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Steve McKay Exits WOBM Monmouth/Ocean And WFPG Atlantic City

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Steve McKay has exited as Brand Manager at Townsquare Media’s WOBM Monmouth/Ocean and WFPG in Atlantic City, New Jersey. 

McKay tells Barrett Media that his termination was due to budget cuts while adding, “During my tenure, both stations saw significant growth.  I was truly shocked by this development. Not sure what my next move is, but I’m available and ready to discuss new opportunities.”

McKay previously programmed B106.7 and Hits 98.5 in Columbia, SC, and WVBW Virginia Beach.

Reach him here.              

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

YouTube Sees More Than 1 Billion Hours of Content Consumed Daily as TV Overtakes Mobile As Top Viewing Device

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YouTube is celebrating its 20th anniversary, and with that milestone comes another: TV usage has now surpassed mobile and desktop as the primary device for consumption.

In 2024, television overtook the “traditional” hierarchy of mobile and desktop viewing as the preferred method for users.

“The ‘new’ television doesn’t look like the ‘old’ television,” said YouTube CEO Neal Mohan. “It’s interactive and includes things like Shorts (yes, people watch them on TVs), podcasts, and live streams, right alongside the sports, sitcoms, and talk shows people already love.”

“Our growth on connected TVs is also attracting new advertisers and we continue to introduce formats that work particularly well on the big screen, like QR codes and pause ads,” he later added.

On average, viewers are watching more than 1 billion hours of YouTube content on TVs daily. That coincides with YouTube TV surpassing 8 million subscribers, while YouTube Music & Premium have amassed more than 100 million subscribers, including trials.

“With innovative features, diverse content, and growing subscription services, we’re defining the television experience for a new generation,” concluded Mahan.

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106.9 Da Bomb Las Vegas Adds Ebro In The Morning

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Urban Adult Hits 106.9 Da Bomb KVGQ, Las Vegas, has added syndicated “Ebro In The Morning” to its lineup.

The show, syndicated by SupeRadio, originates from Rhythmic Top 40 Hot 97 WQHT in New York and is hosted by Ebro Darden, Laura Stylez, and Peter Rosenberg.

Raphael George SupeRadio, VP of Affiliate Sale & Content, said, “Ebro, Laura, and Rosenberg’s sharp insights and passion for hip-hop culture are unmatched, and we’re confident that KVGO listeners will connect with them in a powerful way.”

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Murphy Huston Set To Retire After 38 Years In Colorado Radio

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Murphy Huston is retiring after 38 years in Colorado radio, the last 28 with KOSI 101.1 Denver.

Huston hosted weeknights from 6-11 pm.

According to KUSA Channel 9, Denver Huston will remain active in nonprofits and spend more time with his eight grandchildren,

KOSI 101 DJ Kathy told KUSA, “For 53 years, he’s brought warmth, laughter, and heart to the airwaves. More than a broadcaster, he’s a devoted family man, mentor, friend, and all-around great human. Murphy, you will be deeply missed at KOSI and across Denver’s airwaves. It’s been an honor to work with you. Wishing you all the happiness in retirement!”

Huston began his career in Wisconsin, working for WRAC Racine and WISN Milwaukee. He spent 10 years at KHOW Denver before joining KOSI.

His final show will be tonight. (2/11).

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All the Smoke Productions Gives Matt Barnes, Brian Dailey Official Titles: Report

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All the Smoke Productions, the new media and production company founded by Matt Barnes and Brian Dailey, have now received titles with the brand as it continues to expand its content portfolio. Barnes, a former forward who played 14 seasons in the NBA has been named the chief executive officer of the brand, while Dailey will serve as its president and chief operating officer. The duo launched the production company following the closure of Showtime Sports by Paramount Global, the company through which the All the Smoke podcast was produced and disseminated that stars Barnes with former NBA guard Stephen Jackson. The news surrounding the company was first reported by Mollie Cahillane of Sports Business Journal.

Dailey previously served as the senior vice president of programming and content for Showtime Networks before departing the company at the end of 2023. Prior to his decade with the network, he spent time with ESPN managing digital properties and eventually rising to the director of partnerships and business development. With a versatile background in multimedia content, Dailey will be overseeing the company as it looks to expand its footprint by building a network and production agency. The company currently has more than eight digital series that examine the intersection of sports and culture, and there are several more said to be in development.

All the Smoke Productions reportedly signed boxers Andre Ward and Roy Jones Jr to contracts through which they will serve as key parts of the fight content division. There are also said to be deals that are currently pending with over-the-top and streaming services as well, and the company hopes to potentially move into golf and baseball content by the end of the year as well. The growing media venture has long-term distribution partnerships with DraftKings, Meadowlark Media and iHeartRadio that further broadens its reach.

