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Lawrence O’Donnell: ‘I’ve Never Seen an Industry Slower At Learning From It’s Own Stupid Mistakes Than the American News Business’

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MSNBC, along with virtually every cable news outlet, aired portions of Donald Trump’s Thursday press conference. That caught the ire of anchor Lawrence O’Donnell.

During The Last Word Thursday evening, the longtime host argued it was a mistake to air the speech as, in his opinion, it was filled with various inaccuracies and flat-out lies.

“It would be hard to find a sentence in what Donald Trump said today that did not include at least one lie. Some of the networks tried to play catchup with fact-checking after Donald Trump finished speaking, but that, of course, is way too late and utterly useless,” said O’Donnell. “No network even attempted to fact-check every lie Donald Trump told. Every network has the capacity, especially with these wide screens we now have at home, to run a live scroll at the side of the screen fact-checking many of Donald Trump’s lies. Not all of them, that would be impossible, but many of them as he speaks.”

He then chastised MSNBC, as well as other cable networks, for failing to air comments made by Democratic nominee Kamala Harris at a Michigan rally, arguing that “they knew what time it was coming, they knew how to cover it live, and they didn’t after giving Donald Trump more than an hour of live coverage on all of their networks.”

Lawrence O’Donnell concluded by then blasting the cable news industry as a whole.

“It’s 2016 all over again. The same mistakes are being made. I have never seen an industry slower at learning from its own stupid mistakes than the American news business, and you cannot expect them in the next 89 days to figure out what they haven’t been able to figure out in nine years: how to cover a Trump for president campaign,” he stated.

Steve Palazzolo and Sam Monson Announce Departure from Pro Football Focus

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Longtime Pro Football Focus (PFF) staffers Steve Palazzolo and Sam Monson have announced they are leaving the company and are launching a new podcast with The 33rd Team called Check The Mic. Both made the announcement via their social media.

“After almost 13 years, I’m leaving PFF,” Palazzolo wrote. “Sam Monson and I are excited to have a new opportunity to start a podcast with The 33rd Team and we hope you’ll join us in our new home (same show, different home). It’s a bittersweet day as I’ve been privileged to see PFF grow from a hobby to a football powerhouse that is used by every major pro and college football team.

“There are so many current and former teammates to thank, and we will be able to properly honor them on the PFF NFL Podcast over the next two weeks. Special thanks to Neil Hornsby for having the passion to dream up PFF and to Cris Collinsworth for taking us to the next level back in 2014. Thanks to Sam Monson for being my podcast partner for the better part of 10 years – we are constantly amazed at the group of viewers and listeners who have joined us on this journey. Thanks to everyone who has helped PFF grow. I’ll always be a believer in PFF and what it meant to the game of football.”

As long as Palazzolo had been at PFF, Monson had been there even longer.

“After 17 years, I am leaving PFF,” he said. “Steve Palazzolo and I will be leaving to podcast at The 33rd Team. Welcome in to the Check the Mic Podcast! I’m incredibly proud of what we built at PFF. I was lucky enough to be one of the first people in the door and it went from virtually nothing to a resource used by all 32 NFL teams, all FBS football programs, and countless other places as well. The original core team took this thing from basically a money-pit hobby into THE pre-eminent football analytics company on earth.

“There have been so many people along the way who were a huge part of that, and too many to even begin to thank. Perhaps the biggest thanks is owed to Neil Hornsby, for having the idea for PFF and also picking all of the original team off an NFL message board to come on and help him with it. Without that opportunity, I have no idea where I would be now.

“As for the podcast, we started that from scratch over a decade ago and have built an incredible audience of loyal listeners and viewers who give us the opportunity to do this for a living. That audience has also helped us raise thousands of dollars for good causes and will hopefully follow us to our new home and continue to support us. To more years of having fun creating NFL content!”

95.5 The Bull, Las Vegas Is Moving In With Jason Aldean

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Country star Jason Aldean is set to open his Las Vegas Strip restaurant this fall. Jason Aldean’s Kitchen + Bar will include a studio for iHeartMedia’s KWNR (95.5 The Bull)/Las Vegas.

