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John Skipper: New NBA Media Rights Deal is More Important Than Regular-Season Ratings

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As festivities surrounding NBA All-Star Weekend in San Francisco, Calif. take place this weekend, national viewership of games around the league this season are down 5% compared to the previous year. Even though February viewership is up by double digits from January and the league had a record-setting Christmas Day slate of games airing on ESPN platforms, the league has faced industry headwinds related to cable television and cord cutting. Ratings on TNT have fallen by 14% on the year, according to data from Nielsen Media Research, while those on ESPN and ABC are either close to or nearly flat from last season. Yet John Skipper, former president of ESPN and co-founder of Meadowlark Media, explained that these ratings diminutions do not necessarily equate in significance to the future of game broadcasts

The NBA recently announced 11-year media rights deals with The Walt Disney Company, Comcast and Amazon reportedly worth a total of $77 billion. Skipper was at the helm when ESPN signed its existing media rights deal with the league, which is said to be worth $1.4 billion per annum over nine years. The company is now preparing to pay a reported $2.62 billion per year for a package of games that includes prime time broadcasts, Christmas Day rights, select playoff contests and the NBA Finals.

“They are ascendant, and the deals they just did are much, much more important than whatever the regular-season ratings are,” Skipper said on the latest edition of The Sporting Class. “We’re back to people thinking the ratings are some dramatic indication of the health of the league.”

Even though Skipper acknowledges that NBA commissioner Adam Silver will need to answer questions surrounding the ratings, he does not feel that the fluctuation on particular days is that relevant. David Samson, former president of the Miami Marlins, opined that he believes what concerns the league is the state of the game and the product it is ultimately offering to its consumers and clients.

“The NBA, to me, has a game quality problem, and it also is trying to figure out who’s next after LeBron, and the whole LeBron going to Luka on the Lakers as sort of a small sample of what the NBA may look like going forward,” Samson said. “Is Luka the person they want? Is it an international player – is it Wemby? How are they going to navigate a world without LeBron the way they did without Jordan? It’s interesting.”

Pablo Torre surmised that the shocking trade of Luka Dončić to the Los Angeles Lakers could serve as an instructive module delineating the conspicuous strengths and weaknesses of the league. The three-team transaction, he explained, presumably led everybody to talk about what had happened as the lead-up to Super Bowl LIX between the Kansas City Chiefs and Philadelphia Eagles was happening. Torre added that he felt the drama surrounding the NBA and level of cultural currency has not been reflected in actually watching the product and the games.

This led Skipper to compare the NBA to the NFL, pointing out the stark difference in the amount of playoff games and repeated consumption. Samson replied by reminding Skipper that he was someone at ESPN who was known for paying to augment the value of a specific package. Skipper confirmed that they would want as many rounds in the playoffs as possible since the postseason games were more valuable in accruing viewership as the championship approaches.

“It probably is more acute with the NBA, meaning that the playoff games drive a larger percentage of the value than the NFL postseason would, so yeah, we wanted to press, and the league has responded,” Skipper said. “They understand, and what Adam did, of course with the In-Season Tournament, is he needs to figure out, and Christmas Day and he’s experimenting this year with the All-Star format, he needs to figure out ways to make more of the huge quantity of games they play stand out in some way.”

Silver recently divulged that he would be a fan of shortening the game by eight minutes through instituting four 10-minute quarters. With NBA games running approximately two hours and 15 minutes this season, which is nearly consistent with the past 15 seasons, keeping the game to two hours for broadcast purposes is something that could benefit media partners. Skipper acknowledged that this is not a big problem for ESPN as much as it is for NBC since the network is trying to air local news programs on time as well.

“I would change the amount of timeouts and I would change what happens at the end of the game,” Skipper said. “They got to figure out a way – it’s worse in college basketball – you got to figure out a way that the last minute and 12 seconds doesn’t take 16 minutes to play.”

