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Ann Thomas Named Program Director of WJR, Mike Wheeler Promoted to OM

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Ann Thomas has been promoted to Program Director for WJR 760AM, the legendary Detroit News/Talk station owned by Cumulus Media. This move makes Thomas the first female Program Director in the station’s 101-year history. Thomas previously served as Assistant Program Director and Executive Producer for WJR. 

Thomas has spent her entire 40-year broadcasting career at WJR, starting as an intern in 1982 and eventually becoming a WJR News Reporter and Anchor. She has won several Breaking News and Auto Negotiations awards from Associated Press, United Press International, and Detroit Press Club.

“I am deeply honored to be promoted to WJR Program Director,” Thomas said. “WJR is THE Great Voice of the Great Lakes, and I am looking forward to serving our audience in any way I can.”

In 1999, Thomas was named Executive Producer of The Paul W. Smith Show and received multiple “Best Morning Show” awards from the Michigan Association of Broadcasters, including in 2022 and 2023.

Thomas has also hosted several WJR shows, including The Healthy Woman Show, Opportunity Detroit, The WJR Gardening Show, and Women Who Lead.

Thomas has been inducted into the Michigan Business Women’s Hall of Fame. She was also the 2014 recipient of the Michigan Business and Professional Association’s Women and Leadership in the Workplace Award. She has received the prestigious “Diamond” award from the Association for Women in Communications. Thomas has helped WJR raise millions for various local charitable organizations. 

Additionally, Mike Wheeler, former WJR Program Director, has been promoted to Operations Manager for Cumulus Detroit/Ann Arbor.

In this newly created position, he will manage operations for Cumulus Media’s four Detroit stations and four Ann Arbor stations. Wheeler, who is from Detroit, has over 20 years of experience in regional roles with Clear Channel Communications/iHeart Media in Toledo, St. Louis, Atlanta, and Hartford. 

Steve Finateri, Regional Vice President/Market Manager, Cumulus Detroit/Ann Arbor, said: “Ann Thomas is the heart and soul of WJR and has been deserving of this move for a long time. Her fingerprints are already all over this heritage, award-winning radio station, but we are all excited to see what the future holds with Ann in the driver’s seat!” 

Clay Travis: John King, Dana Bash Commentary ‘Maybe Dumbest I’ve Heard’

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Earlier this week, CNN’s John King argued special counsel Jack Smith grabbing a sandwich from Subway was “a message” to former Donald Trump that he wouldn’t be intimated. Clay Travis and Buck Sexton marveled at the analysis.

During The Clay Travis & Buck Sexton Show Wednesday, the pair are the commentary from King, before opining on it.

“Is that the dumbest commentary you’ve heard all year?” Sexton asked Travis.

“It might be the dumbest. I mean, it’s one thing for John King to say it. He’s really sending a message… For Dana Bash to follow up with John King said ‘I think what he did spoke volumes’? Volumes? Like, you could write an entire book about what Jack Smith going to get a Subway sub sent messages? It’s volumes, not just one book, Buck, like the Encyclopedia Britannica of fast food orders. It’s so incredibly stupid. I can’t believe that it’s real.”

Hollywood Strikes Won’t Change Netflix Position on Live Sports

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Hollywood strikes may make it tougher for streaming services to stick to business as usual for the rest of 2023, but at least one of the major players isn’t ready to turn to sports to fill any holes just yet.

Netflix CEO Ted Sarandos was asked directly about going head-to-head against Amazon and Apple for streaming sports rights. He responded that he is comfortable with “sports adjacent” programming.

“Our position in live sports remains unchanged,” he said Wednesday.

The Writers Guild of America and SAG-AFTRA are both currently out on strike with no end in sight. With no working writers or actors to turn to, most productions are shut down. The public likely will not see the results until later this year and into 2024.

Sarandos says it is no coincidence that Netflix has found success with sports documentaries like F1: Drive to Survive and Quarterback.

“We can offer this wide variety of sports programming for sports fans that’s in-season year round, and it really leans on our strengths which are storytelling,” he said.

Netflix will live stream a celebrity golf tournament later this year. Sarandos says it is not the start of something bigger. The event will feature stars of its documentaries Full Swing and Drive to Survive and will be more of a promotional vehicle for those shows than a testing ground for Netflix’s ability to deliver live sports coverage.

Dan Patrick Forgot to Mention Contract Extension as Part of Retirement Remarks

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Dan Patrick created headlines yesterday. He may not have anticipated the kind of reaction him saying that he would leave his radio show after 2027 would generate, but on Friday, he said that he didn’t mean to set of a retirement tour.

