Home Blog Page 1617

Nobody Looks Good in 670 The Score vs John Schriffen Feud

John Schriffen had the unenviable task of replacing Jason Bennetti as the TV voice of the Chicago White Sox. And the reaction from 670 The Score hosts — namely Danny Parkins, Matt Spiegel, and their producer Shane Riordan — hasn’t helped matters.

To call Schriffen’s first six or seven weeks on the job a rough stretch would be an understatement. Not a baseball play-by-play savant, Schriffen has struggled to get into the groove of working an everyday broadcast and has made mistakes that aren’t unexpected.

However, the 670 The Score afternoon show of Parkins & Spiegel was quick to jump on Schriffen’s miscues. In some instances, the criticism was warranted. For instance, Schriffen called former White Sox owner Bill Veeck (pronounced VECK), Bill “Veek.” In a rather innocuous comment, Schriffen showcased his inexperience and lack of knowledge.

But the reaction from 670 The Score hosts quickly went from “criticism” to being borderline ridiculous. They continually ridiculed the relatively green but promising play-by-player, taking any chance they could to take potshots.

While I’m certain the hosts and producer found the quips amusing, they quickly became meanspirited. This is surprising, because Matt Spiegel is a baseball play-by-play voice in his own right, filling in at times on Chicago Cubs broadcasts. There’s an almost unspoken agreement between play-by-play broadcasters that you really don’t critique someone else’s broadcast without that person asking for your input. Everyone is different, and everyone has their own style, but what 670 The Score did went past criticism and turned into questioning the resume and reasoning for why Schriffen was hired in the first place.

Which isn’t their place. I imagine if I were to question why Parkins, Spiegel, or Riordan were hired for the roles they currently hold, they’d have a conniption. And rightfully so, because who the hell am I to say who does and doesn’t deserve this job or that job. But that’s the point.

John Schriffen, however, isn’t innocent in this ordeal. After analyst Gordon Beckham flubbed an ad read during a broadcast last week, instead of just letting sleeping dogs lie, he commented “If any of those radio losers clip it and try to make fun of you, nobody cares about them anyway.”

Before that moment, Schriffen had the upper hand in the feud, because at that point it wasn’t a feud. It was a one-sided, often times mean-spirited approach from 670 The Score. But he needlessly added fuel to the fire.

When somebody wants to pick a fight — and make no bones about it, a fight only benefitted Parkins, Spiegel, and Riordan — you have to avoid the fight, hold in your anger, and walk away/ignore it. And ignoring criticism, even when high-profile people are questioning your credentials, is just something that has to come with being the TV play-by-play voice of a Major League franchise.

Schriffen, no matter how difficult it is, has to take the high road when it comes to media criticism. Nothing, absolutely nothing, good comes from engaging. And frankly, those tearing him down were hoping to do just that, bring them down to their level, where they’d beat him with experience. Part of being a great sports radio host — and despite criticizing them in this story, I think Parkins & Spiegel is the best local show in America — is defending your opinions, and coming out on top no matter what. It’s an avenue Schriffen was never going to win.

I’ve been hesitant to use the word “bully” or “bullying” in this case because I think the word is thrown out all too often in 2024. It’s as if there is no middle ground between “everybody love everybody” and “bullying.” But, after Schriffen’s comments, Shane Riordan went into textbook bully mode. His “If you mess with the bull, you’ll get the horns” response, couldn’t be more bully-esque. Nothing makes you look like an insecure bully quite like not being able to take it when you’ve already dished it out.

Riordan was suspended in 2023 after claiming he’d “bone” the mom of a conservative Chicago talk radio host after speaking poorly of the Windy City. Instead of being somewhat remorseful over the situation, Riordan wore it like a badge of honor in a tweetstorm after Schriffen’s comments, claiming that his response to the White Sox TV voice would lead to another suspension. He later said Schriffen “just opened the f—ing floodgates” and had “no f—ing clue what he has done” by criticizing the station and the afternoon show.

After weeks of criticism, going as far as to say Schriffen “didn’t know baseball”, he called the folks making fun of him “losers”, and that’s the response? After making attacks that could absolutely be viewed as personal, to take being called a “loser” by someone you’ve denigrated for weeks so personally is bizarre. The idea that you’d even care about someone you’ve already un-invited from the cool kids club is truly asinine. Again, if you can’t take it, don’t dish it out.

I’m sure they would deny this, claiming a role as an “equal opportunity offender”, but I can’t help but think that if 670 The Score was the radio flagship of the White Sox, or if Schriffen was the Cubs TV voice, this would have never happened. Boog Sciambi is often lambasted by Cubs fans for his work (and I’ll never understand why), but I can’t remember a time when a Score host took time to criticize his performance.

For what it’s worth, Parkins & Spiegel aren’t the only Chicago media members talking about Schriffen. Jonathan Hood, morning co-host at ESPN 1000 (the flagship of the White Sox) said he didn’t “understand the chip on the shoulder” of Schriffen, adding that “no one is out to get” the new White Sox TV voice. I think it’s pretty clear, however, to see why Schriffen would feel differently.

Nobody wins here. Everyone looks like a loser. Each side is at fault. And instead of being able to take the high road, both sides look like petulant children. It’s a pissing match that no one can win, and no one included in the beef has taken the slightest moment to be introspective, nor retrospective, and think “Maybe I should just be an adult — and a professional — and grow up.”

And while it’s great for content, when it gets personal, it becomes — at least in my opinion– no fun. If there were a clear-cut winner, or someone that deserved to be defended, that would be a different story and a different column. But in this case, it doesn’t feel like either side deserves to be praised for their conduct.

As observers, we often forget the people we see on TV or hear on the radio are real people, with real thoughts, real feelings, and real ambitions. It’s just unfortunate that the people who are often subjected to it the most lost sight of that in this situation, too.

2024 Presidential Race Has a Media Problem

President Biden recently said he was Vice President under Barack Obama when COVID started. This is false. President Trump spends more time “truthing” in ALL CAPS than he does in the “Ice Box” New York Courtroom. Robert F. Kennedy Jr. has a worm in his brain which gives him short-term memory loss. These are the three candidates who are dominating the media headlines for the 2024 election.

