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Thank You and Good Night

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“You just gotta have some fun now.” That was my wife Fran’s reaction when I told her that this column, the one you’re reading now, would be my last. Not just the last for Barrett Media, but the last one, period, at least about radio.

Honestly, writing about a moribund industry became a dreaded chore sometime around, um, 2003 or so. I kept going because I couldn’t stop myself.

It was also because I loved that moribund industry. Not in the way old radio hands fetishize the WABC past on Facebook, but in all its messy, disintegrating glory. As much of a pain as it was to come up with material that didn’t repeat what I’d previously written, and as hellish as some of the conventions and travel could be, I wouldn’t have had it any other way.

Think of it. I spent something like 30 years working from an office in my house. I could write about whatever I wanted without objection from Joel or Jason. I reached an audience that included most of the people working in radio and many of those wanting back in.

There was no commuting, a major perk for someone who lived near Los Angeles or Miami for most of those 30 years. I could work from any place in the world with Wi‑Fi. And I got to write about what I knew and liked best, the media in general and radio in particular.

I’d have liked to make more money doing all that, but there are worse careers, right? And that doesn’t even touch on getting to be a program director and occasional host in Los Angeles and New Jersey, or being in on the early days of podcasting. I was blessed enough to get to do a lot.

So, why give that up? Well, I often wrote about knowing when it’s time to go, time to hang it up, and how to recognize when that time comes for you. Maybe it was living in an area teeming with retirees from Long Island complaining that you can’t get good Chinese food or bagels here. Maybe it was a belated recognition that I’d said all I had to say. Maybe I just got tired.

Fran was right. (She’s always right.) I need more fun.

Look, when you hit my age, the cold fact that you don’t have unlimited time left hits hard. Did I want to spend any of that time working? Of course not. I want to sleep in, read books, go to ballgames and the beach, and play with the cats. The column was one last reminder that I hadn’t entirely freed myself from the psychological restraints of work. I’m free of that now.

It’s not like I’m disappearing. I may write things from time to time, for whomever is willing to pay for them. As long as I’m alive, I’ll be reachable via email and social media. Anyone who wants to buy me lunch can find me in South Florida. I’ll go anywhere between Jupiter and the Upper Keys for lunch with friends. But I’m looking forward to disengaging from the daily grind, disengaging from schedules and deadlines, from clockwatching and caring about.

No, that last part is not true. I will always care. I’m hopeless that way. And I will miss, most of all, the people, especially those who helped me through the years.

(There are too many to mention by name here, due to my fear of leaving someone out. Rest assured, I haven’t forgotten and will always be grateful for you. Yes, you. I can see you through the screen.)

And here we are, the end of the line. This is my station, time to get off the train and have a life. Happy holidays, Go Birds, good night and good luck, so long and thanks for all the fish, That’s All, Folks!, I’m so glad we had this time together, I bid you a fond adieu, so long, farewell, Auf Wiedersehen, good night, we’re done here.

In the words of the great philosopher Bill Watterson, it’s a magical world. Let’s go exploring!

Even WFAN Isn’t Immune From Adapting for Changing Listener Demands

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I talked last Friday about the concept of change in sports radio. With headlines surrounding hires, fires, and retirements, it’s impossible to fully grasp how impactful change can be for the many people the headlines don’t mention. There’s another change being signaled at Audacy’s WFAN, separate from the lineup switch coming the first week in January. It’s a change that has arrived much later than it has at many counterparts around the country.

Many of the utility appointments that once made talk radio so valuable have disappeared with time and the evolution of technology. Radio stations used to have their own roster of personalities delivering traffic, weather, sports, and other updates intermingled with their on-air talent. Today, the information those appointments provided is available at the touch of a button, through an app, or via alerts on social feeds.

WFAN is positioning itself to remove sports updates, something many sports radio stations eliminated long ago. The age of change that has affected countless sports radio brands is finally reaching WFAN. While overdue, it should also be recognized as a station that valued the format longer than many others before letting it go.

WFAN is the pinnacle of the sports radio industry, many around the country believe this to be true. It was the first to sign on and remains a destination where, if you arrive, you’ve indeed “made it.” Over time, however, the station has faced the same challenges confronting every other outlet across the country over the past two decades.

