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David Jacoby Named Co-Host of The Carton Show

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As Undisputed prepares to officially adopt a new broadcast format with a panel of analysts joining lead host Skip Bayless, another FOX Sports 1 show is adopting a new look. Craig Carton, who recently left WFAN to host The Carton Show on a full-time basis on the network, will be joined each weekday by his new co-host David Jacoby. The former Jalen & Jacoby co-host was working as an executive producer for Grantland, a sports and pop culture blog owned by ESPN. The show he hosted with Jalen Rose initially started as a podcast and eventually ended up having an afternoon time slot on the network.

“We’re thrilled to add Jacoby and his unique blend of attributes to The Carton Show,” Charlie Dixon, executive vice president of content for FS1, said in a statement. “Given his extensive experience as both a broadcaster and producer, as well as his wealth of sports knowledge, we’re confident Craig and Jacoby will deliver an incredible show to kick off our lineup each morning on FS1.”

Carton and Jacoby’s program will lead into the new version of Undisputed, but has its own New York City-based lineup of panelists. Former NFL stars Plaxico Burress, Victor Cruz and Greg Jennings are all expected to be frequent members of the show this fall, coinciding with the start of football season. Jacoby was previously working with the network for the past few months, a career move that came after he revealed his departure from ESPN after 23 years with the company.

“We have a new member of the show, although for the last few months he’s been working behind the scenes,” Carton announced to open Monday’s edition of the program. “He just became so much of a pain in our ass in meetings [that] we decided to put him on camera. If it fails miserably, it’s his fault.”

Ratings for The Carton Show have steadily improved since Carton’s departure from WFAN and is proving to be a sufficient start to its programming lineup. His decision to leave sports radio to grant the television network exclusivity over his rights was made after several months of deliberation and a reported monetary raise. Carton continues to host the podcast, Hello, My Name is Craig, recording the show each week from the WFAN studios to promulgate awareness towards compulsive gambling.

While he was with Grantland, Jacoby was nominated for three Emmy awards for his work across various projects. The prime-time television show Grantland Basketball Hour and film vertical Grantland Features were in his purview of responsibilities. The show is banking on Carton and Jacoby to blend and be able to work together, taking a similar approach to a sports radio program. Carton’s last regular on-air partner was Evan Roberts, who is now working afternoons on WFAN with former New York Giants running back Tiki Barber.

AM Radio Receives Strong Support in Op-Ed From Sen. Amy Klobuchar

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Senator Amy Klobuchar (D-MN) wrote an op-ed in the Brainerd (MN) Dispatch strongly defending keeping AM Radio in automobiles.

In her show of support for the AM For Every Vehicle Act, Klobuchar said that while some executives at automobile manufacturers may not have a need for AM Radio, “I bet if they took a drive through rural Minnesota, they would take a different view.”

“When there was flooding in Crookston in 2021 and 2022, KROX radio was there to help,” Klobuchar added. “Working in partnership with the city’s Emergency Operations Center to share the latest about the flooding, including information about road closures and the opening of a storm shelter where residents could turn for assistance.”

“We shouldn’t have to sacrifice safety, news, and a way of life simply because some car manufacturers want to make more profits. Let’s get this passed,” Klobuchar concluded.

Introduced by Senators Ed Markley (D-MA) and Ted Cruz (R-TX), The AM for Every Vehicle Act has received widespread, bipartisan support in Congress.

Additionally, it has been endorsed by the NAB and several members of the FCC. After passing through the Senate Commerce Committee, it will be eligible to be voted on by the legislature as a whole when it returns from its August recess.

Clay Travis Teases More OutKick Specials with Fox News

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Sunday evening, OutKick aired a one-hour special on Fox News that allowed Clay Travis, Tomi Lahren, Charly Arnolt, and Riley Gaines “provide their unfiltered opinions on sports, culture, and the topics Americans are talking about right now”.

