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Olin Kreutz Returning to 670 The Score

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ESPN 1000 will be the broadcast home of the Chicago Bears entering the 2023 regular season, but 670 The Score is still bolstering its coverage of the professional football team. The broadcast outlet has inked former Bears center Olin Kreutz to a deal to serve as a football analyst, which was announced to Parkins & Spiegel show on 670 The Score.

“He’s one of the best analysts that I’ve ever talked to in this business, period, in any sport,” show co-host Danny Parkins said. “The guy watches film; he cares [and] he’s honest. He has connections, but he also will talk about the people that he has the connections to, unbelievable stories about his era of Bears football. He makes us all better football fans when we get to hear him talk.”

Kreutz previously worked at CHGO Sports and was fired for grabbing the neck of a colleague. Now, he returns to The Score where he will be a co-host for the Bears pregame and postgame shows, and he will also fill in as a host.

“I’m excited about it,” Kreutz told the Chicago Sun-Times. “I worked with everyone at The Score before, and I enjoy working there. They’ve been supportive through all of this, and I’m excited to work with them again.”

Kreutz was a contributor at 670 The Score, but was taken off the station after he attacked a colleague at another job following an offhand remark. NBC Sports Chicago subsequently removed him from its programming as well due to employees being uncomfortable in his presence. Nearly one year later, he is set to broadcast over the air for the first time since last year while continuing his show, The No Name Football Podcast, with former team fullback Jason McKie.

“I’m trying to do my homework,” Kreutz said. “I try to collect as much information as possible and then just honestly say what I feel, and I know sometimes that can rub a lot of people the wrong way.”

New Commanders Calls Grant & Danny, Buys Beer for Listeners at 106.7 The Fan Event

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The landscape of the National Football League (NFL) underwent a long-awaited change yesterday with the league’s approval for the sale of the Washington Commanders to Josh Harris and his limited partners. The moment officially ended the tenuous ownership period of Daniel Snyder, who was subsequently fined $60 million after the completion of an independent investigation. Fans of the team were ecstatic with the move as Harris seemingly subjugates the team from perceived peril.

Upon securing the rights to purchase the team, Harris called into Grant and Danny on 106.7 The Fan. The show was broadcasting live from the Old Ox Brewery, and upon reaching the new owner, fans inside the bar made their voices heard. Clearly, fans were in a jovial mood with the change – and Harris decided to reward them for their enthusiasm. Over the phone – without knowing the exact size of the crowd on hand – Harris decided to pick up the entire tab.

“I’m just leaving the league meeting, and I knew there was a party and a bunch of Washington fans there,” Harris said. “I’m super pumped, it’s a great day for Washington football and I’m ready to get to work. I’m heading your way; I want to get back to Washington, my hometown, and celebrate with you guys. Let’s get started by me buying everyone in the brewery and The Bullpen a beer. Can we do that?”

“Are you kidding?,” co-host Grant Paulsen said. “I love that. That’s a good start; that’s an anti-Dan Synder move!”

The Burgundy and Sold party was taking place at The Bullpen, meaning there would be a sizable tab for Harris to pick up. Yesterday, Harris officially received clearance to purchase the franchise for a record $6.05 billion. While the tab was surely less than that, he did not hesitate to make it happen.

“I’m going to have to dip into my savings, but I want everyone to have a beer,” Harris said. “Let’s do it! Hail to the Commanders, and drink up!”

Sean Hannity to Host Town Hall with RFK Jr.

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After hosting his second town hall with former President Donald Trump earlier this week, Sean Hannity will welcome Robert F. Kennedy Jr. for a similar event next week on Fox News.

RFK Jr. will sit down with Hannity at The Glasshouse in New York City for a pre-recorded town hall, which will then air during Hannity’s 9:00 PM ET program on Tuesday, July 25th.

The event will be the second featuring the 2024 Democratic presidential challenger. In late June, he appeared at a NewsNation town hall, moderated by Elizabeth Vargas.

The previous town halls have boosted Fox News’s ratings, with the cable outlet experiencing a noticeable bump in each of its first two events with Trump and prospective nominee Sen. Tim Scott (R-SC).

However, the numbers on Fox News lagged well behind Trump’s contentious event with CNN and Kaitlan Collins, which saw more than 3 million viewers in May.

