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The Ticket Sweeps All Categories, 105.3 The Fan Right Behind Them in Dallas Spring Book

The Dallas sports radio scene has been strong for years thanks to a healthy competition between The Ticket, Sports Radio 1310/96.7, and 105.3 The Fan. The two stations have collectively delivered some of the best results in the sports format, and in the spring book, a similar story existed.

The big winner for the quarter was Sports Radio 1310/96.7 The Ticket. The Cumulus owned brand finished 1st in the market with Men 25-54 with a 13.5 share. 105.3 The Fan finished strong too, taking 3rd place with a 5.1 share.

In mornings, The Musers featuring George Dunham, Craig Miller, and Gordon Keith led The Ticket to another 1st place finish. The popular trio registered the best performance of the quarter among all shows with a 15.3 share. 105.3 The Fan’s Shan and RJ ranked 10th with a 3.4 share.

Middays from 10a-3p saw The Ticket solidify another 1st place finish. The combination of Norm & Donovan with Norm Hitzges and Donovan Lewis, and The Hang Zone with Dan McDowell and Jake Kemp produced an 11.7 share for the book. This was Hitzges’ final full book. The Dallas radio legend signed off after 48 years on the air in late June.

Meanwhile for 105.3 The Fan in middays, the story was also positive. The K&C Masterpiece with Cory Mageors, Kevin Hageland, and Mike Bacsik ranked 2nd for the quarter. They also turned in The Fan’s best share this book, generating a 6.1.

The situation was similar in in afternoon drive. The Ticket claimed 1st place, with a 13.4 share from 3p-7p courtesy of The Hardline with Corby Davidson, Bob Sturm, and Dave Lane. The Fan’s GBag Nation featuring Gavin Dawson, Bryan Broaddus, Lucious Alexander, Eric Chiofalo, and Zak Wolchuck ranked 2nd with a 5.5 share. One difference between the two shows, The Fan’s afternoon show starts an hour earlier, running 2p-7p.

If you’re at The Ticket, you’ve got to be pleased with the latest results. The station ranked 1st in every category, and delivered double digit shares across the board. The Musers and Hardline were especially dominant in their timeslots. With Norm leaving, the questions become ‘who steps in next, and how does the audience respond?’ If the past is any indication when The Ticket has made changes, everything will be just fine.

For The Fan, aside from wanting to unseat the competitor and raise the overall shares across all shows, there’s not much to complain about. Two 2nd place finishes, and one 3rd place result is strong. If there’s an area to focus on it’s getting mornings up. They’ve shown many times before they can compete at a higher level.

Overall, two sports talk brands in a top 5 market are producing a combined 18-20 share each time they hit the airwaves. I’d say that’s a sign of success, and an opportunity for advertisers to take advantage of.

Rich Shertenlieb: ‘Aaron Rodgers Has to Be Featured on Hard Knocks’

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While Golden State Warriors guard Stephen Curry stole the show at the American Century Championship thanks to his hole-in-one shot and eventual tournament win, comments made by New York Jets quarterback Aaron Rodgers have snagged the headlines. The NFL veteran expressed how the team’s appearance on the HBO and NFL Films documentary series, Hard Knocks, was effectively forced upon them. The Jets were one of four teams eligible to participate in the docuseries this season after meeting all of the relevant criteria, and many affirmed the franchise had the most interesting storyline. Now, the team will be prominently featured before and during the season – in which “Gang Green” is televised for the maximum six prime-time games – as it tries to snap a 12-year playoff drought.

There has been plenty of commentary from those in the New York metropolitan area about the implications the series could have on the team. A deluge of young players, led by reigning offensive and defensive rookies of the year Garrett Wilson and Ahmad “Sauce” Gardner, are trying to take the next steps in their careers surrounded by a veteran quarterback and bonafide Hall of Famer. On top of that, head coach Robert Saleh faces pressure to win in his third year in the position while former first-round draft pick Zach Wilson serves as a full-time backup quarterback after struggling as a starter.

“This is going to be the first time that you’re going to have to watch Hard Knocks,” Rich Shertenlieb said Monday on 98.5 The Sports Hub. “Not just like us, but if you’re an NFL fan, this is the story of the offseason. How often does Hard Knocks have a superstar on it – because it’s usually these lesser teams that don’t have to do it.”