Talent aging out. Clients move advertising dollars to digital. Station-based content has become less essential to New York City sports fans due to the rise of digital creators and content feeds online. Fans no longer view WFAN as the default destination the way my generation once did.

No One Is Immune To Change

As a result, the challenge of remaining relevant in the content race has reached an all-time high. One clear example is the consolidation of the CBS Sports Network/Infinity Sports Network with the BetMGM Network. Operational costs become unsustainable when the demand for new, fresh, and differentiated content continues to rise. Especially on traditional methods for that entertainment.

Many around the country may not recognize these names, but they deserve just as much acknowledgment as any others. Erika Herskowitz, Andrew Bogusch, and Rich Ackerman are among the many affected by this shift. It’s a change that WFAN and the Infinity Sports Network delayed longer than many of their contemporaries. In today’s digital age, sports updates are simply no longer necessary.

No one in traditional sports radio is immune, including WFAN.

The art of the sports update was straightforward. Information, cross-promotion, and sponsorship formed the foundation, though every station approached it differently. Some treated updates as appointment listening with impact, while others integrated them directly into the programs themselves.

Colin Cowherd does hourly segments with Jason McIntyre called “The Herd Line News.” My former station in Tampa employed a similar hourly segment, with the part-time producer serving in the update anchor role. 95.3 WDAE hasn’t had dedicated update anchors since 2015, as producers kept the role alive before the station fully moved away from the concept in 2018.

The goal was to deliver the biggest headlines of the day, use sound to enhance delivery, and sell what people needed to know. The time is a cross-promotional tool, highlighting key interviews or play-by-play broadcasts to drive tune-in.

Sports updates also provided significant value for sales departments. Yet two of the most damaging words in sports radio revenue eventually emerged: “added value.” Each additional giveaway to your sales team limited opportunities to generate new revenue.

Over time, the art grew stale. Top syndicated sports radio brands now offer optional updates for affiliates. Many affiliates opt to run inventory instead of maintaining a local information segment. Why pay someone to share information most listeners already know when that same time can generate revenue?

Programmers across the industry saw the writing on the wall. Sports updates were increasingly viewed as momentum disruptors that content audiences no longer desired. Change isn’t always easy, but it must be acknowledged and applied when the time arrives. While it’s unfortunate for those affected with WFAN who did nothing wrong, every sports radio station, including WFAN, must look forward rather than rely on what worked in the past.

All-day sports updates are simply another casualty of that evolution.

A Focus on the Future

Change in sports radio rarely announces itself as progress in real time. It usually arrives quietly, framed as efficiency, evolution, or necessity, long before consensus forms on whether the product is better. The potential removal of sports updates at WFAN is not an indictment of the craft or the professionals who executed it at a high level for decades.

Instead, it serves as a reminder that sports radio no longer competes with other stations for information. It competes for time watched, attention, reach, and habit.

Sports updates didn’t disappear because they failed. They disappeared because the industry stopped asking what purpose they served. Once information became ubiquitous, the update lost its leverage, and without leverage, radio loses relevance. That reality doesn’t spare WFAN, regardless of how iconic the call letters may be.

This is the uncomfortable truth of progress. Not every tradition earns a place in the future simply because it shaped the past. Sports radio can no longer afford to sound like a service when the audience already feels served.

The next era will belong to stations that understand they’re no longer in the information business, but in the connection business. Those who fail to adjust won’t fade loudly. They’ll simply be replaced quietly.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Classic Rock Music: The Year in Review

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As 2025 winds down and we get ready for a new year it seems like a good time to look at the music being played in the Classic Rock format to see if there are any valuable lessons to be learned for the year ahead.

Thanks to Mediabase I was able to pull year-to-date statistics for Classic Rock airplay. I decided to look at which artists are receiving the most attention at the format. I also pulled archived numbers for last year, 2020 (5 years ago), 2015 (10 years ago) and 2000 (25 years ago). Here’s what stood out to me.

Consistency Since 2015

When you compare the top artists to last year the best words to describe the results would be incredibly consistent. Aerosmith is still the most-played artist with, in order, AC/DC and Led Zeppelin trading spots to take second and third this year. In fact, while there is some jockeying for position, every one of the top twenty five most-played artists from this year were in the top twenty five last year.

