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Toast to 10: Current Barrett Media Writers Share Their Tales

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The Toast to 10 series, presented by Premiere Networks, is a month-long look back at 10 years of Barrett Media. Throughout the month, you’ll hear from those who have shaped the company, managed and created content, read the site, and partnered with the brand between 2015 and 2025, sharing how they’ve seen it play a role in covering the media industry and educating, celebrating, and challenging the business.

A staff of nearly 20 writers contributes columns, features, and daily industry news items to Barrett Media each weekday.

That small army of folks writes in a variety of fields, focusing on the news media industry, music radio, sports media, and the media business as a whole.

The Barrett Media moniker has been to celebrate, educate, and challenge the broadcasting industry through its content. These writers are the ones who help accomplish that mission.

We asked several of our current writers to share what drew them to the brand, how they became affiliated with Barrett Media, what their favorite columns or features have been, and what has received the most pushback, conversation, or intrigue within the industry.

Mundo has been aware of Barrett Media since before the brand launched. He and Jason Barrett were friendly when Barrett was still working in the sports radio format, while Mundo was cutting his teeth in a variety of freelance roles.

The two met for lunch, with Barrett explaining the vision of the brand.

“It was our first time visiting in person after years of exchanging emails,” Mundo said. “When I was starting my career in Oklahoma and pestering hundreds of program directors around the country looking for feedback on my audio, Jason was one of a handful to actually respond and give me the critiques I desperately needed.”

In addition to writing a news/talk radio column for Barrett Media, Pete Mundo is also the Program Director and morning show host at 95.7 KCMO Talk Radio in Kansas City. Additionally, he was recently elevated to the role of Vice President of News/Talk for Cumulus Media.

He said writing for Barrett Media has helped his profile in the industry increase.

“When Jason first asked me to contribute for what was formerly Barrett News Media, I was the APD and morning host at KCMO in Kansas City,” he shared. “Hearing from some of the top people in our industry on my columns has been rewarding, insightful, and beneficial for my own growth as a talent and programmer. I’m grateful and love the feedback, the positive and the constructive criticism, whenever it comes.” 

When asked what his favorite piece he’s contributed to the website during his tenure has been, Mundo said it was sharing a special story that taught him a valuable lesson.

“Sharing my story of legendary WFAN program director Mark Chernoff telling me I hosted the worst show in WFAN history when I walked out of his studio doing a sleepy overnight shift as a young broadcaster in my mid-20s,” Mundo shared. “While I’ll never concede it was the worst show in FAN history, his overall points were absolutely correct. I did too much lifestyle, pop culture, etc., and not enough game breakdown.

“While I was distraught in the moment, he did me a tremendous favor in making me realize talking games every day was not going to be in my future. It was the unofficial start of my transition away from sports talk and into news/talk.”

Perry Michael Simon was synonymous with AllAccess, serving as the talk radio czar for the venerable radio trade publication.

So when that platform shuttered, it was a natural evolution for him to join our team at Barrett Media.

He joked that he often receives an even number of favorable and unfavorable reactions to his opinions about the industry.

“I think I’ve attained the status of someone who can say anything and people just shrug and say, ‘there he goes again,'” he shared.

He added that the work at Barrett Media is a “continuation of what I developed for over 25 years at All Access. Staying on the industry’s mind is the main thing, and that’s where I am.”

When asked what his favorite piece has been that he’s written for the brand, he had a succinct, Perry-like answer.

“No favorites. I can barely remember them once I’ve written and submitted each one as it is,” he said.

John Mamola serves as the Sports Editor for Barrett Media, joining the brand earlier this year.

He said that in his time with the brand, there has been plenty of reactions to what he’s written and the stances he’s taken.

But that doesn’t mean it’s always bad.

