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Mookie Betts Launching New Show on Bleacher Report

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Just days after Los Angeles Dodgers outfielder Mookie Betts hit a clutch, game-tying home run on Sunday Night Baseball, Bleacher Report has announced he will take his many talents online.

In partnership with One Marketing Group – a media company Betts had a hand in founding – Bleacher Report will launch On Base with Mookie Betts, an interview-based digital series. Milwaukee Brewers outfielder Christian Yelich will be the program’s first guest in an episode set to air Tuesday at 12:30 p.m. EST/9:30 p.m. PST. There will be additional interviews throughout the Major League Baseball season, following a similar model the company embarked on with Buffalo Bills linebacker Von Miller and The Voncast.

Betts joins a growing faction of current professional athletes making their mark in the world of sports media. Golden State Warriors forward Draymond Green hosts a podcast through Colin Cowherd’s media venture, The Volume; LeBron James has participated in alternate telecasts on Amazon Prime Video’s presentation of Thursday Night Football; and Chicago Cubs outfielder Ian Happ hosts a player podcast through Jomboy Media titled The Compound just to name a few.

Joy Reid: Donald Trump Town Hall ‘Open Attempt by CNN to Push Right’

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CNN is preparing for its Wednesday town hall event with former President Donald Trump. Many have applauded the network for covering Trump as a candidate for the 2024 Republican presidential nomination. MSNBC’s Joy Reid, however, is not in that camp.

During The Reid Out Monday, Reid welcomed a panel of Media Matters President and CEO Angelo Carusone and The Bulwark’s Charlie Sykes to discuss the situation. Reid made it known she thought it was a transparent move for CNN.

“It feels to me that this is a pretty open attempt by CNN to push itself to the right and make attractive and show its belly to MAGA and conservatives hoping that they will tune in,” Reid said.

Reid’s comments came after she played a clip from Warner Bros. Discovery CEO David Zaslav saying that both sides of the political aisle should be represented on CNN. In response, Reid sarcastically said “Republicans, Democrats, Insurrectionists are all on CNN”.

Carusone called the New Hampshire event a “laundering”, while Sykes said the town hall was “horrifically bad judgement” by CNN.

“Let’s be clear about this. This is not journalism. This is entertainment,” argued Sykes. “In journalism, you actually will control the questions and the answers, and you’ll have some sort of a filter for misinformation. CNN will not be able to filter or control the disinformation that Donald Trump puts out on the air live and CNN will not even be able to control the kinds of issues that are talked about.”

102.5 The Game Becomes New Flagship for Vanderbilt Sports

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Cromwell Media is deepening its relationship with the Vanderbilt Commodores. The school’s football and men’s basketball games have been heard on 102.5 The Game and 94.9 The Fan since 2020. Beginning with the 2023-24 school year, baseball and women’s basketball games will be on the air as well.

“We couldn’t be more excited about our newly expanded relationship with Vanderbilt Athletics,” Bud Walters, Cromwell Media president, said in a press release. “For the last three years we’ve been their proud broadcast partner for football and men’s basketball. The addition of baseball and women’s basketball now provides generations of Vandy fans and alumni the ability to hear all the games and coaches’ shows all under one roof. This is historic at every level and we can’t wait to get started!”

Vanderbilt men’s sports will be heard on The Game, which is simulcast on 102.5 and 106.3 FM. Women’s basketball will call 94.9 The Fan its flagship.

“Vanderbilt Athletics looks forward to building on our strong relationship with Cromwell Media,” Candice Lee, Vanderbilt vice chancellor for athletics and university affairs and athletic director, added. “We’re excited to partner with the proven voice of Nashville sports talk radio, and are committed to reaching as many supporters as possible in the community we call home.”

All Nashville Predators’ games air on 102.5 The Game. When a Vanderbilt contest scheduled to air on The Game conflicts with NHL hockey, Vanderbilt athletics will move to 94.9 The Fan.

Jesse Watters Wanted Chris Wallace, Neil Cavuto Fired, Uncovered Texts Show

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As reported leaked text messages from Tucker Carlson continue to come in, an interesting nugget was found in the unredacted messages. Fox News host Jesse Watters privately aired his frustration with colleagues Chris Wallace and Neil Cavuto, calling for their firing.

The Daily Beast’s Confider claims that a back-and-forth exchange between Carlson and Watters showed that the Watters’ World host was angry with the way Wallace and Cavuto had handled allegations from then-President Donald Trump and his legal team about the validity of the 2020 presidential election.

