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Manni Supreme Joins 96.1 The Beat Atlanta

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Market veteran and local influencer Manni Supreme is joining 96.1 The Beat, Atlanta, teaming with Jojo Alonso to host evenings.

Supreme previously hosted on Eminem’s Shade 45 Sirius XM channel as well as Hot 107.9 WHTA and Streetz 94.5 Atlanta.

Supreme said, “I’m beyond excited to join a team that excels through collaboration and shared success. It’s truly inspiring to be part of a group that works cohesively to achieve remarkable results at 96.1 The Beat! I look forward to connecting with listeners and the community not only in Atlanta but all across the state of Georgia!”

iHeartMedia Atlanta Program Director Vladimir Scott added, “I’m excited to welcome Manni Supreme to 96.1 The Beat! His dynamic energy and genuine passion for radio deeply connect with our audience and reflect the heartbeat of Atlanta. Manni truly understands the city’s culture, and I’m excited to see how his voice resonates with listeners and leaves a lasting impact on the community every week.”

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Aaron ‘Goose’ Seller Joins 99.7 The Blitz Columbus OH

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Aaron “Goose” Seller is joining Active Rocker 99.7 The Blitz, Columbus, OH, joining “The Morning Blitz” with Thick Rick and Kelly Quinn.

In November, Seller was downsized from W4 WWWW Ann Arbor, MI, in a round of Cumulus layoffs. (BMM 11/20/24)

Seller said, “I can’t wait to join Kelly and Thick Rick on The Morning Blitz! I fell in love with Columbus on my very first visit. A huge thank you to NABCO President Matt Mnich, VP of Programming Hal Fish, GM Brian Dytko, and John Crenshaw for the opportunity. I only have two goals in life now: 1) Make Columbus laugh every morning, and 2) Finish an entire ‘Thurmanator!’”

OM John Crenshaw added, “We were lucky to find someone with Midwestern roots, despite his recent work in ‘that state up north.’ His unique brand of humor (and ability to correctly pronounce ‘Olentangy’ and ‘Scioto’) make him the perfect person to lead The Morning Blitz.”

Other career stops include Detroit, Denver, Green Bay, WI, Colorado Springs, Ft. Wayne, IN, and Traverse City, MI.

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WRVA Morning Host John Reid Departs to Run for Virginia Lt. Governor

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WRVA morning show host John Reid has departed the Audacy Richmond news/talk station to campaign for Lt. Governor of Virginia.

Reid joined the station in 2017 and hosted The John Reid Show from 5:30-10 AM.

The announcement was not a shock to listeners or station management. In March of last year, Reid had shared he was exploring the possibility of running for the state’s second-highest office.

He made the announcement earlier this week that he was exiting the station to officially launch his campaign.

“I have spent my entire life and career — in public and behind the scenes — serving and advancing conservative values,” Reid said. “I am running to help continue what Governor Youngkin started, and to help elect Winsome Sears and re-elect Jason Miyares and to serve as a voice for all Virginians.”

If elected, John Reid would become the first openly gay statewide candidate in Virginia history.

“I’m the most conservative and proven candidate running, and I’ve boldly stood up for our believes in a way that should make my personal life a total non-issue,” he said in his announcement.

Reid’s father, Jack, served as a state delegate from 1990 through 2007.

Monday was Reid’s final program with WRVA.

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Bill Spadea Signs Off From New Jersey 101.5 to Focus on State Governor Race

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New Jersey 101.5 morning host Bill Spadea has signed off from his duties at the Townsquare Media news/talk station as he focuses on his run for the Governor’s office in the state.

Spadea has spent nearly a decade hosting mornings at New Jersey 101.5. But in June last year, he announced he would seek the Republican nomination for Governor in the state. As the primary begins to heat up, he is departing the news/talk station in an effort to spend more time campaigning for the state’s highest office.

Thursday was his final show with the outlet, and concluded it by sharing his appreciation for the station and his audience for his near-decade run.

“For years I would sign off, saying, ‘Don’t worry. I’ll be back tomorrow.’ But today, I’m going to say: I’m not coming back tomorrow,” Spadea said with a laugh. “I just have to say this has been an unbelievable run. I’m blessed to have had this experience. Onto the next chapter,” he concluded.

Spadea’s exit coincides with a challenge from his biggest competitor for the nomination — Jack Ciattarelli — who claims Townsquare Media and New Jersey 101.5 granted Spadea unfair benefits in the race. However, the station and host have previously won a challenge by Ciattarelli for similar charges.

Bill Spadea was recently ranked 21st in the Barrett News Media Top 20 Mid-Market Morning Show list.