“I got phone calls yesterday. I got text messages,” he said. “My wife said, ‘are you retiring?’. I go ‘in four and a half years’. She goes, ‘Well, why would you announce that?’. I said, ‘I was announcing a contract extension.’”

Producer Seton O’Conner asked an important question.

“Did you say that yesterday?”

Patrick said that he has a new deal with FOX Sports Radio, iHeartRadio and Peacock and his intention is that it will be the last one he signs. O’Conner swears that information was not mentioned on Wednesday’s show.

Patrick mentioned that in coverage of his announcement, he was happy to see how much the media focused on his joke about wearing a wig. On Wednesday, he said that in 2027, he plans to turn off his mic and give his hair piece to executive producer Todd Fritz.

While Patrick does not, in reality, wear a hairpiece, he says that he “loved that” that line was included in every article.

Dan Patrick may have wanted the focus to be on his contract extension, but talk of retirement already had the Danettes throwing around ideas for a final show in 2027. Patrick promised no guests on the last show so that he would have plenty of time to tell stories. 

In the meantime, there are options to spice up future broadcasts.

“People did reach out, very, very generously, saying ‘you got to do this before you retire’.”

He told the audience and his crew that he would not reveal what the offers were on air, but that the show will have the opportunity to broadcast from some cool places and experience som unique events in the next four years.

Bill O’Reilly: Cancel Culture Has Ruined My TV Opportunities

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The removal of a Jason Aldean music video by CMT and the subsequent claims of racism and violence labeled against the song has turned into a hot-button topic on conservative radio. Bill O’Reilly shared he is tired of cancel culture and claims he’s been subjected to some of its effects.

During his weekly appearance with Sid Rosenberg on 77 WABC’s Sid and Friends in the Morning, O’Reilly discussed the situation with the New York host, before comparing the situation to that of communist dictators.

“When I see this kind of stuff — and it’s everywhere — I’m in a fight myself. I mean, personally, thank God that the folks rally to me and my independent news agency at BillOReilly.com. But you know, if you look around, I can’t get on Good Morning America,” O’Reilly alleged. “I can’t get on the Fallon show. They put me on and they used to, but now they are afraid. They’re afraid to do it.

“I’m tired of this cancel business. This not seeing stuff. That’s what the Nazis did. And if you know anything about history, Stalin did it, Mao (Zedong) did it do it in China and Russia. This very moment, and we’re veering toward that.”

Steak Shaprio: ‘SEC is a 365-Day-a-Year News Machine’

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Nothing touches the NFL for popularity across the country. That cannot be argued, but Steak Shapiro knows that in the South, college football still reigns supreme. 

The 92.9 The Game midday host interviewed SEC Commissioner Greg Sankey on Thursday’s edition of The Steakhouse. Co-host Drew Butler mentioned that he enjoyed the schedule release show the conference put together on the SEC Network to show how 2024 will look when Oklahoma and Texas join the league and the division format ends.

“That’s kind of taking a page from NFL Network and others, right?” Shapiro said. “The SEC is a 365-day-a-year news machine.”

While the NFL has done a good job of creating a calendar to keep fans talking about the league during its long offseason, the SEC has largely relied on fan passion. Sankey admitted that he realized that may no longer be good enough.

“We left Destin and we announced eight games and there was kind of this ‘Aww, eight games,’” he said of fan reaction to the lack of big news coming out of the conference’s spring meetings. “And then we knew the work we had to do.”

The result was the schedule release show and a social media presence similar to what NFL teams do on that league’s schedule release day. The games the SEC announced are still over a year away and the conference and SEC Network were still able to make must-see television out of it for college football fans.

“It’s one of those things where I ask myself, why don’t we do it that way before?” The Commissioner said.

Plenty of headlines this week are being generated at SEC Media Days in Nashville. Vanderbilt officially kicks off the conference’s football season on August 26 when the Commodore host Hawaii.

Keith Olbermann: If Ratings Peak the First Week, Kaitlan Collins is in Trouble

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The Source with Kaitlan Collins officially debuted last week, and Keith Olbermann believes if a pearl of longstanding conventional wisdom holds true, the new CNN anchor won’t be long for the timeslot.

During his Countdown podcast, Olbermann shared that the usual thought process is that ratings for a new program will peak in its first week. However, the results weren’t strong for Collins.

“The first week’s ratings are in for the new Kaitlan Collins 9:00 PM show on CNN,” said Olbermann. “Monday: last place. Tuesday: last place. Wednesday: last place. Thursday: last place. Friday? Last place.”

