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Social Studies: Blake Thompson and Jennifer Sievertsen, Ramsey Solutions

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Ramsey Solutions has grown from a card table in Dave Ramsey’s living room to a multi-million dollar enterprise during its history. Two executives — Blake Thompson and Jennifer Sievertsen — have helped grow the company’s efforts on social media in recent years to bring the company to new heights.

On YouTube, The Ramsey Show Highlights channel is approaching four million subscribers. The Ramsey Show channel has just under 1 million subscribers on that platform. Individual shows like Smart Money Happy Hour (128,000), Front Row Seat with Ken Coleman (110,000), The Dr. John Delony Show (1.1 million), and channels for Rachel Cruze (508,000) and George Kamel (397,000) each have huge followings on the platform.

Additionally, Ramsey Personalities have a combined 5.1 million followers on TikTok, with Ramsey Solutions seeing millions more between Instagram, Facebook, and X, among other social media apps.

In this fourth installment of our weeklong Social Studies series, Barrett Media spoke with Executive Vice President of The Ramsey Network Blake Thompson, and Ramsey Solutions Chief Marketing Officer Jennifer Sievertsen to discuss how the company has used social media to increase the profiles of the next generation of Ramsey Personalities, as well as its digital video strategy when it comes to platforms like YouTube Shorts, Instagram Reels, and TikTok.

*Editor’s Note: Answers have been edited for clarity and length.

Garrett Searight: Blake, I’ll start with you. Can you kind of take me through the — and I realize this is an overarching question — 10,000-foot view from Ramsey Solutions, how you guys view social media, and how that plays into what you do from a content perspective?

Blake Thompson: We treat social media just as important as we do our shows. We always have this underlying core value here that in order to get what we call white space — people that have never heard of us, that need the hope and the help — in this day and age, social media is so vital because that’s where they’re at.

They’re either on social or they’re in more short-form context with their daily life. So we have this value that we’re going to go wherever they are and be the best we can possibly be on that. Whether that’s a TikTok, YouTube, Instagram, of course, so it’s very vital.

We have our Social Media Department under Jen as our CMO because it’s a great marketing tool. It not only markets our products the right way, but more importantly, it brings people down the funnel that have no clue about us. We found that we can do content on social in such a short form with just the highlights of what we do in a long-form setting to hook people. They’ll hear something and go, ‘Hey, I can relate to that.’ Or we’ll do something very entertaining or funny, and they’re like, ‘I want more about this.’

So it’s just such a vital thing for us to get people into our long-form content that we feel is where the life change truly helps. That would probably sum it up the best. At the end of the day, Garrett, we’re a content company. Wherever we can put that content, we’re gonna put it. Social media has just become a perfect avenue for content.

GS: Jen, this is anecdotal, but my wife knows who nobody is. Last week, she didn’t know who Buzz Aldrin was. But she knows who Rachel Cruze is because it pops up on her TikTok. I was watching Smart Money Happy Hour, and she was like, ‘That’s Rachel Cruze! She’s on my TikTok!’ So to that end, how important is it for the future of Ramsey Solutions for George (Kamel), Rachel, Jade (Warshaw), and Dr. John Delony to have their own social media presences to build toward the future of The Ramsey Show and of the company?

Jennifer Sievertsen: It’s huge. We very intentionally — starting with Dave very much pushing this more than a decade ago — said, ‘Hey, we need a plan for how this thing outlives Dave Ramsey.’ For over a decade, we’ve been very intentional about saying, ‘Hey, what does that look like from a forward-facing personality standpoint?’ And we didn’t want to do a one-to-one transition, because then we’d look up and be in the same situation in however many years. We said we really felt like the right thing to do was a one-to-many transition.

Then we really started pretty intentionally down the path of Ramsey Personalities, and it just feels like God’s really brought us the right people at the right time. Their stories are amazing and their experience is amazing. They have come on board, and just very quickly, it’s amazing how the audience has gravitated towards them. So Dave’s audience gravitating towards them, and then way beyond Dave’s audience, towards different ones of them. Like George, and kind of the following he has is a little different than Jade and the falling she has.