A Letter to the News/Talk Media Industry

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In less than sixty days, we will host our inaugural BNM Summit in Nashville. Putting this event together is a massive undertaking, and gigantic risk. Some people think that when you host a conference that you make a financial killing off of it. I wish that were the case. Having run five of these for the sports format, I’ve learned to expect to break even, hope to make a few dollars, and pray not to lose money. When you add up how many hours are invested putting an event together and what it takes in, it doesn’t exactly add up as the best use of my time. But I’m a believer in uniting people, marketing our brand, and making long-term decisions to move the industry forward. Maybe the grass won’t be green in year 1, but if we do the right things year after year, eventually we’ll have a nice looking lawn.

I tell you this because some of you reading this don’t know me. Maybe you’ve worked in news/talk for years and we’ve yet to cross paths. That means you’re not familiar with my operating style, track record, our conference or how I view your brand, show and format. With BNM turning 3 years old in September, it’s fair to ask if we’re committed long-term to covering your format since sports was our first priority.

Well, allow me to shed some light on a few of those things.

First, I am not a ‘sports radio guy’. I am a radio guy who likes sports, news, and talk. I work with brands in two specific formats, and consider myself a leader, strategist, connector, and businessman who has shown an ability to find and develop talent, grow audience, generate buzz, create revenue, excel in the digital space, and make brands better. The content, people, and cities may change but researching issues, providing smart solutions, and having a personal investment in a company’s success doesn’t.

My radio career did not start in sports talk. It began at a small town radio station that focused on serving its community. I reported on local people and businesses, delivered the news, sold advertising, set up remotes, booked guests, covered local events and political races, and hosted morning shows, community shows, music shifts, and a weekend sports talk show. I lived in the radio studio from morning to night, focused on gaining reps, and learning as much as I could about everything because I wanted to be great.

After six years in that building making less than fifteen thousand dollars per year, and a two-year detour into rock radio where I produced morning shows, delivered news, and created bits, I finally got a break. ESPN hired me in 2004, and I thought I’d have a tough time competing with the best due to my lack of big stage experience. I quickly learned though that the radio world I came from was much harder. Because I was well prepared and paid the price to chase my dreams, I was able to excel behind the scenes quicker than most.

Fast forward to 2006-2015, and I carried that same work ethic and love for the business over to the programming department. Three companies chose me to build and program sports stations in St. Louis, San Francisco, and Philadelphia. Another hired me to lead an established sports brand and AM news/talk station in St. Louis. I’m proud to say most of those stations continue to perform well. I even consult a few of them.

The energy, passion, knowledge and confidence I’ve had throughout my career is what drove me to build BNM and BSM. Our websites, newsletters, conferences, and social media accounts have been supported by many across the industry because I live and breathe this business, understand it, continue evolving, and surround myself with others who take seriously our role in educating, helping, and challenging industry professionals.

We pump out a ton of content on this website because we’re committed to the format. At just 49 years old, I’ve got a lot left in the tank, and I plan to cover the world of news/talk for the next 10-20 years. Maybe the winds of change will prevent that from happening as they recently did to All Access but my intent is to write about and support this business until I’m no longer able to do so.

I share this with you because I know it takes time to learn about people especially those who you have little to no history with. Fortunately this website exists to give you a peek into my world, but even this is a limited dose. The best way to advance that education is by being in the room in Nashville on September 13-14 for the BNM Summit. We’ve assembled a strong group of smart, successful people, and will have additional names to share next week.

There are still plenty of you reading this though who won’t make the trip because you’ve become a slave to the office. The thought of leaving the workplace for 48-72 hours terrifies you because if you’re gone from the building, well, the walls may catch on fire and the business might fold.

First, if you can’t leave your office for 2-3 days to further your education, pick up new ideas, increase relationships, and learn how to improve your bottom line, that raises questions about your management ability. A strong leader surrounds themselves with competent people who are capable of keeping the train on the tracks should the driver need a few days off.

Secondly, this format has very few opportunities to meet others who do the same line of work especially those working at other companies. For two days, you’re surrounded by others discussing the issues that are important to your business, and gaining information and ideas to help you grow your business. Sometimes these events even start conversations that one day change your life and career. That helps both you and the company investing in you. If industry people take advantage of the opportunity, and continue to learn and thrive, we all win.

I can’t be the only one curious to learn how a station like WTOP becomes the best in the entire industry at producing revenue. Or how a band like Outkick grew rapidly in less than 18 months to attract a major investment from Fox. Or where audience habits are shifting, and operators plan to pivot should car companies declare war on AM radio again. If I am, we’re in big trouble.

Currently, there are over two thousand news/talk stations in America. As powerful as this format is, there are many issues that require deeper examination and future innovation. From the AM band to finding/developing talent to the rise of artificial intelligence, podcasting, lack of diversity, audience erosion, and navigating the world of misinformation, tragedy, morale, and technology, we’re just scratching the surface. Yesterday’s playbook doesn’t have the answers to tomorrow’s problems. It’s why bringing people together to explore ways to move the business forward is important.

