Home Blog Page 1581

Merrill Reese, Voice of the Eagles Since 1977, to Receive 2024 Pete Rozelle Radio-Television Award

0

The Pro Football Hall of Fame has announced that longtime Philadelphia Eagles radio play-by-play voice Merrill Reese has been chosen to receive the 2024 Pete Rozelle Radio-Television Award. Reese is currently the longest-serving play-by-play announcer in the league, having called Eagles games since 1977.

“Each year, the Hall of Fame recognizes an individual who has dedicated their career to improving radio and television in professional football, and this year’s recipient, Merrill Reese, represents exactly what we look for when we talk about who’s made a big impact in broadcasting,” said Jim Porter, president of the Pro Football Hall of Fame. “For nearly a half century, fans tuning into Eagles games, including opposing fans, have had the privilege of hearing Merrill’s legendary voice.”

In a release announcing the award, the Hall of Fame said when they called Reese to tell him the news his response was, “Oh, my god. Thank you so much. I can’t tell you what this means to me.”

This year will be Reese’s 48th consecutive season as a team announcer. His first year he served as the color analyst before team play-by-play announcer Charlie Swift passed away and Reese moved over to call the action.

Reese has won numerous awards including Pennsylvania Sportscaster of the Year and the Lindsey Nelson Award for Excellence in Sportscasting. He has also been inducted into the Pennsylvania Sports Hall of Fame, the Temple University Communications Hall of Fame and the Overbrook High School Hall of Fame.

Reese will be honored during the 2024 Pro Football Hall of Fame Enshrinement Week in Canton, Ohio coming up in early August.

Past Winners of the Pete Rozelle Radio-Television Award:

2023 – Fred Gaudelli 
2022 – Howard Katz 
2021 – John Facenda
2020 – Joe Buck 
2019 – Dick Ebersol 
2018 – Andrea Kremer
2017 – David Hill 
2016 – James Brown
2015 – Tom Jackson
2014 – Bob Trumpy 
2013 – Al Michaels
2012 – Len Dawson 
2011 – Jim Nantz 
2010 – Chris Berman 
2009 – Irv Cross 
2008 – Dan Dierdorf 
2007 – Don Meredith 
2006 – Lesley Visser
2005 – Myron Cope 
2004 – Van Miller 
2003 – Don Criqui 
2002 – John Madden
2001 – Roone Arledge 
2000 – Ray Scott
1999 – Dick Enberg
1998 – Val Pinchbeck
1997 – Charlie Jones
1996 – Jack Buck
1995 – Frank Gifford
1994 – Pat Summerall
1993 – Curt Gowdy
1992 – Chris Schenkel
1991 – Ed Sabol
1990 – Lindsey Nelson
1989 – Bill McPhail

The Other Side of Midnight with Frank Morano Added to 830 WCCO, KDWN Daily Lineups

0

The Other Side of Midnight with Frank Morano has been added to the daily lineup at a pair of Audacy news/talk stations, 830 WCCO in Minneapolis and KDWN in Las Vegas.

The program, which originates from New York news/talk station 77 WABC, airs live from 1-5 AM ET.

“I’m incredibly grateful to be on both of these great radio stations. I’ve dreamt of being on the radio in Minnesota ever since Jesse Ventura ran for Governor. It’s great to be on a station that has so many independent thinkers,” said Morano.

He added his excitement for being added to the KDWN lineup by saying, “I’m absolutely thrilled to be on the air in Las Vegas, a 24/7 city. It’s great to talk to an audience in a city that’s up all night.”

“We’re thrilled to add these two great affiliates to The Red Apple Audio Networks,” added Red Apple Media and 77 WABC President Chad Lopez. “Listeners tell us they can’t go to sleep because stay up to hear what Frank is going to say next!”

In addition to now being heard in Minneapolis and Las Vegas, overnight program hosted by Frank Morano is also part of lineups at KMOX in St. Louis, WCBM in Baltimore, and WFDF in Detroit, among others.

