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The Scarlett Johansson/OpenAI Scandal Just the Tip of the Iceberg for AI in Media

You do not own your look, your voice, or written words. Once you put yourself out on the internet, it is the internet’s for the taking (except if you live in France but that’s a different story). As Scarlett Johansson now squares off with OpenAI for the use of her voice, the battle for what defines human culture is just beginning. Ms. Johansson’s AI problem is just a small point on a large scale as the media begins to lose itself (and jobs) to technology.

The local journalists and opinion columnists once cultivated culture. Today, unfortunately, culture is being cultivated by algorithms. Language, ideas, beliefs, customs, institutions, techniques, music, and art are just some of the things which make up our culture. This is why outlets used to have specialized reporters for music, art, faith, cars, etc.

However, the dawn of social media has stripped many in the industry of these once-specialized beats. We are now slowly seeing the effects of what happens to culture when it is not serendipitous, or cultivated but curated by a series of 1’s and 0’s.

Local journalists are dependent on culture for news gathering. When there is a crime, they talk to people in the neighborhood, maybe someone who knew the victim (the daring journalist talk to the people who know the alleged perp). News people are reliant on those in the community, and our natural curiosity, to inform listeners/viewers about the local art exhibition, a new coffee store opening, and/or a profile story on a hero returning home from war.

Today, in the back of the minds for many in local newsrooms is “Will this click?” Story selection should not be made by ‘what clicks,’ but what impact does this have on the community we serve. Clicks are from more than just the local community but from the world as a whole. You could have followers from other parts of the world, depending on clicks should be the least of your worries. This is a very specific example on AI and algorithms’ effect on local news.

While local outlets are vying for clicks to survive, larger outlets are manipulating this AI culture click grab and twist it. Media giants who report nationally are competing with each other, therefore competing for a specific share of the market (their political base).

Journalists are the first to record history, yet today’s ‘click culture’ perpetuates extremist ideas and lacks originality. Yes, history is crafted by the winners but when there are two records to history (left and right) everyone loses.

I’m not saying everyone has to agree, instead outlets need to have enough dignity to cut out extremist ideals like those of Representatives Ilhan Omar, and Rashida Tlaib (Left) or Representatives Marjorie Taylor Green or Lauren Boebert (Right). None of these women would have garnered attention if it weren’t for social media and their algorithms.

As for AI, journalist’s words are already being stolen or enhanced (if they are shame on you) because of the technology. AI is eliminating the craft of writing, as it does with the crafts of art and music. Journalists, especially those in print, do more than just tell you what happened. They understand the nuance of words and how those words shape the culture of different areas. For example, New York culture dictates, you are in Staten Island but you are on Long Island. AI and algorithms can not differentiate the two (Yes, I know it can learn but it really shouldn’t).

Another thing AI cannot do, sports. Sure, ChatGPT might be able to give you a write-up of a match after another outlet has produced it but it can’t ‘do it live.’ AI-controlled cameras can not differentiate a ball from a bald head, let alone give a coherent play-by-play of what is happening. Rightfully so it shouldn’t, because this is innately human. However, those in the tech sector are trying to make AI better. Just because technology is better doesn’t mean it’s better for humanity.

For those in the technology industry who will be critical of this saying Artificial Intelligence and algorithms are not the same. You are right they are not. However, you can not have AI without algorithms. Therefore the issues the media industry is having in this technological age would be significantly different without algorithms. AI is further exacerbating the problem.

Artificial Intelligence is taking more than media industry jobs, it’s now blatantly taking the voices of celebrities, hosting beauty pageants, and creating music. Meaning, AI is creating the culture around us. Culture is no longer crafted by humanity but completely artificial and manipulated.

Nick Cattles is Doing Boston Sports Talk Differently

When Nick Cattles accepted the job to host afternoon drive and serve as the program director of Sactown Sports 1140, he never could have envisioned it all ending within a year-and-a-half. Although he and Ramie Makhlouf catapulted upwards in the ratings and helped facilitate windfall for the outlet, personal matters made living on the West Coast too much of challenge to overcome.

Cattles had purchased a home and would have been content staying with the station had his personal circumstances been different, and he is gracious that Bonneville International accommodated his exit. Nonetheless, he returned to New England with the risk of completely upending his career without a full-time radio job and began to think about logical next steps in the sports media industry.