Within the report, Dailey is cited as saying that All the Smoke Productions is currently in “active conversations” with Amazon, Netflix and Apple surrounding forthcoming projects. The production company has several other podcasts within its overall portfolio as well, including KG Certified, The Art of Ward, Ring Champs and Morning Kombat.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Study: Westwood One Coverage of NCAA March Madness Reaches ‘More Sports Passionate’ Audience Than Television

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A new series of studies released by Westwood One indicates that radio draws a different audience for its presentation of games within the NCAA March Madness tournament. According to findings from MARU/Matchbox, the NCAA audio audience on audio platforms has a higher level of fandom than the total NCAA audience, ranking this intangible on a scale ranging from not following the game closely to loving it. Eighty-seven percent of audio listeners follow the tournament through to the final, and 55% of the audience currently attends or has graduated from a college that typically plays in the tournament. These findings demonstrate that the AM/FM radio play-by-play audience has higher levels of engagement, which yields more effectiveness and impact related to advertising.

The median age for NCAA fans is 51 years old with a median income of $105,000, and 24% of people in the cadre are college graduates. Fifty-two percent of the fanbase are employed full time, and 32% had children in their household, according to a study from MRI-Simmons USA with a base population of Persons 18+.

“The radio audience is simply more sports passionate,” said Pierre Bouvard, chief insights officer at Cumulus Media. “They’re more likely to have a sports app, more likely to do fantasy sports, more likely to actually physically attend sports events.”

Two other studies from MRI-Simmons demonstrate that the AM/FM radio audience is younger, has a higher income and possesses a higher likelihood of being employed. Sixty-one percent of audio consumers for the tournament through these terrestrial radio platforms has a household size of three or greater with a median income of $125,000. Advertisements on the aforementioned audio platforms are also measured to have a greater impact than those on television because of data exhibiting that NCAA basketball listeners are more engaged in sports and passionate.

Listeners to this programming were also found to be 384% more likely than the average consumer to take part in sports betting, whereas those watching on television are only 177% more likely. On top of that, this study found that the NCAA audio audience is more likely to be in the marketplace for key purchases over the next year. These listeners were also found to be more likely to influence other consumers in various categories, such as sports, news and healthcare, granting commercial impact that spans beyond gameplay.

“The other benefit of the NCAA March Madness platform is it complements and supplements any investments you’re making on the video side of the house,” Bouvard said. “It generates incremental reach, and it generates amplified frequency, and across the years, there have been dozens of case studies conducted by Nielsen to look at the brand effect and sales effect of advertising in the March Madness on Westwood One”

Portable people meter data tabulated by Nielsen Media Research conducted analysis of Westwood One NCAA audience and found that it continues to build more reach throughout the season. For example, games within the first week of the season reached 100,000 people, whereas the championship in Week 14 accounted for 20.3 million viewers. The regular-season audience grew over 50 times in the first 10 weeks, and the audience proliferated by 28% between the 11th and 14th weeks, situated within the March Madness tournament.

Thirty percent of all March Madness consumers use Westwood One to follow the tournament, according to a MARU/Matchbox national study polling 941 total respondents among Persons 18+. The firm also found that 44% of Persons 18-34 tuned in to Westwood One for the tournament, generating greater reach than social media, linear television and internet sites. Moreover, it was found that the platform performs better than video in reaching fans in the car, at work and at another place. In fact, 50% of the NCAA audience away from the home listen to tournament coverage on Westwood One, which has broadcast March Madness games since 1982.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Super Bowl Week Showcased Sports Media’s Future Stars

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Super Bowl week is a gift to television networks that cover the NFL. You know about the ratings windfall that comes along with carrying the game, but any media company that covers it gets to take advantage of the fact that only two teams are playing and scout for potential future stars. Last week, I thought a few people really shined.

I have been screaming that someone should pay Cam Newton to be the face of their football coverage for years. He authored the best college football season of all time. His NFL career did not last nearly as long as it could have if he had played for a team with a competent o-line and more than one other weapon on offense, but when he was on top, he was one of one. 

He is every bit as good as I have expected him to be on his podcast and in his appearances this year on First Take. If you have not already seen it, go look up his interview with Jalen Hurts. 

Newton gave perspective that very few other people have and had a conversation with the Eagles’ quarterback that you could not get anywhere else. Newton explained that after losing Super Bowl 50, he was in tears because he knew how hard it would be to get back and he said that he hoped Hurts knew how lucky he was to get a second chance.