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Major Garrett Named Anchor of ‘America Decides’ on CBS News 24/7

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Major Garrett has been appointed to the role of anchor of America Decides, the afternoon newscast on the CBS News 24/7 streaming network.

Garrett has been a part of the show since its inception in May 2023. Previously, the show — based in Washington D.C. — had been hosted by a rotating group of anchors including Robert Costa, Nikole Killion, Caitlin Huey-Bruns, Scott MacFarlane, Weijia Jiang, and Nancy Cordes.

Major Garrett will continue to serve as the chief Washington correspondent for CBS News along with his new duties on the streaming show. He’ll work with Senior Executive Producer of Washington Streaming Coverage Allie Sandza to retool the daily program, the network said.

America Decides currently airs at 5 PM ET on CBS News 24/7 a Monday through Thursday basis. It also re-airs at 6 PM and 9 PM ET.

The news of Garrett taking over the daily political shows comes on the heels of the revelation that his long-running podcast — The Takeout with Major Garrett — was ending in its current form.

In the final published episode of the show, Garrett was vague on the details to conclude the January 24th episode of the weekly podcast.

“The Takeout, as we’ve come to know, it ends this week,” said Garrett. “This is our last show in this format. We’ve been doing this together for eight years, and it’s been the joy and privilege of my career to spend every week with you. When I open the show saying, ‘Welcome to the very best part of my broadcast week,’ I mean it. I mean it with every fiber of my being.

“Just know The Takeout is not dying. We have plans. I can’t share them fully with you right now … and I make you this promise: you won’t have to wait long to find out what comes next,” he concluded.

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Diana DeVille Joins Stonecom Radio Cookeville, TN As Cluster APD

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Diana DeVille, former PickleJar Up All Night Producer, has been named Assistant Program Director for Stonecom Radio’s eight stations in Cookeville, TN.

PickleJar Up All Night was canceled in December of last year (BMM 12/11). The show, based out of WKDF in Nashville, launched on 47 stations nationwide in 2022, airing from midnight to 5 a.m. local time.

DeVille previously was an overnight producer for Country 103.3 WKDF. Other stops include Country 99.1 The Ranch Simi Valley, CA, and KNAC.com, Los Angeles.

Stonecom operates Lite Rock 95.9, 106-9 Kicks Country, Rock 93-7, 96-9 Highway 111 Country, Sports Radio 104.7, News Talk 94.1/AM 1600, 93-3 The Dawg, and 101.9/AM 920 WLIV.

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CNN Adds Former Chicago Mayor Rahm Emanuel as Senior Political and Global Affairs Commentator

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CNN has announced the addition of Rahm Emanuel as its new Senior Political and Global Affairs Commentator.

Emanuel has plenty of experience in both foreign and domestic politics. He served as a Senior Advisor to the President for Policy and Politics during the Clinton administration before representing Illinois’ 5th Congressional District in the House of Representatives from 2002 to 2008. He then became the White House Chief of Staff to President Obama before being elected Mayor of Chicago, where he served from 2011 to 2019.

Most recently, Rahm Emanuel worked as the United States Ambassador to Japan for the Biden administration.

According to a statement from CNN, Emanuel will “bring his extensive knowledge of American politics and international affairs to CNN’s on-air programming.”

The announcement of Emanuel’s hiring comes as CNN is in the midst of a strategic shift with a specialized focus on its digital products. Under the direction of CEO Mark Thompson, the company is realigning itself for the future.

Earlier this year, it slashed more than 200 jobs — roughly 6% of its workforce — in an effort to reallocate funds in preparation for its shift to digital. Despite the cuts, the network will fill 100 of those jobs in new sectors in the first half of 2025, Thompson revealed during the announcement of layoffs. Additionally, CNN is preparing to launch its own streaming service outside of the Max platform it has placed most of its content on in recent years.

