fruition for any number of reasons. There may have been some union hurdles to work around in some of the major markets but I’m just guessing. (We were one of the major markets, of course, but Dallas has no broadcast unions I’m aware of.)

As Amy and I planned each KLIF morning show trying to figure out how to squeeze four fresh hours of news and information out of roughly 90 minutes’ worth of content I couldn’t stop dreaming of being able to log into an audio queue in NewsBoss at 4 a.m. and pick all the fresh fruit available from Cumulus markets across the country.

Why can’t that happen? There might be a good reason, but nobody ever explained it to me. I’ve been around a while and have worked with some of the brightest program and general managers in the business. I’m not the smartest guy in any room. How can I be the only one who ever thought this would be a good idea?

Hey, here’s another logical thought, let’s sell sponsorships to these daily features! And how about giving the local talents who produce them a financial incentive? Say, $100 bucks for every market that picks up a feature. At that price, you could hire additional talented and experienced writer-reporter-producer combos across the country.

Seriously, think about it. Local news writers and editors will have more time to do better work because they won’t be so rushed just trying to feed the beast. Talent and sales execs will have the sound of “KA-CHING!” ringing in their heads and GMs who have been honored with the additional responsibility of multiple markets without additional income could increase their bottom lines.

Everybody wins, including and especially your audience.

Come on Audacy, iHeart, Cumulus, and the rest of you – you too, NPR, why not? You want to keep your audio domination over podcasting? Use your radio superpowers: professional high-quality writing, reporting, and production; live, local, national, and worldwide.

Wait, I was wrong. It wasn’t a good idea, it’s a great idea!

Schedule a Zoom conference! Let’s get on this!

A Road Trip Through The Heartland In Search Of Local Radio

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Interstate I-70 splashes through a vast swatch of the nation. 

From Maryland to Utah, I-70 is just over 2,000 miles of blank pavement originally designed as a rapid throughway to assist military movement.

I-70 is also the very first Interstate in our land.

Vehicles today – including my beloved Subaru Forester Touring Edition – contain an audio function where you can seek and develop a playlist of local radio.

On an important mission to visit grandkids, I traveled from my native Indiana to Columbia, Missouri, the center of the state. The 365-mile one-way trip exposed us to around 100 different radio stations.

As low-level research and a random experiment, we built random Subaru playlists through every country we traversed.

Once in radio, it was said that every quarter (15 minutes) should tell a story of your brand.  Imaging – talent – contests.

With the average occasion of listening across radio stations measured by PPM data ranging from 8 to 12 minutes – you know, a quarter-hour – we thought it would be fair to hear just one-quarter hour at each station we landed.

Still with me?

Each product would tell US what they stood for – in a 15-minute window.

You are the first to hear the unofficial – official – results of this vastly unfunded research project.

Ready?

Indianapolis

As we traverse from the north side of Indy, around the waistline of Indianapolis on 465, you hear Marion County-based and collar county stations.

With the assistance of a construction delay and a near full-stoppage of traffic on westbound I-70, a generous six quarter hours were consumed on the first leg of this cross-country listening session.

The three Cumulus brands found in the search – Country 95.5 WFMS – Top 40 99.5 WZPL – Classic Hits 104.5 WJJK – were all contest heavy with zero local mentions. 

Dozens of LOCAL homecomings, festivals, and Oktoberfest’s crowded the pending weekend. Yet LOCAL TV weathercasters had no ‘usage’ language for the listener on these brands. 

The stations share LOCAL traffic. None of the traffic casts noted the I-65 to I-465 construction slowdown nor the I-465 to I-70 two-car incident which slowed our journey.  It was useless to us.

IHeart’s Legendary Q95 WFBQ – home to “The Bob and Tom Show” and a brand that shaped me as a talent – is a shell of what it once was. The brand, sadly, is a well-researched jukebox outside their entertaining syndicated morning show. Local mention occurs only in local spot copy.

Urban One’s 93 WIBC is hyper-locally focused. For a quarter-hour, the audio focused on Indiana’s Governor’s race and the characters involved. Good on them—funny and engaging!

As Indy appears in our rear-view, we were surrounded by typical Indiana landscape and a dotting of rural towns mostly determined by Lincoln’s mid-1800’s railroad planting.

With names like Plainfield, Cloverdale, and Brazil, the landscape is typically dominated by corn and soybean fields – in this case, in full harvest.