“Wallace Cavuto and other (sic) have got to go,” Watters said to Carlson. “Need some fresh blood. Should hire some trump (sic) people.”

Ultimately, Wallace departed Fox News for CNN in 2021. Meanwhile, Cavuto remains with both Fox News and Fox Business Network.

Elsewhere in the conversation, Carlson had criticized Fox News reporter Jacqui Heinrich for her fact-checking of a Trump tweet, as well as her criticism of primetime host Sean Hannity. Earlier this year, it was revealed that in a group message with Sean Hannity and Laura Ingraham that Carlson had also lobbied for Heinrich’s firing after Twitter fact-check of Trump.

“Please get her fired. Seriously… What the f—? I’m actually shocked,” wrote Carlson. “It needs to stop immediately, like tonight. It’s measurably hurting the company The stock price is down. Not a joke.”

More Leaked Tucker Carlson Texts Reveal He Was ‘Stuck’ With Fox News

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More unredacted text messages sent by former Fox News host Tucker Carlson show his behind-the-scenes feelings about the network and his feeling that he was in a difficult position.

The Daily Beast’s Confider claims Carlson told Fox News anchor Bret Baier in November 2020 that the network’s decision to call Arizona for President Joe Biden would cause wide-ranging issues for Fox News. He did want those problems to affect his future with the network.

“I’ve got four more years here. I’m stuck with Fox,” Carlson allegedly wrote. “Got to do whatever I can to keep our numbers up and our viewers happy.”

Roughly one month later, when Fox News was under fire by Trump and his allies, Carlson told Baier he was disappointed in the way events had transpired, but had nowhere else to turn in terms of employment.

“It’s so sad. He’s going to break some shit. He already is. Wish I knew where to run. But I’ll die here.”

The messages are the latest in a string of leaks surrounding Carlson’s high-profile exit from Fox News. Previously, several videos had leaked to Media Matters attempting to paint the host in a negative light.

A report from The New York Times claimed a text message from Carlson to a producer in January 2021 “set off a panic” inside Fox News when it was discovered. In the text, Carlson shared his joy in watching an Antifa member be assaulted by Trump supporters, before saying “That’s not how white men fight”. He has faced charges of racism for his encapsulation of the events.

Howie Carr Stable After Collapsing On Air

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Radio host Howie Carr is stable in a Boston hospital after collapsing on air during a Monday interview.

Carr began Monday’s program by saying he did not feel well after a recent medical procedure. During an interview with an advertiser, he began to slump over and passed out.

The video feed for the program was subsequently cut while the radio show went to commercial. Guest host Toby Leary — who was scheduled to host the 5:00 PM and 6:00 PM hours of the program — returned after the break to host the remainder of the show.

“Thank you for all your thoughts and prayers for Howie,” Carr’s family wrote on Twitter. “During his show today, he fainted. He is getting care now and doing better.”

Carr’s wife told Boston 25 News that one of their grandchildren had contracted Norovirus and spread it to the radio host. He will reportedly take time off before returning to work.

The Howie Carr Show is syndicated across 19 stations in New England and is based at Boston’s WRKO.

White House Revises Press Credential Process

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The White House press office announced stricter guidelines for press “hard passes” last Friday, as reported by The Daily Beast. These passes provide journalists with more regular access to the White House compared to temporary day passes. They usually take a few months to be authorized and processed.

The press office sent a letter to all current hard pass holders expressing their intention to revise the requirements to align with those of previous administrations. As previously reported by Confider in March, the Biden administration was looking to return to the credentialing rules of the Obama era. This move could impact fringe reporters with a history of disrupting press briefings on a near-regular basis.

The website reported that all current passes expire at the end of July. Journalists will have approximately three months to request renewal under the updated guidelines, and if approved, the pass will be valid for one year with the option for annual renewal. The applicant’s bureau chief or supervisor must send a letter to the White House press office to obtain a hard pass. If the news organization requests passes for multiple employees, they do not need to send separate letters for each individual.

The key changes in the updated hard pass guidelines revolve around requiring all applicants to work for a reputable news organization. The press office specifies that hard pass requests must be written from the journalist’s employer on official letterhead. The media outlet’s contact person must verify that the applicant meets all credentialing requirements.

To qualify, the applicant must be a full-time employee of a news-gathering organization. If they are a freelancer, they must provide letters from at least two news organizations describing their affiliation. If they primarily work for just one organization, that organization must describe the extent and duration of their relationship with the outlet.

