Home Blog Page 1150

Hubbard Radio’s Dan Seeman and Phil Mackey Reflect on Turning an AM Sports Radio Station Into a Digital Giant

0

Happy Birthday to SKOR North. It was on this day six years ago when the branding of 1500 AM in Minneapolis changed to that moniker and set in motion what would ultimately become an entirely new way to distribute daily sports content. The brand has been led by Hubbard Radio Minnesota Vice-President/Region Manager Dan Seeman and host Phil Mackey.

To summarize what happened between the time SKOR North launched and what it has become, Seeman explained, “It started as an AM radio station that was creating a lot of content for digital and that then morphed into a digital property that was creating some content for AM. And that’s a big difference.”

The idea first came up in the fall of 2018. Seeman gives all the credit to Mackey who he said was often coming into his office asking how they could think differently about what they were doing and the distribution of the content. Seeman said at the time they were seeing research which showed only 20-25% of the market was getting content from AM radio.

“That’s a tough hill to sled,” Seeman said. “So, we were doing 1500 ESPN and really seeing where ears were going. And it was really Phil challenging me and him and others around us to think differently about how we do this.”

Mackey added, “We knew AM radio wasn’t going to be the solution 10 years from now to building audiences and connecting them to advertisers, which is what we do in this business, we build community, largely through audio, for a hundred years in the radio business. And then we connect them to advertisers and partners. And if we wanted to keep doing that and reach the bottom end of the demo, the younger end, 25 to 44 it was hard to pry them away from wherever they were to AM radio.”

The problem was clear, but the solution took some time to develop. Fortunately, Seeman, Mackey and the rest of the team working on SKOR North had support from ownership and were given the time necessary to work their way through it. The timing was good, too, as the company was very intrigued by the podcast space.

Mackey said he remembers Seeman saying to him that it was time to “take a chance and do something bold that no one’s really doing, which is build something digital off the back of an AM radio signal.

“And now it has morphed almost entirely into YouTube and podcast six years later, it’s kind of become untethered.”

As they look back on it all now that the concept has been more than proven, with social media, YouTube and engagement numbers to back it all up, Seeman said, “When I go back and look at the notes from what Phil was talking about, the vision and the mission really haven’t changed. And that’s extraordinary when you think about it. This idea was so crazy, it might just work, and it worked, and it is working. I look at revenue and I look at profitability. It works.”

While both Seeman and Mackey are incredibly proud of what they and the rest of the team have built, they are even more excited for the future. All signs point to continued success. “Here’s the best part of this story,” Seeman said, “the growth is unimaginable.”

From a content standpoint, the idea hit and grew fairly rapidly, it was the business side that took a bit to catch up. As the first ones in, they had the job of explaining what it was, how it would work and answering a lot of questions such as whether or not someone’s spot would run in afternoon drive on a podcast.

Today, there is a much better universal understanding of the way SKOR North distributes content which certainly helps. Seeman said the go-to-market strategy now is more about the fear of missing out and showing businesses how they can’t afford not to be in this space and in front of this audience.

Mackey said it’s been great to see clients who were skeptical about advertising on podcasts come back and talk about how they are blown away by the engagement from the SKOR North audience. Often times, while shows are going on, the audience is posting about specific show sponsors in the chat rooms.

“We have just seen this fire burning with the audience and the advertising partners,” Mackey said. “It’s unlike anything, at least in the 20 years I’ve been in this business, I’ve never seen it like this.”

From a content standpoint, those consuming the product have dictated what gets covered more and what is covered less. Ultimately, the fans decided they couldn’t get enough Minnesota Vikings coverage, so their main Vikings show, Purple Daily, became a show which airs 365 days a year.

As Mackey put it, “Why would we deprive the audience if they want more Vikings, and they want Vikings content on a Saturday in June? And that’s what they’re telling us, that’s what the metrics are telling us, that’s what the emails are telling us and the social media.”

Of course, once you have success others are going to try and replicate it. Mackey looks at all the digital sports content being produced today targeting Vikings fans versus when they started and sees at it all as a positive. “That competition brings more people to podcasting and YouTube and more advertisers to podcasting and YouTube,” he said.

The story of SKOR North is very much one in progress. Looking ahead, Seeman and Mackey see open field ahead. “There’s no cap on the digital world,” Mackey said. “So, if it makes sense for us in five or 10 years to have 20 different podcasts and 20 hours a day of content being created or whatever it ends up looking like, it’s fun to think about the fact that this is all uncapped space.