During this stretch, you can hear brands out of Bloomington, and the home of my first station – Sound Management’s B97 to the south and Forcht Broadcasting’s Crawfordville brands to the north.

While the DXing was spotting, nothing LOCAL came from the speakers, and dated material on their digital assets reflects little attention is invested in the local effort.

Terre Haute

During the cruise through the west side of Indiana, we gave our three quarter hours to three different brands.

Terre Haute holds a nation-leading Country Brand beast.  Hi-99 WTHI – formerly shepherded by Emmis Communications and now Midwest Communications – was (in their heyday) a full-service brand that happened to play Country music. This particular 15-minute session held a bloated stop set followed by a LOCAL TV Weather expert with no LOCAL color. 

A flip down the dial to another well-assembled Midwest Communication brand landed us on 98.5 The River WRRV.  This is a good, hit-packed product that utilizes LOCAL talent.  However, nothing LOCAL came through the radio.

Crossing the scenic Wabash River and over the Indiana-Illinois state line, the changing leaves reflect the changing season, as does my radio destination.

The Mother Road – US-40 – nearly as long, yet not as famous as her sister road Route 66 – cuts through the center of Marshall, Illinois.

Just beyond the only traffic signal sits a local family-owned radio station that shares its bottom floors with a local family-owned Mexican Restaurant. 

Before his retirement, Magic Hits 105.9 (WMMC) was once owned by fellow radio comrade J.D. Spangler. This Major Market Programmer built a LOCAL legend in his hometown. 

There’s no way around knowing THIS brand super-serves their community. 

WMMC airs or streams three different LOCAL High School sports teams and talks about those teams with great frequency. 

In this particular 15-minute session, LOCAL weather mentioned an event in nearby Paris, Illinois and the afternoon host described – with detail – a LOCAL fundraiser at the American Legion.

That. Is. LOCAL.

Effingham

Along Illinois this stretch of America’s 5th longest interstate, the flat farmland continues, with expansive skies and occasional patches of woodland.

On the approach to the can’t-miss 198’ foot ‘Cross At The Crossroads’, we land on 97.9 XFM WXEF – one of two LOCAL brands from Premier Broadcasting. 

The talent is coming off an all-day Chamber Radio Days event where the station highlighted LOCAL Chamber businesses throughout the day and detailed the benefits of being a member.

As a former LOCAL Chamber President, my thoughts?

Brilliant. Steal this.

Further west, as we approach Illinois’s first capital – Vandalia – we stumble on Olney, Illinois’s Freedom 92.9 – another offering from Forcht Broadcasting. Unlike their Crawfordsville property mentioned earlier, their LOACL news contained local boys’ soccer, water system updates, and farm news.  Bravo!

St. Louis

As we approach the confluence of the Mississippi and The Big Muddy, urban sprawl starts to pick up. We catch a glimpse of The Gateway Arch crossing The Mighty Mississippi into Missouri.

As a 14-year veteran of this market, my ears are highly tuned to hear who’s winning the ‘Battle of the Brand’ in this once-competitive market.

The first two quarter hours focused on the Country Battle between Hubbard’s 92.3 WIL and iHeart’s 93.7 The Bull.  This back-and-forth has raged for decades.

Still – nothing surfaced as a marked differentiator among these brands.  Having witnessed focus groups on the St. Louis Country Battle, in the listener’s mind, they certainly remain identical.  What stood out in these sessions is that WIL has dropped the frequency from a vast majority of their imaging(?).  

Early nights included syndicated drop-ins from an outside-the-market generic talent. On the iHeart side, that was 15 minutes wasted on a bloated stop set and (literally) a four-second weather time/temp update with a sponsor open and spot close.  Nothing LOCAL. Did NOT hear a late-PM Drive talent on 92.3 WIL.

Former frequencies that I’m hyper-familiar with include Audacy’s Y98 (KYKY) and Hubbard’s 106-5 The Arch (WARH), having programmed each during my decade and a half in the market.

Certainly, they are ‘packaged’ well, and slick presentations are the order of the day.  Each pipe their late PM drive programs from out-of-town.   Kansas City’s Ponch and Nikki on Y98 and the syndicated Greg Beharrell Show on 106-5 The Arch.

Four once blue-chip brands that – after 6 pm on a Thursday – are simply jukeboxes that are easily beaten by Spotify or your iTunes list.

