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iHeartMedia EVP Maynard Surrounds Himself With People Who Think Radio’s Best Days Are Still Ahead

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Maynard is the Executive Vice President of National Programming Strategy for iHeartMedia. He is also the Program Director for 106.1 Kiss FM KHKS Dallas, where he works with “The Kidd Kraddick Show.”

His peers recently voted Maynard to Barrett Media’s Top 20 CHR/Top 40 Program Directors list.

I had the chance to catch up with him to discuss that, Top 40 radio, and the next generation of talent.

Jeff Lynn: What was your reaction to being voted by your peers as a Top 20 Program Director in Barrett Media’s 2024 poll?

Maynard: It’s an honor to be recognized and included in such a distinguished list of some of the best and brightest programming and creative minds in the industry. Several of those I’ve worked with and others I have worked for…but all have dedicated so much to the industry and there is something I’ve taken from each of them not to mention the so many others I know who also deserve to be on this list who were left off. Wouldn’t be surprised to see them on the list next year.

JL: Did you hear from industry colleagues offering congratulations?

Maynard: I did. This was a great look for Barrett Media, who was the real winner here. Many were aware of Barrett, yet so many weren’t. And at least in my world of social media, it spread like wildfire with people commenting, tagging, posting, and likely googling. Another lesson learned how a great strategic idea with solid execution can create buzz and grow a brand quickly.

JL: With all your responsibilities, is there a “typical workday,” and what is it like?

Maynard: There really isn’t. As EVP Programming at iHeartMedia, I get to oversee a division of stations in all formats all over the country, so every day is different and I’m so grateful iHeart has given me this opportunity. I go from a creative call to a contract call, talent development one day, to pitching ideas to clients the next. One hour on with a Sports station, the next with a Country station, etc. Fortunately, I get to touch a lot of aspects of the business and have gotten to travel the country and meet so many of the tastemakers and programming superstars of all formats. 48 states down….2 to go! (West Virginia and Alaska)

JL: What advice can you offer younger PDs in the area of talent coaching?

Maynard: Some of the best talent coaches around right now ARE the younger people and the one thing I see all of them doing really well…is listening. They are not coming in with a pre-determined solution, but taking the time to evaluate each situation, get to know the talent and help talent amplify their strengths. My advice would be to invest time in people. And the more I do this, and especially with long-running shows, they don’t need me to tell them what to do as much as they need help to create micro goals to get to the next level. Once we agree on the goal, often they are talented and smart enough to create a plan to get there themselves.

JL: With decreasing opportunities in shifts like overnights, evenings, and middays, how do we grow the next generation and create an Elvis or Seacrest?

Maynard: Talent is still everywhere; they just don’t have to “come up” the same way they used to. The first time on the air, might be in a top 20 market these days, when at one point, you’d have to make three or more stops along the way to get there. They just need someone to take a chance and back them, whether they are discovered on one of our podcasts, social media, or someone working promotions down the hall.

JL: You recently worked with “The Jubal Show” in Seattle at Hits 106.1 KBKS and have assumed duties in Dallas working with 106.1 Kiss-FM KHKS/”The Kidd Kraddick Morning Show,” both of which made the list of the Top 20 Top 40/CHR morning shows. Can you share what makes these shows special and what it’s like working with them?

Maynard: There are similarities and there are differences, as there are with all shows. Both have found a loyal and committed fan base and both put strong focus on growing their audience both on digital and broadcast channels. Both are successful and hard-working, that inherently do personality driven radio, but in different ways. They are both syndicated and each puts focus on connection and relatability, but using a different model.

Jubal Show: What makes them special IMO is the low barrier for entry, first and foremost. Second, I’d say that their point of connecting comes through focus on humor and bringing escape to their audience. Their primary focus is to concoct ways to make people laugh. Listeners describe the show where you don’t have to know the characters or their history to get sucked into a segment or the show in general, and that is by design. You can tune in any day and don’t need the backstory to be able to be right in it. But they are all quirky in their own way and don’t take themselves too seriously. What it’s like working with them – They take direction, coaching, and listen to feedback as well as anyone I’ve ever come in contact with.

