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TNT Sports to Present Fully-Animated ‘MultiVersus NHL Face-Off’ Broadcast

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TNT Sports, Warner Bros. Games and the National Hockey League have announced that an animated alternate broadcast will air on Sunday, April 14 at 3:30 p.m. EST on truTV and streaming on the B/R Sports Add-On through Max. The MultiVersus NHL Face-Off will include several Warner Bros. Discovery characters appearing in the MultiVersus video game, some of which include Bugs Bunny, Batman, Superman and Wonder Woman. Warner Bros. and DC Comics characters will take the ice for the Western Conference matchup between the Colorado Avalanche and Vegas Golden Knights utilizing the NHL EDGE tracking technology to simultaneously replicate the action. The contest will be officiated by the Tasmanian Devil from Looney Tunes.

During the NHL on TNT postgame show on Sunday, April 7, a draft of the MultiVersus characters will take place ahead of the game the following week. Pittsburgh Penguins radio play-by-play announcer Steve Mears and television in-game color commentator and studio analyst Colby Armstrong will call the action. They will remain on the air during the first and second intermissions to share their thoughts on the gameplay and deliver analysis to prepare fans for the forthcoming action. The traditional broadcast of the game, which will feature broadcasters Kenny Albert, Eddie Olczyk and Brian Boucher, will air simultaneously on TNT and is available to stream using the B/R Sports Add-On through Max.

The setting for the ice rink within the MultiVersus NHL Face-Off Draft will include rotating surrounding elements based on parts of the game. Examples of such include the court from Space Jam, tree fort from Adventure Time and Sky Arena. Avatars of NHL stars such as Nathan MacKinnon and Cale Makar of the Colorado Avalanche and Jack Eichel and Jonathan Marchessault of the Vegas Golden Knights will be implemented into the broadcast. The Avalanche won the Stanley Cup in 2022, while the Golden Knights are the league’s defending champions and hoisted the trophy for the first time in franchise history in 2023.

In addition to positional data pertaining to puck and player tracking within NHL EDGE technology, the broadcast will also equip Hawk-Eye Innovations. This will allow the broadcast to effectively present realistic character and player avatar movements that will closely resemble what is ensuing on the ice. NHL innovation partner Beyond Sports will be involved in producing these animations for the broadcast. The MultiVersus video game, developed by Player First Games, is set to be officially released on May 28.

For TNT Sports, the endeavor represents the first animated broadcast for its NHL on TNT broadcast property. The National Hockey League has worked with The Walt Disney Company and ESPN to present two editions of the NHL Big City Greens Classic on ESPN+, Disney+, Disney XD and Disney Channel. Outside of NHL games, the National Football League recently worked with Disney and ESPN for a Toy Story Funday Football broadcast when the Atlanta Falcons and Jacksonville Jaguars played from Wembley Stadium in London, England, which streamed on Disney+, ESPN+ and through the league’s NFL+ platform.

TNT Sports recently introduced a new programming lineup for truTV that includes a sports block of shows that aims to broaden the reach of its content. Aside from sports movies and documentaries within the lineup, new programs including TNT Sports Tonight, The Line are now part of the regular schedule. Video podcasts from Ernie Johnson, Charles Barkley and Shaquille O’Neal also comprise the offerings in addition to MotoGP races. Commercial rights to MotoGP were recently acquired by Liberty Media, the same media conglomerate that owns Formula 1 and has an ownership stake in the Atlanta Braves.

Mike Tirico to Lead Extensive SiriusXM Masters Coverage

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SiriusXM will once again be the exclusive audio home of the Masters Tournament, which gets underway the week of April 8th. Mike Tirico will serve as SiriusXM’s voice of the Masters and will be joined by lead analyst Steve Melnyk, the 1971 Masters low amateur.

SiriusXM will have live coverage of all four days of tournament play as well as daily Masters-focused talk show, specials and more. Coverage will begin each day at 2 p.m. ET and run through the completion of play.

Masters Radio on SiriusXM will be available to subscribers on channel 92 and streaming on the SiriusXM app. The SiriusXM app will feature a special Masters page enabling listeners to easily access Tournament coverage, and special Masters Week programming.