But, are these men the best candidates America has to offer? Unlikely, but it is what we have because the media and the political establishment have drowned out our ability to have rational people running for political office. It’s time for the media to do better.

Most outlets pander to their audience which enables confirmation bias (all things we’ve talked about before). Through all the skewed news, there is one cable news outlet that’s been capable of having substantial air time with all three candidates, CNN. Their coverage, however, is laced with criticism:

Mediaite: CNN Called Out For Not Fact-Checking Biden Interview With Erin Burnett

CNN: Analysis: CNN faces harsh criticism after Trump unleashed a firehose of lies during its live town hall

Real Clear Politics: Robert F. Kennedy Jr.: CNN Edited Interview So It Looked Like I Said Biden Was More Of A Threat To Democracy Than Trump

In essence, what these articles say is CNN lets major political candidates slide while subsequently chopping up interviews from third-party candidates. Oliver Darcy’s article does note CNN defended itself for letting Trump rampage on about election interference saying, “That is CNN’s role and responsibility: to get answers and hold the powerful to account.” But letting a candidate repeatedly say the 2020 election was stolen is hardly holding him accountable.

This is why it’s not shocking both the Biden and Trump campaigns agreed upon “The most trusted name in news” to host their first debate. Despite the outlet having less than One Million viewers for their day (462,000) and primetime (601,000) Nielsen ratings in March.

It’s not just the media’s fault, political candidates typically stick with more friendly outlets. The media does try and reach out to opposing candidates (okay, some outlets don’t really try to get opposing politicians and that’s a different story) but very few politicians can handle the pressure from the opposing side.

If a political candidate can not take the heat from so-called “journalists” who are challenging you with the opposing side of an argument, how are you going to handle everyone else in the world (because let’s face it even some of our closest allies aren’t the biggest fans of US).

The media is the 4th estate, which means we have to confront, pester, and question our politicians (even when we agree with them). Very few members of the press do this now and the ones who do are labeled as ‘difficult’ by media outlets and often ignored by politicians.

Aside from the labels, some (but not enough) in the mainstream media aren’t openly recognizing the biggest elephant in room, the age of our politicians. In 2023, Statista reported, the average age of the House of Representatives is 57.9 (this isn’t bad). The average age in the Senate is 64 (not great but I’ll take it). Out of all of these politicians, the best we can do are three guys who are in their 70s and 80s. Whenever Joe Biden stumbles up the stairs or opens his mouth I’m not sure if I’m watching a real-life remake of Weekend at Bernie’s or I’m watching elder abuse.

There are over 330 million people living in the United States. Most voting-age adults did not want to see a Trump/Biden match-up again yet, here we are. Mr. Kennedy likely won’t make the Oval Office. He will, however, take votes away from both Democrat and Republican candidates.

The President should represent the best America has to offer. I’d like to think those who’ve held and run for office have been at their best, mentally, physically, and emotionally. Historically some haven’t been, but at least LBJ and Taft tried.

When the media doesn’t confront, pester, and question our politicians it shows they have given up. It is the media saying these three are the best America has to offer, (a guy who might have Alzheimer’s, another who might be a narcissist, and the third who admits to having a worm in his brain). It’s a travesty. A Democratic Republic (because America is not a Democracy) only works when every power does its job correctly. Ben Franklin said it, “A Republic, if you can keep it.” Right now the media is not doing enough due diligence to keep it.

Netflix Knows Dallas Cowboys and Jerry Jones Bring Eyeballs

0

A 10-part series on Jerry Jones here in 2024 feels like roughly eight parts too many. But that is not the Netflix calculation.

No, the math is far simpler: Dallas Cowboys = eyeballs.

It’s been true for as long as most of us can remember – and that particular part about the Cowboys franchise isn’t hype. The team still draws a crowd.

The news in the recent announcement of the 10-parter on Jones, the Cowboys’ owner and general overlord, isn’t that it is being produced. That was known last year. But Netflix’s involvement answers the question about on which platform the project might land.

So get ready for plenty of Jerry Jones, but also Cowboys, Cowboys, Cowboys. And make note of the timeline, because this multi-parter is going to be almost exclusively rooted in a brief, glorious and now quite distant past.

You’ll need to put your 1990s goggles on to recognize the triumphs documented here. It was then that Jones, as a still-young owner by NFL standards, having bought the team in 1989, was the man of record as the Cowboys reeled off three Super Bowl victories in a four-season period.

That is a tremendous accomplishment in any era, and those Cowboys teams were a blast to watch: talented, cocky, demonstrative, controversial. They made news on and off the field, not all to the good. For those of us who wrote about the league in those years, they were a gold mine of source material. And, of course, winning in the NFL is the cologne that masks any little odor that might arise.

Those Dallas teams knew how to win games. How much of that actually had to do with Jerry Jones is a fair question, especially judging by what’s happened since, and I guess we’ll have to wait for Episode 5 or 7 or 9 to find out how this series answers that. But given the fact that the NFL itself insists that the series is “the definitive story of Jerry Jones and his unique journey in transforming the Dallas Cowboys franchise,” we’re already a good ways there.

“For several years, Forbes has ranked the Dallas Cowboys as not only the most valuable team in the NFL, but the most valuable sports team in the world,” the Netflix news release intones. “In 2023, the Cowboys were worth $9 billion and rising — the result of decades of exceptional athletic talent, coaching, and management that took shape during the ’90s, when the once-struggling team transformed into three-time Super Bowl champions.”

As Preston Jones put it in the Dallas Observer, “There are a lot of words doing a lot of heavy lifting in there.”

Jerry Jones and Jimmy Johnson were certainly the architects of the roster that Johnson coached, but in that time – during those precise years of the Cowboys winning and winning – I can tell you that most of the NFL cognoscente understood Johnson as the driving force and creative genius.

Jones was well aware of that; it was the source of much of the well-publicized friction between those two. They were high-level, high-ego competitors even as they were part of the same multi-championship run – so much so, in fact, that by the time those Cowboys won ring No. 3 in the 1995 season, Jimmy Johnson had already been replaced, with Jones bringing in longtime friend Barry Switzer after functionally running Johnson off the job.

The decision to part with Johnson was more than three decades ago. Coincidentally, the Cowboys’ drought of winning a Super Bowl – or appearing in a Super Bowl, or appearing in an NFC conference championship, for that matter – is now roughly three decades old.