Speaking to Country Insider iHeartMedia Las Vegas Market President Glynn Alan said that KWNR PD MoJoe Roberts will host his weekday 12 pm -3 pm show from Aldean’s, adding, “We’ll also bring in lots of rising stars from Nashville to perform acoustic sets for fans. We will also have other talent from iHeart do their shows live while in Las Vegas.”

Roberts added, “I’m pumped to have an epic perch in the heart of the strip! Looking forward to bringing my show and some exciting performances to the new space!”

This will be the fourth Jason Aldean’s Kitchen + Bar. Other locations include Nashville’s Lower Broadway, Pittsburgh, and Gatlinburg, TN.

Kevin Kisner Named NBC Golf Analyst for the PGA TOUR FedExCup Playoffs

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NBC Sports has announced four-time PGA TOUR winner Kevin Kisner will be an analyst for their upcoming coverage of the PGA TOUR FedExCup Playoffs. Kisner will work with Dan Hicks throughout the playoffs, while Brad Faxon is paired with Terry Gannon. 

Kisner has worked a few events for the network this year which has used a rotating cast of anaylsts. His debut as an analyst came during the 2024 season opener. He also served as an analyst at the WM Phoenix Open and The PLAYERS Championship and also worked on their coverage at TPC Scottsdale and TPC Sawgrass.

NBC Sports will present coverage of the FedExCup Playoffs across NBC, GOLF Channel and Peacock starting with the FedEx St. Jude Championship at TPC Southwind in Memphis on August 15-18.

Kisner won four times on the PGA TOUR, including victories in the 2019 WGC-Dell Technologies Match Play and the 2021 Wyndham Championship, and was a member of the U.S. team at the Presidents Cup in 2017 and 2022. Earlier this year, U.S. Presidents Cup captain Jim Furyk chose Kisner as one of his captain’s assistants for this September’s Presidents Cup in Montreal along with Stewart Cink and Justin Leonard.

Fox News Host Brian Kilmeade to Speak at the 2024 BNM Summit

Twenty six days. That’s what stands between now and September 4th when we kick off the BNM Summit in Washington D.C.. Our full schedule for the show gets released next week! Both days run 9a-5p though I may end thirty minutes early on Day 2 to give folks extra time to connect. Sponsorships are filling up as well. For details on what’s left, contact Stephanie@BarrettMedia.com.

The final group of speakers will be announced Monday. We’ll then reveal our remaining award recipients in the next week or two, before shifting our attention towards the on-stage show. Media professionals will experience an informative two-day event that makes them smarter and better prepared for future success. If you haven’t been to one of our shows, buy a ticket via BNMSummit.com. They’re on-sale through Sunday. Hopefully I’ll see you at George Washington University.

Today, I’m excited to announce another strong addition to our lineup. It’s my pleasure to welcome Fox News television and radio host Brian Kilmeade to the 2024 BNM Summit. Brian will join me for a 1 on 1 conversation on Wednesday September 4th.

Brian co-hosts FOX News Channel’s FOX & Friends weekdays from 6a-9a ET alongside Steve Doocy, Ainsley Earhardt and Lawrence Jones. He also hosts One Nation with Brian Kilmeade Saturdays at 9pm ET.

Radio is another platform Kilmeade performs on, delivering The Brian Kilmeade Show to 250+ stations nationwide, weekdays from 9a-12p ET. His podcast generates another 2 million unique listeners too.

If watching and hearing him aren’t your cup of tea, you can read his work too. Brian has authored multiple New York Times bestselling books, including “The President and the Freedom Fighter,” “Sam Houston and the Alamo Avengers,” “Andrew Jackson and the Miracle of New Orleans: The Battle That Shaped America’s Destiny,” “George Washington’s Secret Six,” “The Games Do Count: America’s Best and Brightest on the Power of Sports,” and “It’s How You Play the Game: The Powerful Sports Moments that Taught Lasting Values to Americas Finest.”

Before joining FNC, Kilmeade was a freelance reporter and anchor for NEWSPORT TV where he anchored ScoreboardCentral. He also served as a sports anchor and director at the independent station WLIG-TV in New York, an anchor/host for KHSL-TV (CBS 12) in Ontario, CA and a radio host on The Jim Brown Show on XTRA-AM, an all-sports radio network. Brian started his career as a correspondent on Channel One, a daily national high school television news program.

