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Oliver Darcy Announces CNN Exit With New Newsletter Endeavor

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CNN media reporter Oliver Darcy has left the company after publishing a final Reliable Sources newsletter Wednesday.

On Thursday morning, Darcy revealed a new newsletter endeavor called “Status”, which he labeled a “new, definitive nightly briefing that informs readers about what is really happening in the corridors of media power.”

The newsletter — which will be published on a Sunday-Thursday schedule — has subscription tiers. Free subscribers will only receive the Sunday edition. Meanwhile, monthly subscribers will pay $14.95 while “Founders Club” members can pay $595 for an annual subscription that includes “invitations to founders-only quarterly Zoom calls” and other unannounced events.

In his final edition of Reliable Sources, the lead story from Oliver Darcy was the financial struggles of Warner Bros. Discovery, the parent company of CNN. He argued the stock price for the company reached a “dangerous new low” in after-hours trading after it revealed a $9.1 billion write-down of its cable TV properties.

Reliable Sources has been a staple at CNN for over three decades. Originally a Sunday morning program, the show was canceled last year under the direction of Chris Licht, leading to the exit of former host Brian Stelter, who worked the media beat with Darcy. Stelter launched a newsletter when the network was under the purview of Jeff Zucker, which Darcy continued after the former’s high-profile departure.

In his final CNN newsletter, Oliver Darcy did not allude to his impending departure. His new newsletter hit inboxes at 8 AM ET Thursday morning.

Rich Eisen Was a Star at ESPN, He’s Become an Icon with NFL Network

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NFL Network host Rich Eisen was part of a new breed of sports anchor when he came into the national consciousness on ESPN in 1996. As a SportsCenter anchor, Eisen brought sarcasm, humor, mischief, and irreverence. He was a near-instant hit, most notably when paired with the late and legendary Stuart Scott.

Eisen and Scott created one of the best SportsCenter teams of all time, worthy of mention alongside the inimitable Dan Patrick/Keith Olbermann combo. Those two duos truly laid the groundwork for today’s top ESPN desk mates, namely Elle Duncan and Kevin Negandhi as well as Randy Scott and Gary Striewski.

Eisen and Scott played off each other superbly. Scott, the silky-smooth intelligent maestro from Chicago, and Eisen, the razor-sharp quipster from New York. They were, in truth, the Larry Bird and Magic Johnson of sports television, breaking the rules of those who came before them and setting a new standard for those who would follow them.

Eisen and Scott made each other and everyone else on the Bristol, CT campus better. Watching Eisen’s sardonic SportsCenter smile, you never really knew what he would say next or what fun spin he would put on a story. As a SportsCenter anchor, he had it all – the suit and tie, the coiffed hair, and gallons of talent. His intros to highlights were literary masterpieces. Call it prose about pros.

As good as Eisen was, he was never going to be the alpha dog at ESPN, not as long as the ample shadow of Chris Berman remained, so in 2003, Eisen made the jump to NFL Network. Eisen was the first on-air talent added to the NFL Network roster prior to the initial launch in November 2003. The NFL was a gigantic conglomerate, but the move was still a risk for Eisen, an established talent at ESPN.

The league had the robust finances to attract any talent, but money doesn’t make you smart. With the hiring of Eisen, the NFL showed that they had as much common sense as cash. He is one of the best decisions the league has ever made.

Since joining the network, Eisen has served as host of NFL GameDay Morning, the NFL Draft, NFL Scouting Combine, Pro Football Hall of Fame Induction Weekend, and Super Bowl coverage. That’s what the bio says anyway.

What Eisen really has done is made that leap from a popular and successful sports TV personality to an icon in his field. He is the on-air figurehead at NFL Network, the foundation and ringleader. It all stems from Eisen. And he is still Larry Bird, dishing out elegant on-air passes and making countless colleagues better.

Think about the amazing array of diverse personalities who have worked alongside Eisen at NFL Network. Michael Irvin, Kurt Warner, Steve Mariucci, Cynthia Frelund, Rachel Bonnetta, Warren Sapp, Marshall Faulk, and countless others. In every instance, the wit, leadership, example, and ability of Eisen has rubbed off on his cohorts.

Eisen is squarely in the discussion with the greatest studio hosts of all time. I’m talking Chris Berman on ESPN’s NFL Primetime, CBS’ Jim Nantz at The Masters, ABC’s Jim McKay on Wide World of Sports and the Olympics, Brent Musburger on CBS’ The NFL Today, Bryant Gumbel on HBO’s Real Sports, and Bob Costas on just about anything.

Only John Hancock with the Continental Congress and Gabe Kotter with the Sweathogs were more adept at sitting behind a desk and dealing with a disparate cast of characters.

Speaking of characters, Eisen is one himself. He has used his self-deprecating humor and endless courage to create Run Rich Run. Taking a page from NFL Combine athletes, each year, Eisen runs a 40-yard dash fully garbed in a suit and tie. Since 2015, Eisen and donors have raised millions of dollars for St. Jude Children’s Research Hospital.

That’s Eisen, always putting himself out there for the good of the cause or the show. Moreover, just as he brought a new attitude to SportsCenter back in the day, he remains open to new thoughts, ideas, and trends today. What sets NFL GameDay Morning apart from the plethora of other NFL pregame shows is creativity.

