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Alan Hahn is Rooted in the Hustle on ESPN New York

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As a lifelong basketball aficionado, Alan Hahn tries to act as a facilitator who positions his teammates for sustained success. Akin to a point guard directing traffic on the hardwood, he seeks to ensure that he obtains the best out of his partners as the team seeks to craft an informative, entertaining and engaging sports talk radio program.

For the last several years, Hahn has been successful in this endeavor with Bart Scott, a linebacker who played 11 seasons in the NFL and concluded his career with the New York Jets. Scott gave Hahn an early vote of confidence in requesting to host alongside him upon arriving at ESPN New York in 2019. In fact, it represented a fresh start for Hahn after he nearly departed sports talk radio entirely following frustration amid a lot of opportunity.

With more avenues for sports media coverage than ever before, Hahn worries that the business has ostensibly rendered itself diluted. Through his observations, he has evinced that there are people giving opinions who lack traditional modes of credibility and media background. Although Hahn is energized by the increased accessibility for consumers to hear radio stations from around the country and the domestic appeal of New York-based teams, he aspires for hosts to have the proper ethos on the airwaves.

“I do worry that there isn’t an emphasis put on somebody that actually has credibility [and] that can be trusted with their information versus somebody that’s just, ‘This dude’s funny, so I don’t care that he makes it up, [and] I don’t care that he is reckless with his takes. I just think it’s great,’ and I worry about that,” Hahn said, “but again, ratings are everything, and if you’re getting ratings, God bless you, you’re better than I am.”

Although ESPN New York is not available through the traditional FM dial, Hahn finds it easiest to listen through the app while driving. The streaming audience for the midday show, he has come to understand, is on par with the programs in drive time, and its reach has been further expanded through the reach of 880 AM. Rather than thinking about potential shortcomings, Hahn has shifted his focus towards the benefits associated with the refined distribution approach.

“We get calls because of that app,” Hahn said, “and I think that’s great too because there are New York fans, people that have either moved away or maybe are just away on business, and they still want to consume the show, and they can because of that, so you don’t have to be a national show to have national appeal.”

The traditional means of keeping score has deviated from a decision to unsubscribe from Nielsen Media Research ratings data at the local level, signaling an emphasis on proprietary and internal metrics to gauge its performance. Hahn remembers questioning how the system effectively measured the aggregate after observing a large fluctuation between quarterly books. Hahn and Scott initially started hosting their show locally but were later added to the national network lineup, leading the team to reconsider how they were approaching topics.

“Once all that happened, I was like, ‘Forget it – it just doesn’t make sense to me,’” Hahn said. “….It doesn’t affect us anymore, and I’m glad for it because I think not being obsessed with it, it helps you just relax and just do your show the way you want to do it.”

Hahn feels fortunate to have only applied for one job in his professional career, and he was able to build momentum from the position to garner additional ventures in the New York metropolitan area. Starting his pursuit out of college working as a phone clerk at Newsday, he found himself in the building and continuously sought out the next challenge. Company management had alerted Hahn that it did not hire part-time employees to full-time positions, advising that he would need to work elsewhere and could potentially return in the future. Hahn, however, demonstrated persistence and earned beat reporting roles for the Islanders and Knicks over the ensuing decade.

Hahn first appeared on MSG Networks during the summer of 2010 when superstar NBA forward LeBron James was exploring free agency. After he was only supposed to appear for one segment, the network kept him on the rest of the episode and asked him to return the next week. Following additional episodes, MSG Networks asked Hahn if he would be interested in appearing on Knicks postgame shows if it aligned with his schedule, a proposition in which Newsday permitted him to take part.

“When they said, ‘Your camera,’ I would freeze and look around like, ‘Wait, which camera’s mine? I don’t know which one’s mine,’” Hahn recalled. “They would talk to me in my ear, and I would stop talking to listen to the producer in my ear or the director in my ear, and they’re like, ‘No, don’t stop talking. Keep talking.’ That’s all skills that you have to develop that they let me develop over time, and hopefully none of those clips are available on YouTube.”