And then John Delony, gosh, his show just exploded and felt like almost overnight. Again, a totally different audience, which has been just really cool and really exciting for us. Because, like Blake said, our job is to help as many people as we possibly can. That’s what we feel called to do. And so by their platforms growing that way, that allows us to get in front of more people and hopefully help them.

BT: I thought there’d never be a day where they could even come close to it. It would always be Dave is the guy, and then we know these others with Dave. That’s how it started when we started the succession. ‘Who are these people?’ And after two years of that strategy and working hard of that succession plan Jen was talking about, it’s so cool nowadays to see how many new people we get coming to Ramsey that are even saying, ‘Oh, who’s Dave?’ So John’s bringing in a crew.

Rachel’s bringing in a crew. George is really on the YouTube strategy, bringing in a whole new audience that are younger. So part of that succession, too, is where they’re at in life and who they’re talking to, and it’s just been great.

GS: Blake, you mentioned that obviously, at the end of the day, you’re a content company and are going to put content where the people are consuming the content. How do you go about deciding what short-form video goes where? Is it a ‘We’re going to put everything on YouTube Shorts, TikTok, and Instagram Reels’ or do you have platform-specific strategies that you’ve figured out?

BT: It’s a little bit of all the above. We don’t just blast it out of a shotgun and hope it works. (We’re) very intentional. We have a team that looks at the analytics of every platform. And we can see, let’s say YouTube, on a normal show where the retention drops off, and we’ll get in a room, and we have what we call a ‘Team Health’ around that show, where they’re constantly in a rhythm going, ‘Hey, we saw a lot of drop off here or scrubbing. What were we talking about? We probably shouldn’t be talking a lot about or spending valuable real estate or time of these people doing that if it’s not resonating.

So the cool thing is, we can take what’s working on those platforms and say, ‘This has been killing it. The retention going through this, this is a topic they’re wanting.’ And then we tend to chop that up per platform on what the best amount of time is that that platform says to do it. That’s where we’ve seen the most success.

And it’s not just the time of the video, it’s also the output. Like YouTube, we saw a world of difference when we started doing three reels a day instead of one a day. And so each team, the standard bar is at least three a day. Well, we haven’t seen the ceiling of that yet, so we added another editor just to start doing more of those. It’s continuing to work.

So we might hit a leverage of way too much. It’s always that balance, too, is that the long form causes the life change. We’re trying not to create short listeners only. The cool thing about YouTube and their algorithm is a Short feels like the same as social media. It’s that quick, short video, just like an Instagram Reel. And what we’re seeing there on those shorts is it is starting to filter down into long form, because they’ll see something with that hook and want more of it. It’ll just roll into that show, or that long-form show. It’s a strategy, but that’s how it works.

GS: I don’t expect you to share the numbers with me or anything like that, but I don’t think maybe the average news or talk media company has harnessed the revenue that can be generated from social media. How helpful has that been to Ramsey Solutions in adding a ’13th month’ or a non-traditional revenue aspect to the company?

JS: It’s interesting because we do social media — as Blake was talking about — to really draw people in. We don’t do it first and foremost as a revenue-generating outlet. And yet, gosh, there are times that certain things just hit and we’re surprised, honestly, in a good way, by how much revenue something did generate.

A lot of it is not straight click-throughs from the social media platform. I would say maybe 5 to 10% of it, like on Instagram, if you’re going to click the link in the profile, very few people actually do that. They’re a little more apt to click a link in a story, but what they are very apt to do — like to the tune of 80 to 90% of them — will go direct to the website, go search, and research whatever it was that was talked about some more. And then we’ll convert from there.

But a couple of times in 2024, something hit really big on social. Like, huge, and the shares and the saves were just off the charts. We saw that same spike then happen in direct web traffic the same day, and then Google searches and click-throughs from search and it was pretty impressive. So social media, you may not always be able to directly attribute it to people clicking on the thing within social media, right? Most of them go around the system, but when you can see the correlation that’s that strong, you’re like, ‘Oh, well, clearly it wasn’t that post that drove all of that.’

GS: Blake, if you were to give advice to somebody who works in the news or talk media industry about getting more involved in social media or deepening their efforts in social media, what would be at the top of your list?