Eisen’s willingness to participate in game show parodies, wear costumes and hats, use props, and generally mix comedy and sports takes guts. There are few on air talents who possess the wide array of gifts inherent in Eisen’s repertoire. He can be funny and poignant, piercing and whimsical, pleasant and argumentative, silly and serious, and that’s just in the A-Block of NFL GameDay Morning.

Eisen’s ability to display his personality without overshadowing others is key. He is a brilliant solo artist but recognizes that it’s all about the band. He carefully picks his spots to add to or even dominate the conversation. Eisen gets just as much of a rise watching his compatriots have a nice moment as he does having his own.

Beyond his NFL Network slate, The Rich Eisen Show podcast streaming on the Cumulus Podcast Network, Westwood One Radio Network, SiriusXM, and The Roku Channel has become one of those rare shows where A-list celebrities don’t wait to be asked but push to be on the program.

Episodes have included a varied cast of guests including Rob Lowe, Larry David, TJ Newman, Kyle Brandt, Chris Redd, Oliver Platt, Judge Reinhold, and others from the worlds of sports and entertainment, and more. In this genre, Eisen shows that he can jab, chat, rift, bob, and weave, one on one with top tier personalities.

While he has made his bones and bucks as an anchor and host, Eisen is also a terrific interviewer mixing a cool understated tone with a wide-eyed enthusiasm. He often adds personal anecdotes as he did in an emotional interview with baseball Hall of Famer and Yankee legend Reggie Jackson. Eisen was visibly moved as he told Jackson that his famed three home runs in Game 6 of the 1977 World Series ignited Eisen’s youthful passion for baseball.

Eisen has sculpted a unique and singular media persona and has grown into a wildly popular figure in sports television. As we prepare for the onset of another NFL season, Eisen will once again be seemingly omnipresent on NFL Network.

The erstwhile SportsCenter phenom has morphed into a venerable and revered master of his craft. The suit and tie is now an open collar shirt, the coiffed hair is less on his head and more on his chin, but the gallons of talent still flow freely. His impish sense of humor remains, but Eisen is now an all-time great who defines his network – a court jester, if you will, who has become a king. Long may he reign.

How Drew Anderssen Led 1080 KRLD to a Longform Refresh of the Heritage Brand

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Over the course of the last six weeks, Audacy Dallas all-news station 1080 KRLD has made drastic changes to its daily lineup. The addition of talk shows hosted by Chad Benson and Will Cain, as well as the appointment of Joe Kelley as the station’s morning host, has altered the station’s lineup. But Brand Manager Drew Anderssen balks at the idea that the station is no longer an all-news brand.

“There’s really not a shift from all-news. I think from the outside looking in, you could make that assumption, but at the end of the day, the radio station is talking about the news all day long,” Anderssen said. “But think about the all-news game and I think that format is a format and those clocks are built to play a cume game.

“When you just think about since the pandemic happened what’s happened to market cume, especially what’s happened to cume on the AM band, there’s not the same level of day-to-day movement, that — at least in Dallas/Fort Worth — that really leads itself to being able to execute that clock around the clock all day and have that supported. We really have to have some sort of time spent listening strategy and some way to lean into content that’s a little bit longer form,” continued Anderssen.

“So we are still an all-news station. The hosts that we’ve put on the air are talking about the news topics that are the most interesting topics that are happening in our world right now. I think this is the perfect sort of opportunity to say ‘Look, not only are we going to deliver the news, but we’re also going to help you understand it.’ We’re going to give you the insight behind it.”

Anderssen added that despite long-form talk shows being added to the daily lineup in prime dayparts doesn’t mean 1080 KRLD has changed its priorities when it comes to breaking news coverage, either.

“These are all shows that are leaning into this notion of long-form, but it doesn’t mean that we’re giving up on breaking news. It doesn’t mean that we’re giving up on major traffic incidents and severe weather. I mean, we’ve already had a number of situations where we’ve had to punt on some of the long-form programming so that we can lean into those things that we know our audience is tuning into us for first.”

Those hosts added to the lineup at the station all have a Texas flavor to them. The first addition — Chad Benson — hosted in San Antonio at KTSA earlier in his career. Joe Kelley joined the station after exiting WDBO in Orlando. However, he had previous experience in the North Texas market with Cumulus stations KLIF and WBAP. Even the nationally syndicated show from Fox News Radio features native Texan Will Cain, which is situated near the state’s border with Oklahoma.

Having that connection with city and state was an important factor in each of their additions, Drew Anderssen said.

“What I was attempting to do — and I think what we’ve successfully done — is find people that are familiar with Texas. That either have roots in Texas or have lived in Texas, and can speak specifically to Texans and more specifically to people in North Texas … We were very specifically choosing people who can lean into Texas issues in the right way and I’m super glad to have them on the air. It makes them a better fit for us.”

Few people — especially AM radio listeners — enjoy change. So, naturally, you might expect longtime and dedicated listeners of 1080 KRLD to not necessarily be in lockstep with the alterations made by Anderssen, who doubles as the News/Talk Format Vice President for Audacy. But he shared that much of the feedback has been positive.