Kidd Kraddick Morning Show: What makes them special IMO is the relationship they create with their audience and with one another. Their chemistry is strong and they have dominated in ratings for decades. Each of them is unique and the more you get to know them as people, the more addicted you become. Their fans are fierce and their loyalty spreads decades and don’t even try to walk around Dallas with one of them, because you likely will never even make it through the parking lot. They will make you laugh…they will make you cry, and they will always make you feel something. What it’s like working with them – For starters, I’ve only been involved with the station for the past several months, so we are just getting going. I’m still learning about them and them about me. They have a smart, hard-working team around them, as I do around me, and they have welcomed us with open arms.  Change is always difficult, and they have been amazing.  I’ve really enjoyed teaming up to find ways both in the short and long term to continue to establish this show with the thousands of new people moving to Dallas-Fort Worth each and every day.

JL: How are you incorporating AI into your daily tasks or station(s) programming?

Maynard: I spend more time learning about AI than probably using it, but for me it’s largely personal use for efficiency, using it for either that primary or second set of ears to run things through. Also, for taking notes, sorting headlines and bullets, or dictating meetings and summarizing.

JL: All music formats are cyclical. It seems to me that Top 40 and Country are the main ones that experience ups and downs. What is the current station of Top 40?

Maynard: Top 40 has done well in the markets within my division for the past couple years and in many others I monitor as well. It has had to adapt and strategize in ways post 2020 that it may not have ever had to do in years previous. In the end, it’s a talent-driven format that plays the biggest hits. It’s important when evaluating CHR radio, to take time to appreciate both those key building blocks. Talent is what helps maintain relevance during the doldrums, so that it can thrive when the music cycle becomes more advantageous.

JL: What’s one thing in your day that you cannot get by without?

Maynard: People – they are everything and I’m not sure I’ll ever be able to give back what’s been given to me, with such incredible leaders and mentors both past and present helping me get to where I am today, but I can sure try. 

JL: What is the biggest myth about Top 40/CHR?

Maynard: I can’t think of a single myth, so I’ll take this time to leave you with this. Lately there are a couple of things I think about or find myself saying often:

1. You’re the solution you’ve been waiting for – to me, it’s empowering in a time of change and evolution to remember that I can sit around and wait for things to happen, or I can be the one to go out and help make things happen.

2. Surround yourself with people that believe our best days are ahead – can’t tell you how game-changing it’s been for me, as well as helped me be a more positive influence on others, by surrounding myself with people who think this way.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

David Samson Proving His Value As Contract Approaches

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The process of preparing for a new episode of Nothing Personal takes place throughout the day, and it involves consistently reading newsletters, articles and social media posts. David Samson, the host of the digital program over parts of the last six years, admits that it has impacted his life in a significant manner and is essentially unable to put his phone down. Samson engages in several conversations per day with show producer Matthew Coca, exchanging messages delineating salient topics that could provide strong points of discussion.

The proprietary discussions and platform Samson has built represents a legitimate proclivity he considers healthy, and the audience has responded accordingly with robust engagement and show contributions. Safeguarding against being caught in a proverbial echo chamber hosting solo, he has been able to showcase his personality and multifaceted expertise with an adept blend of conveying information and entertainment. With more than 240 shows a year composed of insightful monologues, sit-down interviews and emergency episodes, the interminable content flow demonstrates palpable value as Samson’s contract with Meadowlark Media expires at the end of March.

“At a time when sports business is booming, people want and are looking for experts in sports business, and to be an expert, it’s not about being a journalist or being a breaker of news,” Samson said. “It’s about someone who’s actually done it, who’s willing to talk about it, and who’s not running back into the business that they’re talking about.”

Samson hosts Nothing Personal live on weekdays at 8 a.m. EST, and he respects the time his audience invests into viewing the program. The show seeks to enrich its listeners through offering candid opinions and logic accumulated through years of experience in sports business, a distinctive forum amid a maelstrom of content disseminated to mass media verticals.

Although the show has resonated with viewers, he understands that there are instances where viewers will not agree with everything he has articulated, but he hopes that they will appreciate his viewpoints nonetheless. Armed with thick skin and an analytical cognitive approach, Samson does not believe any complimentary or pejorative rhetoric about him and brings authentic confidence and conviction to the digital airwaves.

“Honesty’s always been my brand in terms of I tell people what I’m thinking and how it’s going to be,” Samson said, “Even if they don’t want to hear it, they respect the fact that I’m going to say it, and if you ask a lot of my former players, they agree.”

As the former team president of the Miami Marlins, Samson was responsible for overseeing day-to-day operations, personnel matters and other business ventures within the organization, such as securing a public and private sector partnership to construct loanDepot Park. Yet at the same time, he made appearances on The Dan Le Batard Show with Stugotz giving movie reviews and talking about issues in sports. With inherent comfort around cameras and microphones, Samson always knew the implications of his discourse, and there were times when he used it to his advantage. Many people in the industry listen to Samson’s show, and he estimates to be contacted at least three times a week from people incredulous about some of his takes.