“The best thing you can do is build great brands and build audiences that are a community. And if needed, take them to wherever the distribution evolves and changes, then be nimble and be willing to pivot to those places.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Power Brokers: Josh Pyatt Wants to Help Clients Land High Profile Roles and Grow Successful Businesses with WME Sports

0

When Peyton Manning officially retired from the NFL after a distinguished 18-year career, he made it clear that he did not want to be a typical broadcaster. In speaking with Josh Pyatt, the co-head of WME Sports, he outlined a situation where he would be able to stay home on the weekends and work on Monday from his living room. This idea materialized into Monday Night Football with Peyton and Eli, the hit alternate broadcast that recently averaged more than 1 million viewers for its fourth consecutive season. The show was part of the formation of Omaha Productions, a growing media company that produces original audiovisual content disseminated to various partners.

Throughout his time with William Morris Endeavor, Pyatt has successfully actualized a vision to create distinctive media entities surrounding athletes. For example, he represents Los Angeles Lakers forward LeBron James on the entertainment side and helped proliferate the reach and scope of SpringHill Company. Moreover, he and his colleagues started working with international soccer star Lionel Messi and his 525 Rosario business to ensure that upon his retirement, he is able to step into a multifaceted media venture.

“I look at each client like they’re a business, and, ‘How do I grow that business?,’” Pyatt said. “Their business may just be in the broadcasting space, and that’s fine, and we figure out ways while they’re playing to kind of make sure they’re still doing things or they’re involved in things or they’re watching what’s happening in the marketplace.”

Pyatt does not consider himself to be a conventional broadcast or television agent, instead exhibiting characteristics of those focusing in both genres. While he has the ability to build and scale businesses for someone interested in cultivating a production company, he also knows how to ink deals for broadcasters with major networks. Furthermore, he is able to blend both of these enterprises to work on unparalleled portfolios for those in the business. For example, WME signed Los Angeles Lakers guard Kobe Bryant three years before he retired from playing basketball, and Pyatt understood that he did not want to do the same thing as other athletes.

“I was on the one-yard line of Kobe Bryant joining Turner as someone who was going to help them create programming,” Pyatt said. “Not be on Inside the NBA, not be on a basketball show – he was going to help them create kind of next-generation basketball analysis that helped educate and inform, and it all [fell apart] at the last minute, and ultimately, he ended up getting into business with Disney and ESPN+ and created Detail, which was a version of an idea we were talking about.”

Pyatt represents a variety of professional athletes and broadcasters who take part in studio programming, live game broadcasts and other projects, some of whom include Stephen A. Smith, Dale Earnhardt Jr., Kevin Burkhardt and Álex Rodríguez. In his role, he also shares oversight of the rest of the department, which consists of other clients in sports media and representation for collegiate and pro athletes. In the end, it is his job to gather information, present it to his clients and chart a path forward to determine how to achieve their individual goals.

“It’s on me to figure out what everybody’s doing, what people are looking for, crafting a strategy with my clients for what they want to accomplish,” Pyatt said “Then it’s knowing what the marketplace looks like so we can take that strategy and drive it home. It’s part of the areas of the job that I really like. It allows you to go out and learn a bunch of different things about a bunch of different companies.”

Upon graduating from Loyola Marymount University, Pyatt worked in finance for three years as investment banking and venture capital endeavors proliferated. Yet he had always been around sports and had friends who thought that he would become an agent. After three years in finance, Pyatt decided to explore a career in representation and wrote a letter to longtime WMA agent Steve Dontanville, an alumnus of his school. From there, he proceeded to call him once a week for nine months before Dontanville finally answered, took a brief meeting and hired him to work in the mailroom as a trainee, a tangible display of persistence and dedication.

“If you believe in something and you want to go do something, it’s not going to come to you,” Pyatt said. “You have to get up and you have to take it every day, and that’s kind of the way I’ve tried to model what I do. It is, ‘Every day, how do I get up and make my business better than it was the day before?’ so I just stayed on it.”

After some time in the business, he decided to explore sports representation and signed Michael Strahan in the early days of his time with FOX Sports. Although Pyatt does not work with him anymore, he has a profound amount of respect for Strahan and recognizes the impact he had with athletes exploring other genres. In addition to analysis on FOX NFL Sunday, Strahan started working on daytime television with shows such as Live! and Good Morning America.