I know there are some folks who want to join us but can’t due to a lack of support from their employers. I get that the economy used to be stronger, but paying for a ticket, hotel room, and flight for a two-day event is not going to crush your bottom line. Especially when it’s for an event designed to help you grow your business. One of my favorite sayings comes from Benjamin Franklin “an investment in knowledge pays the best interest.” Keep that in mind as you evaluate whether or not to attend.

I hope corporate folks understand that events like these exist to help their brands and people. During my programming days I was constantly looking for ways to grow as a leader, and it became incredibly frustrating having few choices available to do so. Music radio, sales, and technology all received focus at industry events but sports and news were less of a priority. So when I launched this company, I decided I’d do it myself. It’s valuable for professionals to learn from others how they win, compete, approach situations, and grow their businesses because though you may serve and represent one company, the more well rounded and informed you are, the better you become at helping your own brand and people succeed.

There are numerous ways to win. One group may praise teasing, while another has a host go to break and promote an upcoming spot break. One station values frequent conversations with the audience, another tells the hosts to rely on texts or tweets to control the content. I firmly believe that it’s professionally smart to put your employees in places where opportunity exists to improve. If a company is wise, they’ll do what Good Karma Brands did in LA, and send a bunch of staff from multiple markets, using it to further education, and create company off-site meetings.

Regarding the Summit, it is a two-day news media business conference. It is not a political talk convention or a right vs. left cage match. There’s a lot involved in the world of news/talk, and everything we do is designed to serve the radio, television, digital, and advertising professional. I don’t pick sides when it comes to brands, shows and broadcasters. I believe there’s a lot to learn from everyone who does this line of work, and I want as many different perspectives in the room as possible. The subject matter will have a heavy focus on growing audience, boosting revenue, and evolving the news/talk media business.

What I love about this space is that there are so many gifted performers in it. I used to listen to Rush Limbaugh because I appreciated his ability to masterfully host a radio program. I’d watch Tim Russert on Meet The Press because he was a fantastic interviewer who got good information out of his guests. I checked out Larry King on CNN because he had a warm, inviting way of talking with his audience.

Now, I appreciate how consistently Tomi Lahren pours passion into her commentary, the way Clay Travis uses social media to create conversation, reaction, and a mixture of laughter and chaos, and the smoothness in which Anderson Cooper moves from segment to segment. I admire the chemistry of the Young Turks, Keith Olbermann’s vocabulary brilliance, Jason Whitlock’s knack for finding unique ways to address issues and angles, and Tucker Carlson’s ability to listen to his guests and seize openings when they make them available. All of these folks have different styles and beliefs, but they also have one thing in common, they know how to captivate an audience and create success.

As much as I enjoy the chess games we play to grow ratings, I also understand that while the numbers may feed your ego, they won’t fill your belly. To do that you have to produce revenue. If your employer can’t make money off of your name, brand or show, then all you’ve got is a sheet full of data telling you that people listen. I’d much rather have strong advertising support and a healthy paycheck.

I raise this point because far too often industry people operate in silos. They’re focused on their own challenges, and lose sight of what’s happening in other parts of an operation. If more programming and sales people took greater interest in each other’s departments, more success would be created. Salespeople, media buyers, and market managers, this conference in Nashville is for you too, not just hosts and programmers.

Before I wrap this up, I want to tell you one more thing about myself. I bite back. It’s probably the New Yorker in me but I have strong opinions, and won’t hesitate to offer them in certain situations. Case in point, I won’t stand for anyone telling me who should be excluded from our events. If you don’t like what we do or who we feature, it’s your right not to read us or attend our conference. I’d prefer you did but I’m not going to battle with you over it. I’m also not going to cancel someone just because it doesn’t personally please you. I know there are plenty of people in our industry who will appreciate what we do, and those are the ones I will invest my time and energy serving.

Since announcing this Summit, I’ve had to deal with a few nasty emails over some folks being involved. It’s nothing I haven’t dealt with before running sports conferences. You are entitled to your opinion but I am thankful to every single person who has and will take time to be part of our events. If they’re on our stage, it’s because they have created success in the broadcasting business, and have something to offer those in attendance. I respect every single guest who graces our stage, and I don’t care how they vote, who they hang out with or if they’ve earned your personal stamp of approval. I only care that they’re willing to share insights and opinions with our attendees on issues that matter to all in the room. By doing so, they help others learn, and hopefully generate more success.