After the conclusion of the special program, Travis teased the potential for more offerings on the cable news outlet in the future.

“Lots of fun. More to come, hopefully,” Travis wrote in a post to X. “Thanks for watching the first @outkick show.”

His comments came after co-host Tomi Lahren shared similar sentiments with fans and followers, thanking them for tuning in to the debut offering.

The special was the first primetime offering for OutKick on Fox News. Both outlets are owned by parent company Fox Corp.

The digital outlet founded by Travis has seen expansive growth in recent months. OutKick featured more than 6 million unique visitors during the month. That figure represented an increase of 119% compared to the same time period in 2022.

OutKick’s Charly Arnolt: Cancel Culture Has Made People Afraid to Have Opinions

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OutKick’s Charly Arnolt says people have become increasingly weary of speaking their minds, which has shifted in the media landscape and has impacted free speech in America.   

“We got here because people are afraid to say anything,” she said. “It’s not that they do not feel that’s how things are and how things should be; I just think people are afraid of being labeled transphobic, or hateful, or bigoted because that’s what happens.”  

Arnolt appeared on a segment with Clay Travis recently. The pair spoke about Sage Steele, the former ESPN anchor who announced recently that she was leaving the network to have more freedom to exercise her First Amendment rights. 

ESPN suspended Steele in October 2021 for comments made about former President Barack Obama and the network’s COVID-19 vaccine mandate. In April 2022, she sued ESPN and its parent company, the Walt Disney Company, for breach of contract and violation of her right to free speech. 

According to The New York Post, Arnolt left ESPN, feeling “stifled”. On Fox News’ America’s Newsroom on Apr. 20, she accused ESPN of contradicting their political policy regarding transgender athletes. 

“Even when I started speaking up about it, as much as many people would come to me quietly and say, ‘Oh my gosh, thank you so much for saying this,’ there were all the other people that publicly told me, ‘I can’t believe you’re saying this.’  

Charly Arnolt reiterated that she has no problem with people in the LGBTQ community but added that everybody should have the same rights.  

“It’s the same playbook page that the left always uses,” she added. “They try to come at you immediately with you’re hateful, you’re transphobic, and then you suddenly get scared to speak up, and then that forces you not to take a hard stand.”  

Tiffany Blackmon Went From Being Done to Being On Top

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When Tiffany Blackmon embarked on a career in sports broadcasting, hosting a morning show on a sports radio station wasn’t part of the plan. But this past March, the veteran television sports reporter added that line to her resume when she joined Mike Johnson and Beau Morgan to host The Morning Shift on 92.9 FM The Game in Atlanta.

And things couldn’t be better.

“It’s just been a blast and we were pretty comfortable together right from the jump,” said Blackmon. “I think we had a little learning curve when we first started but ultimately the chemistry is what’s been there. We’re all friends now. It’s kind of like a family and it’s just been so much fun.”

Part of that fun is that a morning show is a lot different that other dayparts at a sports radio station. It’s not always just about sports as a morning show also has a mix of pop culture and a look inside the lives of the hosts and others who work on the show. That component has come easy for Blackmon, especially during her own segment called “TB’s Timeout”.

The show can be an open book for the hosts when it comes to themselves or whatever else is going on in the world.

“I’m up to date on what’s going on, so it really feels like you’re just talking with friends about the news of the day,” said Blackmon. “The majority of the show is sports because we’re a sports show but I think it’s been great to pull in a different audience when we get to talk about crazy things that happen in our owns lives or stuff that’s even happening maybe in a case with a celebrity or something like that. I think we’ve done a good job of twining both worlds.” 

Blackmon, who played soccer at North Gwinnett High school outside of Atlanta and then at Georgia State, grew up around sports because her father is former NFL linebacker Donald Blackmon. Her first experience in playing sports was living in New Jersey when her dad was playing for the New York Giants and he asked her if she wanted to give soccer a try. That certainly worked out for her, but Blackmon is also grateful that both her mother and father didn’t push her into anything.

