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Dan Bongino: ‘Difficult to Explain’ Tucker Carlson Video Leaks

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Multimedia personality Dan Bongino thinks that the person or group trying to damage Tucker Carlson’s career is failing. The situation surrounding Carlson has been ongoing for two weeks as the media speculates what he will do next.

Bongino shared his thoughts during his daily Rumble show. 

According to Bongino, the explanation commonly given for Carlson’s departure from Fox News doesn’t make sense. Some people have suggested that Carlson was fired because Fox settled a defamation lawsuit with Dominion Voting Systems for $787.5 million.

“It seems like whoever is trying to hurt him, why would leak this stuff (video) to Media Matters? Let me explain; Media Matters is a leftist goon organization. It’s a bunch of kids in their mama’s basements. They sit around eating Ben and Jerry’s and pat each other on the back; they probably watch porn all day. It’s like a joke of an organization, and it’s a clown show.”

Bongino suggested that if someone at Fox News wanted to retaliate against Carlson and leaked a video to a left-leaning organization like Media Matters, it would not be long before Media Matters exposed the leak to the public and turned against Fox News.

A leaked video obtained by Media Matters showed Carlson openly criticizing the streaming service FOX Nation. He expressed frustration that the high-quality content created for the platform would go to waste due to usability issues.

“You have to dig deeper; something is going on here that’s difficult to explain,” Bongino explained about a text message from Carlson allegedly sent after January 6.

“A couple of weeks ago, I watched a video of people fighting on the street in Washington. A group of Trump guys surrounded an Antifa kid and started pounding the living s—t out of him. It was three against one, at least,” Carlson said.

“I want to realize that this was not a public statement by Tucker Carlson,” added Bongino. “This was how the man felt; he was texting privately someone else. Again, I’m not sure how this damages Tucker Carlson. He’s talking about sympathizing with an Antifa kid, even though he hates his politics because he’s getting beaten half to death. I am perplexed as to how they thought this (text) would destroy his (Carlson) reputation.” 

Anatomy of an Analyst: David Cone

He’s authored a book and a perfect game. Now, David Cone is continuing to write the story of his broadcasting career. 

He was blessed with a long baseball career. He pitched for five teams after making his Major League debut for Kansas City in 1986. Cone has extended his association with baseball in his role as an analyst for the New York Yankees on the YES Network and for ESPN’s Sunday Night Baseball. 

Cone was a World Series Champion 5 times in his career, won the 1994 AL Cy Young Award, struck out 19 hitters in a game, was an All-Star 5 different times and won 20 games twice. Quite a resume for one of the game’s most clutch postseason pitchers (8-3 in 21 playoff games). 

David Cone was born in Kansas City, Missouri, and was drafted in the third round of the 1981 MLB Draft by the hometown Royals. He wound up pitching for Kansas City twice in his career. But after debuting for the team, he was traded to the Mets before the 1987 season. In 1988 he went 20-3 with a 2.22 ERA and yet wound-up finishing third in the Cy Young balloting. 

He finished his career with a 194-126 record and with 2,688 strikeouts. 

ROAD TO YES/ESPN

Cone has flourished as a broadcaster with the Yankees, but it was almost a short-lived stint in the Bronx. 

When Cone retired from baseball in 2001, he became a color commentator on YES during the network’s inaugural season (2002). All was good until he attempted a comeback with the crosstown Mets in 2003. The move infuriated Yankees owner George Steinbrenner and Cone was told he would not be welcomed back. After his second retirement from baseball, Cone was offered a broadcasting position with the Mets, but declined. 

In 2008, Cone rejoined the YES Network as an analyst and host of Yankees on Deck. He left the network during the 2009–10 offseason in order to spend more time with his family. But a year later, Cone returned to the Yankees broadcast booth in Toronto, working as analyst for a Yankees-Blue Jays series along with Ken Singleton. He has been with the network ever since.

David Cone is currently the Yankees’ lead color commentator, alongside former teammate Paul O’Neill. The two are paired with Michael Kay as the Yankees’ regular broadcast team. His work with YES has earned him four New York Emmy Awards.

In 2022 he added to his busy schedule when it was announced he would be part of the Sunday Night Baseball broadcast team. David Cone works alongside Eduardo Perez, Karl Ravech and Buster Olney. 

In addition to all the broadcasting, Cone hosts a pitching podcast for Jomboy Media called Toeing the Slab with David Cone.

AS AN ANALYST

The first thing I notice about David Cone is just how smooth he is. Even experienced analysts are at a loss for words from time to time, but Cone’s thoughts are usually quite complete. It’s not like he’s a rookie, after all. 

