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Barack Obama On Changing Media Landscape: ‘We Almost Occupy Different Realities’

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During an interview on CBS Morningsformer President Barack Obama expressed that his primary concern for the future of the United States is the presence of a polarized media landscape.

In response to host Nate Burleson’s question about his worries for the country after his presidency, Obama emphasized the issue of a fragmented discourse, attributing it partly to the existence of a divided media.

“When I was coming up, you had three TV stations. And people were getting a similar sense of what is true and what isn’t, what was real and what was not. Today, I’m most concerned about the fact that because of the splintering of the media, we almost occupy different realities,” said Obama.

Obama said with the changing times, there has been a notable shift from a shared understanding where even with disagreements on solutions, everyone acknowledged the existence of an issue to a situation where people may dismiss or deny the occurrence altogether.

“One of the goals of the Obama Foundation and one of the goals of my post-presidency is, how do we return to that common conversation? How can we have a common set of facts,” he said.  “We may disagree on gun violence in terms of what the best prescriptions are, but we can’t deny the data that says the United States has levels of gun violence that are five, ten, fifteen times more than other countries.”

Obama suggested that reducing the issue to a mere mental health problem overlooks mental health challenges in other countries. He highlighted that the distinction lies in something else, which can be a topic of debate. Nevertheless, he emphasized acknowledging these shared facts as a basis for a meaningful discussion.

Mike Gallagher: CNN Trying to Be ‘More Down the Middle’ And It Shows

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During his nationally syndicated radio show on Tuesday, Mike Gallagher claimed that CNN is trying to change its approach with the guidance of CEO Chris Licht. Gallagher pointed to statements made by CNN anchor Jake Tapper regarding the Durham Report.

Many conservative commentators praised Tapper for his candor when he openly acknowledged that the report revealed damning information about FBI agents who allegedly allowed their political beliefs to interfere with an investigation into Donald Trump’s connections to Russia during the 2016 election.

Tapper claimed that, to some extent, the report provided a level of exoneration for former President Trump. He stated, “While it may not have fulfilled all the expectations of certain Republicans, it remains highly damaging to the FBI and, to some degree, it clears Donald Trump.”

“That’s pretty big for Jake Tapper to say that this report exonerates Donald Trump,” stated Gallagher.

CNN has dismissed rumors about media reporter Oliver Darcy leaving the network. After Brian Stelter’s departure, Darcy took on the network’s media reporter position. However, Darcy faced criticism from Licht after expressing his disapproval of the network’s handling of the Trump town hall last week.

“CNN is attempting to do things a little differently from the way they’ve been doing it because clearly, it isn’t working for them,” said Gallagher. “Their numbers are in the tank; they get lousy ratings. They got rid of Don Lemon, Chris Cuomo, and the polarizing far lefties.”

“They are trying with this new guy Chris Licht to be more down the middle and a little bit more objective,” he added.  

Howard Stern: Parts of CNN Town Hall with Trump Downright ‘Strange’

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Howard Stern described Donald Trump’s contentious town hall on CNN as a captivating spectacle and proposed that the struggling cable network organize similar events with other Republican presidential contenders.

 According to The New York Post, The Howard Stern Show host expressed his fascination with the town hall, noting the audience’s laughter and support for Trump despite the controversy surrounding his appearance. While acknowledging that Trump’s detractors likely disliked him even more after the event, Stern emphasized the adoration of his fans, which made the May 10 town hall an intriguing watch.

 “I’m pretty sure anybody who didn’t like Trump hated him even more after that,” he added, though Trump’s “fans love him,” which Stern said made the May 10th town hall “an interesting thing to watch,” he said.

 Stern then suggested that CNN provide a platform for other potential GOP nominees in the 2024 election, specifically mentioning Ron DeSantis, Tim Scott, and Nikki Haley. However, Stern did criticize CNN for featuring a live audience composed of New Hampshire Republicans and undecided voters.

“I thought it was really weird when they were laughing at the woman who just won a sexual assault case. I thought that was really f–king strange,” Stern said, referencing a Manhattan jury’s May 9 decision — just 24 hours before the town hall event — that the former president is liable for sexual abuse and defamation.

During the town hall, Trump reiterated conspiracy theories, such as the claim that the 2020 election was rigged, and presented evidence to support his defense against allegations that his response to the January 6 events encouraged the insurrection.

Even CNN’s long-standing anchor, Anderson Cooper, criticized the network for selecting Trump-supporting voters to comprise the live audience. Cooper emphasized that these audience members represented a substantial portion of the country, including family members, neighbors, and active voters.

Cooper also referred to Carroll’s lawsuit, expressing his dismay at the audience’s laughter and applause in response to Trump’s lies and continued defamation of a woman who, according to a jury, was sexually abused and defamed by Trump.

Pat McAfee & ESPN Stole The Show, But They Weren’t the Only Stars at Disney Upfront

It all started with a bang. Pat McAfee is set to take his popular digital show to ESPN in a deal worth a reported eight figures, and he appeared at The Walt Disney Company Upfront event at the Jacob K. Javits Convention Center Tuesday afternoon to formally announce the blockbuster move, which goes into effect this fall.

This move is the long-awaited conclusion of “Up to Something Season,” and also includes the cast of his program. He had previously worked with “The Worldwide Leader” in a litany of different roles, including on College GameDay and on alternate broadcasts of college football games. Before news of this deal broke, McAfee had confirmed that he will return to College GameDay for the upcoming college football season. ESPN announced that he will continue alternate presentations of college football games throughout the year, which were produced last year with Omaha Productions.