From her sponge-painted bedroom, to the beads hanging from the door to the inflatable furniture that she had in the room, Blackmon was able to write her own story of life.

Blackmon describes herself as “a nerd” when she was a kid. To her, that meant collecting dinosaur books and being able to name every dog breed. She loved animals so much that she wanted to be a veterinarian.

But she also loved sports and that was the career path she ultimately decided to travel.

“This is working out for me and I could not have asked for a better career,” said Blackmon. 

That career included a five-season run at NFL Network followed by a short break in the action for her in sports that almost caused her to leave the industry altogether.

It was 2019 and Blackmon was at a crossroads.

“There are times when you face different obstacles, especially just even being a woman in this business,” said Blackmon. “You’re dealt some hands and I got some cards that you heard other people talk about but you never envision that some of these things might catch up to you. I was just like ‘You know what? I’m done.’”

On March 1st, 2020, Blackmon embarked on a new chapter in her life when she moved to Charlotte, North Carolina. A short time later, everyone’s life changed when the COVID-19 pandemic began.

“Everything came to a stop so the timing was terrible,” said Blackmon. “It was a very rough few years but I’m thankful that I had some good people around me.”

Two of those people were Jane Slater of NFL Network and Dianna Russini, then of ESPN and now of The Athletic. They both encouraged her to get back into sports because that’s where she belonged.

“I had both of those people just telling me ‘You’re talking crazy,’” said Blackmon. “I’m thankful for the people around me and to myself for ultimately not giving up on it and making a phone call one day and that changed everything.” 

That call was to ESPN and, to steal a line from a popular television show, just like that Blackmon was back in business as a college football sideline reporter. In her first year at ESPN, she was roaming the sidelines at the Rose Bowl and then in season two, she worked the Fiesta Bowl

And now, she’s about to embark on a new gig with CBS Sports as a sideline reporter for both college football and the NFL.

“This is incredible,” said Blackmon. “When this opportunity came to me, it was an easy yes. I missed being in the league and getting to cover games and now this will be another challenge in my career, not just doing sidelines but I’m doing NFL sidelines for the first time. It’s going to be so much fun.”

Blackmon’s fun at CBS will kickoff on Sunday September 3rd when she covers Northwestern’s visit to Rutgers. Her week one NFL assignment is the Las Vegas Raiders at the Denver Broncos on September 10th and then for week two she’ll be in Nashville for Chargers vs.Titans.

Life is good these days for Tiffany Blackmon with the radio show and her new gig at CBS.

Now the question for her is what lies ahead?

“I am someone that just goes with the flow and takes it day by day,” said Blackmon. “I’m really just taking it all in stride and enjoying the moment. If anything else comes my way, great I’m open to it.”

It’s been a pretty good career so far for the self-professed “nerd” who wanted to be a veterinarian!

Can You Penetrate the Social Media Bubble of the Casual Sports Fan?

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My cousin and I are super close even though we don’t always speak the same language. He is a lifelong New Yorker now living in the New Jersey suburbs, is a religious guy, and follows politics for fun. I am a Southerner through and through, don’t go to church, and have learned I cannot follow politics for fun because that is no fun for anyone. The only place where my bubble and his overlap is the NBA. 

I thought about this when we spoke this weekend and he asked me what I thought of the Republican presidential debate. I honestly did not know one had happened. I knew that Ron DeSantis had some weird smile moment that went viral, but he has had so many of those moments, that I did not consider that the smile currently under scrutiny was something that a lot of people witnessed in real-time.

It also dawned on me that he has no opinion about “Coming to Your City” no longer being the theme song to College GameDay, which admittedly, is kind of all I want to talk about right now. For sixteen years I have hated that song and it is finally out of my life. To him? It means nothing.

We have all heard a lot about living in our own bubble in recent years. When you curate your various social media profiles to fit your interests and points of view, you can get a skewed perspective of how much issues and stories really matter to the average person.