Matt Chazanow Named Radio Play-by-Play Voice of NC State Wolfpack

0

NC State and Learfield’s Wolfpack Sports Properties have announced Matt Chazanow as the new Director of Broadcasting and play-by-play announcer for football and men’s basketball. According to a release from the school, Chazanow was one of more than 150 applicants for the position.

Chazanow, who had been in a similar role at Washington State since 2015, will take over for Gary Hahn who called Wolfpack games for 34 years. Chazanow is from New Jersey but worked in Winston-Salem, NC and his wife is a North Carolina native.

“I’m so excited to welcome Matt Chazanow as our new ‘Voice of the Wolfpack,'” said NC State Director of Athletics Boo Corrigan in a release. “Chaz understands that this role isn’t only about calling games, but about bringing special moments and memories to Wolfpack fans of all ages. While he is a very talented radio announcer, he will also be a great representative of our university, our brand, and our culture.

“I also want to thank Gary Hahn for his period of service to NC State. There are generations of NC State fans that have memories of Gary calling their favorite Wolfpack plays, and he will always be a part of Wolfpack Nation.”

“I am so thrilled for this incredible opportunity,” said Chazanow.  “The passion and power of the Pack is renowned in college athletics and to be entrusted to take the baton from Gary Hahn and tell the stories of NC State is truly humbling. I can’t wait to get started.”

“An established voice in the broadcasting world, Chaz will bring a wealth of experience and knowledge to the Wolfpack Sports Network,” said Kyle Winchester, General Manager of Wolfpack Sports Properties. “We’re delighted for him to join our world-class team and lead our coverage of the Wolfpack starting this season.”

A graduate of Syracuse, Chazanow has been with Learfield since 2008 and has also done national play-by-play for Westwood One.

Median Age of Podcast Users Nearly 30 Years Younger Than Cable TV

0

It is no secret that cable TV has seen the age of its viewers continue to rise. But the entire picture is coming into view when juxtaposed against other mediums like radio and podcast users.

A new report from Amplifi Media shows that the median age of cable news viewers is 70. MSNBC is 70, Fox News is 69, and CNN is 67. That median age means that more than half the viewers are actually older than 70 years old.

Network television isn’t a much brighter picture. In primetime, the median age is 64. FOX has the youngest number at 49.5.

However, the median age of podcast consumers comes in at 34.

Steve Goldstein, Founder and CEO of Amplifi Media, believes the drastically younger demographics of the medium make it an ideal platform for advertisers.

“The ascent of podcasting signals a shift towards on-demand content consumption that aligns with the lifestyles and preferences of younger generations,” wrote Goldstein. “We live in an on-demand world, and while other media are adjusting (think streaming apps and YouTube), podcasting has three not-so-secret ingredients that traditional media struggle to match: intimacy, flexibility, and loyalty, which makes podcasting an ideal platform for engaging storytelling, niche topics, and fresh takes.”

Majority of Media Advertising Projected to Be AI-Aided By End of Decade

0

The rise of artificial intelligence in media has been a focus for several years. But the use of AI in advertising is just getting started, and a new study suggests it will influence the space in the years to come.

GroupM has released its This Year Next Year forecast. In its projections, it believes that AI will be a prominent tool in advertising optimization. By the end of 2024, it forecasts that 69.5% of all advertising revenue will be AI-aided, while that number is expected to grow to over 90% by 2029.

The company also projects that AI-generated content in advertisements will account for 1.6% of all commercials in 2024. GroupM believes that figure is likely to grow to 10.7% by the end of the decade.

While the organization forecasts an increase of $365.9 billion, up 5.8% compared to previous projections, it shows a 1.5% drop in revenue for terrestrial radio, according to RadioInk.