Pat McAfee announces that The Pat McAfee Show will join the ESPN daily programming lineup at The Walt Disney Company's 2023 Upfront presentation.
Courtesy: Jennifer Pottheiser, Disney General Entertainment

“I feel like we are sitting at a beautiful intersection in the history of media that has never happened before,” McAfee said. “Digital has become an influence; it has the structure; it has the ability to reach millions and millions of people literally on a daily basis…. [ESPN] very much understood that we need to embrace both what tomorrow is and what today is. I have the exact same vision.”

“Pat is a proven talent. He and his team have built The Pat McAfee Show into one of the most engaging programs in sports and all of media,” said ESPN Chairman Jimmy Pitaro in a press release, who was in attendance for Tuesday’s presentation. “It’s a destination for athlete interviews and breaking news, and the centerpiece of a growing community of sports fans. We’re honored to bring Pat and the show to ESPN through a multifaceted, multiplatform approach.”

Before the start of the event, ESPN also revealed a four-game slate of marquee college football matchups set to commence this September. It all begins with the Camping World Kickoff between the LSU Tigers and Florida State Seminoles, which will air on ABC on the Labor Day holiday. Six days later, the Texas Longhorns square off against the Alabama Crimson Tide, a prime time matchup on ESPN between head coaches Steve Sarkisian and Nick Saban.

In the season’s sixth week, the Longhorns make a return to The Walt Disney Company’s family of platforms as they take on the Oklahoma Sooners from the Cotton Bowl for the Red River Showdown. Both teams will join the Southeastern Conference upon their departure from the Big 12 Conference after next college football season. Lastly, the Notre Dame Fighting Irish and Clemson Tigers will battle on Saturday, Nov. 4 in a matchup televised on ABC. Additional announcements related to the college football season, including Bowl games and special presentations, will be disseminated on Wednesday, May 31.

USC Trojans quarterback Caleb Williams joined Rutledge, Dan Orlovsky and Desmond Howard to talk about his drive entering the upcoming season as ESPN prepares to televise some of the school’s games. He knows his team will be highlighted, especially following his Heisman Trophy win last year, and is looking forward to proving himself.

“I haven’t really done anything,” Williams said. “I haven’t won a national championship yet and [achieved] goals like that. I’ve got a lot of goals that I want to reach and strive for. I won’t get big headed and I want to reach those goals.”

Dan Orlovsky, Laura Rutledge and Desmond Howard are joined by USC Trojans quarterback Caleb Williams at The Walt Disney Company's 2023 Upfront presentation.
Courtesy: Jennifer Pottheiser, Disney General Entertainment

Following the conclusion of the upcoming college football season, The Walt Disney Company will embark on the first of a 10-year media rights agreement with the Southeastern Conference (SEC), coinciding with the addition of Oklahoma and Texas from the Big 12. It was a point of emphasis throughout the presentation, and more information will likely be revealed closer to the start of the agreement.

“Fans will catch all of the Southeastern Conference showdowns,” Orlovsky explained, “like the Iron Bowl; the Florida-Georgia game; the Red River Rivalry; LSU vs. Alabama and the SEC Championship Game, which also will be exclusively on ESPN platforms for the next decade.”

ESPN presented content for nearly the first hour of the Upfront event, including from its college football, NFL and NBA broadcast properties. Before any of that began, however, Serena Williams took to the stage in a surprise appearance to make a big announcement.

A new ESPN multipart series titled – In the Arena: Serena Williams – follows the success of a similar series with Tom Brady. It will present the highlights of her tennis career and give an inside look to her personal life and the trials and tribulations associated with starting a family. It will be directed by Gotham Chopra and involve Williams’ and Caroline Currier’s production company, Nine Two Six Productions. Tom Brady’s production company – 199 Productions – will also contribute along with ESPN and Religion of Sports.

“It’s going to span key matches of my tennis career tracking my ups and downs both professionally and personally,” Williams said. “[It] gives an honest, unflinching account and those 23 Grand Slam victories.”

ESPN sports anchor Elle Duncan took to the stage to discuss the importance of live sports in today’s content ecosystem. She spotlighted the company’s multiplatform, multi-network sports coverage set for Christmas Day next year, which will include a variety of NBA games and close with an NFL matchup between the Baltimore Ravens and San Francisco 49ers.

“Over 30% of all sports were watched on Disney, and if you look at just the last few weeks alone because of the NHL Draft, NBA, XFL playoffs, Sunday Night Baseball, we had half of all sports watched,” Duncan said. “That’s an incredible number. You can definitely cheer for that.”

ESPN revealed that Get Up! and First Take experienced five and seven percent growth last month year over year, respectively. As it prepares to add The Pat McAfee Show to its weekday lineup, it does so with a continued appeal towards Gen Z and those between ages 13 and 24.

“If you look at TV and streaming combined, [ESPN has] over 94,000 live and original hours of studio and event programming,” Duncan said. “Think about that – 94,000 hours – and Stephen A. Smith has an opinion on all of them.”

Elle Duncan appears at The Walt Disney Company's 2023 Upfront presentation.
Courtesy: Jennifer Pottheiser, Disney General Entertainment

ESPN’s digital platforms attract 180 million monthly unique viewers, while its social channels have amassed 7.5 billion engagements. On YouTube, ESPN accumulated more than 20 billion views, and the network continues to grow thanks to exclusive media rights deals with professional sports leagues.

“Why do we watch sports?,” ESPN anchor and host Hannah Storm questioned. “We watch sports because they are some of the greatest stories ever told.”

Storm welcomed Cleveland Cavaliers guard Donovan Mitchell, New York Liberty power forward Breanna Stewart and LSU Tigers forward Angel Reese to the stage to talk about the excitement surrounding the NBA and WNBA, respectively. They acknowledged the continued growth and evolution of media coverage with both entities, and spoke about the ongoing NBA Playoffs and impending start of the WNBA season. 