“Reaction doesn’t always have to be positive or negative,” said Mamola. “I’ve gotten some pieces that get lots of feedback, and some that get little. I would say the best feedback that I cherish the most is the feedback from Mike McVay that I received following my piece on Lee Corso’s retirement from ESPN. I got that email saved forever because it meant so much to get that kind of reaction from one of the more respected names in our industry.”

He added that he’s now aware of just how laser-focused in his past job, that he neglected portions of the professional development and growing his profile inside the industry.

“I’m finding in my short time with the brand that working inside a building for so long siloed me from gaining knowledge and perspective from the outside world. So from that standpoint, yes,” he said. “I think my experience should shed light on how important a site like Barrett Media is to connect with those from around the industry in all sections of it.

“I didn’t know nearly as much about the podcast world as I do now, same for television. I’m still a novice in some aspects, but have gained knowledge because of the platform I now represent,” he added. “I encourage people in positions of power to reach out to people in industries that you have questions about. Because while we all have challenges, the answers to those questions are relatively similar in every aspect.” 

Mamola concluded that he’s appreciated the opportunity to work both with Barrett Media and its founder, to help push the entire industry forward

“Jason Barrett loves this industry and is a driven leader,” he shared. “He truly cares about finding new avenues in which the media industry can come together and evolve into a new day. I value his knowledge and his willingness to be open to ideas and conversation, and I’m looking forward to continuing to support his brand for the next decade plus in any capacity.”

Lauren Ashburn is a veteran television news anchor, reporter, and contributor, with places like Fox News, PBS NewsHour, USA Today, and The Wall Street Journal, among others, on her resume.

Ashburn said the brand has been in her ecosystem for several years.

“Barrett Media has been on my radar for a long time, mostly from social media exposure, and I was immediately struck by the range of coverage, from well-written columns to industry news. I was also impressed by the elite audience the newsletter reaches in the sports and radio space.”

She shared that she’s overjoyed to have the ability to share her thoughts, feelings, and best practices with both the growing site and the ever-changing media sphere.

“I’m delighted to be among some of the first columnists to analyze media coverage from a television perspective,” she said. “Looking forward to seeing what the company does in the next ten years!” 

Keith Cunningham, outside of his duties with Barrett Media, is tasked with leading one of the most legendary brands in all of radio, 95.5 KLOS in Los Angeles.

He says that having the decades of experience in the industry — especially in rock radio — gives him a unique perspective and sharing it has been one of the most rewarding parts of his time.

“Showing my battle scars in an effort to help others, who love Radio like I do, learn from my many years of doing the grind,” Cunningham said when asked what hte most enjoyable part of writing for the brand has been. “Along with the freedom to choose whatever topics I want and use my real voice without the worry of an editor clamping down if I sometimes talk like a rock guy who just got off tour.”

Cunningham shared that he has a specific goal in mind when crafting his columns.

“I try to frame pieces that not only help the front line warriors, but also have something in it for the upstairs team that might create some thought or a POV that might not be on their everyday scroll,” he shared. “There’s no shortage of people who can write about rotations, formatics, chart positions, and the general stuff — and that is important — but I challenge myself to find ‘outside angles’ and relate them to Radio, whether it’s the NFL, Sydney Sweeney or something as random as finding the parallels of running a 7-Eleven and programming a Radio station. That’s what I like most, and it’s also the most challenging aspect.”

He added that he was attracted to the brand because he saw it “filing a critical need with news, of course, but more importantly it was the relevant , wide-ranging commentary and opinion delivered with some with punch. Whether right or wrong with a take, and we’ll all be wrong sometimes, the writers can truly call it as they see it, and that attracted me well before I started writing my nonsense for the site.”

One of radio’s top talent coaches, Kevin Robinson says he is “honored to have a voice on Barrett Media,” after joining the brand as it evolved to cover music radio in 2024.

He said there’s a specific item that has been most rewarding since joining.

“The feedback has been robust and humbling,” Robinson said. “I took a hiatus from writing and presenting (those close to me know the reason) for a few seasons, and the exposure to pros outside the music bubble has been gratifying.

