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The Osmonds Founding Member Wayne Osmond Passes Away At 73

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Wayne Osmond, renowned singer, guitarist, and founding member of the successful family music group The Osmonds, has passed away at the age of 73.

The Osmonds gained fame in the 1970s with hit songs including “One Bad Apple,” “Yo-Yo,” and “Down By the Lazy River.”

Brother Merrill Osmond announced the news on Facebook.

Brother Donne shared on Instagram.

Since the 1960s, the Osmond family has been in the entertainment industry. Initially, siblings Alan, Wayne, Merrill, and Jay formed a barbershop quartet. Over time, they expanded their act by including younger brothers Jimmy and Donny Osmond, further solidifying their presence in the music scene.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Ratings Roundup: CNN Tops All of Cable on New Year’s Eve, Cable News Channels Earn 3 of Top 4 Total Day Networks in 2024

The Lead

CNN has invested plenty of resources into its New Year’s Eve programming in recent years. And while their ratings were down slightly this go around, the network still led all of cable television in the ratings during the final moments of 2024.

The network’s coverage — anchored by Anderson Cooper and Andy Cohen — earned an average of 1.9 million viewers from the 8 PM-12:30 AM window, with each later segment growing throughout the evening. Between 11 PM and 12:30 AM, the network saw an average audience of 3 million viewers, with a peak of 3.7 million from 12-12:30 AM according to Nielsen figures.

Additionally, CNN said that its streaming home on the Max platform saw its fourth-best day in history on New Year’s Eve, finishing behind election night and the two presidential debates, which all took place earlier in 2024.

ABC’s Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest 2025 was the most-watched program of the day. The late-night portion of the program averaged 17.9 million viewers, peaking at 21.5 million as the ball dropped to end 2024.

Cable News Reigns Supreme in 2024

2024 was always primed to be a big year for the television news business. But for Fox News, CNN, and MSNBC, it might have been even bigger than expected.

For the duration of the year, Fox News was the top cable network in both total day (1.5 million) and primetime (2.4 million) viewership according to Nielsen.

Meanwhile, MSNBC was second in total day with 791,000 viewers, and third in primetime with 1.2 million. CNN was fourth with an average of 481,000 total day viewers. It dropped to seventh in primetime, however, with an average of 685,000.

The only non-cable news channel to earn a top-four finish in the total-day ratings was ESPN, with an average of 672,000 total-day viewers.

Other cable news channels like Newsmax — 26th in the primetime ratings with 283,000 viewers on average — and NewsNation, which averaged 100,000 primetime viewers (61st), also saw good finishes during the year that featured extensive news programming and events like the Republican and Democratic National Conventions ahead of the 2024 election.

NewsNation Sees Late 2024 Victories

NewsNation saw the completion of its 24/7 cable news lineup in 2024, and it scored some late wins during the year as it bested CNN and MSNBC at times during the final weeks of the calendar year.

On Sunday, December 22nd, NewsNation Now Weekend beat MSNBC’s Alex Witt Reports in the key Adults 25-54 demographic during the 1-4 PM ET timeslot. The network beat MSNBC in the same demographic the previous Sunday for seven hours total.

Additionally, the day after Christmas saw a pair of wins for NewsNation as re-airs of its shows hosted by Ashleigh Banfield and Chris Cuomo earned wins over CNN programs from Erin Burnett and Kaitlan Collins in the Adults 25-54 demographic.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Main Street Media Acquires Six Stations In Eastern Tennessee

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To enhance its broadcast portfolio, Main Street Media LLC has completed the acquisition of six radio stations in Crossville, Tennessee, from PEG Broadcasting LLC.

The transaction includes WPBX-FM (99.3), WOWF-FM (105.3), talk WAEW-AM (1330), and Sports WCSV-AM (1490), along with two translators.

PEG Broadcasting, under the leadership of Dawn and Reed Shaw, decided to sell its radio stations as part of a strategic move away from the broadcasting industry.