You’ve heard the radio chants in convention sessions over the past decades.

We Are Local.

The purpose of this audio review ‘unfunded research project’ is to intently HEAR LOCAL in the over 100 signals that hit us plowing through the belly of America.

As we head away from The Gateway City with towns like Warrenton, Wright City, and Columbia in our windshield, this stretch is rural, with billboards promoting Lake of the Ozark attractions, Mid-Missouri wineries, and local small businesses.

There IS great news when it comes to fantastic LOCAL radio.

LOCAL is alive!

More from that journey in the future.

Chris McMonigle Still Living His Dream After 18 Years at WFAN in New York

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Like anyone who grew up in the New York Metropolitan Area who aspired to work at WFAN, the world’s first all-sports radio station, Chris McMonigle set out to follow his dream. Growing up on Long Island, he remembers the Yankees’ run to the 1996 World Series championship and that’s when he was introduced to the idea that the discussion didn’t have to stop when the television or radio broadcast was over.

“I remember listening to it in my car,” said McMonigle. “I liked Mike and the Mad Dog, and I loved sports radio. I’ve been a huge fan of WFAN my whole life.”

Today, WFAN is a huge part of McMonigle’s life as he has been the station’s full-time overnight host since July of last year. McMonigle has been working at WFAN for the last 18 years in just about every possible role from producer to board op to fill-in overnight host to now being a full-time host.

McMonigle has enjoyed quite a run at the station.

“It’s been rewarding,” said McMonigle. “I’ve been plugging away for a long time. I had every different shift chasing the dream of having my own show. I remember being super-pumped when (former Program Director) Mark Chernoff told me that I was just going to get Saturday nights. Being on the schedule every week was extremely cool.”

For anyone who works at WFAN, including myself, there is a special feeling when you arrive at 345 Hudson Street in New York City, and you see the collage of legendary New York sports photos as you walk through the glass doors with ‘WFAN’ on them. In the case of McMonigle, the idea of working at WFAN began when he was finishing up at Nassau Community College on Long Island and was then debating whether or not to go away to college. 

As it turns out, he made a decision based on family and that would lead to him becoming part of a radio family. “My dad was sick at home and there were reasons to stay, and I said maybe instead of going to college I’ll try Connecticut School of Broadcasting,” said McMonigle. 

It was through Connecticut School of Broadcasting that McMonigle landed an internship at WFAN and the rest, as they say, is history.

“I love this station,” said McMonigle.  “I’m blessed to be here 18 years. In many ways, it’s a dream come true. It feels like home to me now.” 

McMonigle cut his teeth at WFAN as a producer and board op before getting that opportunity to fill-in as a weekend and overnight host before ultimately getting that regular weekend gig. When McMonigle was working behind the scenes, he had a chance to work with a literal ‘who’s who’ of legendary WFAN hosts and that experience molded him into the host that he is today.

When it came to hosting overnights, he was able to learn from someone who is clearly on that daypart’s Mount Rushmore.

“I was with (Steve) Somers for five or six years learning that it’s entertainment and to prepare for the opens,” said McMonigle.  “Understanding that it’s a performance and he took it that he was performing.”

McMonigle would eventually graduate from producing the overnights and moved to afternoon drive and the opportunity to work with Mike Francesa, arguably the single-greatest sports radio host of all time.

“I learned everything from Mike,” said McMonigle. “How to script the show, how to have an understanding of what the audience wants to hear, being topical and not doing anything for any other reason but what furthers the show.”

McMonigle learned so much from Francesa over the years to the point where there are those who think that he, at times, sounds like the legendary host. From the way that he delivers his takes to the way that he interacts with callers, McMonigle has been referred to as a ‘Mini-Mike.’

He takes that as an ultimate compliment. 

“I do get that a lot,” said McMonigle. “He obviously rubbed off on me in many ways. I heard every word he said for eight years so I’m sure some of the things on how to do a show and some of the mannerisms and reactions to the callers [will come out].”

But while he is often compared to Francesa, McMonigle is his own person and has some different elements to the way he hosts a show compared to Francesa.

“I think I’m a little goofier than Mike can be,” said McMonigle. “I sing my open, so I do things completely different than Mike in many ways.”

Over his 18 years at WFAN, McMonigle has seen a lot of things change, not just at the station but in sports radio in general. There were times when the newsroom was buzzing, collecting audio and wraps from the station’s reporters who were covering the teams. That has changed to the point where fans can get that audio so easily on the internet including social media.

