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Sid Rosenberg: 77WABC Management Didn’t Want Curtis Sliwa to Join Me Every Morning

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After the death of Bernie McGuirk in October 2022, Sid Rosenberg began hosting the morning show on 77WABC by himself, with a rotating cast of characters joining the program each day. One of them, Curtis Sliwa, has become a regular, joining the show every day. However, Rosenberg revealed station management didn’t necessarily want that to happen.

During Sid and Friends in the Morning Thursday, Rosenberg admitted that leaders at the New York news/talk station were skeptical of his decision to bring Sliwa to the program daily.

“Nobody loves Curtis more than me, evidenced by the fact he will join me in about 25 minutes that he’s on the show every weekday morning,” said Rosenberg. “Let me tell you, nobody else wanted that to happen. Nobody. Not even the bosses here. They were like, ‘What? What are you, nuts?’

“But I did it. And I think it’s turned out to be a great move because to Curtis’ credit, he’s a great radio guy, small doses, of course,” Rosenberg joked. “He’s a great radio guy, ok? And every day he comes on, and he’s great. He’s not good. He’s great.”

In addition to joining Sid Rosenberg every morning, Curtis Sliwa hosts his own program on 77WABC from 12:15-1:00 PM each weekday.

Dan Patrick to Broadcast Live from Fontainebleau Resort During Super Bowl Week

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Dan Patrick and ‘The Dan Patrick Show’ will be headed to Las Vegas to broadcast live during Super Bowl Week and have chosen the Fontainebleau Resort as the location for their five days of coverage.

“Every year when we plan where to take the show for this week – the biggest week in sports – we look to try something new, something fresh and the Fontainebleau is the newest and freshest spot in Las Vegas,” said Dan Patrick. “The coolest part of this partnership is that over the past few months the people at the Fontainebleau have sent us pictures and videos of the final stages of development. We got a sneak peek. This place is cutting edge with a big nod to old school Vegas throughout. We can’t wait to get out there to do the show, see the fans and enjoy the property.”

“Fontainebleau Las Vegas is the ultimate stage for this once-in-a-generation sporting event, and we are proud to welcome Dan Patrick and The Dan Patrick Show as part of our inaugural ‘Big Game’ programming,” says Fontainebleau Las Vegas President Mark Tricano. “This is a rare opportunity for sports fans to see one of the best in broadcasting up close, catch a glimpse of their favorite celebrities and athletes, and get a one-of-a-kind, on-camera inside look at this incredible resort.”

Keith Olbermann Shrinks Podcast Due to Vocal Strain

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In the news/talk genre dominated by conservative voices and opinions, longtime cable news host Keith Olbermann has been one of the loudest and most prominent dissenting voices. Now, that voice is undergoing some strain.

During his Thursday episode of Countdown with Keith Olbermann, the host admitted that the length of his podcast was drastically shorter than usual. Most of the podcast episodes range between 40-60 minutes, with Thursday’s edition only covering 25 minutes.

At the end of the podcast, Olbermann revealed doctors had only given him permission to continue hosting the program if he limited the lengths of the episodes temporarily.

“I’ve done all the damage I can do here on Countdown. Thank you for listening. This time it’s literally damage to myself. My ENT agreed to let me keep talking, provided I cut back today. So you’ve just heard the streamlined version. I’m not Lloyd Austin, you hear. I’m not sick,” Olbermann said, referencing Secretary of Defense Lloyd Austin, who transferred power to a subordinate after failing to disclose he had undergone surgery to address a prostate cancer diagnosis.

“There’s nothing seriously wrong structurally,” continued Olbermann. “They’re not worried about my throat. It’s just everything is strained from projecting while sick. Will get better. Thanks for your indulgence.”

Podcast Hall of Fame Names 8 to Class of 2024

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The Podcast Hall of Fame has announced its class of 2024, and its plans for its induction ceremony later this month.

The Class of 2024 Induction Ceremony — the sixth in the Hall of Fame’s history — is scheduled for January 26 in Orlando. Dr. Drew Pinsky will serve as host. The ceremony will be live-streamed on the Libsyn YouTube channel.