So what does that mean to sports radio? We know that being active and interesting on social media is important to every employer, but what are the best practices? How do you make the payoff worth the time and effort that go into creating content that isn’t even guaranteed to be seen by a large percentage of the people who have chosen to follow you, let alone win over new fans and followers?

The best way to learn how talents in the sports radio world are trying to penetrate the bubble someone not listening to them has built is to ask them. It also is worth finding out how they think about their own bubble and the best ways to expand it.

For Landry Locker, he isn’t just thinking about what it means to penetrate that bubble on social media. Not alienating casual sports fans is a major goal for him on the air too.

“If you aren’t giving conscious consideration to balancing the casual or non-sports fan with your content then you aren’t doing your job,” the host of In the Loop on Houston’s Sports Radio 610 host says. “One of my early mentors always told me, ‘Don’t do a show for the press box.’ I think that’s good advice and balancing out things is always important. You want to have fun and be a full-service program.”

Emmett Golden of ESPN Cleveland echoes that sentiment. He doesn’t just want listeners to think of him as an informed and trustworthy source of Browns commentary. He wants them to relate to him as a person.

“I do my best to have something every day that’s a normal real-life experience that I can talk about to really connect with my audience,” he says. “A lot of times I don’t tell my co-hosts so that I can get a genuine reaction from them.”

When you look at the ratings in Nashville, it is clear that more than just sports fans are tuning into 3HL on 104.5 The Zone. Co-host Dawn Davenport says it is because she and her co-hosts have found a way to serve the people looking for x-and-o sports talk just as well as someone who can’t even name a player on the Nashville Predators’ roster. But creating that kind of content and expanding what bubbles it reaches is not an exact science.

“It’s all about BALANCE,” she says. “Sometimes we miss the mark. Sometimes we nail it. It’s different every day.”

As for reaching a new audience, Locker and Davenport agree that X (formerly Twitter) is the most effective place to do it. Davenport admits that streaming video has been a big help too.

That makes a lot of sense. As I have written before, video apps are the new radio dial. Whether it is TikTok, Twitch, Instagram, or YouTube, your content doesn’t have to be a 100% match with the user’s interest to find its way into their algorithm. Once it does, the experience is no different from scanning a radio dial. The viewer can bounce from one video to another to find something they like.

Social media can be a combative place. He has seen posts from himself or his station that are clearly about sports spark political fights. That is kind of the give and take of social media. You can post your content, but your audience has the ability to control the conversation about it. 

Golden says that he isn’t worried about that limiting his reach though. Social media isn’t new after all.

“I think a lot of people look for arguments on social media,” he said. “The political stuff can get messy but most people that use social media kind of understand that and I think they just keep scrolling or mute words that they don’t want to see so they stay away from those conversations.”

While Locker is an X believer, he knows that constant promotion there can turn some people off. If the audience starts to consider your timeline more spam than content, you aren’t penetrating new bubbles. You’re being kicked out of the bubbles you used to be a part of.

That is why he has started experimenting. It isn’t just with new content, but also with new platforms. Like Davenport’s show, Locker has seen the benefits of embracing video. He has also seen the benefit of creating an exclusive community.

“We have a listener private Facebook page that generates a lot of discussion with a couple thousand members. I also started a Texans YouTube channel less than a year ago that has reached a whole new audience and done well in a short time, with well over 1 million views and about 5.5K subscribers. From the Facebook and YouTube demo, you can cover a lot of ground beyond the traditional radio demo.”

It’s easy to create a bubble on social media. It is much harder to break into one someone else has created for him or herself. The best you can do is go new places and try new things. Show the people who think you aren’t for them that there is more to you than they may think.

Davenport says it well. There is no need to overthink it. Create content that connects and put it where people can find it whether they are seeking it out or not.

“Ultimately, our goal is simply to entertain, every hour, every day.”