BT: I think some people who aren’t doing it yet or don’t understand it think that they have to create a new whole production path for it, or go out and film brand new stuff, separate from what they’re doing daily. But the key we found, is just taking those clips and those things we’re already in the rhythm of doing. Whether it’s the news as your example, or a PD at a station, it’s all about finding that great content and just plugging it in over there and learning how to get in that rhythm.

We don’t have a separate team that just goes out. Now, we do when it comes to outside of shows, for our personalities. They do content themselves, they can jump on and do it themselves. They work with a social team. ‘Hey, it feels like you should do a little video about this right now.’ But the majority of the growth we’re seeing is what we’re talking about — taking short to long and bringing people down the funnel — has been on things we’re already in a rhythm doing. So it’s pretty simple.

Sometimes I can feel when I talk to someone, it’s like this gap of ‘I don’t have a whole team to do it.’ It’s as simple as, if you know something worked, or it’s something content-wise that you can just chop and put up. If you just do it the right way per platform, it’s going to be way better than doing nothing what you’re doing today.

GS: Jen, same question. What would be the things that would lead off that that conversation for you?

JS: Content from our shows drives a lot of the interaction on social for sure. So you do not have to reinvent the wheel. And by doing that, you can start to learn per platform. Maybe you start with two platforms. Maybe you start with YouTube and Instagram, or Instagram and TikTok. You will find out that, ‘Hey, on TikTok, people might watch a little longer of a clip than they will on Instagram.’ You’ll start to learn the nuances and how you need to customize for each of those platforms. The same clip could be the longer form put over here and the shorter form put on a different platform.

But if you start doing it, you will see — via the interaction and the metrics and the feedback that you get on it — what’s working. You’ll see the social platforms now are less follower-driven and they’re more interest-driven. You can be a very small, new account on a platform, and you can have something go viral because your content is good and interesting. So if you’re a news outlet, you’ve got a really good story, and you can condense that down to a 60-second clip on Instagram? That can actually go viral because people care about and are served up based on their interests, not based on following necessarily.

BT: Another thing I tell them, too, is don’t base it on just the following, like she said. Nowadays, you can get so much analytics and data from the digital platforms to capture everyone that has even viewed it and how long. That’s always a good tool to know, too, going into it, versus just ‘I hope it works.’ You can really study and understand what worked and what didn’t.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

How Craig Schwalb Helped Usher WBBM Newsradio Into the Digital Age

Craig Schwalb blew into the Windy City two years ago and is bringing WBBM Newsradio to new altitudes across all platforms.

“I’m a native of Illinois, listened to WBBM growing up, and had spent a bunch of time in Chicago as a college student and have a lot of love and appreciation for the station,” Schwalb, the Brand Manager and News Director at Audacy Chicago all-news station, told Barrett Media. 

“So to have the chance to manage the station, it’s an absolute honor. It’s a privilege and I don’t take it for granted at any point at any day.”

Craig Schwalb got his start in college at Eastern Illinois University. Quickly, he found himself involved at the radio station and gravitated towards the management side of the business quickly. Schwalb had some internships and the rest is history.

“I just stuck with it and was inspired by [radio],” he said. “Inspired by working with talent and the craft and the science of ratings and generating audience.”

He’s successfully held management roles at stations across the nation including WRBZ in Raleigh, 77 WABC in New York, and WTOP in Washington, D.C. Each one with its own unique storytelling abilities. Schwalb does not develop cookie-cutter stations. 

“It’s really about assessing the needs of the station and enhancing certain parts of it. There’s really nothing that was broken or needed massive repair work [at WBBM],” Schwalb said. “It’s a great station and has been that way for many years. So it’s really about enhancing the station looking for opportunities to enhance what we do.” 

The biggest stride he’s made at WBBM is enhancing the station’s digital approach. “We’re much more aggressive digitally. We’re much more aggressive on multi-platform content than the station used to be. We really identified a lot of opportunities there.” 

Craig Schwalb went on to say, “That’s been a really great part of the enhancement of the overall brand.”

That overarching brand includes the core identity of Chicago. “It’s full of great culture. It’s full of great sports, and it’s a hard-news town. But it also has a big heart and I think you really get a sense for that living and working here.”