The full list of 2024 honorees is:

  • Adam Carolla, Host of The Adam Carolla Show
  • Aaron Mahnke, Host & Producer of Lore
  • Daniel J. Lewis, Podcasting educator, advocate, and innovator
  • Doug Kaye, Executive Director of The Conversations Network
  • Jesse Thorn, Founder of Maximum Fun
  • Laurie Sims, Former President & COO of Libsyn
  • Maria Hinojosa, Pulitzer Prize-winning founder of Futuro Media and Host of Latino USA
  • Michael Butler, Host of The Rock and Roll Geek Show

“Bringing the Podcast Hall of Fame to Podfest Expo is a momentous occasion, enabling us to unite the pioneers and trailblazers who have elevated this dynamic medium,” said Podfest Expo Chief Creative Officer Chris Krimitsos, per RadioInk. “The Class of 2024 Induction Ceremony will be an exciting opportunity to celebrate the voices that are continually shaping the podcasting landscape.”

“These honorees, with their exceptional contributions to the ever-expanding podcasting universe, exemplify the heart of podcasting’s evolution, and we’re proud to recognize their lasting legacy,” added Libsyn CEO John Gibbons.

Shannon Sharpe: Jason Whitlock Could Never Do What I Do

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Shannon Sharpe doesn’t have issues with Jason Whitlock and doesn’t anticipate any in the future. That’s because the BlazeTV host isn’t worth the Pro Football Hall of Famer’s time.

Sharpe and Chad Ochocinco hosted their podcast Nightcap on Wednesday, and reacted to Stephen A. Smith’s video about Whitlock.

Shannon Sharpe told Ochocinco that Smith was so far above Whitlock that he didn’t need to even respond.

“The only way he can get up is if he’s attached to Stephen A. or somebody that’s higher that’s going up,” Sharpe said.

Sharpe felt there is a mutual understanding between he and his former FS1 colleague.

“I don’t mess with him,” he said. “I don’t mess with him, and he knows I don’t mess with him. FOX tried to feed him some information about this and that, and he threatened. I don’t get into all that.”

Shannon Sharpe said he knows who and what he is. He’s just going to let Whitlock keep speaking and not be bothered with his games.

“Y’all say all y’all’s little stuff,” Sharpe said. “See the problem that he has with me – and this is what a lot of people have that are journalists – I can sit at a desk on ESPN, or I did it at FOX, and I can do what they do. They could never live in my world. They could never play pro sports.

“So now not only could I play sports and I was damn good, I can sit across, and I’m more entertaining and informative. I’m more educational than you,” he added. “Those that can, do. Those that can’t, talk.”

Ever since his interview with Katt Williams went live, Sharpe has taken heat. He chalks it up to jealousy from critics and naysayers who haven’t found the success in the media space, which he found in a short period of time.

“That irks them,” Sharpe said. “It irks them that somebody from rural South Georgia with a lisp that overcame that, can do this. It bothers them that Complex voted me most entertaining. It bothered them. It bothered them that I got the interview with Katt Williams.”

“Why are y’all bothering me? I’ve never said anything about anybody, because I don’t care about you,” he said.

Dan Le Batard: I Got Jason Whitlock Hired at ESPN

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Is Dan Le Batard the man responsible for BlazeTV host Jason Whitlock getting his job at ESPN back in the day? He believes he might have had something to do with it.

On, The Dan Le Batard Show with Stugotz on Thursday, Dan reacted to Stephen A. Smith’s lengthy dressing down of Whitlock. Smith at one point in his podcast said former ESPN president and Meadowlark Media co-founder John Skipper’s biggest regret at the network was hiring Whitlock. After thinking about it, Le Batard had an epiphany.

“It is possible that Jason Whitlock got that job from Skipper because the one time I used Skipper’s phone number was to vouch for Jason Whitlock as a journalist,” Le Batard said as executive producer Mike Ryan Ruiz and the rest of the show crew cringed. Amin Elhassan said this all might be Dan’s fault, to which Dan agreed.

“It might actually be my fault,” he said.

“I don’t think Stephen A. Smith knew it until now, and I didn’t know it until now,” Le Batard added.

Ruiz responded saying Dan providing that sort of background helps tell the full story.

“This is important context, because I kind of knew of the Skipper/Undefeated thing, and you vouching for Whitlock,” Ruiz said. “Because you always vouched for Whitlock despite, clearly, my objections.”