When a new event gets introduced there’s always noise and growing pains. We’ll overcome that in September just as we did in 2019 when we launched the BSM Summit. I am passionate about this format, plan to cover it for years to come, and I’m doing something independently that few others have, I’m absorbing the financial risk to make it happen.

If there’s one thing you can do to help, show up in Nashville on September 13-14 at Vanderbilt University. Support the format you work in, and help us explore ways to make things better. If you’re involved in marketing and want to lend your company’s support, email Stephanie at Sales@BarrettSportsMedia.com. She’ll be happy to pass along our sponsorship deck.

Those who join us in Nashville will learn a lot, build valuable relationships, and have a great time. They’ll also discover that this is only the beginning of BNM’s journey, not our final destination. We look forward to having you along for the ride.

Women’s World Cup is a ‘Crown Jewel Event’ for Eric Shanks & FOX Sports

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It’s a World Cup year, and when FOX Sports Executive Producer and Chief Executive Officer Eric Shanks advised his team to bolster its production of women’s soccer, it responded in a big way. The presentation of the FIFA Women’s World Cup is now more comprehensive than ever before, utilizing new technology, cameras and a picturesque set on the waterfront promenade at Campbells Cove with the iconic Sydney Opera House in the background. The panel contains a new member and former World Cup champion and co-captain of the United States Women’s National Team (USWNT), Carli Lloyd, one of the most accomplished players in the history of the sport.

“Carli is awesome,” Shanks said. “I think just like she was a leader on the U.S. Women’s National Team. She’s a real button pusher on the set to really get a lot of energy [and] to get a lot of back and forth going on the set.”

Lloyd never thought she would be working in sports media following her time on the field. Once she retired though, the opportunity with FOX Sports presented itself and she suddenly found herself with a decision to make.

“I was kind of not incredibly comfortable with it, but like anything in my career, I’ve always kind of stepped out of my comfort zone and tried different things,” Lloyd said. “I went to the Men’s World Cup and got my feet wet there, and I am really glad and grateful I did because it obviously is now going to make it a little bit easier for me to know what to expect at the Women’s World Cup, and I actually really enjoy it.”

A preponderance of the world’s focus in the tournament will be fixated on the USWNT as it embarks on a conquest for a third consecutive championship. Yet the path this team forges is elusive to say the least, as Spain, England and Germany pose legitimate threats to that goal. The team at FOX Sports hopes that level of competition creates passion and patriotism stateside.

“America, even if for a moment, wants to come together,” FOX Sports lead soccer analyst and National Soccer Hall of Fame member Alexi Lalas said. “All the other crap that we have – because it’s still going to be there – just put it aside, and at least for a few hours, cheer on what I think is the greatest country in the world. And then we can go back to fighting, but at least for a couple of hours, we’re having a good time and we’re together. I think America misses that, and this type of situation provides at least a respite.”

Karina LeBlanc participated in five World Cup tournaments as a member of Canada Soccer’s Women’s National Team and remembers the feeling of stepping onto the field for the first time. LeBlanc’s final World Cup was in 2015, the year Canada was the host country, and the first of the United States’ back-to-back championships.

“I know what it’s like to be successful, and I also know what it’s like to be disappointed,” LeBlanc said. “I think it’s just bringing that and just helping people understand the reality, [which] is that the World Cup’s not just about the wins and losses. It’s the impact that this game – the biggest global game – will have on the everlasting impact in their countries.”

Aside from her work with FOX Sports, LeBlanc is the general manager of Portland Thorns FC in the National Women’s Soccer League (NWSL) and formerly served as the head of women’s soccer for the CONCACAF. The former goaltender is a member of the Canada Soccer Hall of Fame and passionate about her home country, but she is fully aware that the most international intrigue pertains to the play of the United States. That is where Carli Lloyd could demonstrate critical value on the desk.

“We’ve battled against each other which is the funniest thing because Canada-USA is a rivalry,” LeBlanc said of Lloyd. “But then just to share the stage with her, talk about experience or share her knowledge. She’s been in with the U.S. camp; I’ve never been in there. I’ve played against these players for so many years, but it’s like being back on a team, and a team with some legendary people.”

Over the last several years, the trajectory of women’s sports has only gone upward, evinced by the 453% year-over-year increase in viewership for the NWSL championship game. According to a recent study by Samba TV, 39% of Gen Z sports fans responded by saying they are watching more women’s sports than the year prior. Lloyd and the rest of the FOX crew believe they can help facilitate this sustained growth by mixing stories into their coverage.