“To hear peers tell me they missed my previous contributions through The Robinson Report made my day – even my year!” he continued. “As other media outlets and annual events have cut back and even shuddered their efforts, Barrett Media has quickly emerged as a media force to all of radio!”

He said his goal is to always try to share what programmers and talent can put into action in three minutes or less.

“While I write for adult music formats, the hurdle is providing enough of my personal experience that appeals to all readers, no matter where they are in their growth journey,” he concluded. “I do quite a bit of research to make each column dense with information. I want to get all the details correct. It takes time. Finally, it’s difficult to connect and resonate with readers in all markets – from New York to New Bedford.”

Few know the rock format — whether it’s classic rock, AAA, AOR, or alternative — as well as Mike Stern.

Since joining Barrett Media, Stern shared that it’s always challenging to find “interesting angles on the same topic” week after week.

But the chance to be involved and share his opinions on the format he loves is a welcome occasion.

“The opportunity to be part of a growing platform in the radio industry was really attractive to me,” Stern said of what drew him to Barrett Media. “Plus, it’s been a long time since my work for Radio and Records and Billboard, so the chance to dust off my keyboard and share thoughts about the industry again was exciting.”

Stern added that the most rewarding aspect of writing for Barrett Media has been the both the rekindling of friendships and the introduction to new folks.

“Whether that’s talking to them for the pieces I’m writing or hearing from them after I publish a column, it’s been really great to be in touch with so many people,” he said.

Jim Ryan is a pop/hot AC radio expert, which means he was the perfect columnist candidate for the expansion of Barrett Media’s coverage into music radio.

He noted that he was a “fan long before writing” for the brand, but that the opportunity to “share my thoughts on radio programming philosophies” was too great to pass up.

Ryan said one of the most rewarding aspects of his work is helping introduce new music to the format’s leaders.

“I really enjoy finding music that Programmers should have their ears on,” he said. “I think that music discovery needs to be more of a focus for music radio stations!”

He joked that the most challening part of writing a weekly column for Barrett Media is “trying to be really aware of not repeating myself too much in articles with content, or points that I make.”

John Lund is a Bay Area sports radio legend, working at both 95.7 The Game and KNBR during his illustrious tenure in the market. He’s also spent time in Detroit and Dallas, as well as on ESPN Radio among a bevy of other stops.

He joined Barrett Media earlier this year, and said he’s already seen his profile inside the industry grow by sharing his weekly column.

“Absolutely. Being on a national stage like this, I’ve gotten tons of feedback from industry people and fans alike,” Lund said. “The reaction has been the strived for 50/50, love and hate.”

In his short time writing for the brand, John Lund said he already has a favorite piece he’s written.

“I would say my view on the dust-up between Peter Schrager and Ryan Clark,” he shared. “The piece hit home for me as a long-time talk show host who tried to find the balance between respecting and propping up my former athlete co-host and earning my own respect and viewpoint through years of experience.”

Lund added that he was attracted to the brand due to his relationship with the company’s founder, Jason Barrett.

“I have respected Jason and his style since he was my ‘boss’, and have been incredibly impressed by what he and the entire Barrett Media team have put together and accomplished in the last 10 years.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

5 Bonuses You Can Expect At An Online Casino

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The online casino industry is fiercely competitive, and operators know that players have plenty of choices. To attract new members and keep existing ones engaged, casinos often offer a wide range of bonuses.

These incentives not only make gaming more exciting but can also boost your bankroll and increase your chances of winning. If you’re considering signing up at an online casino, here are five bonuses you can typically expect.

1. Welcome Bonus

The most common and eye-catching promotion is the welcome bonus. This is usually offered to new players upon making their first deposit. It often comes in the form of a deposit match (for example, a 100% match up to a certain amount) and may include additional perks like free spins. Welcome bonuses are designed to give you extra funds to explore the casino’s games without immediately risking too much of your own money.