Hard news with a big heart is not something every station can pull off well. But there is a strategy Schwalb and his team follow. “We make sure our reporters are out in the street. We’re talking to people one-on-one within their neighborhoods. And we’re bringing that heart from the street into the station and share that with the audience overall.”

Consistency is key, which is why it’s important to not just grow journalists at WBBM Newsradio but also have a great partnership with their “heritage” journalists.

“We have a whole generation of journalists within the newsroom, which has been a tremendous asset for us,” Schwalb said. “We also have great diversity in the newsroom.”

“It’s just part of really reflecting what Chicago is and reflecting the people and the listeners of Chicago,” he added. “We want to have a newsroom that’s very consistent with Chicago, and we’ve been able to accomplish that in many ways.”

Another part of staying consistent for listeners? Not following other station’s trends. “News has evolved. The amount of different angles on news has evolved. The different ideologies within news has evolved where there are distinct factions and a lot of separation in terms of ideology within news. For us, this station hasn’t changed in that sense.”

Craig Schwalb added, “We want to bring the facts, we want to bring credibility, we want to drive trust within the market, and we want people to depend on us for news. For the facts, they know they can come to us. There’s not going to be any spin. There’s no biased reporting and that’s a great space.”

It’s what makes stations like WBBM a great space for business. “Clients know that they’re in a safe space when they put their business onto our radio station and they put their messaging onto our radio station, it’s free of bias. It’s free of spin or rhetoric. So it’s a great place to be in terms of audience generation. It’s also a great place to be in terms of business and revenue generation.”

While some outlets have moved away from straight news, Schwalb is grateful his dedicated team has not. “Throughout my career, [one thing that] hasn’t changed is, [I’ve] been inspired by the people and the projects and all the different things that come with managing radio properties.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

What News/Talk Radio Hosts Should Copy From Dan Bongino As He Exits Westwood One

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Westwood One news/talk radio host Dan Bongino is leaving the format — at least for now — to become the Deputy Director of the FBI in the Trump administration.

I’ve grown to appreciate the style in which The Dan Bongino Show host operates his show. And, to get right to the point, there are three things I hope other hosts take from the Westwood One host and apply to their own programs.

Passion

Dan Bongino is unabashedly passionate. About virtually everything he opines on. Which is good. Because if you’re discussing something that you’re indifferent about, your audience can tell.

But Bongino exudes passion in his topics. I think news/talk radio hosts — or people, in general, truthfully — can confuse “passion” with “anger.”

Bongino splits the difference perfectly. He isn’t always angry. Sure, there are times, maybe even more often than not, that he’s angered about a topic. But his program is exclusively built on anger and outrage. He speaks passionately about a variety of topics. Very rarely, if ever, does he talk about a topic simply because it’s what he believes the audience wants to hear.

Furthermore, the times he shares an opinion out of an obligation because that’s what the audience expects are few and far between. I’d call it almost the opposite of the attitude that Fox News famously had behind the scenes during the 2020 election when hosts shared that they had to feed the monster of an audience they built by sharing what they thought and knew were false outcomes about the election.

I don’t ever get that feeling with Dan Bongino. He’s unabashedly passionate about the topics and content of his show. I believe him when he shares his opinion. The same can’t be said for others in the format.

Authenticity

I’ve written about the need for authenticity before. It’s why — I believe — Joe Rogan has usurped Howard Stern as the King of All Media.

The digital world is full of fake. Everywhere you turn are influencers with filtered pictures, fake vacation pictures, and people saying things they don’t actually believe. It’s transparent when you see it, and it’s a massive turnoff.

So when you see authenticity — in Bongino’s case, unbridled authenticity — it is refreshing. I don’t know that I’ve ever heard him say something that I thought “He doesn’t really believe that.” I might even believe he truly thinks Patriot Mobile is a good product!

Kidding aside, the Westwood One host understands that authenticity is important. In fact, he believes it is one of the most important things a news/talk radio host can be. And he’s right.

Sure, it takes time to find your voice on the air. But once you do, you can only be yourself. Dan Bongino has only been himself, which is why his show reached hundreds of affiliates and why his podcast is routinely placing in the top five most-listened-to shows in the entire country.