In fact, ESPN/ABC is averaging 5.2 million viewers throughout the NBA Playoffs thus far, the highest figure ever on Disney platforms. Game 7 between the Philadelphia 76ers and Boston Celtics had a total of 8.4 million viewers, making it the most-watched conference finals game on ABC in the last 12 years.

The NFL schedule was released last week, and ESPN had its Monday Night Football announcing tandem of Joe Buck and Troy Aikman on hand to preview the action coming in the year ahead. Their appearance highlighted an expanded relationship with the NFL as ESPN embarks in the first year of a new media rights agreement, and will bring a new look to kick off next season. Details regarding the changes have not been revealed, but will presumably be debuted during its Opening Week matchup between the Buffalo Bills and New York Jets. Monday Night Football will introduce a new producer-director tandem with Steve Ackels and Derek Mobley, respectively.

“This is an exciting time for The Walt Disney Company,” Aikman said. “We’re coming off a tremendous NFL Draft. Those three days in Kansas City were amazing, [and] I can’t wait to see the moment next year when we bring out the obviously very talented Caleb Williams.”

After divulging that The Walt Disney Company will have 35% more games across ABC, ESPN and ESPN+ in 2023, including flex scheduling ability after Week 12, the duo introduced Buffalo Bills safety Damar Hamlin. He received a standing ovation, and spoke about his traumatic experience that took place on Monday Night Football game between the Bills and Cincinnati Bengals last year after going into cardiac arrest.

“I’m feeling amazing,” Hamlin said. “It’s been a rollercoaster of emotions just trying to get back into the game; get back into the flow, the routine and things like that. At this point, I think I can do whatever I put my mind to.”

“I’ve been doing this for 30 years covering the NFL, and I’ve never been in the booth with a headset on my head struggling to find the right words,” Buck said. “That night, you get ready for a game. You go into the booth; you do your typical stuff; you’re covering play after play and then all of a sudden, life happens, and it was a scary scene. Little did we know as we stood up in the booth what actually was going on.”

Joe Buck, Troy Aikman and Damar Hamlin appear at The Walt Disney Company's 2023 Upfront presentation.
Courtesy: Jennifer Pottheiser, Disney General Entertainment

To conclude ESPN’s presentation at The Walt Disney Company’s Upfront, Peyton Manning appeared on stage and talked about the third season of Monday Night Football with Peyton and Eli, colloquially known as the ManningCast. While the schedule of games for the alternate-style presentation has not been revealed, it figures to follow a similar format centered around the interaction and intellect proffered by Peyton and his brother, Eli. On an unrelated note, he also revealed that he will return to host the 2023 Country Music Awards with American Idol judge and country musician Luke Bryan.

“On our show, I try to imagine what it would be like if I was still on the field while Eli sits around and tries to come up with different ways to make fun of the size of my head,” Manning said. “….The only thing that has brought back the energy of a game for me is the energy of doing live television. Now listen, it’s not as scary as a 250-pound linebacker coming from the blind side, and it’s not as distracting as trying to tell your teammates the play in the huddle with thousands of opposing fans drowning you out. But live events are still a thrill, and live events bring the whole family together.”

Just a few months after returning to The Walt Disney Company as its chief executive officer, Bob Iger reorganized the company into three distinct, core units – Disney Entertainment; Disney Parks, Experiences and Products; and ESPN – all with a goal to “return creativity to the center of the company.” Each unit of the media entity has its own leadership team, with ESPN being led by its chairman Jimmy Pitaro. Through the changes, Disney is in the process of laying off 7,000 employees and slashing costs by $5.5 billion with an intent to enable the company to engage in a sustained period of growth and success.

“In this era of great change, creativity and innovation continue to be the cornerstone of all we do at Disney,” The Walt Disney Company’s President of Advertising Sales and Partnerships Rita Ferro said. “We know our success is predicated on two things. The first – capturing the hearts and minds of consumers with award-winning content. And the second – a sophisticated data and tech stack.”

Courtesy: Disney General Entertainment

Continuing movements into the streaming business is a point of emphasis for The Walt Disney Company, evinced throughout the course of the Upfront event. It hopes to accentuate and promulgate Disney+ to reach a level similar to Hulu, which is responsible for 1.9% of ad supported viewership according to Nielsen Media Research. A preponderance of the company’s programming is available across these platforms and a large portion of its talent was on stage to reveal new slates of converged programming and news content.

Although the program did not contain the annual appearance by late night host Jimmy Kimmel – who sat out this year’s event in a show of solidarity with the Writers Guild of America strike – there was still plenty of additional star power on hand. From Kim Kardashian and Khloe Kardashian of Hulu’s The Kardashians; George Stephanopoulous and Michael Strahan of ABC’s Good Morning America; Jesse Palmer of ABC’s The Bachelor to Ryan Seacrest of ABC’s American Idol, the company put on a magical show for advertisers and fans alike.

Yet the focus of the event, while it was The Walt Disney Company at its core, was indeed ESPN, and the “Worldwide Leader in Sports” is ready to embark on an immense year ahead. It aims to continue serving the sports fan anytime, anywhere and to innovate with the dynamic, somewhat mercurial landscape of the sports media industry.

Meet the Market Managers: Todd Farquharson, Gow Media Houston

It isn’t easy to be in the sports radio game in Houston. Todd Farquharson and his team at ESPN Houston know that. Three locally staffed stations and two stations that run national programming give fans in the area a lot of options.