Over the ensuing years, Cattles hosted a podcast focused on the New England Patriots alongside Greg Bedard that elicited favorable feedback. An increase in opportunities within audio and his previous success rendered it possible to consider augmenting its presence within his media portfolio. Inherent advantages to the format, including being able to reach a wide subset of listeners and not worrying about commercial breaks, partially enthralled Cattles in this regard.

Yet he had always possessed a penchant for radio and pursuit of a career therein dating back to his time at the University of Rhode Island when a professor forewarned him about an ostensible slow death to journalism. The pull of necessity engendered the start of the eponymous program, The Nick Cattles Show, over the last seven months, presenting Boston sports talk in a different manner.

“I don’t act like everything is a five-alarm fire,” Cattles said. “I kind of look at the big picture when I break things down. Even if I’m looking at something very granular, I try to always keep the big picture in mind.”

Part of being able to adopt that perspective came through his time working at ESPN Radio 94.1 in Virginia Beach, Va., a marketplace without any professional sports teams. Management at the station informed Cattles that it was looking for a program with a national feel considering the transient nature of the locale. While it was a difficult assignment in serving as a full-time host for the first time, he believes it made him stronger in the role by amassing more perspective to handle other endeavors with aplomb.

“It’s a completely different vibe, it’s a completely different area and temperament and stuff like that, and people aren’t as negative,” Cattles stated. “They don’t critique as much [and are] not as negative in Virginia Beach as they are here in the Northeast.”

Although Cattles is currently not employed by a traditional radio outlet, he has proved successful in creating his own opportunities. The eponymous digital program frequently secures interaction from listeners through several digital media platforms, donations on Patreon and strong reviews from consumers. The challenge in the venture is in building an audience, withstanding the competition and monetizing the content, all of which can contain entropic elements governed by mere happenstance.

“You draw a difference between yourself and what other people do,” Cattles said, “and I think just my presentation and how I look at things and how I deliver topics and all of that, I think that there’s a line of separation between me and many of the other outlets and shows that people get to listen to around here.”

Cattles broadcasts a new edition of his show daily, albeit in a different structure that can concurrently limit versatility. Amid a world with dwindling attention spans and a plethora of content offerings, he tries to keep his episodes between 30 and 45 minutes.

This differs from previous experiences he had in radio where the programs lasted four hours and contained various segments separated by commercial breaks. When Cattles interned at 790 The Score, he gained more awareness about the format and early on-air opportunities. After some time out of sports media, he joined 98.5 The Sports Hub for its launch in 2009 but entered the role with a bonafide routine.

“My uncle gave me a bit of advice when I was unemployed for a couple of years before I got back into radio at 98.5 – and I used to live with him at my godparents’ and he used to get me up every morning,’” Cattles recalled. “I’d be like, ‘What are you getting me up for? I don’t have a job to go to,’ and he made a very impressionable point on me at that moment of my life, and it was, ‘Well, you’ve got to continue to live your life like you are working. You’ve got to – just because you’ve got downtime right now or you’re unemployed, don’t get lazy with it.’”

Cattles recently filled in on the Memorial Day edition of Toucher & Hardy on 98.5 The Sports Hub, the actualization of a return to the air that he was unsure would happen. The next step for him is to try and find a way to continue podcasting while making it back to terrestrial radio on a full-time basis. Despite uneasy sentiments about restoring his presence on the station airwaves on Monday, he utilized his entrenched, instinctive aptitude and proficiency to thrive alongside co-hosts Ryan Johnston and Kendra Middleton.

“It might sound really simple, but I try to do the best that I can every time I’m given an opportunity,” Cattles said. “I’m a big believer in being genuine with people – being who you are on the air – and so I think that’s part of it. I don’t ever look at it as building a brand more than just really creating a relationship between you and the listeners.”

There are sports media personalities who have branched beyond traditional media outlets and started their own independent business ventures, whether that be through a podcast, digital show and/or production company. Traditional media conglomerates grow in scope through new content formulation, along with mergers and acquisitions, but the aggregate faces heightened competition from non-traditional outlets and autonomous creators.