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‘Throwback 100.3’ Chicago Collects 100,000 Valentines Cards For Kids

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Throwback 100.3 WTBC Chicago made the ask, and in a heartwarming display of community support, thousands of handmade Valentine’s Day cards were collected and delivered to La Rabida Children’s Hospital as part of the 9th annual Valentine’s Day Cards for Kids campaign.

Over the past nine years, Throwback 100.3 and its listeners have hand-crafted and donated over 100,000 cards.

“Each year, the Cards for Kids program brings our patients joy and encouragement. These thoughtful gestures remind them that they are not alone on their journey. We’re deeply grateful to Throwback 100.3 for their continued support and for helping us create moments of hope and connection for the children we serve,” said Rolla Sweis, President and CEO of La Rabida Children’s Hospital.

Chris Eagan, Throwback 100.3 Vice President of Brand and Content, says, “In my short time here, I’ve already been amazed by the incredible support our listeners show for programs like Cards for Kids. A heartfelt thank you to La Rabida Children’s Hospital for their ongoing dedication to this campaign.”

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Paramount Global, YouTube TV Reach ‘Short-Term Extension’

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The availability of Paramount Global-owned television channels was imperiled this week with an impending carriage dispute with YouTube TV, but the two sides reached a “short-term extension” ahead of a Thursday deadline, later reported to be at 11 p.m. EST. As a result, users will still have access to several networks on the over-the-top video streaming service, some of which include CBS, Comedy Central, MTV and Nickelodeon. There had been concern for sports fans surrounding upcoming events such as the NCAA Division I Men’s Basketball Tournament and The Masters Tournament from Augusta National. On late Thursday night, YouTube TV announced the transaction in a social media post; however, the terms and duration of the agreement are currently unknown.

“We’ve reached a short-term extension as we work toward a deal with Paramount to keep their content on YouTube TV,” the company said in a statement. “YouTube TV subscribers continue to have access to Paramount channels, including CBS, and any recordings that are in their Library. We appreciate your patience as we continued to negotiate on your behalf. We also value Paramount’s partnership and willingness to work towards an agreement.”

The disagreement resulted in both companies releasing statements explaining their perspective on the situation earlier in the week. A spokesperson for Paramount stated prior to the companies reaching the short-term extension that YouTube TV had been pressuring the company to acquiesce towards “one-sided terms.” YouTube TV had explained that it was in active conversations with the company and hopeful that it would be able to reach an agreement. Moreover, the streaming provider offered an $8 credit to its subscribers should the Paramount Global content remain unavailable for an extended period of time.

YouTube TV, which is owned by parent company Alphabet, recently unveiled a price hike through which it raised the cost of its service by 14% to $82.99 per month. The streaming service recently surpassed 8 million subscribers and also serves as the home of NFL Sunday Ticket under a reported seven-year, $14 billion media rights deal.

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ESPN Will Not Renew Formula One Media Rights Deal: Report

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ESPN has reportedly informed Formula One that it will not be renewing its media rights package, which indicates that the motorsport entity will need to find a new U.S. partner to air the racing series next year. The company has been broadcasting Formula One races since 2018, and its current deal will conclude at the end of the year, which is said to be worth $90 million annually. News of this reported decision by ESPN was first divulged by John Ourand of Puck, who added that F1 took meetings with Netflix and NBC during Super Bowl week in New Orleans, La.

Sources indicated to Luke Smith of The Athletic last week that Netflix was considering making a bid for Formula One rights that would begin in the 2026 season. The company has worked with the racing property before on the Drive to Survive docuseries, a six-season venture produced by Box to Box Films that has granted viewers an inside look at drivers who are part of the racing circuit. Conversely, NBC previously carried Formula One races under a four-year deal that expired in 2016, and Ourand conveyed that it would be a “natural landing pad” for the property.

The reported decision by ESPN comes after last year’s Formula One circuit tied for the second most-viewed season of the property ever on U.S. television, averaging 1.1 million viewers per race across ESPN, ABC and ESPN2. Furthermore, the property reached nearly 30 million fans on ESPN platforms and ended up tying the viewership average it had attained in 2023, although its reach last season was up 22.9% year-over-year to 29.5 million.