The fact that Rodgers is at the center of the franchise this season following a darkness retreat and comments on psychedelics should augment the entertainment value of the series. In addition, the fact that the Jets organization made public comments against participating on Hard Knocks could change the aurora of the show and add a backdrop of frustration to the proceedings.

“I can’t think of a better scenario to have Hard Knocks,” Shertenlieb said. “I know that there’s been some teams where you’ve seen people ham it up and stuff – there’s going to be none of that this year. It’s just going to be, ‘Get out of my way,’ and anger. I know that they say, ‘Well, the team gets director’s cut,’ but if everything that’s being recorded is, ‘We don’t want to be here,’ you’re going to get some good stuff.”

Both hosts worry about the team having a strategy to provide Hard Knocks with as little content as possible, meaning they will intentionally restrain themselves when the cameras are on. The team’s ownership, coaching staff and public relations department could work against the best interests of the docuseries to prevent the fomentation of narratives; however, it helps the National Football League when it is genuinely candid. Even so, Shertenlieb believes that some of the roster will be enthusiastic and accommodating on the series, potentially breaking away from the franchise’s overarching attitude of displeasure.

“I am saying that you’re going to want to watch it, but I am telling you that it might cause strife because the team might not want them to,” Toucher said. “There are young, excitable players that don’t hold their tongues on this team.”

Because of the lack of notice regarding the selected team, Hard Knocks has a considerably short timeline to create content for the first episode, which is set to air on Aug. 8. Usually, the series follows select players during portions of their offseason, including on vacation or individual training sessions. Out of all the players and personnel associated with the Jets though, Rodgers is going to be the center of attention – whether he likes it or not.

“Aaron Rodgers is going to want to be on it as little as possible, but the HBO people know he has to be on it a lot,” Shertenlieb added. “They’re going to follow him around – they’re going to probably do a whole thing on his psychedelics, which is going to be hysterical.”

Zinhle Essamuah Named Co-Anchor of NBC News Daily

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NBC News Daily has announced Zinhle Essamuah as its new co-anchor, joining Kate Snow on the afternoon program.

Essaumuah joined NBC News in October 2021 as a correspondent after spending four years at digital outlet NowThis. She has spent the majority of her time with the network reporting for NBC News and MSNBC on justice, culture, and poverty.

“She’s an accomplished journalist and I’m thrilled to be by her side,” Snow said in a tweet announcing the move.

Essamuah will join Snow for the 2:00-4:00 PM ET block of the program on the NBC News Now streaming platform.

Additionally, the NBC News Now FAST streaming channel will be included on Xfinity cable systems with 20 other FAST channels.

“Having an opportunity to get distribution on Xfinity was a chance that we did not want to pass up,” says NBC News Now Executive Vice President Janelle Rodriguez told Variety. “We are very seriously committed to being wherever we can bring premium news to people for free.” 

Tucker Carlson Inks First Advertiser for Twitter Show

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After more than 10 episodes and millions of views, Tucker Carlson has landed his first advertiser for his Tucker on Twitter series.

According to a report from CNBC, PublicSq, described as “an online marketplace for companies with conservative values”, has signed a deal with Carlson paying him more than $1 million. PublicSq is the “starting point” for companies seeking to battle environmental, social, and governance policies, according to CNBC.

The company reportedly plans to go public later this month and is also planning on becoming an investor in Carlson’s planned new media company.

PublicSq’s investment into Carlson’s media company comes after a report from The Wall Street Journal claimed he was seeking “hundreds of millions” of dollars for his new venture.

Ads for the company will begin running on Carlson’s show in August, and will be the first major marketing push by PublicSq.

The reported plans for Carlson’s new media venture comes after he was reportedly given a cease-and-desist letter by Fox News last month. The network contends that Carlson remains under contract until December 31, 2024, and believes his agreement keeps his content exclusive to the company.

Scott Van Pelt, Laura Rutledge Could Host ‘Monday Night Countdown’

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As ESPN looks to revamp portions of its programming lineup affected by talent layoffs, the network has been tasked with replacing one of its most recognizable talents on an iconic broadcast franchise. Suzy Kolber, the longtime host of Monday Night Countdown since its inception in 2006, was let go by the network after 27 years. Now for the first time in its history, the host chair for that show is vacant and could be filled by a familiar ESPN personality.