2. No Deposit Bonus

For players who want to try a casino before committing funds, the no deposit bonus is a fantastic option. With this offer, you receive a small amount of bonus cash or free spins just for registering—no deposit required. While these bonuses are usually modest and come with wagering requirements, they allow you to test the platform risk-free.

3. Free Spins

Slot lovers often benefit from free spins promotions. These spins can be part of a welcome package, a standalone promotion, or a reward tied to a specific game release. Free spins give you the chance to win real money without dipping into your own balance, making them one of the most popular casino perks.

4. Reload Bonuses

Once you’re an established player, casinos keep you engaged with reload bonuses. These are similar to welcome bonuses but targeted at subsequent deposits. For example, you might get a 50% match on your second or third deposit. Reload bonuses reward loyalty and give regular players extra value for their continued activity.

5. Loyalty Rewards & VIP Programs

Many online casinos offer loyalty points, cashback offers, and VIP programs for returning players. With these schemes, every wager you place earns you points that can later be exchanged for cash, free spins, or exclusive perks. High-level VIP players may enjoy tailored rewards such as faster withdrawals, personal account managers, and even luxury gifts or trips.

Final Thoughts

Bonuses are a major draw in online casinos, but it’s important to read the terms and conditions carefully. Pay attention to wagering requirements, game restrictions, and withdrawal limits. Used wisely, these bonuses can enhance your gaming experience, give you more chances to play, and potentially increase your winnings. If you’re starting out, keep an eye out for these five key bonuses; they’re your ticket to maximising value in the online casino world.

Modernizing Media Websites: Integrations and Headless WordPress

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Media websites face a complex set of pressures: delivering content at scale, maintaining performance under heavy traffic, and integrating with advertising and subscription systems that grow more intricate each year. Traditional platforms often struggle with fragmented delivery and slow adaptation to real-time publishing demands, which directly affects both audience experience and monetization potential.

Modernization addresses these challenges by restructuring content management and system orchestration to support flexibility, scalability, and consistent delivery across every channel. Integrations and headless WordPress stand out as key approaches, bringing together content workflows, audience engagement tools, and monetization frameworks into architectures built for speed and adaptability.

The Changing Demands of Media Platforms

The demands placed on media platforms have expanded with constant content consumption across screens and formats. Audiences expect immediate updates delivered consistently, whether they read through a mobile app, watch through a streaming service, or browse through a web portal.

Meeting these expectations requires systems that can publish and distribute content in real-time while still adapting to context, device, and user preferences.

Legacy CMS architectures often struggle under these conditions because they were built for linear publishing and limited channel delivery. Their monolithic structure slows development cycles, restricts experimentation, and adds friction when connecting with external services.

As consumption shifts toward personalized, multi-device experiences, media organizations need frameworks that accelerate output, streamline content delivery, and support flexible integration with tools across advertising, analytics, and subscription workflows.

Modern media platforms demand flexibility, scalability, and seamless third-party integrations. That’s where custom WordPress development becomes essential, enabling broadcasters and content teams to tailor their digital infrastructure to evolving audience behaviors and backend needs.

Why Integrations Drive Media Success

Integrations sit at the center of modern media operations because they connect core publishing systems with the tools that sustain revenue and audience engagement. A CMS on its own cannot handle subscription logic, advertising placement, or deep audience insights without structured connections to external platforms.

Subscription and paywall services manage access rules, recurring payments, and user authentication while linking directly to CRM systems for subscriber care.

Advertising networks and programmatic platforms rely on consistent data exchange with publishing layers to deliver campaigns aligned with editorial flow. Analytics stacks track user behavior, segment audiences, and measure engagement across properties.

When these systems operate in isolation, data silos form and workflows slow. By unifying user information across touchpoints, media platforms can support consistent experiences for readers while giving teams a complete operational view.

Integrations provide the operational glue that keeps monetization strategies, editorial processes, and audience growth aligned under high-traffic conditions.