Olbermann then mocked Collins for her results by noting her standing in the 25-54 demographic.

“She did, however, get into triple digits in the advertising demo, so she had more than 100,000 viewers aged 25-54…on one of the five nights. Oof.”

Collins stepped into the timeslot at a tumultuous time for CNN. The official launch of the show came after the network parted ways with CEO Chris Licht, who had championed Collins for the primetime role. The 9:00 PM ET window on CNN had been officially unoccupied since it fired Chris Cuomo in 2021.

Bob Kravitz: The Athletic ‘Never Gave a F*** About Me as a Human Being’

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When The Athletic cut 4% of its newsroom in a larger reorganization – which followed in The New York Times announcing the dissolution of its individual sports department – longtime journalists and reporters were left in shock. Among those cuts was Indianapolis-based columnist Bob Kravitz, who recently launched his own Substack and expressed his candid thoughts on The Athletic.

Kravitz, 63, previously wrote for Sports Illustrated, along with local outlets such as The Indianapolis Star and Rocky Mountain News. Readers have come to appreciate his journalistic style and detail in his reporting, making his departure from The Athletic all the more harrowing for consumers. When he was “whacked” by the outlet in early June, Kravitz began to experience what unemployment felt like and was blunt in his disdain towards the feelings it engendered. He is now back on the job as a contributor for the magazine, Indianapolis Monthly, while building his Substack titled “Musings of an Old Sportswriter.”

“I was kind of hoping to ride The Athletic into retirement a couple of years down the line,” Kravitz said. “I also thought I’d retire at WTHR. Wrong again. Never should have left The Indianapolis Star. Never ever ever ever. Ever.”

When Kravitz was laid off by The Athletic, he felt that his confidence to write took a hit and was hesitant to resume his career in journalism. Yet as time went on, he felt like he needed to make a contribution to his family despite battling impostor syndrome and mulling the cessation of his 41-year career.

“Back in the day, I derived great joy from sitting down at the computer and immersing myself in a column or a story; time would pass and I wouldn’t even notice,” Kravitz said. “It was all about the words and it was a pure joy. I was in my element. It’s what I’ve always wanted to do, what with being a starting goaltender for an NHL team being slightly beyond my ability level.”

During his time at The Athletic, everything changed – especially when he had to work with “lousy” editors, despite some good ones along the way, totaling four editors through his four years with the outlet.

Over the years, he began to second-guess some of his story proposals and ultimately learned that he was laid off because of the outlet choosing to prioritize national coverage. Kravitz had already developed a level of acrimony towards the outlet when they required him to cultivate 395 subscriptions after he was put on probation a few months following a quadruple bypass amid the COVID-19 pandemic.

“That’s absurd, unfair and outrageous, especially given my health situation,” Kravitz said. “Well, I survived, producing more than 400 subs by working myself half to death, a great idea after open-heart surgery. But that soured me on the place forever. I felt it in my bones, ‘They don’t give a f**k about me as a human being.’”

Since being acquired by The New York Times Company in early 2022, the outlet’s subscription base has steadily increased; however, it has yet to turn a profit. Instead, The Athletic continues to garner operating losses and is thusly altering its approach to more quality storytelling over the quantity of coverage.

The Athletic makes a really big deal about the importance of mental health, and that’s great, but I think I’m speaking for a majority of current Athletic writers, the primary of metrics (subs, unique views and the rest) had a deleterious impact on our collective mental health as a staff. There was nothing more dispiriting than working your ass off on a story, only to look at the metrics and see one subscription and 2,000 unique views. It was soul-sucking, honestly.”

SNY to Simulcast WFAN’s ‘Evan & Tiki’

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Last night during the New York Mets’ 5-1 victory over the Chicago White Sox, viewers on SportsNet New York (SNY) may have noticed a banner drop from the score bug in the top left corner of the screen. There, it listed that WFAN’s simulcast of its afternoon radio program will return to SNY on Monday, July 24 with the official launch of Evan & Tiki featuring Evan Roberts and Tiki Barber.

Neil Best of Newsday confirmed the news on Thursday morning ahead of an announcement by the network this afternoon regarding the ongoing simulcast, which first began in May 2021. Craig Carton hosted afternoons with Evan Roberts for just over two years and recently departed the station to focus on his FOX Sports 1 morning show full time. The duo won nearly all of the ratings books in competition against ESPN New York 98.7’s The Michael Kay Show.

SportsNet New York will carry the show from 4 to 6 p.m. EST on weekdays leading into its studio program, Baseball Night in New York, which is anchored by WFAN midday host Sal Licata. In an interview with Newsday, SNY president Steve Raab expressed that the original decision to bring WFAN on the network was not centered around the presence of Carton.