Le Batard said he was just trying to see the best in Whitlock when vouching for him as a journalist and befriending him. Dan said Jason was someone he and his family has known throughout the years. Even Whitlock said he considered Le Batard his best friend in the industry at one point.

So even though Dan didn’t want to continue to pile on Whitlock like so many others had done since Stephen A.’s rant, it didn’t change the fact that Dan remains offended by some of the things Whitlock has said about Le Batard on his show the past five months. Le Batard said Whitlock had been “slaughtering” him and other journalists Dan cares about as early as a month ago. That’s when he tried to reach out.

“I called him a month ago several times leaving messages just to see if he’s OK,” he said. “And I haven’t talked to him in a long-ass time, because some of this stuff hurt.”

“My family knows Jason Whitlock. My brother spent time with Jason Whitlock. And we were friends,” Le Batard continued. “I like to think whether it’s David Samson or Jason Whitlock or anyone, that I try to see the best in people. People are flawed, and people are confused. I don’t want to turn this into a defense of Jason Whitlock, because he’s made me super angry.”

Dan later mentioned that he just wanted to get to the bottom of why he felt the need to say what he’s said.

“When I called him, I was genuinely curious about what’s going on with him and if he’s OK. Because this can all just be, ‘How do I get clicks, my career is ending,'” he said. “But I don’t know. I just want to know.”

Ashley Nicole Moss Joining CBS Sports

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Former I Am Athlete co-host Ashley Nicole Moss is headed to CBS Sports. Moss made the announcement on Thursday on X, expressing her excitement for what lies ahead.

“For a media company this prestigious to value my intellect in sports while also encouraging me to remain authentic, is both exciting and surreal,” she wrote. “It’s an honor to be part of this era of sports media and I look forward to growing and learning from some of the best in the business.”

Ashley spent a year co-hosting for I Am Athlete. She joined last January. Prior to that, Moss was the host of the digital series Laces Out for Sports Illustrated, becoming the first Black woman at SI to be an on-camera host.

She also got into television as an NBA reporter for SNY and hosted a basketball podcast for Uninterrupted called Certified Buckets during that same period of time in 2021-22.

After graduating from Florida Atlantic University in 2015, Ashley spent time at iHeart Miami, moving up on-air DJ work on a music station to co-hosting The Greek Zone on FOX Sports 940.

Rick Cordella is Leading NBC Sports with Tradition and Innovation in Mind

With innovations in sports television underscoring the emphasis on direct-to-consumer technology, NBC Sports is set to air the first-ever exclusive live-streamed National Football League playoff game on Peacock. The matchup between the Miami Dolphins and Kansas City Chiefs takes place on Saturday, Jan. 13 at 8 p.m. EST/5 p.m. PST and will feature a commentary team of play-by-play announcer Mike Tirico, analyst Jason Garrett and sideline reporter Kaylee Hartung. This game is one of three Wild Card round playoff matchups that NBC Sports will be airing this weekend, something that was not originally in its 11-year agreement with the NFL.

Although the contest will be available on broadcast television in the Miami and Kansas City marketplaces, there is national appeal to football, especially a consequential playoff game. The NBCUniversal subsidiary reportedly paid the league $110 million in order to present the matchup after the company learned it was available to be sold to a streaming platform. The league has been expanding in the space over the last several years through ventures including Thursday Night Football on Amazon Prime Video and NFL Sunday Ticket with Alphabet subsidiary YouTube/YouTube TV.

For new NBC Sports president Rick Cordella, it is a chance to expand the company’s longstanding relationship with the league. At the same time, it provides Comcast a chance to drive subscriptions, ingratiate Peacock to prospective consumers and reduce overall churn. Data from Nielsen Media Research reveals that Peacock accounted for 1.3% of all total-day viewing among persons 2+ in November 2023. As a whole, streaming constituted 36.1% of all viewing in this category, the largest share among means of television dissemination. Continuing to expand the reach and relevance from the streaming service is part of the company’s business strategy as it executes ongoing endeavors and deliberates potential future opportunities.

“It’s part of everything we do,” Cordella said. “Every rights deal we look at – we look at it through a broadcast, cable and Peacock lens – and we try to determine where the content is best put forth across those varying NBCU platforms.”