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Marty Whitney Is Leaving 91X San Diego After Friday Show

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Alternative XTRA-FM 91X San Diego morning host Marty Whitney will exit the station after his show tomorrow (1/31).

This ends his second tour of duty at the station, where he had previously served as MD and evening host from 2003 to 2006.

A post on his Facebook page reads, “LMSD sold 100.9 BIG FM which landed me outside of their new staff mix. I’m READY to serve a music loving community and entertain an audience for a great media force who want great ratings on-air, a previous ALT station of the year PD, multi-format Music Director, major market imaging talent with sigma dadventure IG stories NOW. The last 91X show for now in my second tour of the station, first on 2003-2006, will be Jan 31st. 5:30-10A. I am forever grateful to be a tiny story in the long rebel history on 91X. Please, do continue to support, listen to the legendary 91X as Garett, Hilary, Danielle and Halloran continue the fight in San Diego!”

Reach out to Whitney here.                           

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

SiriusXM Reports Fourth-Quarter Earnings After Eliminating 100 Roles in Company

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Despite a 4% year-over-year decline of quarterly revenue to $2.19 billion, SiriusXM attained an increase in net income in its most recent financial earnings report. The company garnered $287 million in this category on the quarter, up 25.9% from the same period last year, while earnings per share rose to $0.83. Adjusted EBITDA on the quarter finished at $688 million, representative of a 4% decline from the $715 million it had generated during the same quarter in the last fiscal year.

The company primarily attributed a 2% decrease in the $2.73 billion of adjusted EBITDA for the full year to declines in subscriber revenue that were partially offset by lower costs of services, sales and marketing and various other disciplines. Nonetheless, the company was able to maintain an adjusted EBITDA margin of 31%.

Earlier in the week, SiriusXM eliminated approximately 100 roles across the company as the audio provider aims to focus its business towards car distribution rather than streaming. The company has been looking to find $200 million in annualized cost savings by the end of the year, planning to move resources away from “high-cost, high-churn audiences in streaming” and prioritize growing its “core-revenue generating segments.”

“At the end of 2024, we took significant steps to refocus on SiriusXM’s core strengths and enhance operational efficiency,” Jennifer Witz, chief executive officer of SiriusXM, said in a statement. “By prioritizing our core in-car subscription business, leveraging our streaming capabilities, and growing our leadership in ad-supported audio, we are well-positioned to deliver long-term value. Looking ahead, we are energized by the opportunities to build on this strategy and continue offering unparalleled audio experiences through our platforms.”

SiriusXM added about 149,000 self-pay subscribers in the quarter, a gain of 18,000 compared to the fourth quarter in FY 2023, while self-pay monthly churn diminished 1.5%. Although the company registered the quarterly increase in this category, self-pay subscribers decreased by 296,000 on the year, still representative of a year-over-year improvement after losing 445,000 self-pay subscribers in the year before. The company currently has a total of approximately 33 million total subscribers to its service as it offers an array of live programming to its listeners; however, it ascribed a 3% year-over-year increase in subscriber acquisition costs.

SiriusXM highlighted live sports as “a key differentiator,” which was highlighted by coverage of the 12-team College Football Playoff and the ongoing NBA season. The company also announced an agreement with ESPN+ in the fourth quarter that offers new and existing customers of both services the option to enter into bundles to access the services.

“I’m proud of the progress we made in 2024 to sharpen our strategy and strengthen our financial foundation,” Tom Barry, chief financial officer of SiriusXM, said in a statement. “We met our 2024 guidance targets, including adjusted EBITDA of approximately $2.73 billion with a solid margin of 31%, making strategic investments supported by disciplined cost management.

“In 2025, we are focused on generating $1.15 billion in free cash flow and achieving an additional $200 million in run-rate savings exiting the year, enabling us to continue investing in the business and returning capital to stockholders while reducing leverage. Our focus will remain on operational efficiency and ROI-driven decisions to ensure value creation going forward.”

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Jack Mitchell to Host Both Mornings and Afternoons at 1400 KLIN

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1400 KLIN morning host Jack Mitchell is adding afternoons to his plate at the NRG Media Lincoln news/talk station.

Mitchell has hosted mornings since 2006. Now, he’ll add afternoon duties in the 5-6 PM timeslot. He will step into the role vacated when Doug Fitzgerald exited.

The change in afternoons at 1400 KLIN is the third in less than a calendar year. In March 2024, Dan Parsons exited the station after 10 months of hosting The Dan Parsons Show in the timeslot. To replace him, the station added Fitzgerald, rebranding the show as Drive Time Nebraska. Doug Fitzgerald also hosts the nationally syndicated weekend talk show OneShot. OneLife. for Syndication Networks.