It’s silly to pre-judge the entire series, which includes interviews with many of the leading lights of those ‘90s successes. The list includes Troy Aikman, Michael Irvin and Emmitt Smith, and it also includes Johnson. That alone sounds worth watching.

Of course, you could cover that in an episode or two. But the producers of the series, and now Netflix as distributor, understand the greater value lies in promoting a Cowboys-branded product. Jerry Jones might not like hearing it (or he might not care), but it is a brand whose popularity far, far predates his appearance on the scene.

Brands equal viewers. You watch network baseball, you’re going to get a lot of Yankees and Dodgers. The NBA? Prepare for Celtics, Knicks, Lakers. These are the ratings anchors of large-scale broadcast deals, and in the NFL, the Cowboys are firmly part of the mix.

They may be 5-13 in the playoffs since their last Super Bowl victory back in the ‘90s, but the Dallas Cowboys draw. A 10-part series about Jerry Jones is really just another way of saying, ‘Here’s some more Cowboys material.’ It’ll be consumed.

Norah O’Donnell Interview With Pope Francis Leads 60 Minutes to 18% Ratings Jump

0

CBS Evening News anchor Norah O’Donnell sat down with Pope Francis for a historic interview that originally aired on Sunday, May 19 on 60 Minutes. This was the first time a pope has given an in-depth, one-on-one interview to a U.S. broadcast network. It also marked the 56th  season finale of the long-running CBS newsmagazine.

Among the topics discussed in the interview were same-sex marriage, clergy sexual abuse scandals, the wars in Ukraine and Gaza, and the migrant crisis on the U.S.-Mexico border.

According to Nielsen Media Research, the May 19 edition of 60 Minutes averaged 7.33 million viewers. up +18 percent from its prior week and ranking first in the hour. It was its most-watched edition in five weeks, and the third-most watched within the past ten weeks, behind March Madness Elite-8-fueled Mar. 31 (10.365 million) and Masters golf-fueled Apr. 14 (8.588 million). 

One factor of the increase was what led into it: the final round of the major golf tournament, the PGA Championship (4.958 million for 1-7:14 PM ET, above average from a regular golf tournament audience).

A lengthier version of the interview Norah O’Donnell held with Pope Francis aired on CBS the following night on Monday, May 20 at 10 PM ET. That delivered an audience of 2.247 million viewers, which placed behind NBC’s Weakest Link (3.011 million) and Fox News’ Gutfeld! (2.871 million) within the hour.

Allie LaForce Honored to Have the Best Seat in the House for TNT Sports

During an NCAA Men’s Basketball Tournament game on TBS, the broadcast read a promo for upcoming coverage of The Masters on CBS Sports and Paramount+. Rather than keeping the camera on the court though, they panned to sideline reporter Allie LaForce, who was sitting courtside unaware of what was going on and suddenly saw herself on the broadcast monitor. Once she realized that her green jacket tied into the promo, she stood up and portrayed a golf swing for the camera, adding to the overall programmatic value of the promotional read.

For LaForce, it served as an example of reacting to spontaneity and showcasing personality without it coming across as forced or contrived. As a multifaceted reporter in a variety of different roles throughout her sports media career, she has adapted to changing times and handled the dynamic game atmosphere with ingenuity and confidence.

While LaForce is the lead sideline reporter for the NBA on TNT and set to cover the Western Conference Finals, she recently completed another run within March Madness. Assimilating into the grind of this role since joining then-named Turner Sports in 2018, she needed to pace herself and ensure she was aptly prepared. Eight practices in one day followed by a four-game First Four slate in Dayton, Ohio and subsequent drive to the first region is a taxing assignment but one she has mastered through her professionalism and college basketball experience at Ohio University. Although her team fell just short of a tournament berth, the exhilaration and adrenaline therein continues to endure, nonetheless.

“I could sit and watch those college kids get one last shot at the tournament all day long, so it gave me energy more than me having to find the energy,” LaForce said. “It gave me so much natural energy.”

Once her stretch of March Madness games ended, LaForce immediately went back on the road to cover the NBA, commuting to various cities every week and contributing within the broadcasts through live reports, interviews and observation. In her reporting role, LaForce scrupulously watches the action and takes in the environment in an effort to identify and convey key storylines to the viewing audience. Executing the job requires synergy and stamina, perseverance and poise while respecting the game and understanding the inherent commitment to fair and accurate reporting disseminated to viewers.

“I think portraying to the audience the closest reality of being in a moment live and recognizing that it’s an honor and a privilege to be sitting courtside,” LaForce said. “How can we portray that same energy, newsworthiness and accuracy to the viewers through television that I get to witness in person?”

The NBA Playoffs have been accompanied by the backdrop of ongoing media rights negotiations as the league looks to solidify its partners for the 2025-26 season and beyond. The Walt Disney Company and Amazon Prime Video have both reportedly reached the framework of a deal with the league, presumably leaving one remaining rights package being pursued by both Comcast’s NBCUniversal and Warner Bros. Discovery. Within the latter, TNT Sports, formerly known as Turner Sports, has been broadcasting NBA games since the 1984-85 season and hopes to extend its multiplatform relationship through a deal that makes sense for all parties involved.

“I think there is a direct correlation and association with TNT and our personalities,” LaForce explained, “and how much fun we have while also calling the moment and the game in a newsworthy fashion that the viewers are comfortable with and look forward to that gets to take their mind off of their everyday grind and just live in a moment of freedom and fun and excitement.”

As a national reporter, LaForce is assigned to a variety of games throughout the season containing different teams, thus requiring a broad knowledge of the league. With the strenuous schedule plus trying to raise a family and run a growing charitable endeavor, it can be difficult to balance everything effectively.

When LaForce was growing up, she watched her mother run a modeling agency in Atlanta, Ga. and fly back home to Ohio every week to spend time with family. Her mother happened to be a previous winner of the Miss Ohio pageant, something she had not told her daughter until she received a letter to participate in the Miss Ohio Teen USA pageant. LaForce initially did not want to compete, but her two victories ended up paying dividends through broadening her worldview and gaining creative inspiration.