When it became clear that Hurts was going to raise the Lombardi Trophy, that conversation, which generated a lot of content for ESPN, was the first thing I thought about.

For a guy known to be incredibly confident, maybe even cocky, at times, Cam Newton has shown that he understands the value of humility. It isn’t false modesty. It’s the ability to turn off the charm in order to share some personal pain or even humiliation. It makes Newton a better storyteller and entertainer.

Sean McVay also showed the world that he has some serious star potential when the time comes to give up life on the sidelines. The Rams’ coach joined the FOX NFL Sunday crew during the Super Bowl pregame show. He made it clear that if he had his druthers, he would be coaching in the game, but he seemed at ease in front of the cameras. 

It was easy to see why networks had reportedly tried to pry him out of Los Angeles in the past. He’s handsome, funny, and enthusiastic about the sport. 

McVay delivered a version of Jimmy Johnson’s pretend locker room speeches without looking goofy. He talked like a coach, not like someone trying to remind you they were a coach thirty years ago. 

It’s no secret that FOX’s pregame crew is pretty long in the tooth. The one guy on the crew that has played in the NFL this decade is Rob Gronkowski, and despite being at this for multiple years now, he does not seem to be getting any better in front of the camera.

If Johnson is really thinking about bringing his broadcasting career to an end, FOX might want to consider throwing an absolute king’s ransom at McVay. He has a ring and is clearly built for this. The network cannot do much better.

All of the nice things I have just written are true, but come on. If I am talking about a future TV star that broke out last week in his first real media assignment, there is one name that stands out – one guy that was just operating on a different level than everyone else.

Jameis Winston.

Winston, to put it bluntly, is a weird dude. He had a habit for saying the wrong thing, for misbehaving and for just generally creeping people out early in his career when the weight of the entire Buccaneers franchise was on his shoulders. That was a while ago though.

Once the Bucs chose Tom Brady over continuing what was clearly a failing experiment, Winston was free to develop outside of the spotlight. During the five years he has spent as a backup in New Orleans and Cleveland, he seems to have a better relationship with teammates and a better sense of humor about himself.

As a digital reporter for FOX, he asked Travis Kelce to catch and eat a W for him. He genuinely seemed to enjoy someone on Bourbon Street giving him a crab leg in reference to his shoplifting suspension at Florida State. He thrived in the spotlight on stage playing with a jazz band. 

Jameis Winston is the kind of talent that a network could build into a valuable brand, if they are willing to stand behind him. Winston swears he is more mature and that he stays away from alcohol, something that played a big role in his past mistakes.

But some of his mistakes are REALLY big ones. Are they the kinds of things that make someone at FOX or any other network say that Winston is fine to have some fun with at special events, but not worth any risk that may come along with making him a full-time employee? Honestly, it’s hard to say.

Every single pregame show covering the NFL could use some new blood. Super Bowl week gave all of those shows, their producers and their bosses a look at who may be ready to break out on television when their playing days are done.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Advice For Making The Most Of Your CRS Experience

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Events like CRS are increasingly rare.

Barrett Media will host a Summit in Chicago in early May, but Radio Summit’s—Seminar’s—Convention’s—Show’s are not as available as they once were.

At one time, radio enjoyed The Radio & Records Convention, The Gavin Seminar, The Bobby Poe Pop Music Survey Convention, the Conclave Learning Conference, the All Access Audio Summit with a separate National Broadcasters Show, and Radio Adverting Bureau Conventions—all in the same year!

Opportunities to learn – and connect – have evaporated. One has survived – and thrived. Formed in 1969, The Country Radio Seminar is a week off.

Next Tuesday, thousands will begin the annual journey to The Omni Hotel in Nashville to learn and connect. As connection opportunities are scarce, make the most of your three days in Music City.

The agenda is set; you’ll need a roadmap to maximize your time. Despite the robust agenda, seminars are mostly about networking. You can read summaries of sessions. Facetime with new connections and old friends is the biggest prospect.

This is an excellent opportunity to grow your network exponentially at this or any industry gathering. Most ‘wing it’ – not creating a plan for their day(s) prior to a convention.

This is your cue – make a plan. 

First thing – do THIS now – download the CRS App to plan your three full days. Inside the app, you’ll find a tab to customize your schedule. As with most conventions, competing programming will be underway. Bookmark your tour – there. 