Brian’s passion for the media business is easy to notice. One look at his schedule shows how much he enjoys performing across multiple platforms. I’m looking forward to picking his brain on a bevy of topics, and am sure our attendees will enjoy it as well.

Paul Crane Named Full-Time On-Air Sports Reporter for Scripps News

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Scripps News, the national network owned by The E.W. Scripps Company, has announced the addition of Paul Crane as a full-time on-air sports reporter. Crane, who has been a regular contributor at Scripps News over the past two years, will start his new full-time correspondent duties on Monday, Aug. 12 through which he will appear on programs across the network. He first began working at Scripps as a segment producer and sports contributor in August 2021, which followed a stint freelancing at The Weather Channel and ongoing sports anchoring for iHeartMedia on a part-time basis.

Under his new role, Crane will work closely with Scripps News sports reporters situated in more than 50 cities around the United States. These industry professionals work and live in the communities that they cover, providing contributions to the overall slate of network programming.

The Emmy Award-winning television sportscaster has more than three decades of experience that he spent primarily as a sports anchor, reporter and play-by-play announcer, including three years of professional basketball in India. Over the years, he has covered several Super Bowl championships, college national championships, the Final Four, two Olympic Games and a variety of other major sporting events.

Crane previously worked as an anchor and reporter for both CNN Sports and CNN/SI, and he has also appeared on various regional sports networks over the years, including Fox Sports Net, Comcast Sports Southeast and Cox Sports Television. With the latter outlet, he hosted a television show surrounding the New Orleans Saints for nine seasons. Additionally, Crane was the sports director for several local television stations, including KTBS in Shreveport, La. and KDFW in Dallas, Texas.

The E.W. Scripps Company continues to expand its sports portfolio, recently announcing an over-the-air television deal with the Stanley Cup champion Florida Panthers. Scripps Sports also televises games for the Vegas Golden Knights, Women’s National Basketball Association, Big Sky Conference and National Women’s Soccer League, along with the forthcoming debut of the Utah Hockey Club.

Audacy Changing 610 Sports to 96.5 FM ‘The Fan’ Is Huge for Kansas City and Long Overdue

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Full disclosure before getting into this column – from 2017 to 2019, I worked for Audacy in Kansas City as a GSM and ran the sports sales team before spending the next two years with the company in St. Louis. Now that that is out of the way, I want to congratulate the company and their staff in the KC market on the big announcement that 610 Sports will become 96.5 The Fan next week. Huge is the word I keep using because that is all I can think of to describe this. It is a huge move.

Kansas City was always a great market for Entercom. While it doesn’t have nearly the impact on Audacy overall with the additions of all the big markets, it is still a strong cluster, and they take a lot of advertising dollars out of the market. When they took the Kansas City Chiefs away from Cumulus and 810 WHB (who was a partner to Cumulus in their Chiefs agreement and aired a lot of exclusive Chiefs content), it solidified their position.

Now, with an FM signal, the Chiefs, the Royals, Kansas State and Mizzou (which was airing on Audacy News/Talk KMBZ-FM), it should be set up to move into another stratosphere.

The history of sports radio in the market is an interesting one. For years and years SportsRadio 810 WHB was sports radio in the market. 610 Sports came in and clearly was in second position. WHB was everywhere. They had the Chiefs partnership and KU (which they still have), they had big deals with companies like Miller which would keep 610 out of certain places. They had strong talent and a big head start.

610 has had a lot of big names come through like Damon Amendolara, Nick Wright and Danny Parkins, but they all left, so each time the station had to come up with another new show.

There have been several PD’s who have come through 610 who tried to improve the station. Frankly, the problem I saw was not enough resources being put into programming, so how was the station expected to get better? You could have had someone with the skills of Mark Chernoff, Spike Eskin and Jason Barrett rolled into one running the place, but without what was really needed, it wasn’t going to change much.

The Royals turnaround was certainly a nice boon for the station. Then came the Chiefs. Then came the Chiefs being the biggest thing on the planet. Now comes an FM station.

I’m so happy for the sports programming staff in Kansas City and my friends on the sales side, but a part of me keeps wondering why this didn’t happen sooner. Especially because Audacy had already seen, in the very same market, a talk station move from AM to FM and become massive. 98.1 KMBZ-FM is a monster, it does very well financially and is very highly regarded in the market.