The studios for ESPN New York were previously located adjacent to Madison Square Garden, providing quick access for Hahn to take the air with Dave Rothenberg after select games. Program director Justin Craig asked Hahn to come in and do the same thing on the weekend, and he began making more routine appearances behind the microphone as a guest. On one particular Sunday night, he was scheduled to appear on a show and noticed there was no host in the studio. Before taking the air, he asked the producer who would be hosting and found out that he would be anchoring the program.

“That first segment was only 10 minutes long – two minutes in, I ran out of material; I had nothing left,” Hahn said. “I was sweating – it was just crazy – but because when you’re a radio host, there is no backspace [and] there is no edit, there is no time to be creative. You have to just ad lib, you have to riff, you have to have something prepared to talk about and be able to talk about it, and that took time, but it also took me being thrown into the pool and [being] told, ‘Swim,’ which I did.”

Hahn continued to host on ESPN New York and began bringing former Islanders goaltender Rick DiPietro into the studio to make contributions. The initial entreaty came during a golf outing after DiPietro had texted Hahn during the show with his own opinions and demonstrated his sports expertise.

This duo started gaining traction and eventually landed its own midday show where it continued to build a cadre of listeners invested in the program. Despite early success though, Hahn felt that he was being self-conscious and struggling to fulfill his role while continuing to balance his other responsibilities. Considering that he had never intended to be a radio host, he informed station general manager Tim McCarthy that he wanted to quit.

“I just thought, ‘Let me walk away. It’ll be better for everybody,’ and he said, ‘No, I’m not letting you do it. I’m not letting you do it,’ and so he gave me the 7 to 10,” Hahn explained. “He says, ‘Just do this, and let’s figure it out. See how it feels,’ so he didn’t have to do that. He could have just said, ‘Fine, go. Like, whatever,’ but he wouldn’t let me give up on it, and so I owe him a lot for that.”

Instantiated in the evening slot, Hahn was able to reset and find his voice as a host, renewing confidence in his abilities. Prior to that time, he believed he was too busy always trying to respond to what DiPietro said and was apprehensive about emitting ineptitudes. Hahn continued to develop when he started filling in on ESPN Radio in morning drive for Zubin Mehenti, situated at the network’s Seaport District studios. The proximity to Mike Greenberg allowed Hahn to observe and learn more about the craft from him, along with appearing on morning shows such as Get Up and First Take.

“Once I saw him and how he worked and what he put into it – the energy he brought to it – the way he’s able to transition, the way he’s able to set people up, the way he made everything sound like it’s the greatest freaking thing you’re going to hear today, that is, to me, when I graduated from hosting school and understood how to do it,” Hahn said, “and I feel like since then, that’s why I’ve been at my best because of learning [and] from seeing that firsthand, but from the failures too.”

When Hahn and Scott first started working together, they were situated remotely because of health and safety protocols related to the global pandemic. Upon the shift to the national airwaves in early 2021, the program struggled to find its identity and weigh New York sports discussion with the greater landscape.

“Eventually, it was like, ‘Alright, these guys are better in New York – let’s bring them back,’ so we went back,” Hahn said. “It’s only now, since the move back, that we have found a consistency where we’re together on a regular basis in studio.”

Despite possessing tangible playing experience and esoteric knowledge, Scott allows Hahn to elucidate his opinions and perspectives on the action. It is a gesture that Hahn appreciates and part of what has made Scott a “great teammate” for the show. At the same time, the duo knows that while they want to synthesize different aspects of the games, hosting a compelling radio program also includes a variety of other elements.

“It’s not just static radio that, ‘It’s you talk, then I talk, then you talk,’” Hahn said. “We both have this feeling of the podcast mode – conversational – that every now and then we’re going to drift off into pop culture or music, which we both share a music love, [and] movie lines, and we just laugh easy.”

The challenge in his lifestyle is balancing his hosting obligations with studio coverage of Knicks basketball during the season. Maintaining a regimen grounded in a mindset of discipline and consistency, Hahn ensures he works out, eats well and obtains respite so he is able to bring his best to his radio and television work. Viewing the landscape of ESPN though, he discerns an indefatigable work ethic and energy that he seeks to demonstrate within his responsibilities.

“I look at people like Stephen A., and Greeny’s another great example,” Hahn said. “I just look at the guys and they’re workers, and I don’t mind working. I’ve been a worker my whole life, so this, for me, is the hustle that I’m all about.”

