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Protest Group Claims KBLA Owner Tavis Smiley Unfit for FCC License

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Former PBS host Tavis Smiley is aiming to complete his purchase of news/talk station KBLA 1580, but a group is protesting the acquisition.

The Ukrainian Congress Committee of America has filed a petition with the FCC looking to block Smiley’s purchase of the station, alleging that he is unfit to be granted a license.

The group claims the character and financial concerns of Smiley should disqualify him from holding an FCC license. Smiley was accused of sexual misconduct during his tenure at PBS. His contract was ultimately terminated for his misdeeds.

After a subsequent lawsuit, Smiley was ordered to pay PBS $2.6 million after a jury found he broke the morality clause in his contract. He has continually denied any wrongdoing in the case.

The UCCA has asked the FCC to further investigate the financial concerns of Smiley after his production company — TS Media Inc. — filed for bankruptcy after being ordered to pay the sum to PBS.

A class B 50,000-watt station, KBLA is licensed to Santa Monica and was a brokered Spanish station before Smiley took over operations. He agreed to purchase the signal in November 2020 for $7.15 million. In April, the former BET, PBS, and NPR host filed to acquire the remainder of the station for an adjusted sales price of $6.896 million.

The Clay Travis & Buck Sexton Show Celebrates Second Anniversary

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Clay Travis and Buck Sexton are celebrating the second anniversary of their debut show Wednesday.

The pair took over the program previously helmed by industry titan Rush Limbaugh after his 2021 death.

“We couldn’t be more proud of what Clay and Buck have accomplished together over the past two years,” said Premiere Networks President Julie Talbott.

“They had big shoes to fill, and they hit the ground running with their fresh, dynamic, and entertaining brand of news talk. The results speak for themselves, and we’re proud to mark this milestone with them as they continue to deliver impressive returns for our partners.”

The program has seen digital growth in recent months. The show’s podcast features more than 13 million downloads monthly.

The Clay Travis & Buck Sexton Show celebrated eclipsing the 500 affiliate mark earlier this year after the program was added to the daily lineup at KIDO in Boise.

Candace Owens Responds to Criticism Over Juneteenth Opinion

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Conservative commentator Candace Owens reaffirmed her stance against Juneteenth while accusing Black individuals who voiced their disagreement with her previous post that mocked the holiday of “playing the race card.” 

The chain of events began when Owens expressed her disapproval of Juneteenth, labeling it as “a pander of a holiday” in one of her critical tweets. She further described the holiday as “ghetto and made up,” provoking a response from another Twitter user who accused Owens of despising her own Black identity.  

In response, Owens directed her criticism towards the Black Lives Matter movement, characterizing it as the cause behind what she perceived as Black individuals becoming “fragile, emotionally sensitive”.

As an outspoken conservative political pundit and a Black woman herself, Owens sparked a contentious debate on Juneteenth when she posted a tweet belittling the recently established federal holiday as “inferior” and “fabricated.” 

“Juneteenth remains inferior and contrived. Wishing everyone a pleasant experience!” Owens tweeted, generating significant controversy. 

Each year on June 19th, Juneteenth is observed to commemorate the complete abolition of slavery in the United States. This significant date marks the anniversary of Union General Gordon Granger’s declaration of the end of slavery in Texas on June 19, 1865.  

“Juneteenth is soooo lame,” she wrote. “Democrats really need to stop trying to repackage segregation. I’ll be celebrating July 4th and July 4th only. I’m American.” 

Meet the Market Managers: Dave Fleck, KSE Denver

One day at a time. One month at a time. One book at a time. That is how Dave Fleck helped Altitude Sports Radio get to the level of success it enjoys now.

Of course, being the flagship station of the Denver Avalanche built a nice base for what happened last week, because the station is also the flagship of the Denver Nuggets. Market conditions, sometimes, work just as effectively as any talent or promotion ever could.

In this week’s Meet the Market Managers column, presented by Point to Point Marketing, Fleck talks about how small ideas can turn into great sales success, the amount of work and the kind of expectations that come with taking money from sportsbooks, and why it is important for a GM and a PD to gel.

Demetri Ravanos: Let’s start by talking about the last week. Obviously, a huge deal for you guys in Denver. Take me through the lead-up to and what we’re all the moving parts between programing and sales were to make sure that not only did you have full coverage of the Nuggets in their celebration, but also that on the sales side, you were able to take full advantage of that moment. 

Dave Fleck: Luckily Demetri, it’s been two years. We had good practice last year with our Avalanche and their Stanley Cup and the culmination of award-winning, great coverage last year for our Avalanche. So fortunately, we had just been through it several months earlier, but our team did a fantastic job – our radio team in addition to the team on the court. It’s a lot of moving parts that come down quickly.                 

Once you hit the Western Conference Finals, it really transcends your average and typical sports fan and just becomes something the entire community embraces. Sweeping the Lakers, they’ve been our nemesis for many years in trying to get over that hump, that was a big step. You could feel the excitement around the city, not just with the Lakers, but going in, even though we were a number one seed, as a bit of an underdog to the Suns. The community, the entire city just got so excited and could see kind of what the future might bring to us in the form of a championship. So it was it was a lot going on.                