It’s worth noting that the three true Mount Rushmore acts, Aerosmith, Led Zeppelin and Pink Floyd have ranked in the top five for twenty five years. However, five more artists, AC/DC, Queen, Guns N’ Roses, Def Leppard and Journey have taken up residence in the top 10 but, as the chart below shows, haven’t always been there.

Artist2000 Rank2015 Rank2020 Rank2024 Rank2025 Rank
AC/DC264232
QUEEN237665
GUNS N’ ROSES8112976
DEF LEPPARD538788
JOURNEY249101010

The Next Generation

Going deeper to look over the entirety of the one hundred most-played artists from last year to this year, there aren’t a lot of big changes in rank, though the ones that did occur tell a story.

The Red Hot Chili Peppers took the biggest jump inside the top thirty going up four spots to twenty-eight. In addition, The Offspring are up nine spots to sixty-three, Linkin Park up twelve spots to seventy and Smashing Pumpkins up eight spots eighty while 3 Doors Down and Sublime debuted in the top one hundred for the first time at 86 and 94, respectively. In addition, here is how several other nineties artists have ranked over time. The chart illustrates how the format adopted these acts but also how their growth has slowed significantly leaving them unable to reach true core artist status.

Artist2000 Rank2015 Rank2020 Rank2024 Rank2025 Rank
METALLICAn/a 38271314
NIRVANAn/a 43331816
PEARL JAM n/a41372321
RED HOT CHILI PEPPERS n/a68413228
GREEN DAY n/a69433029
STONE TEMPLE PILOTS n/a53453534
FOO FIGHTERS n/a74544341
R.E.M. n/an/a 665351
ALICE IN CHAINS n/a83675453

Conversely, the biggest losers include John Mellencamp down seven spots to thirty-five, Jimi Hendrix down eight spots to fifty, Kansas off five spots to sixty-two, Dire Straits and Phil Collins both off six spots to 69 and 76 respectively while Eric Clapton was also off five spots coming in at 89. To further illustrate how the format is changing, here are some other artists who were once considered staples if not Mount Rushmore type acts that have slid down the ranker.

Artist2000 Rank2015 Rank2020 Rank2024 Rank2025 Rank
THE WHO1414253633
BOB SEGER722313336
BAD COMPANY1725364140
DOORS2227294042
BEATLES320466264
ELTON JOHN1647616565
SUPERTRAMP3550637983
BILLY JOEL3365738585
DOOBIE BROTHERS2155729088

The new guard is slowly supplanting the old guard, but evolution is a slow process. Meanwhile these charts also show how the overall sound of the format is getting a little harder due to the changes as softer sounds are falling out of favor.

After a short holiday break, I’ll be back to look under the hood and see what trends are happening in the world of Classic Hits. Hope you have a great holiday season.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Jim Russell Announces Departure From ‘The Jon & Jim Show’ Due to Family Reasons December 29

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Jim Russell, co-host of The Jon & Jim Show on San Diego Sports 760, announced Friday that he will leave the program, with his final broadcast scheduled for December 29. Russell said the decision to step away from the show and the city was motivated by family considerations.

“I’m leaving the Jon and Jim show, and my final show will be on December 29,” Russell said during Friday’s broadcast. Russell, who has been with San Diego Sports 760 for 6 years, explained that the decision came after a deeply personal experience.

“A couple months after we found out that Eryn was pregnant, she had a miscarriage. That was brutal, and it kind of just clicked that we could not raise a family and raise a child in San Diego,” he said.

The host described the choice to leave San Diego after 15 total years of service was exceptionally difficult.

“This was a very tough decision for me and Eryn, especially because I love what I do. I love the show, and have been in San Diego for 15 years now, and it’s become my home. So it was… very difficult to even think about leaving San Diego. But once Eryn experienced the miscarriage and that whole thing happened, it was actually very easy to move,” Russell explained.

He emphasized that the move is intended to be closer to family, providing support and a sense of community as he and his wife plan to start a family.

“The main reason why myself and my wife decided to move, and that’s to be closer to family, because we want to start a family. We know that it’s very difficult to be on an island by yourself to do that. When the miscarriage happened, it just put a lot of things in perspective,” Russell said.