Farquharson talks about how Houston became home to so many sports stations in the latest column in our Meet the Market Managers series presented by Point-to-Point Marketing. He also talks about the things our industry thinks too inwardly on, like dial position and the value of ESPN Radio.

ESPN 97.5 and 92.5 in Houston is built largely on the strength of local sales. For Todd, his sales staff, and his programming staff, that means everyone is important to the clients.

Demetri Ravanos: Let’s talk about the Houston market. There are a lot of sports stations there, and it’s a lot of sports stations fighting for what usually are not big numbers. So what makes it worth it to be in a crowded, small space? 

Todd Farquharson: Yeah, that’s a great question. I’ve been in the sports radio business, I started in ’94 with a local, independent group that would be bought by Clear Channel. It was before there was an all-sports station in town, which became Sports Radio 610.               

Then I guess in 2003, SportsTalk 790 popped up. That’s iHeart’s sports radio station. Our group now was born out of some guys that were at 610. It’s a weird circumstance where you got two competitors were probably enough for this market, but then a third was born out of, “Hey, we want to leave and do our own thing.”            

You’re right. I mean, the Houston sports radio share is probably six or seven when we’re doing well and we’re all fighting for that. What makes it worthwhile is it’s what we know best and it’s where our talent is, and I feel really good about our talent.                      

Ultimately, I’d love to see us grow the market, not just ourselves but the other stations too. Now, I don’t see us working together side-by-side, but what can we do as a sports platform to grow the share? I go to an Astros game and it’s packed with 43,000 people during the playoffs and there’s a lot of fervor and excitement. There’s so many of those people, I guarantee you, that just don’t listen to sports radio. Maybe if they’re exposed to it or give it a shot, they might go, “Wow, I had no idea!” So I hope to not just fight for the sixth share forever. 

DR: Let’s sort of keep it in the realm of what’s going on now. Again, there’s a lot of stations fighting for not a lot of share, but you guys are the only ones on FM. How are you talking about that — whether it is with clients, maybe even prospective hires for you guys? How much are you putting that front and center? 

TF: We certainly make that a big part of our pitch when we’re talking to advertisers. It depends though. The advertisers who know the sports radio space recognize that. Other times, you have to be Captain Obvious and tell the buyer that “this matters because the sound is better.”        

One interesting thing that they wouldn’t know is that we don’t duplicate with the stations very much. There’s very little audience duplication, actually. So you’re reaching totally different people. We crossover mostly with the rock station, with the AC stations, with the urban stations. So we’re going to help you reach a whole different audience.                 

I don’t sell against my competition because if a strategy is working for you on those radio stations, it should work for you on our station. We share the same qualitative demographics in terms of who the listeners are, but ours are totally different set within the demo that happen to be on the FM dial. 

DR: You don’t want to sell against your competition. You want to sell what it is you guys do, but within the industry, we’ve been having a lot of conversations about what exactly the future is for AM radio. So I wonder, does the fact that there are eight car manufacturers that aren’t even putting access to the AM band on the dashboard anymore come up at all in conversations with clients? 

TF: I don’t think it has a lot unless they’re really dialed into the business. It’s not something I want to bring out because, usually, we’re selling schedules for the next three, six, or twelve months. For a lot of people, it’s not a reality yet. So, I think it may come across as negative selling when it’s just not even a factor right now. 

DR: I do want to talk about the way we look at audience now, because I can sit here and say exactly what I said, right? “It’s a small share that everybody’s fighting for.” But that’s not the only way to measure an audience. That might not even be the accurate way to measure it all. So what is it you guys are looking at to understand not just how big the audience is, but what kind of impact you’re content is having on your listeners? 

TF: We certainly want to give the advertisers an ROI. They need the return. So that’s measured often by their experience.             

“Oh man, you know, we are getting some people to walk into the store” or “We’re getting some phone calls” or “The website traffic has gone up 3%.” That’s when we can feel that our ads are working.

But beyond the radio audience itself, we do try to give them exposure to bigger audiences. For example, we have a companion website, SportsMap.com. It’s focused on Astros, Rockets, and Texans. So it’s very much the same content, but a lot of people that land on the website have never listened to the radio station.

As an advertiser, you may reach, let’s say, 100,000 on our radio stations, but there’s another 200,000 a month that will hit this website that you may not be exposed to. We videotape all our live programing. We’ll chop up that video into 30, 60 seconds snippets, put it on Tik Tok, put it on YouTube, put it on Facebook. So we’re exposing other audiences to what we do that, again, probably never listen to sports radio. We get that. We met a few listeners who said, “Man, I discovered you guys on YouTube. I didn’t realize y’all had a radio show.” That happens every day.

DR: That kind of goes exactly to something else I was thinking about as I was putting doing my research and putting this together to chat today. There was a time in this industry when if you said ESPN Houston is on 97.5 and 92.5, that might be deemed by some in the industry as too confusing. But you just hit it on the head, man. People are coming to your content in so many different ways. I would guess that not only is it not even a huge problem anymore, may not even be a consideration for a lot of listeners. 

TF: I think we are so fractured. I mean this morning, I get up early and go walking and I listen to a podcast until our local morning show came on. So I flipped from podcast to stream and I hopped into my car and I’m listening to radio. You know, we all have figured out how to consume multiple mediums, so I would hope somebody can flip a dial from 97.5 to 92.5 easily. 

DR: You guys have been recruiting for a PD in recent months, and I wonder what some of the challenges that came with doing that in 2023 were. What are candidate’s questions and concerns about, not just your business, but the future of radio in general and are they the kinds of questions you had to answer five or ten years ago when you’re doing this? 