NBC Sports Announces Olympic Commentators for Swimming, Diving, Track and Gymnastics

0

U.S. Olympic Team Trials for swimming, diving, track & field and gymnastics will be taking place from June 15-June 30 for the 2024 Paris Olympics. Those trials will be presented across NBC, Peacock and USA Network. With that, NBC Sports also announced its roster of announcers who will call those sports during the Olympics.

In swimming, Dan Hicks, covering his 14th Olympics, will once again work with Rowdy Gaines. The pair will have Elizabeth Beisel, working her second Olympics and Melissa Stark who will be working her fourth Olympics.

Jason Knapp will also provide swimming play-by-play and he will do so with Amy Van Dyken and Heathe Olson as analysts.

In diving, Ted Robinson will call the play-by-play and work with analysts Cynthia Potter and Laura Wilkinson. Andrea Joyce will serve as a reporter. Robinson will be working his 14th overall Olympics and 13th with NBC.

Track & Field will have Leigh Diffey, Paul Swangard and Bill Spaulding calling the play-by-play. Analysts for track include Ato Boldon, Sanya Richards-Ross, Kara Goucher, Trey Hardee, Lewis Johnson, Dawn Harper-Nelson and Shannon Rowbury.

Terry Gannon and Rich Lerner will be on play-by-play for gymnastics. Gannon will work the primetime show with analysts Tim Daggett, Samantha Peszek, John Roethlisberger and Zora Stephenson. Lerner will be teamed with Laurie Hernandez and Justin Spring.

The Olympics will conclude on August 11.

Stephen A. Smith: ‘Shannon Sharpe is on Another Level’ on ESPN ‘First Take’

0

Earlier in the week, ESPN announced that it signed Shannon Sharpe to a multiyear contract extension in which he will continue his appearances on First Take and also contribute to other ESPN programming. The announcement was made on Tuesday’s edition of First Take, during which Sharpe expressed his gratitude for his colleagues at ESPN and Stephen A. Smith for believing in him after his exit from Undisputed on FS1. Smith and First Take host Molly Qerim conveyed their appreciation for Sharpe on the air and congratulated him on the new contract before beginning the first debate of the program.

On the latest edition of his independent podcast, The Stephen A. Smith Show, Smith took time to recognize Sharpe and exhibit plaudits for his contribution to First Take. Since the departure of co-host Max Kellerman from the morning television show in September 2021, the program has utilized a rotation of panelists that debate Smith on a variety of topics throughout the show. The program recently attained its 22nd consecutive month of year-over-year growth and garnered record-setting viewership in the month of May.

“You know, none of us win alone. We win together,” Smith said. “I don’t give a damn who you see in front of the camera or who you see in front of the microphone. There’s producers and writers and everybody else in-between behind the scenes that make things happen for me that I always owe a debt of gratitude towards as well, and the same is applicable to [Shannon Sharpe]. But clearly with me being the face of First Take and what have you, I’m never shy about spreading the wealth and sharing it because it’s well deserved.”

Smith mentioned several of the commentators who appear across episodes of First Take, including Ryan Clark, Christopher “Mad Dog” Russo, Mina Kimes, Jay Williams and Andraya Carter, along with show host Molly Qerim. Throughout the year, the program features additional members of ESPN as well to provide their insights and expertise pertaining to a variety of different topics within the world of sports.

“…[T]here’s so many people that do such great work for the show, but Shannon Sharpe is on another level,” Smith explained. “What he’s done for the show, what he’s done for me, I can’t say enough about.”

Sharpe began appearing on ESPN’s First Take last August while also signing a partnership with The Volume to bring his podcast, Club Shay Shay, to the digital media outlet. During his time with ESPN and First Take, he has frequently appeared on Monday and Tuesday editions of the show, along with several special on-site broadcasts. Within the deal with The Volume, the company implemented Sharpe’s media venture, Shay Shay Media in content and formulating new programming, such as the Nightcap podcast featuring Sharpe and co-hosts Chad “Ochocinco” Johnson and Gilbert Arenas.