Russell’s departure marks a significant shift for the station. He has been a fixture in the local sports radio scene. The Jon & Jim Show has built a loyal following in San Diego. It blends sports analysis with personal commentary and community engagement

Russell’s presence on the program has been noted for his candid, relatable style. He is also committed to engaging fans both on and off the air. Station management has not yet announced a replacement or how the show’s lineup will be adjusted following Russell’s departure.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Doug Gottlieb Officially Steps Away From Daily Radio Program To Focus on College Basketball Coaching Role

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Doug Gottlieb officially signed off from his daily live radio duties Friday, announcing the end of The Doug Gottlieb Show on FOX Sports Radio as he shifts his professional focus toward coaching and leading the men’s basketball program at Wisconsin–Green Bay.

Gottlieb, who has hosted nationally syndicated sports radio shows for more than two decades, made the announcement during his final broadcast, emphasizing both gratitude for his audience and clarity about what comes next. While the daily live show is ending, Gottlieb made clear he is not leaving audio entirely.

“This will be my last show with live radio,” Gottlieb said. “So just to clarify, I’m still going to do a podcast. The Doug Gottlieb Show podcast. We will use the All Ball platform, and iHeartMedia has been great, and we’re going to work together on it. There are no negatives there.”

The decision marks a significant turning point in Gottlieb’s media career, one that he framed as a necessary step to fully commit to his coaching responsibilities. Gottlieb was hired as head coach at Wisconsin–Green Bay in 2023, a role he has repeatedly described as a dream job.

“Green Bay basketball is incredibly important to me, and you can’t say something’s your dream job and then not be willing to literally and figuratively give your all for it,” Gottlieb said. “The reality to it is Green Bay basketball hasn’t suffered the last year and a half because I haven’t worked hard enough at it. I would say there are times which you guys have picked me up, which has been great, and it’s been all the other things in my life which would suffer.”

Throughout his final show, Gottlieb reflected on the relationship he built with listeners during a 23-year run in sports radio, a stretch that included stints across multiple networks and formats. He leaned into the personal nature of the medium, acknowledging both the connection and occasional friction that comes with opinion-driven programming.

“To those of you who listened for the last 23 years. You’ve been moving through basketball, different jobs, marriage, kids, divorce. Now, coaching, I appreciate you,” Gottlieb said. “Radio is a relationship, consider me your friend. I said something to piss you off is just because I thought your sports team or your player wasn’t as good as some other sports team or player. It was, for the most part, never personal. It’s a pleasure.”

Gottlieb’s departure from daily live radio comes at a time when several established sports media personalities are reevaluating workloads amid expanding responsibilities beyond broadcasting. As he wrapped up the broadcast, Gottlieb left the door open for continued connection through his podcast while offering a seasonal farewell.

“It’s not goodbye forever,” he said. “You can still check out the podcast, but for now, it’s fitting I do Merry Christmas, Happy Hanukkah.”

FOX Sports Radio has not announced who will replace Gottlieb in their afternoon drive timeslot.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Craig Carton: “Brandon Tierney, Sal Licata Did Nothing Wrong” as They Depart WFAN

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Craig Carton addressed the ripple effects of his highly publicized return to WFAN, offering praise and empathy for Brandon Tierney and Sal Licata while acknowledging the difficult realities of sports radio roster changes.

Appearing on Evan & Tiki, Carton spoke candidly about how his move back into afternoon drive coincided with the end of Tierney and Licata’s program on the station. While Carton was not involved in the decision-making process, he emphasized that the two hosts handled their departures with professionalism and grace.

“Brandon and Sal didn’t do anything wrong,” Carton said. “It’s a tough business we’ve all chosen, but it’s the business we have chosen. And I thought they handled the news as well as anyone in the history of radio’s ever handled it.”

Tierney and Licata were allowed to remain on the air through the conclusion of their run with the station. Carton noted that decision spoke volumes about the trust WFAN management had in the duo.

“I’ve never been in a situation where a radio station or company allowed someone who’s not continuing at that station to still go on the air,” Carton said. “They never would have let those guys go on the air if there wasn’t an amazing amount of trust, right, and professionalism.”