Following this sale, the company will have no remaining interests in broadcasting, marking a significant shift in PEG’s operations and closing the chapter on its involvement in the radio broadcasting sector.

Main Street Media, led by Chad Graves and Scot MacDonald, is expanding its presence in the Tennessee radio market through the recent acquisition. The company currently operates several radio stations in McMinnville, Morrison, Sparta, and Spencer, indicating a strong growth trend in regional broadcasting.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Adult R&B ‘Magic 97.3’ Debuts In Bryan/College Station TX

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Bryan Broadcasting has transitioned its Southern Gospel  “Gospel 97.3,” 1510 KAGC Bryan, TX, to an Adult R&B  rebranding it as “Magic 97.3.” The station will be anchored by “The Steve Harvey Morning Show,” which will debut on January 13.

Bryan Broadcasting Vice President and General Manager Ben Downs said, “We’re always evaluating how our stations can best serve the community and attract the largest number of listeners. Over the years, we’ve changed formats to give us WTAW as a news talk station, KZNE as sports, and our Willy classic country stations. We believe that this new R&B format serves a part of the community that is underserved, and we hope to reach them with this new Magic music format.”

“We will continue our pledge to serve the community with the new format for KAGC, and we believe we can attract a new group of listeners to the local, community radio Bryan Broadcasting is known for.”

Core artists include Mary J. Blige, Usher, Luther Vandross, Aaliyah, October London, and Tony! Toni! Toné!

Programming Operations Manager Rob Mack remarked, “We are thrilled to bring Magic 97.3 to the Bryan-College Station area! This will be a fantastic new radio choice for listeners, featuring several decades of timeless songs and the best of today’s R&B.”

“As with all of our local radio stations, as we build Magic 97.3, we will be involved with our community as well, not just playing great music, but spotlighting things that are important to people who live here. Of course, it’s all free…just turn on Magic 97.3! Steve Harvey and his team have the #1 morning show in America, and we are proud to bring this award-winning show to local listeners. Plus, one of the show’s hosts, Nephew Tommy, is an Aggie!” added Mack.

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NHL Winter Classic Draws Under 1 Million Viewers on TNT, truTV

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Airing on New Year’s Eve this year, the NHL Winter Classic between the St. Louis Blues and Chicago Blackhawks averaged its smallest audience in the history of the game. The matchup, emanating from Wrigley Field in Chicago, drew 920,000 viewers on TNT and truTV, marking a 16% year-over-year decline, according to Jon Lewis of Sports Media Watch. Peak viewership for the matchup finished at 1.2 million viewers in the 6:45 p.m. EST quarter-hour.

Last year’s NHL Winter Classic between the Vegas Golden Knights and Seattle Kraken from T-Mobile Park averaged 1.1 million viewers, which represented the previous low point for the game. Yet that game and other iterations of the NHL Winter Classic generally aired on the first two days in January, but it reportedly moved to New Year’s Eve to avoid games within the expanded College Football Playoff.

The game accrued a 2.5 rating on linear television in the Chicago marketplace, down from the 5.8 mark registered by the locale when the team appeared in the 2019 version of the game airing on NBC. NHL Winter Classic games had averaged at least 3 million viewers in every year from 2008 to 2015, but over the last decade, the ratings have been on the decline. Over the last four seasons, TNT Sports has presented the game on its cable television network and has also made the matchup available to stream on Max.

Kenny Albert, Eddie Olczyk, Brian Boucher, Darren Pang and Jackie Redmond took part in the live game broadcast of the NHL Winter Classic airing on TNT and Max. The NHL DataCast concurrently presented the game on truTV and Max with John Forslund, Colby Armstrong and Mike Kelly on the call. TNT Sports also aired its NHL in ASL broadcast on Max with Jason Altmann and Noah Blankenship. The studio team, consisting of Liam McHugh, Paul Bissonnette, Anson Carter and Wayne Gretzky, broadcast live outside of Wrigley Field before and after the game on TNT, truTV and Max.