Vulnerability

This is something men in general, not just news/talk radio hosts, struggle with. Dan Bongino is everything that an “alpha male” is supposed to be. Former NYPD officer and former Secret Service Agent a with buzz-cut hairstyle, he is a big muscular dude that looks like he’d kick your ass in a bar fight just for looking at him funny.

But Bongino, more than any other news/talk radio host, is vulnerable. Last year, I did a feature story on the Westwood One host. During our conversation, he opened up and shared that, more than anything, fear motivates. The fear that he’s going to fail or let someone down.

This wasn’t a therapy session. And I’m definitely not the guy to help in that department. But here was this conservative media titan opening up to me, sharing with me some of his deepest fears and insecurities using words like “terrified” and “deathly afraid.” I was struck by the conversation.

Subsequently, he went on his show the next day and admitted that the news cycle had worn him down. You could hear the depression in his voice. He took time to be retrospective on his feelings. He’s publicly shared how criticism of his show has affected him personally and how he struggled to learn to deal with the blowback from those who disagree with him. That’s vulnerability.

It’s about as foreign as news/talk radio could get. But, to me, that’s why Dan Bongino has been so successful in his podcast and media career with Westwood One. That ability to speak with unlimited candor, coupled with the vulnerability to admit that you’re affected by something is a way to build deep personal connections. And, as we all known, audio is the personal, intimate medium.

Dan Bongino has parlayed that vulnerability into news/talk radio stardom. I understand his decision to step away from the industry to go work at the FBI. On principle, he believes he is duty-bound to serve. The ability to become the Deputy Director of the FBI likely only presents itself one time. The chance to come back and do a nationally syndicated radio show or top performing podcast will always be there. And the qualities Dan Bongino utilized to get to the top will still be what listeners want when he’s someday ready to return.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

ESPN’s Jon “Boog” Sciambi: MLB Made a ‘Major Mistake’

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The reaction continues to pour in just days after news broke that ESPN and Major League Baseball (MLB) decided to mutually opt out of the remaining three years of their exclusive broadcast rights agreement following the 2025 season. In a letter sent to baseball owners, MLB Commissioner Rob Manfred explained that the league was not pleased with the “minimal coverage” it received on ESPN’s platforms over the past couple of years, aside from live play-by-play coverage.

Manfred emphasized that it was MLB’s decision to opt out of the contract, while ESPN’s release stated the opposite, citing a focus on discipline and fiscal responsibility for their decision. Although the two parties appear to be at polar opposites right now, it remains to be seen whether they will reach any sort of broadcasting rights agreement before the start of the next baseball season.

ESPN play-by-play announcer Jon “Boog” Sciambi, who serves as the primary voice of Sunday Night Baseball and ESPN Radio, also calls Chicago Cubs play-by-play for Marquee Sports Network during the season. Recently, Sciambi appeared as a guest on Spiegel & Holmes on Chicago’s 670 The Score and shared his opinion on the opt-out, stating that he believes baseball is making a mistake.

“Look, the league (MLB) made a mistake,” Sciambi said in his first public comments on the matter. “It was a major mistake, because if they hadn’t opted out, MLB would have been locked into $550 million this year, plus two or three more years.”

Sciambi joined ESPN full-time in 2010 as the play-by-play voice for MLB on ESPN Radio. At the same time, he continued his role as a commentator for college basketball and MLB on ESPN, which he had done since 2005. Additionally, Sciambi is a featured voice in ESPN and ESPN Radio’s coverage of the MLB Wild Card, LDS, LCS, and World Series broadcasts.

When looking at both sides and considering who might need whom more, Sciambi pointed out that MLB could face some challenges with viewership if it were to lose ESPN.

“I think the league probably needs ESPN a little bit more than vice versa,” Sciambi said. “I think whatever you want to say about ESPN and how it’s changed, and even if you don’t like it as much as you used to, it is still the place that sports fans go to watch games.”

Sciambi also referenced the NHL’s departure from ESPN following the 2004-2005 lockout, when the league signed a rights agreement with NBC and OLN (later renamed Versus and then NBC Sports Network). He explained that this decision caused the NHL’s visibility to “disappear off the face of the planet,” suggesting MLB should be concerned about its own viewership.