While Carton acknowledged how painful the situation was for those affected, he expressed confidence in both hosts’ futures.

“I also root for them and want the best for them,” said Carton. “I’m sure they will land on their feet and do amazing things in the future, in their careers.”

Carton also addressed some listener reaction to his return, particularly criticism suggesting his arrival directly caused others to lose their jobs. While understanding that perception, he said the circumstances were more complex than they appeared.

“I get it, and I’m sensitive to it, and I just want the best for those two guys,” Carton said. “Unfortunately, that’s not here right now, but you never know what the future holds.”

In addition to Tierney and Licata’s exit, Carton’s return resulted in Evan & Tiki moving from afternoon drive to middays. Carton made a point to acknowledge the sacrifice Evan Roberts and Tiki Barber made in the reshuffling for his eventual return.

“I am very sensitive to the fact that my coming back has not been good for everybody,” Carton said. “I know you guys moving from afternoon drive. Which I know means the world to you guys, to a different day part isn’t what you expected or wanted.”

Despite the changes, Carton expressed confidence in WFAN’s revamped lineup and gratitude toward his colleagues for embracing the transition. “I appreciate the fact that you’re doing it with a smile on your face. You are going to kill it in middays,” he said.

Licata officially signed off from WFAN last week, while Tierney officially signed off BT & Sal in middays earlier Friday.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

101.1 Big Buck Country Debuts in Greenville

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Changes are afoot at Audacy Greenville as 101.1 Big Buck Country debuts in the South Carolina market.

The move marks the first new country station in the area in 40 years, the company says. Previously, the 101.1 FM signal featured a classic rock signal.

However, Audacy will focus the attention of 93.3 The Planet to an expanded rock library. As part of that shift, former Classic Rock 101.1 host The Stoneman is moving to afternoons on 93.3 The Planet as part of it’s all local lineup.

“I am excited to give our listeners the best of both worlds, an exciting new home for country fans with 101.1 Big Buck Country, and a stronger, more dynamic rock presence on 93.3 The Planet,” said Audacy Greenville Operations Manager Mark Hendrix.

“We’re expanding our offerings while keeping the personalities and music our audience loves,” Hendrix continued. “This reflects our commitment to serving the Upstate with the best entertainment, talent and radio experience possible.”

The new country station will compete with the already established iHeartMedia country stations in the Greenville/Spartanburg market, as 100.5 The Whistle and 92.5 WESC also broadcast the format in the area.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Brandon Tierney Teases New Program On YouTube Following WFAN Exit

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Brandon Tierney is wasting little time turning the page. Immediately after an emotional on-air exit from Audacy’s WFAN on Friday afternoon, Tierney announced the launch of a new digital program titled Unkillable to Unleashed, which will debut Monday on YouTube.

The move signals the veteran New York sports radio host’s next chapter following the end of his exit from New York City’s WFAN following the station coming to terms on another return of Craig Carton.

Tierney shared the news with listeners and followers on social media with just a static image and a message of, “Catch you Monday.” Tierney concluded his final BT & Sal program with four hours of emotional conversations surrounding his tenure at the radio station. Emotions ran high as he reflected on his journey, the people he worked alongside, and the uncertainty ahead.

While his departure from the iconic sports radio station marked a significant career shift, Tierney’s post made it clear he is not stepping away from sports media. Details and a personal YouTube channel have not been revealed. The post engagement he received became instantaneous. The move signifies he is pivoting quickly to a platform he believes offers creative freedom and direct audience connection.

Unkillable to Unleashed is being positioned as a personal and professional evolution for Tierney. In his farewell remarks, Tierney expressed gratitude to WFAN management, colleagues, and listeners. He also acknowledged the emotional weight of leaving a station that played a central role in his career.

Speaking with Barrett Media, Tierney looked forward to the challenge ahead.

“It is my mission to find the next thing, and it’s exciting. I’m open to talking to anybody. The industry has changed tremendously. I was smart enough to know that I wasn’t going to have a twenty-year run at WFAN and find myself in my sixties with the option to retire. I always knew there would be a next chapter. Not a footnote, but a big chapter that’s going to look very different than the chapters I’ve written so far. I’m excited about that,” said Tierney.