“I simply have said to everybody that the one thing I promise never to do is to lie to my audience,” Samson said. “All I’m telling them is the truth as I have lived it, as I’ve experienced it and as I know it to be because I’ve been in your shoes. I’ve done press releases that I know are misleading. I’ve spoken to the media about injuries or about performance or about revenue or about money in ways that I knew were misleading but were necessary from a P.R. standpoint.”

While he is staunch in his opinions, Samson is receptive to feedback pertaining to his performance and most values those who provide their assessment free of an agenda. In working with Le Batard, who is the co-founder of Meadowlark Media, he has received salient advice surrounding his media ventures while understanding how he can effectively illuminate different parts of his persona depending on the show. For example, Samson portrays separate characters when appearing as a guest on Le Batard’s program compared to hosting Nothing Personal, but there is no fictitious or contrived part of the implementation. Le Batard grants Samson the freedom to act in this manner, catalyzing riveting discussion and buoyant repartee.

“People view Dan as an on-air talent,” Samson said. “What people don’t realize is Dan may have the best ear for content of anyone I’ve ever come across. He likely is a better producer than he is on-air talent.”

Leaning into the idiosyncrasies of sports and personality has facilitated the growth of Meadowlark Media amid the content ecosystem, and the startup company has established a dedicated legion of fans continuously displaying palpable growth potential. Samson avers that he owes it to the audience to be true to himself while also recognizing that some people are going to watch out of hate or disdain for the product. With immense credibility, a demonstrated track record and experience in the public eye, Samson is not afraid about being criticized and remains sincere in his cross-platform transmission.

“When I love something, I love it” Samson said. “When I don’t love it, I don’t. To me, it’s important to be genuine because so many of my competitors are doing hot takes where they don’t actually believe in what they’re saying.”

Samson has had a knack for business and negotiating from before his time in college, dating back to when his parents offered to buy him a car if he attended Tufts University despite wanting to matriculate at the University of Wisconsin-Madison. After spending freshman year at Tufts, he transferred to Wisconsin to study economics and his parents subsequently asked for the car back. In response, Samson pointed out how there was no stipulation stating that he needed to graduate from the institution and thus proved his point.

“I’ve always had my mouth behind my brain, so I know what I’m going to say before I say it,” Samson outlined. “The people who get in trouble with their mouths is when their mouth is ahead of their brain, and I’m lucky in that my brain is always ahead of my mouth, and especially through all of the cancel culture and all of the reckoning that has taken place, rightly so, where people are held responsible in a way they never were for what they say.”

After further nurturing his penchant for the spoken word at law school, Samson applied for a job with the Manhattan District Attorney’s office but ultimately fell short. Rather than loathing his misfortune, he took an entrepreneurial route and founded News Travels Fast, a business that delivered newspapers to Europe. While running the business, he met with Morgan Stanley Wealth Management managing director David Darst and learned of interest in having him join the company. 

Upon the advent of the internet, Samson decided to take him up on his offer and started working on Wall Street until helping his then-stepfather Jeffrey Loria purchase and run the Montréal Expos. A few years later, Loria sold the Expos and subsequently purchased the then-Florida Marlins where Samson was oftentimes the front-facing organizational figure as team president.

“When my baseball career ended in a text alert from ESPN that I had been let go by Derek Jeter and the Marlins – it was not even a day – the day I got fired by the Marlins, I started calling different agencies to set up meetings because I wanted to get into media, I knew it immediately,” Samson said. “I didn’t know what it would look like, I didn’t know anything about podcasting. I only knew that I wanted to keep getting paid to talk.”

Samson owns the intellectual property and feed for Nothing Personal, granting him the license to explore his value in free agency and gauge interest from various enterprises. Although he knows how to make business deals, he utilizes assistance from his agent and perceives him to provide additional value for the show. Cognizant of what he knows and what he does not, he knows that working as a team will oftentimes lead to more auspicious outcomes. Furthermore, he is able to effectively distinguish settings since he works with his bosses content rather than simply yielding to them for managerial decisions or other oversight.

“Compartmentalizing is something that I’ve done, probably to my personal chagrin in that it impacts my personal life a lot, but my ability to be in a moment and understand the role of that moment is something I’m proud of,” Samson said. “And so with Dan, when we’re doing shows on the air, we are different than when we’re having a meeting off the air.”