Pete Kaliner Was Intimidated By Replacing Rush Limbaugh in the WBT Lineup

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After Rush Limbaugh passed away two years ago, many radio stations faced the challenge of filling his time slot. Some opted for his official successors, Clay Travis and Buck Sexton. In contrast, others chose Dan Bongino or local talent. WBT in Charlotte hired a familiar and trusted voice in North Carolina in Pete Kaliner.

Pete Kaliner spent a decade as a radio reporter at WBT, but he was never able to express his opinions due to conflicts with his role as a news reporter. However, he always enjoyed long-form talk, and when WBT allowed him to host a news show on the weekends, he looked forward to returning to that role one day.  

Kaliner hosted an afternoon drive show at News Radio 570 WWNC in Asheville, North Carolina until he was laid off due to cuts. He turned his setback into something positive by launching his own podcast, which allowed him to get valuable repetition every day. He planned to edit four segments from his show and offer them as local content to stations around the state.    

In February 2020, Rush Limbaugh announced his advanced-stage lung cancer diagnosis to millions of listeners. Media executives worked on a plan to carry their brands after his passing. Pete Kaliner was doing a weekend show on WBT and doing some fill-in work during this time. When WBT and Radio One posted a job opening for an afternoon host following Limbaugh’s passing, Pete Kaliner applied and eventually was hired.   

Pete Kaliner discussed with Barrett News Media how his news background influenced his decision to move into the role of a talk show host. He also talked about his greatest strength as a host, the pressure that comes with taking over a timeslot once occupied by the greatest radio host of all time, and his views on free speech in America. 

Ryan Hedrick: This is your second time at WBT Charlotte. Can you explain what brought you back?   

Pete Kaliner: Rush Limbaugh died, and the noon-3 pm slot, which was a national slot, they ran Rush Limbaugh for 30 years [in this slot]. The program director, Mike Schaefer, and his boss, Marsha Landess (Regional Vice President – Radio One), Mike had this idea like, ‘We want to go local; we want the whole lineup to be local,’ and Radio One agreed. And so, they opened the search to look for a local host, and I had worked at WBT prior.  

(Pete Kaliner started as a reporter at WBT in 1999 and later became a talk show host. He was let go with an ownership change in 2011 and worked in TV news for six months. He then hosted an afternoon drive show at News Radio 570 WWNC in Asheville, North Carolina, until he was laid off in 2020. Following that, he started hosting a daily podcast).   

So, I applied for the job [created by Limbaugh’s passing], but I had gotten back in with WBT. I started hosting a Saturday news show, which was basically just my podcast. I would cut up pieces of my podcast, which was also airing in Asheville at the time.

The original plan for the podcast was to take it and offer it to small stations around the state every day. They could use a one-hour program however they wanted, just in four segments. I would create these four segments, host at WBT on the weekends, and do some fill-in work for them. They eventually hired me to fill the newly created local slot from noon to 3 p.m.   

RH: Did you always want to transition from being a news reporter to a talk show host? 

PK: I always wanted to do longer format talk. I was always intrigued by the idea of doing a news talk program. Growing up, I listened to Rush Limbaugh and was intrigued by that. Growing up, I listened to NPR in New York. I was always interested in current events, I worked on the high school paper and the college newspaper and helped start the radio station in college.

Nobody cared what a 22-year-old guy with no life experience had to say. I just pursued the radio journalism route, and I did that for a decade. I got to the point where I started doing some fill-in work over the years, but I always knew that I couldn’t express opinions because I wanted to maintain fairness, impartiality, and objectivity as a reporter. So, I was never really letting loose and having opinions.  

What I always liked about hosting was having the ability to talk for a longer stretch of time about a particular topic versus the news side, where you’re crunching everything down to 35-45 seconds for a news story. That is a craft in and of itself, but I felt like I had gotten very good at doing that. My beat was city council, county commission, school board meetings, state government, apartment fires, and car crashes. When you’ve covered 8-10 city budget cycles, county budget cycles, school budget cycles, state budget cycles, it’s kind of like ok, ‘I feel like I have done this.’