“The Masters is always one of the most anticipated weeks on the sports calendar, and our team at SiriusXM prides themselves on bringing our listeners across the country closer to everything happening that week at Augusta National,” said Scott Greenstein, SiriusXM’s President and Chief Content Officer. “We’ll cover the action on the course from the first tee shot on Thursday through the presentation of the Green Jacket on Sunday and bring you news from Augusta National throughout the week, interviews with competitors and much more.”

In addition to Tirico and Melnyk, the broadcast will feature on-course reports from John Maginnes, Brian Katrek, Maureen Madill and Johnson Wagner.

SiriusXM will also offer live coverage of the Masters Par 3 Contest which will air on Wednesday, April 10 starting at 2 p.m. ET. David Marr III will host the coverage alongside World Golf Hall of Famer Hale Irwin, Fred Albers and Chantel McCabe.

Prior to Masters week kicking off, SiriusXM will have coverage of the Augusta National Women’s Amateur on Saturday, April 6 from noon – 3 p.m. ET. SiriusXM’s Chantel McCabe and Fred Albers will host the broadcast, with special commentary from Annika Sorenstam and Nancy Lopez.

Ian Eagle to 92.3 The Fan: “I May End Up Laying Out a Little More” During Final Four

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For the first time in over three decades, the NCAA Men’s Final Four and National Championship Game will have a new play-by-play voice delivering the call of the thrilling action. As NC State, Purdue, Alabama and UConn battle for a chance to cut down the nets victorious as champions on Monday night, Ian Eagle will be behind the microphone calling the action, succeeding Jim Nantz in the role he held for 32 editions of the tournament.

Eagle, who also serves as a play-by-play voice for the NFL on CBS, NBA on TNT and Brooklyn Nets on YES Network, understands the honor and distinction associated with the coveted play-by-play announcing role. Leading up to the Final Four on Saturday night though, he is continuing to work his regular broadcast schedule, preparing to call the Brooklyn Nets game against the Indiana Pacers on Wednesday night at 7:30 p.m. EST.

Eagle has been a sports play-by-play announcer for several years and is a graduate of the prestigious S.I. Newhouse School of Public Communications at Syracuse University. Leading up to the assignment to close out the NCAA Division I Men’s Basketball Tournament though, he is trying to keep everything in perspective and approach his job in a similar manner. When asked by Ken Carman of 92.3 The Fan how it feels to be the lead play-by-play voice of the tournament, Eagle replied that it “feels the same” and explained how he is going about preparing for the matchups in the same way.

“I think once I get there, obviously it’s going to be a little different; how people react to you is different, but how I compartmentalize and approach it is basically the same,” Eagle said. “I’m not going to do much different than I would do in any other basketball game, other than I may end up laying out a little more. Let the pictures take over; let the sounds take over.”

The Final Four and National Championship games are going to take place from State Farm Stadium in Glendale, Ariz., which hosted last year’s Super Bowl LVII between the Kansas City Chiefs and Philadelphia Eagles. Since the venue is able to hold over 63,000 fans, Eagle is cognizant of the acoustics and how it may sound different both in person and on television. Although he largely perceives the preparation as the same, he does not discount the fact that he will realize the inherent sublimity of March Madness as a whole and his role in the proceedings on the way to the stadium.

With ratings for the tournament continuing to rise both for the men’s and women’s brackets, Eagle believes there has been momentum that has carried over from the opening week. Having worked and followed the tournament for several years, Eagle recognizes that when upsets occur in the first round but do not continue in the second round, the viewership numbers seem to sustain itself. This year’s Men’s Final Four consists of UConn, Purdue, Alabama and NC State, all of which have various storylines that can be extrapolated on the broadcast and are drawing interest.

“I just don’t know if the ratings have ever shown that teams [from a smaller conference] necessarily deliver in the second weekend of the tournament,” Eagle said, “so it’s one of those strange blips that we can sometimes dismiss because the NCAA Tournament’s all about upsets and a little school that could.”