The applicant must have a physical address in the greater Washington, D.C. area, either residential or professional. The press office also requires that the applicant has been on the White House grounds within the past six months or can provide proof of employment to cover the White House within the past three months. Finally, the applicant must be assigned by their outlet to cover the White House or provide technical support in its coverage.

Following the lifting of COVID restrictions and President Joe Biden’s inauguration, the White House began to loosen some of the stringent restrictions on hard passes that the previous administration had put in place. In 2019, former President Donald Trump’s administration implemented new rules requiring reporters to be on White House grounds at least 50% of the time before renewing their credentials, which was seen as a move against the mainstream press.

Initially, foreign press members and independent journalists who had difficulty obtaining credentials initially welcomed the Biden administration’s more lenient stance on hard passes. However, the resulting chaos in the briefing room led some White House reporters to question whether the rules had become too lax. Despite this, as a First Amendment group, the White House Correspondents’ Association would not support revoking a journalist’s hard pass.

Curtis Sliwa: Newsmax Paired Me With A Nobody During NY Subway Panel

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WABC Radio host Curtis Sliwa expressed his displeasure at being a part of a Newsmax TV panel on Rob Schmitt Tonight, where the topic of discussion was the recent subway killing of Jordan Neely. Sliwa appeared on Sid and Friends in the Morning.

During their conversation, the pair talked about Jordan Neely, a 30-year-old street artist recognized for his Michael Jackson impersonations. He was pinned down and put in a deadly chokehold by another passenger after he began yelling that he was famished, thirsty, and felt like he had nothing to live for.

“I’m a subway expert. Why would I have anyone else on with me? Sliwa asked. “Some guy from Rochester, New York, that’s never taken a subway in his life.”

Sid Rosenberg informed Sliwa that he missed watching the segment as he was appearing with Jesse Watters on Fox News during the same time.

“So, you’re telling me that Jesse Watters has a one-on-one with Sid Rosenberg and Curtis Sliwa, who knows subways and crime more than anybody else in New York City, had to share a Hollywood Squares box?”  

Typically, split-screen interviews are utilized when the interviewer and interviewee are geographically separated or when multiple guests are being interviewed at the same time. These interviews allow viewers to watch both the interviewer and interviewee simultaneously and any visual aids or graphics that may be presented on the screen.

“That’s why Jesse Watters does so much better than what’s his name I appeared with,” Sliwa said. “You keep doing Hollywood Squares, pal, with some guy from Rochester who never took the subway.” 

Kat Timpf: Fox News Allows Greg Gutfeld to Joke About Whatever He Wants

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Gutfeld! on Fox News has gained a loyal fanbase among those who enjoy comedy. It stands out from other popular shows, such as Jimmy Kimmel Live! on ABC, The Tonight Show starring Jimmy Fallon on NBC, and The Late Show with Stephen Colbert on CBS, by offering an unconventional format.

During a recent episode of The Vince Coglianese Show on WMAL Radio, Fox News personality and author Kat Timpf shared her perspective on the decline of comedy. She believes the lack of intention is the root cause and credits the success of Gutfeld! to the network’s creativity and clear objectives.

“People stopped caring about intent,” Timpf stated. “I think intent should be the most important thing we weigh when it comes to speech in general. When it comes to speech that is a comedy, I think the number one intent is to make people laugh.”

According to Timpf, anyone who has tried their best at comedy or told a joke understands that the only way to determine if a joke is funny is to give it a shot.

“As a comedian, that is your job, and at some point, you are going to hit on something that’s going to upset somebody, but if the intention was laughter, people who react like that (anger), it’s OK to be upset or offended but not to cancel somebody, you might be making other people more afraid to make different jokes.”

Timpf stated that one of the factors contributing to Gutfeld!‘s success is the cast and crew’s supportive and innovative environment. 

“You can bring up whatever joke about whatever subject you want,” she said. “Everybody knows everybody is there to have fun and make people laugh.”

Timpf recently released a new book titled “You Can’t Joke About That: Why Everything Is Funny, Nothing Is Sacred, and We’re All in This Together,” In it, she touches on subjects that were once considered ‘taboo’ like transgenderism.

“When this started becoming a more common topic, I was so scared to discuss it, and I just exposed myself to that in the book. If your main issue is that you’re an LGTQ+ activist, you still shouldn’t want something like this,” Timpf said, referring to the erosion of free speech. “What you’re doing is making people afraid to talk.”