I wanted to go more in-depth with this stuff, and I wanted to make that a regular thing. They (WBT) did give me a one-hour weekend show when I was a reporter so that I could do some of that stuff, and it filled our public affairs requirements, too.  

RH: Did you feel any pressure taking over Rush Limbaugh’s slot, and what was your strategy? 

PK: It wasn’t something that I thought about when applying. It was something that I realized the magnitude after I had already agreed to return to WBT. After that, it hit me that this was a huge responsibility. It was very intimidating.

There is no way I am anywhere near qualified to do that shift; that’s always been his (Limbaugh). I am only in this business because of Rush. Without him, AM radio probably doesn’t exist as it does, and the news/talk format doesn’t exist as it does. Every day, I am reminded of it. Every day I go to the studio, I am reminded of what an immense responsibility this job is.  

It was helpful the way Limbaugh’s legacy lasted after he passed, where they did the best-of shows for a while. They would have guest hosts come in for a while. In fact, one of the guest hosts was our 3-6 guy, Brett Winterble, who used to work for Rush Limbaugh. WBT stayed with The Rush Limbaugh Show all the way through until it was announced that they were replacing him with Clay Travis and Buck Sexton.

I have said this for years. You are never going to replace local radio with a satellite. You can’t do it. There’s always going to be a need for local radio. If you are doing local content on radio, you have a secure niche.

I look at the explosion of interest in podcasting and what podcasting is. I remember when I started the podcast, I was reading all these industry trade websites, and they were giving advice on how to do podcasts, and I said to myself, ‘This is radio’. This is a remarkable time to be in the spoken word format, to be in this medium. I am a firm believer that content is king. If you do good work, people will find it, and you will be successful.  

RH: There is currently a lot of news and events happening, making it an exciting time for the news/talk format. What topics are North Carolinians interested in discussing on your show? 

Pete Kaliner: It is a target-rich environment. There is always something to talk about. I remember years ago when summer would come around, and you would be struggling for new ideas, you would be struggling for talk topics, and it’s not like that anymore.

I think that’s due to social media and digital media. We have access to so much information right now. Also, North Carolina is a growing state; it has been for the last 30 years.  

I’m originally from New York, I came down here in 1992, and I never went back. So, I’ve seen the growth, Charlotte specifically, and it’s been remarkable. We’ve picked up Congressional seats, and we’ve picked up influence in the process as a state. The state also flipped from a Democrat-controlled state at all levels of state government for 150 years since the Civil War, and now it’s controlled by Republicans. The flip happened about ten years ago.  

RH: Can you explain how WBT’s local and live coverage in every major daypart strengthens the brand? 

Pete Kaliner: Last week, we talked about the GOP debate. I pulled the audio, and we talked about the event. We also talked about the Trump indictment and the mugshot. I was also able to talk about North Carolina Gov. Roy Cooper, who came out and vetoed a whole bunch of election integrity reform bills that the legislature had passed.

If we were only a national product, then all you’re ever going to get are national stories. Years ago, people were worried about satellite stations taking out all the radio stations, but there isn’t anywhere else to go to get that local content, ask questions, and crowdsource information. There is a community that’s built around WBT. The station just celebrated its 100th anniversary. We got recognized in the Congressional Record. The North Carolina General Assembly made a proclamation. It’s an iconic brand.

It’s difficult to articulate what that means. There’s just something about three-letter call stations—the legacy, the hundred years, the people that have passed through these halls. The history of the platform, specifically the station, means something to people who catch that radio bug.

The management has a commitment to the brand as well, and they’ve proven that when a lot of people thought they would not. I think that’s the reason for our success. You give the content creators space to create content.  