When Samson was working in baseball, he considered ESPN chairman John Skipper to be one of his great nemeses. Skipper works as the co-founder and chief executive officer of Meadowlark Media, but he also co-hosts a biweekly show with Samson and Pablo Torre titled The Sporting Class where he discusses media, business and culture. Samson views this venture as an offshoot of Nothing Personal, and it has stood out in the ether through its blend of esoterica and mirth exploring the intricacies of the field. On top of that, the show has proved to be a compelling and enjoyable venture, hence why he continues to participate.

“With Skipper, you’re hearing about perspective as the president of a media company and the issues that I had as president of a team that did deals with media companies,” Samson said, “and any time you have differing sides with differing experience, that makes for an interesting show.”

Samson acknowledges that there are people in the sports business who listen to his programming worrying about what he will say next, something he decides to view as a compliment. As the industry continues to evolve, he is excited about how on-air talent are duly appreciated and compensated, along with the path to success if they are able to accrue a loyal audience. Samson has been flourishing in this venture, illustrating a direct correlation between effort and success and working to achieve optionality.

“I sort of measure success through addiction, and the more your audience is addicted, the more I am addicted and the more our addictions, which always has a pejorative connotation, but in this case, it’s an addiction that I crave, although, in theory, every addiction is what you crave,” Samson said, “but this is one that, for me, is healthy for myself and the audience and that the relationship we’ve built just gets stronger every single day.”

As Samson looks to move forward with Nothing Personal, he considers himself fortunate to have the platform and continuing to do work he is proud of on a daily basis. While Samson does not foresee a future in which he takes the audience or himself for granted, he would cease what he is doing if it proved to be the case. With the ability to control his destiny in media and continuing to broadcast en masse, he looks forward to continuing the daily grind and waiting to see the future.

“I’m lucky enough that I’m not an athlete where Father Time is going to win,” Samson said. “Father Time is not going to beat me. I can do this and have the energy to do this for 20 years minimum, and the reason I know is because my ex-father in law had a saying, ‘If you love what you do, you won’t work a day in your life.’ I never have a hard time getting out of bed – I never have a hard time. As a matter of fact, when the red light is on, it’s what I crave. It’s when I feel the best during the course of my day, and I see that never changing.”

Why Talk Radio Hosts Need to Think Like Albert Einstein

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There is a level of brilliance that we all possess. Working in spoken word radio, whether it be news/talk radio or sports radio, we are often credited for being somewhat of the egghead type. I recently saw a documentary on Albert Einstein. There are lessons for all of us and you don’t need to be a genius! It is called a Train Thought Experiment. Albert Einstein was big on these and this skill is important for radio.

Every action has an opposite reaction. There is a big truth to this. You want to go on vacation to an exotic location. You charge it and will pay it later. I have done this and probably you have as well. I am not trying to sound too much like Dave Ramsey here, but if you cannot pay off the debt immediately, you will be carrying a balance. This will create an interest charge on your account. Your interest rate? I have really good credit and am paying in the high 20s. Interest charges can lower your credit score and cost you real money each month.

Was the vacation worth the debt? I don’t know. I am not your personal life coach. What is the plan to pay it back as soon as possible? I just moved and added debt to my card. I have a three-month plan to pay it off. You may have really enjoyed your time away. Who doesn’t love a fantastic vacation? Now, if you and your spouse or partner weighed the anchor of the debt before jumping into this vacation, would you have gone? Did you have a concrete plan to pay off the debt?

I have found that sometimes life gets in the way. There may be an unexpected expense that pops up its ugly head. I have been there! If you think through the reaction to your expense, would you have saved first for the vacation?

Albert Einstein would imagine himself in a scenario. Einstein would think through all the probabilities, problems, and challenges. I have a friend who is an inventor. He has the patents to prove it. He was explaining that he would close himself off for a few days to work through a problem, weigh each scenario, and ask all the questions while working through the issue. Most of the perceived scenarios of this problem lead to a dead end. Yes, I am going to tie this to radio. My friend, the inventor, sometimes unplugs for days walking his way through the problem. Steve Jobs would go on hikes alone and come up with amazing ideas after shutting all the distractions off.

When have you done this? If you are anything like me, there are two or three screens in front of you all the time, plus monitoring one or more radio stations. You are receiving calls and texts. Albert Einstein figured out the theory of relativity. Are you creating the environment to innovate on your show, station, or life? Are you carefully weighing the options?

Let us discuss our profession. Nearly everyone working in the programming department at your radio station has more than one job. We are busier than ever. If you are a Program Director, you have tasks to complete for your corporate programming people, Market Manager, and/or consultant. You may have to type out a weekly or monthly report. You need to fulfill corporate mandates on a wide range of initiatives that may or may not benefit your station.