Here’s your checklist to maximize networking: 

Be Memorable 

  • Remember Scott?  The Master Networker Scott Ginsberg is all about the nametag. It might look cool to take your nametag off the lanyard and hang it from your waste. Nobody will see it. Better practice – clip it on your right chest pocket. When you shake hands, the eye will follow your arm to the nametag. Simple yet effective. 
  • A handshake should be firm but not crushing. Middle School Class Cotillion teaches all manners, including a proper handshake. It sounds remedial, but it matters. 
  • Eye contact before and through the handshake shows you’re ‘in the moment’ – genuine (see next). 

Be Present 

  • Ask the new contact open-ended questions, as yes/no questions freeze a conversation. 
  • Be a connector. Offering your new friend to use your connections at the seminar can go a long way toward instant bonding. 
  • The question, “Do you see anyone that I might connect you to?” is powerful. Most people in the Omni Lobby are not great at self-introduction. You know people who are valuable to your new networking buddy. 

Be Engaging 

  • Put away your phone. Checking a screen for notifications breaks the intimacy of an engaging conversation. Check your phone away from the crowd. 
  • Look for visual clues to advance the conversation. This could be a piece of jewelry you admire, shared visible fashion, or a handbag. This shows you are engaged in the present. 
  • Maintain eye contact. Looking around the new connection or over their shoulder sends the message that they are not important to you – at this time. 

Be Curious 

  • Do a deep dive into their State of Business—staffing, rating, revenue, and digital. This will project interest in them. People love talking about their lives. 
  • Inquire about their business life journey – what path took them to where they are today. 
  • Talking with them about their personal journey, family, including parents and siblings, where they grew up, and where they went to college demonstrates sincerity. 

Be Connected 

  • Quickly follow up after the show, as a memory of the encounter will drift. By Monday of next week is best. Most will ignore this advice, and your meeting will stand out. 
  • Connection on LinkedIn and their Social Media is key. An email will allow the new friend to bookmark your address. No ‘sales pitch’. You haven’t yet earned the relationship right to ‘sell them.’ 
  • The handwritten thank you note is a powerful tool. Most people I know save all their snail-mail notes. Include a note or two about your conversation. That will pop out.

If you’re an exhibit presenter at CRS: 

Be Strategic 

  • Set a goal of new connections to bring back home.
  • Sort new connections by hot, warm, and cold leads – chase only hot leads.
  • What are YOUR expectations for the event? 

Be Inviting 

  • Move the table to the back and stand in front of it OR in the aisle – they need to come to you.
  • Engage without selling – your presentation should do the selling while you start a relationship.
  • Put away your phone and don’t check it in your display – you’ll appear uninterested and disconnected.

Be Tactical 

  • What’s the hourly – daily goal of HOT connections?
  • Ask fellow vendors what works – or doesn’t work – for them at these types of shows.
  • Debrief immediately with your team afterward to determine what you could do for future increased interaction.

As a collective, Radio Pros often feel shy at networking events – even though they are “entertainers.”

A few reasons:

  • Networking requires small talk, eye contact, and confidence — things that can be difficult for those with social anxiety
  • Not knowing what to say or how to start a conversation can make people anxious. People worry about running out of things to say, experiencing awkward silences, or saying something embarrassing
  • Loud rooms, large crowds, and fast-paced conversations can make it harder for introverts or highly sensitive people to engage

These tips are also ‘best practices’ locally at your on-location events, trips to local chamber networking breakfasts, and holiday parties.

This piece might appear rudimentary. However, I hope it gives you pause before you enter the Omni Lobby.

Be the exception at this year’s Country Radio Seminar.

Most importantly – have a fun week!

Alt AZ 93.3’s ‘Izzy In The Morning’ Excels In A Traditionally Male Role

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Her original plan was to major in Psychology and work with serial killers. That plan didn’t necessarily work out for Alt AZ 93.3 Phoenix Morning Show Host, Izzy.

She got distracted by college radio and that derailed her original plan. She completed her Psychology degree, but she does not work with serial killers. At least, not that we know of at this point. “I fell into college radio as something fun to do on the side,” she says. “I quickly fell in love with how much fun it was and how I could affect how listeners felt with my own words!”

After graduation, Izzy went on to do Nights at KISS FM in Springfield, IL. After a year and a half, she moved to Fresno, CA, to do Mornings on 105.1 The Blaze for four years.

Next, she went to mornings in Vegas at KOMP 92.3 for a little over three years, and now she’s in Phoenix with her own show at KDKB. “I got my current job through word-of-mouth, actually,” she explains. “A close friend of mine in the industry spread the word that I was looking for a new job, and the news got to Hubbard Radio Phoenix. They reached out to me to talk, and the rest is history. Radio really is all about who you know, so always stay connected.”