RH: A lot of us are experiencing suppression of free speech by Big Tech. How do you believe this affects your work, and what are your thoughts on Big Tech’s operations?  

PK: This is very disturbing to me. I have not seen this [suppression of free speech] either. I’ve heard about the Fairness Doctrine, but I was in elementary school. It is concerning, and I don’t know how it gets addressed because you have different groups of people inside each of the dominant political cultures, and they don’t even agree. (The Fairness Doctrine, introduced by the FCC in 1949, required broadcast license holders to present controversial issues of public importance in a manner that reflected differing viewpoints). 

You have people who disagree on the right with each other people and who disagree on the left with each other, and I don’t know where you build that consensus. To me, it seems like we could just follow the Constitution and use that as a blueprint. Use case law as the blueprint. These issues have been settled in courts, so why not just take that and transpose those rules into your terms of service onto your platform? 

I don’t know why people have such a hard time figuring out how to block other people. You can block people and make your user experience much better rather than filing reports against people to get them banned.

There are challenges on the tech side of it, but I don’t trust the people who work at these tech companies, and this gets into a larger discussion. (Pete talks about the role universities are playing in the suppression of free speech and how there’s a pipeline of young activists who believe that having a dialogue is unhealthy. He also says Marxism plays a role in the debate over free speech).  

RH: What is your greatest strength as a talk show host?  

Pete Kaliner: My work ethic and my desire to research. I do two hours of prep for every one hour on the air at a minimum.  

Garth Brooks Expected to Announce Sports Radio Project with TuneIn

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Is country music legend Garth Brooks planning to venture into sports talk?

Brooks is going to be announcing the new project on Tuesday at Kauffman Stadium in Kansas City. The project will be part of his SEVENS Radio Network and be available through TuneIn.

The network launched this summer after the SiriusXM Garth Channel ended in 2022.

The first station under the SEVENS Network umbrella is the BIG 615, which is dedicated to country music. But indications are that the network will branch out with stations that go beyond just country.

So why is the announcement in Kansas City? It appears Brooks has a heart for the home of the Chiefs and Royals. He’s played sold-out shows at both Arrowhead and at T-Mobile Center and once took part in a fantasy camp at Royals spring training in 2004.

Reporting in the Kansas City Star indicates that a well-known national sports broadcaster, as well as representatives from the Chiefs, Current and Sporting Kansas City will be on hand for the announcement.

Gator Anderson: It Seems Like ESPN is Trying to Leave Basic Cable

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As ESPN continues to have conversations with potential partners to develop a standalone streaming service, 97.1 The Ticket’s Gator Anderson thinks this will be The Worldwide Leader’s opportunity to leave linear television.

On Karsch & Anderson on Friday, Anderson was reacting to reporting from Front Office Sports on Thursday that Amazon was the latest entity to inquire about a potential minority ownership stake in the Disney-controlled network. And with the minority stake, Amazon would work with ESPN to launch a direct-to-consumer offering. The FOS piece also indicated that the asking price per month would be in the range of $20-35.

Anderson wasn’t sure what to make of the news, but he said the idea of Amazon and ESPN coming together makes him wonder how much is too much.

“If I’m gonna pay $25 a month for a streaming service like this, (show producer) Khang, I better be getting Amazon Prime, Disney – like the Disney+ – and ESPN. I want all three,” Anderson said. “I want it bundled together in a nice little package there. I’d be willing to pay like $30 a month if it meant that I didn’t have to shell out all the money I am for Amazon to have Amazon Prime and to have Disney+ and to have ESPN.”

“I get it man. I like combo meals myself. I always like the fries and the drink too,” Khang responded. “But I got bad news for ya, I don’t think that’s what’s happening here.”

He added that the DTC version of ESPN would be different from ESPN+, which is bundled together with Hulu and Disney+.