“I think obviously bringing a different awareness to the game [and] my experiences; I think that’s the biggest thing,” Lloyd said. “Of course I see things on the tactical side and what not, but people want to know, ‘What are these athletes and players thinking about in this particular moment?,’ or ‘What’s the preparation like?’”

When the matches commence, JP Dellacamera and Aly Wagner will serve as the lead broadcast booth on the call from the tournament. They will call all USWNT matches. Dellacamera brings a wealth of experience to the broadcast booth, as he will be covering his 17th FIFA World Cup and has called games for various soccer leagues on television and radio.

“My goal during this World Cup is just to be like all World Cups – be consistent,” Dellacamera said. “Be good at the beginning, be better at the end and hopefully have no hiccups. It shouldn’t be an up-and-down thing.”

The last time the USWNT took home the championship in 2019, FOX reported 14.5 million viewers on its platforms, 22% higher than the 2018 Men’s Final. Last year’s Men’s World Cup ended up amassing a global reach of nearly 1.5 billion viewers with FOX Sports reporting approximately 16.8 million viewers across its linear network and streaming services. In doing so, it became the most-watched Men’s World Cup telecast in English-language United States television history. This year, FOX is striving to shatter those numbers and make some history of its own.

“I think FOX management is big time, and they have big ideas and nothing is too big for them in terms of a project and how to execute it,” Dellacamera said. “I think they realize that the eyes of the world are on them, and they thrive on that.”

Storytelling and familiarizing the world with the athletes on the stage is of central importance to the commentary team, including the analysts, correspondents and insiders. Jenny Taft, the former host of Undisputed and current lead college football reporter, is following the USWNT as an insider. It is her fifth World Cup.

“Of course the U.S. is favored to go all the way, but at the end of the day, you never know what’s going to happen,” Taft said. “I love the rush of a crazy 30 days – all-in; soccer every day; can’t get enough; no sleep; no eating. We’ll do it after, so it’s fun.”

As a college football reporter, Taft speaks with players, coaches, executives and other team personnel to compile information for the broadcast. While she will converse with people at the tournament, there are stringent restrictions that require her to alter the way she gathers intel. Reporters are confined to a box alongside the pitch that they must sit in for the duration of the match, leading Taft to come prepared with binoculars to look at the USWNT sideline.

“When someone says, ‘Why doesn’t Jenny have an injury update?,’ [it is] because I truly physically can’t get one until halftime when I go get to the coach,” Taft explained, “but you don’t even always get a coach interview and that really comes from the relationships.”

Taft speaks French and became friends with a reporter from the country at last year’s Men’s World Cup in Qatar. They continue to keep in touch and help each other in covering the event, and Taft has already promised to be a resource for him when the tournament comes to North America in 2026.

“It’s wild how FIFA just keeps it so strict,” Taft said, “and that is really to keep it fair for everyone because there’s a Jenny Taft in England and France and Spain. That’s what’s wild; there’s so many reporters.”

The 2023 FIFA Women’s World Cup will be the last event executive produced by David Neal. The vice president of production joined FOX Sports in 2012 after working with NBC Sports for more than 30 years. Shanks says Neal’s impact will be felt in the way viewers see New Zealand and Australia.

“As David Neal always says, ‘The host country is really one of the teams playing in the World Cup,’ and we want to thank them and show off their country,” Shanks expressed. “The best thing that we can do for a host country is that for that whole month, just be a postcard that makes everybody want to come there. Whether it’s New Zealand or Australia, that’s what we’re going to do.”

When the USWNT filed a class action lawsuit against the U.S. Soccer Federation for equal pay, the athletes made a statement about perceived disparities and exploitation. Over the course of six years some of the team’s biggest stars like ALex Morgan and Megan Rapinoe led the fight, perturbing the afflicted and empowering others to support the effort. 

As part of the settlement, current and former USWNT players will share a lump sum payment of $24 million, a majority of which is classified as back pay. Now as the team looks to win its third straight FIFA Women’s World Cup, Morgan and Rapinoe are in the spotlight again, returning to lead the charge on the pitch.

“You have those names that you can’t help but follow and get to know and discuss, and I love that they’re owning it,” Taft said. “They’re owning the attention, and that’s what the U.S. Women’s National Team is about to do. It always takes the game to the next level, and we’re really about to see that, and that’s what I love.”

The challenge for FOX and its viewers is in the start times of the matches. Australia is 14 hours ahead of the East Coast. New Zealand is a whopping 17 hours ahead. The first two USWNT games begin at 9 p.m. EST/6 p.m. PST, but by the Aug. 1 matchup against Portugal, fans in New York City will need to set their alarms to 3 a.m. to be awake for kickoff. FOX’s World Cup crew, already adjusted to the country’s time zone, will awaken with avidity to watch the next chapter of the story be authored.