As Hahn prepares to embark on another season of Knicks basketball on MSG Networks while continuing hosting on ESPN New York, he does not regard himself as having achieved his ultimate goal since he is not in drive time. When a previous national opportunity to work alongside Keyshawn Johnson and Jay Williams fell through, it felt like a failure, but his skillset and dedication to the craft has continued to elicit new opportunities. As someone who is fully invested in radio and television, he has his sights set on being remembered for more than his current ventures amid the concrete jungle.

“Having your name on a show is a pretty freaking big deal in New York, but having your name on a show in a drive-time slot or on a national show or on TV – I look at Stephen A., I look at Mike Greenberg, and I say that’s success,” Hahn said. “That’s the goal. That’s what you’re trying to get. I don’t know if I’m ever getting there, but that’s kind of it.”

98 Rock’s Marianne Sierk Shifted From Standup To Rock Radio

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Marianne Sierk is co-host of Afternoons with Kirk and Marianne on 98 Rock in Baltimore. The show airs weekdays from 2p to 7p. She’s been in the role for about seven years. “Kirk and I talk about everyday topics that are funny, weird (We call them WTF topics), or personal stories that can have ‘legs’ to get phones ringing,” she explains. “I used to do standup comedy on the side, but now I just focus on the show and being a wife and mom. I’m also obsessed with creating a cool courtyard/garden for my 8-year-old daughter’s school. No pay but soooo much fun for me.”

After graduating from Syracuse University with a Theatre degree in 1998, Sierk started doing standup in NYC in 1999. In 2005, Sierk moved to Los Angeles to continue to pursue TV, commercials, and standup. In 2013, she moved back to her hometown of Rochester, NY, to co-host morning radio with Brother Wease on 95.1. Sierk moved to Baltimore in 2018 for position she now holds.

“We play about 4-6 songs an hour on our show and make sure to front and back sell new music,” explains Sierk. “Each talking segment in between songs is about seven minutes long. Kirk and I individually prep in the mornings on a shared Google doc so we don’t bump into each other regarding topics. We can see what the other person has chosen for daily stories and try to complement the day with our own. We each take turns running the board every other week, and I also run our IG page and monitor all the socials.”

“I was originally hired for my standup comedy background, so my role is to add levity to whatever stories we find,” says Sierk. “I’m definitely more the voice of reason to Kirk. He’s a Baltimore radio staple – people know him from his years in town and often reference bars he used to go to. I definitely fill the ‘mom’ role bc that’s where I’m at in life! I love thrifting, gardening, and shopping at Target. I am a basic B. ha-ha!”

“BUT…98 Rock, in general, is known in the community. It’s been around for over 40 years, so people are familiar and know that if you have it on in the car, you may want to make sure the kids aren’t listening,” explains Sierk. “I’m not a huge sports or Classic rock fan. My background is comedy, so my role really is to keep things moving and funny and make sure we don’t cross the line. Of course, I’m familiar with Pink Floyd and The Rolling Stones – they’re just not the format I listen to privately. We’re the flagship station for the Ravens and the Orioles, too, so I’ve learned a lot about sports in the seven years I’ve been in Baltimore. There are other personalities that focus more on the music, but my role is focusing on talk/stories/fun.”

“Speaking of the Orioles, one of the most exciting things I’ve experienced since being here is meeting Joan Jett,” says Sierk. “She’s a big fan of the team, so we talk to her every Tuesday about them, and as a result, we’ve been able to go to her shows and hang. Amazing experience.”

“I’m also on a beer can!” exclaims Sierk. “Our station had a collaboration with a local brewery, so all the personalities are featured on a can of the ‘Thirst Down’ beer. It’s something I did not have on my Bingo card, but it’s so much fun. And to see a couple that connected because of our show’s ‘Hookup’ event get married and start a family is also a real trip!”

“I also get a real taste of fulfillment and a sense of belonging working with Kirk and 98 Rock,” says Sierk. “We do a bunch of charity events through the station that help the community. We ‘Stuff the Bus’ every year with school supplies and raise money for the WBAL Kids Campaign around the holidays. We also feature a local band every month and play their original songs on the air each week – it’s been really cool to meet new local musicians. We get invited to shows for new bands all the time, and I love seeing a band that we’ve featured take off into the mainstream.”