Scott Van Pelt, the host of the midnight edition of SportsCenter, is reportedly in consideration to join Monday Night Countdown, according to Andrew Marchand of the New York Post. Van Pelt recently stated that he does not believe he will be hosting SportsCenter in three to five years, rendering this position a potential move away from that franchise.

Van Pelt has been employed by the network since 2001 and hosting SportsCenter solo since 2015, but he has been thinking about his future in the business of late. At the conclusion of Monday Night Football games, Van Pelt takes the air and conducts a postgame interview with commentators Joe Buck and Troy Aikman to recap the action, conveying his familiarity with the property.

Conversely, NFL Live host Laura Rutledge is also reportedly in consideration for the role. In addition to her role with the popular studio show, Rutledge also anchors the SEC Network pregame show, SEC Nation, on Saturday mornings.

She has been with the company since 2014, first starting exclusively as a reporter on SEC Network and ESPN. NFL Live recently attained record ratings to begin the year, including considerable gains in the age 18-49 demographic.

Both hosts are the frontrunners, according to Marchand, but ESPN will also consider other internal candidates to fill the position. The show will also need to adapt without Steve Young, who was part of the talent layoffs at the network.

Last year’s edition of the show also included Randy Moss, Robert Griffin III and Booger McFarland – with contributions by Adam Schefter and Chris Mortensen. Larry Fitzgerald and Alex Smith have also been at the desk to fill in as analysts, and could make sense as options to replace Young on a full-time basis.

Jake Tapper Scores Rare CNN Interview with Ron DeSantis

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CNN’s Jake Tapper has teased an upcoming interview with 2024 Republican presidential primary candidate Gov. Ron DeSantis (R-FL).

Tapper made the announcement Sunday that he will welcome DeSantis to his CNN program on Tuesday afternoon at 4:00 PM ET.

“I hope you’ll tune in,” Tapper said. “We obviously have quite a bit to discuss.”

The appearance by DeSantis will mark the first time he’s appeared on a broadcast or cable news network — sans Fox News — since announcing his presidential campaign.

The DeSantis campaign insists the decision to interview with CNN is not a shift in strategy. Reports over the weekend claimed several campaign staffers exited in a shakeup.

“The corporate media has gotten a lot wrong, and many outlets have an agenda. Therefore, we don’t consider them entitled to time or access,” DeSantis campaign spokesperson Bryan Griffin told The New York Post.

“Nonetheless there are many good journalists and truth-seeking reporters, including in mainstream media outlets, and we will work with them on our terms. That’s always been the plan.”

While the appearance for DeSantis is strictly an interview, it does open the door for a future town hall event on the network. Currently, CNN has hosted former President Donald Trump, former Gov. Chris Christie (R-NJ), former Gov. Nikki Haley (R-SC), and former Vice President Mike Pence for town halls.

Broadcasters Foundation of America Sets Annual ‘Giving Day’

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Mark your calendars for the upcoming Broadcasters Foundation of America Giving Day on Thursday, July 20th.

It’s an opportunity for the entire radio and television community to come together and provide financial assistance to colleagues who are facing critical illness, accidents, or disasters. This campaign also serves to increase awareness of the Broadcasters Foundation and its charitable mission, ensuring that anyone in these fields who needs support can apply for aid. 

In a news release, Tim McCarthy, the President of the Broadcasters Foundation, emphasized the significance of Giving Day as an opportunity for individuals in the radio and television industry to extend assistance to their fellow colleagues.  

“As broadcasters, we are storytellers. Whether behind the scenes in marketing, sales, or administration, part of the production team, or on-air talent, everyone in the radio and television broadcasting profession has a common goal: to share vital stories with their communities,” McCarthy said.  

The Broadcasters Foundation of America aims to help those in the radio and television broadcast profession who are in acute need due to critical illness, accident, or other serious misfortune. It provides a nationwide anonymous safety net. As a 501(c)3 Public Charity, it has been rated 100 by Charity Navigator for its solid financial health and has received full credit for its program-to-expense ratio. 

“But who is there to help these essential community members when a natural disaster strikes or an illness disrupts a family’s financial security and safety? The Broadcasters Foundation of America’s unique mission is to support our professional community during these hard times when our colleagues are unable to work and struggling to pay basic living expenses,” he added.