What has also changed is how sports radio hosts deliver the content and what they’re feeling in their hearts.

“I think you’re really seeing personalities develop,” said McMonigle. “I think there’s been a deeper connection with hosts and the fan base that they root for. And I think that has taken a big leap here where we’re associated with the teams that we root for much more than previous generations of sports hosts were.” 

These are fun times for McMonigle hosting the overnights.

The Yankees and Mets, whose radio broadcasts are heard on Audacy-owned WFAN and Audacy Mets Radio respectively, are both in Major League Baseball’s final four. The Jets and Giants are still relevant early in the NFL season and the Knicks and Rangers are considered contenders for the NBA Championship and the Stanley Cup.

That’s a far cry from what was happening when McMonigle was hired as the full-time overnight host last July.

“I thought I was cursed,” said McMonigle. “When I first got the job last July, the Mets were selling the team away, the Yankees were in the middle of the worst regular season they’ve had in 30 years, the football season starts, and the Giants get beat 40-0 at home against the Cowboys and the Aaron Rodgers experiment lasted 4 plays. And then it started to pick up. Right now, it’s very exciting.”

For Chris McMonigle, his 18-year run at WFAN has been a dream come true. From listening to Mike and the Mad Dog throughout the Yankees’ World Series dynasty to getting started at WFAN as an intern, to becoming a producer and board operator to now being a full-time host, McMonigle has done it all at the legendary all-sports radio station.

So, are there still boxes on the “to-do” list still be checked off? 

“I probably do but I don’t know if I’m focused on that just yet,” said McMonigle. “I’m just getting my feet wet in this thing. Whatever box I’m looking to check is on the backburner and the biggest box to check right now is to become an excellent overnight host and become the best host I can be, and the rest will take care of itself.”

And it all started with a dream.

Bonnie-Jill Laflin: ‘If There’s Not A Seat At The Table, Make One’

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Bonnie-Jill Laflin has never let a table full of men in the sports world keep her from pulling up a chair. Her career beginnings as a cheerleader and broadcaster have brought her opportunities as an executive, author, TV personality, philanthropist, and more. Her experiences from nearly every facet of the sports world have led her to roles with journalistic integrity at the forefront.

Loving sports came naturally to Laflin, who notes that she’s been learning the games “right out of the womb.” She says of her beginnings, “I just immediately was drawn to sports at a young age.” 

“I was such a daddy’s girl, that I think that was just the easiest way for me to always be with my dad was to be at the sporting events that he would go to,” she says, reminiscing about benefiting from her dad’s devoted season-ticket-holder status.

It wasn’t just hot dogs and the excitement of the stadiums for Laflin, as she recounts wanting to know the ins and outs of the games she enjoyed, from rules to stats and more. “Everything that I could get my hands on, I wanted to know when it came to sports,” she says. “I actually cared about the game, which was pretty fascinating for a little girl.” 

It’s about more than just the game for Laflin. “It’s my serenity. My way to be able to have happiness in this crazy world is sports.”

Growing up in the Bay Area and spending summers in Texas eventually led to an opportunity as a cheerleader with the Dallas Cowboys, a career move that could be seen as going to “the dark side,” having grown up in a house of San Francisco 49ers. “Obviously, with my dad being a season ticket holder for the 49ers, he hates the Dallas Cowboys,” she says.

Still, she couldn’t shy away from the opportunity to work with the Cowboys. “I wanted to be a part of the best cheerleaders in the NFL,” she says, which lent itself to an interesting team allegiance internally. “It’s funny because everyone’s like, ‘You can’t be a fan of both the Niners and the Cowboys,’ and I am.” 

Knowing all sides of the business so intimately, from being a fan to being on the field to ultimately becoming the first and only female NBA scout with the Los Angeles Lakers, Laflin has been able to bring her unique experiences and knowledge to her work as a broadcaster. 

Laflin currently contributes to a number of endeavors including online hosting and reporting for the Dallas Cowboys, on-air work on Audacy’s 98.7 “The Spot” and KRLD in Dallas alongside her role as a ring reporter for Shawne Merriman’s MMA “Lights Out” on Fubo TV.