“I am on a plane every two days, and I’m trying to be a great wife and a great mom and work full time and present myself in a confident way that people that are viewing me believe in me, and storytell in a way that’s honest and compassionate,” LaForce said. “I think when I was 15 years old, I was trying to take high school classes, play three high school sports, travel the country and present myself and make other young men and women believe in me in a genuine manner.”

While LaForce was in college playing on the basketball team as a walk-on member, she remembers realizing that she would need to eventually give up the sport. Her mother had previously commented on her resonant baritone voice and recommended that she be a broadcaster. LaForce was granted an opportunity to work as an analyst on the radio for her team and took part in a variety of other ventures at the school with WOUB Public Media and volunteering for the Mid-American Conference.

LaForce perceived herself as being restricted because of her role as a sideline reporter, something that changed upon her joining CBS Sports as lead sideline reporter for its broadcasts of SEC football. The endeavor marked the first time she recognized the strategy behind when and how to deliver a live game report, something taught to her by producer Craig Silver.

“There’s a sense of urgency to this game that the audience needs to feel because we’re feeling it here on the field, right?,” LaForce said. “The roar and the clock and the band and the pageantry of the game. It has to be short because there’s a pace and a momentum and a newsworthiness to this game that’s warranted, and your reporting needs to match that.”

Through a cognizance and acceptance of her role as an element of a larger component, LaForce began to find her niche in reporting. On top of that, her background as an athlete allowed her to easily decipher plays, mannerisms and proclivities. The challenge exists in delivering observations and updates precisely and at the correct time. In covering NBA games at the national level since 2018, LaForce has worked to hone her craft and embrace the setting without being buried in patterns of overthinking and inflexibility.

“I used to over plan and take a trillion notes throughout the course of the game, and now I just let myself live in the game,” LaForce said. “And when we get down to the last minute or two, I start jotting down notes about, ‘This guy whispered something to this guy here,’ or, ‘During this free throw, I noticed this,’ or, ‘During a timeout, I felt tension.’”

Although LaForce has refined her in-game process, she still tries to prepare before each contest. Part of that comes in re-reading conversation transcripts with the top eight players on every team and grasping the necessary context. Moreover, she reviews lineups, rotations and other facets of the game she would want to know as a basketball fan.

“I like to take my job seriously but not too seriously,” LaForce said. “I want the viewer to think that I’m hanging out with them watching sports, but also I want to be professional enough to be able to distinguish between just having fun and actually being a reporter.”

Over the course of a typical game, LaForce is doing more than appearing on camera and conveying the latest information. In part because of her vantage point and expertise, she is consistently communicating with those in the broadcast truck and helping to guide the composition of the broadcast. LaForce takes part in production meetings every morning and ultimately has an implicit yet tangible presence on the end product throughout the show.

When LaForce conducts interviews, she tries to begin with a sense of levity to foster a sense of comfort and amicability. Commencing a casual dialogue before these conversations also helps break down a barrier that can sometimes exist because of the nature of the schedule. This is not always possible though, as was evidenced when LaForce was forsaken by the Oklahoma City Thunder after a playoff win to speak with Bally Sports Oklahoma.

“You have to realize that as the national broadcaster, you come in out of nowhere and get the first interview and are asking questions that they perhaps have been being asked for the last week to 10 days from their local broadcast crews,” LaForce said. “They’re there daily and really know them, so you have to remember that the people interviewing them daily understand their career and their team in the moment.”

Working as a reporter requires LaForce to have relationships around the league that are built on trust and respect. No matter the circumstance, she adheres to rules of attribution and does not divulge details that have been classified as being off the record. At the same time, if she develops friendships with team or league entities, she expects them to understand that she needs to do her job professionally and may not always be able to portray them in an auspicious light.

“I’m not in the business to break news or to become famous or gain followers – I’m here to cover live sports,” LaForce said. “And then if there’s something that they don’t say is off the record, but I feel should be, I will figure out a way to tell that story without using that piece of information but use that information to shape the way in which I tell the story.”

LaForce cherishes the balance of professional and personal ventures in her life and aspires to continue covering marquee events, such as the National Championship, Super Bowl and Olympics. Having the chance to experience a wide array of moments in sports is something she knows would be a dream come true, but she is focused on the present moment in closing out the season strong for the NBA on TNT. After all, an essential value proposition of the broadcast is predicated on disseminating insights and developments in real time, part of which is actualized by the work of LaForce and her unrelenting commitment to the grind.

“Be prepared in the beginning to work for free, and always surround yourself [with] people that are helping you become a better version of yourself as a professional and as an individual, even if they tell you things you don’t want to hear,” LaForce said. “But avoid the people that are trying to have influence on you because it makes them feel important or powerful.”

45th Annual Sports Emmy Awards Honors Best in Sports Media

0

The National Academy of Television Arts and Sciences held the 45th Annual Sports Emmy Awards from Frederick P. Rose Hall in New York City on Tuesday night, honoring presentations, personalities and technology that made an indelible impact on the industry. Barrett Sports Media tracked the results throughout the night, with winners highlighted in green beneath each category.

Additional honors presented throughout the ceremony included the Lifetime Achievement Award to CBS Sports host James Brown and The Cola-Cola Company HBCU Production Grant to “Field Trip” by Florida A&M University. The show was hosted by The Kid Mero, and presenters throughout the night included Noah Eagle, Kaylee Hartung, Mina Kimes, Valeria Marin, Siera Santos, Tracy Wolfson and Pedro Martinez.