Warner Bros. Discovery is currently in the midst of a seven-year media rights contract with the NHL for a reported $225 million per year. The TNT Sports division will broadcast the Stanley Cup Final to conclude the 2024-25 season, marking the second time the game will be presented by the media conglomerate. Games throughout the 2023 Stanley Cup Final between the Vegas Golden Knights and Florida Panthers aired on TNT, TBS and truTV (excluding Game 5, which was on TNT and truTV) and averaged 2.6 million viewers.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

‘Babchik’s Morning After’ Moved to 6 a.m. EST Saturdays on SiriusXM Mad Dog Sports Radio

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SiriusXM Mad Dog Sports Radio has announced that it will air the Babchik’s Morning After program to 6 a.m. EST Saturdays on Mad Dog Sports Radio. The show re-airs at 6 p.m., 8 p.m. and 10 p.m. on Saturdays as well. Mike Babchik, who has worked at SiriusXM Mad Dog Sports Radio since the launch of the channel in 2008, hosts the program reviewing everything that has taken place on its airwaves over the week. The show previously aired one hour later on the channel; however, it has been moved coinciding with the addition of Patrick McEnroe’s new tennis show, titled Holding Court, available on SiriusXM satellite radio and the app.

During the weekday programming hours, Babchik is part of the four-hour morning drive show with Damon Amendolara that airs at 6 a.m. EST. Before he started hosting with Amendolara, he was working on the Morning Men show for parts of three years with Evan Cohen and Willie Colon. Babchik was a producer for the first show in the history of the station hosted by Christopher “Mad Dog” Russo.

Babchik’s weekend show explores the intersection of sports, pop culture and entertainment through discussions about a variety of topics pertaining to the station and other issues at large. In an interview with Barrett Sports Media last year, he articulated that the culture of the station begins with Russo, who goes about excoriating the station lineup on his show. Babchik also conveyed that there is synergy with midday host Cody Decker that he believes has turned into “a beautiful rivalry.” 

Babchik has been working with Amendolara on the morning program, titled The D.A. Show with Babchik, since October 2023, and the program broadcast from Media Row in Las Vegas ahead of Super Bowl LVIII last February. The morning show ranked No. 19 on the BSM Top 20 list for national sports radio shows last year.

Stuart Scott Died 10 Years Ago, Since Then He’s Been Often Imitated, Never Duplicated

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Hard to believe that this weekend will mark ten years since the passing of ESPN’s Stuart Scott, who we lost on January 4, 2015. Scott was just 49 years old when he died from appendiceal cancer, which he was first diagnosed with in 2007 after having his appendix removed.

July 16, 2014, is a night many sports fans will always remember. It was when Scott was honored with the Jimmy V Award at the ESPY Awards. It turned out to be his last public appearance before passing away. This was where Scott uttered his famous words, “When you die, it does not mean that you lose to cancer. You beat cancer by how you live, why you live and in the manner in which you live.”

ESPN has had many super talented anchors and a few that are the best of the best. From Chris Berman at the beginning up to Scott Van Pelt today, and in between, you had Dan Patrick and Keith Olbermann, Kenny Mayne, Rich Eisen and Stuart Scott. While the others are truly some of the best to ever do it, Scott was not only one of the best, but he also completely changed the game.

For most of us, Scott came into our lives in the mid-90’s on ESPN2. He was brought in because the network believed he could be relatable to a younger audience. Think about that for a moment. That is an issue many in broadcasting are dealing with today. It’s also something a heckuva lot easier said than done. I’d say it worked out pretty well for ESPN.

Scott was at WESH, the NBC affiliate in Orlando prior to landing at ESPN. He also had stints in Florence, South Carolina, and Raleigh, North Carolina after graduating from the University of North Carolina.