If you are a host, you are nervous because of ratings challenges or revenue headwinds. When was the last time that you took a few hours to focus on your show or station without any interruptions? Are their ratings and revenue opportunities that are being missed?

There are two things that are undeniable: we are regressing or growing. This is true with your personal, financial, and professional life. The competitive pressures for ears and advertising have created a real need for innovative thinking. Humanity has many weaknesses. We often hate change unless we are forced to do it.

Well, read the room! We are being forced to change. I happen to think that everyone reading this column has the ability to move our industry forward. What is or what should be your “Train Thought Experiment?” Nearly every world religion teaches about having time to meditate. These moments of meditation allow the adherents of that particular faith to reflect on themselves or on the Supreme Being of their choice. Nearly every time that I have charted a new path in my life, it has followed moments of quiet reflection. I bet this is true for you as well.

Radio demands your experience and brain power. You cannot grow your platform just by following what worked a decade ago. That ship has sailed.  We must focus on not what is working today, but what will work tomorrow. Media consumption has changed dramatically in the last few years. How would Albert Einstein address this problem? What is your “Train Thought Experiment?”

Ultimately, this is all about ratings and revenue. Ratings sources have changed. What are your radio station’s streaming stats? Are they up or down? You can watch and assess in real-time. If your numbers are down, what is going on in the news cycle? Are you focusing on things that few care about? Be radio’s Albert Einstein.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

The Watch: Greg Kelly Reports on Newsmax

It’s undeniable that Newsmax has seen ratings gains in recent years. And one of the mainstays in the network’s lineup has been Greg Kelly Reports.

The show has been a part of the Newsmax primetime offerings since 2020. The show started off in the 7 PM ET timeslot and now airs at 9 PM ET, up against some of the strongest shows in cable news like Fox News’s Hannity, a current MSNBC show anchored by Rachel Maddow and future timeslot of Jen Psaki, and CNN’s The Source with Kaitlan Collins.

But what is Greg Kelly Reports doing that separates it from the pack? Especially after now finding a groove in the 9 PM ET window and firm footing in the Newsmax lineup? I watched a recent episode to find out.

Kelly began Monday’s show by talking about tariffs. I think. Because the music underneath him to begin the show was incredibly loud. It eventually evened out after the first 30 seconds or so. That’s nitpicky, but if it happened on any other network, I’d point it out.

The Newsmax host then shared a clip from President Donald Trump on The Oprah Winfrey Show in 1988 talking about how he believes the United States should handle trade. When the clip was over, the show returned to a two-box that was accompanied by a graphic that read “Trump Knew What He Was Talking About From The State.”

“Some people don’t like it, but he’s been breaking the rules his entire life,” Kelly said of the President. Since this isn’t a column about whether or not I agree with the content of a show, but rather the presentation, we’ll skip over the statement.

Greg Kelly immediately followed up by making an impersonation of Trump during the Republican primary debates in 2015 and 2016. And it was a genuinely pretty good impersonation! It was the first time I had ever seen Kelly bust this out, and I think he should do it again. Might it be conceived as mocking the President? Perhaps, but — and this is true of all partisan media outlets — you’re supposed to be entertaining! This was an entertaining opportunity and Kelly did a good job in accomplishing that.

Then, for me, things got somewhat off the rails. Kelly’s topic switched to how Trump defeated ISIS during his first term, with a graphic reading “ISIS Is A Detrimental Threat.”

How, in the world, did the show go from tariffs, to a 37-year-old Oprah clip, to Trump in the 2015 primary debates, to ISIS all within two minutes? I’ve increasingly said in this space that we live in a TikTok world and you better be making your point and quickly moving on to something else if you’re trying to capture your audience’s attention. But I think the points should also connect. That feels like an important distinction.

Ah yes. It does come back around. Because Kelly’s larger point was “Trump has always been right about everything” and “Everyone just needs to have faith” that Trump is doing the right thing.

The first part of that point is my biggest issue with cable news. This isn’t an issue specific to Newsmax as much as it is to the industry as a whole: everything, everything, is an absolute. Every. Single. Topic. must be an absolute. And I think that sucks. Not everything in the world is black or white. There is an awful lot of gray.

I get it. The only thing in the middle of the road is dead animals. And if a host at MSNBC or CNN said Presidents Obama and Biden “has always been right about everything” it would be Topic 1A on every conservative news/talk radio show, in addition to Fox News and Newsmax, the following day. And it should be, because its an absurd statement. Nobody is right about everything. Heck, most people are rarely right. And that’s ok.

