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SiriusXM Signs Multi-Year Extension With Formula 1

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The popularity of Formula 1 racing continues to grow in the United States, and SiriusXM wants to take advantage. The company announced today that it has reached a multi-year agreement with F1 to extend its broadcast deal through 2024.

Every race will continue to air live on both satellite radios and the SXM app. The company will carry BBC 5 Live’s coverage of every race.

There will also be a new weekly show. Wheel to Wheel will air every Wednesday on SiriusXM.

“We are thrilled to announce the extension of our long term relationship with Formula 1 this week on the eve of the inaugural Formula 1 Crypto.Com Miami Grand Prix, which will be the first of two U.S.-based races this season,” said Scott Greenstein, SiriusXM’s President and Chief Content Officer.  “Formula 1 races are world-class events, which showcase a tremendous combination of advanced technology, extraordinary drivers and challenging circuits.  The sport’s popularity is increasing and the U.S. is one of its fastest growing markets.  We are excited to meet that growing demand by adding a new weekly F1 show to our lineup in addition to giving our listeners live access to every race.”

SiriusXM’s coverage of Formual 1 racing continues this week with the aformentioned Crypto.Com Miami Grand Prix. Coverage begins at 3:30 pm Eastern on Sunday.

Toucher & Rich Add Springfield Affiliate

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When Toucher & Rich went into syndication, part of the sell to stations was that the format doesn’t matter. The show has appeal for male listeners across New England. Saga’s Laser 99.3 and 98.5 has bought in.

The rock station will add the morning show, which originates from 98.5 The Sports Hub in Boston, on Monday, May 9. The syndication replaces Dave Coombs, who is moving to Milwaukee to join Saga’s Hometown Rock 96.5.

Toucher and Rich went into syndication late last year. The show immediately added three affiliates.

ESPN Will Use Joe Buck In PGA Championship Coverage

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Joe Buck will make his way over to the NFL at ESPN eventually, but later this month, he will make his network debut on another sport. Andrew Marchand reports that the play-by-play man will anchor ManningCast-like coverage of the PGA Championship.

This will be a direct off-shoot of the ManningCast. Peyton Manning’s Omaha Productions is producing the event. The company is expected to also produce alternate viewing experiences for UFC and college football as well later this year.

Omaha Productions is planning for Joe Buck to be working all four days of the event, which will alternate between ESPN, ESPN2, and ESPN+ depending on where traditional coverage of the PGA Championship is airing.

ESPN did not comment for Marchand’s story. All that is known right now is that Omaha plans to make this similar to the ManningCast and “book A-list guests” to join Buck.

ESPN Signs Media Rights Deal With Oklahoma

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ESPN has just signed one of the most expansive media rights deals that it ever has with a single university. The University of Oklahoma will move its SoonerVision programming to ESPN+ beginning in August.

This eliminates the one game on the Sooners football schedule each year that was a pay-per-view exclusive. That game, along with select men’s and women’s basketball games and studio programming will now live on ESPN+.

 “This deal is about access and reach,” Oklahoma AD Joe Castiglione said. “I’m just happy that we’re going to be able to continue to offer more than 1,000 hours annually of live content.”

Last summer, the school announced its intention to join the SEC no later than 2025. That conference already has an expansive rights deal with ESPN that goes into effect in 2023. The new SoonerVision deal should simplify things for fans.

Guaranty Partners With Mike Agovino On Drop Biscuit Studios

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Guaranty Broadcasting is teaming with producer Mike Agovino to launch a new brand called Drop Biscuit Studios. The company already has plans to release five original series by year’s end. Three of them are already in production.

“At Guaranty we’ve consistently won the ratings and revenue battles and remained relevant by placing community first and focusing on live, local and regional content,” said Guaranty Media VP Gordy Rush. There are many great nationally and internationally focused creators and podcasts out there but we believe people in our region of the country are just as thirsty for localized and contextually relevant on-demand content as they have traditionally been for localized broadcast content.”

