Features

"All these terrestrial radio hosts that haven’t carved out a digital space, they're f****d. They don't own anything. They don't own their name, image, or likeness. I’ve owned all my content since I was on the Power Pig (WFLZ) in 1992."

"They have a lot of catching up to do so it’s not a given this works. But Spotify has had a series of problems fluidly monetizing video and audio, and YouTube is primarily video. Apple could be a better publisher experience, but so many people no longer use Apple for podcasts."

"There’s a narrow stereotype about how women discuss sports. If you guys think we’ll be sitting around braiding each other's hair, that’s not what this is going to be about."

"It still is so much fun. In the end, it’s supposed to be fun. You have things that are a pain that you have to do every day, but even covering Mardi Gras -- with all the oopsie moments -- you’re delivering something special."

“It’s not just about talking. It’s about trying to distill what your voice actually is. Be your own biggest critic and try to poke holes in your own theories.”

"My first success metric is am I proud of what we just did? That’s something that can bounce from day to day, but the goal is to have fun and a good time."

"A local advertiser doesn’t need “the industry’s reach”. They need trusted voices that move behavior in a market."

"If you can do a lot of things good enough, you’re going to stay employed for a long time. As a sports fan, I would be bored with just one sport if they weren’t playing."

"Whenever my time comes, they look at The Scream, Motley Crue, Union, or the solo stuff I've done. The Dead Daisies stuff I've done. Look at the whole body of work and say it was consistent. John was consistent. That’s all I can really ask for."

"You don't want to be that much different than what it was before. I know this city and the listeners. They are extremely loyal and they don't like change."