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Brian Gebhardt to Serve as Program Director of Sactown Sports 1140

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Sactown Sports 1140 has found their next program director. After an extensive search, GM Steve Cottingim and Bonneville Sacramento’s Group Director of Programming Chad Rufer have found their next leader in Atlanta, GA, tabbing Brian Gebhardt to guide the brand’s programming department.

Gebhardt heads west to join Bonneville Sacramento after enjoying over seven years of success at 92.9 The Game. He has served recently as the Executive Producer of the ‘Andy & Randy’ show featuring Randy McMichael and Andy Bunker. During his time with the Atlanta sports station, Gebhardt has learned under skilled leaders such as Terry Foxx, Sean Thompson, Reggie Rouse, and Mike Conti. Those experiences prepared Gebhardt for the next step, as did working with numerous on-air talents who have helped The Game become a model of consistency in Georgia.

“Brian’s experience working with both premiere talent and professional sports franchises will help us help the Sactown Sports brand grow both on-air and on-line ,” said Cottingim.

“Brian demonstrated to us a real passion for leading extraordinary talent,” shared Rufer. “We are very confident that he will help us grow Sactown Sports into Sacramento’s premiere sports brand.”

“I can’t wait to get started and I am beyond excited to be working with Bonneville,” added Gebhardt.  

The hiring of the Georgia native as new PD allows Nick Cattles to focus exclusively on hosting the station’s afternoon show, a role he’s wanted to invest more time. Cattles joined Sactown Sports in November 2021 and has pulled double duty since arriving in Northern California. He hired Ramie Makhlouf as his afternoon drive co-host and the duo have built a solid foundation in afternoons. Having the ability now to focus solely on the show should allow Cattles and Ramie to elevate their program even more.

The first day on the job for Gebhardt will be Monday February 3rd. Depending on what develops with the San Francisco 49ers in the NFC playoffs, there’s a possibility he could be walking into two straight weeks of Super Bowl planning. Regardless, Gebhardt has a new market to learn, a new team to meet, a new company to deliver results for, and an opportunity to take a big step in his radio career.

Podcast Revenue Growth Still Expected After Ad Forecast Cut

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Even after analysts at eMarketer have negatively adjusted their digital advertising forecast, the company still expects podcast revenue to grow in 2023.

The company has slashed its digital advertising outlook by more than $5 billion but still believes there will be growth in the digital audio space.

According to eMarketer, podcast advertising is expected to grow nearly 32% in 2023 to $2.2 billion. Expectations are that number will increase to $2.5 billion in 2024, saying the medium is a “relatively safe bet for advertisers during a tricky time.”

In their estimation, podcast listeners grew by 5% in 2022, with now 98.4 million Americans claiming to be weekly podcast listeners.

“Podcast growth is slowing in the U.S., but that’s merely a sign of the platform’s maturity. It still remains an opportunity with many advertisers who have overlooked the channel,” eMarketer told Inside Radio. “Despite a slight slowdown in podcast audience growth, the medium remains an underutilized advertising channel.”

The advertising forecast from eMarketer also includes the expectation that social media networks will be hit hardest by changing expectations in the marketplace. It surmised that advertisers will spend $71 billion on social media in 2023, $16 billion less than originally forecasted, with Facebook being the most affected.

DNVR Sports Files Injunction Against Bonneville Over Denver Sports Brand

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After Bonneville International unveiled new branding for its Denver Sports properties, digital outlet DNVR Sports has filed an injunction to stop the radio company from utilizing the brand and logos.

In a Twitter thread, ALLCITY Network CEO Brandon Spano claimed DNVR Sports has already seen listeners, viewers, and readers confuse the two brands. “We can’t allow someone that represents the exact opposite of us to damage the goodwill of our brand or create confusion in the community,” Spano tweeted.

https://twitter.com/BrandonSpano/status/1615412281629872129

“Our branding was created purposefully, to be different from the way sports networks traditionally looked,” he said in another tweet. “To represent the city of Denver in a simple way while removing us from the gloss and pretentiousness of sports media. To create something that brings people together.”