“What I believe is going to happen is that people will depend on KRLD for all of the service elements — the news information, the severe weather information, the crisis coverage when stuff hits the fan. It’s the number one place somebody should turn on the radio,” he stated. “All of that is still deliverable for this radio station … Anytime you make a change, change is difficult.

“While you do hear the negative feedback first, we are getting good feedback in addition to the feedback that is ‘Why the heck are you doing this?’ and ‘You’re changing my favorite thing’ or ‘You’re changing my favorite radio station’ or any number of reasons that somebody may call to complain. The flip side of that is we’re seeing evidence and hearing feedback to the changes that we’re doing are really positive as well.”

Drew Anderssen was quick to credit 1080 KRLD staffers in their willingness to attempt a refreshed programming lineup after years of the strictly news format featured on the Metroplex station. He called them “incredibly supportive”, noting that they are generally the ones who take the brunt of criticism from listeners of the station.

He also shared his appreciation for Audacy leadership — from the local level like Market Manager Brian Purdy, to the national level with executives like Jeff Sottolano and Jennifer Selig — for their support and help throughout the programming shift. He shared that while he’s grateful that they “allowed me to take this kind of risk,” it takes everyone believing in a common goal and stated mission to succeed.

“I think everybody has been of the sense in the mindset that ‘Look, we really should look at how do we take a different approach here, and what does that look like? To have the support of that kind of a team when you make these decisions is empowering,” Anderssen shared. “I’ve said all along in my career, at the multiple places that I’ve been, I really believe — even now more than ever — that news is a process, it’s not a destination. And I think the future of news is a conversation about that process … I just think that this allows us that opportunity.”

20 Brands In 20 Days: Mike Biddle 94.7 QDR, Raleigh, NC

To support the launch of the new Barrett Media, we’ve created a special series titled “20 Brands In 20 Days.” Highlighting successful stations across the country in various formats by conducting conversations with their brand leaders. Up next is Curtis Media’s Mike Biddle. Mike is the PD of Country WQDR (94.7 QDR)/Raleigh, NC. The station we are highlighting today.

Jeff Lynn: So, what’s up at QDR?

Mike Biddle: We’re coming up on our 40th year of being Country here on QDR. We flipped from a rock format back in ‘84. You would have thought the world turned upside down when that happened in the market.

We’ve survived 40 years, and it’s been great.  We’ve got a couple of plans towards the end of the year to celebrate the 40th anniversary, but we pride ourselves on being a triangle station.

We don’t just say we’re local; we are, and we live and breathe it. I think it comes across clearly in everything we do on the radio. We don’t have to tell people we’re local; I think you just know; you can feel it.

We’ve got a morning show host, Mike, who’s been with the station now, gosh, what is it, 32, 33 years? So, for most of those 40 years, he’s been a part of this radio station, which is great. So, it’s a testament to ownership and leadership. How often do you see that in our industry now?

Don Curtis, the owner, is still involved. He comes in almost every day and invests back in the radio station and the market.

Radio obviously has its challenges these days, but we do our best to overcome those challenges and still invest back into our product, our people, our listeners, and our community.

We’re given the opportunity to do our jobs, and we’re entrusted to do them to the best of our ability. There is a collaboration that occurs. We have our weekly promotions meetings and such.

But at the end of the day, it’s all about making sure we’re super-serving our listeners and our clients.

JL: Let’s talk about music for just a minute.  New versus gold. How much does gold still play a part versus new music?

MB: Very much so. I feel like we’re a very balanced radio station when it comes to currents and gold.  There’s a need and want for new music.

We are today’s best Country. So, we don’t shy away from exposing new music and playing new artists. And if there’s a song that we feel like, hey, man, we need to jump on that right now, we’re going to jump on it.

Whether it’s a national hit or something that just makes sense for us locally, we look at our local research, which we still invest in. We have a lot of local data we can use.

We’ve got the national data we get from streaming and consumption and things of that nature. The chart is the chart. Interpret it how you will.

It’s not the Bible by any means. It’s part of the tools or one of the many tools, I should say, that we have available to us to make the best decisions we can.

We’re playing currents. We’re playing great gold. We do gold music research.

We’re playing 90s because people want to hear that, too. In fact, one of the most consistent pieces of feedback we’ve been getting from listeners a lot lately is that we love the variety on the station. 

JL: Country has always been a big tent format. Where do you see opportunities moving forward for not only QDR but for the Country format in general?

MB: I think there’s a huge opportunity for the format right now, which is the amount of audience that’s growing and coming to the format with Post Malone coming over and crossing over. We’re in a good cycle of music right now, but not just from the standpoint of new. I noticed talking with the younger listeners of our station that a lot of them listen to old Country.

A lot of them listen to that 90s stuff, and some of them listen to Waylon. People’s listening habits are all over the place.

You can’t just put people in a box anymore, I don’t think. And so, we have to be open to being where our listeners are and creating opportunities to kind of, I guess, mimic or mirror what they’re doing away from the radio station.

JL: Hurricane Debby is bearing down on you. What does that mean not only for your station but your cluster?

MB: Well, the great thing is that we have live bodies in our studios—that’s the number one thing—so we can be here and react in the moment as things are happening.