“It checks a lot of boxes for us, and Tiki is a knowledgeable, recognizable, polished personality,” Raab said. “And Evan we’re certainly familiar with and we’ve been working with him.”

Raab emphasizes that the show, which spans from 2 to 6 p.m. EST, is an ideal fit for the network in the time slot. Before the commencement of WFAN simulcasts, SNY would frequently air reruns of old New York Mets games or other studio programming.

“It extends our live window by two important hours and gives us a better lead-in to the rest of the day than some of our library programming was doing,” Raab said. “It’s a relevant, topical show every day [and] it has entertainment value.”

Although Carton frequently chided SNY for neglecting to carry the entirety of the program, the network feels the two hours supplements the rest of its programming effectively. After the show and Baseball Night in New York, the regional sports network usually broadcasts New York Mets games and follows it up with Honda SportsNite to close the day.

“The debut of Evan & Tiki is the next chapter in our tremendous partnership with SNY,” Chris Oliviero, market president of Audacy in New York, said in a statement. “Together we will bring the very best in sports audio and video to New York fans daily, which is exactly what they have come to expect from WFAN on SNY.”

Evan & Tiki will be the second WFAN show simulcast to television viewers, joining Boomer & Gio in the mornings on CBS Sports Network. Brandon Tierney recently told Barrett Sports Media that his goal is to have the new midday show with Sal Licata simulcast as well; however, the viability of that ambition is not yet known. The YES Network previously simulcast Mike and the Mad Dog starting in 2002, and it continued doing so with Mike Francesa solo in afternoons until early 2014. FOX Sports then picked up the simulcast of parts of the program, placing it on its sports networks Fox Sports 1 and Fox Sports 2 until the fall of 2015.

John Kincade Loathes Late Launch of ‘Philadelphia Inquirer’ Free Sports Blog

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When The Philadelphia Inquirer changed its web address from “Philly.com” to “Inquirer.com,” it marked a seminal shift in how consumers locate the news. Some people quickly became accustomed to the change, while other people preferred to type the other URL to access the information they desired to know. If people type “Philly.com” into their browser, it automatically redirects to “Inquirer.com” and has been doing so for quite some time. The newspaper is one of the most widely circulated and trusted media outlets in the area, and something to which John Kincade of 97.5 The Fanatic still subscribes.

Bob Cooney, co-host of The John Kincade Show, used to write for the newspaper and now estimates that he and his wife occasionally make monthly payments. It confounds him why the newspaper has not remained more fastidious towards ensuring it collects remuneration from its subscribers, especially as the business continues to struggle and consolidate.

“They might look up and say, ‘You know what? Let’s see if we can get a couple of dollars from them,’” Cooney said. “I swear to god [my wife] has said to me, ‘I randomly pay them something every once in a while and we still get it delivered.’”

The issue was persistent while Cooney was at the paper, which has predicated itself off the paid subscription model. Kincade does not get the newspaper delivered to him and instead reads it online, but he is able to vividly recall his father’s job delivering The Philadelphia Bulletin over the span of two decades. Some of these  newspapers, however, seem to be slow to evolve to the changing times – at least according to Kincade – when he discovered the launch of a new free sports blog by The Philadelphia Inquirer this week.

On Twitter, The Philadelphia Inquirer announced that on every weekday, it will be bringing sports fans news, analysis and rumors about the local sports teams through a free online blog. This marks the latest shift in sports coverage by a large publication after the Los Angeles Times changed its sports section to reflect the format of a magazine.

The New York Times is forgoing the section in its entirety, instead opting to assimilate sports coverage from The Athletic, the national digital outlet it bought last year for $550 million. Whether this means the cessation of the newspaper’s individual sports section remains to be seen, but this approach will surely modify the way some sports fans engage with content.

“The Inquirer now is having a blog and it’s, ‘Look, we have this new thing – it’s a blog!,’” Kincade said. “I’m going, ‘Oh my gosh, is this a tweet from 2010?’”

“The funny thing about the Inquirer vs. ‘Philly.com’ thing is that it is a prime example of why the bosses there have no idea what they’re doing,” added show producer Pat Egan. “….They actually thought, ‘You know what we’re going to do? We’re going to make this prestigious – we’re going to make it ‘Inquirer.com.’ I don’t know about you guys, [but] I can barely spell ‘inquirer.’ I really have to think about it, so any time I got to that website, I’m still typing in ‘Philly.com.’”