Those that knew Scott in his early days say it was obvious he was going to be a star in the business. People talk about how hard of a worker he was and clearly, he oozed talent and charisma. Throughout his career, you rarely heard anything but great things about Scott from those he interacted with. I had the chance to interview him over the phone a few times when he was writing for ESPN The Magazine and met him in person once at a golf major, and I can confirm he was as cool to talk to as you would imagine.

Those who worked with him at ESPN say Scott was the type of person who treated the janitor and the head of the network the exact same. One of those rare people who was universally liked and handled their success about as well as one can.

I can’t help but think what a Stuart Scott might be like in today’s media world if he were still with us. You get the feeling he would’ve loved to engage with people on social media and had some great posts. At the same time, Scott would be someone who would set a great example for everyone, by ignoring any hate that would’ve undoubtedly come his way. I can also see where he would be someone who would have meaningful things to say when things were at their worst and everyone needed people to help unify.

I feel like a Stuart Scott podcast would’ve been a home run or in his words, it would’ve been “as cool as the other side of the pillow.” Scott was really the first to bring culture and sports together in the way that he delivered the highlights. I’ve read where those who were at ESPN when Scott first started had told him to back off the hip-hop references and not to push things too far. Thank goodness Scott stuck to his guns.

From “Boo-Yah!” to “Hallah,” to “He must be jelly cause jam don’t shake like that,” to “Can I get a witness from the congregation!?” Scott had a flare and a style that nobody had really had before him, and everyone wanted to attempt after him.

When you think of a lot of the successful sports broadcasters today, you can almost see the influence Stuart Scott had on them in some way, shape or form. He was a broadcaster, but he was an entertainer. He looked like he was having the time of his life delivering sports news to his audience.

We were all lucky to get to witness the talents of Stuart Scott and to have the memories of what he did when he brought something completely new to our television screens. Gone, but never forgotten, Stuart Scott was truly one of the most talented sportscasters in history and he was someone who would score quite high if you measured his life simply by how he lived, why he lived and in the manner in which he lived.

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The Best/Worst Thing I’ve Heard/Watched/Read Recently

Say what you want about any one individual college football broadcaster on ESPN’s roster, but as a whole this group is hard to beat. The ESPN college football talent has been busy with the inaugural 12-team College Football Playoff and despite several of the games being one-sided, the ESPN crews have it covered wall to wall.

For me, I always feel like the people who are working on college football programming on ESPN are as passionate if not more passionate about the game than I am. It’s all very genuine. Whether it is the guys on College GameDay, the play-by-play crews calling games or those back in the studio, you just feel like everyone is on the same ride.

The flip of the calendar sadly means college football is almost coming to an end, so let’s all soak in the remaining time we have for this year. Tip of the cap to the ESPN (and TNT) crews knocking this year’s coverage out of the park.

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In Case You Missed It

I’m a big fan of John Ourand’s work with Puck. While I do miss he and Andrew Marchand doing a podcast together, in this new world of content consumption, it makes sense why both Ourand and Marchand made career moves this year. Derek Futterman had the chance to talk with John about his move and why it made so much sense for him.

I really liked Ourand’s comment when he said to Derek, “People feel that I’m writing right to them, and it invites people to respond to me, and in ways that writing for a magazine and having a byline or even a website and just sort of having a byline doesn’t quite work. All you have to do is hit ‘Reply,’ and our style of writing and our way of getting things out makes it very conversational, and that just seems to work really well for us.”

Make sure if you missed it, you check out Derek’s feature on John by clicking here.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Amazon’s Prime Video Registers its Most-Watched ‘Thursday Night Football’ Regular Season

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Amazon’s Prime Video has secured its most-watched season of Thursday Night Football over the three seasons it has had the package, with the Big Data + Panel from Nielsen Media Research registering an average of 14.23 million viewers across 15 games. Nielsen introduced this measurement system before the start of the 2024 season, which combines data points from 45 million households and 75 million devices. Based on its methodology and a one-minute qualifier, the Thursday Night Football season was viewed by 91.1 million unique U.S. viewers, a 27% increase from the inaugural 2022 season. The peak viewership across the 15-game Thursday night slate was calculated at 15.93 million viewers.