“From being a cheerleader to being a broadcaster and then going full-time in the front office with the Lakers for almost 13 seasons and then being back on air, for me, it was being able to know the industry so well – the business side to the basketball, football ops side – and I think that really gets you a well-rounded view… me being friends, to be frank, with so many athletes…knowing where they’re coming from and having that respect for the players.”

Whether she’s reporting, writing, or showing up to executive meetings, one thing that Laflin will always keep at the front of her mind is respect for her fellow humans, whether they’re athletes, NFL execs, or beyond. “I think a lot of times, and journalists are all different, but I feel that they sometimes will push the envelope and cross the line.” 

When it comes to broadcasting and reporting in particular, Laflin is sure to leave her biases at the door and focus on the game and the topic at hand. She sees everyone she speaks with as a human first, with the same feelings and complexities we all experience in varying capacities. This has allowed her to maintain such great relationships with high-profile athletes and executives throughout her career.

When the opportunity came about for her to write a book, Laflin wasn’t sure what shape it would take at first but knew it wouldn’t be a tell-all. “I would never do that,” she says. 

Her position as a woman in sports spaces has given her a perspective that few are able to achieve, which led to the writing of A League of Her Own: Celebrating Female Firsts in Sports. It’s a book that aims “to celebrate women who have done it from the beginning and for little girls to realize there may not be a woman in that space, but they can create that. That’s saying that if there’s not a seat at the table, make that seat.”

“It was so hard to figure out being the only female, and no one could give me great advice as a female because no one had done it… Even though you’re under a microscope, people are going to look past the physical attributes and what I’ve done in my career and listen to the fact that I know the game.” 

As Laflin continues to carve out her spot as a female sports professional, she looks towards continuing her work as the founder and president of Hound Heroes & Horses, an organization that pairs animals with vets and first responders for therapeutic purposes, operated out of her own Battle Buddies Ranch. She also looks towards climbing her next mountains.

“I want at some point, and I know it’s me reaching for the stars, but I would love to at some point end my career being a minority owner of a team. That’s what I really want at some point, to have a stake in a team,” she says.

“My journey has been so different… I think I’ve got so many layers to my story… I think that people see the grind that I did to get to where I’m at. Regardless of what was going on, I continued to pivot to keep myself in the sports space and being a female in a man’s world…the resiliency and the blood, sweat, and tears that I had to endure while I was there… no one’s ever going to say that she doesn’t work hard.”

Newsmax Host Rob Finnerty Embraced the Change Primetime Provided

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Earlier this month, Newsmax announced that morning host Rob Finnerty was moving to primetime in the 8 PM ET window for a new program.

Despite sticking with the same company he’s known since joining Newsmax in 2021, moving dayparts represents big changes — both personally and professionally — for Rob Finnerty. He’d grown accustomed to the lifestyle of being a morning television anchor. Working in the daypart for the past 13 years, at local TV stops in Bakersfield, Kansas City, and Tampa, among others before joining Newsmax got Finnerty into the routine of going to bed early and waking up even earlier.

But a move to primetime provided a change he was willing to accept in a heartbeat.

“It’s a no-brainer,” Finnerty said about the move. “I’ve kind of had this drawn up in my head for, really, as long as I can remember. And when you’re given a chance to do something like this, the worst that can happen is it doesn’t work out. That’s it. So I think you’d be foolish not to jump at a chance like this.

“And it doesn’t happen often, going from morning show to the 8 PM. The only person I know that’s done it is Tucker Carlson. He was on FOX & Friends Weekend and then they gave him the eight o’clock slot after Bill O’Reilly left. So it’s rare. Typically, that journey looks a little different. But in this business, no two stories are ever the same. So, when I was given the opportunity, I didn’t give it a second thought.”

“I think you’ve got to embrace change in this life,” said Finnerty. “And I think that change can be scary, as well. A lot of people are probably held back because they aren’t willing to change, and they are willing to kind of step out of their comfort zone. This is definitely not out of my comfort zone. But when you do 13 years in a row of morning TV, your whole life is calibrated around the oddness of that shift. And getting up? Here, it was 3:30 in the morning. In previous markets, at one point, it was 1:45 (AM) for five years. So your whole life is calibrated around that.”

Rob Finnerty admitted the sleep patterns — especially with a family that included young children — that come with working in morning television were no longer an ideal situation either personally or professionally. And despite now working in primetime, his body is still adjusting to the new schedule.