The 2022 season is responsible for the all-time record average of 1.2 million viewers, which concluded with Max Verstappen winning the title of World Drivers’ Champion and Red Bull Racing garnering the World Constructor Championship. While Ourand reported that the company liked being in business with Formula One, it made the determination that a price increase was not commensurate to the average viewership wherefore it is said to be moving in another direction.

ESPN is preparing to launch its Flagship direct-to-consumer product in the fall that will allow users to access its linear channels without a traditional pay television subscription. Ourand also subsequently reported that the company is likely to exercise an opt-out clause in its contract with Major League Baseball in an attempt to negotiate a better deal with the league, for which it currently pays around $500 million for a variety of rights. The two sides are reportedly far apart in negotiations to the point where it is “hard to see a middle ground,” according to Ourand.

ESPN is reportedly arguing that MLB has reset the market with streaming deals, while the league contends that the packages with Apple TV and Roku are not the same in terms of quality. MLB has reportedly made it clear that the league would explore the marketplace with the package to other partners, and Ourand revealed that it has gauged interest from Netflix and Amazon if the talks do not result in a deal.

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TNT, truTV Average 1.05 Million Viewers for Canada-Sweden Matchup to Open 4 Nations Face-Off

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The opening matchup of the inaugural 4 Nations Face-Off hockey tournament between Canada and Sweden averaged 1.05 million viewers and a 0.51 rating on TNT and truTV on Wednesday night. The game emanated from Bell Centre in Montréal, Québec and was the most-watched hockey telecast on TNT Sports platforms this season. This matchup also surpassed the New Year’s Eve edition of the Winter Classic between the St. Louis Blues and Chicago Blackhawks as the largest audience for an NHL game on cable television this season.

The game is fourth among all networks including the NHL season slate, falling behind three games that aired on ABC all either containing the Boston Bruins or New York Rangers. In the week prior, TNT Sports had averaged 537,000 viewers for its broadcast of the Bruins-Rangers game from Madison Square Garden, which was up 30% year-over-year. The matchup also represented the most-viewed non-playoff hockey telecast ever to air on Max. Broadcasters for the game included play-by-play announcer Brendan Burke, analyst Darren Pang and reporter Jackie Redmond. Pregame coverage took place from the Atlanta-based studios with host Liam McHugh and analysts Wayne Gretzky, Paul Bissonette and Anson Carter.

The first game of the night had several ups and downs, starting with forward Nathan MacKinnon scoring a goal 56 seconds into play. Canada had established a two-goal lead after the first period, but the team was able to recover after giving up a tally midway in the second period to defenseman Jonas Brodin. After reestablishing the advantage, Sweden tied the game and forced overtime thanks to a goal by center Joel Eriksson Ek. Canada forward Mitch Marner won the contest with a game-winning goal in overtime, granting the team its first victory of the three-game slate.

The NHL season is currently in a break to allow for this tournament to take place, which comes in advance of the league officially returning to the Olympic Games in 2026. As a result, the league’s All-Star Game and Skills Contests are not taking place this season. TNT Sports is currently in the fourth season of a seven-year media rights deal with the NHL reportedly worth $225 million annually and will broadcast the Stanley Cup Final at the end of the season. League commissioner Gary Bettman also announced on Wednesday that the World Cup of Hockey tournament would be returning in 2028 and held every four years.

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If You Cannot Sell Yourself, You Should Not Be in the Sports Content Business

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So, you might have read that I am taking on a new project. I will still be writing for the site and hope to for a long time, however, I have decided to get back into something that is one of my biggest passions in life – St. Louis sports.

Yep, I know you just laughed and said, ‘What St. Louis sports?!?” Things are bleak right now, but pal I’ve been alive for 3 World Series wins, a Super Bowl win and a Stanley Cup. Should the Missouri Tigers basketball team ever make it to a Final Four I will be able to die a very happy sports fan.