“Support for the Broadcasters Foundation of America comes directly from within our broadcasting community,” noted Scott Herman, Chair of the Broadcasters Foundation. “Over the past 15 years, our grantmaking has increased dramatically, distributing $400,000 in 2007 to almost $2,000,000 in 2022. We currently help an average of 400 broadcasters each year through our two grant programs. Our monthly grants support broadcasters on a continual basis while they recover from an illness or accident. Our emergency grants provide one-time financial aid following a devastating natural disaster or home emergency.” 

To make a donation to the foundation, click here.

98.5 The Sports Hub Dominates, WEEI Enjoys Growth in Boston Spring Ratings Book

Boston is one of the most competitive sports radio markets in the country. With the spring ratings book in hand, both Audacy and Beasley have reason to feel good.

Market dominance continued for 98.5 The Sports Hub. Beasley’s sports talker remains number one with Men 25-54 in every daypart as well as for the full week.

In morning drive, Toucher & Rich nearly tripled the ratings of the number 2 show in the demo. The duo pulled a 21.4 share during what turned out to be something of a tumultuous time for the tandem. In middays, Zolak & Bertrand grabbed a 20.3 share with the target demo, while it was a 21.1 share for Felder & Mazz in afternoons.

For Audacy, the story was about strong growth for WEEI. The Greg Hill Show is that aforementioned number two show in morning drive. It had an 8.6 share, which represented nearly 51% growth from the winter book. 

WEEI’s midday show Gresh & Fauria showed the biggest growth for the station. Ratings were up 60% from the winter. The duo pulled a 4.6 share, putting the show in 6th place in its times lot.

Jones & Mego saw growth too. The show was tied for 8th in the market with a 4.1 share. That is up over 16% from the winter.

For the full week (M-Su 6A-Midnight), the two stations both finished in the top 5. 98.5 The Sports Hub was first with an 18.9. WEEI was fifth with a 5.4.

The Hub is playing on a different field from most in the sports format, and they maintained that standard this book. For WEEI it’s about taking steps forward to make the battle more competitive in the future. Both did their part for the quarter.

Gavin Dawson Welcomes The Gravity of Afternoon Drive

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When Gavin Dawson first arrived at 105.3 The Fan in Dallas 13 years ago, he jumped straight into the deep waters of radio in afternoon drive. Things did not go very well.

“I was out of it in seven months,” recalled Dawson.

It was, sort of, a Conan O’Brien moment for Dawson, not getting a lot of time to build something special, but he would move to evenings with Chris Arnold and that turned out to be the start of something big for him at The Fan.

The evenings proved to be real estate where Dawson could grow in the market and have some fun at the same time.

“There’s sort of a freedom that comes along with that,” said Dawson. 

Like sneaking out of the studio to pick up a 12-pack and breaking a few radio rules during the hours when one could get away with that. 

From there, Dawson moved to middays and three years ago made a return to afternoon drive as host of GBAG Nation weekdays from 2pm to 7pm on The Fan. 

What does “GBAG” stand for? 

“Good Broadcasting About Games”.

For Dawson, good broadcasting means great ratings so things are great in GBAG Nation.

“It’s so much of a results-based business with what the ratings are determining your attitude,” said Dawson who relocated to the Dallas/Fort Worth Metroplex 13 years ago from Portland. “That’s your only scorecard that you really have outside of some other indicators you can look at. I would say it’s the most rewarding because of the added gravity of being in afternoon drive and the added expectations and pressure that comes along with that.” 

In the North Texas market, the overwhelming subject that drives ratings would be the Dallas Cowboys. During most of his time in town, Dawson has had to focus on “America’s Team” while also mixing in some pop culture with banter talk and comedy. He’s also a huge video game player and has the Xbox Live handle of “Radiochamp”. 

Being a gamer and mixing that into the discussion helped him attract some new listeners at night and in the middays, but in afternoon drive, it’s been Cowboys-Cowboys-Cowboys…That is, until recently with the success of the Dallas Mavericks, Texas Rangers and Dallas Stars.

“Since I’ve been in the North Texas market, this is the most successful that all the teams have been at the same time,” said Dawson. “It’s unbelievable when you actually have multiple teams going that can drive ratings. If the Mavs, Rangers and Stars aren’t good and you talk about them on the radio, it’s not productive. The Cowboys are always interesting here but if these (other) teams aren’t good, nobody cares about them and that’s a tough way to do radio sometimes when you go through a drought like that.”