Outstanding Live Special

Live SpecialEntity/Entities
The MastersCBS
The 105th PGA ChampionshipCBS
Super Bowl LVIIICBS
Super Bowl LVIIINickelodeon Productions
CBS Sports
NFL Films
The 119th World SeriesFOX

Outstanding Live Series

Live SeriesEntity/Entities
FOX CFPFOX
FS1
FOX NFLFOX
Monday Night FootballABC
ESPN
Monday Night Football with Peyton & EliESPN2
Omaha Productions
Sunday Night FootballNBC
Peacock

Outstanding Playoff Coverage

Playoff CoverageEntity/Entities
American League Championship SeriesFOX
FS1
College Football Playoff SemifinalsESPN
MLB Postseason on TBSTBS
NFC ChampionshipFOX
NFL Playoffs on NBCNBC
Peacock

Outstanding Edited Event Coverage

Edited Event CoverageEntity/Entities
All Access – Davis vs. Garcia: EpilogueShowtime
NFL Draft: The Pick Is InThe Roku Channel
NFL Films
Skydance Sports
NFL Game Day All Access (Super Bowl LVIII)YouTube
NFL Films
Road To The Super BowlCBS
NFL Films
2023 Special Olympic World GamesABC

Outstanding Edited Special

Edited SpecialEntity/Entities
Chasing Greatness: Coach K x LeBronTNT
CrownCBS Sports Network
E60 – The Crossover: 50 Years of Hip Hop and SportsESPN
ESPN Films
GR8TNESSESPN
You Are Looking Live!CBS
NFL Films

Outstanding Hosted Edited Series

Hosted Edited SeriesEntity/Entities
E60ESPN
Kickin’ ItParamount+
Golazo Network
The Pivot PodcastYouTube
Real Sports with Bryant GumbelHBO
Max
The Shop UNINTERRUPTEDYouTube
UNINTERRUPTED

Outstanding Esports Championship Coverage

Esports Championship CoverageEntity/Entities
Blast.tv Paris Major 2023BLAST
2023 Call of Duty League Championship Weekend
New York Subliners vs. Toronto Ultra
Twitch
YouTube
Esports Engine
Activision Blizzard
Intel Extreme Masters Cologne 2023 Grand Finals
ENCE vs. G2
Twitch
YouTube
ESL FACEIT Group
League of Legends Worlds 2023 Final
T1 vs. Weibo Gaming
LoLEsports.com
Twitch
YouTube
Riot Games
VALORANT Champions 2023 Grand Final
Paper Rex vs. Evil Geniuses
ValorantEsports.com
Twitch
YouTube
Riot Games

Outstanding Short Documentary

Short DocumentaryEntity/Entities
DreamcasterMSG Network | MSG+
456 Studios
Lord + Thomas
DaHouse Audio
Citizen Music
Vicaps
Helo
Extraordinary Stories –
One-Armed Wonder: The Extraordinary Story of Jimmy Hasty
UEFA.tv
Noah Media Group
NFL 360 – GoneNFL Network
NFL Films Presents – Lahainaluna HighFS1
NFL Films
SC Featured – Nothing Else MattersESPN+

Outstanding Long Documentary

Long DocumentaryEntity/Entities
The Deepest BreathNetflix
A24
Motive Films
Ventureland
Full CircleVimeo On Demand
Level 1 Productions
KelcePrime Video
Amazon MGM Studios
Skydance
Very Y Productions
9.14 Pictures
The Saint of Second ChancesNetflix
Tremolo
Stampede Ventures
StandShowtime
SHOWTIME Sports Documentary Films
MSM

Outstanding Documentary Series

Documentary SeriesEntity/Entities
Catching LightningShowtime
Bat Bridge Entertainment
GoliathShowtime
Village Roadshow Television
Religion of Sports
Super League: The War for FootballApple TV+
Words + Pictures
All Rise Films
UntoldNetflix
Propagate
Stardust Frames
RAW
The Players’ Tribune

Outstanding Documentary Series – Serialized

Documentary Series – SerializedEntity/Entities
Football Must Go OnParamount+
Formula 1: Drive to SurviveNetflix
Box to Box Films
Hard Knocks
Training Camp with The New York Jets
HBO
Max
NFL Films
Monster FactoryApple TV+
Vox Media Studios
Public Record
QuarterbackNetflix
NFL Films
Omaha Productions
2PM Productions

Outstanding Studio Show – Weekly

Studio Show – WeeklyEntity/Entities
College GameDayESPN
FOX CFP: Big Noon KickoffFOX
FS1
FOX NFL SundayFOX
Inside the NBA on TNTTNT
The NFL TodayCBS

Outstanding Studio Show – Daily

Studio Show – DailyEntity/Entities
MLB TonightMLB Network
NBA CountdownESPN
ESPN2
NFL LiveESPN
ESPN2
Pardon The InterruptionESPN
Rydholm Projects, Inc.
SportsCenterESPN

Outstanding Studio Show – Limited Run

Studio Show – Limited RunEntity/Entities
College GameDay – College Football PlayoffESPN
FOX MLB: The PostseasonFOX
FS1
Inside the NBA Playoffs on TNTTNT
Postseason NFL CountdownESPN
Road to the Final FourTNT

Outstanding Journalism

Journalism TitleEntity/Entities
CNN FlashDocs – “Blindsided”CNN
E60 – “Peace of Mind: Psychedelics in Sports”ESPN
E60 – “The Perfect Machine”ESPN
Real Sports with Bryant Gumbel –
“A Blind Eye: Switzerland and the Corruption of World Sport”
HBO
Max
Real Sports with Bryant Gumbel –
“Call of Duty: How War is Destroying Ukrainian Sport”
HBO
Max

Outstanding Short Feature

Short Feature TitleEntity/Entities
College GameDay – “The Legacy of Tyler Trent”ESPN
NFL 360 – “The Chief Who Walked The Sea”NFL Network
NFL 360 – “Heroes”NFL Network
NFL 360 – “Miracle”NFL Network
The NFL Today: Super Bowl LVIII – “Just Win Baby!”CBS
Sunday Night Football – “Madden & Stingley”NBC
Peacock
Thursday Night Football –
“Marshawn Lynch ‘N Yo City: Intercouse, PA (Yes, this is a real place)”
Prime Video
Amazon MGM Studios

Outstanding Long Feature

Long Feature TitleEntity/Entities
Outside The Lines – “Jordan McNair: The Freedom Within”ESPN
Playing Fields –
“Ornella: Knocking Down Social Prejudices Pursuing Her Olympic Dream”
Olympic Channel
Real Sports with Bryant Gumbel –
“No Surrender: One Man’s Battle with ALS”
HBO
Max
SportsCenter – “SC Featured: Dear Mrs. Reid”ESPN
SportsCenter – “SC Featured: Running for Martin”ESPN
UnredeemableGolf Channel

Outstanding Open/Tease

Open/TeaseEntity/Entities
The 149th Kentucky Derby – “Timeless”NBC
Peacock
Monday Night Football – “In the Air Tonight”ESPN
ABC
NHL Winter Classic on TNT – “If This Wall Could Talk”TNT
Sunday Night Football – “Heidi”NBC
Peacock
Super Bowl LVIII – “My Way”CBS