“You’ve got to understand that it’s very unlikely that you’re going to launch, and all of a sudden within a month or two, you’re going to be just dominating a piece of the market,” Cattles said. “I think you’ve got to be realistic and you’ve got to work hard and just do all that you can do promotion-wise and marketing-wise to try to build it as much as you can. I think people look at a podcast and they might think it’s not a lot of work. It’s more work than I even thought it would be.”

The podcast is subsidized through several different means, none of which would be possible without consumption and an audience. Cattles is aware of the impact of listeners, and he values the relationship with the growing cohort. Cultivating trust and rapport with the audience helps safeguard the program against developing a reputation for being mundane or capricious.

“If you create that connection, then you’re going to be happy for a long time [and] you’re going to have a career because if you do that, people will come back and they’ll listen to you,” Cattles said. “It goes back to whether they agree with you or disagree with you, [it] doesn’t matter. If they feel connected to you, you’ve done your job.”

After the show, Cattles edits video clips of the show to promote the product on social media while also uploading the program to several podcast platforms. Moreover, he puts the show on his Patreon page and continues to tackle other editorial tasks. Cattles estimates that live streaming the program saves him some time in the work, but he still nonetheless strives to deliver for the audience.

“It’s a little bit more handcuffed in a way because I’ve got to get the stuff out there, get it done and then kind of do all the other work behind the scenes to make sure that it’s out there and that I’m promoting it,” Cattles said, “because people have told me in this business of podcasting, ‘Promotion, promotion, promotion.’”

Cattles does not know where his career will take him next, factors that are partially out of his control. In a scenario where the podcast does not work and he cannot return to a radio station, he is unsure what he would do because he does not have the qualifications of a prototypical 9-to-5 job. For now, though, he is remaining optimistic that things will work out and that he will continue talking about things he loves, staying attuned to change and doing Boston sports talk differently.

“The podcast is incredibly rewarding, and if thing works out – the podcast, the show works out – and I can say, ‘Hey, this is what I’m doing and this is my career and it’s going to financially support me,’ then that would obviously be a fantastic option to have in my life,” Cattles explained, “but there’s a lot of different factors that go into it.”

Greg Gutfeld Tops All of Cable News With New High Ratings Mark in Bill Maher Conversation

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Gutfeld!, Fox News’ 10 PM talk show hosted by Greg Gutfeld who self-proclaims as the new “King of Late Night,” further proved its ratings might as it garnered its largest audience on record on Monday, May 20.

That night’s guest was comedian Bill Maher, host of HBO’s long-running talk show Real Time with Bill Maher who was promoting his new book “What This Comedian Said Will Shock You.”

“Trump is someone who does not concede elections. It’s the most important thing,” Maher told Gutfeld. “You don’t seem to see it that way. That’s the most important thing that’s going on in this country. He didn’t concede the last election. He’s not going to concede this election.”

They also discussed Trump’s energetic presence at his rallies and President Biden’s recent commencement speech at Morehouse College.

According to Nielsen Media Research’s live plus same-day data, Gutfeld! on May 20 delivered 2.871 million total viewers, the show’s largest total audience to date. Directly opposite it on the competing cable news outlets, MSNBC’s Last Word with Lawrence O’Donnell drew 2.338 million viewers while CNN’s Newsnight posted 556,000 viewers.

In addition, as we reported previously, it outdrew Norah O’Donnell‘s special exclusive interview with Pope Francis on CBS (2.247 million) as well as other late-night talkers, CBS’ The Late Show with Stephen Colbert (1.8 million), ABC’s Jimmy Kimmel Live! (1.6 million), NBC’s The Tonight Show Starring Jimmy Fallon (1.2 million) and Comedy Central’s The Daily Show with Jon Stewart (697,000).

Gutfeld! nearly reached these total viewer levels recently back on Jan. 10 when it then drew 2.815 million viewers.

On average, the talk show is Fox News’ highest demo deliverer in prime time, and on this May 20 night was no different, averaging 342,000 within the key 25-54 demographic, topping MSNBC (202,000) and CNN (110,000) within the 10 PM hour. Nonetheless, unlike its total viewership, this demo performance was not a record. Since Jan. 1, Gutfeld! has surpassed 342,000 adults 25-54 nineteen times; its most recent time was back on May 1 (378,000).