For many people, the sports radio business is like climbing up a ladder. You move around within a radio station from a behind the scenes role to getting a shot on air to being a full-time host. Or, you move around from market to market looking for that “forever home” or maybe that final landing spot is coming back home to where it all started.

For Dawson, going home to Portland, going to a national network or moving to another market is, at least for the time being, very much off the table.

“I never dreamed of doing anything national,” said Dawson. “I don’t think there’s a next step for me. I don’t want to go to New York, I don’t want to go to Chicago and I don’t want to go to Los Angeles or San Francisco. I really feel like, for my career, I’ve found home in North Texas. The community accepted me and I just feel like it would be foolish or greedy to think that I could easily go somewhere else and replicate this again.”

Why Is the Biggest Barstool Audience on TikTok?

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Barstool content is not for everyone. It’s usually goofy. It can be offensive. If you are not in the target audience or a fully-bought-in Stoolie, you may never give the brand much thought. 

From a content standpoint, how much attention you pay to Barstool depends on what they do for you. From a business standpoint though, the brand keeps getting it right and if you are in the business of making digital content, you should look at Barstool with the same undivided attention that Thanos gave Red Skull on Vormir. 

Understanding that the Barstool distribution model works is one thing. Understanding why it works, copying what you can and cutting through the clutter of what won’t work for you is more important and requires more effort. 

In an age when so many radio professionals are trying to stand out in a digital world, one of the best things we can do is to pay attention to where the brand’s content is. Using social media to build an audience for digital and audio is a good strategy, but where do you focus your efforts to achieve the biggest payoff? 

While its content is everywhere it should be, and its audience is robust compared to the average local station or host(s) gone solo, Barstool’s biggest impact is on TikTok. Look at their audience sizes on all the other major social platforms.

  • Twitter – 5.2 million
  • Instagram – 13.7 million
  • Facebook – 5.9 million
  • YouTube – 1.58 million

Combined, that is slightly under 26.4 million people that have bought into the content so much that they have decided they never want to miss a post from the brand. It is also less than the subscriber base on TikTok, which last week, hit 30 million. Embracing TikTok is so important if you are trying to make a media/content career exclusively in the digital space. 

Finding an audience online can be confusing for those of us that came up in legacy media. If your background in radio, your first thought when it comes to digital content is probably a podcast, right? We know audio. It feels comfortable.

Podcasting doesn’t cast a particularly wide net though. You have to rely on the audience choosing you and then spreading the word. You can promote through other social platforms, but there is no guarantee that the audience will consume anything more than the clip you are putting out on that platform.

Giving up terrestrial for digital used to mean we had to give up easy access. In radio, you can turn people that may not have even known about you into loyal listeners because they liked what they heard as they were scanning the dial. Social video algorithms have changed that reality though and no where is better to take advantage of that than on TikTok.

Think about all of the times you have clicked on one video and just started scrolling. Maybe that first video was a short comedy clip. Then you swipe and there is an attractive woman doing some provocative dance. Swipe again and there is a highlight of Barry Sanders juking some poor fool out of his shoes.

Barstool built its subscriber base by finding ways to end up in a variety of algorithms. The content is varied and tagged on the backend in a way that makes it fit with a variety of interests. 

Unlike Instagram Reels, whether you see them on their original platform or on Facebook, there is nothing else to do on TikTok. There is no other form of posting that users can be distracted by. Barstool can make their entire strategy for the platform about appealing to a wide variety of algorithms. 

Pop up enough in someone’s feed, and they are likely to simply click follow. It is how I ended up following a number of comedians. I’d bet it is how plenty of Barstool’s followers ended up following them. It can be hard to imagine with media business tunnel vision, but there is likely a significant chunk of those 30 million people that follow Barstool on TikTok that have no idea who Dave Portnoy, Big Cat, PFT or KFC are. They just know that the content on that feed is reliably entertaining. 

The world is made up almost entirely of non-P1 consumers. When it comes to digital media, TikTok may be the very best way to reach them and show them that it is worth coming back over and over. Barstool gets that it is important to be everywhere, but it is just as important to master the platforms with the most potential.