Cordella was part of the team that helped launch Peacock after serving as executive vice president and general manager of digital media for NBC Sports Group. Under his previous role, he was responsible for overseeing various aspects of the business and was integral in pioneering and executing seminal projects. Some of these included live-streaming the Super Bowl and Olympics for the first time, along with hosting and publishing many on-demand clips.

“Obviously I was at Peacock for almost four years, so I know everyone over there and have great relationships and we work really well together,” Cordella said. “When an opportunity to invest in sports comes up, we sit down and we do our models and our analysis, and that includes the Peacock team.”

Part of the proposition that would ensure effectiveness with this expenditure pertained to the Peacock exclusive regular-season game the platform aired on Dec. 23 as part of a holiday exclusive doubleheader. Featuring a commercial-free fourth quarter and a reduced advertising load of more than 40%, the game averaged 7.3 million viewers and accounted for the largest prime-time audience on the night.

While the exclusive game was part of the deal with the NFL, placing it in prime time was not and was done to resemble the forthcoming Wild Card doubleheader. Saturday’s matchup will be preceded by the Cleveland Browns against the Houston Texans at 4:30 p.m. EST/1:30 p.m. PST, which will also be available to simulcast on Peacock and watch on Telemundo.

“A big audience coming in to watch an NBC Wild Card game, and us being able to promote to that audience saying, ‘Coming up next,’ that immediate adjacency to a Peacock exclusive playoff game I think made a lot of sense on many different levels,” Cordella said. “The NFL actually were the ones who came up with that idea, so I give them a lot of credit for that, but it’s a good opportunity for us. It’s a good opportunity with a top show to have it exclusively on Peacock, and we’ll see what it does for our business.”

Outside of the holiday exclusive contest, NBC Sports Digital amassed an average minute audience (AMA) of 1.56 million viewers for Sunday Night Football broadcasts during the 2023 season, and three matchups drew more than 2 million consumers. Kansas City was the second highest-rated metered market for the property, generating a 20.2 household rating and 45.0 share. For the year, Sunday Night Football averaged a total audience delivery (TAD) of 21.4 million viewers, its best finish since 2015, and was up 8% on the year. The prime-time property is on pace to be the No. 1 ranked show in prime time television for a 13th consecutive year.

“We were happy with the schedule; we’re happy with how things turned out,” Cordella said. “I think also a little bit of this is the writers’ strike was going on too, so there’s probably less content available elsewhere which helped, I think, overall sports content this fall. But we were happy with the numbers overall and it seems sports TV ratings are defying a little bit of the overall TV gravity.”

Digital platforms in television provide users with a variety of options to watch and engage with both linear and nonlinear material, concurrently putting in to play a shift in the business model of various legacy networks. Peacock eclipsed 30 million subscribers last year with overall losses peaking at $2.8 billion, an improvement on the company’s initial projection of a $3 billion loss in January 2023.

As its growth continues, the company has negotiated deals and incorporated Peacock therein. For example, the recent seven-year deal with the Big Ten Conference includes an exclusive streaming package that includes men’s and women’s basketball games, along with early round games in both tournaments. The network recently concluded its first season of B1G Saturday Night for football in the conference featuring play-by-play announcer Noah Eagle, color commentator Todd Blackledge and sideline reporter Kathryn Tappen. This broadcast team will be on the call for the Browns-Texans game on NBC before the Peacock exclusive playoff game that night with Tirico, Garrett and Hartung.

“We have a great NFL booth right now with Mike and Cris, and we hope that lasts forever, so I wouldn’t say that Todd and Noah are the next SNF folks; that’s not in our calculus whatsoever,” Cordella said. “We have them on Saturday nights, we have the Big Ten deal for another six years and we hope that those two are the voice of Saturday night football on broadcast TV for the duration of that contract and beyond.”

The Sunday Night Football team called the exclusive Peacock game during the regular season and will be on the linear television game on Sunday night when the Los Angeles Rams face the Detroit Lions. NBC Sports elected to have Tirico on the call for both matchups because of his experience and work with the company, including as its primary host for Olympics coverage.

Tirico assumed play-by-play duties on Sunday Night Football when Al Michaels left the property to sign a deal with Amazon Prime Video to work on its Thursday night schedule of games. Michaels was given an emeritus title by NBC Sports, which included contributing to NBC’s broadcast of the NFL playoffs and the Olympics. The network’s decision to exclude him from the commentary assignment in a year where it is televising three games elicited both surprise and confusion from fans and industry professionals.