Matt Miller Is the Future of the NFL Draft

Many professionals who seek to foster careers in sports media often recognize it at a young age and then tailor their college experience towards doing everything possible to gain a foothold in the industry. Whether it is participating on live game broadcasts, producing television shows or writing in a local newspaper, the goal is to reach a point where being hired after graduating is a facile task. Conversely, there are others who know that they have a passion for sports. Yet, they do not immediately forge a path to working professionally because of its plausibility and an exiguous chance at success. Matt Miller can be considered a combination thereof since he wanted to work in football in his youth but did not begin his push to find a niche sector of the industry until his days in college were complete.

At the age of 8, covering the NFL Draft was Miller’s dream. He began compiling draft boards, participating in mock drafts and writing scouting reports. It never dawned on him that most of his peers were not embarking in this practice at the time, nor did all football fans have a vested interest in the annual occasion.

“You know when you’re asked, ‘If money was no object, what would you do?’?,” Miller said. “[My answer] was, ‘I’d write about football.’ It just seemed like the perfect job to be able to analyze teams and players, and then share your opinion and get paid for it.”

Unlike most people’s college experience, Miller did not walk across the stage and receive an undergraduate degree. Instead, he left Missouri Southern State University early upon receiving a lucrative job offer working in customer service marketing, aligning with his focus in business studies. It made more sense for him to make money working professionally than it did to continue to pay tuition.

Simultaneously, he started his own independent football scouting company – New Era Scouting – where Miller focused on outlining football prospects with the hopes of reaching player agents, teams and fans. In fact, Miller aggregated the mailing addresses for as many National Football League general managers as possible and mailed them a copy of his draft guide. Even he is surprised that he received some feedback from various team executives, guiding his future endeavors.

“I think I was able to hone in on evaluating players, but also how to take those evaluations and present them to the public,” he said. “There’s a difference in evaluating players for the general public and evaluating players for an NFL team – or, in my case, I was doing it for the CFL and the Arena League.”

In practicing how to be concise and proffer his opinions to a broad audience, Miller drew inspiration from the work of industry experts, such as Paul Zimmerman of Sports Illustrated, Peter King of NBC Sports, and Chris Mortensen of ESPN. Yet Mel Kiper Jr. of ESPN always stood out to Miller as someone who was working his dream career and a role model on which to engender his future undertakings. 

Akin to Miller, Kiper founded his own company while he was in college and moved to cover the NFL Draft for ESPN, appearing on the network since 1984. Through his research and analysis, he aims to provide viewers a comprehensive, yet compendious insight into the world of professional scouting.

“He is this industry,” Miller said of Kiper. “I know there were some other folks that were doing it, but from a TV perspective, he’s the guy that you could always look to of, ‘There’s someone who’s actually doing this for a living.’”

Outside of writing for his high school’s newspaper, Miller had little to no journalistic experience. Therefore, he sought to cultivate his skills by writing for his brand, New Era Scouting. 

There is a difference in writing for a generalized audience when compared to creating content for football executives, and Miller had to work to understand how to best appeal to whom he desired to communicate. Creating, maintaining and producing content for the website helped him become a more effective talent evaluator while accentuating his innate ambition.

It positioned him to land a role with Bleacher Report in 2010 and eventually become the most read author in the history of the digital platform. Before taking the job with the brand, however, he had to do his own research as to what it encompassed since he had never previously heard of them. At the time, the brand was five years removed from its inception and gradually garnering space amid a crowded content ecosystem.

“One of the big things was they wanted somebody who was a self-starter and could kind of operate on their own,” Miller said of Bleacher Report. “There weren’t really day-to-day editors checking your work and coming up with assignment ideas. That all came later. It also taught me how to become a journalist – how to come up with story ideas, how to write a headline so that people would want to click on it, how to manage a schedule.”

When Miller was with Bleacher Report as its lead NFL Draft writer, he helped facilitate part of the company’s evolution across various platforms of content production. For example, when the company began experimenting with crafting content specifically for visually-based platforms, he was asked if he could begin appearing and divulging his work in that manner. Then as the popularity of podcasts grew, he paired with Connor Rogers to host their own titled Stick to Football, catalyzed by the success colleagues Chris Simms and Adam Lefkoe had in the medium.

“It was a 30-minute digital show so you had to learn how to write for a show versus writing an article or writing a podcast script,” Miller explained. “Bleacher Report gave me the opportunity to learn how to do a lot of different things and kind of find out what worked and didn’t work.”

Miller left Bleacher Report in 2021. Once he departed the company, he was not sure the best path to take, nor if he ever wanted to work for another brand. 

Throughout the course of this transition period, Miller worked fastidiously to cultivate a trusted platform and communicate his developed expertise to an audience. He never completely removed himself from the bonafide mainstream of the industry though, as he appeared on ESPN as a video contributor and spoke about the NFL Draft. 