After we made the announcement, as you can imagine, my phone, texts, DMs and email lit up. In some ways, this is what we wanted. When we made the decision to do this, we decided to only hire a certain number of people to start and then wait and see who else reached out.

So far, the plan has worked, and a couple people have reached out that are really intriguing possibilities. However, I am not here to write about those, I am here to write about the ‘other’ people who reached out. And, as always, I have examples that will make this easy to understand.

I want to tell you about two specific people who reached out. One is someone who has been out of the business for a couple of years. He is not somebody I know but is someone who many people around me do know and speak pretty highly of.

In his email, he congratulated me, he let me know he had been paying attention to what was going on and was very impressed with the group that we had put together. He then asked me if I would be interested in talking with someone who had some content ideas but would also be willing to go out and sell the content ideas if that was something we allow. (ALLOW!?!)

I told him that I was glad he reached out and that he should reach out to me at the end of next week when I anticipate being able to breathe again. He was very respectful of my time and asked if I wanted to just let him know when it was convenient, and I said it would be best to set up an exact time and then (after I change it a few times) we will connect.

The next morning, I woke up to an email from him, thanking me for getting back to him. He then said that he couldn’t stop thinking about our conversation and had to put everything he was thinking down on paper. He attached it, but said we would just discuss when my schedule allowed. Fortunately for him, I was already on ‘the throne’ for the first time that day and was able to glance at what he had sent.

Let’s just say, this guy gets it. There was thought, there was creativity, there were sellable elements.

Now, on to what was behind door number two. Another fella who has been out of the business did what the kids all talk about and ‘slid into my DMs.’ Even though I couldn’t remember the last time I had talked to this person (we are talking more than two decades), the greeting was like we were best friends, and it was normal to hear from him.

Told me he wanted to ‘jump in.’ He was ready. He’s been looking to get back in. Been thinking about it.

“Let me know,” is how the DM ended.

Let you know, what? What is it you are ready to “jump in” on?

Sell me!

Sell me you!

How on Earth am I supposed to sell you if you can’t sell you?

I was trying to think of what the equivalent of “I am ready to jump back in, let me know” would be on a sales call. I guess it would sound something like, “Hey, Mr. Customer, figured you’d wanna advertise again, you in?”

No, I won’t be ‘letting you know’ anything except for how to lose my contact information. However, I will give you some advice.

And that advice is to put some thought into things when you reach out and want to be a part of something. Put some creativity into it. Let the person on the other side know the WHY. What is you are going to bring to the table? Why can my company not live without you? And what is it that you have done recently for another company that can give me an example of what it is you do.

This is a sales business. Even our content creators are selling every single time they create something. There is a purpose and there is an audience and there is a way to deliver that audience to clients.

If anyone is going to work for me in any capacity, I need to be sold they can sell. And again, hear me when I say that may not mean pitching business to a client to buy advertising. But I still have to believe that they can sell the product in some way, shape or form.

If your selling technique is ‘Holla at me’ you may very well have a long, successful career ‘selling’, but it will most likely be from behind a counter asking customers if they are “going to be using their mobile app today?”

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The Best/Worst Thing I’ve Heard/Watched/Read Recently

I’ve been going down the Howard Stern interviews rabbit hole a lot lately. I usually let some months pass and then I’ll catch up on any that I have missed that I want to listen to. Recently he has had some more sports guests than usual with Stephen A. Smith and Chris ‘Mad Dog’ Russo appearing together and after the Super Bowl, Saquan Barkley was on.

Stern is always incredibly well prepared for interviews. I know there is a lot of staff that helps with that, but I have given reading material to talent for years and seen them ignore plenty of it. Stern does a deep dive on the person. He does it so that he can have a conversation with the person rather than worrying about what he is going to ask.