The Jim Rome Show Launches on X

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It is now official; Jim Rome and The Jim Rome Show are in the live streaming business. Earlier today Rome did his first show in his new partnership with X or as he refers to it “the X platform.”

“An enormous day in The Jungle as for the first time in show history, we are streaming the radio program live and we are doing it on the X platform,” Rome said to kick off the show. “Despite being in this business since the late 80’s when I got my first radio gig and despite working a decade or more each at ESPN and CBS and FOX, I have never ever streamed live programming before this very moment.”

Rome announced back in February he was ending his simulcast with CBS Sports Network and that his show would go dark on video “for a short period of time.” That short period turned out to be just over three months.

“Unbelievable experience streaming live here on X for the very first time today,” Rome posted after his show ended. “Let’s do it again, every single weekday going forward. Noon ET/9am PT.”

The video of the first live show has over 563,000 views as of 5 p.m. ET.

Hans Olsen and Scott Garrard Celebrate 10 Years Together at KSL Sports Zone

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Hans Olsen and Scott Garrard, along with their producer Lloyd Cole, celebrated their 10th anniversary as a show today during Hans and Scotty G on KSL Sports Zone.

As the show began, the two talked about some of the things they have been able to talk about over those ten years and looked forward to now having the chance to talk local hockey with the arrival of a new NHL team. On the ten years together, Garrard said, “That’s some longevity you just don’t see in this business.” The show had several special guests call in to congratulate them on the milestone as they went throughout the show which even included some poetry from a longtime listener.

Utah Jazz television voice Craig Bolerjack, who spent many years on the radio in Salt Lake City with Gordon Monson, called in and said, “10 years just doesn’t happen in this business.”

The show currently airs daily from 12 p.m. to 3 p.m. mountain time. Garrard, who is also the station’s program director, has been a fixture in the Utah Sports Radio scene since 2003. Garrard also serves as the play-by-play voice for Utah State University football and men’s basketball. Olsen has been in sports radio in Utah since 2006. He played football at BYU from 1996-2000 and also played three years with the Indianapolis Colts. He also works as the color analyst for BYU football.

Mike Ryan: Pat Riley Got Udonis Haslem to Make Things Ugly While on ESPN

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Throughout the last month, former Miami Heat forward and team captain Udonis Haslem has appeared across ESPN programming and provided his opinion on various topics. Haslem was in studio for Tuesday’s edition of First Take with host Molly Qerim and commentators Shannon Sharpe and Kendrick Perkins where the show discussed the NBA Playoffs, including the Boston Celtics making the NBA Finals for the second time in three years.

Haslem officially retired from the NBA last summer and had his jersey retired by the Miami Heat. He is the host of The OGs Show alongside former Heat teammate Mike Miller and has also been on ESPN since retiring, the latter of which is a surprise to Dan Le Batard. In fact, he asked if anyone in the studio felt similarly about Haslem during Tuesday’s edition of The Dan Le Batard Show with Stugotz. The question elicited a collective response of “No” from everyone within the Shipping Container.

Jon “Stugotz” Weiner, however, dissented from that viewpoint and agrees with Le Batard that it is surprising Haslem is at ESPN. Le Batard then explained that he was, in reality, astonished that Haslem was doing things in sports media to begin with.

“I shouldn’t be surprised that he’s good at it,” Le Batard explained, “but I’m surprised that he’s doing any of it, and he said the other day in terms of getting geared up for the take. He’s like, ‘LeBron’s not going anywhere. He’s not leaving Los Angeles under any circumstances.’”

Haslem joined the Heat front office last season as the team’s vice president of basketball development, a conflict of interest that producer Chris Cote made mention of during the show on Tuesday. A few weeks ago while appearing on NBA Today, Haslem expressed that Bam Adebayo and Tyler Herro would progress next season; however, he qualified the remark on Herro to do that as a sixth man. Cote conjectured that Heat team president Pat Riley was not happy with Haslem’s remarks, an opinion that producer Mike Ryan countered.

“You believe that?,” Ryan said. “Yeah, no. UD showed up to TV with a mission in mind that day to make it ugly. Yeah, two weeks later, Tyler Herro’s listing his house. That’s how that one goes.”