You can tell immediately how well-suited he is for a role in the booth. Not that it should come as a surprise. He was always thought of as one of the more cerebral players during his career. When you listen to his analysis you are immediately struck by his vast knowledge of the game. Not only does he know the game, he can explain things in a way that makes them understandable to the average fan. 

For example. After the recent ejection of Mets’ pitcher Max Scherzer for using a foreign substance on his hand that made it ‘too sticky’. Cone, going along with the pitchers’ explanation that it was only rosin, washed off with alcohol, conducted an on-air experiment

During the Sunday Night Baseball broadcast, Cone put rosin from an MLB rosin bag on his fingers and said they got sticky just from that. After his fingers became discolored from the rosin, Cone, like Scherzer claimed he did, used alcohol to wash it off. Cone then showed how his thumb, index finger, and middle finger on his right hand were sticking together. 

“The alcohol sort of activates what’s left of the rosin,” Cone said. Finally, he went back to the rosin bag once more and grabbed a baseball, showing the ball hanging from his index and middle fingers due to the stickiness. ESPN Tweeted out the video and it’s amazing to see.

It may not have been his idea to perform the experiment, but Cone, nonetheless, made it work effectively. Based on his experience as a quality big league pitcher, it was more than credible. No tricks, no smoke, no mirrors, just facts for the viewer to plainly see. 

For a guy that pitched in the era before analytics took over the game, he’s pretty knowledgeable about the “inside” numbers. He seems at ease sharing the numbers, mainly as they relate to pitching. Spin rate, release point, and vertical and horizontal movement are a few that he regularly talks about. It almost seems as though he is jealous that he didn’t have access to these stats while he pitched. But he turns that jealousy into a feeling like he’s a little kid in a candy store, with eyes wide open. That’s a good thing. 

David Cone is a rare breed in the analyst world. His ability to combine the numbers with the vast experience he has as a former MLB pitcher keeps a good balance to his commentary. In other words, he’s not solely reliant on that information. Cone has the ability to reach back into his career and apply things he experienced to complement the analysis. Viewers love it when former players can tell a story from their time in baseball and make sense of it in the context of today’s game. 

He’s had to adjust on the fly, because of his national work with ESPN. In the YES booth, he can be more of a “hometown” analyst. He doesn’t go over the top, but he is known as a Yankees broadcaster. Because of that, Cone has had to change his commentary when working on Sunday nights, especially when he had to cover the Yankees/Red Sox game last April.

“I was really conscious of it there because I knew on the Red Sox side I had to be careful and make sure that I presented it in a fair way, a balanced way, or at least tried to,” Cone told The Athletic last year.

He’s done an admirable job. 

DID YOU KNOW?

Cone pitched the sixteenth perfect game in baseball history in 1999. It happened to take place at Yankee Stadium on Yogi Berra Day at the ballpark. Throwing out the ceremonial first pitch that afternoon? None other than Don Larsen, the author of one of the most famous perfect games, in Game 5 of the 1956 World Series. The catcher, of course was Berra. Cone remembered a conversation he and Larsen had before that game. It centered on the famous picture of Larsen and Berra in an embrace after the perfecto. 

“Don came out, he threw out the first pitch and I said, ‘Are you going to go run and jump in his arms again?’ And he said, ‘Kid, you got it wrong. He jumped in my arms.’ I messed that one up,” Cone recalled to MLB.com in 2019. “I thought I was pretty good at history. Apparently not.”

Cone remembered leaving the field after the perfect game. 

“I got out to the tunnel and there’s Don Larsen. I went up to him and hugged him like he was my father. Nothing needed to be said.”

Dave Portnoy: Penn Entertainment Made Barstool Fire Ben Mintz

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Barstool founder and president Dave Portnoy announced Tuesday evening that contributor Ben Mintz had been fired for reading the n-word in song lyrics on a recent Barstool live stream.

Portnoy, in a video posted on his Twitter feed, said that anyone that sees the video can tell instantly that Mintz was reading lyrics from his phone screen and instantly knew he messed up and that there was clearly no hateful intent. El Pres added that his hands were tied in the decision to terminate Mintz, known by his nickname “Mintzy.”

Portnoy said Penn had the final say in the decision to fire Mintz. Despite the fact that he, CEO Erika Ayers, and Dan “Big Cat” Katz fought Penn Entertainment CEO Jay Snowden to keep Mintz employed, the company has a zero-tolerance policy on the use of racial slurs in any context.

“Penn felt differently,” Portnoy said. “I’m stunned by it, and I’ve been fighting tooth and nail, as has Erika, as has Dan, to keep Ben and say this is the wrong decision.”