Headless WordPress as the Modern Core

Headless WordPress provides a structural shift by separating the content layer from the presentation layer. Editors continue to use WordPress for authoring, while front-end delivery moves through APIs to multiple channels. This architecture reduces bottlenecks tied to template-based publishing and creates flexibility in how and where content is consumed.

Performance improves because front ends can be optimized independently, using frameworks suited for web, mobile, or streaming environments. Scalability strengthens as content distribution is no longer limited to a single presentation pipeline.

An API-first approach supports distribution into mobile apps, OTT platforms, and multi-language portals without restructuring the editorial process.

For media organizations, headless WordPress turns the CMS into a content engine rather than a monolithic delivery tool. It positions publishing teams to adapt quickly to new formats and platforms while maintaining consistency across high-volume publishing cycles.

Building a Composable Media Ecosystem

A composable media ecosystem emerges when integrations and a headless CMS operate as coordinated layers within enterprise publishing workflows. Content flows through APIs into websites, apps, and streaming platforms, while middleware manages personalization, audience targeting, and advertising delivery without slowing editorial speed.

Security and governance become central in this setup, as high-traffic environments demand strict access control, role-based permissions, and audit-ready processes. With distributed publishing, oversight of data handling and ad-tech pipelines must remain structured to protect both revenue and compliance.

Practical architecture combines content APIs with cloud hosting and CDN distribution to reach global audiences at scale. Middleware connects audience data with ad servers, recommendation engines, and subscription platforms, keeping the system responsive under heavy load. This modular approach supports growth by letting media organizations extend capabilities without reengineering the entire infrastructure.

Case Insights and Implementation Path

A media outlet moving from monolithic WordPress to a headless architecture with integrated systems demonstrates the impact of modernization. The transition begins with a thorough audit of existing infrastructure to identify bottlenecks and critical dependencies. Integration mapping then defines how CRM, subscription services, and advertising platforms connect into the new structure.

Headless migration follows, with content decoupled from presentation and distributed through APIs into multiple endpoints. Performance validation closes the loop, testing delivery speed, uptime, and audience interaction across devices.

Common pitfalls include overloading the system with unnecessary plugins, letting APIs multiply without oversight, and overlooking security checks around user data and ad-serving layers. By addressing these risks early, media organizations create a stable foundation for scalable publishing, reliable monetization, and audience growth.

Audacy Announces Partnership With MOGL To Merge NIL Sponsorships With Inventory

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Audacy is taking another step to solidify its position as a leader in sports audio by partnering with MOGL, an athlete influencer platform that specializes in Name, Image and Likeness (NIL) opportunities. The collaboration is designed to connect brands with sports fans in new ways by integrating athlete-driven marketing into Audacy’s vast cross-platform sports portfolio.

The partnership will allow Audacy to offer clients NIL sponsorships alongside its traditional sports audio inventory, streamlining collaborations between brands and athletes. By combining MOGL’s database of more than 30,000 athlete influencers with Audacy’s national reach across radio, podcasts, and digital platforms, the companies believe they can deliver highly targeted campaigns backed by performance data.

“Sports is where Audacy wins and sports media is evolving beyond traditional boundaries,” said Bob Philips, Chief Revenue Officer at Audacy. “This partnership with MOGL is a testament to our commitment to innovation, providing a powerful content-driven approach that benefits athletes, schools and our advertising partners. This collaboration modernizes how brands engage sports audiences, combining the power of audio, digital, and influencer marketing to create an unmatched impact.”

MOGL’s technology uses artificial intelligence to connect brands with athlete influencers who fit their marketing objectives. The platform provides real-time reporting on social performance and audience engagement, offering brands a clear view of campaign results. With NIL still a rapidly expanding segment, the partnership gives Audacy clients access to one of the fastest-growing influencer categories in sports.