TF: Yeah, it’s interesting. Most of the people that were interested in talking to about the job, I don’t think there were a lot of questions to be pointed about where are we going to be in ten years with the industry or where is the media going to be. Maybe I had a few of those, but I guess they were more interested in, “Hey, I’d like to come work there and be a part of the sports radio station.” So we didn’t honestly have that many conversations about the future of it, specifically to our company.

We’re trying to be broader than just radio, as I mentioned. Beyond our digital platform SportsMap.com, we have CultureMap.com. That’s in five cities, the five major cities in Texas. We have an InnovationMap.com. So we have nice digital platforms that expand into different categories and we’re trying to grow that way as well so that we are not siloed into the singularity of sports radio. 

DR: So are you looking for candidates then that can contribute to building the business, in all of those different ways? 

TF: We’re looking for somebody who acknowledges that we are a bigger platform than just sports radio. Maybe sometimes you might be running promos for InnovationMap or CultureMap sponsors an event and we take our sports radio show live from there. Why not be exposed to all these people? So it’s just a matter of working together and realizing that we’re greater together.

DR: In my position, I’ve been studying the changes to ESPN’s business over the last three years. In the industry, we all have opinions about what is the quality of ESPN Radio programming. We all wonder what is the stability of ESPN’s audio product. 

But I want to talk about it with you from the standpoint of people outside of our industry. When you go out on the street, whether it is meeting listeners, meeting potential clients, whatever, do those four letters still carry the weight that they did, say five, ten years ago?

TF: Absolutely. It’s still the biggest brand of sports. You kind of touched on it. We can be hypercritical within the industry, but let’s say I’m talking to a female business owner and she is not really into sports, but she’s open to listening and she wants to reach the right audience. ESPN means something. She’s she knows it. It’s better than, “Hey, it’s Todd’s sports radio,” right? 

DR: I make this joke all the time that in this format, we have a wheel of five words that you’re allowed to name your station – Fan, Ticket, Score. You know the ones. In Hosuton, none of that exists and the branding is clearly laid out with “Sports Radio 610” and “SportsTalk 790”. You guys have gone with a very specific, well-known brand. I mean, that does say something different than “97.5 The Ticket” would. 

TF: Right. We enjoy our partnership with ESPN in terms of even the backstop programing we get. You can never have to apologize because your weekend or evening programing wasn’t great. ESPN does a nice job. So we love that.            

I love when we can carry the Astros. You know, we’re not the flagship, but when ESPN says, “Hey, we’ve got an Astros game and you’re allowed to run it” I just say alright. When the Astros are in the playoffs or in the World Series, we carry all those games, which is fantastic. And we’re able to monetize that in a way in a really nice way. 

DR: The bulk of your business being almost entirely local, tell me a bit about the role that your talent plays in starting and maintaining those client relationships. 

TF: Yeah, you’re right. The national business kind of withers away. As ratings fluctuate, so does national business. But fortunately, we rely on our direct business, the local business.            

I can walk into a meeting and say, “Well, we’re just like you. We’re a local business born and raised right here in Houston, Texas. So we’re very similar to you.” I think owners of businesses appreciate that.                

When it comes to the hosts, they’re very interactive. They’re anxious to create relationships and maintain relationships. A few of our hosts, frankly, are some of our best salespeople, because they meet people out and because they’re on the air. They have engaging personalities and people want to be around them and they get to know them. When those people are like, “Hey, I have a business. How do I start advertising with you guys?” that is who they usually ask. I love and depend on our hosts. They do a terrific job for us. 

DR: So are those hosts that are also going out and doing their own selling? Is it the folks that have been there for a while or when you launched that new afternoon show or bring in Jeremy to be a part of the midday show are you welcoming them to come in and try their hand at selling their own show as well. 

TF: Absolutely, and to be fair, I shouldn’t say that they’re necessarily selling. What they’re doing is setting up a relationship. “Hey, I met this guy.”

If you are instrumental in bringing some business to you, to us, and we get the deal, we’ll give you a little something to incentivize you to do that again. Sometimes a personality can open a door much quicker than a salesperson can. 

White House Correspondents Dinner Ratings Eclipses 2017

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This year’s White House Correspondents Dinner (WHCD) from Washington, D.C. took place on Apr. 29. Following in the footsteps of last year’s host and his former Daily Show co-worker Trevor Noah, comedian and current Daily Show correspondent Roy Wood Jr. was the emcee on this evening.

As usual, current events in news and politics were joked about at this dinner. Wood Jr. had said, “The untouchable Tucker Carlson is out of a job … To Tucker’s staff, I know what you’re feeling. I work at The Daily Show. I, too, have been blindsided by the sudden departure of the host of a fake news program.”

President Biden also joined in on the fun by chiming, “Look, I get that age is a completely reasonable issue: You might think I don’t like Rupert Murdoch. That’s simply not true. How can I dislike a guy who makes me look like Harry Styles?”

For the first time since 2017, the WHCD aired on another cable outlet (not counting the simulcast on the commercial-free non-Nielsen tabulated C-SPAN) in addition to CNN. MSNBC aired the event as well.

Due to this, the combined audience for the Roy Wood Jr. portion of the dinner (within the 10-11 p.m. ET hour) was 2.39 million total viewers, according to Nielsen Media Research. It was just enough to eclipse 2017’s mark of 2.38 million from CNN and MSNBC to earn the top cumulative crowd for a WHCD since President Obama’s final dinner in office from 2016 (4.9 million across CNN, FNC, and MSNBC). The 2016 WHCD emcee was another Daily Show personality, comedian Larry Wilmore.

In addition, the 2.39 million figure harkens back to the five-year period from 2013 thru 2017 (with the exception of 2014) where the event had regularly drawn well over two million viewers combined across multiple networks.