“I don’t deserve a whole bunch of props for bringing Shannon Sharpe on board,” Smith said. “Shannon Sharpe came on board because Shannon Sharpe was an asset that I knew would work tremendously well for First Take. His gifts, his skillset, his hard work, his dedication and all of the stuff that came with it is what earned that opportunity.”

Smith articulated that Sharpe has never appeared on the program with any shortage of energy, passion, knowledge or commitment. Earlier in the segment, he addressed people who questioned why Smith mentioned that Sharpe was pushed out of FS1, replying by asking if it had occurred to them that he wanted him to discuss the topic. Sharpe worked with Skip Bayless from the start of Undisputed in 2016 until his departure last June, and the program has since relaunched featuring a rotation of commentators including Keyshawn Johnson, Michael Irvin and Richard Sherman.

Smith delineated that Sharpe has been an exemplary colleague throughout his time on First Take and has had to overcome several obstacles to reach this point, some of which include a speech impediment, being a Black man and having issues with public speaking. A recent profile of Sharpe by The Hollywood Reporter mentioned difficulties that Sharpe has had to combat throughout his life and how he has found ways to thrive in sports media following a successful professional football career. Smith read the article and asked the audience to think about what he had to go through before divulging what it is that Sharpe wants to receive from those in the business.

“I’ve told everybody that has asked me about my relationship with Shannon Sharpe, ‘Respect the man,’” Smith said. “All he cares about is that you respect him. Don’t disrespect him. Respect him for what he does. That’s it.”

Smith said that Sharpe knows he has respect for him, attributing it to part of the reason why their friendship has grown. Additionally, he communicated that Sharpe has never bothered anyone and is not asking people for friendship or to be a family member, but rather to simply demonstrate respect towards him. The segment then concluded with Smith offering his congratulations for Sharpe receiving the contract extension and continuing to work with him on the show.

“He deserves every penny and every nugget of investment that ESPN has agreed to place in him, so I just wanted to say that and I’m just happy for him and happy he’s going to be a part of the team for years to come,” Smith said. “He deserves it – he really, really does. My man, Club Shay Shay in the house. Congrats big boy, well deserved.”

ESPN Platforms Set for Men’s College World Series Coverage; ABC to Air First Ever Game

0

The 2024 Men’s College World Series is set to begin tomorrow, and ESPN Platforms will have exclusive coverage as they have throughout the NCAA Division I Men’s College Baseball Tournament. The dual double-elimination brackets will conclude on Thursday, June 20 before the best-of-three MCWS Finals begins on Saturday, June 22.

Game 2 of the MCWS on Sunday, June 23 is set to be aired by ABC which will mark the first ever CWS game on the network. ESPN will also use ESPN2 for a game and all games will stream on ESPN+.

ESPN Sunday Night Baseball voice Karl Ravech will rotate with Mike Monaco calling play-by-play duties with Ravech calling the Finals. Analysts include former LSU All-American Ben McDonald, 2001 SEC Player of the Year Chris Burke, former MLB player Eduardo Perez and Omaha native Kyle Peterson. Reporters Kris Budden and Dani Wexelman will also be part of the crew in Omaha. Ravech, Peterson, Burke and Budden will make up the primary team.

ESPN has presented the Men’s College World Series since 2003 and actually started televising the event in 1980.

Missing ‘The Little Things’ Can Make Your Station Look Really Bad

0

I hate that this is a topic in 2024, but it seems the more I look at different sports stations online, the more I see a problem across the industry. Some stations, or companies as a whole, are not represented well at all online. Whether it be the look or feel of their website, the information available on it, the ease or lack thereof of streaming and podcasting or connecting with the talent. All of these are ‘the little things’ that can go a long way with your audience.

It all starts with your station website. And the fact that I have to take time to write about what a sports radio station should have on its website in 2024 is not good. Some folks really need to take a good hard look at their site and ask themselves if it represents what they want their station to be.