In reviewing data from Nielsen’s Panel Only measurement, the broadcast property averaged 13.2 million viewers, indicative of an 11% rise in average viewership. When including the Black Friday Football game into these measurements, viewership proliferates to a 13% year-over-year improvement with an average of 13.22 million viewers. For the third consecutive year, Thursday Night Football featured a broadcast team of Al Michaels, Kirk Herbstreit and Kaylee Hartung.

“We could not be more proud of our partnership with the NFL, our viewership growth and the innovations we’ve initiated for fans and brands over these first three seasons of TNF on Prime,” Jay Marine, global head of sports and advertising at Prime Video, said in a statement. “Our production and tech teams are best-in-class, and with AWS and our outstanding team of data scientists, we’re pioneering the use of AI to advance the presentation of live sports in exciting ways, and we are just getting started.”

Within its second consecutive year of double-digit growth, Prime Video also garnered best-ever audience figures in P18-34, P18-49 and P25-54 demographics. The median age of viewers tuning in for Thursday Night Football coverage is 49 years, approximately seven years younger than the average median age for viewers watching the NFL on linear television. The P18-34 group averaged 2.61 million viewers (+9% YoY) for Thursday Night Football, which scored as the most-watched prime time NFL game of the week in the demographic eight times. Data also evinced that 7% of viewers in the P18-34 demographic were watching prime time broadcast television during the Fall 2024 season. Moreover, twenty percent of viewers for the broadcast property encompassed this group.

As it pertains to the P18-49 demographic, Thursday Night Football averaged 5.99 million viewers in the category (+9% YoY), which included 45% of viewers for the broadcast property. The P25-54 demographic averaged 6.55 million viewers, the highest in the history of the broadcast property. All three of the aforementioned demographics surpassed previous all-time highs set in 2015 when Thursday night games were split between CBS Sports and NFL Network. Furthermore, average viewership for Thursday Night Football among females was up 10% year-over-year, amassing 4.23 million viewers per game.

The TNF Tonight pregame show drew an average audience of 1.53 million viewers, a 10% year-over-year increase. The subsequent TNF Kickoff show, which also features Charissa Thompson, Andrew Whitworth, Ryan Fitzpatrick, Tony Gonzalez and Richard Sherma, had a P2+ audience of 5.59 million viewers, a 6% year-over-year improvement. Following the conclusion of the matchup, the 10-minute TNF Postgame show averaged 4.42 million viewers (+12% YoY) while the half-hour TNF Nightcap elicited an average of 2.04 million viewers. Additionally, Nielsen data conveys that the median household income for Thursday Night Football viewers is $101,800 during the 2024 season, estimated to be 16% higher than audiences of NFL games on linear networks.

Amazon is on the verge of completing its third season of Thursday Night Football, the second year under a 10-year broadcast agreement with the NFL for a reported $1 billion per season. The company will broadcast its first NFL playoff game within the Wild Card round this month in a matchup to be determined.

Starting last season, the company began televising an exclusive NFL game on Black Friday, with this year’s tilt between the Kansas City Chiefs and Las Vegas Raiders. The game averaged 13.51 million viewers (Nielsen Panel measurement), representing a 41% year-over-year increase, with viewership peaking at 18.68 million viewers (+60% YoY). The Week 14 game between the Green Bay Packers and Detroit Lions averaged 18.48 million viewers (Nielsen Big Data + Panel measurement), the most-watched game of the season and in the history of the franchise on Amazon.