Our team did a fantastic job from the coverage standpoint. We’re very fortunate in that we’ve got a lot of crossover talent with our RSN, Altitude Sports Television. Two of our morning show guys, Vic Lombardi and Marc Moser, are doing television for Altitude. Chris Dempsey, who’s on middays has been a Nuggets anchor for many years. Scott Hastings does color analysis for television. So, we’re very fortunate to be with the team and very fortunate to have ownership that owns both the team and the radio station. I think that that puts us in a position to really bring the best content that we possibly can to the community. Our guys were on their game. They were topical, they were fun, and they were entertaining. Listeners want that kind of behind-the-velvet-rope experience. When you have talent that travels with the team and are closely connected, you get those stories and you get the content that people want. I think our team delivers it in an entertaining way. 

DR: One of the things that I’ve heard from multiple people about Denver sports radio is that fans there were conditioned for a very specific type of sports talk – a professional host sets up a former Bronco. You guys bucked that trend a while ago, and now obviously, the timing couldn’t be better to have people involved in so many other sports.               

How have listeners reacted? Did it take time for them to get used to something different, or did you guys find that entertainment is entertainment, and if it was good, the listeners were going to be there? 

DF: I think the listeners were there. Once they found us, they were entertained. We never had much of an issue with time spent listening, Demetri. It was all about building more cume. That tells me that once people found us, they really enjoyed a few things. One is that it is entertaining and another is that we talk about all sports – not even just the teams that we’re the flagship for.           

We cover high school, we talk soccer, golf, college football, and college athletics. We talk about it all, whether it’s Air Force Academy, CU, and CSU. Certainly there’s plenty to talk about up at CU. We pride ourselves on talking all sports but, you know, it’s this is an NFL town.                 

The Broncos have a rich history and we certainly talk Broncos in an entertaining fashion and have hired talent that can do that. Certainly, the Avalanche and Nuggets, the city of Denver and the region have been nuts over the two teams that we are fortunate enough to be the flagship for. 

DR: So given that for so long sports talk in the town was Broncos-focused to the point that those two teams you just mentioned rarely got the kind of spotlight that you guys have been able to give them, did you find that you guys are talking to a different segment of the sports talk demographic? Are you guys skewing a little bit younger than you might expect a sports station in Denver to? 

DF: We are doing well with the 18 to 34-year-old segment. I think our talent is part of that. You’ve got Bret Kane that anchors the morning show with Vic and Mos. I think Bret brings in that younger audience. In midday, certainly Chris Dempsey’s a veteran in the business but he’s partnered with Alex Rajaniemi, “Raj”, who is a young man that is a sports encyclopedia. Then. from an entertainment standpoint, Matt McChesney, former CU Buffalo football player, former Bronco and NFL player, brings an entertainment side and a characteristic that that is is unique to Matt McChesney.               

I don’t know that we’re actively saying we want to go younger. For me, I just want us to be entertaining, whether you’re you’re 22 or 52. I’m 56 and I’m a sports talk junkie. I just love being entertained and I love hearing about all the different sports.              

I think you create a culture. That’s what’s important to me – creating a culture where we want to win. We want to be the best. Everybody just rolls up their sleeves and works hard and a lot of people wear a lot of different hats at the station and everybody’s willing to jump in and do whatever they can.                    

You know, you’ve got Andy Lindhal in afternoon drive, who was a long-time Broncos sideline reporter. He knows the nuances of training camp, so he can help get us in good positions, get us interviews with former players, and things of that nature. It’s a team effort. You know, it’s not just Kevin Shockey, our program director, and myself and management. It’s all the talent creating a culture where they speak up. “How do we win?” “What’s the best thing for this radio station so that we can entertain, entertain our listeners?” 

DR: So I want to ask you about Kevin, because it was around this time last year that you started that search for a new program director. I wonder if going into it you had a concrete idea of what it was you were looking for. I mean, KSE is obviously a very different business than a lot of radio ownership groups are. Is there anything in that search that you knew you needed that might surprise even people in the business? 

DF: I was looking for somebody with good energy – good, positive energy. It didn’t necessarily have to come with a wealth of experience in sports talk, although Kevin was an assistant program director at KJR in Seattle for a long time. I knew relatively from the first time that I met him on a Teams call like this. I just felt really good about his energy. Candidly, he had big shoes to fill from the person that was in here before, because I trusted that person and he did a lot.         

Kevin is very different from what we had here before. His energy level is different. Our former program director was a little bit more methodical and Kevin is excited and always comes in with fresh ideas.                     

I just wanted somebody that I could gel with and we could have an open dialog. You know, I certainly have thoughts, but they’re not always right. And I wanted somebody that was comfortable to say, “Hey, what about this instead? I know you, I know you like it this way, but can we try this this way.” And I like that about him. He speaks up, speaks his mind, and we come to a quick consensus on most of our decision-making.                      