Now, Mitchell will host the program, which will be rebranded once again to its previous Drive Time Lincoln title. Rather than focus on opinionated talk from one side of the political aisle, Mitchell’s afternoon show will more closely resemble the LNK Today with Jack and Friends he hosts from 6-9 AM, with news updates and interviews with local leaders and community figures.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Comcast Raises Dividend for 17th Consecutive Year as Fourth-Quarter Earnings Beat Wall Street Estimates

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While Comcast reported large subscriber losses for its broadband services and diminished growth surrounding its Peacock direct-to-consumer product, the media conglomerate still topped fourth-quarter estimates set by Wall Street in its latest earnings report. The company generated $31.92 billion in revenue on $8.81 billion in adjusted EBITDA, the latter of which is up 9.9% year-over-year. Earnings per share moved to $0.96, indicative of a 13.9% year-over-year increase, while the company generated significant free cash flow with $3.26 billion in that category. Comcast returned $3.2 billion to its shareholders through a combination of dividend payments and share repurchases, contributing to a reduction of shares outstanding by 5% on the year.

The company augmented its dividend to $0.08, indicative of a 6.5% increase from the last fiscal year. As a result, the enterprise set a new annualized rate at $1.32 per share for the new year, marking the 17th consecutive year of increasing its dividend. The Comcast Board of Directors has also approved a share repurchasing program that takes effect on Friday, which authorizes the repurchase of up to $15 billion in shares.

“We had the best financial performance in our company’s 60-year history with record revenue, EBITDA and EPS along with significant free cash flow,” Brian L. Roberts, chairman and chief executive officer of Comcast Corporation, said in a statement. “Driving these results were the many accomplishments our teams have made across our six growth businesses, including 5% connectivity revenue growth in an intensely competitive environment, another 1.2 million mobile line additions, and a 5% increase in revenue for Business Services.

“We also had strong performance from our Studios, where we ranked #2 in worldwide box office, and at Peacock, where we delivered revenue growth of 46%, fueled by a diverse slate of sports and entertainment content, including the incredibly successful Paris Olympics.”

Comcast registered a loss of 31,842 video subscribers as its cable television business continues to shrink. The company recently introduced a new sports and news video bundle with Xfinity that grants users access to broadcast, cable news and sports channels, along with access to the Peacock streaming service. As it pertains to Peacock, revenue related to the platform increased 28% to $1.3 billion in the fourth quarter. Adjusted EBITDA losses improved by about $1 billion in the full year as revenue in this space moved to $4.9 billion. The platform broadcast an exclusive live-streamed NFL playoff game in January, helping contribute to the most-watched year for NBC Sports since 2016.

Media revenue registered gains attributed to higher domestic distribution revenue, which was up 5% on the quarter year-over-year to $2.89 billion. There was higher revenue recorded related to the distribution of sports networks as the company continues to move RSNs to higher-priced tiers, a stance that resulted in a three-month outage of Main Street Sports Group networks. The company also introduced its intent to create a publicly-traded company containing cable television networks and complimentary digital assets with an intent to become a substantive entity in approximately one year from its November announcement.

As a whole, the media subcategory generated the most remuneration in the content and experiences field to lead the concentration to $12.1 billion in revenue. Media also collected $298 million in adjusted EBITDA on the quarter, a 175.2% year-over-year increase driven by consistent programming and production costs with lower marketing and promotion expenses. Yet these were offset by higher expenses in other categories said to be related to severance on the quarter. The NBC Sports division will continue its broadcasts of various sports properties in the new fiscal year, including the NFL and Big Ten Conference, along with adding the NBA to its portfolio in the fall.

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David Field Was Part of Building a Great Radio Company Which Then Became Too Big Too Fast

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As a former Audacy employee, it was interesting to see the news about David Field deciding to step away. The first thing that came to mind is that this decision at this time is very fitting, because like a lot of things with Audacy, it’s probably a few years too late.

I don’t know David Field. I had dinner with him once and was around him on a couple of other occasions. Like most of the employees I knew in the company, I just always thought he was completely unrelatable. He rarely smiled or looked you in the eye and he sort of made you feel unimportant.

When I first started, the company was Entercom. Hardly anybody I spoke to about the possibility of going to work for them had anything bad to say about them. When I first met the team I would be working with in my market, I was blown away by how many long-term employees had been there. They all spoke highly of the company without prompting.

As I would find out shortly after starting, the person who was responsible for a lot of the success of the company then was Weezie Kramer. She knew how to demand a room, get your attention, motivate you and took absolutely zero bullsh–. Her credentials were well known, and she spoke from a place of having been there, done that. You weren’t going to slip something past her.

David came off to most people as robotic. He said little, most of it was written for him and his facial expressions always looked like he would rather be anywhere than in a room talking to employees.