“There’s not a lot of people who have the opportunity to be Michael Strahan where they’re a broadcaster, media personality, producer, an ambassador, and I think that’s the trick – finding those guys that are multi-hyphenates that can do all of those different things,” Pyatt said. “But at the same time, finding guys that are just broadcasters but are very good at that, making sure you all explore all the different opportunities for the different types of clients, and I think that starts candidly with listening to people.”

Pyatt was named the co-head of WME Sports in 2020 with Karen Brodkin, who looked to move back into the representation business after largely focusing on action sports, tennis and golf. The company had moved out of team sports such as baseball, football and basketball in previous years, but it detected an opportunity to return to the space and began systematically recruiting agents.

“The idea was, ‘How can we organically grow this?’” Pyatt said. “We weren’t going to go out and buy five or six other sports agencies. We were going to find the right people culturally that aligned with what we were looking to do, that were aggressive, that were animals, that wanted to go out and build a business and build it fast, and we started slowly but surely building this group and went from 40 people to over 200.”

In approaching a typical negotiation, Pyatt ensures he has knowledge about the marketplace and the desires of a client while searching for premium properties. For instance, he wants to have clients in golf working on The Masters Tournament since it represents a pinnacle of the sport. Additionally, he aims to work with the top echelon of professionals in whatever business they are working in and scaling businesses that can generate success in a variety of ways.

“I want them on high-profile opportunities getting paid as much as they can in the right situation with the right people because that’s how the network’s going to win, right?,” Pyatt said. “You look at Inside the NBA – that show works because those guys get along, and in turn because those guys get along, it works for the network and the network looks good and the network makes money, so it’s a triple asset.”

Whenever Pyatt is evaluating potential clients, he tries to find people who are entrepreneurial and have interest in growing a business. In order to effectuate that process, he ensures his clientele are speaking with subject-matter experts in relevant fields. Pyatt does not believe people can effectively represent themselves in the business, pointing to relationships, experience and previous mistakes that agents can leverage. With a proclivity to work, he remains focused on his existing client roster and also contemplates how to continue its growth.

“A lot of it is, now, working with the clients that we represent, which means really sitting down and spending time with them in the offseason when they can focus, and their attention span is directed at what we’re there to do and accomplish, and then what I try and do is work with the people in their lives to move the ball down the field,” Pyatt said. “Each one of these guys has someone in their life that is helping them. My job is to work with them to create opportunities so that when they are not playing their sport, whether that’s an offseason or when they retire, that we have already started the process, that we’re already down the field.”

Over the last several years, a variety of technology firms and digital media companies have been involved in conversations surrounding sports media rights. Amazon’s Prime Video recently added a marquee property in the NBA to its overall portfolio, which had included the NFL on Thursday Night Football for the last three seasons. Pyatt has also evinced what Netflix is doing with its foray into live sports, airing events such as the NFL Christmas Day doubleheader, Paul-Tyson fight and Monday night editions of WWE Raw. All the platforms have their differences, he said, but they have collectively helped augment the number of total buyers who are interested in hiring media talent.

“The changing of the business dynamic in terms of the impact streaming has had on the building, I think that’s probably the scariest and most exciting [thing] all at the same time,” Pyatt explained. “It’s creating opportunities, [and] it’s taking away other opportunities.”

Sporting events were responsible for 80 of the 100 most-watched television shows in 2024, demonstrating the value the competition has in attracting audiences. Seeing that Game 5 of the World Series made the list, along with incontrovertible growth in women’s sports and college football, were encouraging signs for Pyatt entering the new year. As WME Sports aims to work with best-in-class clients and defy the odds in building businesses, Pyatt looks forward to being immersed in sports media in the present moment while molding a canvas for tomorrow.

“The business is changing,” Pyatt said. “I enjoy learning about those changes and finding clients that I feel like are interesting and that I get excited about. I think working with new clients that I’m a fan of allows me to look at it in a way that keeps me excited in the business, and if I’m not excited, I won’t do it anymore.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

‘Honky Tonkin With Big D & Bubba’ Is A Labor Of Love

0

Derek “Big D” Haskins and Sean “Bubba” Powell host the Nashville-based “Big D & Bubba Show.” Compass Media Networks syndicates the show to over 100 stations. Additionally, the show is broadcast to 177 stations worldwide through the Armed Forces Radio Networks.