Eagle will be working alongside color commentators Bill Rafferty and Grant Hill and reporter Tracy Wolfson on the Final Four and National Championship broadcasts. Anthony Lima, morning co-host on 92.3 The Fan, asked Eagle how he will go about establishing chemistry with his colleagues and ensuring that the sound of the game meets the moment. Eagle does not generally work in a three-person broadcasting booth in his other commentary roles, and he is making sure that he will do his job to effectively tell the story of the game and set up his colleagues for success.

“It’s a lot more of a traffic cop mentality I think as a play-by-play guy,” Eagle said. “If you go into this thinking, ‘Hey, I’m just going to do what I do and then let everything fall into place,’ it’s not going to work. Everybody’s got to touch the ball; everybody’s got to feel like they’re contributing, and it really is incumbent upon you to make sure that’s happening, and that’s something that you have to gauge throughout the broadcast.”

Whenever he is commentating a game, Eagle keeps the viewer in mind by thinking to himself if he would find the coverage they are providing as being interesting. Beginning with the first game of the Final Four on Saturday night between NC State and Purdue at 6:09 p.m. EST, he will showcase his comprehensive basketball knowledge and commentating abilities en masse. Both Final Four games will air on TBS, TNT and truTV on Saturday, the second of which will begin at approximately 8:49 p.m. EST between Alabama and UConn. The National Championship Game will take place on Monday, April 8 and air on TBS, TNT and truTV beginning at 9 p.m. EST.

Tucker Carlson: I’m Not Welcome at My Former Boarding School Because of Conservative Beliefs

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Tucker Carlson has revealed he is not welcome at his high school alma mater — St. George’s School, a boarding school in Rhode Island — because of his conservative beliefs.

Carlson was hoping to speak to students at the school, but was forced to speak to them via Zoom because the school would not allow him to come on campus.

“I found, honestly in my exchanges with the administration at St. George’s, a total resistance to having anybody who they don’t agree with even in the same world. Like I’m not on your campus right now because they — the campus that I went to, and donated to, and sent my two children to — because they wouldn’t let me come,” Carlson said.

“And why wouldn’t they let me come? Well, of course, because they hate my politics. And my feeling was, well, that’s wrong. First of all, I want to be there. I want to meet the kids. I want to see the kids. And I feel it would be good for everyone to have this happen. I don’t want a mandatory chapel where everyone has to come and hear me; I don’t believe in that,” Carlson concluded. “I don’t want to press my views on people who don’t want to hear them.”

In a letter to the school’s community, St. George’s stated that because of “his public profile, and the significant challenges associated with a publicized on-campus visit, including the potential that people outside the community might seek to attend.”

The school added that due to Rhode Island state law, security with firearms aren’t allowed on school campuses.

The school was not happy that Tucker Carlson went public with his anger about the situation.

“We are disappointed that Mr. Carlson chose to record and share the Zoom discussion. The students deserved to know in advance if that was his plan. We also strongly disagree with his description of the discussions that led to the Zoom conversation as well as our openness to having students hear a wide range of viewers and perspectives, including Mr. Carlson’s,” a letter signed by the Chair of the Board of Trustees and the Head of School. “We are most troubled, however, by his unfair criticism of our dedicated faculty and staff. Their professionalism and commitment to our students is evident every day, and they have our full support and gratitude.”

Aliyah Boston Joining ESPN Studio Coverage of NCAA Tournament

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Aliyah Boston, forward for the Indiana Fever and the 2023 WNBA Rookie of the Year, is joining the ESPN studio broadcast team during the upcoming NCAA Women’s Final Four in Cleveland. The forthcoming games from Rocket Mortgage FieldHouse will include broadcasts hosted by Elle Duncan with analysts Andraya Carter, Chiney Ogwumike and Carolyn Peck along with Boston. News of Boston’s role with ESPN for the NCAA Division I Women’s Basketball Tournament was first reported by Mollie Cahillane of Sports Business Journal.

“We are incredibly excited to welcome such a legend to our set,” Sara Gaiero, ESPN vice president of production, said in a statement. “Aliyah will bring great energy to our already stellar crew, and we cannot wait to watch what she brings to our coverage as someone who won the National Championship just two years ago.”