While I was working in Kansas City, two of the FM stations in the cluster weren’t doing that well. It seemed to make a lot of sense that if the company ever wanted to really become the dominant sports player in the market, it would have to do something drastic. Like move it to an FM signal.

WHB has solid programming, but what it really has is a connection with the city. My friend Sandy Cohen and the staff at Union Broadcasting do a magnificent job with client relations and retention. They still hang out with their clients and entertain, they take road trips with clients, they really mastered the art of a client “community.”

But now, Audacy has finally taken the big drastic step. This is the move that needed to be made. I would be very surprised if this wasn’t anything but a very successful move for the company. It’s the something that WHB can’t compete against, at least not next week.

I think Audacy KC has a lot of the right people in place in PD Steven Spector and with Bob Fescoe and Carrington Harrison holding down the two drive-time slots. Cody Tapp and Alex Gold also do an excellent job together in middays. I hope ‘Spec’ gets the opportunity to grow his programming team and they really do it right.

My what a time it has been for Kansas City in the last decade or so. And now Audacy has given the market yet another feather in its cap – its first ever FM sports radio station.

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The Best Thing I’ve Heard/Watched Recently

Normally in this space, I write about things I ‘ve seen or heard recently that I enjoyed, but this week I’m throwing a curve ball and am going to tell you about something I didn’t like. Last week, Michael McCarthy, the Senior Writer at Front Office Sports who covers sports business, media and marketing wrote this sentence in a column: “According to my sources, FS1 executives believe First Things First star Nick Wright is the future of the network.” In the piece he also names several other talent the network likes that are already in-house as well as mentioning Danny Parkins from 670 The Score in Chicago who recently had filled in for Colin Cowherd.

On his What’s Wright with Nick Wright podcast, after giving his thoughts on and a big cap tip to Skip Bayless, he went on a rant about how disrespectful the report of him being the future of the network was towards Cowherd and Wright’s partners on First Things First, Chris Broussard and Kevin Wildes.

He also spent time saying that reporters should have reached out to him about this, right before saying he has ignored those same reporters when they’ve reached out in the past.

McCarthy said, “future of the network” and he also noted that Cowherd’s contract was up soon, so it wasn’t like he was ignoring that Cowherd is the current alpha dog at the network.

As for Wright’s partners on FTF, McCarthy probably didn’t write about them because his sources talked about Wright and not the whole cast. Wright talked about wanting to be known as the absolute best sports talker in the business. So, it was all a little conflicting between the ego to think you can become the absolute best at something with the ‘don’t single me out’ mentality.

Wright did use the term “uncomfortable” a lot to describe how it made him feel and that part is understandable. But this should have all been a big positive for Wright.

I think he would have been better off just taking the win.

You can listen to the full episode of the podcast by clicking here.

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In Case You Missed It

I always enjoy reading my colleague John Molori’s columns. This week, however, I think he did one of his best. John profiles Rich Eisen, who I have always been a big fan of. He’s just so good, so likeable, so relatable.

Early in the column, Molori says that Eisen and longtime ESPN on-air partner Stuart Scott were like Magic Johnson and Larry Bird. He then later wrote:

“What Eisen really has done is made that leap from a popular and successful sports TV personality to an icon in his field. He is the on-air figurehead at NFL Network, the foundation and ringleader. It all stems from Eisen. And he is still Larry Bird, dishing out elegant on-air passes and making countless colleagues better.”

It is a terrific column about a terrific broadcaster, and you can read it by clicking here.

News Talk Radio Deserves More Than Dull Candidate Interviews During Election Season

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Approaching elections is always a more serious time for News Talk Radio stations and shows. You’re interviewing candidates, talking to callers about their favorite candidates and ballot issues, and discussing what a future city, state, or country looks like under potential new leadership.

But despite the more severe time of News Talk, it doesn’t mean a show necessarily needs to lose its fun or edge. It’s an opportunity to try and find moments that stand out amongst the sometimes-mundane election coverage.

This week presented an interesting opportunity on KCMO Talk Radio: Valentina Gomez, a candidate for Missouri Secretary of State, became a viral sensation due to her vulgar social media posts calling her haters “weak and gay.” She had no chance to win the race but would get millions of views on social media.