Rush will oversee Drop Biscuit and the original productions it creates.

Agovino added that the podcasts from the studio will have a local focus in Louisiana. Topics will include everything from sports to politics to food and culture.

“The Foster family and Guaranty have been fixtures in business here for almost 100 years yet they operate and innovate with a start-up’s sense of urgency,” he said. “The combination of leadership, talent, relationships, resources and assets they’ve assembled is as impressive as I’ve seen. This region of the country has lagged behind the coastal markets in terms of podcast penetration and we see that as a great opportunity for us. We’ve got some great ‘biscuits’ we’ll soon be dropping.”

Clay Travis Blames Will Smith for the Attack on Dave Chappelle

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Syndicated media personality Clay Travis accused actor Will Smith of setting a disturbing “precedent” for free speech following his attack on Chris Rock at the 94th annual Academy Awards.

According to Mediate, Travis joined Brian Kilmeade on Fox & Friends Wednesday to discuss how Smith’s actions may have emboldened a man to attack comedian Dave Chappelle Tuesday at the Hollywood Bowl.

“We don’t know if these are directly connected,” Travis said. “But oftentimes, what happens is a choice gets put out into the atmosphere,” Travis said.

The New York Post said the man who attacked Chappelle was identified as a “rapper” named Isaiah Bell who wrote a song about the comedian. Travis warned of “copy-cat” attacks in the wake of Tuesday night’s incident.

“It’s not uncommon for comedians to get heckled in the crowd, but someone who took the next step and decided to go on the stage and strike someone was certainly paramount in comedians’ minds with what Will Smith decided to do, with what the tens of millions of people saw happen there,” Travis said.

“I think comedy clubs everywhere should be considering what sort of security they have near the stage to try to protect performers,” he added.

Julie Banderas on Dave Chappelle Attack: America Needs a Sense of Humor

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The Fox News “OutNumbered” panel discussed the attack on comedian Dave Chappelle carried out by a disgruntled onlooker at the Hollywood Bowl on Tuesday night. Mediaite said that show contributor Julie Banderas said the man deserved the beating that he received following his takedown of Chapelle.

“He actually is lucky he didn’t get injured because this guy really pummeled him to the ground,” Banderas said. “But did you guys see the video of what this guy actually endured? This is what you get when you do stupid stuff.”  

The New York Post identified the man as Isaiah Bell and called him a want-to-be rapper who goes by the name “NoName_Trapper” on social media. Bell is facing numerous felony charges including assault with a deadly weapon.

“The guy’s arm was literally ripped out of its socket and spun around 180 degrees,” Banderas said. “That’s what happens when you storm on stage, and you break the law all over stupid political things. You gotta get a sense of humor. America needs to get a sense of humor, it’s comedy.”

 Panelist Sean Duffy talked about the danger of people resorting to violence to counter speech that they disagree with. “When we have comedians that can’t make fun of different issues in society, we’ve lost it as a society.” 

No One Can Justify Remote Broadcasts In 2022

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Baseball broadcasts are still being held hostage in several cities. There has been no ransom demanded or locations given for a money drop. It’s a shame too, because the hostage holders are the very networks and teams these broadcasts are seen/heard on.

While the country is trying to get back to normal, some broadcasts are still not traveling to games. Yes, I’m serious. The number of networks behaving this way is dropping, but the fact that there is still a list is absolutely maddening. 

I’ll say it as bluntly as I can. There is no excuse for broadcasters not to be traveling. None. Yes, in 2020 it was the only way. Today it’s more NO WAY. The fact that networks, radio stations, and teams are fighting this is ridiculous. For those claiming to want the best broadcasts they can possibly get to serve a fan base, not allowing travel is hypocritical. 

MASN issued a statement as to why it wasn’t allowing broadcast teams to travel. It read “The global pandemic required all of us to learn new lessons in innovation, resourcefulness, and resilience. MASN is carrying forward some of those lessons.”