Outstanding Interactive Experience

Interactive ExperienceEntity/Entities
College Football Playoff MegaCast – Rose Bowl GameESPN
ESPN2
ESPN Deportes
ESPNU
ESPNews
SEC Network
ESPN App
ABC
LHN
Fan Controlled Racing Watch PartyTwitch
Kick
Fan Controlled Sports & Entertainment
The Magic and Mystery of US Open Champion – Carlos AlcarazESPN.com
NCAA March Madness LiveMarch Madness Live
Thursday Night Football – Black Friday Football StudioPrime Video
Amazon MGM Studios
Thursday Night Football – Event Coverage Optionality/CustomizationPrime Video
Amazon MGM Studios

Outstanding Digital Innovation

TitleSpecific Innovation (if applicable)Entity/Entities
Big City Greens ClassicFully animated live sporting event with integrated real-time animated talentESPN+
Disney Channel
Disney XD
Disney+
Beyond Sports
Silver Spoon Animation
Disney Television Animation
DreamcasterMSG Network
MSG+
Weber Shandwick
Helo
MLB NextAR AppMajor League Baseball
Red Bull ErzbergrodeoCross-platform storytelling with broadcast, web widgets and AR AppRed Bull TV
Red Bull Media House
ProteGear
TeraVolt
Girraphic
Thursday Night FootballMachine Learning on Prime VisionPrime Video
Amazon MGM Studios

Outstanding Personality/Studio Host

Studio HostEntity/Entities
Malika AndrewsESPN
ESPN2
ABC
TNT
Kevin BurkhardtFOX
FS1
Rece DavisESPN
Ernie JohnsonTNT
TBS
Scott Van PeltESPN
ESPN2
ABC

Outstanding Personality/Play-by-Play

Play-by-Play AnnouncerEntity/Entities
Mike BreenABC
Joe BuckESPN
ABC
Ian EagleCBS
TNT
TBS
Kevin HarlanTBS
CBS
TNT
truTV
Mike TiricoNBC
Peacock

Outstanding Personality/Studio Analyst

Studio AnalystEntity/Entities
Charles BarkleyTNT
Nate BurlesonCBS
Ryan ClarkESPN
ESPN2
ESPN+
ABC
Kirk HerbstreitESPN
Mina KimesESPN
ESPN2
ABC

Outstanding Personality/Event Analyst

Event AnalystEntity/Entities
Troy AikmanESPN
ABC
Cris CollinsworthNBC
Peacock
Greg OlsenFOX
Bill RafteryCBS
TNT
John SmoltzFOX
FS1
Tom VerducciFOX
FS1
MLB Network

Outstanding Personality/Sideline Reporter

Sideline ReporterEntity/Entities
Erin AndrewsFOX
Kaylee HartungPrime Video
NBC
Peacock
Tom RinaldiFOX
FS1
Holly RoweESPN
ESPN2
ABC
Tracy WolfsonCBS
TNT

Outstanding Personality/Emerging On-Air

Emerging On-Air TalentEntity/Entities
Mookie BettsBleacher Report
TBS
FOX
Noah EagleNBC
Peacock
Carli LloydFOX
FS1
Taylor RooksTNT
NBA TV
Bleacher Report
Amazon
Jay WrightCBS
CBS Sports Network
TNT

Outstanding Technical Team Event

Technical Team EventEntity/Entities
The MastersCBS
NASCAR on NBCNBC
Super Bowl LVIIICBS
Thursday Night FootballPrime Video
Amazon MGM Studios
2023 US OpenESPN
ESPN2
ESPN+
ABC

Outstanding Technical Team Studio

Technical Team StudioEntity/Entities
FIFA Women’s World Cup Australia & New Zealand 2023FOX
FS1
FOX NFL – “Stage A”FOX
NFL DraftESPN
ABC
The NFL Today – Super Bowl LVIIICBS
Thursday Night FootballPrime Video
Amazon MGM Studios

Outstanding Camera Work – Short Form

Short Form TitleEntity/Entities
The 115th Belmont Stakes –
“31 Lengths: Secretariat”
FOX
NFL 360 – “Heroes”NFL Network
NFL Films Presents – “Optex Lens”FS1
NFL Films
The NFL Today: Super Bowl LVIII – “Just Win Baby!”CBS
Super Bowl LVIII – “My Way”CBS

Outstanding Camera Work – Long Form

Long Form TitleEntity/Entities
E60 – “Sacred Dog”ESPN
Freeride Skiing – “Descendance”YouTube
Legs of Steel
Hard Knocks: Training Camp with The New York JetsHBO
Max
NFL Films
UnredeemableGolf Channel
Vamos VegasYouTube

Outstanding Editing – Short Form

Short Form TitleEntity/Entities
The 149th Kentucky Derby – “Timeless”NBC
Peacock
NFL 360 – “The Chief Who Walked The Sea”NFL Network
NFL 360 – “Heroes”NFL Network
NHL on TNT – “Show and Tell”TNT
Super Bowl LVIII – “My Way”CBS

Outstanding Editing – Long Form

Long Form TitleEntity/Entities
Freeride Skiing – “Descendance”YouTube
Legs of Steel
Hard Knocks: Training Camp with The New York JetsHBO
Max
NFL Films
KelcePrime Video
Amazon MGM Studios
Skydance
Very Y Productions
9.14 Pictures
Under Pressure: The U.S. Women’s World Cup TeamNetflix
Words + Pictures
FIFA
Time Studios
UnredeemableGolf Channel

The Dick Schaap Outstanding Writing Award – Short Form

Short Form TitleEntity/Entities
FOX CFB: Big Noon Kickoff – “J.J. McCarthy ’47′”FOX
NFL 360 – “The Chief Who Walked The Sea”NFL Network
NFL 360 – “Still Here”NFL Network
The NFL Today – “Kyle Brandt Series”CBS
Sunday Night FootballNBC
Peacock

Outstanding Writing – Long Form

Long Form TitleEntity/Entities
All AccessShowtime
Chasing Gold – “Farebersviller”NBC
E60 – “The Crossover: 50 Years of Hip Hop and Sports”ESPN
ESPN Films
Hard Knocks: Training Camp with The New York JetsHBO
Max
NFL Films
The World According to FootballShowtime
SHOWTIME Sports Documentary Films
Religion of Sports
Day Zero Productions
Mainstay Entertainment