At the end of the day, it’s his station to program, and I want him to have the autonomy to do that. 

DR: I want to go back to the idea that KSE is not your typical radio business. I think anybody that has never worked for a station like that, they have a preconceived notion of what it means to be the station owned by the team. What are the realities? What are the realities of not only expectations for your air staff but for you as well when it comes to coverage or advertising those four teams that Kroenke owns?

DF : We’re, as I said, incredibly fortunate. I was with Fox Sports prior to Mr. Kroenke starting Altitude Television, and a group of us came over when Altitude was launched. Then he buys the radio stations and it is unique. I don’t know, maybe there’s one or two other sports entities in the country. You can look at Toronto and maybe MSG with their television network, that is team owned. So we are unique and that while we’re the flagship we’re also owned by the company that owns the teams.                     

I want our talent to be real. I want them to be honest. If they need to critique the team, coaches, players, whatever, they can do that, but they need to be fair. I would say that not just about our teams, but really any team in the market. I don’t want us going out and attacking the Rockies because they’re having a tough season. We can critique, but I don’t want anybody to get nasty. Just call it how it is. You don’t need to bad-mouth ownership. You can point out some challenges that other teams are having in the market.              

I certainly don’t want name-calling or doing things like that to our teams, because we are owned by the Kroenkes, but we can certainly be fair and critique and bring up the challenges that our teams have. So it’s a balance, but I would expect us to respect those boundaries of any ownership, whether it’s Kroenke or any other team. 

DR: You guys have a sales promotion sales partnership that I really like because as simple as it is, I am guessing it involved every department. It’s the “Ska Friday” you guys do on the afternoon show. I made it’s named for a brewing company that sponsors it. The idea is simple – stupid, terrible ska music. They play it out of breaks.                  

Again, simple, but I would imagine that’s the kind of thing that Andy Lindahl, Nate Kreckman and their producer all have to be a part of, maybe not from conception, but on a weekly basis, certainly to make work. 

DF: Absolutely, and it was from conception. Buy-in from the talent is really important. It started on the sales end. Nate even did kind of an audition dance because he thought he thought that is what they wanted. You know what? He owned it. He wanted to move the needle for the client.                 

I will tell you whether it’s Ska Brewing or any of our other advertisers, I try not to get too caught up in the monthly ratings. Certainly, it’s part of what we do and it’s the currency that we trade on. We are having great success with those ratings currently, but it’s one book at a time. We’ve seen great development with that, but I don’t let that be the be-all and end-all. For me, Demetri, it’s do we get results.                        

If our revenue continues to grow month in and month out and our advertisers continue to stick with us and every month continue to spend their advertising dollars with us, then that means we’re working for them. We’re getting results for them. When I see the kind of growth that we’ve had from a revenue standpoint, not just our own growth year to year, but just in comparison to the marketplace, what we’re doing specifically from a local revenue standpoint, it makes me really proud of the sales team and the on-air staff and the promotions staff and the engineering staff. Everybody’s working together to put out the best possible product that we can. It’s getting results for advertisers and they’re going to continue to renew with us month in and month out. That’s what excites me most, because while the ratings are growing and we’re building that cume, and I’m thankful that we’re the flagship of world championship teams, I also know that it’s the hard work that this team is doing day-in and day-out, putting out great content, coming up with superb sales ideas to put in front of clients and a promotions department that fulfills it.              

I put us up against anybody in the market with how we facilitate and implement our promotions and ad campaigns. So if the revenue is growing, that means we’re doing something right for our advertisers. 

DR: So speaking of doing something right for your advertisers, Colorado was in the first wave of states to legalize sports betting once it was left up to states. I remember listening to not only you guys around that time, but other stations in the marker as well. Every sportsbook in the world was buying those stations at that time. I do have to ask, because I think this is really interesting as more and more states legalize and people are a little bit more methodical about those buys, how did you approach that advertising as a company?                        

The Colorado market exploded. There had to be some things either initially or over time you that you thought about. Did you put any guideline in place, both for advertisers and sellers to make sure that the advertisers’ message wasn’t getting lost amongst so much competition? 

DF: Yeah, I think we’ve done a really good job of giving each of those gaming companies something they can hang their hat on. That speaks to creativity within the sales department and the production group and cutting out a little piece of something that those gaming companies can own.                    

Colorado is very fortunate as an entire media market to be one of the early ones to approve gaming. I’m especially proud of our group our ad sellers, and I guess I’m fortunate in coming with my background, coming in from the sponsorship and television side and the arena sponsorship. You know, you get accustomed to asking for those larger dollars than maybe you typically would on the radio side.                

We saw this category coming in and we knew it was it was flush with cash. So how do we do the best job that we can for those gaming companies as well as for our organization? I mean, everybody wants an endorser, but there’s only so many on-air talents that you can have or producers to endorse a product. Early on, we set specific parameters and thresholds that those gaming companies had to meet and we were very successful in holding that line.                  