Spano added that ALLCITY sent Bonneville a cease-and-desist letter last week, but claims the company failed to respond, so an injunction has been filed.

The Denver Sports branding utilized by Bonneville — which encompasses 104.3 The Fan and ESPN Denver — features a black and white city skyline as well as the Rocky Mountains inside a hexagon with block lettering. The DNVR Sports logo is a rectangle, similar to the city of Denver flag, with the sun centered between the mountain peaks and a block “DNVR” below the rectangle.

The complaint filed by StudioIP LLC — the law firm representing ALLCITY — claims the branding used by Bonneville constitutes “trademark infringement, unfair competition, trade dress infringement, dilution by tarnishment, and tortious interference arising out of Bonneville’s trademark infringement of Plaintiff’s trademarks,” according to Westword.

Bonneville has denied any wrongdoing, saying the accusations “have absolutely no merit, and our legal counsel is preparing a formal response. Denver Sports remains committed to delivering the most in-depth and inclusive local sports content for all Denver sports fans.”

Ray Didinger Returning to 94WIP

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Longtime Philadelphia sports personality Ray Didinger stepped away from his media roles at NBC Sports Philadelphia and 94WIP in 2022, but he couldn’t stay away forever.

Didinger will be a member of the new morning show with Joe DeCamara and Jon Ritchie on 94WIP once Angelo Cataldi officially retires.

The 75-year-old returned to NBC Sports Philadelphia late in 2022 as a member of the Eagles Postgame show and decided to return to the venerable Philadelphia sports radio station as well.

Didinger will work on an as-needed basis for DeCamara and Ritchie, contributing to news surrounding the Eagles. Known for his yellow notepad, Didinger has covered the franchise for more than 50 years.

After his retirement, Didinger was the subject of an episode of NFL Films Presents… in December, at the time telling Cataldi he had stayed busy in retirement.

“It’s been busier than I thought,” Didinger said. “Just because of the way things have gone in the city. The Phillies going to the World Series, the Eagles are 10-1, I don’t think any of us thought it was going to be this kind of run.

“Consequently, my phone hasn’t stopped ringing. I had no idea everyone in the world has a podcast so I’ve been getting all those calls. My name and my phone number are on way too many rolodexes all around the country. When somebody says ‘Hey, let’s do a piece about Philly’, my phone rings. It’s been busy but it’s been good. It’s been great to see what this has meant to the city.”

‘Red Eye Radio’ Reacts To Hal Jay Awaiting Heart Transplant

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WBAP’s Hall-of-Fame morning man Hal Jay is awaiting a heart transplant after collapsing at home last week. According to NBC Dallas, Jay shared the news with listeners Monday from his hospital bed at Baylor University Medical Center in Dallas. 

“I asked the doctors how sick I was, and they said real, real sick. The doctor said my heart was done. They asked me if I was allergic to anything and I said yeah, hospital bills,” Jay said jokingly. 

On Tuesday, “Red Eye Radio” co-host Eric Harley shared some thoughts and well wishes for Jay. “Red Eye Radio” is syndicated by Westwood One and originates from WBAP in the Dallas-Fort Worth metroplex. 

“In terms of radio, Hal Jay goes back with my dad further than I do,” said Harley. “My first day at this small-town radio station when I first started radio in 1984, my dad was listening to WBAP when he first picked me up. My dad said to me this (radio) would be a great hobby, but you might want to think about military or law enforcement as a career.” 

Harley said he was motivated and inspired by Hal Jay and his longtime partner Dick Siegel to focus on pursuing a career in radio. 

“In 1996, I went to work at WBAP,” added Harley. “I also did voices for Hal, and we executed live bits every morning. I just know in my heart of hearts that he’s going to pull through this just fine.” 

“When you say the words, heart transplant, that’s a big, big deal,” added Harley. “This is a guy who has such a great outlook and cares so much about people.”  

Jay has been with WBAP since 1981. He worked at radio stations in Kansas and Memphis before getting his big break in Dallas.

Erick Erickson Tapped to Consult Donors on 2024 Election Strategy

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Behind the scenes, the political wheels of the 2024 presidential campaign are spinning. Private donors to the Republican party are ready and willing to move on from former President Donald Trump. 