“Bottom line is this – you can’t do stuff like this,” Portnoy added. “And really we haven’t had an incident like this since they’ve taken over.”

Earlier this year, Penn Entertainment bought the remaining ownership stake in Barstool from Portnoy for $388 million. The company acquired a 36% share back in 2020 for $163 million.

Portnoy explained that Penn’s perspective was that keeping Mintz was a liability and jeopardized its licenses to operate online sportsbooks in several states under the Barstool name.

“Penn operates in a world that we don’t operate in it,” Dave said. “They’re highly regulated by the government. They’re issued licenses for gambling that just as easily as it could be issued they can be pulled back.

“And they believe there is a legitimate chance lots of the states would pull their licenses because of this,” he added. “Penn’s a billion-dollar company – a multi-billion-dollar company. Without their licenses, they are a zero dollar company. Investors, families, employees, thousands of people, they feel it’s their job to protect all of this. And the only answer is to fire Ben Mintz.”

Portnoy said he told Snowden that firing Mintz posed a risk of alienating a very passionate and loyal Barstool fanbase, but Barstool Sports now comprises a small portion of the Penn Entertainment portfolio. He said of Snowden that he likes and respects him, but he just didn’t feel like termination was the appropriate action to take in this instance.

“I hate the decision. I don’t agree with the decision, but it’s not my decision to make,” Portnoy said. “And when we sold Barstool to Penn, we knew what came with it. We knew the guidelines. We knew you couldn’t do what Ben Mintz did. We knew it was a regulated industry, and we knew if someone went beyond the guardrails after they purchased us, these decisions on how to deal with it would be Penn decisions.”

Portnoy later tweeted that Penn is frightened of regulators who seem keen on looking for any reason to pull licenses in states.

Mintz’s Picks Central co-host Brandon Walker also voiced his displeasure with the decision to let Mintzy go.

Mintz posted a tweet later providing an update on how he’s doing.

Inflation of Sports Rights is Unsustainable

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The cost of acquiring sports media rights is steadily rising, but analysts from JP Morgan believe that at some point the media rights market bubble is going to burst.

According to reporting from Forbes, despite strong ratings and live viewership driving inflation of media rights fees, whether or not streaming and digital platforms can replace linear TV is still unknown.

“We believe the ratings and viewership of sports today, essentially must-haves in an otherwise challenged linear ecosystem, will continue to justify sports rights inflation, but that inflation exacerbates what are already existential challenges for the video distribution business as a whole,” the report reads. “Today, it is unclear how DTC/digital platforms will be able to replicate the legacy model’s level of profitability, as today’s model of low prices and easy on/off on a monthly basis with high churn looks unsustainable in general but especially for sports.”

Forbes estimates around $26 billion in rights fees will be paid this year looking at payments and revenue from network TV, regional sports networks, and streaming services. They also factored in NFL Sunday Ticket on YouTube, Amazon’s NFL deal for Thursday Night Football, and Apple’s contracts with MLS and MLB.

The next major negotiations expected to begin will be for the NBA’s media rights. The league is seeking somewhere in the neighborhood of $75 billion in total and will do deals with multiple partners. NASCAR’s rights are also on the table.

Al Morganti Returns to WIP for Weekends & Midday Show Appearances

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A familiar voice on 94WIP in Al Morganti is going to be returning to the airwaves this weekend.

Following the retirement of longtime morning host Angelo Cataldi, Morganti also transitioned out of his seat on the morning show. But he announced his return to a new hosting role in an appearance on WIP Middays with Hugh Douglas and Joe Giglio Wednesday, as well as announcing that he’ll have a regular segment on the midday show and host a Flyers podcast.

“That way I can play golf during the week and get the weekday membership and save money,” Morganti joked.

Morganti’s show will start this weekend and will air sometimes on Saturdays, sometimes on Sundays.

“People are going to say it’s cause the Red Sox are in town, but it just happened to be that way,” Morganti said.

Morganti will be featured on the midday show in a segment titled “Impromptu Al.”

“I first thought it would be whenever you say something stupid I’d call,” Morganti joked to Douglas and Giglio. “But I don’t have that much time.”

Morganti has been at WIP since 1993 and signed a new deal with Audacy earlier this year. It will keep him at the station for the next five years.

Joe Ovies, Joe Giglio Launch Podcast Company Following 99.9 The Fan Exit

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After the sudden cancellation of their afternoon drive show on 99.9 The Fan in Raleigh, Joe Ovies and Joe Giglio are picking things up over in the podcasting space.