“With our national network of athlete influencers, we’re excited to help Audacy expand the reach and audience targeting that they can offer clients in their media plans,” said Ayden Syal, CEO and co-founder of MOGL. “Our partnership with Audacy brings together powerful athlete influencers, premium content, and strategically allocated paid media — all optimized by data and performance — to deliver guaranteed results at scale.”

For Audacy, the move strengthens its sports marketing footprint at a time when advertisers are looking for authentic ways to reach younger fans. NIL endorsements, particularly at the college level, have become a bridge between brands and highly engaged sports audiences.

Audacy already operates one of the largest sports portfolios in media. The company owns 40 sports radio stations, 160 sports streaming channels, and distributes over 600 sports podcasts. It also serves as the flagship play-by-play partner for more than 50 professional and collegiate teams. In addition, Audacy produces national multiplatform networks including Infinity Sports Network and the BetMGM Network, while maintaining official partnerships with Major League Baseball and several video outlets.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Amazon Prime Video Add Former Executives, Players To Broadcast Team

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Prime Video is bolstering its on-air lineup for the inaugural season of NBA on Prime, adding a mix of Hall of Fame credentials, NBA playing experience, and international broadcast expertise. The company announced that Naismith Memorial Basketball Hall of Famer Swin Cash, 17-year NBA veteran Rudy Gay, longtime analyst Jim Jackson, and journalist JayDee Dyer will join the coverage team when Prime Video tips off its new NBA package October 24.

Cash, one of the most decorated players in women’s basketball history, will serve as a contributor and insider for the studio show, offering front office perspective. She most recently worked as Senior Vice President of Basketball Operations and Team Development for the New Orleans Pelicans and previously held analyst roles with Turner Sports, CBS Sports, and MSG Network. The three-time WNBA champion and two-time Olympic gold medalist also ranked among the league’s Top 20 Most Influential Players of All Time.

“Basketball has given me so much throughout my life, and this season I’m excited to share my experiences and insights with Prime Video’s NBA coverage,” Cash said. “It’s an incredible opportunity to help fans see the game in new ways, through the lens of both a Hall of Famer and former Senior NBA executive.”

Gay joins the studio rotation as an analyst after a 17-year NBA career that included stops with the Memphis Grizzlies, Toronto Raptors, and Sacramento Kings. He earned First Team All-Rookie honors in 2007 and was a key part of the Grizzlies’ run to the Western Conference Finals in 2013. Since retiring, he has built a media profile as co-host of the podcast 7PM in Brooklyn alongside Carmelo Anthony.

“I couldn’t be more excited to join the team at Prime Video,” Gay said. “Looking at the talent they’ve put together, it’s going to be an incredible experience for the viewers and a lot of fun for us breaking down the game we know and love.”

Jackson, currently an analyst with FOX Sports and the LA Clippers, shifts to the game broadcast as an analyst. The former first-round pick played 14 seasons in the NBA and has previously worked for CBS Sports, TNT, and NBA TV. He also hosts The Jim Jackson Show, a podcast highlighting conversations across sports and culture.

Dyer rounds out the group as sideline reporter. A fixture in the United Kingdom, he most recently served as chief correspondent for TNT Sports UK and previously anchored Sky Sports’ NBA coverage, including five NBA Finals.

“Having grown up in London, UK, I bring a unique perspective on the global impact of the NBA,” Dyer said. “It’s an honor to join NBA on Prime and share my passion for basketball with fans everywhere.”

Prime Sports Head of On-Air Talent Amina Hussein said the additions strengthen the network’s ambition to deliver a fresh take on NBA coverage.

“We’re excited to add Swin, Rudy, Jim and JayDee to the NBA on Prime team,” Hussein said. “Each of them has a tremendous level of excitement, passion and deep knowledge of the game, and we look forward to their contributions.”