On Monday, Atlanta-based talk show host Erick Erickson dropped that bombshell on his audience. Erickson added that he’s been tapped to act as a consultant of sorts for these donors. 

Additionally, these donors would like Erickson to develop a strategy to find a candidate worthy enough of receiving the attention and funds needed to make a run for the White House. 

“I have not said this before, I was told I can talk about it in generalities,” said Erickson. “I have been asked to talk to a group of prominent Republican donors about 2024. A number of the largest Republican donors believe for the past few years that their money has been wasted.” 

Furthermore, Erickson said that donors believe that they may have been persuaded to provide financial support by people who engaged in petty, small-scale swindling. 

“They’re looking at what they did in 2016 where every one of the Republican candidates tended to have a donor fund them and that kept the field alive and going for too long and allowed [Donald] Trump to get the lowest percentage ever given to a candidate in a primary to become the major party nominee.” 

Erickson said while the unnamed donors were happy with Donald Trump’s policy decisions, they’re concerned about polls showing that Trump would lose to Joe Biden. 

“I don’t think the donors need to consolidate behind one guy,” he said. “But they do need to not consolidate behind 20 candidates.” 

Erickson said the media’s love affair with the bad Republican candidates is what will dominate the headlines. He predicted the media would prop up former Maryland Gov. Larry Hogan. 

Programmers Offer Ideas To Refresh The ManningCast in Year 3

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Monday night brought the second season of The ManningCast to a close. ESPN’s alternate broadcast of Monday Night Football featuring Peyton and Eli Manning remains a trail blazer. Plenty of other networks and other sports have tried to copy the formula. It just never seems to work as well. There is something about these guys, their chemistry, and their view of football that just works.

Still, the ManningCast missed that feeling of freshness this year. It’s nobody’s fault. We had expectations. That is very different from 2021, when this was a wild, new concept.

The circumstances at ESPN have changed too. In 2021, the network was looking for a crew that could capture the big game feel of the Monday night slot, because it didn’t have it on the main broadcast. Now, it has Joe Buck and Troy Aikman, arguably the two voices most identified with big NFL games. That means the Mannings have to do more than just provide a star-powered alternative to the main broadcast.

Going into 2023, the ManningCast will be facing a problem that is pretty common in radio. How do you improve something that works? Reinvention isn’t necessary for the broadcast, but a recalibration would certainly raise the ceiling.

“Disney isn’t looking at Peyton Manning as part of ESPN,” I wrote in 2021. “They are looking at him as Mickey Mouse or Iron Man or Baby Yoda. He is another of Disney’s mega-brands that is talked about on investor calls and upfront presentations.”

With that kind of commitment from the network in mind, I asked six radio program directors to answer two questions.

1. Going into year 3, how has your view of the ManningCast changed since its debut?

Matt Edgar (680 The Fan in Atlanta) – I view the ManningCast as the standard of all alternate game broadcasts, nothing really comes close.  

Matt Fishman (850 ESPN in Cleveland) – The real challenge is how to be more interesting and entertaining each week. The first year was a great novelty. A real breath of fresh air, especially with some underwhelming games.

Now that ESPN MNF’s main broadcast is the powerhouse of Joe Buck and Troy Aikman, you need to be bigger and more unique to get people to check it out. 

Parker Hillis (Sports Radio 610 in Houston) – Early on I was skeptical of the ManningCast. I wanted a “two guys hanging out at the bar talking football” vibe that was less formal and more fun. What I got in the beginning was not that. The broadcasts leaned heavily into Peyton’s football IQ, diving way too deep into X and O analysis in real-time and providing more of a distraction than a benefit. The production and pacing felt clunky and awkward, another distraction. And most frustratingly, I didn’t get anything out of Peyton and Eli’s personalities.

Somewhere along the way, as the concept has been refined and Peyton and Eli clearly have gotten more comfortable, they’ve gotten there. Two goofy football nerds with incredible insight and experience seamlessly meshing smart analysis with real football fandom. They’re inviting me in to watch the game with them, not telling me what I need to know about what’s going on, and that is something I can get into and really enjoy. 