The Raleigh News & Observer reported that Ovies and Giglio have launched The OG Live Podcast Co. Their new show Ovies & Giglio, debuted in an abbreviated form on Wednesday. The podcast will have new episodes out every Monday, Wednesday and Thursday.

“We’re going to try to do what we’ve been doing, only on our own,” Giglio said.

The topics covered on the show will not be different from what was discussed on the radio. ACC football and basketball, Carolina Panthers football and Carolina Hurricanes hockey will be spotlighted.

Giglio said he’s really felt the love over the last week from so many, including North Carolina’s Governor Roy Cooper.

“The outpouring from both listeners and from our sources — coaches, administrators, commissioners, (Canes owner) Tom Dundon — that part has been overwhelming and obviously super encouraging at a time when we obviously needed it,” he said. “So that’s kinda why we thought we could do this. We hope we can make the most of the chance that we have.”

In addition to this podcast, Giglio will host an NC State podcast, and Ovies will launch a beer podcast. Video content will also be available on YouTube.

NFL Films & Skydance Working on Series About Jerry Jones, Dallas Cowboys

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A new documentary series that aims to be the defining look at the Dallas Cowboys under Jerry Jones’s ownership is in the works. NFL Films is working with Skydance Sports to produce the series.

“We are incredibly excited to create a thrilling ride through one of the most memorable and high-powered turnarounds in football history,” Ross Ketover, senior executive of NFL Films, said in a statement. “Launching this first series with Skydance Sports marks a momentous occasion for our partnership as we build the premiere sports studio of the future. NFL Films coined the term ‘America’s Team,’ so having this first project be about the biggest brand in all of sports is perfectly fitting.”

Few details are available right now. The series will begin in 1989, with Jones purchasing the team, which at the time was losing $1 million per month. No title or premiere date has been set.

“Jerry Jones is an incomparable figure,” Jesse Sisgold, President and COO of Skydance added. “With the Dallas Cowboys, he has built the world’s most valuable sports franchise and has undeniably transformed both modern football and the sports business at-large. It is an honor to commemorate his journey and that of his dynasty by partnering with the Jones family, the Dallas Cowboys organization, and NFL Films to bring this uniquely American story to life.”

Skydance launched Skydance Sports in 2021 and has been busy. Earlier this year, the company released Air, a drama about Nike’s courtship of Michael Jordan, starring Ben Affleck and Matt Damon. It has also been aggressive with content partnerships. In addition to NFL Films, Skydance Sports also has worked with Meadowlark Media to create the Amazon Prime documentary series Good Rivals about the United States Men’s National Soccer Team’s rivalry with Mexico.

Bleav Content Joins Cumulus Podcast Network

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Cumulus Media announced Wednesday that the Bleav Network, a sports and entertainment production company with a specialty in producing original, localized content, will be joining the Cumulus Podcast Network.

As part of the agreement, the Cumulus Podcast Network will now be responsible for marketing, monetizing and distributing over 300 shows produced by the Bleav Network, expanding its vast audio repertoire.

“Bleav is thrilled to announce our partnership with Cumulus/Westwood One: an industry-leading, audio-first media company,” Bleav President Eric Weinberger said in a statement. “We are eager to embark on this journey together as we continue to empower our creators and remain on the cutting edge of athlete-driven content.”

Bleav was founded by Bron Heussenstamm in 2018 and covers, “Every team, every topic, everywhere.” Its programming is distributed across various audio platforms – including Spotify, Apple Podcasts and Amazon Music – and also has two free, ad-supported television channels (FAST), with one of them being exclusively focused on football. The partnership makes Bleav the first podcast network to feature a player from every professional and major college sports team, giving fans unparalleled insight and expertise into their favorite teams.

“Bleav has created a broad and deep well of programming for sports fans with content from virtually every professional and major college team in America,” said Suzanne Grimes, EVP Marketing at Cumulus Media and President of Westwood One. “Listeners and advertisers alike turn to Westwood One for the very best sports programming, so it’s a natural fit for us to partner with Bleav and offer our advertisers access to this extensive podcast portfolio.”

Westwood One is the largest audio network in the United States, with Cumulus Media distributing programming in sports, entertainment, news and talk to over 9,400 affiliate stations around the country. The company itself owns and operates 405 radio stations across 85 markets, along with the Cumulus Podcast Network, featuring sports programming including The Jim Rome Podcast, The Rich Eisen Show and To Be The Man featuring Ric Flair.

Bleav has over 500 shows of its own producing over 1,000 hours of original audiovisual content each month. Over 800 hosts appear across the network with 175 professional athletes, connecting fans to their favorite teams while keeping them simultaneously informed and entertained. The network has previously announced partnerships with Gow Media, SiriusXM, Auddia and TuneIn to help expand the reach and distribution of its content.