The duo recently took over hosting “Honky Tonkin’ With Big D & Bubba,” previously “Honky Tonkin” hosted by Country star Tracy Lawrence.

I caught up with the duo to pick their brains about the show’s success as well as the addition of “Honky Tonkin’ With Big D & Bubba.”

The duo got together in 1996 at WTGE in Baton Rouge. According to the Big D, the show was a little rough in the beginning.

“We were pretty bad. I mean, really bad, really unlistenable, and it took us a little while to get stuff ironed out. Finally, we kind of figured it out. It took us three to four months I knew where we wanted to go. We sorted it out and figured out that this is the kind of show we want to be.”

“They tasked us with trying to figure out the best way to do this multi-city stuff, and so we experimented, made mistakes, figured it out, made more mistakes, and it’s funny because we started off doing pure voice tracking, and then we realized that oh, no we can do this in segments.”

“We broke radio. We started doing segment shows and showed that you can do basically one show for most markets and then fill in the gaps with local content.”

“Amarillo was our first affiliate. “Now we are on 100 plus radio stations plus the official Country morning show of the United States military on Armed Forces Radio.”

The show is unique in that it is done live in real time allowing for callers and interaction with the listeners.

“There are people in radio who are doing it when they can, and we’re doing it when the show is on, so when you can call us. It’s weird to say that we actually have phone calls, and that’s a selling point now. And there’s a reaction. It’s interaction,” said Bubba.

“It’s happening right now. The great thing about radio is that everyone can experience it at the same time, and it’s dynamic, so it’s changing. So, a caller calls in and says, Hey, I’m on the side of the road. How do I change the thing for the tire pressure or whatever.”

“Then someone will call in, and then someone else calls in, and then we get resolution, and you got a bit that happened in 35 minutes real time with real callers from around the country.”

With a worldwide audience, being funny may not always be appropriate. So, how do they handle something like the Los Angeles wildfires?

“We have people driving on the 5 around Santa Clarita who have checked in and given us real-time reports. It’s the same with the flooding in North Carolina and the hurricanes on the Gulf Coast or wherever the tragedy is. We have a station there.”

“We have a lot of real-time information coming in as a man-on-the-street type thing instead of being presented by a news reporter. One of our listeners is in the car, going, “Hey, I’m driving by the fire.” I can see it from the car now. It’s getting a little close.”

As the show evolved, so did the idea of adding characters to the cast. Jessica “Carsen” Humphreville joined the show, bringing a female voice and perspective.

“Adding Carson was a big deal in the early days of doing the show. Everybody felt like, oh, you need a female voice, and we fought it, and we fought it and fought it, and then one day we went, you know, we need a female voice,” said Big D.

“We needed another opinion but didn’t want a giggle box. We wanted somebody who would be just as strong, just as vocal, and just as steadfast as the two of us who also understood the ins and outs of radio, the formatics of how to make a bit work, and Carson was it.”

“We looked, we looked for a while, and she was the absolute best person for the job. There was no question about it. I’m saying Carson is the best female in radio.”

The duo recently took over hosting duties for the weekend syndicated program, “Honky Tonkin With Tracy Lawrence,” rebranding it “Honky Tonkin’ With Big D & Bubba.”

“We tried to convince him to stay on, but he’s got a lot of really good stuff going on in his life, and we’re so excited about it, so we looked at all the options,” said Bubba.” Who can we bring in?”

“We looked at other artists from that era and talked to several radio people that we reached out to as well. One day, Big D’s wife Kathy said, ‘Why don’t you and Bubba host it?’ The thought had never even occurred to us because we already have enough on our plate.”

“The show has not skipped a beat. Our very first guest on the show was actually Tracy Lawrence. We followed up with Mark Wills and then went on to it. It’s a very organic and very fun show.”

Playing and interviewing 90s artists means coming full circle for Big D & Bubba.

“We love that music. That was the music when we started in 96, and we would play 80s, 90s, and 2000s on that show. We had so many friends who are artists that got their start in music on our show, and now they’re coming back, and we’re talking about great stories from Mark Wills or Tracy Lawrence, all the greats of Country music in that era.”