Q Myers (ESPN Las Vegas & Raider Nation Radio in Las Vegas) – For me personally it hasn’t changed much. I find it entertaining but only in a small serving size. I might pop on for an interview with a guest that I really want to hear from but then tune out. I really enjoy the game being the bigger feature, and I realize for a lot of the games that aren’t that great this could help out a bit. 

Jimmy Powers (97.1 The Ticket in Detroit) – It hasn’t really.  I’ve enjoyed it from the beginning and thought it was genius when it debuted! I think it has given many sports fans an alternative option to the traditional broadcast, which allows them to get a better understanding of what is going on. In my opinion, the knowledge and entertainment value they bring to the viewer is excellent! 

Kraig Riley (93.7 The Fan in Pittsburgh) – My view has changed in that, as much as I loved it when it debuted, I questioned the long-term sustainability given how driven it was by the guests they welcomed in. I always wanted more of the Peyton-Eli brotherly relationship part of it. Their breakdowns of the game were good and so were the guests, but what were they going to do to add to that? Since they’ve shown more of their personalities, it stands out more in a way that separates itself from just watching the standard broadcast of the game.  


2. As a programmer, what would you do to freshen up this brand next season?

Edgar – You don’t want to get gimmicky or clownish, but I’d love to see them talk with a mic’d up player, similar to what they do on Sunday Night Baseball. They obviously can’t speak with a player between the lines, but what about someone who is in the mix and actually playing, like a linebacker after the defense comes off the field?    

Fishman – To me, the biggest “miss” is not having Eli and Peyton in the same place. It creates a certain sloppiness and a decent amount of talking over each other. Some of that gives it the casualness that’s appealing and some of it is just messy. It’s sort of like Zoom calls. They were fine when you needed them during the pandemic, but if you can do it in person, it’s better. 

Hillis – It might not be “freshening it up”, but the biggest thing I would do to tweak the Manningcast is limit the interviews. Peyton and Eli can carry the broadcast with their personalities and knowledge alone.

Having big name guests from the NFL, the sports world, and pop culture makes for a great promotion piece to draw in a different audience, but at the end of the day, it’s distracting and pulls away from the game I’m watching and the brand of the broadcast itself. I want to connect with Peyton and Eli… that’s what the brand is built around, so give me more of them. 

Myers – I think keeping it a little more tight as far as breakdowns and analysis from the two make it good. A lot of times when it gets off the rails it does tend to be funny, but I don’t feel like I learn a lot from it. It feels to me like a lot of the comedic side of things is forced at times, when it happens organically it just seems better. For example, with Peyton walking off after Maher missed his 3rd kick. That felt like what we all were doing at the time.

Powers – Since they only do a number of games, I would put the two of them together in the same room to view the games. You could still split the screens and have the same look – but it would prevent (or at least limit) the talking over each other because of the delay.  That is especially a problem when they bring in 3rd person. 

Riley – I would push for more of the content that stands out aside from the game and can be pushed on social. I think the original audience will always need more in order to continue engaging with them over the standard broadcast of the game. That audience knows their broadcast is different, but what about the audience that hasn’t engaged yet or has possibly disengaged? 

Serve them up with some breakdowns of the game that only Peyton and Eli can provide. Give them the best clips of the interviews. But super-serve them on the entertainment and personality sides so that the audience knows they’re getting something more than just the game. They can consume that elsewhere.


The ManningCast is not in danger. It’s one of the most influential sports television products of the last 15 years. Even radio is trying to figure out a way to make it work. Edgar’s station, 680 The Fan, delivered a conversational alternate broadcast of the Peach Bowl this year.

Like anything else in pop culture though, the producers always have to think about what is next. How do you tempt fans to come back for more? It’s why we don’t see Spider-Man fight the same villain in every movie. When you know the parameters, the content has to be all killer and no filler just to move the needle.