Anyone should be able to log on to a radio station website and immediately be able to get certain information. What shows air on the station, what time and give me some information about and ways to connect with your hosts. I should also be able to easily access the ‘podcast’ or replay of a show and there should be titles and descriptions which give me information so that I can choose what segments or topics I want to listen to.

Putting a so-called podcast up, which is the full three or four hours of a show, and not telling users what is in it they might want to listen to is a huge miss. It shows people in our business do not understand how people consume content these days. They want it quick, they want to be sold on what they will get out of it if they listen. It needs to be, you know, easy.

Kudos to Audacy in this regard. They do the best job of having their stations set up so that a person can truly listen on demand. You can go to any of their stations and pick a show and most of the time you will have information about every segment that has been done. Want to hear what the hosts had to say but don’t care about the guests they have on? Perfect, listen to the segments where the hosts gave strong opinions. Don’t care about football but want all the baseball that you can get? Just choose the baseball segments. It’s how it is supposed to be.

On the flip side you have several stations where you can log on to their website and not find what you are looking for.

Take, for example, today when I wanted to listen to a station’s morning show, but I wasn’t able to listen while it was live. I typed the station name into my Google machine and got the link to their webpage.

There was a drop-down menu and I clicked ‘Podcasts.’ This took me to a page which is dated November 5, 2015.

I looked at the social media channels for the station and I found a Linktree. One of the links to click said ‘Podcast’ and so I clicked that, and it takes me to a page with a completely different URL from the radio station.

I scrolled down and found the show I was looking for and took a deep breath as it loaded as I was glad to have finally figured out how to listen to the show on-demand. Then the page loads and I saw a bunch of episodes to listen to but unfortunately, they were from February.

Not having the podcasts easily accessible, not having them posted by segment, not having host bios and not having links to their social media are unacceptable in 2024. If your goal is to get new listeners to your station, you are making it incredibly difficult for people who might want to know more about your station and talent or who want to listen to your programming.

As for the rest of the content on the website, I am going to save that for another column, but if what you’re showing your audience is aggregated content from a national source with your local tags, that is another completely missed opportunity to connect with your audience.

While I am on the subject of things that are not the main programming, some stations really need to take a listen to their sports updates. From the intros to the music to the voices being used to what they are saying should be examined. I am a huge update fan, mostly because I believe they are great for sales but also because people still want that quick info, so they are more knowledgeable around the water cooler. How did the local teams do yesterday, what is happening today I need to know about, remind me to tune in to something later, hit the sponsor and get back to the hosts. No matter how good X and the internet are, you still can’t get all your local sports news in 60-90 seconds like you can on a sports update.

I hear several stations daily that air updates, but it is clear the station does not value what is being presented or they would find people better prepared to do them. If you cannot afford to have someone who knows what to present and can do it in a manner that is listenable and provides the service to the listeners that it should, figure out some other way to do them. Perhaps one of your hosts needs to do them or work them into the programming of the show. Whatever it is, don’t just let it be a throw-away piece of content.

I jokingly refer to these items as ‘the little things,’ but these are important. Especially your websites and social interaction with your listeners. If we cannot do the very basics of having a website with easy to access live audio, easy to find podcasts and easy to locate information about the hosts and ways to connect with them, what are we doing?

I encourage all managers to take some time, as soon as possible, and go through your station sites. See if these things can be done easily, see if the information is up to date. Look at it from the standpoint of the users or someone new coming to your site.

It’s time to clean up ‘the little things.’ Everyone is busy, but we can’t be too busy when it comes to making stations sound better and making them more user friendly.

___________________________________________________________________________________________________

The Best Thing I Heard/Watched Recently

I am locked in on FX’s Clipped: The Scandalous Story of LA’s Other Basketball Team which is being shown on Hulu. The first two episodes came out together and now they are being dropped weekly on Tuesdays. It’s not nearly as good as the Lakers shows, but that is only fitting I suppose.