“It’s been odd to sleep in,” he said with a slight chuckle. “My body still wakes up — I don’t need an alarm clock — it still gets up early naturally. Then I try to roll back over because my body’s not used to be ready to roll at 8 PM. Normally at 8 PM, I’m literally in bed. So that’s been an adjustment.”

But the new daypart and work schedule isn’t the only amendment Rob Finnerty is making to his professional life.

In morning television, you’re often at the mercy of the news cycle. Which includes updating viewers on things that might have happened while they were asleep, and setting the plate for the day ahead.

By moving to primetime, Finnerty is now reacting to the news of the day, and providing more of his commentary to his viewers. And he admits that change is going to require exercising some different muscles.

“It’s a different setup. It’s all on you,” the Finnerty host shared. “On morning shows, you can lean on co-anchors and guests. A show that’s got your name on it, ultimately, the sun rises and sets with you, how you’re feeling, how ready you are, how prepared you are. And we’ve got to write a monolog every night. That’s an adjustment, but I’m somebody that has a lot to say.”

Rob Finnerty shared that he had spoken with other Newsmax hosts like Rob Schmitt and Greg Kelly about how they approach writing a daily monologue.

“I wanted to hear kind of what their strategies were for those nights when nothing’s really clicking,” the Newsmax host said. “You can rely on your staff and your team. But it was interesting to get some feedback and kind of learn more about what that looks like, creatively.”

When asked if writing a daily monologue is something that gets easier with time, the newest Newsmax primetime host said he wasn’t sure.

“I know that some people struggle with it every single day. I think for others, once they get in front of the keyboard, the news cycle moves so quickly every day, there’s always content, especially, right now so close to an election,” said Finnerty. “One thing that I have tried to do — limited experience, obviously — I think too many hosts look at what the headline is above the fold, The New York Times or The Washington Post, or look at what’s leading in a block on one of the other networks, or maybe our own network, and then try to go off that.

“My observation, right or wrong, is that the people that are really successful, they generate their own gravity. They generate their own media cycle, they see things a little bit differently. Maybe not five nights a week, but they certainly aim for that target every night. And that generates sort of its own media ecosystem around the way you view something. A good monologue can change the narrative of a story in five minutes. And that’s really powerful.”

Grand Ole Opry Announces 100th Anniversary Plans

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The Grand Ole Opry has unveiled its plans for the upcoming 100th year, sharing the news with fans, artists, and friends who gathered to celebrate the Opry’s 99th birthday over the weekend.

The year-long “Opry 100” celebration is set to honor the individuals and music that have solidified the Opry as a hallowed institution in the Country music genre since its inception on WSM Radio in 1925.

“This centennial is not just a look back—it’s a celebration of the future of country music and the artists who continue to shape its story,” said Dan Rogers, SVP & Executive Producer of the Grand Ole Opry. “Most importantly, we are grateful to the fans, artists, employees, Nashville and the entire country music community who have helped us reach this special moment. We can’t wait for everyone to join us for what will be an unforgettable year.”

“Opry 100” is set to kick off a series of special events next year, starting with a performance by the Country Music Hall of Famer and the Opry’s longest-serving member, Bill Anderson, at the Ryman Auditorium on Jan. 3.

In 2025, the Grand Ole Opry will welcome 100 artists making their debut, with breakout star Shaboozey kicking off the series on Jan. 18. To mark this historic occasion, an international show will take place at London’s Royal Albert Hall in the fall.

The upcoming celebration in 2025 will feature the “Opry 100 Greatest Songs” as determined by fans. The event will also include “Opry 100 Honors” shows, paying tribute to legends such as Roy Acuff, Johnny Cash, June Carter Cash, Patsy Cline, Charlie Daniels, Little Jimmy Dickens, George Jones, Loretta Lynn, Bill Monroe, Minnie Pearl, Charley Pride, Porter Wagoner, Hank Williams, and Tammy Wynette. A portion of ticket sales will go towards benefiting the Opry Trust Fund.

In a groundbreaking collaboration, the Grand Ole Opry has partnered with Abrams to release the inaugural book featuring each Opry member and their invaluable contributions to the institution, as narrated by the artists themselves. Penned by Craig Shelburne, the highly anticipated “100 Years of Grand Ole Opry” is now open for pre-orders and is slated to be officially released on April 15. The book will be available at various retailers nationwide, on the Opry 100 website, and as an exclusive edition at Target, featuring additional bonus content.