You always get the feeling Howard has 30 pages of notes he never even got to about the person because he does such a good job of listening to what is said and takes it from there. Every radio host who does interviews should be forced to listen to Howard do it before they ever get to do it themselves.

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In Case You Missed It

I always enjoy Andy Masur’s pieces on the Anatomy of a Broadcaster or Analyst. Last week we ran his feature on Tom Brady the analyst before he called Super Bowl LIX. Andy breaks it all down in the story and says, overall, he believes Brady is getting better and that while there are things that stand in the way, he is on track to be pretty good at being an analyst.

Masur concluded his article with, “Hopefully Brady continues to show signs of improvement, and he sticks with it. The name, work ethic and credentials, can eventually make him one of the better analysts in the game.”

Loved the feature, disagree with the last statement. To me, Tom Brady is missing something he will never get – a good voice. There are some great analysts who do not have the pipes of James Earl Jones, but to me Brady’s ‘whiny’ voice (not a criticism, just the only way I can think to describe it) will always get in the way.

You can read the full feature by clicking here.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Industry Guest Column: AFTER After Hours

Amy Lawrence spent nine years with ESPN Radio as the only regular female on the air at the time. In 2013, Lawrence landed at CBS and most recently was hosting After Hours with Amy Lawrence from 2 a.m. to 6 a.m. ET until she decided to step away.

Amy wrote a blog post about her recent decision and has allowed us to post her words as an Industry Guest Column:

What a clever suggestion from a listener about what to name my next radio venture! As I close a proud chapter in my career, I am astounded at the response. THANK YOU for your interest, for caring about me personally and professionally, and for reaching out to tell me the show will be missed. My decision was not made lightly nor on a whim. It wasn’t simple or easy. Nearly two years of prayer and thoughtful consideration were poured into this change.

photo of Amy Lawrence at the beach

When After Hours with Amy Lawrence moved to weeknights, I told myself I would do five years in that time slot and then figure out the next step. Haha! There WERE several opportunities to change hours, but each time, I opted to stay put. We had solid momentum for over a decade–building the audience and establishing a more personal connection. I enjoyed the creative process, and we were generating new ideas. As a host, I was learning and growing, and I knew the show was “routine” for listeners all over North America. When I signed a 3-year deal in January of 2021, I appreciated the stability and consistency. I don’t regret that choice, but so much has changed since then.

Like many other industries, the media world has faced drastic cuts in the last few years. In radio, entire shows and stations are getting wiped out. I understand the economics, but they can be applied with brutal effects. Fewer and fewer people are being asked to shoulder more and more of the load. After Hours was not immune. In the fall of 2020, we were stripped down to one producer. Coming out of the pandemic, very few people worked in the building at night which meant little support behind the scenes. More than once, we had equipment malfunctions and no engineer available. You can imagine how that went.

You’ve probably heard the metaphor of the duck floating serenely and peacefully on the water while frantically paddling underneath. That was me the last several years. Taking on tasks and responsibilities that wouldn’t normally be mine to manage. But to come anywhere close to my high standards, I had to try. I spent hours each week and precious time each night scrambling to keep it all together and NOT let the added stress affect the on-air product. But eventually, that’s impossible, right? Ultimately, I realized I had to focus more on the content and ME on the air since that’s what matters most to listeners. Sadly, various features, production, imaging, social media, promotion, the YouTube channel all became outdated or stale or suffered from a lack of attention. It hurt me to know the quality of the show was slipping, that the fun elements I loved were falling by the wayside.

I certainly can’t blame producers for wanting different hours, support from managers or the occasional raise. But the revolving door of people working on the show meant non-stop training and dialing back on what we could do. Creative ideas are only as good as the ability to implement them. As discouraged and frustrated as I felt, I did the best I could to maintain the caliber of the show with genuine and frank discussion, humor, off-beat topics and material, engaging interviews and enthusiasm every night. But often, it felt like a battle I couldn’t win.