We’ve got a local news product that can supply us with up-to-date information. In fact, we’re already running periodic updates as the storm progresses and gets closer to us. We’re making sure that we’re keeping people up to date as much as possible on not just the storm’s activity but all the things that go along with it.

We’re going to be here for you. Use us as you need us.

JL: All right. Personal question. There’s got to be a story behind your on-air name, “Mad Dawg.”

MB: I wish there was this great elaborate story. At this point, I should have made something up to give it a whole lot more. But honestly, when I was making the move from California to come back to the East Coast, Lisa McKay hired me to do nights.

She was my lifelong mentor in this business. I started working with her when I was part-time and growing up in Richmond, Virginia, working at WRVQ. When I tried to spread my wings into full-time radio, she had an opportunity here to do nights.

When she moved to the Country format, she hired me, and I was driving from California to North Carolina. We had settled on Junior Johnston was going to be my name on the radio. Johnston County is one of the major counties in the metro.

Junior Johnson was a legendary NASCAR driver, so we kind of married the two. That’s what we came up with. My mindset was, I don’t care what you call me, if I got a job and I’m getting a paycheck.

And then I remember I was driving, I gave her a call, I said, “man, I’m almost there, I’m so excited.”

And she goes, great, we came up with a new name for you. I was like, okay, what are you going to call me? She said, “we’re going to call you ‘Mad Dawg’”.

And I said, okay.

Let’s go with it. It stemmed from a more head-to-head format battle with QDR and Kixs Country. There was a guy doing mornings who went by “Mad Dog.”

It had been some time in the market that he hadn’t been on, and I guess somebody had maybe bounced that off as a possible idea for my name for nights. She was like, yeah, let’s do that. It’s got some name recognition in the market.

We’ll just kind of roll with that. When I first got to the market, there was a period when some people thought I was the guy who used to do mornings on that station.

JL: Any final thoughts?

MB: I appreciate you taking the time to spotlight the radio station.

We’re proud of what we’ve done here and of our accomplishments over the past 40 years. And we’re looking forward to 40 more years.

Listen to QDR here.  Find them on Facebook and Instagram. Connect with Mike here.

A Radio Road Map From The Presidential Election

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If there’s anything I love as much or more than all things radio, it’s presidential politics (ok and pizza). Other than a little baseball, I’ve never been much of a sports guy. I do watch primary nights, debates, and election nights and consume coverage from all the various sources, not unlike the folks who have the NFL total package for every game. So, it goes without saying that this has been one of the most surprising and eventful political seasons in several years, and I’ve been hooked.

One thing that I think is clear is the distinction in style, tone, optics, and messaging between Trump and Kamala themselves and their campaign apparatuses. Each candidate determining their running mate is of particular interest because it gives us a lesson in branding and team building when considering the brand and apparatus that is a radio station with its signature star personality/show.

Let’s start with The Donald. Bigger than-life theatrics, colorful visuals, brash attention-getting statements and actions, always drama around him of which he’s always commenting, rabid fans who actively participate and engage in what he offers, and a no-holds-barred “this is me, I pander to no one” tude. You probably already see the analogy that can be made to a morning show. One that has ratings, makes money, had passionate, active fans but also generates controversy and even division while propping up its station on its own field and not playing with others.

How do you bring in a team player to this dynamic, knowing the challenge in-house and with fans? With JD Vance, Trump went with a pick he was comfortable with as he aligns with substance, had connections to people in the Trump circle but not the larger party so much, and was someone who’d fit the “mic 2” role comfortably without overshadowing the leader in any way. He’s proven to be a mixed reaction from fans and skeptics alike, as when a show is as forefront with such a loyal base, it’s hard to please everyone when adding or subtracting from the team.

Kamala Harris is interesting in that she is much like a co-host who came into a long-established show with a veteran host who’d had a good run but with lots of ups and downs and was meant to freshen up but, again, not outshine the leader. Over time, the venerable old show was lagging behind the big in-your-face competitor across the street, too bland for even those who weren’t always comfortable with some of the subject matter on the other.

With that host suddenly stepping down and the co-host taking the lead, surprisingly, she gets a ratings boost and some new sampling by the audience and then has the task of a strong number 2 but one who won’t threaten her newfound lead role while also deciding a team player internally and a vanilla choice to the audience made the most sense though there were applicants who may have shaken up the stale older show and the loud competition across the street more so.

What is the takeaway for us in a media organization managing a brand/show?

As the legendary consultant John Lund once put the question “what is the “est” factor of my brand, and how is it defined? Loud-est? Funni-est? Brash-est? Friendli-est? Warm-est?

Once you answer that for your show/talent/brand

-is my show successful enough that it stands on its own, or do I need someone who will work well within the organization, too? Or is it just solely about the consumer

With an established brand/show, what kind of player does no harm? That almost always means someone who brings something different from the character types already on board, and sometimes, that’s as simple as being a strong second-tier player.

Be interesting to get “the book” back this November 5th. I’ll be watching with interest, anxiety, and anticipation just as we all do that Nielsen data drop at noon each given rating period.