For Boston, joining ESPN for the tournament is her latest broadcasting endeavor following her work as a studio analyst this past season for coverage of the Big Ten Conference on NBC Sports. Boston, who continues to play professional basketball for the Fever, worked alongside studio host Carolyn Manno and analyst Meghan McKeown on the studio program throughout the Big Ten Conference regular season.

“It is a dream to be a part of such a special weekend and I’m so glad that God has opened this door for me,” Boston said in a statement. “I could not be happier to join this incredible team. As a player, there was no bigger thrill than the Final Four. I’m really excited to return, share my experience, and shine a light on the amazing players we’ll see take the court in Cleveland.”

As South Carolina competes for a spot in the National Championship Game on Friday, Boston will be able to provide her perspective and analysis as a former player on its 2022 National Championship team. The South Carolina Gamecocks recently defeated the Oregon State Beavers in the Elite Eight in a matchup that drew an average of 3.1 million viewers on ABC.

As a whole, the Elite Eight averaged 6.2 million viewers, marking the most-watched iteration of this round of the tournament on record and up 184% year-over-year. The highly-anticipated National Championship Game rematch between the LSU Tigers and Iowa Hawkeyes on ESPN led the way as the most-watched women’s college basketball game on record with an average of 12.3 million viewers.

The NCAA Women’s Final Four begins on Friday night with a matchup between NC State and South Carolina set to commence at 7 p.m. EST on ESPN and streaming on ESPN+. Ryan Ruocco, Rebecca Lobo and Holly Rowe will be on the call for the matchup, along with the subsequent game between UConn and Iowa at 9:30 p.m. EST. WNBA Hall of Fame players Sue Bird and Dianna Taurasi will also present an alternate broadcast of both games on ESPN2 and streaming on ESPN+.

Richard Deitsch: We Are in a ‘New World in Terms of Interest’ in Women’s Sports

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On Tuesday afternoon, ESPN announced that the Elite Eight matchup within the NCAA Division I Women’s Basketball Tournament between the Iowa Hawkeyes and LSU Tigers averaged 12.3 million viewers. The metric rendered the contest as the most-watched college basketball game of all time. Sports media senior writer Richard Deitsch prognosticated that the game would deliver large viewership numbers ahead of the start.

Before the Elite Eight game, Deitsch appeared on San Diego Sports 760 to give his perspective on the growth of women’s sports as a whole, on which he correctly predicted that the game would be the most-watched in the history of the NCAA Tournament prior to the Final Four. While Deitsch was reporting for Sports Illustrated, he had the opportunity to cover 15 iterations of the Final Four either as the reporter or principal writer. Reflecting back on his experience and comparing it to growth in the sector, he can evince palpable differences and overall progress.

“I can tell you that we are just in a new world in terms of interest,” Deitsch said. “Obviously Caitlin Clark is a very big reason for that – there’s just so much casual fan interest in her – but the viewership numbers, they don’t lie.”

Iowa ended up winning the pivotal tournament game, which peaked at 16 million viewers, securing a trip to the Final Four and subduing the LSU Tigers’ bid for a second consecutive National Championship.

Deitsch conveyed that the viewership for the tournament is up by 100% this year, which will continue to be televised by ESPN under its new eight-year media rights agreement with the NCAA. The deal, which begins this September, is worth an average of $115 million per year, according to NCAA president Charlie Baker as told to Sports Business Journal.

The National Championship Game for the 2023 NCAA Division I Women’s Basketball Tournament between Iowa and LSU averaged 9.9 million viewers and peaked at 12.6 million viewers when it was broadcast on ABC for the first time. Deitsch classified the contest, which was also available to stream on ESPN+, as “an inflection point,” explaining how there was interest in the athletic play and back and forth between Angel Reese and Caitlin Clark.

This year’s National Championship Game will return to ABC and will also be available to stream live on ESPN+, taking place on Sunday, April 7 at 3 p.m. EST. Play-by-play announcer Ryan Ruocco, color commentator Rebecca Lobo and reporter Holly Rowe will be on-site from Rocket Mortgage FieldHouse where the team to collect two victories will hoist the championship trophy.