Prime Video will debut its NBA rights package on Oct. 24 with a Celtics-Knicks matchup followed by the Timberwolves-Lakers. Pregame coverage begins at 7 p.m. ET from Amazon Studios in Culver City.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

YouTube Pledges to Reverse Any Bans Implemented Due to COVID-19, 2020 Election Content

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YouTube has announced plans to reverse any bans the platform had previously instituted for political speech and will allow those creators to return in the following weeks.

In a letter to the House Judiciary Committee, the digital video platform pledged to reinstate any creator who ran afoul of the previous guidelines surrounding the COVID-19 pandemic or the validity of the 2020 election.

“(YouTube) terminated channels for repeatedly violating its Community Guidelines on elections integrity content through 2023 and COVID-19 content through 2024,” the company said in a letter to the committee. “Today, YouTube’s Community Guidelines allow for a wider range of content regarding COVID-19 and elections integrity. Reflecting the Company’s commitment to free expression, YouTube will provide an opportunity for all creators to rejoin the platform if the Company terminated their channels for repeated violations of COVID-19 and elections integrity policies that are no longer in effect.

“YouTube values conservative voices on its platform and recognizes that these creators have extensive reach and play an important role in civic discourse. The Company recognizes these creators are among those shaping today’s online consumption, landing ‘must-watch’ interviews, giving viewers the chance to hear directly from politicians, celebrities, business leaders, and more,” it concluded.

Rep. Jim Jordan (R-OH), the committee chairman, shared that YouTube also pledged not to utilize third-party fact-checkers for content uploaded to the platform.

“YouTube has not and will not empower fact-checkers to take action on or label content across the Company’s services,” the platform said in the letter.

“All of the above are massive wins for the American people, the First Amendment, and freedom,” Jordan shared. “We won’t stop fighting to protect free speech.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Nexstar Media Group Joins Sinclair in Preempting Jimmy Kimmel Live!

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After ABC announced that Jimmy Kimmel Live! would resume operations on Tuesday evening, one question remained: would Nexstar Media Group and Sinclair Broadcast Group continue to preempt the program? Sinclair answered that question on Monday evening, and on Tuesday morning, Nexstar answered as well.

In a statement released by the broadcast giant, it revealed that it would — like Sinclair — continue to preempt the program when it returns at 11:35 PM ET on Tuesday evening.

“We made a decision last week to preempt Jimmy Kimmel Live! following what ABC referred to as Mr.
Kimmel’s ‘ill-timed and insensitive’ comments at a critical time in our national discourse,” the statement read.

“We stand by that decision pending assurance that all parties are committed to fostering an environment of respectful, constructive dialogue in the markets we serve. In the meantime, we note that Jimmy Kimmel Live! will be available nationwide on multiple Disney-owned streaming products, while our stations will focus on continuing to produce local news and other programming relevant to their respective markets.”

On Monday evening, Sinclair shared a similar statement, saying it would replace Jimmy Kimmel Live! with news programming, adding that “discussions with ABC are ongoing as we evaluate the show’s potential return.”

The suspension for Kimmel came after FCC Chair Brendan Carr threatened action against ABC after the late-night host argued that the assassin of Charlie Kirk was a member of the Make America Great Again movement, and laughed at the reaction from President Donald Trump to Kirk’s death.

In an appearance on Benny Johnson’s podcast, Commissioner Carr said, “We can do this the easy way or the hard way. These companies can find ways to take action on Kimmel, or there is going to be additional work for the FCC ahead.” ABC subsequently announced Kimmel’s suspension hours later, after affiliate ownership groups Sinclair and Nexstar announced they would preempt his late-night program.

Carr later championed the moves from Sinclair and Nexstar, stating that they did “the right thing” and took “quick action” to being “responsive to the needs and values of the local communities you serve.” He concluded by noting his hope that “other broadcasters follow” the lead set forth by those two entities.