The Morning Show is a different beast. The hours, the exhaustion, the crazy split-day schedule, but Izzy has mastered the art of it. “Luckily, I’ve got 10 years of morning show experience under my belt, so that helps,” she says. “In all honesty, the listeners are my favorite part of every day, and that’s my main motivation. Getting to hear their stories gives me life.”

“For anyone adjusting to a morning show, make sure you’re doing segments that excite you or that you’re passionate about. That alone will get you excited to wake up before the sun. Also, try and have a morning routine before work to get yourself focused. I like to do breathwork, meditation, and some journaling before going in.”

Izzy’s show plays a big role in the community. “Every day, I have a segment called ‘Blow My Mind,’ where listeners call in with their stories based on various topics (i.e., Have you ever been kicked out of an event? What’s your family’s big secret? Have you ever witnessed a crime?). It’s amazing to give them a platform to share their local experiences and relate not only to each other but I relate to a lot of them as well. I’ve cried with listeners, comforted them, and laughed hysterically. It’s such an amazing way to connect.”

“I also do weekly adoption videos at Lost Our Home Pet Rescue in Tempe to find adoptable animals loving, forever homes!”

Music also plays a big role in Izzy’s show. “Since I don’t have co-hosts, my talk breaks tend to be a lot shorter, which leaves tons of room for music. I like to say listeners are getting the best of both worlds.  The great thing about ALT AZ 93.3 is that we are big supporters of the local music scene. We have a local music show called ‘Homegrown’ on Sunday nights that’s hosted by our Midday personality Mo. She’s great at keeping up with the local music scene and giving them a platform to be heard on.”

As far as growing her brand, Izzy says, “I use social a lot to share ‘Blow My Mind,’ winners’ stories and to have people write in with their own stories. It’s a great way to take the show beyond the airwaves. Being real and relatable that’s what moves the needle. Don’t be afraid to share embarrassing stories about yourself because you’ll never know when a listener or follower will relate. Having that connection will win you a fan for life.”

Over the years, Izzy has made some exciting memories. But her favorite, like most radio talent, was getting to interview her childhood favorite.

“I just about died when I got to interview Corey Taylor from Slipknot at Aftershock Festival. That was my favorite band growing up, so hanging with him was a full-circle moment. We talked a lot about people, including artists, getting groped at shows, and what kinds of things he likes to do in his free time. It was cool to see him as a real human instead of just an insanely talented frontman.”

“And I won’t name names, but one time I remember an actor/comedian coming in to do a live interview in our studios in Vegas. We’re pretty sure he was coked out. He was speaking really fast and moving around a lot and was super rude. Probably the weirdest and easily the worst interview I’ve ever been a part of.”

The Alternative format has historically been and still is a male-dominated genre. Izzy has her ideas on encouraging more women to get involved, especially on the Programming and talent side.

“The industry needs to do a better job at making women feel safe in these roles,” she says. “It tends to be a ‘no-holds-barred’ type of format where pretty much anything flies, usually with males behind the board and running the show.”

“I’ve been in plenty of situations where co-hosts shut down my ideas for shows, and my bosses didn’t make me feel heard, either. If we can invite more women into the Rock format and even let them lead the shows, I guarantee you’ll see more women applying for these jobs. You just have to give us a chance first.”

It’s “the chance” that Izzy got that reminds her every day of the best advice she’s been given over the years when it comes to radio.

“Even though this may not sound like radio advice, it was at the time. My old boss and ‘radio dad’ Jon Ballard told me, ‘Always make sure you’re running towards something, not away from something.’ I was having a difficult time and was looking for a new job.”

“That advice has always stuck with me and is such a huge reminder to make sure you’re not spending your whole life running away from your problems and that you’re instead moving to a new job or place to be more fulfilled.”

Right now, Izzy is very happy with the team she works with and gets lots of support from management. “I’ll be honest: every time I ask for something here, I always get it. They make me feel heard, they take in my ideas and even help me create new ones. They’re pretty hands-off and let me do my show the way that feels most authentic for me, And they are always there when I need support. I couldn’t ask for more.”

Follow Izzy on Instagram @izzthisthingon.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Air Check: Trey Morgan New 102.7 New York

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To date, Aircheck has featured talent from the mid-to-late 1980s. This week, we jump ahead to July 2019 and Trey Morgan at New 102.7 New York City.

What I like about this is how Trey so effortlessly makes it sound like he is talking directly to one person. Helped in part by the station’s perfect PPM presentation, he begins each break as if it is just him and a friend having a conversation.

Enjoy Trey Morgan. There’s a lot to learn here.