“We love Al – Al’s the best play-by-play guy in history and continues to do incredibly solid work on Thursday Night Football,” Cordella said. “It really had nothing to do with Al; it had more to do [with the fact that] we have an incredible Big Ten team. This is the first year we had the Big Ten team, so we have a full unit that goes with the biggest games on Saturday night prime time, and to reward that team; to use that team in a bigger spot here seems to make a lot of sense for us.”

Whether Michaels appears on NBC in future seasons remains to be seen, although Cordella did note that they hope to use him down the road. The nature of the company’s contract with the NFL calls for certain years with one Wild Card game and others with two. It will also air Super Bowl LX from Levi’s Stadium in Santa Clara, Calif. on Feb. 8, 2026, marking the first time it will broadcast the game since the Los Angeles Rams championship to conclude the 2021 season.

“There’s no sort of riff,” Cordella said regarding the accord between NBC and Michaels. “I saw some of the headlines and I kind of blanched at them. They weren’t really all that accurate. We have a great relationship with Al.”

Starting at Rotoworld in 2003 while he was in graduate school at Boston College, Cordella wrote for free on the website to gain repetitions in the field. When NBC acquired Rotoworld in 2006, Cordella came to the company in the acquisition and ultimately ended up overseeing the portfolio of fantasy sports content.

There is a growing number of sports fans choosing to wager in varying capacities following the U.S. Supreme Court’s decision to declare the Professional and Amateur Sports Protection Act (PASPA) unconstitutional wherefore states have reserved power over its legality. Various broadcast networks have experimented with how they can leverage this interest and implement it within the broadcasts, ideating and conducting trials aspiring for auspicious results.

“Overall my thoughts are that you don’t necessarily need a separate gambling theme,” Cordella explained. “We’ve experimented that in a few different areas and have pulled back because I think it’s just a matter of acknowledging why people are watching the game and some of the interesting odds that may be taking place, but you don’t have to be a dedicated feed for it or you don’t need to hit the viewer over the head with constant gambling sort of updates. We’ve had varying degrees of integration.”

When Cordella began working at NBC Sports in 2006, the company was being led by chairman Dick Ebersol, a venerated luminary who received the NFL’s Pete Rozelle Radio-Television Award for his contributions. He was fortunate to be in the same division and is cognizant of the division’s longevity and accomplishments. In making decisions, he seeks to utilize the expertise of the team around him and values his colleagues.

“I know I’m not the smartest guy in the room, and I have a lot of smart folks that work at NBC Sports that you can lean on to get the right answers to the right problems,” Cordella said, “so it’s more of a collaborative sort of environment I hope.”

Cordella was named president of the division shortly after the departure of chairman Pete Bevacqua, who joined the University of Notre Dame to serve as its athletic director. Bevacqua has been shadowing current athletic director John Swarbrick in the role and will assume full responsibilities during the first quarter of this year.

Before the conclusion of last year though, NBC and Notre Dame came to an agreement on a new media rights agreement, retaining Fighting Irish football home games on the network. Financial details of the contract were not disclosed, but it is believed to help ensure the school remains independent of a conference. Notre Dame had the 10th-highest average number of viewers during the college football regular season, according to a report from the Action Network.

“The motivation is it’s a good financial deal for NBCU first and foremost,” Cordella said. “On top of that, it’s a 31-year partnership that we’ve had with that school and the special relationship that we have with Notre Dame, and we want to continue it. This sort of fits hand in glove with our Big Ten deal as well where you look across 15 nights of prime time. We’ll have a few that are Notre Dame and the rest being Big Ten.”

NBC lost the broadcast rights to the National Hockey League following the 202-21 season, ending a 16-year stint with a closing video narrated by Mike “Doc” Emrick. The network could opt to bring another professional sports league on its air in the next few years though with the expiration of media rights for the National Basketball Association.

The Walt Disney Company (ESPN/ABC/ESPN+) and Warner Bros. Discovery (TNT/TBS/Max) are within the penultimate year of their deals with the league worth a reported average total of $2.67 billion. Collectively, the 30 franchises surrounding the National Basketball Association garnered $10.58 billion in revenue last season, up $500 million from the previous season.