107.5 The Fan’s JMV is a Radio Guy in Any Format

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Radio needs radio guys. It’s great to have a passion for sports or music or politics, but it’s the people that really have a love for communication and the medium that make it special. Indianapolis is very lucky to have one of those guys. They call him JMV.

Sports fans hear him every afternoon on 93.5 & 107.5 The Fan. The people that want their music with a little side of nostalgia hear him Saturday nights on B 105.7. 

“You’re hassling with politics or the latest news or worried about the markets or something’s going on in your family, maybe your kid’s not getting any playing time on the team or whatever. You can get away from it with music,” JMV says. “The thing that I’ve always understood is there are no two things that go better together than music and sports.”

He may have to take two different approaches, but for JMV, it’s a pleasure. Every time he steps into the studio, he’s truly free to create. In an age when so much of what we hear on the radio comes with corporate structure and strategy developed by algorithms, JMV is completely unencumbered.

That isn’t necessarily rare in sports radio. You may know what the hits are for the audience, and you make sure to build topics around them, but it would be hard to think of any station where the program director or market manager are plotting out a host’s entire air shift. In music radio though, there are playlists…well, playlists for everyone but JMV.

“Sean Copeland (B 105.7 Program Director) and David Wood (Urban One’s Ops Manager in Indianapolis) allow me, this clown, to come in on their number one radio station in the market on a Saturday night and clear out all that they have programed and do whatever I want,” he says of his Saturday night request show. “That’s a radio dude’s dream, man.”

The man is well-versed in the music of the 70s, 80s and 90s. If a call comes in from someone that wants to hear Lynyrd Skynyrd’s “Call me the Breeze,” he can tell that person that the horns on that track were performed by Bobby Keys, who can be heard on hit songs by everyone from the Rolling Stones to Barbara Streisand to Sheryl Crow. If a caller knows what song they really want to hear but can only remember that it goes “never trust a big butt and a smile,” JMV knows they are talking about Bell Biv DeVoe’s “Poison”. 

But it’s not hard to see that JMV’s real wheelhouse isn’t sports or music. It’s Indianapolis.

This isn’t just where he ended up. It’s not like he was bouncing around all over the country and happened to find a town he liked. He always had his eyes trained on Indianapolis.

“I grew up in Southern Indiana. I always thought that Indy was the pinnacle, because there just wasn’t so much that was offered,” he explains. “It was so many different avenues of content, and I always thought, ‘Man, this is where I want to go.’”

There are plenty of reasons that JMV will tell you he is lucky. He ended up in the town he wanted to be in. He works for the people he wanted as his bosses. He’s survived in a business that isn’t always kind. No matter how talented someone is, shrinking budgets, consolidation and changing tastes can leave them behind.

As so much changed around him on The Fan, JMV stayed steady. First Jeff Rickard and then Big Joe left the morning show. Afternoons stayed the same. Dan Dakich exits, leaving very big shoes to fill in the middays. JMV was still there in the afternoon. New talent comes in and the station shuffles who is on when, but JMV stayed put.

“I kind of wonder if everybody doesn’t think that I suck so bad that I’ve completely ruined the afternoons,” he jokes. “’You know what? There’s really nothing we can do. So, you go ahead to maintain this level of suck for the rest of however long his life is. It could end tomorrow. It could be the next day or further down the road.’ Yeah. I think that my whole sucky way of performing has just, I guess, dug a canyon in which they think maybe they can’t get out of.”

Connection matters so much and JMV is really good at connecting with his audience. Whereas a lot of talent view remotes and live shows as pains in the ass that come with a decent check, JMV looks forward to them. That’s why he is untouchable. 

Here’s a guy that at the height of Covid, thought it would be cool to get in a studio for a sixth day each week and just take requests. It’s the same guy that sees his city and its sports footprint growing and knows it will still rarely get coverage from the national media. Being Indianapolis’s guy on the radio isn’t a job. It’s a duty. It isn’t cool. It’s an honor. JMV takes it and what it means seriously.

“I remind people here all the time of this, and this is really what [93.5 & 107.5 The Fan] in general is about. People outside of Indiana don’t give a s*** about what people around here care about. They don’t,” he says. “I mean, if Andrew Luck retires five minutes before the start of the NFL season, then Mike Greenberg or somebody is going to swoop in and they’re going to have opinions on it, but for the most part, nobody gives a s*** about what we do except for us. On my afternoon show, we care about what people around here care about, and there is always going to be that option, and there’s always going to be that listener interest because they know that you may get sports talk someplace else, but they don’t give a damn about what you care about around here. And that’s why we take the air nine hours a day on The Fan. That’s what makes us different.”

K104’s Skywalker Stays On Top With Hustle and Focus

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The highly energetic Jarrett Galeno, “Skywalker,” 48, of WSPK K104, hosts the Hudson Valley, New York’s Number One afternoon show, leaving competitors in the ratings dust for more than two decades.

“K104 is a strong station, with over 300,000 listeners,” boasts the afternoon host. “We’ve had the same program director and the same morning guy, too, so we’re kind of an anomaly and nothing really changes. We’ve been really lucky.”  The PD is Sky’s former colleague, Scotty Mac, who sent Sky an “S.O.S.” to join him at the station in 2000.