“It’s a fact that if you put the exact same event on at the exact same time on ESPN, TBS, and TNT, it will rate higher every single time on ESPN. Because it just has more reach,” Sciambi stated during his appearance on 670 The Score.

Nevertheless, the voice of baseball on ESPN Radio expressed excitement about calling games for another year on ESPN Radio, eagerly anticipating another thrilling baseball season.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Brian Kelly, Audacy VP of Top 40 Brands And Milwaukee Operations Manager Resigns

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In what could be described as a shocker, Brian Kelly has resigned from Audacy Milwaukee, where he served as VP/Top 40 Programming and cluster OM. He also served as VP/Programming for Major Networks.

Kelly had been with the station for just short of 30 years. He joined 103.7 Kiss-FM in 1995 to lead the station’s flip to Top 40.

During his time, he worked for Heritage Media, Entercom, and Audacy.

In a memo obtained and first published by RadioInsight, SVP/Market Manager Jason Bjorson said:

Good afternoon, team. I have some bittersweet news to share with you.

“After 29.5 years, Brian Kelly has resigned as our Vice President of Top 40 Programming and Operations Manager.

As you know, Brian’s contributions have been instrumental in shaping the success of 103.7 Kiss FM and 99.1 The Mix. For decades, these stations have been powerhouses in the Milwaukee radio landscape, led by morning shows that he created–Alley and DZ, Elizabeth and Radar, and others through his tenure. Outside of Milwaukee, Brian has also made a significant impact nationwide for all of Audacy’s Top 40 stations.

Brian was a great partner of mine this past year and a true professional. I really enjoyed learning from Brian and strategizing with him. Brian loved working with all of you and helping you grow in your careers, and I know he will miss all of you.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Dan Bongino Announces Plans for New Media Company, Guest Host for Show After Joining FBI

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Dan Bongino is set to depart his Westwood One podcast and nationally syndicated radio show to join the FBI as its new Deputy Director. That doesn’t mean his media endeavors are over, though.

During The Dan Bongino Show on Rumble, the host stated his plans for the future as his departure looms.

“I’m not going to leave you without high-quality content,” said Bongino. “We’ve always had this production company, whether it involved books, whether it involved movie projects, whether it involved the podcast, the business side was always run by y wife, Paula. I don’t think you guys even understand the depth of how involved she was in building out this media, whatever, empire, I don’t want to be self-congratulatory. She is going to be taking over as president of the new company. The new company will be divorcing itself from me and my business interests because of obvious ethics rules.”

The new media company will be called Silverloch, which Bongino explained grew to be a synonym for the word “dreams” for he and his wife after wanting to purchase a house on Silverloch Drive when the couple lived in Maryland.

Included under the Silverloch umbrella will be its current stable of shows, including The Bongino Report Early Edition with Evita Duffy-Alfonso, Nightly Scroll with Hayley Caronia, as well as The Dan Bongino Show.

Bongino’s final episode of his podcast, national radio show, and digital video show is currently scheduled for Friday, March 14th.

However, in his announcement of the creation of Silverloch, he stated the the company is working on coming to an agreement with a guest host for the program to continue as he serves at the FBI.

“These shows will continue. We are going to get a guest host,” he revealed. “I will leave that surprise. We’re working on this person right now. We’re very excited. (It is) a very, very, very talented individual. We are hoping to seal this deal soon. The guest host will be in this specific time slot while I’m gone.”

Dan Bongino added that he has long been interested in moving to a broader stable of hosts and talents and his business not being so self-reliant. And he believes taking the step away from the media sphere to work at the FBI as its Deputy Director allows Silverloch to do that.

“It’s going to be divorce for me, but we’re setting the foundation for something that’ll last. We’ll have some big announcements coming soon. So please, please keep watching … We’ve been putting a ton of work into making this transition away from me and into this new business I have to separate from. So I hope you enjoy this.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Dan Le Batard: ESPN is ‘Not Paying Very Much Care to Baseball’

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ESPN and Major League Baseball agreed to a mutual opt-out of their media rights deal at the conclusion of the 2025 season, resulting in a potential forthcoming shift in the baseball media landscape. Although it reportedly remains plausible that the two entities could work out a deal, David Samson expressed earlier in the week that he did not believe this to be the case. Making an appearance on The Dan Le Batard Show with Stugotz, Samson elaborated on the situation and explained that there were some remnants of former ESPN president John Skipper as to why the league seemingly wanted to get away from the broadcast network.