“One of my personal favorite artists in the format right now is Jelly Roll. He’s the best,” says Sierk. ‘It’s been fun to see him come into his own and get all these awesome collabs. He’s the new ‘Good Guy’ of Rock now that Dave Grohl has…..well…. had troubles…. That leads me to feel confident that there is enough up-and-coming music to keep the format vibrant.”

“As for being a mom with a young daughter in a predominately male format, it’s a tough balance,” says Sierk. “Both radio stations I’ve worked for are focused on men as our audience, so I’m used to looking at stories with the ‘will this appeal to our audience’ filter. My Program Director has had to remind me to stick to topics that appeal to the dudes, and I’ve gotten better at it through the years. I personally love the Real Housewives franchise and would talk about them every day if it were up to me, but sadly, I resist. I also monitor how much I mention my daughter because I know men will tune out if they sense this is a ‘Mom’ show. I only mention her if I have a super funny or relevant story to tell.” 

“For women who want to work in the Rock format, having experience on the mic is the best thing you can do for yourself. There are so many opportunities to self-record these days. I’d recommend someone start their own podcast and just get used to talking into a mic. Look at prep services and stories every day, and be sure you’re educated with the latest news. My last bit of advice for women is to go to stations and volunteer to intern or produce. If you’re meant to be on air – it will be apparent. Also, I don’t think you have to be a music aficionado to be on a rock station – Lord knows I’m not! Just be yourself but understand your ‘format’ boundaries and priorities.”

Follow Marianne Sierk on IG – and Facebook.

ESPN Host Paul Finebaum on the State of Radio: ‘I Think it’s Pretty Bad’

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Paul Finebaum of ESPN was the guest on the latest episode of the SI Media with Jimmy Traina podcast. In a wide-ranging discussion that hit on a lot of major topics involving college football, the two also talked about Finebaum, his career and his current workload with ESPN.

Traina asked Finebaum about doing a four-hour daily sports talk show by himself and Finebaum said he can do it by himself the way he does a show, but not the way a lot of other people do their shows. In Finebaum’s eyes he does have other people on the show and that is the callers and guests that offer their opinions.

“..I am not like MadDog or Francesca or Cowherd or Rome where I come on and [give opinions] for 30 or 40 minutes,” he said. “I’ve never been that. I was a newspaper columnist, but…I’ve never been that crazy about my own opinion. And one thing we found early on on this show when I was in Birmingham, Alabama was people love to hear themselves talk. And while most talk show hosts abort letting anyone get in the way, we embraced it.”

Finebaum went on to talk about the callers of his show who he said all think they are the best caller on the show. He even said he has had callers say there wouldn’t be a show without their participation.

Later, Traina would ask Finebaum for his “take on the state of radio in 2024.” Finebaum replied, “I think it’s pretty bad and you know, I got to ESPN Radio in 2013, and I don’t need to tell you how many times the hosts have changed and that’s an indicator. I just think the art of radio is gone. And that’s why I really love what I do. It’s still a little different. I’m in a television studio. It’s simulcast and you do have to be concerned about that.

“I wouldn’t recommend it to anyone today. I’m on campuses every Friday and students ask me, [or say] ‘I want to do this. I want to do that.’ I wouldn’t recommend becoming a print reporter or a radio talk show host because there’s just not much runway for either one. But I’m still a fan. I grew up listening to the great broadcasters and there’s still something about that.”

Another subject that would come up was whether or not Finebaum ever wanted to be a regular on College GameDay. He told the story of his first year when he was asked to be on the show one week and ended up doing the rest of the season. However, the next year is when the SEC Network launched which was why Finebaum was initially hired and specifically they wanted him on Saturday mornings. Finebaum said there were executives at ESPN and SEC Network who disagreed on the matter but eventually it was decided to keep Finebaum off the ESPN show.

Michael Kay: ‘I’ve Never Seen More Vitriolic Hatred’ Than What Bob Costas Receives Calling Playoff Baseball for TBS

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Bob Costas has served as the voice of a playoff baseball package for TBS in recent years. Michael Kay took up for the legendary broadcaster after harsh criticism has been lobbed against Costas.

Costas has been the subject of much social media backlash for his performance during the current New York Yankees/Kansas City Royals playoff series during the ALDS on TBS.