But this is a product built around live sports. By nature, there is plenty of filler in a football game broadcast. That isn’t the Mannings’ fault, and most weeks, they find a way to make gold in those moments. Going into the 2023 football season though, the novelty of the ManningCast, and frankly of alternate broadcasts in general, will have worn off. Peyton and Eli don’t have to change everything, but re-evaluating where their show stands and where it could go wouldn’t be a bad idea.

Frank Frangie Exudes Jacksonville’s Enthusiasm for the Jaguars on 1010 XL

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A Saturday night in Jacksonville in the NFL Wild Card Round. Frank Frangie, the radio play-by-play voice of the Jacksonville Jaguars is on the edge of his seat. He is behind the microphone amid a sellout crowd of 70,250 people at TIAA Bank Stadium with both the game and the season on the line.

The Los Angeles Chargers, led by quarterback Justin Herbert, held a 27-7 lead after the first half – but thanks to spirited play by the Jacksonville Jaguars, that lead has been cut to just two points – the score is now 30-28. Riley Patterson, the kicker for the Jaguars, is playing in his first NFL playoff game and the season all comes down to whether or not he puts a 36-yard field goal attempt through the goal posts.

Frangie proceeds to deliver a call for the ages as the ball sails through and the field goal is marked “good.” At that moment, Jacksonville had secured its first playoff victory since 2017, setting up a second-round matchup against Patrick Mahomes and the Kansas City Chiefs.

Fans watching the game on NBC heard the familiar, credible voices of Tony Dungy providing color commentary and Al Michaels supplying the play-by-play announcing. Michaels recently completed his first season broadcasting Thursday Night Football streamed on Amazon Prime Video and returned to NBC to call this game as part of his emeritus role with the network.

Although he has narrated myriad exciting calls over his lengthy career, viewers identified a lack of enthusiasm and excitement from him and his partner, criticism Michaels later called “internet compost” in an interview with The New York Post. Instead, football fans turned to Frank Frangie and the Jacksonville Jaguars radio booth, imparting a more fanatical encapsulation of the moment.

“I do think there’s an accountability and an expectation to make sure you get it right, to make sure you’re crisp and clear [and] to make sure that [the] listener knows exactly what happened,” Frangie said. “You want to be very enthusiastic but that enthusiasm shouldn’t spill over in a way that it takes away from the accuracy and the crispness of the broadcast.”

While Frangie did not hear the NBC broadcast in real time, he knows the matter in which he performs his job vastly differs from that of Michaels. He recalls someone telling him that NBA play-by-play announcer Mike Breen — when calling a national game — sounds like he has money on both teams. As the Jaguars radio play-by-play announcer, Frangie aims to do the opposite.

“I’m rooting for one team,” he said. “I’m bummed when my team loses and I’m thrilled when my team wins. The job is to combine a crisp, accurate play call so the listener very clearly knows what’s going on and hopefully to blend in our natural enthusiasm because we are rooting for that team as hard as the listener is.”

During the time he was hosting radio shows at WQIK-AM and later WNZS-AM, Frangie began to experiment with contributing to live game broadcast coverage. Because of connections he made as a writer covering sports at the University of Florida for The Florida Times-Union and The Jacksonville Journal, he began working with the Florida Gators Radio Network as a pregame and postgame host.

Additionally, he started providing play-by-play of select athletic events on campus, giving him the opportunity to hone his skills and eventually begin hosting college broadcast coverage on regional sports networks.

1992 Heisman Trophy winner Gino Torretta recruited Frangie to join Touchdown Radio, a new broadcast network he founded to broadcast NCAA football games and other athletic events. Aside from owning the company, Torretta worked with Frangie on live game broadcasts as the color commentator – and the duo formed synergy through an understanding of each other’s roles

“Shame on me if I talk more than the guy who won the Heisman Trophy. He knows football way better than I do,” Frangie said. “It enabled me – I call the play, then lay out and let him be the star because he was the star.”

While he was calling college football games with Torretta, Frangie had helped launch 1010 XL, the area’s first local sports talk radio station. Since its inception in 2007, which was based on a vision by co-founder and general manager Steve Griffin, it has been recognized as a trusted voice in sports media.