“It’s cool to reconnect with a lot of these guys because we haven’t seen them in a bit, and they’re like, oh my gosh, you are my very first interview. I can’t tell you how many. If we called ten people, at least five would say you were my first radio interview, and I’ll never forget it.”

Those relationships will allow “Honky Tonkin’” to be a labor of love.

“It’s almost like having a hobby, but like really enjoying and having a passion for something and doing it on the weekends. It’s a lot of fun, and the music is hotter than it’s ever been in that era. We’re proud to be leading the way.”

Listen to Big D & Bubba here.                       

For syndication information on either show, contact Compass Media Networks.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Why News/Talk Radio — From the C-Suite to the Producer’s Booth — Should Lead the Push to Reverse TikTok Ban

0

Barring a last-second miracle, TikTok is set to be banned this weekend. And, in my opinion, news/talk radio should lead the charge to reverse that decision.

News/talk radio has a long history of advocacy, including political advocacy. One of the best non-candidate examples of that is the early 2000s campaign launched by SuperTalk 99.7 WTN host Phil Valentine to stop a plan by the state of Tennessee to implement a state income tax.

Now, while I wouldn’t want a similar situation — residents famously defaced the state capital building — to unfold with the TikTok ban. Still, the ultimate outcome of reversing its demise would be a welcomed one for me.

I’ve grown to love TikTok. Not because I’m some sort of Chinese Communist Party spy hellbent on the downfall of America. But because the algorithm shows you what you like, not what you don’t. I’ve learned countless new recipes, been exposed to podcasts that I never would have seen without the app, and have found comfort in watching things I like be put right in front of my thumbs with the utmost ease.

Are there downsides to the app? Certainly. My attention span is significantly shorter than it once was. And it wasn’t long to begin with. I now find myself dumping out of uninteresting content much quicker than I did before I was addicted to a short-form video app. But, overall, the positives far outweigh the negatives in my book.

For Radio Executives

Companies are always looking for the “13th month” or for extra non-traditional revenue sources. Digital video is a great avenue for that. YouTube and TikTok CPM’s are actually pretty good, and if you can capture your content in an effective way for a TikTok audience, which you’ve prioritized, built, and grown, the money is going to be pretty good.

How many times have you ever heard someone say “No, we don’t need another revenue source”? Never? Exactly. Take every opportunity you can to turn content into cash. TikTok is a tool.

For Program Directors

Several podcasts — from Theo Von to The Basement Yard to The Broski Report to Bad Friends — have seen their profiles grown almost exclusively from clips on TikTok. New Heights with Jason and Travis Kelce is now one of the largest podcasts on the planet. Why? Well, one, because Travis Kelce dates Taylor Swift. But two, because they’ve used TikTok to hook people.

What better way to bring younger members of the demo to your station, shows, and brand than by being on an app they use daily. Especially in diary markets where brand recall is insanely important, the days of simply relying on saying the station name on the air a bunch are over. You have to be where the audience is. And a larger chunk of your audience than you might expect — both current and future — are on the app.

Plus, it’s a good proving ground for perspective talents. Digital video isn’t going away anytime soon, whether TikTok is banned or not. There will still be YouTube Shorts and Instagram Reels to contend with.

But having up-and-coming talents begin to hone their craft in short-form video clips allows a low-pressure chance to learn, grow, and discover who they are as a host. It generates social content, which generates revenue, builds your audience, and allows you to scout the future of your brand. It’s a rare triple win.

For News/Talk Radio Hosts

If you ask politically minded college students who are some of the most relevant people in the space, do you know who they will likely tell you? Charlie Kirk. Why? Because he committed to reaching young voters and those interested in politics with his campus tours and his use of TikTok.

I’ve said before and I’ll say it again: If you don’t exist on YouTube, you don’t exist to people 35 and younger. And if you don’t exist on TikTok, you don’t exist to people 25 and younger.

There are fewer relevant platforms in 2025 than TikTok. If news/talk radio hosts want to remain relevant — and who doesn’t? — you need to be on the app. Sure, you might be able to continue to ride your current audience for another decade or so, but if you are a host like Charlie Kirk, or on the local level, and you’re younger than roughly 50, you need to start thinking about how you’re going to incorporate today’s 35-year-old to still be a consumer of your content when they’re a 50-year-old.

Simply trusting AM/FM radio isn’t going to get it done. TikTok can be a big driver for that. Charlie Kirk’s relevance today is partially built on the app. It is something worth emulating whether it be on the local or national level.