That #1 show out of Fishkill, NY features today’s hit music, up-to-the-minute traffic reports, games, contests, and plenty of pop culture news and local happenings at 2:00 p.m.

 “Sky” to his friends and fans, now calls Beacon, NY, in the Hudson Valley his home. He’s originally from Brookhaven, on Long Island. Both locations happen to be sixty miles from the city. He’s single. His brother and mother live on Long Island, and he has a sister in Connecticut who has two children. His father passed away six years ago.

He Hustles

Sky’s hyper-focused and ultra-organized. He’s got to be to keep his gaggle of gigs straight. Before his four-hour K104 shift, he records voice tracks for half a dozen outlets all over the country, hosting just about every genre of music on stations ranging from Eagle 97.5 Country in Vermont to Rock 107 in Missouri.  Add alternative Radio, WMRQ 104.1 in Connecticut on the weekends, and the man’s on air seven days a week.

He’s also Assistant Program Director at WSBK, where he does the station’s imaging and helps to find and train new talent.

Some of his hires come from his Tuesday/Thursday job. That’s when Sky’s an Adjunct Instructor of Arts and Communications at Orange Community College in Middletown, New York. His courses include Intro to Digital Radio Production and Intro to TV Production. He also taught at Connecticut School of Broadcasting.

“The class has changed since it began in 2008, “he says, “because radio listenership among young people has changed. They are less and less impressed that I’m Skywalker from K104. Podcasting is now an important part of the curriculum.”

He’s also got a production company, Sky Sky Media, which offers coaching, voice tracking, digital production and more at http://www.skyskymedia.com.        

Local Angle

He authored a newspaper feature for four years, “Sky Writing,” which highlighted Hudson Valley happenings. Sky says his loyal K104 listeners respond to his local focus. He attributes that to the culture he’s fortunate to have at what he describes as a “mom and pop” operation, Pamal Broadcasting. (Pamal owns 23 stations in medium-to-small markets in the Northeast).

“We have less restrictions.” says Sky, “We let our personalities shine and it’s the localism, it’s me being engrained in the community for so long. I am your neighbor. I run into you. It happens all the time,” he says.

Sky also pitches in at charity events for groups like March of Dimes, Big Brothers and Big Sisters, Alzheimer’s Association, and “Everyone’s a Reader Day.”

Sky was named Best Air Personality by the NY State Broadcasters Association in 2014 and 2015.

In the off-chance Sky’s not on the mic, in front of a class or in the studio, he’s yelling for the Yankees and noshing on New York’s finest cuisine. His favorite new New York spot is Alva at 30 Rock. His all-time fave is The Olde Pink House in Savannah, GA.

Prize Pig

Sky loved Long Island life as a kid. “Farms, suburbia, a little pocket of everything. We couldn’t get the radio stations from the city so we were engrossed in Long Island radio. “

Indeed, Sky was a “prize pig,” entering (and winning) contests from an early age.

“I loved to win things. I won $1000, won furniture, won concert tickets, and went to all the events. I loved the music. When I would pick up my prize I would try to get a glimpse of the personalities,” he says. Pro tip: “Sound excited when you win a contest so that you can be quote unquote the correct caller,” he advises prize lovers.

That station, WBLI, is why Sky got into radio.

“My dad had a construction company in New York City and I could have easily taken over the family business and it was boring to me. I don’t care how a bathroom is built,” he says.

He earned a paid position at his beloved WBLI (owned by Cox Radio) after a college internship there. Sky studied broadcasting at Suffolk Community College and Long Island Post University, and earned a Bachelors of Fine Arts in Communications.

“I got to start my career at WBLI and did weekends and even did middays for four months,” says the former prize pig.

Sky then moved to New London, CT, where he worked nights on Cumulus’ Alternative WQGN Q105 and was then recruited by Mac at K104.

Foiled by Flips

Always happy at K104, Sky still tried for the big time. His dedication to making it in a large market was evidenced by his driving three hours every weekend for three years to Boston to host on 93.7 every Sunday, which he loved. It never turned into anything, Sky says, because he went in on a Sunday, and the station flipped on Monday.

In 2014, he joined CBS Radio and could be heard on 92.3 AMP in the largest market in the country, New York City, where he worked as weekend host and fill-in for three years. Sky also scored a weekend host slot at the heritage Hot AC WPLJ, located in Madison Square Garden, in 2018. Less than a year later, Cumulus sold the legendary PLJ and converted it to a religious station. Not the answer to Sky’s prayers.

On the bright side, all his firings have been flips, and his setbacks have been few. Initially disappointed that he couldn’t work at radio stations where he likes the music, he reframes that problem as a challenge:

“When I got older, I appreciated the art of radio more, and how can I communicate to this different type of audience? When I was younger, I never thought I’d be on four country stations, but I am and it’s great, so I just alter my content or delivery and so that’s the fun for me,” he explains.

Tonight Show Shout Out

He’s covered the MTV Awards, The Grammys, and interviewed many stars along the way, but his best media moment may have been in 2021 with Tonight Show host Jimmy Fallon. Fallon grew up listening to K104 and used to record his favorite songs off of the station on cassette. Sky interviewed Fallon on the radio and let Fallon intro his own song, DJ style.