“He’s the leader; he’s the founder,” Frangie said of Griffin, “but there’s a lot of us that have helped Steve grow this thing and I think there’s a real connection.”

Jacksonville has a population of approximately 954,000 people, according to the 2020 U.S. census, making it the 12th-most populous city in the country; yet the most recent Nielsen ratings rank it as the No. 43 media market. Despite it being considered a mid-market radio station, what is now 1010 XL/92.5 FM Jax Sports Radio has been able to appeal to its consumers on multiple platforms through live game broadcasts, talk shows, podcasts and other multimedia content.

“I think Jacksonville has a ton of sports fans,” Frangie said. “I think sports really matter to the people of this city…. I would say 1010 XL might be – and I’m biased because I work there – the most important sports media entity that this city’s ever had.”

When the Jaguars arrived on the scene in 1995, it brought all sports fans in the area together by uniting them in their rooting interest in professional football. It also surely helped that the team advanced to the AFC championship game in its second year of existence and made the NFL playoffs for the next three years.

“The Jaguars galvanized everybody,” Frangie said. “Now all of a sudden there’s solidarity among the sports fans because everybody’s rooting for the Jaguars.”

The Jaguars, combined with the plethora of collegiate sports in the area, give radio hosts plenty to talk about over the course of any given day. The station will also discuss national news, but its main focus is on hyperlocal coverage while giving listeners unique, relatable perspectives regarding their favorite teams. Frangie expressed the Jaguars being, far and away, the most discussed topic over the airwaves – but aside from conversing about the team, the hosts also make it a point to be relatable and talk about their lives outside of sports.

“I think sports radio is about life,” Frangie said. “I think it’s about who you bumped into at the movies and ‘What’s your favorite burger?’ I think people like talking about the way they live their life and the way we live our lives.”

Broadcasting in afternoon drive means following three different shows (The Drill, Jaguars Today, and XL Primetime) from earlier dayparts, requiring Frangie and co-hosts Hays Carlyon and Lauren Brooks to bring fresh topics and opinions to the air. The Frangie Show not only seeks to inform its listeners with the latest news pertaining to Jacksonville sports but also looks to accentuate the medium’s factors of differentiation: entertainment, immediacy and relatability.

“My job is, ‘That guy’s had a long day at work. That guy’s tired. He hops in that car at 4:30 or 5 or whenever it is and he’s a sports fan,’” Frangie hypothesized. “‘When he turns that radio on, I need to entertain him. He needs to have fun, he needs to laugh, he needs to enjoy it, (and) he needs to look forward to the next time he’s turning it on.’ If I can keep him in that driveway a little bit longer because he’s enjoying himself… then I’ve kind of done my job.”

Aside from live game broadcasts and sports talk radio, 1010 XL/92.5 FM Jax Sports Radio has a selection of original podcasts – some of which are specialized – and video series available to watch on multiple platforms.

Moreover, all of its radio shows are available for replay on-demand as podcasts after the fact, giving listeners the chance to catch up on parts of the show they might have missed. Frangie has always been concerned about the format being replaced by podcasts but surmises it to be a larger issue for music-based formats, validated by the increased usage of music streaming services.

“I think there’s never going to be a time where someone doesn’t pop in the car, want to hit a button and hear [me] or whoever talk about sports,” Frangie said. “As long as it’s that way, we’re going to keep on doing it just the way we do it.”

From the moment Griffin and Frangie met to discuss launching 1010 XL/92.5 FM Jax Sports Radio in 2007, they knew they aspired to find a way to one day secure the Jacksonville Jaguars’ radio rights. At the time, the rights were held by WOKV and Brian Sexton, known as the “Voice of the Jaguars,” served as the team’s radio play-by-play announcer.

After a 30-page proposal geared towards helping the franchise grow its fanbase and sell more tickets, the rights were awarded to 1010 XL/92.5 FM Jax Sports Radio (WJXL) and Frangie was named as the new radio play-by-play announcer. He called the move “the most important assignment” of his career and has assimilated into the role, now covering the team in roles based on the balance of information and opinion.