You get a lot of sellers that say, “Oh, my gosh, we’ve got to take this deal!”. Well, no, we don’t have to take this deal. We can wait and we can see what else comes in. If they want multiple endorsers, then they have to pay for that. Just because they’re coming in and spending a decent amount of money doesn’t mean they just get carte blanche on the number of endorsers. If they wanted special promotions, then we would create those for them. But it came with a specific spending parameter that they had to meet. Fast forward to 2020 coming out of COVID, it was great to have that happen here in the state.               

As more states come online, that category starts shrinking. A lot of players were in that category initially. Some have been bought out, some just folded up shop and it’s consolidated a little bit. So through that consolidation and as that category matures, you change your strategy and your parameters. I’m still really happy with what we’ve done in that category from both from a revenue standpoint and more importantly, how we work for each of those companies to have success with what we can offer, whether that is specific promotions, tying them into certain endorsers, or coming up with something unique for them.                       

I’ll give you an example. We’ve got Betsafe here, which is a great supporter of ours. They like to educate, so we come up with an idea for betting tips. You know, “what does ‘the money line’ mean?” and “what is an ‘over/under’?”. We’re looking at different betting terminology that that the average person may not understand and explaining that to them and using 15 second ads to just share that knowledge. We’re not recreating the wheel, but it’s coming up with different ideas for each gaming company. We need to move the needle for them and generate activations for each of those apps. 

Scott Voorhees Hasn’t Had a Conventional Road to Leading 1110 KFAB

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Scott Voorhees and his wife were finishing their basement in Kansas City in the summer of 2006. While Voorhees had previously performed on several shows at KFAB in Omaha, he believed the station had moved on from his style after attempting to impress program director Gary Sadlemyer with some unconventional ideas.

At the time, Voorhees and his wife kept their pregnancy under wraps. As they admired the progress of their basement, Voorhees mentioned that even though he loved their home and envisioned staying there forever, he would have to consider relocating back to his hometown of Omaha, Nebraska, if KFAB offered him a job. 

Before his current radio job, Voorhees only occasionally participated in talk radio, filling in only when needed. Despite having some radio experience in Kansas City, he felt the need to find the right market to establish a strong sense of community. Voorhees longed to be part of a close-knit town where neighbors truly cared about each other’s well-being, even if they didn’t live in the same area. Although passionate about radio, he understood that finding the right station and opportunity was crucial to success. 

After several years, he received a phone call from KFAB Hall-of-Famer Gary Sadlemeyer to welcome him back to the station. Scott is now the mid-morning host and Program Director at KFAB.

In an interview with Barrett News Media, he discussed his radio journey, how he balances trusting his instincts as a program director and relying on ratings, and his thoughts on the new afternoon host, Emery Songer

Ryan Hedrick: Gary Sadlemyer, the former director of programming at KFAB, told Omaha Magazine that you were the best hire he ever made. Could you elaborate on your connection with him? 

Scott Voorhees: Gary is an absolute legend. It’s true he’s not our program director anymore, but when you have a guy that has been a part of this radio station for coming up on 47 years, it doesn’t matter what his title is or isn’t; he’s the leader of this radio station. He’s also a member of the Nebraska Broadcasters Association Hall of Fame. 

I’ve got the title now of program director, and all that means is that I’m on the conference calls and in the meetings, and he doesn’t have to be. He can focus on being Gary which is taking care of a legion of listeners in this town and some great advertising partners as well.  

RH: Do you remember when you first talked to Gary about joining KFAB?  

SV: I started at KFAB as the mid-morning host, a spot I still have from 9:00-11:00 AM. My first contact with him was about two and a half years before I got hired here. KFAB was looking for an afternoon drive host, and at that time, I was 25-26 years old, and they let me come in and do a couple of shows, and I didn’t do too terribly. I brought some comic bits on the air that some people had never tried. Maybe it wasn’t the right thing for the radio station, but it certainly put me on the radar.

Gary said, ‘Thanks a lot for doing this,’ as it turns out, I went to high school with his daughter, and she never knew that, and I didn’t either. I didn’t get the job because I know his daughter.

Two and a half years later, I hadn’t any contact with this radio station, and I was living in Kansas City, and things were going well for my wife and me. We had a baby that we hadn’t told anybody about yet. We had just finished our basement, and I said, ‘Honey, we are never leaving this house unless KFAB in Omaha ever called. We would have a decision to make.’

Gary Sadlemyer called me essentially out of the blue the next day. I know a sign when I see one. I’ve been back here in my hometown of Omaha ever since.  

RH: How did you get promoted to the program director at KFAB? 

SV: The program director position did not pass directly from Gary to me. Jim Rose, a former WIBW guy in Topeka, Kansas, was an interim PD and decided he didn’t want that responsibility, so I’ve been programming this station for the last six years or so.   

RH: Before joining the team at KFAB, what was your previous professional experience? 