“The promotion for baseball just stopped with ESPN, which, as Rob Manfred said, has become sort of a declining, decreasing platform, and so the rights deal that baseball had with ESPN had a mutual opt-out after three years of the deal, and both parties said, ‘You know what? I think we’re both going to be okay without you,’ and the proof is going to be in the pudding,” Samson said to Le Batard. “If MLB cannot sell the package that [it] had for more than $550 [million], then they lose. If they can sell it for more, then they win, and I would take the latter bet if I were you.”

Amin Elhassan, who was co-hosting this episode of the program with Le Batard, presented a hypothetical situation to Samson for consideration. Illustrating a scenario in which there were contracts being offered by a linear television network and streaming company with roughly equal monetary value, he was curious to see which one he would accept. Samson replied by stating that he would accept the linear deal but aspire for a streaming component to be included as well.

“Now you can talk about Netflix and Apple and what they’re trying to do there, but at the end of the day, let’s change it to, ‘I want to reach the most people possible,’ whatever that is, if the money’s equal,” Samson explained. “Now if I can make more money and reach fewer people, I’m going to make more money and reach fewer people.”

Samson added later in the segment that the mutual opt-out felt like a divorce that had been in the distance but that both parties had been sticking it out because of purported ambiguity in next steps. Furthermore, he believes that the league would not have made this decision if there was not another deal in hand with which it could go to the owners and exhibit how they would do better. As a whole though, Samson articulated that MLB probably thought that ESPN was not its friend, nor was it happy with them.

“Please correct me here if I’m wrong, because ESPN helped usher in a golden age of baseball on television, and as the sport shrunk and regionally, cable networks bought things up, ESPN covered baseball a lot less than they used to – a lot less well, and just with a lot fewer resources,” Le Batard responded. “What you’re talking about now, like Tim Kurkjian and a bunch of other people we care about over there have drowned under – they’re not paying very much care to baseball over at ESPN, they’re not covering it with a lot of resources.”

The seven-year media rights deal between the two entities, reported to be worth approximately $550 million per annum, took place before ESPN finalized deals with various other properties. For example, the network is preparing to begin an 11-year media rights contract with the NBA that is reportedly worth $2.62 billion per year, and it also reached a six-year extension with the College Football Playoff for a reported $1.3 billion annually. Samson believes that the company will invest more in its other properties and articulated that it is their decision and works fine.

“There’s no coincidence that FOX announced yesterday right after the ESPN-MLB breakup that FOX is leaning even more into baseball with some really cool things that they’re broadcasting and more expansive service and time and resources and money,” Samson said. “That’s not a coincidence.”

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Kevin Durant: ‘Fans and Media Have as Much Impact’ on State of Basketball Today as Anybody

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The NBA All-Star Weekend faced heavy criticism from players, fans, and media in the days following the event. Complaints centered around the new format, frequent stoppages, musical performances, and more. Viewership also declined, with the NBA All-Star Game averaging 4.72 million viewers across TNT, TBS, and truTV—a 13% drop from last year’s 5.398 million.

On the latest episode of The Draymond Green Show with Baron Davis podcast, Golden State Warriors forward Draymond Green and co-host Baron Davis were joined by NBA superstar Kevin Durant. Green, a key figure in TNT Sports’ coverage of All-Star Weekend, was outspoken in his criticism of All-Star weekend, rating the new format a zero out of ten and arguing that the game “wasn’t real basketball.”

While discussing the event with Durant, Green suggested that “fans and media have as much impact on the state of the game today as anybody.” Durant responded by saying media and fans are the “underrated part” sharing his thoughts on how fans react differently when things are going well versus when they aren’t.

“It’s kind of taboo to talk about the fans or criticize them,” Durant explained.

A highly engaged athlete on social media, Durant often challenges narratives and interacts with both fans and media. He expressed frustration with the way some fans claim credit for the NBA’s success yet distance themselves when issues arise.