Her campaign reached out to me last week, asking me to come on KCMO while threatening the station with “equal time” threats. While those were empty threats, I thought this could be a good opportunity to create a sensational segment with a candidate who would be entertaining, if nothing else.

To start the conversation, I asked her right away what a Secretary of State’s race has to do with being “weak and gay”? She called me fake news, brought up her FCC complaint, and avoided the question. I followed up on the question twice, with no answer, before eventually wrapping up the conversation.

The text line and phones exploded in a way they never do after a candidate interview. It would turn into our most downloaded podcast of the summer and one that had our social media pages buzzing.

My takeaway from this moment on the show is not to start interviewing every candidate who has ever declared for any race but rather to find the gems who will give you show moments. If someone is wildly controversial, even if they have no chance to win, it’s worth seeing if there’s something on your show.

Sometimes those near the top of the polls are just not good on air. Without naming names, I’ve had to navigate that before as well. Campaign managers will try to bully their candidates onto shows by saying they’re polling first or second. Why should we care if they cause tune-out for your audience?

The show is what matters, not appeasing campaigns or candidates or trying to “do the right thing” by giving candidates equal time in a given race.

Something else I’ve done is fewer candidate interviews in general. Your die-hard audience might want more of it, but other than the serious P1’s, most people won’t care until the final two weeks of an election, if not the final week. 

For most people, voting is like cramming for a final exam; they’re focused days before they go to the polls and realize they need to go vote. 

It’s important to realize where your audience is and what’s going on in their lives. And don’t forget, they look to you as well for your insight and opinions. Most of them aren’t that entertaining or interesting. You are. Don’t farm it all out to the candidates who are not expert communicators on air. That’s your job.

Using clips of the candidates from TV and social media, building a topic and opinion around that, may very well be more informative and entertaining than simply giving 5-10 minutes of your airtime to a campaign pitch.

So, with primaries around the country in the rearview mirror but the general election coming up in November, and several local races likely in your market, use your best judgment. In the end, all that matters is doing right by your audience, which will then reward your station with ratings and engagement.

Alternative Radio Awesomeness from Toronto: Part 1 of 2

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Fun fact: Toronto is not actually the capital of Canada. That’s Ottawa. However, Toronto is the biggest city in Canada, and it’s also the fourth-largest city in North America, following Mexico City, New York and Los Angeles.

Toronto is also one of the few radio markets featuring not one, but two Alternative stations. The big dog is CFNY (102.1 The Edge), which has been an Alt station since the late 1970s; is well-known for championing the format; and initially called itself “The Spirit of Radio,” which Rush immortalized in the song by the same name.

But in 2013, a challenge rose up, as crosstown CIND-FM launched as “Indie88.” Over the past decade, the station has carved out an audience and a path for itself. What’s it like being the younger upstart to a heritage station? “It’s fun, that’s for sure,” admits PD Ian March.

March emphasizes that it’s important that Indie distinguishes itself by being different and, well, independent. He explains what that sounds like on-air: “We have more leeway to experiment to do things in a non-traditional way. We can try out music genres that aren’t traditionally Alt,” he says, describing Indie88’s sound as “authentic.” It’s baked into the station’s DNA that Indie88 sounds distinctive and true to itself, which includes all elements and extends from the imaging to showcasing the differences in the airstaff. “Everyone who’s on-air is different from everyone else,” says March. “You’d never not know who’s talking – even if their voices were the same, each talent gets to showcase their uniqueness.”

March acknowledges there have been times where the Alternative format “sort of painted itself into a corner,” but during the early days of the format, Alternative was much less restrictive and there was plenty of Top 40-style music and content from other genres as part of the mix. “Musically, we’ve imagined what if that era continued, and we play what we think would fit into that,” he says.

What does that translate to? One aspect is that March has evolved Indie88’s sound to expand the timespan the station’s playlist covers. “We pulled currents a bit. But we play more – and more often. We’ve gone farther back,” as March describes widening the lanes of Indie88’s overall playlist over the past several months to include more gold, especially from the 1980s and early 1990s. “We’re being realistic about our demographic,” he says. “The other thing that’s helped it work is that the newer stuff sounds like it’s from the ‘80s, production-wise and sonically, so those songs go together with gold songs really well.”