The decision by Nexstar Media Group to preempt the program comes as it is in the midst of seeking FCC approval for a $6.2 billion deal to acquire television rival TEGNA.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

HaZe Announces Contract Extension With iHeartmedia St. Louis

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Dustin “HaZe” Monroe has announced an extension with iHeartMedia as an assistant program director and on-air personality on Z1077 and ALT Radio.  

Monroe made the announcement of his extension via his social media platforms saying he’s locked in through 2029. 

“I can’t thank our market president, Libby Kochan-Nolan, and everyone behind the scenes enough for believing in me and continuing to let me do what I love every day on Z1077, ALT Radio, and all the other amazing stations I get to be a part of with iHeart,” wrote Monroe. 

Monroe joined iHeartMedia in May of last year after serving in Kansas, Texas, and Virginia before making a return to St. Louis. He is a graduate of the American Broadcasting School in Dallas and will remain in place for many years to come with his new agreement from iHeartMedia. 

“25 years in and I still wake up grateful that this is my career. The listeners, the team, the city, I wouldn’t want to be anywhere else,” said Monroe. 

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Cumulus Media Takes Jason Aldean’s ‘How Far Does a Goodbye Go’ For 8-Week Test Spin

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Cumulus Media has rolled out the newest installment of its multi-part audio franchise, Your Music Plus, featuring Country superstar Jason Aldean and his latest single, How Far Does A Goodbye Go. The campaign will air across Cumulus’ 41 Country stations over the next eight weeks. It gives listeners an inside look at the making of the song and Aldean’s current tour.

Through Your Music Plus, listeners get more than just a single. The series blends the new release with exclusive audio from Aldean himself, sharing the stories behind the music, reflections on life on the road, and insights into how he continues to evolve while staying true to his core sound.

“Jason Aldean returns to Your Music Plus through our continued partnership with BBR Music Group,” said Greg Frey, VP of Music Partnerships for Cumulus Media. “The new song allows Jason to dive deep into his influences while maintaining his signature sound. Pairing the track with his commentary makes this campaign a real treat for our Country audience.”

Shelley Hargis, VP Promotion Syndication & Group Strategy for BBR Music Group, added, “Jason is not only back with new music, but he’s as hot as ever. He’s crushing it on his Full Throttle Tour, and we’re thrilled How Far Does A Goodbye Go is part of this exclusive Cumulus series.”

Your Music Plus continues to serve as a unique content driver, spotlighting new releases while giving audiences rare access to the voices behind today’s biggest songs. For more information, go here.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Alex Wagner to Launch Podcast with Crooked Media

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After seeing her primetime program at MSNBC canceled earlier this year, Alex Wagner now has her next project: a podcast with Crooked Media.

Crooked Media was founded in 2017 by Jon Favreau, Jon Lovett, Tommy Vietor, and Dan Pfeiffer. The company is the home of the popular Pod Save America podcast.

Currently untitled, the new podcast from Alex Wagner is slated to begin on Thursday, October 23rd. It will be a weekly program lasting between 45 and 60 minutes, with each episode featuring a video simulcast.

“We’re in a moment of shocking and intense political change, and there’s no better time to launch a show that gets right to the heart of the matter,” said Wagner. “We’re going to speak directly with the people in the middle of this whiplash, whether they’re in Los Angeles or Memphis or Fargo: You’re going to get visceral, emotional storytelling that will make all these headlines a lot more human. And then we’ll have some of the smartest people in politics help to put it all in context.

“I could not be more thrilled to be doing this with my buddies at Crooked Media — and their savvy, engaged, enthusiastic audience. There’s no time like the present!” Wagner concluded.

“Alex is a longtime Friend of the Pod, and we couldn’t be happier to finally be working with her,” the Crooked Media founders said in a statement. “She’s sharp, fearless, and endlessly curious in her reporting — exactly the kind of voice we want to bring to the Crooked community.”

In addition to her own program, Wagner will join Pod Save America as the show’s first contributor. She’ll also host one Sunday episode of the program per month, as well as join the YouTube Rapid Responses show produced by the company.

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