“I think with any big property we run analysis on it,” Cordella said. “The NBA is no different than any other property that would come to market. [It] is certainly a bigger property that comes to the market very rarely.”

An exclusive 45-day negotiating period with existing rightsholders commences on March 9, during which renewals and/or new deals can be formally discussed. If the rights then hit the open market, NBC Sports will consider numerous factors and render a determination. Numerous reports have suggested that the league is looking to broaden the scope of dissemination in its next deal by utilizing linear and digital platforms.

While the inaugural NBA In-Season Tournament was televised by Disney and Warner Bros. Discovery networks this year, it remains unknown if the league will look to bundle those games separately. There are also questions surrounding the viability of regional sports networks surrounding the ongoing Ch. 11 bankruptcy of Diamond Sports Group, making a prediction of a new deal’s structure somewhat enigmatic.

“We’ll certainly take a look at the NBA,” Cordella said, “but it has to make sense, and we’ll be disciplined when we approach it.”

NBC Sports previously carried the NBA Finals from 1991 until 2002, but the marquee championship round matchup has since been affiliated with Disney on ABC. Last season’s NBA Finals between the Denver Nuggets and Miami Heat averaged 11.64 million viewers on ABC, and the NBA playoffs in totality were the most-watched in five years. Bringing the games back to NBC is a potential outcome that remains ambiguous, although there is ostensible interest.

“It’s like asking if we want the Super Bowl,” Cordella said. “The NBA Finals is a fantastic property – the NBA’s a fantastic property. When the time comes when they’re out of their exclusive negotiating period, we’ll certainly hope we sit down with them and see what is available to look at. Until then, it’s hard to speculate.”

NBCUniversal continued its efforts to add sports programming on Peacock with the two-year deal it inked with Major League Baseball to air an exclusive Sunday morning regular-season game. At the moment, it has not yet been determined if MLB Sunday Leadoff will return for the 2024 season or if the company is interested in expanding its package of MLB rights.

“We like being in business with baseball,” Cordella said. “We’re working on what we can do in the future together and we’ll see. We’d love to make it work and be in business with baseball.”

Cordella will oversee the company’s production of the Olympic Games this summer, which are slated to take place from Paris, France. On top of that, NBC Sports will continue its partnerships with the PGA Tour, Kentucky Derby, Preakness Stakes and Premier Leagues, properties that tend to elicit interest and viewers. The key, however, will be ensuring the business is strong and making prudent decisions based on both qualitative and quantitative metrics.

“Certainly we have one of the best sports portfolios of any media company out there,” Cordella said. “How do we sort of justify to continue the investment that we have in it?”

Through long-term deals with sports entities, internal and external factors are at risk of changing and altering the scope of the contract. The Peacock exclusive NFL Wild Card Game was derived out of the league’s penchant for exploring capabilities in the streaming space, and NBC determined it was a chance it wanted to take. Cordella never could have imagined helping to lead the company into the future, but he feels prepared for the challenge. With the strength of its existing rights and forthcoming aspirations, NBC Sports will aim to capitalize on the dynamism imbued in the marketplace and serve as a premium content provider in the space.

“You’re a steward of the NBC Sports brand,” Cordella said of his role. “I grew up on NBC Sports, and it’s sort of again [a] pinch-me kind of moment that I’m now leading it. How do you make sure NBC Sports matters like it did when I was growing up? Other people look at the Olympics and all that stuff. It’s really all those things combined into one, and we’re navigating each and every day and pushing the ball forward.”

‘ESPN BET Live’ Is a Lock For Both Information and Entertainment

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Betting has become part of mainstream sports and media. What was once considered a taboo mingling is now the norm. Professional sports teams and multimedia networks now have corporate relationships with betting companies. Heck, some of these companies now have their own Internet/television networks.

From DraftKings to FanDuel to BetMGM to Caesars and more, we are living in a new world order for sure, one where odds and props are as important as opponents and points. It is only natural that sports conglomerate ESPN would jump into this fray with its own sportsbook powerhouse ESPN BET and a daily show ESPN BET Live.

The program featuring Tyler Fulghum, Erin Dolan, and Joe Fortenbaugh among others has made its mark on the sports betting landscape. It is a fun and informative watch for bettors and fans alike.