As I have said before, give me all of these behind-the-scenes shows. I realize you are generally only getting one side of a story and things are changed up for television, but I will watch every one of these kinds of shows they want to make. Sports. Nostalgia. Drama. Inject it into my veins!

You can learn more about the show and see a trailer by clicking here.

______________________________________________________________________________________________________

In Case You Missed It

Earlier this week, Peter Schwartz profiled Marc Ryan, who just recently started at 97.1 The Ticket in Detroit. Ryan had been at WYRD in Greenville, South Carolina. What is unique about this story is that as Schartz wrote, “For each of the last 14 years of his career, [Ryan] carried with him a Post-it note as a reminder of where he ultimately wanted to land. On that note were three all-sports radio stations that were his dream situations and those were 97.1 The Ticket in Detroit, WFAN in New York and 670 The Score in Chicago.” 

Congratulations to Marc for making his dream a reality and best of luck in Detroit.

You can read the full feature by clicking here.

Meet The Bettors: Ben Mintz, Barstool Sports

One of the toughest things to do when you create gambling content is to get others invested in your wins and losses. If I don’t know you, why would I root for or against you? Somehow though, Ben Mintz has broken through.

He’s one of the many gamblers on the Barstool Sports payroll. Maybe it’s being introduced amidst a losing streak. Maybe it’s his comeback story. I would guess what makes most people take an interest in Mintz’s money is Mintz himself. He’s just genuinely likable and easy to talk to.

Mintz, as he is known to Barstool fans, is the focus of the latest Meet the Bettors column presented by Point to Point Marketing. We talk about that aforementioned losing streak, the past and future of America’s interest in poker, and why the brick-and-mortar sportsbooks will someday be a thing of the past.

Demetri Ravanos: We’re both SEC guys. Probably around the same time too. I graduated from Alabama in 03. Around that time, we all knew people who were finding ways to make bets. They probably thought they had an advantage over the bookmakers because they were in the heart of college action and living and breathing it.          

Do you think those advantages still exist for college sports fans? There are so many games across so many sports. Is there anywhere a dedicated fan has an advantage over the books?

Ben Mintz: Well, I’m not like the biggest college basketball guy, but the early part of college basketball season. It’s especially in the smaller schools. If people really focus on it, I’ve heard that there are big edges. There’s just so much information for the oddsmakers to keep up with from the transfer portal especially. It’s just so hard to handicap that stuff being in season with 300-and-something teams.          

I think there’s a little bit of an edge in the college baseball stuff still, just because they’ve only been doing these lines for a few years. The oddsmakers are still just trying to figure out how to properly handicap it, so I think there’s a little bit of edge there.         

DR: When you were on local sports radio in Louisiana, how much of this were you able to talk about, even if you were just using it as context for how much of a favorite a team might be? 

BM: All the time. I’ve been betting on sports for a long time now. I’m in my 40s, and this was always a big part of my brand, even when it was a little taboo. I was doing line segments, breaking down games, making picks. That was always a big part of what I did.           

I mean, it’s a fascinating part of the industry. And as long as you do it responsibly, I think it just makes everything more interesting.           

I love college baseball stuff and I’ve been firing the NCAA Tournament. I’ve got a big futures bet on NC State at 35/1 right now that I’m loving. I’m going to Omaha. I’m super into it. I always have been and it’s always been a big part of my brand. 

DR: So as a gambler, obviously you always want to win, but when it comes to creating content, especially for a brand like Barstool, is it better if you lose? 

BM: Well, I think the thing with me is, I was a professional poker player from 2006 to 14, and I played a lot of high stakes poker and in some of the biggest tournaments in the US and did really well. I mean, I made a living at poker for eight years. Sports gambling stuff is really fun to me.

I think kind of the biggest thing with that is you’ve got to look yourself in the mirror and say, “am I doing this to make money or am I doing this for entertainment?” And I do it for entertainment, so I’m not like the biggest player. I bet like 50 bucks a unit and I just enjoy it.     