But we live in a media ecosystem where being the “most” is what matters most. If you can be the “most” ardent supporter of Donald Trump, that will put you in the good graces of millions of viewers, just as being the “most” boisterous anti-Trump voice will find you stardom on the other side of the political aisle.

From what I saw on Greg Kelly Reports, it is what the audience expects. “Donald Trump? Great. Anyone who opposes him? Bad. All of the things that might make you think he has made any mistake ever? Not true. And if it is true, it is not important.”

And there’s certainly a place for that in the cable news space. I don’t necessarily even care that that’s the content of the show, truthfully. Kelly threw in a shot at President Woodrow Wilson, which I’ll always be able to get on board with.

Another small issue I took with the opening segment of the Newsmax show was something I think, again, is an issue with cable news as whole: an overreliance on clips from other cable news shows as a jumping-off point for content. In the first 14 minutes of his show, Greg Kelly used clips from NBC News, MSNBC, CNN, C-SPAN, and The Joe Rogan Experience, in addition to the clips from Oprah, and another from a 1980 interview Trump gave.

That’s a lot of external media to use, when, essentially, the point being made by playing them is “Can you believe these idiots think this way?” Yes. I can believe these idiots think this way. Next point, please. My attention span, however, is significantly shorter than the average cable news viewer, who’s age is considerably older than mine.

But, truthfully, I get it. Filling a show every day is hard. Especially when you’ve been doing it for five years.

Additionally, I’m keenly aware that having to write an opening monologue five times a week that’s interesting, engaging, and thought-provoking is hard as hell. Especially, when you have been doing it for five years.

This monologue, to me, just wasn’t it. There wasn’t a logical, easy-to-follow, point-to-point structure of the statements Greg Kelly was trying to make. And it’s ok if not every monologue works or is the finest thing I saw on TV that day. Again, it’s really hard to do. In the past, I’ve seen Greg Kelly deliver killer opening monologues. This random Monday night in March just didn’t happen to be one of those times.

At the end of the day, Greg Kelly Reports isn’t tailor-made for me to think it’s the finest show on cable news. Maybe my critiques about the show aren’t specific to this show as much as it is toward the cable news genre as a whole. Ultimately, the show from Kelly continues to produce strong ratings for Newsmax. And if the audience enjoys it, that’s what matters most.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Bob Sirott Values the Freedom Working at WGN Radio Provides

Last month, WGN Radio and Bob Sirott agreed to a contract extension that will see the longtime Chicago media personality remain as the morning drive host at the legendary brand.

Some hosts stay at a job out of necessity. Others stay at a job due to the influence working at their station provides.

But for Bob Sirott, the chance to continue to work in a city he loves, at a station that offers him the freedom to talk about what he wants and when he wants to talk about it, with a familiar staff and group of colleagues was too good of a deal to pass up.

Sirott has hosted from 6-10 AM on WGN Radio since 2020. And that will continue with his multi-year contract extension, which he says was easy to agree to.

“Is there another major market, heritage AM station that is still successful doing what they’ve been doing for decades, with a full complement of resources?” Sirott questioned. “We talk about whatever people want to talk about any given day. It’s a good conversation. We don’t yell and scream a lot. And it’s any and every topic under the sun.”

Sirott added that support all the way to the top of Nexstar Media Group — parent company of WGN Radio — allows him to not feel pressure about what to talk about each morning.

“When I was hired (Nexstar Executive) Sean Compton said ‘When was the last time somebody said to you did you hear what someone said on the radio?’ I said ‘I don’t hear that a lot anymore.’ And then he said ‘Have you heard a lot of people having fun on the other radio? Because if you’re having fun, people listen,'” said Sirott. “He said ‘Look, have fun. Be yourself and once in a while, be great. If you did something and people talked about it, off you go.’ That was five years ago and that was the philosophy.”

Sirott joked that he has selfish intentions with his morning show on WGN Radio.

“I’m trying to do a show that I want to listen to,” he said. “I don’t necessarily want to hear just one point of view, I like to hear all sides and in a way that where people know I don’t have an agenda. My agenda is to give you information, give you the facts, and you make up your mind. Along the way, maybe I’ll give an opinion on something, but basically, I think the reason we’re still a top 10 radio station — besides the fact that we have this full complement of resources — is we engaged listeners.”