Mark Simone: ‘This Tucker Carlson Stuff Doesn’t Look Good’

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A barrage of videos and text messages that have painted former Fox News host Tucker Carlson in a negative light continue to leak to the media. 710 WOR host Mark Simone admits it’s not a good look for the departed host.

To begin The Mark Simone Show Wednesday, the New York host mentioned the videos of Carlson airing his grievances with the FOX Nation streaming service, as well as calling a woman “yummy”, among others that have poured out several days of leaks.

“This Tucker Carlson stuff doesn’t look good,” Simone admitted. “The problem with this guy is he talks too much. He won’t shut up…once they put that little mic on your lapel, and you go sit down in the studio, everybody knows to be careful. Because they’re picking you up in the control room, and if they want to, they can record you. And they did it Tucker…Tucker’s just going on and on and on about how he hates FOX Nation, the website, it looks stupid, it’s just too much talking. I think he’s trying to be funny, but it’s just weird.”

Simone then referenced the text messages uncovered by The New York Times that have been widely viewed as racist in nature that purports to show Carlson saying jumping someone the way three MAGA supporters did to an Antifa member is “not how white men fight”.

“What does that mean? I don’t even know what that means, but it’s not good,” Simone continued. “You’re gonna see that quote floating around. More and more of this is gonna come out. Tucker has no response anywhere.”

Audacy CMO: 50% of WFAN Streaming Audience From Outside of New York

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The value proposition of audio has evolved according to Audacy’s Chief Marketing Officer Paul Suchman. In the company’s most recent State of Audio Report titled “Fuel the Funnel,” Audacy, Inc. proffers a view of the consumption experience trifurcated into stages based on awareness, consideration and conversion. Through data provided by Nielsen Media Research, audio catalyzes this experience at the highest rate of success when compared to other media and garners ubiquity and precise messaging.

“People consume audio all day long, and they lean into it really hard and they trust it,” Suchman said in an interview with Radio Ink. “It’s a great medium for advertisers. Even Nielsen reports that people spend 30% of their day consuming audio media versus other media, and we know it’s underspent.”

Over the last decade, audio has precipitously transitioned to become immersed in the digital space, the focus wherein many Gen Z consumers discover and engage with content. Whether it is through laptops, phones, smart speakers or streaming portals accessed through gaming systems, young people are looking to have their content meet them.

As it pertains to sports radio, those listening to the format represent dedicated fans of the aural medium more so than others, according to Audacy, and it is a business in which the company has made a significant investment. The company owns and operates iconic sports audio brands across the United States, including WFAN, WEEI, 97.1 The Ticket, and 670 The Score among others.

“We love sports audio and its fans,” Suchman said. “Listening to audio, particularly when you’re a fan, is just an amazing experience.”

These radio stations operate in local markets; however, their content is available to stream online or through the Audacy mobile app. As a result, radio hosts around the world have the ability to connect to a broad network of consumers, some of whom may have a penchant for localized content despite not living in the same market.

“Sports stations are distillings of community, right?” Suchman asked rhetorically. “On WFAN, our sports station in New York, 50% of our listeners on the stream come from out of state. It’s displaced New Yorkers consuming that content. They want that content and conversations in their home city from voices they know [and] from voices that they trust.”

The company affirms that audio should continue to be broadcast to cars, a reason why it is still a point of emphasis for a company doing things in a variety of more modernized spaces. There are a variety of advertisements played over the air though that prioritize efficiency and reach rather than accentuating the distinctive qualities of the medium to more effectively communicate a message. New Balance, for example, engaged in an advertising campaign specialized for listeners of the sports audio format through podcasts. In the end, the campaign achieved its goals and attained a 342% return on advertising spend.

“This comes back to the whole state of audio: reach; frequency; plus precision,” Suchman said. “When New Balance and their agency wanted to boost awareness and track sales on their basketball sneakers, our sports podcasts reached those younger basketball fans who wanted that performance and they wanted to be very trendy as well.”

Audacy outlines various key performance indicators (KPIs) to determine if the objectives are being reached, some of which include brand awareness, web visitation and app downloads. Through a wide array of measurement tools, the company looks to guide advertisers into allocating funds into audio-based programming with the mission of generating compelling content and an affinity with each individual listener.

“People are coming to audio because they can have long-form, real, deep personal conversations with their listeners,” Suchman said. “So when you have a distribution strategy that allows a Gen Z consumer to get that audio content wherever they are; however they are; whenever, then you have the people they love, trust and listen [to]. It’s an absolute winning combination there.”