“From start to finish, it’s going to be intense,” Lloyd said. “It’s going to be a lot of work [and] a lot of sleepless nights and all of that.”

Much like a good teammate, Lloyd acknowledges the FOX Sports roster of talent and everyone that has helped her along this journey. Even though she will not lace up her cleats on the pitch, she is still part of a competition to bolster interest in women’s sports. 

“The joy of it is getting to watch the beautiful game and seeing how the tournament is going to unfold,” Lloyd said. “I think that’s what I’m looking forward to the most is just kind of sharing this experience with another team.”

The action begins Friday night with the United States Women’s National Team’s opening game in group play against Vietnam at 9 p.m. on FOX. No matter the result, FOX Sports will be there from start to finish as the place where sports fans turn to get up to speed with the matches. Whether it is on linear television, the digital World Cup Now show, online with daily articles or on social media, the programming division is pulling out all the stops to make this World Cup even better than the last.

“This is one of our crown jewel events, and so we treat it just like we treat any of our other crown jewel events – probably more so because we [had] people in the country for probably 80 days getting ready for this event,” Shanks said. “We want to capture the nation’s attention and put it right on this team as they make a run for their third in a row.”

Despite Criticism, Hard Knocks is Still Special TV

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It has become a staple of summer football viewing. HBO’s Hard Knocks is not just your typical behind-the-scenes look at an NFL franchise and the characters that make up its roster. On the contrary, it’s become a culturally iconic rite of football passage. 

While NFL Films has been around for decades showing us the grit and realism of NFL football, Hard Knocks has taken this to another level. It is not merely a sports television show; it is a star creator. Heretofore unknown players and coaches have become superstars via this program. 

Middle or lower-end roster players have developed into fan favorites. This is the place where personalities like Tony Siragusa, Chad Johnson, Rex Ryan, Gerald McCoy, Mike Westoff, and dozens of others have emerged from their helmets or headsets and taken over the psyche of the summer football fan. 

Traditional NFL game coverage gives us a myriad of camera angles, replays, and analysis. NFL Films has shown the icy cold breath of Minnesota and the sweaty hot sun of Miami, but Hard Knocks did something more. 

It is where football becomes soap opera. Call it All My Linebackers, One Life to Kick, or The Large and the Restless. There is also a lot of General Hospital, focusing on players whose training camp injuries compromise their opportunities to make the team. 

The week-to-week highs and lows of summer training camp are showcased in an incredibly entertaining manner. Hard Knocks follows the miniseries format that defines the NFL season itself. There is much anticipation leading into every episode, and the cliffhanger philosophy is used to the utmost degree. 

Which players will be cut this week? Who will emerge from the roster cluster to become a star? What swear words will this coach use next? It’s the place where phrases like Rex Ryan’s 2010 memorable post-tirade line, “Let’s go eat a goddamn snack!” have forged their way into the lexicon of the NFL. 

Hard Knocks is a buffet of joy for the football fan. It is entertaining in a most unique way with camera angles, candid conversations, microphones, soundbites, and video footage from the locker room and dormitories.

Moreover, at-home shots of the players with their wives and families have become a staple of this much-anticipated program. Tune in and you will meet moms, dads, brothers, sisters, girlfriends, wives, and an array of player entourages.

We are all suckers for a good story, and there are multiple stories and characters within every episode of Hard Knocks. Last year’s edition featuring the Detroit Lions was fraught with examples. 

Who can forget running back Jamaal Williams’ tearful post-practice speech to teammates? Who can forget Head Coach Dan Campbell doing up/downs with his players or giving us quotes like, “Doesn’t matter if you have one ass cheek and three toes, I will beat your ass!”

It is clear that Hard Knocks is an absolute touchdown for viewers, but is it the best thing for a team to do when the ultimate goal should be the playoffs and Super Bowl?

2023 marks the 18th edition of the 18-time Sports Emmy-winning series. This summer, Hard Knocks features the new look and chic preseason playoff pick New York Jets. The team has a shiny new quarterback, well actually, a shiny old quarterback, perennial All-Pro Aaron Rodgers. 

Their nosy camera crews will invade Jest Training Camp in Florham Park, N.J. to chronicle Robert Saleh’s quest to get the team back to the playoffs for the first time since 2010, the NFL’s current longest drought. 

The first episode premieres August 8 on HBO. In addition to Rodgers, the Jets are loaded with characters who could become this year’s Hard Knocks darlings – Garrett Wilson, Sauce Gardner, C.J. Mosley, and Quinnen Williams just to name a few.