ESPN BET Live, seen on ESPN weeknights at 6:00 p.m. EST, benefits from solid lead-ins with NBA Today hosted by the terrific Malika Andrews and NFL Live with the equally talented Laura Rutledge at the helm. It is clever scheduling indeed. Viewers can get their dose of sports news and knowledge from those two shows and then combine that knowledge with the betting trends and data from ESPN BET Live.

The lively program begins with a segment called Opening Lines – essentially looking at the top sports stories from a wagering angle. On the Tuesday, January 9 edition the lead story was Ja Morant’s season-ending shoulder surgery. The on screen graphic not only gave the news, but also revealed that Memphis opened as a +5.5 underdog at Dallas that night, but with the injury news, moved to a +8.5 underdog.

This is the guts of ESPN BET Live, to use a baseball comparison, the story is the pitch and the gambling angle is the home run swing. Dolan delivered strong analysis of how the Morant injury will affect Memphis’s betting lines moving forward.

Fulghum discussed Steelers’ linebacker T.J. Watt being ruled out of the Wildcard matchup against Buffalo this Sunday due to a knee injury. The show offered a telling graphic showing the Steelers’ record as 69–33–2 with Watt and 1-10 without him. In days gone by, point spreads and injuries were presented as news, but were really betting guides in disguise. These days, the masks are off – it’s all about the bets.

Joe Fortenbaugh provided some real talk about the slumping Philadelphia Eagles stating that Philly has lost five out of the last six games and have not covered the spread in eight games. Despite this, the Eagles had moved from a 2.5 to a 3 point favorite against the Buccaneers.

Fortenbaugh is the unquestioned engine of the ESPN BET Live machine. This dude is Vegas personified. He is confident, direct, informed, and a bit of a wise ass in the best way possible. The cat is dressed to the nines, well-coiffed, and eternally pumped and ready to pounce on any subject with stats and information. He’s got game aplenty – the quintessential sports wagering guru.

Hailing from the working class community of Allentown, PA and a Penn State grad, Fortenbaugh is all showbiz now and brings experience as a sports wagerer and poker star himself. He also does excellent weekly turns on ESPN’s First Take with Stephen A. Smith and Molly Qerim.

Fortenbaugh continued to trash the Eagles saying that Nick Sirianni’s constant chatter of “We’re not going to quit.” is not a plan to get better. Even Dolan, an unabashed Eagles’ fan and fellow Nittany Lion who worked in the Philly TV market, admitted that the Eagles are a mess. In a humorous moment, Fortenbaugh stopped the onslaught and, with a sly smirk, put a positive spin on the Eagles-Bucs game which, lo and behold, is on ESPN.

One of the strengths of ESPN BET Live is that it provides updates on the betting lines for games as well as sports analysis. Dolan provided some telling statistics supporting her point that the Miami Dolphins cannot beat teams with winning records. She narrated a graphic showing that Miami scores roughly twice as many points and is 9-2 against losing teams as opposed to 1-5 vs. teams with winning records.

If Fortenbaugh is the star of ESPN BET Live, Dolan is the meteor. She is a captivating talent, and her enthusiasm and knowledge come through vividly. Dolan has been a consistent presence on social media and made her mark on ESPN with her Dolan Out Winners interstitial segment on SportsCenter.  

She has found the perfect vehicle for her talent in ESPN BET Live. Dolan is knowledgeable, jump off the screen watchable, and pointed in her commentary – a rising personality in sports broadcasting for sure.

Like Fortenbaugh, she has found her niche in the white hot world of sports betting, but I can see her doing even more at ESPN as her career evolves. Like many talents at the network, she has wisely employed social media and video to connect with followers and give fans a behind-the-scenes glimpse of her career.

As the show continued, the conversation moved to basketball, and Fulghum did an expert job setting up Dolan and Fortenbaugh to keep the show moving at a relentless pace. Fortenbaugh talked about the Knicks feasting on losing teams while Dolan discussed the Lakers being a sluggish team since winning the NBA In Season Tournament.

I really like the fast paced, machine gun commentary by Fulghum, Dolan, and Fortenbaugh. They are all incredibly prepared and ready to give their viewpoints on each game and topic. On this episode, Fulgham introduced a Play or Procrastinate segment where the panelists decide if they are ready to place a bet on the game at that moment or wait for more information as the game gets closer.