For Producers

Producers are always scouring the internet for content. TikTok is such a fantastic avenue for it. Especially once you get your algorithm trained to feed you things you can use in a news/talk environment. Everyone has an opinion on everything today. But the advantage of TikTok is it isn’t a Facebook comment or post published to X that needs to be read by your host. There’s audio of someone’s opinion on any given topic available at your fingertips that you can turn into clips for your show.

It can serve as a great jumping-off point for a segment or to get the reaction of your host. It couldn’t be easier.

—–

To be frank, I’ve always hated the “slippery slope” metaphor because it begs the question “Where does it end?” The answer is always “somewhere.”

But I truly believe banning an app like TikTok is a slippery slope. For a medium that has hung its hat on championing free speech, the idea that a platform could be banned because of who it is owned by — and I realize its ownership isn’t a feature, but the point remains — should be concerning for those who continually talk about their want of limited government and free speech. Countries that are committed to free speech don’t ban apps.

Ultimately, TikTok is a content creation tool. As content creators, we should be at the forefront of opening up new avenues for our consumption.

Also, I’ve always believed in the idea of going where the party is, rather than trying to create your own party. And right now, the party is on TikTok. But the party is about to be busted up if you don’t do something about it.

So, party on. We, collectively, have a strong enough voice to influence those who have the power to change the decision. Use it.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Radio Leaders Question Nielsen PPM Measurement Flaws in Midst of Los Angeles Wildfires

0

As wildfires raged in the Los Angeles area last week, it’s doubtful — even for radio programmers — that the Nielsen PPM measurement was at the top of their minds.

Thousands of people in the region were forced to evacuate, some with no warning, as wildfires ravaged the area. In the chaos, it seems logical and likely that listenership for stations like KNX News, KFI-AM 640, 790 KABC, and 1580 KBLA grew exponentially as citizens searched for important information about the spread of the blaze, evacuation information, and important next steps.

However, it’s unlikely that those stations will receive credit for those listening spikes due to the PPM measurement utilized by Nielsen in the market. The portable people meter worn by panelists in the market probably wasn’t high on the list of things to remember before evacuating, one leader granted anonymity remarked.

“People aren’t going to grab their meter when they rush back into their homes to get their belongings in a situation like that,” a major market program director told Barrett Media. “They just aren’t. Your meter isn’t going to be in the same category as grabbing photo albums or other keepsakes. Which is a shame, because the stations like KNX and KFI did tremendous work when I checked in on them. But they’re not going to get credit. And I think that’s wrong.”

“The system is broken,” one radio executive, granted anonymity to speak more freely, told Barrett Media. “Thousands of listeners are going to turn to those stations for information, and they won’t get credit. They’ll look at the returns and see a drop instead of a jump. Broken. It’s just broken.”

Nielsen recently changed the amount of time needed — to three minutes instead of the previous five — to earn a quarter-hour of listening. But when the meters aren’t with panelists, the length of the tune-in doesn’t matter. And in spite of the thought process being that listening went away from other stations, there’s no real discernable way to state what accurate ratings information looked like for stations covering the breaking news situation.

“What matters most is that radio was there,” another radio executive granted anonymity shared. “When people needed us, we had the information and were a reliable way to get life-saving details on what residents should do and what they needed to know.”

The radio leaders we spoke with added that this situation — a nearly unprecedented one that featured fires emboldened by Category 1 hurricane-level winds — should be the latest example of why Congress should enact the AM Radio for Every Vehicle Act.

“Cell phones were largely unusable at key times,” one of the executives mentioned. “You couldn’t count on social media. You couldn’t count on your cell phone. But you could count on radio, especially AM radio. So, it’s just vitally important that AM radio remains a vessel for the public to get and share information.”

When asked if there was a better measurement possibility in mind, the leaders each admitted that there is no fool-proof, slam-dunk way to measure audiences that will showcase the most accurate results. But they all agreed that what transpired in Los Angeles — from a news/talk radio standpoint — highlighted the power of the medium and industry, and hope those who relied on the stations in life or death situations will continue to listen in the future, too.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Kevin Harlan Nearing Deal with Amazon’s Prime Video to Join NBA Coverage: Report

0

Kevin Harlan is reportedly closing in on a deal with Amazon’s Prime Video to join its rotation of play-by-play announcers when it commences coverage of the National Basketball Association later this year. Harlan, who currently works for TNT Sports as a play-by-play announcer on its NBA coverage, would serve as the No. 2 play-by-play announcer on the broadcast property.