During The Michael Kay Show on Thursday, the ESPN New York host defended Costas and the job he’s doing.

“I’m reading social media, I’ve never seen such vitriolic hatred toward a guy,” said Kay. And I’m not being hyperbolic — you guys could both correct me if I’m wrong — Bob Costas is one of the greatest sports broadcasters that has ever lived. Now, if you listen to Bob Costas call a baseball game … if you listen to him call those games then, he called them the same way then as he calls them now.

“Understated, kind of teaching you as he goes along, all of that. I think that the industry has changed. But to see these young people on social media eviscerating a broadcasting God? You can’t say, ‘Hey, he stinks.’ You’re out of your mind!”

Co-host Don LaGreca countered Kay’s argument by stating that Bob Costas didn’t become a sports broadcasting legend for his play-by-play skills, though.

“Basketball fans know him with (Pat) Riley in the studio,” said La Greca. “They think of him as a host. He’s pretty provocative in the NFL, too. He called games in the NFL, but fans know him for the Olympics. You put he a camera in front of him, give him a microphone, he is going to entertain you with his stories, history, and behind-the-scenes. I don’t think he’s a legend for his play-by-play. I think he does fine. I’m cool with him. But Michael, you talk about he’s a broadcast legend, not for play-by-play. He’s done it, but that’s not why he’s a legend.”

Costas has previously said he is unbothered by the criticism levied over his play-by-play work. In 2022, he told 92.3 The Fan morning show hosts Ken Carman and Anthony Lima he doesn’t concern himself with outside critiques, instead comparing himself to the best version he can be.

Derek Jeter Launching New ‘Cap 2’ Production Company

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Baseball Hall of Famer and FOX Sports MLB analyst Derek Jeter is launching a new production company called Cap 2 Productions.

Jeter hopes to utilize the company to enhance his interest in sports television and video projects.

“It’s not just some random company that was started because we said, ‘Hey, we want to get into production now.’ This is an extension of what has been built over the last 10 years,” Jeter told The Hollywood Reporter.

He told the publication he views the new production company as an extension of his previous media enterprise, The Players Tribune, which he co-founded in 2014 after his playing days ended.

“When we started TPT, you have a vision of what it can become, and I think it’s grown to be bigger and better than a lot of people thought, myself included,” Jeter said. “I have a lot of confidence that 10 years from now, we’ll be saying the same thing about Cap 2.”

The company is already producing a documentary for ESPN and a World Series documentary for Apple. It is also currently creating content for The History Channel.

Derek Jeter joins other legendary athletes like Peyton Manning, Stephen Curry, Tom Brady, and Lebron James as those featuring production companies.

Jacobs Media Adds Second Consumer Electronics Show 2025 Tour

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Jacobs Media has announced the addition of a second tour for broadcasters at the 2024 Consumer Electronics Show (CES). The response to the initial announcement has been very positive.

Jacobs has received confirmations from broadcasters across the spectrum, including commercial managers from large and small markets and executives from public and Christian radio.

Fred and Paul Jacobs, in a joint statement, said, “Our focus this year at CES 2025 will be different than in past years. Given the explosion of AI, we are going to explore the various applications all types of companies are innovating, with an obvious focus on its implications and effect on broadcasting.”

Jacobs Media President Fred Jacobs added, “Each year at CES we see amazing new technology that will impact broadcasters today and in the future. This year’s mind-blowing innovation is Sphere, where media meets technology. We are excited to announce our tour guests will be among the first to experience a presentation of ‘Postcard From Earth’ and enjoy a totally new entertainment platform.”

Jacobs Media’s VP/GM Paul Jacobs added, “CES is one of the only ways to experience the trends and concepts that impact all of us, personally and professionally. We first visited CES in 2009, and in 2017, we began offering broadcasters that chance to participate in these curated tours. This is an inspiring way to kick off the new year, and we are excited to see what’s next.”

At the custom-made CES tours, radio broadcasters can immerse themselves in a carefully curated experience that delves into the current and future impacts of media and technologies on their industry.

Tour attendees receive exclusive access to the exhibits, allowing them to bypass the lines and engage directly with industry leaders from companies like Google, Amazon Alexa, major automakers, and pioneering technology firms leveraging AI and other cutting-edge innovations.