When Weezie left or when Entercom took on CBS Radio, however you want to look at it, the company was exposed. To say they were not ready for becoming a giant radio company is the understatement of the century. It was a mess.

I moved markets, so I got to see it from two different angles. I started in a true Entercom market and then moved to a CBS-turned-Entercom market. The CBS staff I would speak to could not believe what had happened, almost immediately, to their company. The confidence was low and leadership just kept repeating the same things about how much the revenue had grown and used the word ‘scale’ a lot.

The company would brag about the strangest things. They would talk about how much the revenue of the company increased from the year before when they didn’t have the CBS stations. No kidding?

They would buy podcasting companies and then tell us how big of a podcasting platform we had grown. Grown?

They told us the salespeople were going to have a ‘best-in-class’ compensation plan. Any Audacy manager who was in the room when the company attempted to roll out the new plan literally got to see how bad things were live and in person. Nobody understood the plan or could explain it. Instead of gathering to talk about how to attack the future of a business headed in the wrong direction, we were all trying to figure out how in the world we were going to explain something to people when we had absolutely no understanding of it at all. Nobody took charge or responsibility.

Then COVID happened and it became even more important that a company have strong leadership. I don’t think most who were with Entercom during that time would tell you they felt strongly about what was coming down from the top. Managers would sit on calls each week and either listen to things that no longer pertained to their markets especially if you were outside the Top 10. They heard the same general things repeated over and over again.

This is a screenshot taken from a meeting in December 2020. Some of the same verbiage was used today.

Screenshot of David Field talking on a meeting with Entercom staff

I can point to other examples, such as the name change and the bankruptcy. Through it all, no matter what was happening, David and the senior leaders just kept repeating the same lines. You all know the memes with the fire burning in the background and the text, “Nothing to see here!”? There’s no better way to explain what it felt like.

You always heard about market conditions, but never heard David or anyone from leadership take responsibility. So what happened on Wednesday was inevitable.

With all of that said, the company still has a lot of great properties and some really good people. It just has to get out of its own way and become a company that leads from the front rather than doing the same things we have all seen iHeart struggle to have success with. I hope for the sake of the people I still know at the company that Kelli Turner can get the company back to more Entercom, less Audacy.

I have already written part of the solution in a previous column, but the company needs to take a hard look at some of the people in decision making roles and figure out if they are part of the problem or can be a part of the solution. If everyone is trying to figure out how to attract a different generation so radio/audio doesn’t lose them, perhaps there should be more people in high level positions who understand that audience.

When you become too big as a company, you lose touch with what is really happening in each market. You hire senior level managers who don’t want to rock the boat or work real hard, so they choose to just say ‘Yes’ to whatever you think. When I started at Entercom, everyone in the building knew Weezie, because that was the type of company Entercom was.

Somewhere along the line they lost that under David Field’s direction, so it was time for someone else to give it a try. The problem is that time was a couple of years ago.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Happy Anniversary SNL And Why Music Radio Should Care

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Last week, I recommended that radio folk might appreciate the look behind the show business curtain at “SNL” in the new Peacock documentary series chronicling their 50-year broadcast history both from a preparation standpoint and at how they’ve evolved with the times both in content and distribution.

Not surprisingly, I got a lot of feedback almost exclusively missing those points and instead complaining the show hasn’t been funny in 45 years and that anyone watching today is a liberal elitist welcome to America 2025.

Looking at my friend Mason Dixon! Teasing aside, another radio friend of mine, Fred Jacobs, also wrote about SNL this week, noting as Barrett Media hands out awards for best PD in multiple formats, Lorne Michaels (EP of SNL) may be the greatest programmer of all with his truly amazing ability to discover, nurture and promote talent in a creative environment thru the decades. It’s hard to argue with that!

I bring up “SNL” again this week because Peacock really is outdoing themselves in their retrospectives with the release of “50 Years of SNL Music” featuring an opening montage of artist performances beat mixed, pitch-corrected, and tight edited under the director of ‘The Roots’ Quest Love.

It is, to say the least, breathtaking and might just be the best “music promo” ever created. If you’d like to see it, we have the link on my morning show’s socials @robbyandrochelleradio. It’s well worth your time.

It reminded me what a lost art big, impactful imaging largely is that is creative, innovative, tightly edited, and edited again, that gives a show forward momentum. So much imaging like everything else on music radio these days is somewhere between just ok and white noise, does your imaging pop?

Are your promos grabbing the listener’s attention and creating a water cooler moment like Quest Love’s? SNL is an over-the-air legacy show like so many radio stations, owned by a big corporation; if we took a big swing like NBC/Peacock has been, we could be!

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.