Sirott added that he views his show as “news, plus” which is a look at the local news that matters most to those in the Windy City, as well as talk about entertainment, society, pop culture, sports, and whatever is on the mind of those in Chicago.

“Sometimes it’s the hardest but it’s the most rewarding,” said Sirott. “Johnny Carson said a long time ago ‘You have to be yourself. You may not be successful even if you are yourself. But if you’re not yourself, there’s no chance you’re gonna be successful. If the ratings and revenue weren’t there, I probably wouldn’t be there,” he said with a chuckle. “So, hopefully somebody likes what we’re doing.”

It would be easy to question what the future looks like for the 75-year-old Sirott. When asked if this was the final contract extension of his storied career, he was non-committal.

“I’m trying to figure out what the hell I’m doing tomorrow morning that’s gonna get people interested, excited, maybe a laugh,” he admitted. “I don’t really go past that. My focus is just in the next show and how I screwed up the one today and hopefully I’ll do a better one tomorrow. I’ve done a lot of radio shows — and TV shows — and you know, I still haven’t done the perfect one. I’m still trying.

“I think that’s that’s my future. That’s what my future is. Can I do a better show whether it’s TV or radio? Can I do it? I’ve never had that sort of grand, master plan. I always want to do something better than I was doing … I just wanna keep evolving and I feel like our show right now is evolving. A friend of mine — a news anchor — says ‘When you’re riding a wave, just keep riding it until you know crashes into the shore. So that’s what we try to do.”

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Jared Stacy Promoted by Amazon to Vice President of Worldwide Live Sports Production

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Jared Stacy has been promoted by Amazon Prime to vice president of worldwide live sports production, a source told Barrett Media. Stacy previously served as the director of live sports production throughout his five-year tenure with the company, overseeing a variety of marquee broadcast properties including Thursday Night Football, UEFA Champions League and Roland-Garros. According to a report from John Ourand of Puck, Stacy is also going to be involved with the productions surrounding live broadcasts of NBA games and NASCAR races set to begin this year.

Stacy joined Amazon in October 2019 after working for nearly three years with Charter Communications as the vice president of Spectrum Sports production and strategy. During his time working on regional broadcasts, which also included stints with FOX Sports West and KCAL 9, he was part of the presentation of the Los Angeles Lakers, including when Kobe Bryant played his last game for the team. Moreover, he also had involvement in Vin Scully’s final season broadcasting the Los Angeles Dodgers, concluding a 67-year run as the voice of the team.

Amazon acquired media rights to the National Football League in 2021 and built the broadcasting property under the direction of Stacy, along with Amazon executives Jay Marine and Marie Donoghue. The network hired play-by-play announcer Al Michaels, analyst Kirk Herbstreit and sideline reporter Kaylee Hartung for the broadcasts, which have achieved year-over-year viewership gains over the first three seasons. The company has aired exclusive NFL games on Black Friday over the last two seasons, and it recently presented its first-ever exclusive NFL Wild Card round game this past January.

Ahead of its new broadcast deal with the NBA, which is an 11-year pact reportedly worth $1.93 billion per year, the company has introduced several on-air talent personalities to its team. Taylor Rooks, Blake Griffin and Dirk Nowitzki have been revealed as the studio team that will anchor coverage surrounding the game broadcasts, which are reportedly expected to include Ian Eagle as the play-by-play announcer with Cassidy Hubbarth reporting.

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ESPN Social Becomes First Sports Media Brand to Attain 1 Billion Actions in Single Month

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ESPN became the first sports media brand to reach 1 billion actions on social media in a single month, according to data from Comscore Social within its power rankings in the sports media category for the month of February. The data takes into account combined actions from users across Facebook, Instagram, X and TikTok. ESPN has millions of followers across these platforms who engage with the brand through likes, comments and other functionalities, and this momentum contributes to the strong start to the year for digital and social platforms at the company.

ESPN Social attained 978 million engagements in the month of January, which marked the 43rd straight month that the brand finished in the No. 1 spot in the Comscore Shareablee data explorer power ranking among sports media and leagues. During the month of February, which included several marquee sporting events such as the Super Bowl, NBA All-Star Game and 4 Nations Face-Off, the company averaged more than 35 million fan interactions per day. ESPN attained 652 million engagements across its social media platforms last February, according to the aforementioned Comscore rankings.

Kaitee Daley, who was named the senior vice president of digital, social and streaming content as part of the content organization restructuring at ESPN last summer, explained how social media platforms can help drive viewership of events on linear and streaming verticals. This can help yield overall audience expansion and catalyze consumption of ESPN content across other platforms as well ahead of the expected launch of an ESPN direct-to-consumer product later this year.