“We pay our hard-earned money and we basically fund your whole operation, so y’all can’t say s*t about us,” said Durant about how some fans on social media take credit for the NBA’s success. “You know what? Y’all have a huge impact on what we do, right? So how can y’all not be a factor to our s**t when it’s going bad? When s**t going bad, it’s all on the people inside the league. But when s**t going well, the fans want to take credit for how much they come to the games. How much they watch all this s**t. But when it’s going bad, it’s like, ‘I’m out of it as a fan base, it’s the players and the league itself.’ Nah, you’re not going to get away with that.” 

Durant went on to criticize those who complain about the NBA and All-Star Weekend without offering solutions. He urged them to contribute ideas for improvement rather than just finding faults.

“If you don’t have a solution, just sit back and enjoy the game because you’re taking these amazing athletes for granted,” Durant said. “There are too many threes. The game starts too late. There are too many commercials. Players switch teams too much. No more rivalries. No more fights. Damn, what do you want? I’m getting sick of it.”

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Clay Travis: Rachel Maddow Completely Misguided on Why MSNBC Axed Joy Reid

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MSNBC parted ways with Joy Reid earlier this week. Rachel Maddow believes it is partially motivated by race, but Clay Travis disagrees.

During his digital video program with the outlet he founded, OutKick, Clay Travis argued that Maddow has misplaced her anger and frustration over Reid’s departure from MSNBC.

“If Rachel Maddow thinks MSNBC is racist, she can resign and insist that a minority be hired to replace her,” Travis said. “She makes $25 million a year. She can go to her bosses at MSNBC and say, ‘Hey, I’ll take $5 million a year. I want you to give my other $20 million in salary to minority employees that I don’t think are respected enough by the bosses here.’ Have I missed that? Has Rachel Maddow offered to pay Joy Reid any of her salary? Has she offered to give up her job so that a more deserving minority newscaster could have her television salary and her television spot? I must be missing that.”

He then shared his belief that Reid lost her show with MSNBC due to ratings, which is the name of the game in the media world.

“The reason why Joy Reid got fired is not because she’s a moron and it’s not because her takes against Trump are awful, ill-advised, unintelligent, and lacking in any substance. It’s because nobody watched,” continued Travis. “She could have had the same awful show, and if she had the audience that Laura Ingraham did, not only would she have kept her show, she would have gotten a raise.

“It’s easy to kick and scream and blame others for why you failed. It’s easy to cry — as Joy Reid did — at the cancelation of her show. And it’s easy for Rachel Maddow to sit back and say this is about racism. But the reality is, this is about viewership. Joy Reid is in the business of drawing viewers and nobody watched her show. When nobody watches your show, or when nobody listens to your show, you’re eventually going to get fired. That’s the hard truth, whether you’re doing local radio, like I did back in the day in Nashville, or whether you’re doing a national television show. Ratings, ratings, ratings. It is the scoreboard. It is the entirety of the business.”

Travis concluded by stating that he believes Reid’s run in the spotlight is likely over.

“Rachel Maddow said it’s racism. It’s just Joy Reid doesn’t have much of an audience at all, and it’s continuing to decline instead of growing. I think her career is basically over. She got an opportunity for five years to convince Americans that they should be watching her, and she failed, and now she’s out on her ass. That’s life in media.”

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Cumulus Media’s 94.9 The Outlaw Wichita Falls TX Is Going Dark

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Cumulus Media is letting Red Dirt Country 94.9 The Outlaw KOLI Wichita Falls, TX, go dark at the end of the month.

In a lengthy Facebook post, Program Director and morning host James Cook said, “I’m reflecting because February 28th will be the final day for 94.9 The Outlaw. On March 1st, there will be dead air. I truly hope we made memorable moments in this area with an unforgettable soundtrack. I know each song and artist will have a special place in my heart.”

Adding, “I’m so damn lucky… but I’m not done. I will continue my journey with music by diving more into my writing and touring. I’m also excited about my new Saturday night Texas/Red Dirt show on our sister station KLUR. The Outlaw Saturday Night Rebellion! It will feature all of your favorites from the station and more starting this Saturday night. Love you guys… and long live the magnificent music from Texas and Oklahoma! Long live The Outlaw!”

According to Radio-Locator.com, KOLI is 50,000 watts at 436 feet. Neither the station website nor Facebook page mentions the plan.

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