“[ESPN has] invested a lot of money in this tournament, and they want to recoup their money from advertising, so they’re getting in better programming windows,” Deitsch said. “So you’re seeing games now on ABC where once upon a time you might have only seen those games on ESPN or ESPN2.”

ESPN revealed that the four Elite Eight games within the NCAA Women’s Championship averaged 6.2 million viewers, making it the most-watched iteration of this round of the tournament on record. Deitsch explained that the athletes within women’s college basketball have become their own brands, in part because of the changing regulations and restrictions surrounding name, image and likeness (NIL). A recent list from Sportico that Deitsch referenced delineated that seven out of the top-10 most-followed college athletes on Instagram were in women’s college basketball.

Although Deitsch believes some of the growth will be reduced when Caitlin Clark leaves the NCAA after the season to join the WNBA, he feels optimistic about the future. Show host Darren Smith stated that he does not mind discussing women’s sports on the air, but there have been times when he has received pushback.

“Will it extend to sports talk radio – like start talking about the PWHL and the NWSL? I don’t think so,” Deitsch said, “but the way I’d look at it is if it brings a little bit more people interested in different sports and if it gets let’s say somebody like you doing let’s say two segments a week or four segments a week as opposed to zero, that’s progress, and that’s where I think all of this is headed in a good direction.”

KDKA Names PJ Kumanchik Brand Manager

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KDKA has announced the promotion of PJ Kumanchik to serve as the Brand Manager of the Audacy Pittsburgh news/talk station.

Kumanchick — who has served as the station’s News Manager — will replace Dave LaBrozzi after he announced his retirement earlier this year.

An employee of the station for 35 years, PJ Kumanchik has served as a News Producer and Editor, Morning Show Producer, and Sports Producer, and previously worked as the Program Director of sister station at 93.7 The Fan. He also has been the Executive Producer of the Pitt Panther football broadcasts for the past nine seasons.

“I look forward to working with our leadership team, including Michael, to boost the momentum we have created at KDKA News Radio in the past couple of years,” said Kumanchik. “As the Voice of Pittsburgh, we will continue to provide news-driven talk that encourages interactions from our listeners.”

“I first want to congratulate Dave on an incredible career. It has been a privilege to work with him over the past two years,” said Audacy Pittsburgh Senior Vice President and Market Manager Michael Spacciapolli. “We’re delighted to promote PJ, a mainstay at KDKA for the last 35 years. The trust he has built within our organization and with listeners and partners makes him a great fit to steward this iconic brand into the future as we grow on many levels.”

Clay Travis: ‘It’s Important for Content Creators to Also Own Their Businesses’

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Clay Travis has long had an entrepreneurial spirit. After launching OutKick, he sold the outlet to Fox in 2021. He believes owning your business is imperative for content creators.

On Tuesday, Travis announced that he — in conjunction with his news/talk radio co-host Buck Sexton — had launched a new coffee company. Crockett Coffee — named after American folk hero Davy Crockett is “coffee for people who believe America is the greatest country in world history,” said Travis.

He went on to discuss the importance of business ownership.

“It’s important for content creators to also own their own businesses to fight back against woke, cancel culture. It makes you uncancellable,” Clay Travis wrote. “I couldn’t have said everything I’ve said without having owned (OutKick).”

Clay Travis joked that the company was likely going to fare better than his previous business endeavor with OutKick which involved attempting to sell college sports team-colored pants.

Seller to Seller: Brian Schneekloth, Beasley Media Group Boston

Beasley Media Group Boston Director of Sales Brian Schneekloth did not think going back to local media was in his future almost eight years ago. Schneekloth was with Katz Media Group at the time and was managing the national sales office in Boston for Entercom and CBS. Prior to that he had been in local radio at CBS Radio and Entercom.

In 2016, Beasley Media Group Boston Vice President and Market Manager Mary Menna called and asked if he might be interested in joining her management team. “I wasn’t that interested in making a move. Then, I went and had lunch with her and next thing you know I signed a deal to run sales at Magic 106.7.”