SV: I think I was about 29 years old when I started at KFAB. Gary [Sadlemyer] received a card when he hired me that read, ‘Congratulations on the birth of your new baby boy, Scott.’ Somebody in their 20s getting a talk radio gig is rare because this is stereotypically a job for older people and older listeners, which is not necessarily true, but that’s the stereotype.  

In the five years before that, I had done an afternoon drive radio show on Hot Talk 1510 KCET Kansas City. Before that, I was hired to do marketing and public relations for everything from the Christian Ministry to the Miss USA Pageant and for people on the TV show Survivor. 

I had never been to New York City, and the next thing I knew, I was in the offices of CBS and ESPN, like every other week, with the people who were on Survivor who wanted to parlay their success into a different role in the entertainment industry.  

It was a great gig, but I missed radio. At that point, I was still young enough, and I thought to myself that if I could get back into the business, I would still be young enough for stereotypical talk radio. So, when Gary called me, I wasn’t doing a regular radio gig. I would jump in and fill in for different markets here and there, but I just really liked what I was doing, and I was happy to do that for a while.  

RH: How is the Omaha Radio market different from other markets? Also, which radio stations compete with KFAB? 

SV: There is a good sense of community in Omaha. Even people that just moved here talk about our support of the [Nebraska] Cornhuskers, our passion for the College World Series, and the fact that if something happens in one part of our town, it matters even if you’re on the other side of the community.

I don’t look at our competitors as other radio stations, and that’s not from an ego standpoint. When we’re trying to get somebody to listen to us on the radio, we’re not just vying for their attention from other stations, there are a lot of things that can draw attention, and most of it is on the cell phone. Our competition is binge-watching Succession, playing solitaire on their smartphones, or scrolling social media.

The way we compete for attention is by trying to make connections locally. Why does this matter to you? Why should you care? What does this mean for your family, your pocketbook, and your safety in this community? We also try to entertain with local flavor and references. That has served this radio station well for the past 100 years.

RH: You recently hired Emery Songer as the new afternoon drive host at KFAB. Can you highlight his unique qualities and give KFAB listeners an idea of what they can expect from his new show? 

SV: Emery reminds me a lot of myself at that same point in my career. He has been the producer for the morning show at WHO Radio in Des Moines, Iowa, for five years. He’s also done his own weekend show and is the go-to guy to fill in for the mid-morning or afternoon guys, Jeff Angelo and Simon Conway. He’s hosted so many radio shows, but his daily responsibility is to sit there at the controls and listen to the regular morning show hosts do their show.  

It doesn’t matter how great the hosts are. After you have had a several-year taste of doing your own show, you’re no longer sitting there with a producer mindset, you’re going to be sitting there thinking ‘I would do it this way’ or ‘I would do it that way’. You are so hungry to take on the daily responsibility [of hosting a show, and that’s where Emery is, and we’re glad to give him this shot at KFAB in Omaha. 

He’s already bursting at the seams with infectious positivity. He’s not jaded by everything happening in the news. He’s hungry, ready, and excited about all these different things. I love having that in a co-worker, I love having that on our radio station, and we look forward to having him on the air for years to come.  

RH: How do plan to attract younger audiences who prefer streaming services and FM radio and may not be as familiar with AM radio? 

SV: I had an illuminating conversation a couple of years ago. I have a daughter who is now 16. Sometimes I would drive my daughter and her friends around, and occasionally her friends would say, ‘My dad said to tell you that he listens to you on the radio and he likes your show.’ And then I get the inevitable question [from my daughter’s friends], ‘What do you talk about on the radio?’  

There was no way I could answer the question to their satisfaction until one day when I said, ‘Have you ever listened to a podcast?’ Once they said that they had listened to podcasts, I told them I do a live podcast on the radio every single day, except it’s not recorded; it’s live. Suddenly their minds were blown. The concept had never occurred to them.  

We are trying to reach people who don’t know what radio is. So, to try and connect them with music and on-demand podcasts, iHeart Radio has done a fantastic job with that, and to remember we are live every day, we must instruct younger listeners on that. 

It’s funny how so many younger listeners are at the point now where Emery [Songer] is in his life. They’ve gone through living with their parents, graduated from college and started a career, and got married. It’s amazing how some of these life experiences can turn them into talk radio listeners. Suddenly we get an influx of 30-year-old talk radio listeners; it’s amazing how often life experiences push people to us.  

RH: How important is networking in the broadcasting industry? How can young broadcasters expand their professional networks and make valuable connections? 

SV: I was lucky enough to have gotten into this business when we still needed a live human being on every single radio control board 24 hours a day, which meant there were a lot of jobs. Those days are gone. You have to try and find a way. If you want to do radio, it never hurts to reach out to the person you want to work with and offer your services.

You have no idea how many programmers are like, ‘Really? Because I don’t have anybody for this’. Somedays, it feels like you’re all alone with no one who wants to do any of this stuff. You’re never bothering these guys. If you are, they’ll stop getting back to you. Big deal. You didn’t have that job anyway. You have to put yourself out there.   

RH: What is your opinion on social media influencers and their impact on the broadcast radio industry? Do you view them as potential partners or rivals?