“They have these games, right, these national games,” he said of ESPN’s media rights to properties like the NFL, NBA, NHL. “Amazon we already know they have football. They’ve been trying to get more involved with sports as part of theirs. So the advantage for Amazon getting into this is they’re gonna help ESPN convert to streaming and they’re gonna get a piece of that pie. They kind of want to be like an investor and also they’re gonna help them do this whole streaming thing because that’s what Amazon does.”

Anderson had a question considering that it felt like ESPN had outgrown being strictly a cable channel.

“It sounds like what ESPN is gonna become eventually if this comes to fruition – and correct me if I’m wrong because I’m trying to figure this out – is that ESPN ends up being like HBO or Showtime,” he said. “It’s its own pay channel. It’s no longer part of basic cable. Is that what I’m seeing, or do you think that’s where it’s going?”

Khang said that was sort of how it was going to go, with the emphasis on removing or reducing the number of commercials and spotlighting more programming.

Anderson remained unsold on the idea.

“I think we’re really heading towards disaster when it comes to this,” he said. “If this is gonna turn ESPN into its own streaming service, and they’re gonna be like a Disney+ and HBOMax or Max or whatever they’re calling it these days. And are we no longer gonna see it on basic cable? That would be disturbing to me.”

One Simple Fix Can Improve Your Nielsen Ratings

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While the design of the PPM system is complicated, at the station level, the concept is simple. Encode your signal and meters will pick it up and report those codes back to Nielsen. Rinse and repeat and if all goes well, you’ll hit your bonus. Easy, right?

The first question is whether you have a good code going through your chain. How do you know that the codes you’re sending out every five seconds or so are solid? Do you simply trust the Nielsen encoder to do its job? Do you just assume that your Voltair system (assuming you have one) is pumping up the codes enough?

When PPM started, one of the criticisms was that stations had no idea if their encoding was working or not. If the encoder and its hot standby appears to be running, that was it. Arbitron didn’t offer any sort of monitor for stations, but rather would look at how many codes were being received after the fact. If a major station suddenly dropped off the table, an Arbitron person would call and attempt to determine if there was a problem. It was a classic “closing the barn door after the horse has escaped” system. Like an unsold airline seat, you can’t get missing codes back after the programming has aired.

To Nielsen’s credit, they introduced something called the MCEM (Multi-Channel Encoding Monitor) back around 2017. Now stations could directly monitor the quality of their codes on a real-time basis. Another neat feature of the MCEM was that you could go back 90 days and see a number for code quality every 30 seconds. And unlike typical Nielsen, it’s incredibly simple with a scale of 0 to 4. A “4” for a code is great and 3 is just fine as well, but if you see a zero, that means no code went through. As far as Nielsen is concerned, a zero code means you don’t exist.

During my time at Cumulus, I encouraged OMs and PDs to check their code quality on a regular basis. The MCEM kicks out an Excel file that’s incredibly simple to use. When I had my hands on one, I would simply sort it by code quality, lowest to highest, in other words, I wanted to see if there were any zeros or ones. If so, what was on at that time?

For the amount of time it will take you to review the code quality, I can’t endorse this exercise strongly enough, especially for spoken word formats. 

With music formats, there is very little dead air, likely only in spots, but for spoken word, there are pauses and potential issues with voice quality. And if you believe that having a chart of your Voltair’s output on your screen is fine, that’s not enough.

Now that you’re going to ask your engineer about obtaining a file for each of your stations to make sure things are good, there is one other thing to keep in mind. If memory serves, the times in the file are UTC, not your local time zone. I remember reviewing the file for a station in the Eastern Time Zone and having to deduct five hours when something odd appeared. Be sure that you have the right correction for your time zone.

In a world of share compression and small quarter-hour audiences, we need to be aware of every opportunity to make sure things work to our advantage. Nielsen actually gave us one with the MCEM, so head down the hall and ask your engineer to pull the latest Excel file from the monitor. If you find a few zeros in the file, you’ll thank me later.

Let’s meet again next week.