Ryan later suggested that one might think that Haslem is acting as a rogue agent, leading Cote to question why Riley had to later come out and defend Herro by stating that he is worthy of a starting role in the NBA. Show producer Jeremy Taché then expressed that he had several questions pertaining to who is supposed to be planting stories in certain places.

“Finally, a Heat voice, I guess, in national media on ESPN,” Taché said, “but he’s there to try to tear down a player who’s value the Heat would want higher if they were trying to trade him, so I’m just sort of a little confused about the thread.”

“He got UD to make it ugly,” Ryan replied. “Ordered the code red.”

Weiner entered the discussion by stating that Haslem did not execute his role on First Take correctly. He asserted that Haslem needs to have a take rather than simply saying that LeBron James is going to stay on the Los Angeles Lakers. In fact, he encouraged him to make something up on the morning debate show in that circumstance.

After explaining the situation and perception that the Lakers are trying to keep James next season, Le Batard wanted Weiner to come up with a better take that he would present on the show. “‘He’s going anywhere but LA,’” Weiner said. “That’s the take.” Le Batard surmised this to be an uninformed opinion, but Weiner clarified his statement by explaining that it was a guess.

News/Talk Top Earning Radio Format for Political Advertising

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As the 2024 election season continues, it seems a natural conclusion, but one that is now official: news/talk radio is the top-earning format for political advertising.

At this stage of the race, AdImpact reports that $2.54 billion has been spent, which is a 12% increase compared to this stage of the 2020 race, according to Inside Radio. Despite its widespread use, radio has only accounted for 3% of the total spending thus far.

When breaking it down format by format, news/talk is the top radio genre for political buys. Country and classic rock round of the top three formats.

AdImpact projects that more than $700 million has been reserved from September through November for national races, including the presidential race.

The battle between President Joe Biden (D) and former President Donald Trump (R) will be hotly contested one. However, Senate races in states like Montana, Ohio, and Pennsylvania will help inflate the total advertising spent, with more than $400 million pre-booked advertising between Labor Day and Election Day already reserved by campaigns and PACs.

Gator Anderson: ‘I Love When Sports Tries to be Innovative’

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Monday night saw a new innovation in the way hockey fights are presented on television. During a TSN broadcast of the 2024 Memorial Cup, the national championship of the Canadian Hockey League, a cameraman skated on the ice to film a fight happening between the London Knights and the Moose Jaw Warriors. Gator Anderson of 97.1 The Ticket in Detroit saw the video and talked about it during Karch & Anderson.

“The video shows two guys squaring off to fight and it’s a normal camera angle,” Anderson said. “And then you see the angle from the cameraman who skates out onto the ice to get a closer look. He is literally skating around in a circle as the fight is going on…It’s totally different than you would see on cameras fixed in the crowd. It’s pretty cool, it gives a different perspective, there’s a little more motion involved, and it seems pretty cool.”

Anderson then talked about a separate video which shows the cameraman filming the fight, who is dressed in all white. “It’s kind of surreal to see that,” he continued. “You’re watching this fight take place and all of a sudden you see this guy who has a white outfit, white camera, white helmet, white skates, white everything to blend in. I love when sports tries to be innovative with camera angles, or however it is they present their product. This is one of those things that is pretty cool. We have seen the innovations in football where they put the cameras on the wires and now, we have drones.”

As Karch was out, Anderson asked his producer, Khang Huynh, what he thinks of all of the new innovations in covering games and whether or not he likes it.

“I do,” he said. “It’s trial and error. You’re not going to love all of it, but I like the ‘try’ part, that’s how you know if something works or not. The drone stuff is great.”

Anderson then mentioned what the NHL and TNT did recently with an ‘NHL DataCast’ alternate broadcast of an Oilers-Stars playoff game on truTV and Max.

The NHL described that broadcast as “a new analytics-driven alternative viewing experience on truTV and Max. The broadcast will use cutting edge data and real-time in-depth insights from NHL EDGE positional data (NHL Puck and Player Tracking) to provide deeper context and understanding of how statistics are utilized by players, coaches and front offices across the National Hockey League. NHL EDGE IQ powered by AWS advanced analytics, including Face-Off Probability, Opportunity Analysis and Ice Tilt, will also be featured. “

“Everybody is trying to find new ways to get people to check things out and I thought that was pretty cool, too,” Anderson said.