In addition to his work with TNT Sports, Harlan also calls NFL games for CBS Sports and Westwood One. The news of closing in on a deal between Harlan and Prime Video was first reported by Andrew Marchand of The Athletic. Amazon declined comment on the matter to Barrett Media.

If a deal is completed between the two sides, Harlan would reportedly be joining a play-by-play rotation with Ian Eagle serving as the lead announcer on games. Under its forthcoming 11-year media rights deal with the NBA, Amazon will distribute 66 regular-season games and also present contests throughout the Emirates NBA Cup, including the championship game of the in-season tournament. The company will also broadcast all six SoFi NBA Play-In Tournament games and six Conference Finals over the length of the deal. Amazon is reportedly paying $1.93 billion per year for this media rights deal.

Harlan has called regular-season NBA games for TNT and TBS since the 1997-98 season, and he also served as the voice of the Minnesota Timberwolves for nine years on KFAN-AM. His first job in the sports media business was calling games for the Kansas City Kings working on radio and television at 22 years old. Outside of his basketball work, he was the former radio voice of the Kansas City Chiefs and has been broadcasting NFL games nationally with CBS Sports since 1998. Harlan had worked at FOX Sports for four years prior to that when the network landed broadcast rights to the NFC.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Amazon’s Prime Video Averages 22.07 Million Viewers for Exclusive NFL Wild Card Matchup

0

The exclusive presentation of the NFL Wild Card round matchup between the Pittsburgh Steelers and Baltimore Ravens averaged 22.07 million viewers on Amazon’s Prime Video and local affiliates, according to data from the panel only measurement from Nielsen Media Research. The AFC North divisional matchup finished as the most-watched game of the NFL on Prime in the three years of the broadcast property. This broadcast peaked with 24.66 million viewers during the 9 to 9:15 p.m. EST quarter hour, indicative of the highest peak audience for an NFL Wild Card game airing on Saturday night since 2022.

Viewership for the game on Saturday was 67% higher than the season average for Thursday Night Football of 13.2 million viewers. Moreover, the contest was up 28% from the previous all-time record for average viewership for the NFL on Prime, which took place last month when the Green Bay Packers visited the Detroit Lions. Viewers in the Persons 18-49 demographic averaged 9.54 million, representative of an all-time high for the NFL on Prime. The company also set a new record in the Persons 18-34 demographic with an average of 3.98 million viewers. Al Michaels, Kirk Herbstreit and Kaylee Hartung were on the call for the game, finishing their third season as the broadcast team for NFL games on Prime Video.

The pregame show ahead of the Wild Card matchup averaged 2.03 million viewers, up 33% from the season average for TNF Tonight (1.53 million). Additionally, the postgame show was up 74% from the season average for TNF Nightcap (2.04 million), garnering an average of 3.54 million viewers. Charissa Thompson, Andrew Whitworth, Tony Gonzalez, Richard Sherman, Ryan Fitzpatrick, Taylor Rooks and Albert Breer took part in this programming throughout the night.

The game broadcast finished short, however, of the 22.86 million Peacock attained on its exclusive Saturday night Wild Card matchup between the Miami Dolphins and Kansas City Chiefs, which also aired on local affiliates in markets of the participating teams. Nonetheless, the matchup was up 7% year-over-year from the Saturday night Wild Card game in 2023 when the Los Angeles Chargers faced the Jacksonville Jaguars, a game that went down to the wire and averaged 20.61 million viewers on NBC.

Compared to all exclusive streaming games, the contest ranks fourth all time, finishing behind Dolphins-Chiefs and both NFL Christmas Day games airing on Netflix. This is the final game of the NFL season that is airing on Prime Video, officially completing the season of broadcasts under its 10-year media rights deal with the league reportedly worth $1 billion per year.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

WEEI Boston Announces Programming Updates; Ted Johnson and Nick ‘Fitzy’ Stevens to Join Afternoons with Andy Hart

0

Audacy today announced a series of programming updates for WEEI in Boston. The station will have a new afternoon show, as they welcome three-time NFL champion Ted Johnson as afternoon show co-host alongside Andy Hart and Nick “Fitzy” Stevens, who is expanding his role. The trio will be heard weekdays from 2:00 p.m. to 6:00 p.m. ET beginning January 21. Johnson will also co-host “WEEI Football Sunday’” with Christian Arcand, Meghan Ottolini, Chris Scheim, Tom E. Curran, Stevens, Hart and Jermaine Wiggins during the NFL season.