While CNN did not improve upon its 1.85 million result from 2022, it accounted for 1.54 million of this year’s combined figure at that 10-11 PM ET hour, along with 270,000 within the key 25-54 demographic; MSNBC drew 849,000 viewers and 81,000 adults 25-54 in the hour.

For the entire night’s coverage including the red carpet, entrances of attendees, and post-reaction, CNN averaged 1.07 million viewers including 181,000 adults 25-54 (from 8 p.m. to midnight); MSNBC delivered 728,000 total viewers and 85,000 adults 25-54 (from 8-11:14 p.m.).

Fox News Channel, which has not broadcast a WHCD since 2016, trailed both CNN and MSNBC in 25-54 (and CNN, in total viewers) on this Saturday, Apr. 29 evening with their combo of One Nation (790,000 viewers/60,000 adults 25-54 from 8-9 p.m.) and Lawrence Jones Cross Country (742,000 viewers/46,000 adults 25-54 from 9-11:03 p.m.).

Cable news averages for April 24-30, 2023:

Total Day (Apr. 24-30 @ 6 a.m.-5:59 a.m.)

  • Fox News Channel: 1.086 million viewers; 124,000 adults 25-54
  • MSNBC: 0.784 million viewers; 93,000 adults 25-54
  • CNN: 0.451 million viewers; 88,000 adults 25-54
  • Newsmax: 0.201 million viewers; 24,000 adults 25-54
  • CNBC: 0.119 million viewers; 28,000 adults 25-54
  • Fox Business Network: 0.108 million viewers; 10,000 adults 25-54
  • HLN: 0.097 million viewers; 24,000 adults 25-54
  • The Weather Channel: 0.096 million viewers; 14,000 adults 25-54

Prime Time (Apr. 24-29 @ 8-11 p.m.; Apr. 30 @ 7-11 p.m.)

  • Fox News Channel: 1.464 million viewers; 135,000 adults 25-54
  • MSNBC: 1.206 million viewers; 129,000 adults 25-54 
  • CNN: 0.622 million viewers; 128,000 adults 25-54
  • Newsmax: 0.334 million viewers; 35,000 adults 25-54
  • CNBC: 0.170 million viewers; 44,000 adults 25-54
  • The Weather Channel: 0.115 million viewers; 16,000 adults 25-54
  • NewsNation: 0.105 million viewers; 16,000 adults 25-54
  • HLN: 0.065 million viewers; 16,000 adults 25-54
  • Fox Business Network: 0.054 million viewers; 9,000 adults 25-54

Top 10 most-watched cable news programs (and the top programs of other outlets with their respective associated ranks) in total viewers:

1. The Five (FOXNC, Mon. 4/24/2023 5:00 PM, 60 min.) 3.220 million viewers

2. The Five (FOXNC, Tue. 4/25/2023 5:00 PM, 60 min.) 2.889 million viewers

3. Rachel Maddow Show (MSNBC, Mon. 4/24/2023 9:00 PM, 60 min.) 2.734 million viewers

4. The Five (FOXNC, Wed. 4/26/2023 5:00 PM, 60 min.) 2.626 million viewers

5. Fox News Tonight (FOXNC, Mon. 4/24/2023 8:00 PM, 60 min.) 2.597 million viewers

6. Hannity (FOXNC, Mon. 4/24/2023 9:00 PM, 60 min.) 2.531 million viewers

7. Jesse Watters Primetime (FOXNC, Mon. 4/24/2023 7:00 PM, 60 min.) 2.453 million viewers

8. The Five (FOXNC, Thu. 4/27/2023 5:00 PM, 60 min.) 2.425 million viewers

9. The Five (FOXNC, Fri. 4/28/2023 5:00 PM, 60 min.) 2.406 million viewers

10. Special Report with Bret Baier (FOXNC, Mon. 4/24/2023 6:00 PM, 60 min.) 2.364 million viewers

40. White House Correspondents Dinner “2023” (CNN, Sat. 4/29/2023 10:00 PM, 60 min.) 1.540 million viewers

163. Real Time with Bill Maher “Episode 633” (HBO, Fri. 4/28/2023 10:00 PM, 58 min.) 0.800 million viewers

218. Trump Rally New Hampshire (NMX, Thu. 4/27/2023 4:00 PM, 120 min.) 0.651 million viewers

330. Last Week Tonight (HBO, Sun. 4/30/2023 11:08 PM, 37 min.) 0.464 million viewers

357. The Daily Show “Apr 25, 23 – Desi Lydic” (CMDY, Tue. 4/25/2023 11:00 PM, 35 min.) 0.416 million viewers

409. Kudlow (FBN, Mon. 4/24/2023 4:00 PM, 60 min.) 0.341 million viewers

475. Highway Thru Hell “(1115) Double Carnage” (TWC, Sun. 4/30/2023 8:00 PM, 60 min.) 0.268 million viewers

495. Squawk on the Street (CNBC, Tue. 4/25/2023 9:00 AM, 180 min.) 0.245 million viewers

529. Forensic Files (HLN, late Fri. 4/28/2023 2:00 AM, 30 min.) 0.214 million viewers

544. Cuomo (NWSN, Mon. 4/24/2023 8:00 PM, 60 min.) 0.205 million viewers

841. Tooning Out The News “Tooning Out The News-122” (CMDY, Wed. 4/26/2023 11:30 PM, 30 min.) 0.105 million viewers

Top 10 cable news programs (and the top  programs of other outlets with their respective associated ranks) among adults 25-54:

1. Rachel Maddow Show (MSNBC, Mon. 4/24/2023 9:00 PM, 60 min.) 0.356 million adults 25-54

2. The Five (FOXNC, Tue. 4/25/2023 5:00 PM, 60 min.) 0.327 million adults 25-54

3. The Five (FOXNC, Mon. 4/24/2023 5:00 PM, 60 min.) 0.326 million adults 25-54

4. Fox News Tonight (FOXNC, Mon. 4/24/2023 8:00 PM, 60 min.) 0.294 million adults 25-54

5. White House Correspondents Dinner “2023” (CNN, Sat. 4/29/2023 10:00 PM, 60 min.) 0.270 million adults 25-54

6. Jesse Watters Primetime (FOXNC, Mon. 4/24/2023 7:00 PM, 60 min.) 0.256 million adults 25-54

7. Outnumbered (FOXNC, Mon. 4/24/2023 12:00 PM, 60 min.) 0.253 million adults 25-54

8. Gutfeld! (FOXNC, Tue. 4/25/2023 11:00 PM, 60 min.) 0.249 million adults 25-54

9. Hannity (FOXNC, Mon. 4/24/2023 9:00 PM, 60 min.) 0.242 million adults 25-54

10. The Five (FOXNC, Fri. 4/28/2023 5:00 PM, 60 min.) 0.242 million adults 25-54

62. Last Week Tonight (HBO, Sun. 4/30/2023 11:08 PM, 37 min.) 0.158 million adults 25-54

114. Real Time with Bill Maher “Episode 633” (HBO, Fri. 4/28/2023 10:00 PM, 58 min.) 0.136 million adults 25-54

170. The Daily Show “Apr 25, 23 – Desi Lydic” (CMDY, Tue. 4/25/2023 11:00 PM, 35 min.) 0.112 million adults 25-54

267. Trump Rally New Hampshire (NMX, Thu. 4/27/2023 4:00 PM, 120 min.) 0.084 million adults 25-54

341. Squawk on the Street (CNBC, Tue. 4/25/2023 9:00 AM, 180 min.) 0.069 million adults 25-54

358. Forensic Files (HLN, late Fri. 4/28/2023 2:00 AM, 30 min.) 0.065 million adults 25-54

388. Cuomo (NWSN, Mon. 4/24/2023 8:00 PM, 60 min.) 0.058 million adults 25-54

488. America’s Weekend Headquarters (TWC, Sat. 4/29/2023 9:00 AM, 60 min.) 0.042 million adults 25-54

605. Varney & Company (FBN, Fri. 4/28/2023 10:00 AM, 60 min.) 0.032 million adults 25-54

634. Tooning Out The News “Tooning Out The News-122” (CMDY, Wed. 4/26/2023 11:30 PM, 30 min.) 0.030 million adults 25-54

Source: Live+Same Day data, Nielsen Media Research

ESPN Asked NFL for Aaron Rodgers’s First Jets Home Game

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Ask, and you shall receive. That’s likely how it went when ESPN asked the NFL to carry Aaron Rodgers’ first home game with the New York Jets.

When the 2023 schedule came out last week, it was revealed that the season premiere of Monday Night Football would feature Josh Allen and the Buffalo Bills at MetLife Stadium taking on Rodgers and the Jets. So ESPN will also get Rodgers’ Jets debut in addition to his first home game with his new team.

“We did not put any parameters on our ask in terms of who the opponent was, and I was pleasantly surprised on two fronts,” ESPN president of content Burke Magnus told The Athletic. “First, we got his first game in the Jets uniform at home in Week 1. Then where I really got excited was seeing it’s an AFC East game with a really good opponent and another great quarterback in Josh Allen. The ceiling on that game is just enormous.”

Magnus added that opening weekend of the NFL season is largely important because that first game has the potential to set the bar for the season in terms of viewership.

“Week 1 is powerful,” he said. “We have potential in that window beyond most if not all of our other windows, just in terms of the fans thirsting for the new season and optimism running wild. It only takes a little bit of a storyline like Russell Wilson going back (to) Seattle and a decent game to pop a huge number. We recognize that to be a priority window for us.”

Is It Possible to Break Down Media Silos in 2023?

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It’s been a week, and people are still debating the CNN town hall with Donald Trump. Why? There’s been an awful lot of talk about silos.

Yes, much has been said about giving Trump the air time. More has been said about insufficient real-time fact-checking (Before you criticize, ask yourself how YOU would do in that situation). And of course, the entire set of conversations revolve around the fundamental curiosity as to what CNN’s actually trying to do as a network. 

It’s time, however, to move the conversation forward. Or outward. Or just out.

Like “plastics” in the film classic The Graduate, I’m talking about silos. Yes, silos – those metaphorical isolation chambers where people only hear and listen to what they want and nothing else.

The word was brought into the conversation by CNN’s Anderson Cooper, who directly addressed the issue the day after Trump came on CNN.

“You have every right to be outraged today, and angry, and never watch this network again,” he said. “But do you think staying in your silo and only listening to people you agree with is going to make that person go away?” 

There it is. Silo. 

He did not avoid the chatter, criticism, and decisions; yet he did it in a way that raises the question as to whether the effort to present both sides in politics is worth it – or even possibly profitable. 

It’s a trendy thing to talk about silos. The metaphor for media is one you likely know well: Staying within one set of ideas/habits and not even knowing what is happening and said outside of that silo. The TV silos most commonly referenced in the U.S.: Fox News and other more fringe networks like OAN on one side, MSNBC, and say, The New York Times on the other.

Criticizing the silos and trying to do something about them makes you sound smart at the cocktail party, where you may be balancing frothy conversation with several people from different ends of the political spectrum It may help you avoid a dustup while refilling your glass of rose, but does it actually work in media, specifically TV and radio?