SV: When we had this opportunity in the afternoons, I did think about who in Omaha has a lot of followers on Facebook, TikTok, and Instagram and how they are doing it. I watched influencers do videos and even contacted a couple of them. It was funny, there was one person who was fantastic when she thinks about what she wants to do in advance, but the prospect of live radio without a net that was longer than a two-minute video was horrifying to her.  

Some people are just comfortable doing what they’re doing. Even though these influencers are not in radio, they’ve made a connection with our community and are making money doing it. That’s what we’re doing in radio. 

We’re all essentially the guy that dresses up like the Statue of Liberty at tax time. We’re like carnival barkers who are like, ‘Hey, look at me, and buy this stuff we’re advertising.’ If you can find a way to do that, you’re going to be valuable to somebody, and it very well could be radio.

RH: What is the ideal balance between relying on ratings and trusting your instincts as a program director when shaping your radio station’s programming strategy? 

SV: As you look at the ratings for Omaha, we are number two right now, and I’m upset that we’re not number one. If it matters to the person who’s advertising to that group, then you are number one. The ratings are a nice thing to pat yourself on the back, but it doesn’t mean anything if you’re not getting the revenue associated with that.  

We are in a ratings world here in Omaha; we have to have good ratings, and we have to have good revenue. With this radio station, the way that I’ve always tried to figure out how many people are listening is to throw someone’s name out there on the radio and see how long it takes them to text or email you and say, ‘I heard you were talking about me.’ As quickly as they can get back to me, that’s when I know that we’re having a good day.  

Brandon Tierney: ‘Sal Licata Earned This’

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WFAN formally announced its revamped show lineup on Tuesday, as Craig Carton prepares to make his exit at the end of the month. Joining host Brandon Tierney for middays will be Sal Licata. Licata and Tiki Barber, who will replace Carton opposite Evan Roberts, will debut in their new roles on July 24.

Licata has been at WFAN since 2003 when he started as an intern. Most recently Sal had been hosting overnight in addition to his regular appearances on television on SNY and his work with Jimmy Traina on the SI Media Podcast.

Tierney tweeted his excitement about working with Licata not long after WFAN made the news of the new lineup official. He added that the promotion in timeslot is something Sal has worked hard to achieve.

With Sal moving into middays, the station has also named a new overnight host in Chris McMonigle.

CNN Town Hall with Nikki Haley Earns Sunday Evening Ratings Bump

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Republican presidential candidate Nikki Haley was the focus of a 90-minute CNN town hall on June 4. From 8-9:30 p.m. ET, it averaged 562,000 viewers including 136,000 within the key 25–54 demographic. Its 11 p.m. rebroadcast drew 293,000 viewers and 65,000 adults 25-54.

While that paled in comparison to the 3+ million of the controversial Donald Trump town hall from May 10, as well airing opposite Game 2 of the NBA Finals on ABC (which drew 11.91 million that night), Haley’s town hall actually improved upon CNN’s recent results within the Sunday 8-9 p.m. hour. For original telecasts of The Whole Story with Anderson Cooper from Apr. 30-May 21, its live plus same day data averaged 497,000 total viewers and 105,000 adults 25-54.

The town hall also dominated that night in cable news among adults 25-54, more than doubling its time slot competitor from FNC, Life, Liberty and Levin (63,000). However, that same FNC program more than doubled CNN’s event in total viewers, drawing 1.216 million. Meanwhile, The Mehdi Hasan Show at 8 p.m. was at its normal levels: 454,000 total viewers and 35,000 adults 25-54.

In other ratings news that week, President Biden made his first live TV appearance from the Oval Office post-Inauguration Night on June 2. He announced an agreement on the debt ceiling with House Speaker Kevin McCarthy to avert an economic downturn.

Biden’s 17-minute spot at 7 p.m. Eastern on June 2nd was broadcast on multiple networks. ABC was, by far, the most-watched outlet for it with 4.12 million total viewers, according to Nielsen Media Research. CBS was runner-up with 2.98 million. (NBC’s telecast figures were not made available.)

Unlike the broadcast networks, Nielsen did not make Biden’s Oval Office address as a distinct telecast. But for the entire 7-8 p.m. hour, Fox News led all cable news viewers with 1.79 million (for Jesse Watters Primetime). MSNBC’s The ReidOut drew 1.43 million while CNN’s Erin Burnett Outfront posted 599,000. Newsmax’s recently-rising Rob Schmitt Tonight delivered 260,000 and NewsNation’s On Balance 44,000.

Cable news averages for May 29-June 4, 2023:

Total Day (May 29-June 4 @ 6 a.m.-5:59 a.m.)