Before this run, the last time the Jaguars had qualified for the NFL playoffs was in 2017 when the team fell just one win short of playing for its first-ever Super Bowl championship. The team has the potential to sustain its success with young stars such as quarterback Trevor Lawrence and running back Travis Etienne Jr. leading the charge. However, broadcasting games for the team over the last nine seasons — no matter the result — has never been burdensome for Frangie.

“Every time I go into that booth – and I mean this very sincerely – it’s the greatest privilege and the greatest honor of my career to sit in that booth and to call an NFL game for my hometown team,” he said. “That will never change [for] as long as I’m doing it.”

This year, though, the games have undoubtedly been more exciting largely due to the Jaguars’ inclination to come back from substantial deficits. The team is riding a six-game home winning streak and has trailed by nine points or more in the previous five contests. Defying the laws of probability and achieving what some may define as impossible is what has persuaded football fans everywhere to take notice of what is going on in Duval County.

“I’m a sports fan,” Frangie stated. “I just want to share the fan excitement with other fans. It’s been unbelievably fun; I can’t wait for the next game.”

Just as the team prepares for its game by drawing up new plays, analyzing film and undergoing physical treatment, the broadcasters never show up to the booth without having done their homework. For a typical Jaguars game, Frangie’s preparation largely consists of intricately learning about the opponent more so than the Jaguars since he follows the team each week.

From Monday to Wednesday, he is gathering information about the other team and ensures he knows how the depth chart is expected to look by game day. Simultaneously, he stays updated on everything occurring with the Jaguars, although he gains more team-specific information during his meeting with head coach Doug Pederson on Thursdays.

Frangie and his broadcast team also have their own meeting every Thursday to elaborate on the forthcoming broadcast, including probing potential storylines related to the game to discuss so they are ready to perform at a high level by the weekend.

“I know our team (and) I know their team a little bit better than I did at the beginning of the week,” Frangie said. “I think the hay’s in the barn by Friday night. By Friday night, if I’m not ready to call the game, then shame on me. There’s not a lot of work to do come Saturday. Most of it is Monday through Friday.”

As a radio play-by-play announcer, Frangie looks to accurately depict what is occurring on the field so listeners can paint a picture of the game in their minds. He also looks to entertain them and is assisted by color commentators Tony Boselli and Jeff Lageman, both of whom formerly played for the Jaguars and possess shrewd insights about the game of football. Frangie knows of their reputations and looks to accentuate their presence to help the broadcast, taking the same approach he previously adopted with Torretta.

“Shame on me if I don’t do everything I can to tee them up and get out of the way [to] let them do their thing,” Frangie said. “I think if you have that point-guard mentality – and that is, ‘Let the stars be stars,’ – then I think you can pull it off and hopefully that’s what we do.”

The fundamentals of play-by-play announcing do not change whether or not the team is competing in the playoffs; that is, in terms of preparation. There is no doubt, though, that the stakes are higher in these matchups and, in turn, a prevalence of heightened emotions are conveyed ranging from euphoric to apoplectic. It was exhibited on Saturday night during Patterson’s game-winning field goal and the video of the Jaguars’ radio call has since gone viral.

“When we called a winning kick last week, we’re jumping around in that broadcast booth and high-fiving… losing our minds – that’s what we do out there,” Frangie said. “We’re all such fans of the team and we’re all such fans of this city and so respectful and appreciative of the fans who have stayed with this team even in some hard times.”

Frangie has had a long career working in sports media both as a play-by-play announcer and radio host, helping to shape the sports landscape in Jacksonville, Fla. Whether it was covering the Florida Gators’ run to the Final Four in 1994; debating about the Jacksonville Jaguars on the radio; or calling game-winning touchdowns at the college and professional level, he is proud to be associated with the city, its teams and its fans. Moreover, he wants to be there to help aspiring industry professionals build careers and find their place in sports media.

“I like to watch some of the young people have the success that some of us that have done it for a while have,” he said. “I’d like to see 1010 XL continue to thrive; we’re very proud of our radio station and what Steve has built – the culture he has built at the radio station where we have sort of this family atmosphere.”