One of March’s secret weapons is his Music Director, Michael Religa. “I’m incredibly lucky to have an off-air MD who goes to two or three shows a night and stays up until midnight on Friday to hear new stuff,” March says, acknowledging that Religa’s position is a luxury that many others don’t have. Indie88 actively highlights new music on-air with a sounder voiced with the language “may we bring your attention to something new?” and calling out the artist and title with the endcap of “Indie88: where new music belongs” before playing the track.

Next week: How else does March distinguish Indie88’s sound and some of his thoughts on the Alternative format. In the meantime, hear the wondrous sounds of Indie88 personally by streaming the station live at indie88.com.

Sample playlist segment from Monday, August 5:

The Yeah Yeah Yeahs – “Burning”

The Offspring – “Make It Alright”

Arcade Fire – “Afterlife”

Depeche Mode – “Just Can’t Get Enough”

JJ Wilde – “Best of Me”

Eagle Eye Cherry – “Save Tonight”

The Rural Alberta Advantage – “Bad Luck Again”

Soup – “Let’s Go for a Ride”

Moby – “Porcelain”

Sloan – “Who Taught You to Live Like That”

Cage the Elephant – “Neon Pill”

July Talk – “The Garden”

The Raconteurs – “Steady as She Goes”

Noah Kahan featuring Hozier – “Northern Attitude”

Smashing Pumpkins – “Today”

Billie Eilish – “Lunch”

Radio Advertising for Brand Awareness

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Most new radio clients want to be known before they are needed or should be. But how can radio advertising achieve this, and how important is name recognition for brands and businesses? John Fix was responsible for analyzing and selecting media measurement applications and planning tools for Procter and Gamble. He worked there for 27 years, retiring this year. While at P&G, they went from non-existent to first in radio over five years. And Fix knows that advertising success depends on consistently and clearly stating the business name throughout the ad. For radio sellers and clients, understanding this can make the difference between a campaign that gets results and one that gets lost in the buy-one-get-one ocean of bad radio copy.

The Importance of Early Recognition

In a medium where visual cues are absent, auditory recognition becomes paramount. With unconventional names or spellings, brands like Lyft, Tumblr, and Krispy Kreme benefit significantly from early and repeated mentions. “Krispy Kreme, spelled with a K,” serves not just as a prompt but as a mnemonic device, ensuring listeners associate the spoken name with the visual brand. What’s in a name? Make sure you follow these rules to live by when writing or approving radio copy.

Can You Pronounce It?

It’s not just about saying the business name; it’s about saying it right. For businesses with non-traditional spellings or acronyms, being phonetically clear is critical. Each syllable must be articulated distinctly to avoid any confusion. You also want Google searchers to know how to find the business. Take Lyft, for example. Here is a:10 ad that works.

In-demand people use on-demand rides with Lyft. That’s L-Y-F-T, the ride-sharing app that offers priority pickups. And with Lyft, there’s no such thing as too many perks. Download the Lyft app today—L-Y-F-T.

By spelling out L-Y-F-T, confusion will be prevented with similar-sounding words like “lift” or “rift,” and listeners can recognize the unique spelling and find the app easily.

Frequency and Consistency

The sales motivation speaker Zig Ziglar famously said, “Repetition is the mother of learning and the father of action, which makes it the architect of accomplishment.” Radio ads should aim to mention the brand or business name multiple times in the copy. The ‘Rule of 3’s’ needs to be updated. In a thirty-second spot, three should be the minimum number of times a business name is mentioned. Still, five is closer to increasing the likelihood of recall when listeners need to take action and recall the name. And be consistent to get that repetition. Resist the temptation to say too much in your ad.

Craft an Identity

Beyond words, an ad’s tone, music, and overall audio design contribute to its brand identity. Consistency in these elements across different ad campaigns helps build a cohesive brand image with which listeners can easily recognize and connect. Think of Motel 6, folksy music, and Tom Bodett.

The effectiveness of a radio ad hinges significantly on how well it communicates the brand’s name—prioritizing clarity, frequency, and identity to maximize brand recall and influence consumer behavior positively. Be known before you are needed, and ensure customers know your name!