  • Fox News Channel: 1.007 million viewers; 117,000 adults 25-54
  • MSNBC: 0.665 million viewers; 76,000 adults 25-54
  • CNN: 0.409 million viewers; 76,000 adults 25-54
  • HLN: 0.152 million viewers; 41,000 adults 25-54
  • Newsmax: 0.139 million viewers; 14,000 adults 25-54
  • CNBC: 0.114 million viewers; 26,000 adults 25-54
  • Fox Business Network: 0.101 million viewers; 17,000 adults 25-54
  • The Weather Channel: 0.081 million viewers; 12,000 adults 25-54

Prime Time (May 29-June 3 @ 8-11 p.m.; June 4 @ 7-11 p.m.)

  • Fox News Channel: 1.357 million viewers; 130,000 adults 25-54
  • MSNBC: 0.991 million viewers; 101,000 adults 25-54
  • CNN: 0.512 million viewers; 95,000 adults 25-54
  • Newsmax: 0.217 million viewers; 20,000 adults 25-54
  • HLN: 0.185 million viewers; 43,000 adults 25-54
  • CNBC: 0.162 million viewers; 40,000 adults 25-54
  • Fox Business Network: 0.109 million viewers; 31,000 adults 25-54
  • The Weather Channel: 0.107 million viewers; 16,000 adults 25-54
  • NewsNation: 0.096 million viewers; 15,000 adults 25-54

Top 10 most-watched cable news programs (and the top programs of other outlets with their respective associated ranks) in total viewers:

1. Hannity (FOXNC, Thu. 6/1/2023 9:00 PM, 60 min.) 2.780 million viewers

2. The Five (FOXNC, Tue. 5/30/2023 5:00 PM, 60 min.) 2.667 million viewers

3. The Five (FOXNC, Wed. 5/31/2023 5:00 PM, 60 min.) 2.604 million viewers

4. The Five (FOXNC, Thu. 6/1/2023 5:00 PM, 60 min.) 2.538 million viewers

5. The Five (FOXNC, Fri. 6/2/2023 5:00 PM, 60 min.) 2.288 million viewers

6. Jesse Watters Primetime (FOXNC, Thu. 6/1/2023 7:00 PM, 60 min.) 2.106 million viewers

7. Jesse Watters Primetime (FOXNC, Tue. 5/30/2023 7:00 PM, 60 min.) 2.079 million viewers

8. Hannity (FOXNC, Wed. 5/31/2023 9:00 PM, 60 min.) 1.934 million viewers

9. Jesse Watters Primetime (FOXNC, Wed. 5/31/2023 7:00 PM, 60 min.) 1.816 million viewers

10. The Ingraham Angle (FOXNC, Thu. 6/1/2023 10:00 PM, 60 min.) 1.805 million viewers

17. Alex Wagner Tonight (MSNBC, Wed. 5/31/2023 9:00 PM, 60 min.) 1.675 million viewers

156. HBO Film “Bee Gees: How Can You Mend Broken Heart” (CNN, Mon. 5/29/2023 8:00 PM, 135 min.) 0.730 million viewers

321. Eric Bolling The Balance (NMX, Wed. 5/31/2023 8:00 PM, 60 min.) 0.421 million viewers

371. Forensic Files (HLN, late Fri. 6/2/2023 1:00 AM, 30 min.) 0.336 million viewers

431. Kudlow (FBN, Wed. 5/31/2023 4:00 PM, 60 min.) 0.267 million viewers

459. Fast Money Halftime Report (CNBC, Thu. 6/1/2023 12:00 PM, 60 min.) 0.248 million viewers

580. Newsnation Prime (NWSN, Sat. 6/3/2023 7:00 PM, 60 min.) 0.194 million viewers

666. America’s Weekend Headquarters (TWC, Sat. 6/3/2023 9:00 AM, 60 min.) 0.165 million viewers

877. FBI Files (COURT TV, Sun. 6/4/2023 1:00 PM, 60 min.) 0.101 million viewers

Top 10 cable news programs (and the top  programs of other outlets with their respective associated ranks) among adults 25-54:

1. Hannity (FOXNC, Thu. 6/1/2023 9:00 PM, 60 min.) 0.320 million adults 25-54

2. The Five (FOXNC, Tue. 5/30/2023 5:00 PM, 60 min.) 0.279 million adults 25-54

3. The Five (FOXNC, Wed. 5/31/2023 5:00 PM, 60 min.) 0.271 million adults 25-54

4. The Five (FOXNC, Thu. 6/1/2023 5:00 PM, 60 min.) 0.263 million adults 25-54

5. Gutfeld! (FOXNC, Wed. 5/31/2023 11:00 PM, 60 min.) 0.231 million adults 25-54

6. Gutfeld! (FOXNC, Fri. 6/2/2023 11:00 PM, 60 min.) 0.227 million adults 25-54

7. The Ingraham Angle (FOXNC, Thu. 6/1/2023 10:00 PM, 60 min.) 0.226 million adults 25-54

8. The Five (FOXNC, Fri. 6/2/2023 5:00 PM, 60 min.) 0.224 million adults 25-54

9. Gutfeld! (FOXNC, Tue. 5/30/2023 11:00 PM, 60 min.) 0.216 million adults 25-54

10. Jesse Watters Primetime (FOXNC, Tue. 5/30/2023 7:00 PM, 60 min.) 0.211 million adults 25-54

13. Alex Wagner Tonight (MSNBC, Wed. 5/31/2023 9:00 PM, 60 min.) 0.189 million adults 25-54

65. CNN News Central (CNN, Mon. 5/29/2023 1:00 PM, 60 min.) 0.140 million adults 25-54

113. Forensic Files (HLN, late Fri. 6/2/2023 12:00 AM, 30 min.) 0.119 million adults 25-54

409. American Greed “207 Covid Cons” (CNBC, late Fri. 6/2/2023 1:00 AM, 60 min.) 0.059 million adults 25-54

491. Rob Schmitt Tonight (NMX, Thu. 6/1/2023 7:00 PM, 60 min.) 0.047 million adults 25-54

526. Newsnation Prime (NWSN, Sat. 6/3/2023 7:00 PM, 60 min.) 0.044 million adults 25-54

574. Mornings with Maria Bartiromo (FBN, Fri. 6/2/2023 8:00 AM, 60 min.) 0.038 million adults 25-54

578. I Survived (COURT TV, Sat. 6/3/2023 11:00 PM, 60 min.) 0.038 million adults 25-54

690. America’s Weekend Headquarters (TWC, Sat. 6/3/2023 9:00 AM, 60 min.) 0.029 million adults 25-54

Source: Live+Same Day data, Nielsen Media Research

Michael Mulvihill Upped to President of Insight & Analytics at Fox

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FOX Sports EVP Michael Mulvihill is being promoted to a new role at FOX Corp.

Mulvihill, who has been at FOX Sports since 1995, will be president of insights and analytics. He will manage research, analytics and strategic planning groups for FOX Sports, FOX Entertainment and Tubi.

“Mike has been an unbelievable asset to the FOX Sports team, providing unmatched insightful analysis, and helping us grow our business to new heights,” said Mark Silverman, president and COO of FOX Sports. “We are thrilled to see Mike expand his portfolio and bring his unique talents to our FOX Entertainment Group and Tubi.”

Mike will continue to report to Silverman in addition to reporting to higher-ups at FOX Entertainment and Tubi.

Geoff Calkins Sticking With 92.9 ESPN Show After Giving Up Sports Column

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Since 1996, Geoff Calkins has been living and working in Memphis writing about sports. Since 2010, Calkins has hosted a show on 92.9 FM ESPN in addition to his regular newspaper contributions. Calkins announced on his show Tuesday that he’s making a shift in what he’ll be covering moving forward with his writing and that he’ll continue to host his show.

“It has absolutely been the best time of my life,” Calkins said. “Memphis has all kinds of problems obviously and challenges. And they feel particularly dire honestly, or urgent I guess now. But my experience is this is where I’ve been my best. This is where I’ve been my happiest. This is where I’ve been my most productive. This place has allowed me to be everything I wanted to be in terms of my career. And it’s also just been incredible as a community for my family.”

“I feel lucky all the time,” he added.

Calkins will be writing more about Memphis overall as a columnist for The Daily Memphian. He made it clear he’s here to stay.

“I’m not leaving Memphis, I’m not leaving The Daily Memphian,” he said. “I’m gonna stop writing about sports and start writing about other stuff to cut to the chase.”

Geoff said the grind of covering sports for almost three decades in Memphis has wore him down. He’s been ready to scale things back a little bit in terms of constantly being on the go.

“It just felt like it was enough, and I didn’t have the same enthusiasm for it that I did,” he said. “And therefore I wasn’t as good at it as I was.”

Calkins got to the heart of why he wanted to write more generally about Memphis. There’s a lot going on in the community he calls home. He felt it was bigger than sports.

But the one thing that’s going to remain constant is his radio show.

“I’m still gonna do a five-day-a-week radio show, and it’s still gonna be mostly about sports,” he said. “That won’t change.”

Geoff mentioned the fact that only being a sports-focused host isn’t how he’s done things over the last few years. He expects listeners won’t notice much of a difference moving forward.

“The radio show’s not going to be going anywhere,” he added.

Dan Le Batard: A Show With Me & Greg Cote Would Have Aged Poorly

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Miami Herald sports columnist Greg Cote made his regular Tuesday appearance on The Dan Le Batard Show with Stugotz again this week, and Le Batard said seeing his longtime friend always makes him think about what could’ve been.

Dan said he didn’t think the show would’ve aged like it has with Stugotz.

“It makes me see what I imagined 20 years ago,” he said. “I thought I would be hosting this show with Greg Cote, and that would’ve aged very poorly.”

Back in April in an episode of South Beach Sessions, Dan explained that Cote was the first choice to be co-host before Stugotz. But Cote said he turned down the chance because he wanted to be around more during his son Chris’s teenage years.

But back on Tuesday, Dan did joke that it’s not like Stugotz has moved the bar impossibly high.

“It doesn’t age much better with Stugotz,” Le Batard said. “But it is slightly better in that he’s not frightened of the lights or confused and disoriented by someone talking in his ear.”