A full list of P2+ average minute audience (AMA) viewership, as measured by Nielsen’s Big Data + Panel, can be found below:

WeekDateVisitorHomeAMAPeak AMA
2Thursday, Sept. 12Buffalo BillsMiami Dolphins15.79 million18.82 million
3Thursday, Sept. 19New England PatriotsNew York Jets14.80 million17.11 million
4Thursday, Sept. 26Dallas CowboysNew York Giants17.61 million19.65 million
5Thursday, Oct. 3Tampa Bay BuccaneersAtlanta Falcons13.22 million14.86 million
6Thursday, Oct. 10San Francisco 49ersSeattle Seahawks13.91 million15.61 million
7Thursday, Oct. 17Denver BroncosNew Orleans Saints10.64 million12.65 million
8Thursday, Oct. 24Minnesota VikingsLos Angeles Rams13.76 million15.07 million
9Thursday, Oct. 31Houston TexansNew York Jets12.82 million14.57 million
10Thursday, Nov. 7Cincinnati BengalsBaltimore Ravens14.58 million16.28 million
11Thursday, Nov. 14Washington CommandersPhiladelphia Eagles15.51 million17.48 million
12Thursday, Nov. 21Pittsburgh SteelersCleveland Browns14.79 million16.34 million
13Friday, Nov. 29Las Vegas RaidersKansas City Chiefs13.51 million17.98 million
14Thursday, Dec. 5Green Bay PackersDetroit Lions18.48 million20.29 million
15Thursday, Dec. 12Los Angeles RamsSan Francisco 49ers13.36 million14.39 million
16Thursday, Dec. 19Denver BroncosLos Angeles Chargers11.94 million12.94 million
17Thursday, Dec. 26Seattle SeahawksChicago Bears11.69 million12.95 million

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

The Pulse: 2025 Goals, Community Connections, And Radio Industry Happenings

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Happy New Year. 2025 is here. With each new year comes everything from resolutions in your personal life to the promise to take a fresh look at how you are doing things in your professional life.

When I was programming, I laid out goals quarter by quarter, knowing that celebrating wins along the way kept everyone more focused than huge year-long initiatives, which allowed for loss of focus because it was easy to lose sight of progress.

Some New Year’s resolutions and goals I would love to see on radio lists include.

Encourage content creation. It’s hard to believe, but I have worked with people who used vague terms in talent contracts to prohibit them from starting a podcast or their YouTube channel.

The absurd and narrow thinking was that the talent should be 100 percent focused on their show, and any form of brand extension would dilute the on-air product.

PS The talent in question left at the term of his contract and is flourishing in a large market both on air and online.

Improve the quality of commercials. It is hopeless that huge spot loads will decrease, so at least make them high-quality. Some companies’ idea of production hubs should allow for something that doesn’t sound like, “That Max’s Toyota on Highway 15 next to McDonald’s followed by the phone number three times.” Even if you are not one of those companies, there are creative people in your company; use them and don’t rely on AE’s to write copy. It will come to you way too long and way too boring.

Speaking of commercials and sellers, TRAIN THEM! At least once a quarter, in the middle of a sales meeting, I would pick on one seller and ask the question, “What is the lineup on our rock station?” I never once had them get it right, and a couple of times, I was asked, “Which one is the rock station?” It’s inexcusable.

I know this one is hard, with some stations looking at corporate playlists and top-down management. But take some musical chances. I was always a proponent of a tight playlist. I once programmed a Top 40 in a large market with 120 songs: a total cume play and a market leader.

Not everyone is in that position, and I love stations that find a spot within their playlists for music discovery. The battle has largely been lost to the DSPs, but with the proper setup, new music can have a positive impact.

I especially like to see this in Country, where there is so much product coming out of Nashville. It can be effective if you ring the bell, package it around your powers, and don’t overdo it.

Saying Live and Local doesn’t make it so. Recommit to getting your people, regardless of how many or few you have, into the community to take advantage of and create what KSON San Diego PD Scott Roddy calls “white hat moments.”

Be honest and transparent with your staff. I used to say, “You may not like what I’m going to tell you, but it will be the truth.” Ask for their opinions and include them in the process. And “be there” when they need you. Don’t look at your email, pick up the phone, or schedule music when they need your time.

Lastly, one of the four covenants of the “Fish Philosophy” HAVE FUN!