Whether Unkillable to Unleashed evolves into a daily show, a broader media brand, or a stepping stone to another traditional outlet remains to be seen. What is clear is that Tierney is intent on staying visible, vocal, and engaged immediately following his WFAN exit.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Mike Missanelli: 97.5 The Fanatic’s ‘Make the Switch’ Campaign Will Never Work Against 94 WIP

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Former 97.5 The Fanatic host Mike Missanelli said the station’s recent “Make The Switch” campaign is unlikely to dent the dominance of 94 WIP in the city’s sports radio market. Speaking on The OnPattison Podcast, Missanelli offered a blunt assessment of why the messaging is failing and why The Fanatic is unlikely to close the gap with its longtime competitor.

“They’re so far behind in the ratings that there’s no way they could possibly catch up if they keep doing even what they do,” Missanelli said. “So where do you draw the line? WIP has given people the outrage that they want to hear, whether they want to hear it or not, because they’re listening to that station anyway.”

Missanelli was dismissed from The Fanatic earlier this year after the long-tenured voice of Philadelphia sports radio had returned to the airwaves of 97.5 The Fanatic in August of 2024, following a two-year departure from the brand.

Since his dismissal, several Fanatic talent have pushed a “Make The Switch” campaign the focus on attempting to attack the style of programming their Audacy competitor produces. Missanelli argued that the campaign’s promotional efforts simply aren’t reaching the right audience.

“At this point, The Fanatic would have to hire an airplane and drop little parachutes down, saying that this is what we do because the message isn’t getting heard by enough people,” he said. “The people that Jon Marks is talking to are people that are listening to his show anyway. He’s not lecturing to the WIP audience because he’s not getting to the WIP audience. How’s he get to WIP audience?”

Marks criticized his crosstown rival at 94 WIP for having “fake take radio” following WIP host Joe Giglio calling for Philadelphia Eagles quarterback to have one last shot at keeping his role with the team.

Missanelli also dissected what makes WIP successful, noting the simplicity of the station’s approach.

“It seems that they have a simple formula. You put any ex-football player on, preferably an ex-Eagle, with any nerd co-host, and you got an instant success. Look at their co-hosts. Look at the host that they have over there with the ex-Eagles. They got Larry, Curly, and Shemp. They don’t even have Moe,” Missanelli said, referencing the classic comedic trio.

Looking back on The Fanatic’s struggles, Missanelli traced the decline to a key personnel change.

“The downfall of The Fanatic began when they fired program director Matt Nahigian, who was the guy who knew exactly what he was doing, and we were competitive at that point with the other station,” he said. “The other station is a legacy station. They’ve been around since the 1950s. That brand is already out there. And second of all, they have rights to the two biggest entities in town, the Phillies and the Eagles. So when you’re listening to that station, you’re listening to the bigger sports that are running this town. You’re not going to… you’re going to be more reluctant to change to the other station.”

Missanelli’s critique of his former station underscores the challenge facing The Fanatic as it attempts to lure listeners from WIP, which continues to dominate Philadelphia’s sports radio landscape. Without a significant shake-up in strategy or talent, Missanelli suggested, the “Make The Switch” campaign may have little impact on the entrenched market leader.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Guy Benson Joining the Washington Examiner in 2026

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After exiting his role with Townhall.com after nearly 20 years, Guy Benson has a new home for his written content. He’s joining the Washington Examiner in the new year.

Last month, Benson shared that he was leaving Townhall.com after 18 years. He had served as the Political Editor of the outlet for the past 15 years.

Benson’s exit coincided with the departure of Townhall.com editor Katie Pavlich. Pavlich worked at the outlet for 16 years before departing in October. She has since been named a primetime host on NewsNation.

In a post on social media, Benson shared that he’s “thrilled to be joining” the outlet in the new year.

He added that he’s “excited to work with some outstanding colleagues whose work I’ve admired and read for years.”

The announcement from Guy Benson comes just days after announcing he had inked a contract extension to remain with Fox News. He’ll continue to serve a contributor with a new title of Fox News Political Analyst.

In addition to his work on Fox News, Guy Benson — who was recently diagnosed with cancer and underwent a procedure to remove it — hosts a daily news/talk radio show for Fox News Radio. The Guy Benson Show airs live from 3-6 PM ET.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.