It certainly appears that CNN wants to break down the silo’s barriers, and it’s a wait-and-see dynamic as to whether it will work. Will they book Ron DeSantis? Robert Kennedy Jr.?

Let’s not forget those ratings went from some three million for the town hall to less than a third of that the following night.

Meanwhile, in my radio world, I’ve tried it. If anecdotal results are worthwhile, it’s not overly encouraging for the open-minded ones out there.

As a morning host, I am dogged in my independence. I want both Republicans and Democrats to come on the show in order to serve my mission and be credible. My job is to steward a show that gives you the meat and potatoes (news, weather, traffic), balanced with some fun and great information/insight on the news of the day. With the latter, that mission is to get listeners the voices and let them decide. The credibility is that I don’t lead them in any one direction.

But before I took over the A-chair at WTIC 1080, a highly successful legacy AM station in Connecticut now owned by Audacy (we will talk about the fate of AM another day), I co-hosted the morning show and solo hosted an hour afterward.

The stated goal of the one-hour show was to get the political silos to actually communicate with each other, most notably to listen. If we are going to return to more decency in our politics and our interactions, it’s important.

Unfortunately, it turns out, both sides end up angry with you, and that can’t be good for ratings.

Can it?

If someone is independent, they judge the merits of each issue, story, and opinion. If Donald Trump did something you liked, half your audience would be horrified, the other half ecstatic. Same goes in the other direction.

You’re a fence sitter according to the most even-handed listeners. You’re a coward according to everyone else.

But neither are accurate.

Back to Anderson Cooper.

“If we all only listen to those we agree with, it may actually do the opposite,” he said of the effort to make a political enemy go away. “If you are angry or upset, I understand, but you have the power to actually get involved.”

What you learn by actually – explicitly – trying it is that people may have the so-called power to get involved but simply don’t want to get involved. They’ve grown accustomed to the silo. It’s comfortable. It makes them feel safe.

On the radio, when it was an open mission of the show to bring in all voices, it did not particularly rate well. Interestingly, it’s an almost unspoken part of the morning show’s DNA, and without the heat of more opinion-based shows, it’s actually showing signs of strength.

We talk about independence and not silos and never call out one side for not listening. Of course, having very few call-in opportunities also helps.

So far in this 16-month experiment, people seem more ok with hearing a little of the other side; it just can’t be condescending, overly explicit, or overwhelming.

Who knows where we will be in 16 more months, but right now, I get more, “you’re fair, I like that” than “you’re a coward (sometimes ‘idiot’)” for talking to a particular person with whom a chunk of the audience may not agree.

Michael Kay: I Don’t Blame Dan Shulman & Buck Martinez For Questioning Aaron Judge

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New York Yankees star Aaron Judge crushed a 462-foot home run Monday night in a winning effort against the Toronto Blue Jays. That normally wouldn’t be the subject of any controversy, but comments from Rogers Sportsnet announcers Dan Shulman and Buck Martinez about Judge’s eye movement just before the pitch was thrown led to insinuations that Judge and the Yankees were doing something against MLB rules.

The Yanks were already up 6-0 in the game, and earlier in Judge’s at-bat, manager Aaron Boone had been ejected for arguing balls and strikes. Judge told reporters on Tuesday that he was looking over at his dugout trying to get his teammates to stop chirping the home plate umpire.

On ESPN New York on Tuesday, Yankees play-by-play announcer Michael Kay said it’s possible the bench was trying to tip the incoming pitch to Judge. But the way in which it was communicated isn’t against the rules.

“That’s absolutely legal. It is not illegal as long as there are no electronics involved,” Kay said. “That is a legal way to pick up a sign. The Blue Jays have to do a better job of waiting til the last moment to set up and where the pitch is going to be.”

Kay said of Shulman and Martinez that he respects both of them. He didn’t seem to think they were trying to accuse Judge of cheating.

“I don’t blame Dan Shulman or Buck Martinez they see one of the greatest players in baseball his eyes darting. So they just brought it up,” Kay said. “They didn’t say that they thought he was doing something wrong.”

Kay laid the blame on Jays manager John Schneider for allowing his catcher to tip the pitches. He said unless it was revealed that the Yankees were using electronics to relay signs like they were caught doing several years ago, there’s no point in making the story bigger than it needs to be.

Co-host Don La Greca agreed.

“Let’s not make it out to be that it’s something else, or that there’s something wrong,” La Greca said. “‘Judge would never do that. Judge would never want to know what the pitch was.’ There’s nothing wrong with it! Of course anybody would look if somebody’s gonna tell you what the pitch is gonna to be.”

Mark Jones Celebrates NBA Playoff Ratings by Mocking Critics

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The NBA playoffs this year have been the most watched ever on ESPN and ABC through the first two rounds. It was a sign the league has managed to recover after record low ratings during the pandemic bubble in 2020.

In celebrating the news, ESPN NBA announcer Mark Jones mocked NBA critics on Twitter. Particularly those who swore off the league after an increase in visibility of social justice causes and messaging in the wake of George Floyd’s murder in 2020.

Jones has never shied away from controversy when discussing race or politics online.

The NBA in 2021 scaled back in elevating Black Lives Matter messaging on courts and on jerseys.

NBA commissioner Adam Silver said at the time that “this was an extraordinary moment in time when we began these discussions with the players and what we all lived through this summer.” But the decision was left largely to the players and teams to rally support for these initiatives off the court.

The NBA has been a focal point for a number of conservative critics long before that. Laura Ingrham’s infamous “shut up and dribble” comment was directed toward LeBron James in 2018. Many FOX News personalities have pointed to the activism from James, Steph Curry and other superstars as the sole reason for the NBA’s ratings dip over the previous three seasons.