Then, Sky had the shock of his life when he tuned into the Tonight Show monologue and was name-checked and thanked on air by the late-night TV host.

 “Skywalker, I appreciate everything you do; you’re awesome, thanks. Don’t stop, buddy,” Fallon announced to the audience.

Sky says Fallon told him during the pandemic that broadcasters are part of people’s world. “We have to be there in those kinds of moments.”

Collaboration

 As someone who loves to network, Sky says collaboration with competitors can be a good thing.

“It’s not like the radio war days when you don’t talk to your competitor. Air talent have to support each other. With jockless shifts and other changes and less of a staff you have to have a supportive base around you.”

He believes in keeping the doors open to communicate with and perhaps be inspired by competitors who are rocking it in the industry.

“It’s helpful to attend conferences to be around people who are as passionate as you as opposed to being on an online forum with people complaining ‘radio doesn’t’ pay,’ We are all in this together, it’s a people business,” he emphasizes.

He walks the talk. He advises students and new hires and has posted articles giving tips to aspiring radio people which include specific actions, like:” Don’t burn bridges. You work with everyone twice (at least),” stay positive, and respect but ignore disgruntled people.

It’s critical, says Sky, for radio pros to take care of their health and mental health.

“Take your paid time off,” he says. “If you think the world will end, it took a heart incident at the gym a few years ago for me understand it’s okay to be away.” He couldn’t work for a week unexpectedly and says, “Guess what? Everyone survived.” He’s fine, too.

He’s also an advocate of empathy towards staff both new and veteran (“watering your garden”) and of addressing mental health challenges.

“Radio is show business. It can be very cruel because you can be fired at the drop of a hat and there’s not a security blanket corporate-wise so we all need to be there for each other,” he says, after learning a former colleague had just died by suicide.

“Absolutely Inane”

Sky appreciates A.I. as a production tool in his technical studio work. “Technology will always be there. Embrace it and figure out how to use it to your advantage. But there’s no replacing the human spirit,” he says.

As a person who records voice tracks for six stations every early morning from home, he says, “I’m better than A.I., I swear. I laugh and show emotion and connection. My voice replaces that of a live jock. But it is MY voice, MY thoughts, MY research and MY creativity. I am using my talents as a real life human. That is the creative aspect. It is not a computer with anticipated responses.”

Talent and Communication

It’s the human touch that separates Sky from A.I. and it’s talent, he says, that separates his work from Spotify, which has no talent. Now, we can get music anywhere, he says, but talent is proprietary.

“It’s about communication with your audience. There are so many different ways to get music that it’s hard to cut through, that’s the challenge.”

Talent, he says, is the difference-maker. With a listenership of over 7.2 million people in eight markets, Sky’s got a huge reach.  

His golden radio rule:” You will always love it more than it will love you back. Accept that, and you’ll be fine.”

Can Radio Personalities Be Too Involved in Their Community?

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It is often said that radio personalities cannot be too involved in their communities. There is a lot of truth to that and there must be a balance as well. Community involvement can bring a lot of goodwill from listeners, community leaders and ADVERTISERS. Here is what you can do and what to avoid.

Every community is not the same and this is something that you must evaluate. Your city likely has a charity or community mission that is sexy to decision makers. I lived in a place where the powerbrokers were all involved in the development of the downtown area. It was a big deal. The largest advertisers and city leaders were all involved in that mission. The morning show host at the station I programmed just hated, “The Downtown Crowd.”

This was very tone deaf. This personality had good ratings and good revenue. He was a native of that city and was in the ‘I like it as it was’ group. This host lost the company business. It became a crusade for this host. This guy was not reading the room. He should have been at the center of this movement.

What is going on in your community? Where are the movers and shakers? Is your community’s chamber a big deal? Is your company a member? Do you attend networking events? You should show up at networking events. Work the room, walk thru the event… Introduce yourself to everyone. Ask for selfies. Use these on the station’s social media. This plugs you in.

The business leader will tell their friends that you were there. You wanted a picture with them. I know that this is counter intuitive for many hosts. Many hosts are naturally shy. Overcome it. When you are representing your company, it’s like a microphone sitting in front of you. Be gracious. Make memories for these people. When you ask for a selfie, you are making them the star. Your social media will be shared and highlighted. Do that. It is a win.

Are you a member of a board? There are many from charities, governmental bodies and groups like the Chamber of Commerce. Get on one. Be a part of it. If any of these groups are smart, you would be recruited. I was asked to sit on the civil rights committee for the county in which I lived. I was recruited by the local leader of the NAACP. I was certainly honored to be asked and accepted immediately.

People like joining children’s charity boards or issues with veterans. Perhaps, your area has a big yearly event that is run by a local non-profit. Being the Master of Ceremonies of political forums is a great way to meet listeners and business leaders. When I did mornings in Joplin, I was the MC of several candidate forums for the Quapaw Nation. Since I was not a member of the tribe, I didn’t have an axe to grind. The casinos that the tribe operated were also big advertisers. Big win and really an honor to be asked. If you are religious, sitting on a board at the house of worship of your choice is another option.