Miller officially joined ESPN on a full-time basis as its year-round NFL Draft analyst in February 2022. As part of the role, he contributes to ESPN’s content across multiple platforms, including regular appearances on shows such as NFL Live and SportsCenter. Moreover, he creates content tailored to ESPN+, the company’s over-the-top subscription service. 

The transition from working independently to joining ESPN made things purportedly easier, as the network has what seems like an interminable archive of college football footage and the resources to perform substantive research. In addition to this, the colleagues he has across The Walt Disney Company offer him alternate perspectives.

“There’s a lot of times where I’ll reach out to guys who played in the NFL for a decade and say, ‘Hey, what are your thoughts on this player or this team?,’” Miller delineated. “The networking aspect of it is fantastic.”

As an NFL Draft analyst, the preparation for the event itself is all-encompassing. It’s a process that takes well beyond a calendar year. Even with the 2023 Draft just a few weeks removed, Miller is already amassing a list of players to watch for next year’s draft and collaborating with a variety of sources to ensure he does not miss any key names. Once the season begins, he watches a lot of college football and NFL games and takes notes. Combined with the viewpoints from primary sources, Miller tries to decode the puzzle of how that year’s NFL Draft will play out. His accuracy in being able to do that is one of many determinants that encompass his definition of success.

“It’s kind of a long game of judging your success [in] evaluating players,” Miller said. “Some of it is instant – if there’s a player you like and he gets drafted earlier than anyone else thought they would, I think there’s some validation in that even if it’s a little bit short-lived.”

Miller had never appeared on television during an NFL Draft, but Mel Kiper Jr. pushed for ESPN’s vice president of production Seth Markman to add him to the broadcast. Considering Kiper Jr. was someone from whom Miller drew inspiration when he was younger, that validation left him speechless.

“There’s some expectations [when] the guy who is the godfather of this industry vouches for you and says, ‘Hey, I want him on coverage,’” Miller said. “You really want to not let him down – not only because he is a mentor and the person who started what we do now – but when somebody goes out on a limb for you, you don’t want to mess it up. That was in the back of my head a little bit.”

The NFL Draft attained an unduplicated audience of 54.4 million viewers with an average audience of 6.0 million viewers, a figure up 12% from last year. 

Miller appeared on ESPN during the event’s final day. The moment starkly contrasted the first time he covered the event as a credentialed media member from Radio City Music Hall in New York in 2012. 

“It was a whirlwind experience,” Miller said. “I had never done anything like that before where you sit down and you’ve seen people do what you’re about to do, but you’ve not done it yourself. I think it took a little bit to get caught up to the rhythm of it.”

With a majority of sports fans viewing the NFL Draft, Miller aimed not to think about the sheer size of the audience. He remembers his son telling him that a lot of people watch the draft, a statement to which Miller replied, “I’d rather not think about it.” 

There are a variety of unknowns as it pertains to the NFL Draft, perhaps highlighted by the New England Patriots’ sixth-round selection of quarterback Tom Brady in 2000. The event itself consists of seven rounds, and Miller was on the air for Round 4 through Round 7 on ESPN.

Miller was placed alongside the aforementioned Kiper Jr, along with Todd McShay, Rece Davis and Louis Riddick. It was a colossal achievement for him and a ground on which to build, and he thought about everything he did to reach this pinnacle when he took his seat at the broadcast desk. He was driven to succeed not only because of his love for the game of football, but because of being afraid to fail.

“I felt like once I got to ESPN, I felt like that’s the pinnacle of this career,” Miller said. “I don’t want to let myself down or my family down. I don’t want to let down the people who hired me at ESPN coming off a 10-year run at Bleacher Report and having never appeared on TV outside of some guest hits in places.”

At the same time, the motivation to progress at his craft is driven by an innate competitive drive. There is a cacophony of places to find content, and Miller’s goal is to continue to grow his presence in the time leading up to the NFL Draft. ESPN announced that Miller will return to the airwaves for the 2024 NFL Draft, and many industry professionals are starting to believe he may be the successor to Mel Kiper Jr. once he retires. While he is only penciled in to cover the third day of the event next year, Miller hopes to become a regular presence on ESPN programming and have a chance to join the broadcast for additional time.

“This is what I’ve always wanted to do, and I think about the fact that there are a lot of people just like me who’ve always wanted this job,” Miller said. “You can’t let yourself get lazy or complacent or those people will come catch you and end up taking your spot.”