Outstanding Music Direction

TitleEntity/Entities
E60 – “The Crossover: 50 Years of Hip Hop and Sports”ESPN
ESPN Films
E60 – “Sacred Dog”ESPN
ESPN+
Showtime Singers
The Golden BoyHBO
Max
Unrealistic Ideas
ViaMar Productions
NBA on TNT – “50 Years of Hip Hop”TNT
Super Bowl LVIII – “My Way”CBS

Outstanding Audio/Sound – Live Event

TitleEntity/Entities
FOX MLBNetflix
Box to Box Films
FOX NASCARFS1
Nascar Studios
Little League World SeriesOutside TV
The IRONMAN Group Productions
NASCAR on NBCNetflix
Religion of Sports
Sunday Night BaseballNFL Network
Sunday Night FootballNetflix
NFL Films
Omaha Productions
2PM Productions
Super Bowl LVIIICBS

Outstanding Audio/Sound – Post-Produced

TitleEntity/Entities
Formula 1: Drive to SurviveNetflix
Box to Box Films
FOX NASCAR: Race Hub –
“The Championship: Radioactive”
FS1
Nascar Studios
2023 IRONMAN World ChampionshipOutside TV
The IRONMAN Group Productions
McGregor ForeverNetflix
Religion of Sports
NFL 360 – “Heroes”NFL Network
QuarterbackNetflix
NFL Films
Omaha Productions
2PM Productions
Vamos VegasYouTube
TORQ

Outstanding Graphic Design – Event/Show

TitleEntity/Entities
FOX NFLFOX
Monday Night FootballESPN
ESPN2
ESPN+
ABC
Elastic Creative
NBA FinalsESPN
ABC
Two Fresh Creative
Panoply
Super Bowl LVIIICBS
Toy Story Funday FootballDisney+
ESPN+
BIG Studios
Beyond Sports
Silver Spoon Animation
PIXAR

Outstanding Graphic Design – Specialty

TitleEntity/Entities
MLB Network Showcase – “This Is What I Live For”MLB Network
Perception
NFL 360 – “The Chief Who Walked The Sea”NFL Network
Super League: The War for FootballApple TV+
Words + Pictures
All Rise Films
Thursday Night Football –
“TNF Show Open/Black Friday Football: Robert Randolph”
Prime Video
Amazon MGM Studios
Toy Story Funday Football –
“Duke Caboom Daredevil Spectacular”
Disney+
ESPN+

Outstanding Studio or Production Design/Art Direction

TitleEntity/Entities
The 155th Belmont Stakes – “31 Lengths: Secretariat”FOX
FOX NFL – “Stage A”FOX
Super Bowl LVIII – “My Way”CBS
Thursday Night Football –
“Black Friday Football Tradition Tease; TNF Show”
Prime Video
Amazon MGM Studios
Toy Story Funday FootballDisney+
ESPN+
BIG Studios
Beyond Sports
Silver Spoon Animation
PIXAR

The George Wensel Technical Achievement Award

TitleEntity/Entities
The Masters – “TFC Compound Connect”CBS
2023 MLB Home Run Derby –
“StatCast Edition: Live Virtual 3D Event Coverage”
ESPN2
Monday Night Football with Peyton & Eli –
“Peyton Manning’s AR Table”
ESPN2
Omaha Productions
Thursday Night Football –
“TNF Table Talk”
Prime Video
Amazon MGM Studios
Girraphic
Toy Story Funday Football –
“DragonFly Tech”
Disney+
ESPN+
NFL
Next Gen Stats
Beyond Sports
Hawk-Eye

Outstanding Promotional Announcement

Promotional AnnouncementEntity/Entities
FIFA Women’s World Cup Australia & New Zealand 2023 –
“USA vs. The World”
FOX
The Golden Boy – “Who Am I?”HBO
Max
Zealot UK
2023 NBA Finals – “We Are All in the Finals”NBA Social
Stanley Cup – “First Kiss”NHL Network
Top Rank Boxing on ESPN – “Battle of the Baddest/Rumble”ESPN
ESPN+
Park Pictures

Outstanding Public Service Content

Public Service ContentEntity/Entities
FIFA Women’s World Cup Australia & New Zealand 2023 –
“Common Goal”
FOX
FS1
Hometown HopefulsNBC
NBCSports.com
NFL on CBS – “Football for Everyone”CBS
CBS Sports Network
Notre Dame Football – “What Would You Fight For?”NBC
Youth Flag Football – “Let’s Play”NFL Network

Outstanding Studio Show in Spanish

Studio ShowEntity/Entities
Ahora o NuncaESPN Deportes
2023 FIFA Women’s World CupTelemundo
Fuera de JuegoESPN+
Fútbol Central – “Verano de Campeones”Univision
TUDN
República DeportivaUnivision
TUDN
Sunday Night FootballTelemundo

Outstanding Feature Story in Spanish

Feature StoryEntity/Entities
Balón de Oro de la Liga MX – “Tigres – Powerchair”Univision
TUDN
E60 – “Mayra”ESPN
ESPN+
Mundo NFL Originals – “El Sueño de Cieneguitas”Mundo NFL
Sway
SportsCenter – “In Her Shoes: Wang Shuang”ESPN Deportes
SportsCenter – “SC Reportajes: Do Bronx – Charles Oliveria”ESPN Deportes

Outstanding On-Air Personality in Spanish

On-Air PersonalityEntity/Entities
Alejandro BerryUnivision
TUDN
Andrés CantorTelemundo
Carolina GuillénESPN Deportes
Miguel GurwitzTelemundo
Rebecca LandaESPN Deportes
Valeria MarinUnivision
TUDN

Kirk Minihane: The Rich Shertenlieb Show on WZLX ‘Is a Disaster’

0

As one could most likely guess, former WEEI Boston sports radio talker Kirk Minihane is no fan of former 98.5 The Sports Hub host Rich Shertenlieb’s new morning show on classic rock station 100.7 WZLX.