Ok, I will give you a few things not to be involved in. Don’t become a board member for a political party, or a candidate. Your job is to give your opinion on current events. The closer that you are to those you are covering the less likely that you will be truthful with your audience. Your connection with your listeners should be like a religious bond. YOU MUST NEVER LOSE THAT TRUST.

If the Governor or Mayor wants you to sit on a board for something that is apolitical, that is a totally different thing. Choose things that bring goodwill or could help the area. It used to be a good thing to be involved with groups like the Lions Club or Toastmasters etc. Sadly, these groups are in serious decline. Your area may be different. I found that these groups are filled with retirees. These groups have become quite insular. This is sad, because these groups have traditionally contributed in positive ways to their communities.

As candidates prepare for the next election cycle, you may be invited to candidate announcements. You should generally try to attend everything to which you are invited. You need to have special rules: Attendance is not an endorsement, you will attend the same event if invited by any other candidate, no pictures with the candidate. If you say this in a nice way, the candidate will generally be very understanding.

I am big on never endorsing a primary candidate. This is better for the host because it can create more revenue for the station. I know a great host who hated a Republican United States Senator. The host did whatever he could to support the primary candidate running against the Senator. Eventually, this host lost the cluster a six-figure buy for the election cycle by the U.S. Senator’s campaign. A primary challenge to a sitting congressional member or senator is rarely successful.

Ok, can you be too involved in the community… YES… The most important thing is to make sure that your show is the best that it can be. If you are so involved that it is cutting into your availability for show prep and/or sales, you could severely hurt or destroy the show. It is all about what comes out of the speaker. Content is always king. Don’t over stretch yourself. Too much on your plate will eventually damage your on-air product. Never allow this to happen. If your ratings and revenue faulter, your superiors will not laud your community involvement and keep you on staff. 

In radio, we don’t shake hands and kiss babies enough. We need to gladhand the great unwashed. These amazing people are why we get to do our jobs. Being connected to the community outside of your radio show creates goodwill and loyalty. Pick something to support. Use your special knowledge and abilities to be an asset to those around you.

Landry Locker Filling In Next Week on The Ticket In Dallas

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Landry Locker, who stepped away from SportsRadio 610 in Houston in June, will be filling in on The Ticket in Dallas next week. Locker made the announcement via his Facebook account.

“HUGE honor for me next week,” Locker wrote. “I’ll be hosting at The Ticket in DFW, the standard for Sports Radio, Monday-Friday (8/12-8/16) from 10 a.m. to 1 p.m. on The Invasion.”

Locker, who hosts daily content on his YouTube show, The Locker Room with Landry Locker, talked about the history of the radio station and the success it has had in its 30-year history.

He then added, “There’s a lot of BS in this business, but The Ticket has maintained excellence for decades. I’m going to enjoy this, give the effort I always give and mark it off The Bucket List.

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“No plans to do radio full-time anytime soon, PUMPED to be covering the Texans home in Houston and dominating the digital, but it’s going to be awesome to play on an elite team like this for a legendary PD like [Jeff Catlin]. Really excited. Won’t disappoint.”

Locker moved to Houston at the end of 2016 after having been with The Fan in Cleveland briefly as the Executive Producer of The Ken Carman Show. Prior to that he had been with ESPN Radio in Dallas.

Nielsen 6+ PPM Ratings Day Three

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Nielsen has released day three PPM markets 6+

Charlotte -Gastonia, NC

Country WSOC off 8.6-7.4

Classic Hits WXRC grows 4.8-5.5

Hip Hop WPEG up 4.2-4.7

Cincinnati

Classic Hits WGRR drops 11.6-10.8

Top 40 WKRQ tumbles 9.4-6.9

Rock WEBN up 5.0-5.4

Cleveland

Classic Hits WMJI flat 9.4-9.5

Classic Rock WNCX drops 7.9-7.2

Rock WMMS off 7.8-7.4

Columbus

Country WCOL off 9.9-9.4

Classic Hits WODC grows 6.5-7.8

AC WSNY up 6.8-7.2

Kansas City

Top 40 KMXV up 4.8-6.3

Country KFKF off 5.4-5.0

Rock KQRC falls 4.1-3.5

Las Vegas

Classic Hits KKLZ up 8.7-9.4

AC KSNE drops 10.4-8.9

Regional Mexican KWID up 6.6-8.3

Orlando

AC WMGF off 8.1-7.0

Hot AC WOMX up 5.2-6.0

Classic Hits WMMO up 6.1-4.8

Pittsburgh

Classic Rock WDVE falls 9.4-7.3

AC WSHH drops 6.3-5.2

Adult Hits WRRK up 7.3-7.6

Portland

AC KKCW tumbles 9.8-7.8

Classic Hits KLTH up 6.7-7.7

Top 40 KKRZ up 4.5-5.6

Sacramento

AC KYMX drops 9.0-7.9

Classic Rock KSEG off 8.8-7.8

AC KBEB up 4.7-5.1

Salt Lake City

AC KSFI up 7.2-7.6

Classic Rock KRSP grows 6.1-7.3

Classic Hits KODJ rises 4.5-5.5

San Antonio

Classic Hits KONO goes 8.2-8.7

Country KCYY up 6.1-6.5

Classic Rock KTKX up 5.1-5.5