With more than 130 Emmy Awards, NFL Films remains the driving force behind the power of Hard Knocks. But remember, this is an NFL production. There will be no footage shown that Commissioner Roger Goodell does not want you to see. NFL Films is a part of NFL Media which also includes NFL Network, the NFL App, NFL.com and NFL RedZone.

Hard Knocks has expanded its reach with a multi-episode edition during the NFL season called Hard Knocks: In Season. The weekly series delivers the same all access coverage following a team throughout the grind of the season. Last year, the Arizona Cardinals were featured.

It has long been debated what impact Hard Knocks has on a featured NFL team. Is it a good move for a franchise? Certainly, many teams have thrived after being featured on the show. Others, not so much. In 2001, the Baltimore Ravens were coming off a Super Bowl winning season but lost in the Divisional round of the playoffs. 

The 2002 Cowboys limped to a 5-11 season. In 2007, the Chiefs appeared on Hard Knocks and wound up with a 4-12 finish. The 2012 Dolphins were 7-9. Their stint on Hard Knocks featured the dramatic and unexpected release of WR Chad Johnson after being arrested for a domestic dispute. The 2016 Rams went 4-12. The 2017 Bucs went 5-11, and the 2020 Chargers finished 7-9.

The 2019 Raiders had that same 7-9 record, but their Hard Knocks stint was one of the most memorable. 

Highlighted by the wacky behavior of wide receiver Antonio Brown, who was released and signed by New England during the series, the Raiders featured many characters including Johnathan Abram, Vontaze Burfict, Derek Carr, Maxx Crosby, Clelin Ferrell, Richie Incognito, and now-exiled head coach Jon Gruden.

One of the main constants in the ever changing world of Hard Knocks has been narrator Liev Schreiber. The multiple time Emmy-nominated actor brings drama to the proceedings. 

A Screen Actors Guild Award winner, Schreiber’s stage and screen chops are vivid in his voice. He brings a level of anticipation, foreboding, joy, and anticipation to every frame and sequence. If you were to hire someone to narrate your life, Schreiber would be the guy.

Sadly, the 2023 edition of Hard Knocks will be unlike others. ESPN’s Adam Schefter reported that the Jets will not allow cameras to show players being released from the team. He said that the team felt that such footage is “inhumane.” 

Schefter also reported that many members of the organization, including Rodgers and Saleh, were not thrilled with the team being featured on the show. Time will tell, but less footage and unhappy key individuals do not seem to be a good recipe for a supposedly all-access show. 

In addition, Pat McAfee recently opined that with increased team social media platforms, there is no need for Hard Knocks. I see his point but tend to disagree with his assertion. NFL teams provide little insight or vital information on their social media sites. It is very closely regulated and controlled. 

Despite the changes and criticisms, there is still something special about the weekly saga that Hard Knocks provides. Starting August 8, NFL fans will be able to check out the backrooms and back-biting that is inherent in the cutthroat world of professional football. Sit back, relax, and enjoy. Who knows, maybe Rex Ryan will bring you a snack.

How Do You Deliver Your Station’s Bad News To Your Clients?

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Bad news can hit hard sometimes with no warning. Losing a big play-by-play contract, an unexpected decline in ratings, or facing talent changes, like what The Ticket in Dallas is going through, can all be daunting. 

As a sports radio seller, you hold the key to managing these situations and staying in front of the competition. Here’s how to handle bad news and keep your clients on board:

Tell The Truth-Now

Don’t delay telling your clients when shit hits the fan. You are the best person to be their connection to the station. Reach out to them as soon as possible, even before its public, explaining the situation and how it’s handled. By being open and honest, you build trust and bombproof that client from what anybody from the outside may tell them. They will have already heard it from YOU. 

How does it impact them? Your clients may have valid concerns about how the changes will impact their advertising campaign. Maybe they had a team sponsorship or a recently departed on-air talent campaign. Tell them you know it sucks, listen, and understand their perspective. Assure them that you are actively working to ensure a smooth transition and will present some alternatives in 24-48 hours- or SOONER. 

Go SportsCenter 

While talent changes can drag a station down or the loss of a play-by-play contract can cause prestige to take a hit, play the station highlights for your clients. If you have been through it before, explain how it turned out better or to their advantage. The best station’s strengths extend beyond specific air talent or play-by-play. Emphasize the station’s dedicated audience and the value their ads bring in reaching them. Show them that your station’s foundation remains solid and has always survived these storms. 