Later on, something truly magical happened. As Schneekloth describes it, “And then probably the greatest day of my career was the day I was told we were trading Magic for 98.5 The Sports Hub and the Beasley’s wanted me to run The Sports Hub and the rest has been history.” And it has been a successful history. 98.5 The Sports Hub is not only recognized as one of the top sports radio stations for content, in 2022 BIA published the over-the-air revenue of the top 10 radio stations in the country and The Sports Hub came in at number four with over $34 million in annual revenue and ranks as the No. 1 station in the sports format.

Schneekloth said he was a big fan and listener of the station prior to Beasley acquiring it and said he really liked that it wasn’t just a couple of sportswriters sitting around talking about sports, but rather had a more upbeat, almost rock-station vibe to it. He did also say there were some sellers in the cluster who didn’t like the change and couldn’t figure out how to pivot to a new way of selling – creatively.

“What I think is really impactful about sports is the ability to get creative, to find fun and interesting ways to align clients with content.,” he said.

Schneekloth talked about the talent he works with at The Sports Hub and said, “The people who work here are good people, they want to win, they are competitive, so they’re willing to help us in any way we need it.”

As for how sales and programming work together, he said, “We try not to bring them ideas that don’t make sense. If the ideas pass the sniff test with me and my management team, then we will bring it to the talent or the Program Director…Nine times out of 10 they are on board, but I think that trust has been built up over the past few years.”

Schneekloth mentioned a recent opportunity with a local software company which does internet defense and threat detection. He said afternoon drive host Tony Massarotti was presented with an idea for his baseball show where he would identify the biggest threat to the Red Sox in a particular series.

“That makes sense from a programming standpoint,” Schneekloth said. “Our listeners wouldn’t be turned off by that. It also allows the client to be a part of that discussion and it’s a lot more impactful for the client rather than just selling them spots. We are selling them spots, digital and all these other activations but there is also this piece that weaves into the discussions that are happening live on the air.”

This is what Schneekloth loves to do, partner up clients with ideas that get them excited. “I think creativity is king. That’s the currency that we have is the ability to be creative. Every client has so many media options nowadays. When we can get creative, we win. Nine times out of ten. The format allows us for that creativity.”

Of course, it also takes talented sales reps to have out in the field pitching these creative ideas. Asked what the most important traits of his top sellers are, Schneekloth said, “Great sellers have to be persistent, have to be good listeners and they need to be creative. I think if you have those three attributes you can do really well in this business. You have to have an unwavering commitment to making those calls and your outbound effort. You can’t be thin-skinned because you will get a lot of ‘no’s’ but if you’re relentless in your pursuit of getting meetings with people who have money to spend and then you’re creative – you’re doing pretty good, and you should be able to make a lot of money.”

As for finding new sellers to join his team, he said, “Recruitment is very hard in today’s day and age.” Schneekloth said when he first started in management they would hire 15 kids in a year, and one would end up making it. “…Now, we don’t have those budgets to just churn and burn 15 reps throughout the year without an account list. We need to fund our own bench.”

Schneekloth said one thing they have done which has helped, is a unique way of looking at their sales assistant positions. “To me, I think it’s best to recruit people into support roles that have the ability to ascend into a sales position. And it’s a lot easier to recruit into a sales support role when there’s a path and a pipeline to success for them. I think that’s something we don’t do a good enough job of as an industry, and we need to do a better job.”

Schneekloth said he currently has two sales assistants who make cold calls and send cold emails each week “in preparation for their future. If you want to be successful in this business, you have to be willing to do what the sales reps are doing each day. If I can show them a path to that, they’re more likely to stay here longer…I can sell the hope and the opportunity to kids right out of college to get the brightest and the best, in order to do that it can’t be a dead-end job, there has to be a path to success. My commitment to them is if you work hard and do what I ask you to do, if you decide one day you don’t like the path, I’ll help you find another path, in or outside of this business or building. I think that resonates with people coming out of college.” He also noted both assistants have closed business.

Something else Schneekloth said his team does that is not done very many places any longer is posting sales numbers for the whole team to see. “I know historically people don’t want you to post the numbers on the wall for fear you might offend someone. To me, I embrace that. Our numbers go up in the sales meeting every single week. If you are on the bottom of that list, there’s one thing you can do to change that and that is to close more business.”