Former afternoon show co-host Christian Arcand will host nights weekdays from 6:00 p.m. to 10:00 p.m. ET.

“Ted not only hoisted the Vince Lombardi trophy 3 times as a Patriot, but he also played alongside new Patriots Head Coach Mike Vrabel,” said Mike Thomas, Senior Vice President and Market Manager, Audacy Boston in a release. “After his playing days, Ted honed his broadcasting skills in Houston and back here in Boston. He has entertaining stories and valuable information that all Boston sports fans won’t want to miss. Fitzy has been an asset to the station and we’re excited to expand his role to ‘WEEI Afternoons’ with his knowledge as a die-hard Boston sports fan.”

“I had the good fortune of playing on some incredible teams in my 10-year career, and now, 30 years later, I’m thrilled to announce I’ll be a part of another great team at WEEI,” said Johnson. “I’ll never take for granted the relationships I’ve formed and the awesome experiences I’ve shared with the fans here, and I look forward to strengthening those connections through the WEEI airwaves. I appreciate the unique opportunity Mike Thomas, Mark Hannon, Jeff Sottolano and Ken Lairdhave given me. I look forward to talking to y’all soon!”

The WEEI weekday programming lineup will now look like this:

6:00 a.m. – 10:00 a.m. ET: “Greg Hill Morning Show”

10:00 a.m. – 2:00 p.m. ET: “Jones & Keefe”

2:00 p.m. – 6:00 p.m. ET: “WEEI Afternoons”

6:00 p.m. – 10:00 p.m. ET: “Christian Arcand”

Johnson joins WEEI after serving as an on-air host for 98.5 The Sports Hub since 2018. Upon his retirement from the NFL in 2005, he began his professional media career at CBS Boston doing pre- and postgame shows for the Patriots.

Stevens is a Massachusetts native with a passion for Boston sports. He joined WEEI in the summer of 2019 and has hosted shows across every daypart at the station, including “The 6 Rings Postgame Show” with Hart after every Patriots game.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

NBC and Peacock Draws 29 Million Viewers for Commanders & Buccaneers NFL Wild Card Game

0

Early returns for the NFL’s Wild Card Weekend are coming in and NBC has some big numbers for its game. The company announced today that 29 million viewers tuned in to see Jayden Daniels and the Washington Commanders’ thrilling last-minute victory over the Tampa Bay Buccaneers. 


Combined with last week’s Week 18 showdown between the Minnesota Vikings and Detroit Lions, this marks the first time NBC has topped 28.5 million viewers in consecutive weeks since the 2012 London Olympics.

NBC will have its final NFL game broadcast of the season coming up on Sunday when the Los Angeles Rams travel to Philadelphia to take on the Eagles. The game is set to kickoff at 3 p.m. ET with Mike Tirico, Cris Collinsworth and Melissa Stark on the call.

Philadelphia is 8-1 at home on the season and are currently a six point favorite in the game.

Moving forward, the NFC Championship game will be aired on FOX with the AFC Championship airing on CBS. FOX will have coverage of the Super Bowl this season, which will feature Tom Brady in the booth along with Kevin Burkhardt.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Salem Media Group Rebrands 1400 The Patriot to 92.7 The Answer in Detroit

0

Salem Media Group has made a series of changes in Detroit affecting 1400 The Patriot, as the station will now be known as 92.7 The Answer.

The station had previously been heard on an FM translator at 101.5, which has a smaller footprint than the 92.7 FM frequency.

With the change to the new FM home, the station takes on similar “The Answer” branding many of the company’s other conservative news/talk stations utilize.

The Salem Media Group station Faith Talk 1500, which had previously occupied the 92.7 FM signal, will now be heard on 101.5 FM, which focuses its attention to the northern portion of the Detroit market.

No changes will be made to the 92.7 The Answer daily lineup, which includes several shows from Salem Radio Network, including Hugh Hewitt, Mike Gallagher, Charlie Kirk, and Larry Elder, among others.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.