The biggest mistake, and I make this mistake all the time because I’m doing it for entertainment, is you can bet on too many games. If you’re going to do it and you want to do it at the top level, you’re looking at a full college football board on Saturday night, and then you’re betting like 3 to 6 games in the NFL.           

Look at the whole board, but only bet like 2 to 4. It’s all about being selective and then going big on the ones you really like and getting a few on because it’s kind of similar to the casino thing. If you’re betting 20 or 25 games in a day, I don’t care who you are, the juice is gonna catch up to you. The style to win, if you’re really like, “hey, I’m doing this to make money,” it’s about being selective and aggressive. 

DR: Was there ever a change in the way you guys could play with losses?  Did the content you could create around losing picks change when Dave sold to Penn National or change back after he reacquired the company? 

BM: Well, I mean, when I was getting started with Barstool, the first thing that really got me going my first summer was my historic college baseball losing streak. During that time, I went like two-for-eleven in Omaha. I got so cold. There was also an issue in college baseball in its infancy with lines. I didn’t know what I was doing or how to handicap it.           

The biggest mistake I was taking too many favorites. When you look at college baseball’s middle bats being the great equalizer, there’s a ton of underdog value. I think what happens a lot is, Vegas makes the favorites too much of a favorite.  That summer I didn’t know that. My content blew up because I was losing so many bets. As far as the content goes, you know, you’d rather be red hot or ice cold. The worst thing you could be is like 4-5, you know? Nobody cares if you’re in the middle.

The thing I always say about Barstool is take what you do seriously, but don’t take yourself too seriously. I mean, you’re going to get roasted in the public eye. Deal with it. It’s been happening for four years to me.          

What I’ve noticed with the Barstool thing that’s so interesting to me is like, you look at what happens on Twitter or Reddit. You can’t overanalyze that stuff because in real life, I mean, I’ve gone around the whole country now with Barstool. I’ve had like 3 or 4 negative interactions with people in 3 or 4 years. That’s it, you know? And so, it’s all like super positive in the flesh. These people just get behind the keyboards and you know, they’re just not afraid to let the fur fly. 

DR So you mentioned poker. I want to ask you about a couple of your experiences because you’ve gotten to experience poker in two very different realities. So let’s start with the most recent. During that time between when Penn let you go and before Dave rehired you, I know you were doing some events for PokerGo. That kind of business used to advertise all over ESPN and every other sports broadcast. What is the health of the poker-centric sites and businesses in 2024? 

BM: Well, the online side of it is not doing as well, but for live poker, the numbers have never been bigger. I think a lot of it was, coming out of Covid, people missed it.           

I’m actually heading out to Vegas on June 29th for the World Series of Poker. I’ll be out there and it’s all around you. I’m playing a few warm-up events, and I’m playing my ninth World Series of Poker main event. I’m playing the last day on Saturday, July 6th.          

Live poker, I mean, it’s not just crushing in Vegas. It’s crushing everywhere. The online stuff is still lagging way behind because, there are a few states where it’s legal, like Pennsylvania, Delaware, Michigan, New Jersey and Nevada, but that’s not the whole country.           

Online poker was so great from like 2003 or 4 to 2011. You had the whole world playing together, so you got such a massive player pool. Then when the government tried to  crack down on it, it’s never been the same. There are a few sites that operate illegally, that people play on that are pretty big, but honestly, the online thing’s just, you know, I maybe play a couple times a year, but it’s just I’m not really that into it anymore. 

DR: Are a lot of the guys you’re going to be at the table with for the World Series of Poker, will they have action on sports as well? 

BM Yeah, most poker players are down to gamble because you’re kind of doing it for a living and just looking for edges and stuff. You see some, you know, real heavy football and sports betting guys I play poker with, for sure. There’s definitely a ton of that.           