CES 2025 is scheduled from Tuesday, January 9 to Friday, January 12, in Las Vegas.

Audacy Pittsburgh SVP Michael Spacciapolli: KDKA Winning Marconi Award ‘Special Moment’ in Station’s History

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Audacy Pittsburgh news/talk station KDKA took home the top honor for News Talk Station of the Year at the 2024 Marconi Award ceremony Wednesday night. The cluster’s Market Manager and Senior Vice President Michael Spacciapolli had high praise for his colleagues after the win.

“We are beyond humbled and honored to receive the highest recognition in the radio business, it is a special moment in the storied history of KDKA,” said Senior Vice President and Market Manager for Audacy Pittsburgh, Michael Spacciapolli. “A Marconi represents absolute excellence in radio and I am ecstatic for our incredible staff at KDKA to be recognized by the NAB for the amazing work they are doing every day to serve Pittsburgh.”

KDKA, the first commercial radio station in the world, took home the top honor over brands like 95.5 WSB in Atlanta, 102.3 KRMG in Tulsa, 700 WLW in Cincinnati, and 93.1 WIBC in Indianapolis.

“Obviously, there are so many people who are so important to operating with this type of excellence and I want each of them to know how thankful I am for the great work they are doing and the sacrifices they make,” added Spacciapolli. “KDKA is the best news talk in the nation, a Marconi award confirms it!”

ALT AZ 93.3 Phoenix Announces Pair of Holiday Shows

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ALT AZ 93.3 Phoenix has announced its ALT AZ 93.3 Ugly Sweater Holiday Party #1, which will be held on December 10 at the Marquess Theatre in Tempe with Royel Otis.

Part Two is ALT AZ 93.3 Ugly Sweater Holiday Party #2, set for December 14th with the girl in red and Judah & The Lion at Mesa Amphitheatre.

ALT AZ 93.3 APD/MD Dustin Carlson said, “The ugliest Yuletide tradition continues. We’re just hoping it drops below 100 by December, or we might need to rethink the sweaters.” 

More acts will be added, and the station website will have updates as well as tickets and other information.

KAT 103.7 Omaha ‘Stuffs The Truck’ For Hurricane Relief

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KAT 103.7 Omaha partnered with local trucking company Heavy B Hauling to host a 12-hour “Stuff the Truck” event on Tuesday at Boot Barn in LaVista, NE.

The relief effort for Hurricane Helene sent non-perishable food, bottled water, diapers, and other essential items to the affected areas in the east. In addition, a GoFundMe campaign successfully raised $3,000 to support the cause.

Kat 103.7 PD Hoss Michaels said, “At KAT 103.7, we are deeply moved by the overwhelming generosity of our listeners. In just 12 hours, their incredible donations of essential items like diapers, pet food, cleaning supplies, batteries, and blankets filled a truck with supplies for those affected by Hurricane Helene.

“Their kindness and support are not just appreciated—they are life-changing. These donations will provide much-needed relief and comfort to families and pets in desperate need. From the bottom of our hearts, thank you for standing with us and showing the true spirit of community.” Michaels continued.

FCC Chairwoman Jessica Rosenworcel Addresses Calls For Station License Revocation

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FCC Chairwoman Jessica Rosenworcel released a statement on Thursday in reaction to former President Donald Trump’s repeated demands to revoke the licenses of specific broadcast stations.

The ex-president’s statements, driven by political motives, led Rosenworcel to emphasize the significance of upholding free speech as protected by the First Amendment.

“While repeated attacks against broadcast stations by the former President may now be familiar, these threats against free speech are serious and should not be ignored,” said Rosenworcel. “The FCC does not and will not revoke licenses for broadcast stations simply because a political candidate disagrees with or dislikes content or coverage.”

Rosenworcel reaffirmed the FCC’s dedication to protecting free speech and guaranteeing that broadcast stations remain independent from political influence. She had previously dismissed similar requests from Trump to revoke ABC’s license after the September presidential debate. News networks such as ABC, NBC, and FOX are not licensed.

She has also condemned the Florida government’s threats targeting broadcast stations.

The FCC emphasizes the importance of upholding media independence and preventing political figures from exerting influence on broadcast licensing decisions based on content or coverage.