Offer Solutions 

If possible, propose alternative air talent or sponsorships that play to the fans of a team, like a play-by-play sponsorship would do. Be open to exploring different options that could benefit both parties. Move the budget around, give them more value, and offer alternatives! Be flexible and showcase your commitment to being a problem solver in their favor. 

Got Ratings? 

The last time you lost talent or play-by-play, show them the rating results if it is in your favor. Demonstrate the station’s reach and fan engagement. If you were WFAN and lost Don Imus, remind clients that you hired Boomer and Carton; the rest is history. 

Stay On It

During the transition period, stay on top of the latest and keep your clients in the loop. Regular updates will show them that you are proactively managing the situation, and they can wait until YOU tell them the latest. Rumors can affect their perception of your station.

Leverage Client Relationships

Strong client relationships are invaluable during tough times. You know who you can count on to stick with the station. Tell other clients about their loyalty and use their example as a 3rd party endorsement. 

Offer Added Value

To thank them for their loyalty and understanding during the transition, hammer your managers to create temporary incentives or add value to your clients. Don’t let them off the hook on this. Unsold inventory, concert tickets, billboard sponsorships from 7a-8a and 5p-6p, and national play-by-play sponsorships can go a long way. Affected clients are essential- show them.

What doesn’t kill us can indeed make us stronger. Be proactive in communication, problem-solving, and making restitution. This is a chance for you to show up in a big moment. Do it. 

New York Times Guild Files Grievance Over Sports Desk Closing

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The union representing the employees affected by the recent New York Times decision to shutter its local sports section has filed a grievance against the company.

Reporting in the Washington Post indicates the grievance isn’t to challenge the closure of the sports desk, but the challenge is to the idea that the paper can use non-union work to produce sports coverage. The belief of the New York Times Guild is that the Times as a company violated the collective bargaining agreement by deciding to rely on The Athletic.

“The Times Guild has jurisdiction over journalism jobs at The Times, yet the company is claiming it has the right to subcontract to itself and have nonunion workers do union work without the same job protections, wages and other benefits we have fought so hard to secure,” the Times Guild said in a statement to the Washington Post. “These claims are preposterous on their face and a brazen attempt at union-busting.”

The New York Times Company has 20 days to respond to the grievance, and the Times Guild will have 45 days to file for an arbitration hearing if the company denies the grievance.

Adam Schefter, Big Cat to Join ESPN Chicago Hosts at Station’s Football Fest

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ESPN Chicago’s Football Fest is returning to help start the 2023 football season, and several big national names are set to take part in the festivities next month.

Football Fest will take place on Sunday, August 27 at Hard Rock Live at Hard Rock Casino Northern Indiana.

Dan “Big Cat” Katz of Barstool Sports, ESPN NFL insider Adam Schefter and ESPN fantasy football expert Field Yates will join ESPN Chicago hosts Tom Waddle, Marc Silverman, David Kaplan, Carmen DeFalco, Jonathan Hood, Peggy Kusinski, Dionne Miller, Chris Bleck, Adam Abdalla and Jeff Meller. Members of the Chicago Bears Radio Network to join the event include Jeff Joniak, Tom Thayer and Jason McKie.

Fans can expect live programming from ESPN Chicago hosts and special guests.

“We are so excited for Football Fest, particularly this year as we enter our first season as the radio home of the Chicago Bears Radio Network,” ESPN Chicago director of content Danny Zederman said. “ESPN Chicago is at the center of Chicago’s football universe and this event will be a great way to kick off the season.”

Tickets will be available at noon central time Friday at hardrockcasinonorthernindiana.com or through Ticketmaster.

Joe Buck: I Miss Local Baseball Broadcasting ‘Not the National Stuff’

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ESPN Monday Night Football broadcaster Joe Buck would love to call some baseball games for a team’s regional sports network, but don’t expect the iconic play-by-play voice to pick up the headset for a national broadcast again.

In an interview with Jason Anderson on 810 WHB last Friday, Buck said he misses calling baseball games, but he wishes he could go back to his days before he worked for FOX.

“I miss doing local baseball. I miss putting on a headset and being the eyes and ears of Cardinal fans, Royal fans, Rangers fans, whatever,” Buck said. “That’s more fun than being Switzerland and getting all the junk that comes with it.”

Joe added that he missed developing that camaraderie with a broadcast partner.

“But calling baseball and having fun, relaxing on the air, and having a partner that you can have fun with, and just taking it chill would be a blast,” Buck said. “But I don’t miss the national stuff.”

Buck had a chance to do a few games for the St. Louis Cardinals this season, but he turned it down saying he didn’t think it was fair to just work a few games and also that he didn’t quite have the itch to get back into baseball.