Community Connections:

HeartMedia San Diego’s eight radio stations collaborated for the seventh annual iHeart Rady Children’s Giveathon on December 11 and 12, aimed at supporting Rady Children’s Hospital-San Diego. Listeners raised $437,264 through phone, text, and online donations. The funds will help acquire lifesaving technology, advance pediatric research, and support programs that provide essential care for children in need, including those without private medical insurance.

WSB-FM Atlanta has made this holiday season unforgettable for several local families with its initiative, “Tad, Drex & Kara’s Merry Little Christmas.” Thanks to the kindness of B98.5 listeners and sponsors, ten families will find gifts beneath their trees on Christmas morning.

In its eighth year, B98.5 invited listeners to nominate families in need of a little extra cheer during the holidays. Each nominated family shared a poignant story, facing challenges such as medical issues, the loss of loved ones, unsafe living conditions, and even the trauma of a child affected by a school shooting. With many of these families unable to provide gifts this year, B98.5 stepped in to offer support and joy.

Industry Happenings:

The Country Radio Seminar has released further details regarding the Y’All Means All: Diversity Breakfast, which is scheduled for Wednesday, February 19, at CRS 2025. This year’s event will host a panel focused on promoting diversity and inclusion within the Country music industry.

Tiffany Provenzano, Director at Equal Access/Theory, will moderate the panel, which will feature an esteemed group of participants, including The War & Treaty, Brooke Eden, Sean Copeland, Program Director of Hank-FM Radio One Indianapolis, and Shannon Sanders, Executive Director of Creative at BMI.

Add ons:

iHeartMedia is celebrating a surge in yuletide digital listening as the company shares its initial results from this year’s Christmas music campaign. iHeart Christmas, an all-digital station, reported sessions up 300% on the iHeartRadio app compared to 2023.

The platform reported nearly 200 million holiday radio listening sessions across phones, laptops, smart speakers, and other devices. Seven of December’s top 10 digital stations were Christmas-themed, including iHeart Christmas, North Pole Radio, iHeart Christmas Classics, and iHeartCountry Christmas.

Bit Of The Week:

In future weeks, The Pulse will include the “Bit Of The Week.” If you want to be featured, please send me an mp3 of your best, most recent bit to jeff@barrettmedia.com.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Audacy AE Billy DiMaio Killed In New Orleans Terror Attack

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New York-based Audacy Enterprise and Performance Sales Account Executive Billy DiMaio has been identified as one of the fourteen victims of the New Year’s terrorist attack in New Orleans.

Twenty-five-year-old DiMaio, a resident of Holmdel, NJ, joined Audacy in March 2023 as a Performance Sales Account Manager. He received a promotion to his current position in November.

An Audacy spokesperson said, “We are heartbroken to learn of the passing of Billy DiMaio, a New York-based Account Executive, in the terrorist attack in New Orleans. Beyond his professional achievements, Billy will be fondly remembered for his unwavering work ethic, positive attitude, and kindness. He was a true asset to the Audacy team, and his contributions and presence will be deeply missed. Our thoughts are with Billy’s family and friends during this exceedingly difficult time, and we extend our deepest sympathies to them and every member of the Audacy family who had the privilege of working with him.”

Audacy CEO David Field wrote in a memo to staff. “Billy began his journey with the company two years ago as a New York-based Account Manager and was recently promoted to Account Executive on the National Enterprise and Direct Response team. He was much loved, respected, and appreciated. Beyond his professional achievements, Billy will be fondly remembered for his unwavering work ethic, positive attitude, and kindness.”

Field continued, “He was a true asset to the Audacy team, and his contributions and presence will be deeply missed. It was clear to all that Billy had the talent and character to ensure a very bright future, and his sudden passing has left a profound void in the hearts of all who knew and worked with him. Our thoughts are with Billy’s family and friends during this exceedingly difficult time. We extend our deepest sympathies to them and every member of the Audacy family who had the privilege of working with him.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.