Ticketmaster Loses Bid to Dismiss FTC Bot Lawsuit

"Live Nation still faces a pending antitrust appeal and sentencing."

Date:

A federal judge has refused to toss the FTC’s lawsuit against Ticketmaster. As a result, the case now moves into discovery.

What We Know: Judge Maame Ewusi-Mensah Frimpong denied Ticketmaster’s motion to dismiss on Monday. The FTC first sued Ticketmaster and parent company Live Nation in 2025. Specifically, regulators claim the company let brokers dodge purchase limits with hundreds or thousands of fake accounts. Frimpong wrote that the BOTS Act “does not preclude platforms from facing liability.”

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What’s at Stake: The ruling means the Better Online Ticket Sales Act can reach platforms, not just individual resellers. Meanwhile, the FTC points to an internal email from a senior executive. In it, the executive admitted the company ignores broker conduct “as a matter of policy.” Additionally, Ticketmaster collected resale fees on its own secondary market.

What Remains Unclear: So far, no court has tested whether the FTC’s allegations hold up at trial. Moreover, Live Nation still faces a pending antitrust appeal and sentencing. Those proceedings could shape how this case unfolds. Furthermore, dozens of state attorneys general want the courts to break up Live Nation and Ticketmaster.

What It Means: For fans, the ruling opens a new path to challenge ticketing abuses at the platform level. In addition, discovery could expose more internal records about broker relationships. For radio and the live music business, the stakes run just as high. After all, concerts, promotions, and ticket giveaways depend on a fair, trusted marketplace.

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David Hill
David Hillhttps://barrettmedia.com
David Hill serves as a Music Radio Editor, Columnist and Features writer for Barrett Media. A radio lifer with more than 30 years behind the mic, in the control room, and in the program director’s chair, David's career spans influential stops at brands such as WIYY 98 Rock, WBAL-AM, and 99X. He has worked across multiple formats and ownership groups, including iHeartMedia and Cumulus Media, developing talent, breaking music, and navigating every major industry shift from diary to PPM and terrestrial dominance to streaming disruption. When he’s not writing or analyzing the industry, Dave runs The Tune Farm, a marketing firm built to help artists and brands grow audience the same way great radio always has—by creating connection, not just impressions. He can be reached at David@BarrettMedia.com.

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