As a night owl, the hours weren’t a challenge until the last 18 months. I think the lack of regular sleep and constant flipping my schedule finally took their toll. Even before I got married, I was struggling to keep my priorities in line and maintain a healthy balance. The extra obligations and the non-stop cycle were all-consuming. As far back as summer 2023, I told two managers I couldn’t sign another contract for overnights. I was hopeful the company would take me seriously and see my value as a host. Not the case. I’m not even sure they believed me.

When I received an offer to continue with the status quo last December, I turned it down. I told them I would work through the Super Bowl for the sake of our affiliates and the loyal After Hours audience. When I rejected the offer, a huge weight slid off my shoulders. I’ve had peace about the decision since then. No second-guessing, no wondering if this is the right choice, simply a desire to handle the last 7 weeks with professionalism and a commitment to the craft.

Crazily enough, managing the final month-and-a-half on the overnight schedule has been excruciating. Even after the biggest games or breaking news, it was a struggle to get out of the house. More than once, I’ve wondered how the heck I did this for more than 12 years. Including my stretch at ESPN Radio which was mostly nighttime shifts, I’ve spent nearly two decades as a vampire, ha.🙃

Funny story: when After Hours moved off Friday and Saturday nights to begin 2015, I recall thinking “What’s the big deal about working weekends?” I had Wednesdays and Thursdays off; that was my weekend. But after a couple months, I realized how neat it was to share actual weekends with family and friends, to have more of a social life and be able to teach kiddos at church on Sundays. I believe the same will be true as I leave the overnights. No more staying awake 36+ hours when I travel or returning from trips and going right to work. No more 16-hour stretches of football Sundays into Monday morning shows, phew.

For years, I’ve read articles about how working overnights is detrimental to your health. And for years, I laughed at that idea and determined that I would be the exception to the rule. Training for and running half marathons kept me moving. So did Penny and her strict routine from which she rarely strayed. A few years ago, I went back to reading fiction before bed to settle my mind. That practice continues to bring me joy. But the schedule became more and more demanding with less and less time each week for activities that I love, like playing golf and sitting down at my piano or hanging out with a group of friends.

Since December 2023, my husband and I have navigated opposite schedules and all the challenges that come with working and sleeping at different times. I am grateful for his support and grace and sacrifices with the pets and TV remote, ha. A few months ago, as I considered the end of After Hours, it dawned on me that every decision and move I’ve made since college put career goals first. But after 25 years of praying and waiting for a partner and spouse, it’s a privilege to finally put my personal life first.❤️ The goal is to get healthier in every way: physically, mentally, emotionally, spiritually AND professionally.

I LOVED my job for the last 12+ years! I am incredibly thankful for the opportunities and experiences, even the sacrifices and the toughest challenges. I will forever consider the jump to CBS Sports Radio the best career decision I ever made. When Mark Chernoff and Eric Spitz hired me in late 2012 and told me they just wanted me to be “Amy,” their confidence changed me as a host. I was determined to reward their faith in me. And of course, I was also driven to prove the doubters wrong. (That’s not a fair fight anymore.😜)

This is also my tribute to the family and friends who lifted me up when the hours and routine were a grind. I can’t tell you how much it means to hear them say they’re proud of me.❣️ They’re the ones who’ve encouraged me to take this leap of faith and who tell me over and over I need to be ready for the next open door and new challenge. The hardest part of this whole process is feeling like I’m letting the listeners down. You’ve counted on me and relied on the show for company, conversation, connection, humor, escape, distraction and so much more. I trust you to find me again when I return to the airwaves. Thank you for the unwavering support. It kept me going for a long time.

I hope you’ll read these words and know my heart and understand why I need change in my personal and professional life. We can still connect via “Twix” @ALawRadio or via the Facebook page. Maybe I can even figure out the YouTube channel and post a video soon, ha. I look forward to sharing news and next steps as we move forward in 2025. Amy Xo

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.