It is a segment that hits at the heart of the bettors’ dilemma especially with the NFL having a season of injuries and last minute inactives and scratches. For the Steelers-Bills game, Dolan advised procrastination worrying about the large 10 point spread and preferring to look into some player prop bets for this game.

I like that ESPN BET Live doesn’t just handicap games, but also focuses on individual player props and their statistics. On this episode, the trio talked about Jaden Ivey of the Pistons and Desmond Bane of the Grizzlies.

ESPN’s Andrew Hopkins joined the panel in the second half of the show to provide some football insight to mix with the betting talk. He discussed the Jared Goff/Matthew Stafford soap opera with both quarterbacks facing their former teams in the Rams-Lions playoff game this weekend. Dolan chimed in with good questions to Hawkins about the Chiefs offense.

Variety is also a strength of the program. The show moved to golf, analyzing possible wagers on the SONY Open and the news that Tiger Woods has 20-1 odds to win a major championship this year. College basketball was up next with ESPN’s Dalen Cuff joining the panel.

The Prop Culture segment at the end of the program talked about the odds that Jim Harbaugh would return to Michigan with Fortenbaugh offering a 5% chance of Harbaugh’s return.

You can debate whether the rise of betting content and online betting itself is good for sports, but there is no debate regarding ESPN BET Live. It taps into the hardcore culture of betting with all of the facts, factors, and figures. When it comes to information, entertainment, and compelling wagering debate, ESPN BET Live is as close as bettors will get to a sure thing.

Advertising Budgets Are Not One Size Fits All

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Local businesses must strategically plan their advertising budgets to stay competitive in 2024. It’s all part of the buying cycle. This guide explores various methods for determining advertising expenditures, recognizing that there’s no one-size-fits-all approach. What is best for your business?

Percentage of Sales Method:

Overview: This method allocates a fixed percentage of total sales revenue to advertising. The percentage may vary based on industry standards or historical spending trends.

Pros:

Easy implementation and adjustment based on business performance.

Cash flow friendly.

Cons:

It’s not ideal for start-ups or seasonal businesses.

This may result in insufficient spending for significant sales growth.

Objective and Task Method:

Overview: Businesses define specific advertising objectives and allocate budgets based on the tasks required to achieve those goals. For instance, a plumbing service aiming for a 20% revenue increase might plan tasks like radio ads, social media campaigns, and promotional offers.

Pros:

Allows strategic budget allocation tied to business objectives.

Cons:

Requires a clear understanding of advertising goals, which is challenging for inexperienced marketers.

Competitive Parity Method:

Overview: Businesses set their advertising budget to match or be proportional to their competitors’ spending in the same industry.

Pros:

Provides a benchmark against industry competitors.

Cons:

Assumes competitors’ budgets are accurate and doesn’t account for individual business needs.

Affordability Method:

Overview: Businesses set advertising budgets based on affordability after covering operational expenses and desired profit margins.

Pros:

Ensures advertising aligns with overall financial health.

Cons:

It may limit business growth and lacks goal orientation.

ROI-Based Method:

Overview: Businesses allocate budgets based on expected return on investment (ROI) from advertising, requiring tracking and analyzing past campaign performance. Here is an excellent guide to ROI marketing.

Pros:

Ties advertising spend directly to measurable results.

Cons:

Requires reliable data and time for interpretation, not suitable for inexperienced marketers.

Fixed Sum Method:

Overview: Businesses allocate a fixed sum for advertising, regardless of sales or competitive factors.

Pros:

Simplicity and ease of implementation.

Cons:

It may not align with business goals or industry standards.

Seasonal Fluctuations:

Overview: Businesses adjust budgets based on seasonal trends or peak demand periods.

Pros:

Allows flexibility based on business cycles.

Cons:

This may result in inconsistency if not carefully monitored.

Expert Consultation:

Overview: Businesses seek advice from marketing experts to determine an appropriate budget based on industry standards, market analysis, and business goals.

Pros:

Leverages local expertise and industry knowledge.

Cons:

It can involve an additional budget for consultation fees, requiring well-thought-out goals and business insight.

Combining these methods or a custom approach based on specific business needs often proves most effective when setting advertising budgets. Regular quarterly evaluations and adjustments based on performance, market conditions, and evolving business goals are crucial for success. Remember what Ben Franklin said: “If you fail to plan, you are planning to fail!”