From his formative days in the industry, Frangie has always had a respect for the microphone and the power it garners. The crevasses and inner workings of the device that enable sound to be converted into mechanical energy have given him the chance to promulgate his voice at large and represent those in the area.

As the Jaguars continue their quest for a Super Bowl championship, Frangie aspires to personify the dedication and zeal of sports fans in the city of Jacksonville and, hopefully, call a moment where the team stands alone on top of the football world.

“We get to turn on that mic and whether I’m talking to fans of the team as a play-by-play guy or… talking to listeners driving around town; what a privilege that is,” Frangie said. “It’s not going to be perfect all the time. Work hard; never pass up an opportunity to work and always recognize what a privilege it is to do what we do.”

Radio Guest Quest Celebrates 20 Years Booking Guests, One Year With G Accelerate Networks

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A company specializing in guest booking is celebrating a milestone. Radio Guest Quest has been servicing radio stations for  20 years. Currently, they book for more than 100 stations, including some in New York, Philadelphia, Atlanta, and Dallas. 

In a release, the company noted the one-year anniversary of Radio Guest Quest moving its affiliate and ad sales to G Accelerate Networks. Radio Guest Quest can provide specific celebrities or newsmakers to affiliated stations.  

Owner Art Sears has been booking guests for more than two decades. He began his career as an executive producer in New York City. Sears is known for identifying and delivering celebrities and big names for morning and afternoon drive shows in almost every format.  

“Art Sears and his guest interview service are the best in the business,” according to Tony Rose, host of the Tony Rose Morning Show, WDNS-FM, Bowling Green, KY, a station whose airwaves reach Nashville, Tennessee.  

Rose said he’s been using Radio Guest Quest for seven years. 

“We here at 98 Rock love the work Art has done over the years,” said Mesha McDonald, producer, The Morning Show with Justin, Scott & Spiegel, WIYY-FM, Baltimore, Maryland. 

Radio Guest Quest has booked Jimmy Fallon, Kelly Ripa, Brian Johnson from AC/DC, Jerry O’Connell, Peter Billingsley from “Christmas Story,” Corey Feldman, Keenan Thompson, Jimmy Kimmel, Ron Howard, Kevin Costner, and more. 

“Whether it’s a multiple Oscar-Winner, a perennial Grammy-Award-winning musical artist, a Hall of Fame athlete, or an emerging talent that the world has yet to hear about, Art Sears can be counted on to connect guests to radio hosts all over the country,” said Frank Mackay, President of WABC Radio’s Long Island Division.

“Radio Guest Quest is exactly the kind of top-quality service that we want in the G Accelerate portfolio,” said Jim Higgins, President & CEO of G Accelerate Networks. “It’s a pleasure to be working with Art again.” 

“With G Accelerate, I know my business is in the right hands,” Sears added. “I had worked with Jim (Higgins) before and partnering with him to grow our affiliate list and revenue was a no-brainer.”

Ryan Edwards Moves to The Sports Zoo on KOA

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Ryan Edwards is staying with KOA, but his hours are about to change. The Denver sports radio staple is moving off of Broncos Country Tonight to join Alfred Williams and Dave Logan on The Sports Zoo in afternoon drive.

“I am thrilled to join radio and football legends Dave Logan and Alfred Williams on The KOA Sports Zoo,” Edwards said in a press release. “I look forward to bringing a fans’ perspective to the Denver Broncos and all things Denver sports.”

Edwards has been on the radio in Denver since 2009. He spent eight years with 104.3 The Fan. He also did a short stint at Mile High Sports Radio.

He joined iHeart Denver in 2017. He was on Orange & Blue 760 before the company replaced the station with a conservative talk format. He moved to KOA in 2019, where he has worked on Broncos Country Tonight with Benjamin Albright.

“In my short time at KOA, Ryan has proven to be a very talented and knowledgeable host,” KOA programmer Dave Tepper said. “His versatility and confidence with respectfully challenging Dave and Al in an entertaining way separated him during the competitive audition process. Listeners will enjoy the mix of strong opinions and laughs as Al and Dave’s different player perspectives converge with Ryan’s fan-relating observations.”