Minihane explained the situation to his audience which led to Shertenlieb starting a new show on a music station, thus being the third sports morning show in the market. Minihane had said back in March his sources were telling him Shertenlieb would be doing the afternoon show on WEEI. That, obviously, did not turn out to be the case.

“Rich Shertenlieb is a radio producer, he shouldn’t be on the air, he’s a bits guy,” said Minihane.

The show played audio of the very beginning of Shertenlieb’s debut show which had some technical problems where music was playing over a sports report.

“This sounds like a college radio station,” Minihane said. “What the fu** is this? This is the beginning of Rich Shertenlieb saying ‘Hey, I’m going to war with you Fred Toucher? I’m getting paid to do a morning show in Boston. What is this?”

Minihane was even more harsh on some of the cast members Shertenlieb and the station have assembled, calling one of them “a moron” and saying another is “an awful person, terrible on the air.” “Everybody turned him down,” Minihane said before he declared, “That show is dead. That show has no chance. It is a disaster…It would be like me going somewhere and doing a radio show about foreign languages or about religion. It doesn’t make any sense.”

Minihane would later add, “They’re going to listen to that for a day and say ‘Oh this is like when Fred wasn’t here, and Rich had his own little planet.”

Another audio clip was played of Fred Toucher taking a shot at Shertenlieb on his morning show. To show he is an equal opportunity critic, Minihane offered about the clip from 98.5 The Sports Hub, “Hardy doesn’t work on that show. He feels uncomfortable. You can tell he doesn’t feel comfortable. What a feeling it’s gotta be if you’re Fred and you know that’s the show [you’re going up against].”

After discussing what he would do if he were to be hosting the third sports morning show in the market and how he would win the timeslot, Minihane said, “I would honestly rather blow my fu**ing brains out than sit with Ted Johnson and Charlotte Wilder and pretend to care about playing the Timberwolves or the Mavericks.”

Minihane later added his prediction for the show. “A year from now, the Rich Shertenlieb morning show will be 6th or 7th or 8th in the ratings. That’s a disaster.”

Anthony Lima: Stephen A. Smith’s ‘Clown Show’ Brought More Interest to Watching Knicks-Pacers

0

Social media was running wild over this past weekend about the way ESPN provided lopsided coverage of the Knicks-Pacers Game 7 in their second round. Earlier this week, Dan Patrick addressed the subject on The Dan Patrick Show, clips of which were played by Ken Carman and Anthony Lima on 92.3 The Fan in Cleveland.

Patrick said he was “embarrassed for ESPN” about the slanted coverage. He added, “I don’t need a Stephen A. Smith arrival video, I don’t need a pep talk with him and Spike Lee. He doesn’t work for the Knicks; he works for ESPN. I was really surprised, and I didn’t care who won but after that I was rooting for the Pacers.”

Adding to what Patrick said Lima commented, “I saw Stephen A. Smith arriving like he was a wing for the New York Knicks. I mean that’s the only way I can say it. To me it was typical Stephen A. Smith stuff. I’m entertained by Stephen A. Smith”

As it related to the unbalanced coverage between the larger market Knicks and the smaller market Pacers, Lima said, “I think they’ve gone too far with the Knicks thing.”

He then wondered if the coverage was actually something ESPN might have wanted, trying to generate more interest in keeping people around to watch the game. “I do wonder though…Dan Patrick said, ‘I didn’t have any rooting interest until I saw that and then I was rooting for the Pacers,’ Lima said. “…Do you think that’s maybe how ESPN could sleep at night, knowing that they might be building up interest in the game? … Now, after seeing Stephen A. and that song and dance and him do the clown show and him play this character, that it made people more interested in watching the game and having that kind of buy in? … Now all of a sudden you have Pacers fans that weren’t Pacers fans before the broadcast. That is what the networks want to do, they do want to generate some emotional tie in.”

Lima continued, “Showing Stephen A. before the game, I thought was hilarious. But then, on the set, it was halftime, the Knicks were getting steamrolled…they go to the halftime show and Stephen A. is apoplectic, and then Michael Wilbon…it almost sounded like he was rooting for the Knicks. You just can’t have everybody rooting for the Knicks on your show.”

Tucker Carlson Network CEO Denies Report Company Has Deal with Russian State TV

0

A report from Russia that was then picked up by Newsweek claiming that former Fox News host Tucker Carlson had struck a deal to bring his Tucker Carlson Network programming to state TV in Russia has been refuted.

Former video shows produced by Carlson had been airing on Russia 24, with voiceovers redubbed into Russian, with a news outlet claiming the program was airing there as part of a business deal between Russian state television and Carlson’s new digital media entity.

Newsweek then subsequently picked up the story, publishing an article reiterating the claims that Carlson had struck a deal with Russian authorities.

However, Neil Patel, the co-founder of the Daily Caller and current CEO of Tucker Carlson Network, strongly denied those claims.

“The Tucker Carlson Network has not done any deals with state media in any country,” Patel wrote. “Whoever is currently pretending to be the old Newsweek brand would know that if they had checked with us before printing like news companies are supposed to do.”

Newsweek later published further comments from Tucker Carlson Network Head of Programming and Production Operations Dean Thompson, who also denied the story.

“The story of a Russian show is totally false,” he said. “Any use of our content by that channel is without legal permission.”

KRLD Adds Weekend Show From Longtime Texas Country Reporter Hosts

0

Bob and Kelli Phillips have hosted Texas Country Reporter for decades before hosting their final show Sunday. Now, they’ll take a new show and podcast to KRLD in Dallas.

The new Texas lifestyle and storytelling program — On the Road with Kelli & Bob — will begin on the Audacy-owned all-new station on Sunday, June 2nd, and will be heard from 2-3 PM. The show will also be available throughout the state and a podcast of the program will be available on the Audacy app.

“We’ve been telling stories across Texas for almost 50 years and did not know how other people from other states would embrace us calling in and asking to tell their stories,” Bob Phillips told the Houston Chronicle. “While doing so, we have had a great response and have heard a common thread among everyone we talk to. When we approach them, we say we like to tell positive, uplifting stories about people doing great things — and what we hear the most is ‘Good, we need more of that in the world.’”

The husband and wife duo sold their long-running Texas Country Reporter show in December 2021, and stayed on until a new host was found. J.B. Sauceda will host the newest season of the program, the 53rd in its history, when the program resumes in September.