Schneekloth says he often has reps who fall near the bottom of the lists coming to talk with him after the numbers are posted saying they know what they need to do and are motivated to move up. “I think it’s a very strong way to motivate people, we are very transparent,” he said. “It has helped, and it creates that culture of competition, but a healthy competition. You want your team to compete with each other but also be happy for each other when they win.”

Winning is something Brian Schneekloth and his sales team are getting used to at Beasley Media Group in Boston.

If you know somebody in sports media sales I should have a conversation with, email me at davegreene34@gmail.com

How Local TV Can Be A Major Partner in the Future of News/Talk Radio

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A TV executive friend of mine recently floated an interesting theory to me: In a matter of years, TV networks and their parent companies will pull away from their local affiliates.

The logic: With large media companies wanting to own it all for their streaming properties, the current model won’t work for them. They may still sell shows to the locals, but in general, they won’t want to share anymore, and local TV would be left to program all on its own — including news.

He didn’t put a date on it, but he was reasonably certain that was the future.

I have no reason to doubt that, but it got me to thinking …

Thinking … of an aspect of local media that’s thriving right now.

You think on it, too … and think …

Radio? TV? Newspapers? (Actually, my new term is written news/media. Not catchy but certainly more accurate than newspapers or even digital media – in my opinion.)

Who’s doing well? Not many.

Sure, the high-end, on-air folks at the network still make a lot of money, and let’s be honest, the likes of NBC News — because of the Today Show mainly — and other network news divisions still turn healthy profits, though decidedly less healthy than in decades past.

In general, if you also consider social media producers and podcasters, there is growth and some wildly successful content producers but the space is overcrowded; and there have been plenty of reports that even though hours listened continues to go up, actual downloads are down. Also, if we’re being honest, a huge portion of social media and podcasting falls under infotainment and an even bigger chunk is straight entertainment — certainly not journalism.

Local stations must still make money; otherwise, why continue to operate? But the model isn’t great. All outlets (radio, TV, written) are battling for an ever-shrinking audience, but you know that already.

What you may not have thought about is a possible way to survive and thrive in a future that may not even have the TV affiliate model.

Work more together.

Yes, there are a lot of relationships between the mediums in cities across the country, and in some markets, parent companies own or have owned all three.

Truth be told, my instinct is to dislike consolidation because it can kill competition, and with domination can come bias, control and disinformation.

I am not calling for mass media mergers or takeovers like the one done by hedge fund Alden Capital which bought Tribune and newspapers like our capitol city’s Hartford Courant. All they do is cut staff and content to try and maintain margins.

Even the success story at Hearst isn’t what I am talking about. They own media properties in various formats — from newspapers and television stations to magazines – but I cannot envision how that could and would be replicated in the near term.

I am talking about more active partnerships.

For instance, I still want to promote great written journalism, so I always try to get local reporters on the radio as much as possible. I could easily just talk ABOUT their work, but why not talk TO them about it? Their success doesn’t cannibalize mine, and if they succeed, then it means more content and journalism moving forward, which means more for me to talk about.

That’s easy, and in this era, almost all of them want to do radio for the exact aforementioned reasons.

On to the other two.

Why isn’t there more crossover between radio and television? As someone who’s now done both fulltime, I don’t understand why local outlets don’t do it more.

Some news directors and general managers might think cross-promotion means less promotion for themselves, but at the basic level, both sides can benefit.

There is some threat of competition, but despite streaming growth for radio where it can be consumed easier in the home, on the whole, you can still have the mutually beneficial “watch in the home and listen in the car.”

Sports radio has found a way to simulcast on television in several markets. Why not news radio, too?

Over the last three years, I’ve learned to respect how much talent there is on the radio. People are smart and funny with the ability to ad lib wonderfully. Don’t you think local television could use a little less teleprompter and a little more personality and engagement?

Yes and Yes.

More on-air TV talent can come on the radio and promote their stuff and also sharpen their off-script game, while radio folks can spice up a pretty predictably templated local TV news game.

Both can get more attention in the marketplace by doing things differently, generate positive energy, and most importantly, generate legitimate content people might actually want to see and hear.