“We know that following ESPN on one social platform only lifts usage intent, especially for our 18 to 24-year-old demo, so I would say it’s more about that top-of-funnel awareness and that lifting of usage intent when it comes to off platform to on platform,” Daley explained to Barrett Media at the ESPN Edge Innovation Conference last November. “But I’ll also say that our ESPN app has [an] incredible streaming experience, and we do want people to be there watching our full games when we have those available, especially come next fall.”

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The Anthony Cumia Show Enters National Syndication with Red Apple Audio Networks

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After just one show, The Anthony Cumia Show has been launched into national syndication with Red Apple Audio Networks.

The show made its debut on 77 WABC on Sunday in the 8-10 PM timeslot. And after inquiries from radio stations, Red Apple Audio Networks has added the show to its growing roster of shows available for syndication.

“I missed radio, and I am thrilled at the interest from radio stations nationwide,” said Cumia. “Radio is a great way to engage with the audience, and now that Red Apple Audio Networks is taking the show national, I can’t wait to connect with listeners in other markets.”

“Radio clearly wants Anthony Cumia, as dozens of inquiries came in asking about syndication,” added 77 WABC and Red Apple Media President Chad Lopez. “We shifted into high gear and moved quickly. One of our advantages at Red Apple Media is that we can swiftly pivot to meet market demand.”

According to metrics from 77 WABC, streaming data showed a 236% increase in usage from the same window on the previous Sunday. Additionally, website traffic rose 82% during the day of the debut, while the station’s app usage rose 96.7% on that same day.

Anthony Cumia has a long history in radio, beginning in 1994 as co-host of the Opie & Anthony show which rose to prominence on terrestrial radio before shifting to SiriusXM in 2004. He exited the company in 2014 and launched his own show through his own subscription-based platform.

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The Erick Erickson Show Adds Several New Affiliates

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The departure of Dan Bongino from his Westwood One show was likely to cause ripples throughout the news/talk radio world. The Erick Erickson Show has added several new affiliates in the wake of Bongino’s exit.

Erickson’s show, which is heard live from 12-3 PM ET, has been added at several new stations in recent weeks, including:

  • Newsradio 1250 KZHN-AM in Paris, TX
  • Newsradio 105.7 FM/1490 AM WTTB in Vero Beach, FL
  • Newstalk 95.1 WJRB-FM in Young Harris, GA
  • News Talk 96.5 KPEL in Lafayette, LA
  • 920 News Now KXLY in Spokane, WA (9P-12A PT)
  • 93.3 KWTO in Springfield, MO (2-4 PM CT)

The show will begin airing at 93.3 KWTO in Springfield on Monday, March 17th. That station will also broadcast the “best of” The Erick Erickson Show on Sundays from 10 AM-1 PM.

Additionally, the Best of The Erick Erickson Show has been added to the lineup at Newsradio 610 KONA-AM in Tri-Cities, Washington, which will broadcast the program from 7-10 PM on Saturday evenings.

The addition of the new stations adds to a long list of outlets carrying the program distributed by Compass Media Networks. The Erick Erickson Show is currently heard in markets like Charlotte, Hartford, Kansas City, Las Vegas, Orlando, Phoenix, St. Louis, Tulsa, and West Palm Beach, among others. The program is based at 95.5 WSB in Atlanta.

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Power 106 Los Angeles Sets New On Air Lineup

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Los Angeles Hip Hop Power 106 KPWR has unveiled a new lineup.

Brown Bag Mornings will air weekdays from 5 to 10 am, followed by Program Director DJ E-Man with the Power Midday Mix from 12 to 1 pm. Justin Credible’s “Lift Off Show” will move from nights to afternoons, and B-NYCE will host from 6 to 10 p.m., along with DJ Carisma mixing from 6 to 8 pm.

Pio Ferro, SVP of Audio Brands for Meruelo Media said, “Justin Credible’s “Liftoff Show” is a staple for Power 106. Justin captivates audiences with his infectious energy, deep passion for Hip Hop, celebrity interviews, freestyles, and his engaging content.”

Justin Credible added, “I’m thrilled to be moving to this new time slot. It’s an excellent opportunity to engage with listeners seeking their daily intake of Hip Hop and entertainment.”

B-Nyce stated, “I’m excited to bring my “Talk 2 Me Nyce” show to nights with DJ Carisma in the mix from 6-8 pm! We’ll be bringing that infectious energy and passion for Hip-Hop. Can’t wait to connect with the city every night!”

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