1010 WINS, WCBS 880, KYW Newsradio, 930 WBEN Earn Regional Murrow Award Wins

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The regional Edward R. Murrow Awards continue to be announced, with brands like 1010 WINS and WCBS 880 in New York, KYW Newsradio in Philadelphia, and 930 WBEN in Buffalo all earning honors.

In Region 11, which encompasses New York, New Jersey, and Pennsylvania, 1010 WINS earned the top honor for best Breaking News Coverage in the Large Market Radio category for its coverage of rioting in Union Square.

Audacy-owned sister station KYW Newsradio took home three Regional Murrow Awards. The first was for best digital project with its “The Manhunt for an Escaped Killer” coverage of escaped inmate Danilo Cavalcante. It also won the award for Best Newcast for its coverage of the collapse of the I-95 overpass.

Additionally, it earned the top honor in the Hard News category for its coverage of drug users abusing a horse tranquilizer in a Philadelphia neighborhood.

Finally in the Large Market Radio sector, WCBS 880 Newsradio earned the prestigious award for Overall Excellence.

Meanwhile, in the Small Market Radio category, 930 WBEN in Buffalo scored the top honor for Best Podcast with its Remembering 5-14 program that examined the 2022 mass shooter event at a Buffalo grocery store.

Fred Toucher Replays Clip of Hanging Up on Bill Walton: ‘Go Ahead – He’s Dead’

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Two-time NBA champion and basketball commentator Bill Walton passed away on Monday at the age of 71, leading many former teammates and colleagues to reflect on his life and legacy. Messages across various platforms upon the NBA’s announcement of Walton’s passing, which was attributed to colon cancer, underscored the success and humanity of Walton. Many sports programs took time on Monday and Tuesday to convey their sentiments towards Walton along with conducting interviews with those who worked with him. On Tuesday’s edition of Toucher & Hardy on 98.5 The Sports Hub, the show took a different approach in reflecting on the former Boston Celtics center.

Toucher brought a caller onto the air who expressed that it is important to replay a clip of him hanging up on Walton during an interview after the Celtics lost the 2010 NBA Finals. Walton’s son Luke was playing for the opponent Los Angeles Lakers, and he was asked to rank the game in regards to the rivalry between the two teams.

“Over the years, I’ve learned to never rank coaches, concerts, children, championships or congratulations,” Walton said. “Just enjoy them all, and as a dad, that’s what I’m about because even though I’m a Celtic; even though the Celtics gave me my life back 25 years ago, most importantly I’m a dad. It’s not about me – I want what’s best for our son.”

“Alright, well you’re rooting for the Lakers,” Toucher replied. “Goodbye.”

Fourteen years later, Toucher addressed the incident on the air the day after news of Walton’s passing was announced by the NBA. Toucher’s sentiment was preceded by remarks from his co-host Rob “Hardy” Poole that the show should address the phone call down the road rather than immediately.

“Well I don’t know,” Toucher said. “I mean, why not? It happened. He called in and he was acting the fool about his son on the Lakers and this, ‘Oh no, first of all, you’ve got to buy a Jeep Wrangler,’ but while he was selling cars, like make up your mind you phony hippie. Are you really selling cars, or are you all about peace and love?”

Toucher’s statement ostensibly surprised those in the studio, with Hardy conjecturing that this was the reason why he was not sure if it was the day to do it. Update anchor Jon Wallach concurred with that sentiment, articulating that the show could perhaps do that tomorrow. Toucher, however, did not seem to grasp the downside of doing such a thing and instructed Hardy to do it anyway.

“I don’t say anything,” Toucher explained. “Go ahead – he’s dead. I didn’t kill him. Go ahead – play it.”

Hardy reluctantly played the audio and put his face in his palms as Toucher and the listeners relived the moment. Once the audio concluded, he conveyed a sense of astonishment that Toucher’s voice had changed so much over the last 14 years and compared it to that of actor Al Pacino. Toucher recognized Hardy’s observation and attributed it to “life” before moving on to the next caller, who imparted consternation towards Celtics play-by-play announcer Sean Grande’s series-clinching call over the Pacers.