You know, the poker sportsbook thing kind of go hand-in-hand. Poker rooms are always right by the sportsbook. They’re kind of first cousins in a way I would say.

DR: So the catalyst for that big boom, obviously, was how much ESPN invested in the World Series of Poker back in the early 2000s and started airing the main event on ESPN, obviously on delay. Do you think that poker can enjoy something like that again now that gambling in general has become less taboo? 

BM: I think the big thing with poker, you see this big push nationwide for sports betting and poker is just not that big of a business. I’m not saying that the poker world’s still not big, but, you know, there isn’t that much of a push to get it going nationally and, you know, they no longer have the World Series on ESPN. Now they tape it for CBS Sports.           

You mentioned PokerGo. Those guys keep this thing going. I mean, if you like poker, you pay 15 bucks a month and they’re the ones that live broadcast all these World Series of Poker final tables every night. I worked with them for six weeks last summer, and I just can’t say enough about what they do for the poker scene. 

DR: So let me ask you this in relation to something that I talked about with Mike Francesa last week. I asked him about the legalization of sports betting going everywhere and what that has done for horse racing, which he loves. He said that horse racing is a sport that can’t get out of its own way. It does not know how to grow a new fan base. Is that similar to what you’re seeing at these World Series of Poker tables, or are young players coming to it all the time? 

BM: You know, there’s still young blood coming into the game. I think the big thing about poker when you draw the World Series is you still get the international element. The European Poker Tour blew up over the last ten years. A lot of the best players in the world are out of Europe. Those kids, Germany? They’re on a level that I mean, it’s crazy how good they are.        

I think that’s what’s helping drive that growth of poker is just that, you still see kids in the United States get into it, but it’s not like it was during the boom when everybody was playing online and came up. You know, a lot of college kids came up through online poker. Now, I think it’s become such an international thing.           

When you play the World Series, I mean, the amount of Europeans that are around for the WSOP, heck, there’s like Brazilians and Argentineans. You get people from South America coming over, too. So, I think that’s what’s driving the worldwide growth.          

In the United States, it’s kind of interesting. Now, there are some pockets of places that are very random. They get these huge events. Like Cherokee, NC, which is over by Asheville. I mean, they have four World Series of Poker circuit events a year. They get 12 to 15 hundred people for them. I went to Firekeepers Michigan, up in Battle Creek last month, and they got 2800 people at a $1,000 event. You see that also in Grant, Oklahoma, north of Dallas. Those Oklahoma tournaments always pull Texas people. You see numbers like that returning. I mean, it’s still doing extremely well.

What’s interesting about poker is everybody’s all about that World Series of Poker dream, because that’s what they see on TV. I love the World Series main because it’s got a brand name like Super Bowl or The Masters, but like a lot of the World Series is extremely overrated. There’s no way to hold a field of 7,000 people. It’s a numbers game. I mean, only nine make the final table.

DR: The poker experience makes me wonder about sportsbooks. As poker became harder to play online, people had to go back to casinos, but the opposite is happening for sports bettors. A physical sportsbook is a great experience, but people will choose the ease of betting online nine times out of ten. Do you think we will ever see physical books go away or is the offering unique enough that they will always have some kind of demand?

BM: I think it’s going to keep fading. Obviously when Nevada was the only place you could do it legally, that was always the big thing – going out there. But, you know, a lot of these same companies have the apps, MGM and Caesars. I guess they feel there’s still value, but I think what you’re going to see is them fade more and more because it’s just an online world now. Like you said, just being able to fire on the apps and the convenience of it.           

A lot of these casinos are in random locations and stuff too. You know, people are just trying to fit it in their day-to-day lives with their families and jobs and all that kind of stuff. Having it on your phone, is a game changer. I think it’s going to continue becoming more and more digital, especially as more and more states legalize. 

To learn more about Point-To-Point Marketing’s Podcast and Broadcast Audience Development Marketing strategies, contact Tim Bronsil at tim@ptpmarketing.com or 513-702-5072.