These teams are taking heat from the media and from the fans. Rightfully so. I felt for Bob Carpenter on the Nationals’ television broadcast, when the picture was lost during Washington’s game at Pittsburgh. What do you do? How are you supposed to do your job? You can’t. There was also confusion over a player entering the game.

This is so unfair to the broadcasters and worse, to the fans. 

The Orioles had several issues too. Fans complained about delayed commentary, like when a key error was called several seconds after it was already seen by fans. During one spring training game, an on-site MASNsports.com reporter handled the broadcast because of technical difficulties. It’s not the broadcasters’ fault at all. Blame those that deserve it – RSNs that are trying to save a buck. 

Finally, the folks at MASN caved to the ongoing pressures. The Nationals broadcasters were in San Francisco for the series on April 29th and the Orioles were back on the road for a series with the Yankees April 26th. Victory!

It took embarrassing glitches, numerous mistakes, and finally social media critiques by the team’s fan bases. There was no reason for this to even be an issue. 

The folks making the decisions seemingly don’t understand how difficult it is to broadcast a game while you’re at the park, let alone trying to follow the action from miles away. If the decision-makers actually did “get it,” it would not have taken all that it did to get this situation corrected.

Broadcasters are ultimately judged on how they perform. Putting the added stress of not being able to actually see the game doesn’t help their cause. Some fans are quick to criticize without knowing the circumstances and the degree of difficulty these professionals are performing under. 

The situation in Anaheim is a little different, but the results have been the same. The Angels’ play-by-play man on television is Matt Vasgersian. He is calling games from Secaucus, New Jersey with the rest of the crew in California. Vasgersian also works for MLB Network, so remote broadcasts are needed in his case. He plans to do up to 100 games for the Angels this season. But the telecasts have been riddled with issues. In mid-April, the Angels were in Texas to face the Rangers. Vasgersian calling the game from hundreds of miles away had the call of a Mike Trout homer that was way behind the picture on TV. Then Vasgersian initially called a home run by Jared Walsh a foul ball. 

“My frustration is high,” Vasgersian told The Athletic recently. “I don’t take myself very seriously…But I take the work seriously. So, if your work is being criticized and clowned on, that stinks. And yeah, I don’t like the idea of that.”

Again, don’t blame the broadcaster.

At this moment, the Angels aren’t planning to travel their radio crew this year. The Orioles seemingly have no plans to let the radio broadcasters follow the television team on the road. The Blue Jays won’t let the radio broadcaster travel either. This is unacceptable as well. It’s much more difficult to call a remote game on radio.

I know, because I did it during the 2020 season with the White Sox. We didn’t complain about it then, because the pandemic was raging and we were working. Less than ideal, but the games were going on. 

The biggest issue as I recall, you couldn’t just trust your eyes. There were multiple monitors in front of me. One had the program feed, there was a tiled screen with the scoreboard, bullpens and an all-9 wide shot of the field. That picture was tiny. To try and pick up a ball in the gap on that monitor was hard to do. I was basically flying blind.

You had to do the best you could and go against everything you knew in play-by-play. I mean, I wanted to be fast to the call like normal, but I had to wait. It seemed like an agonizing amount of time to make sure things happened the way I thought they might. I made plenty of mistakes, I will admit, but I was doing the best I could.  

Brian Anderson backed my thought on the situation. The Milwaukee Brewers broadcaster said in an interview reprinted by the Washington Post, that calling a game off a monitor requires an announcer to rethink years of muscle memory.

“In the stadium, you see contact and you can immediately react. But on the monitor, you would have to wait two beats,” he said. “You fight every instinct to say something because you have to sit there in silence and wait for the next frame because you can’t be wrong. And two seconds can feel like an eternity.”

Like I said, you can’t just trust your eyes and normal thoughts. 

“My eyes can travel 300 feet in a split second,” Anderson said. “But on the monitor, batted balls can look like a foul ball. You can also use your ears at the park, how the ball sounds off the bat. That’s one thing I really lost — how it sounded and how the player reacts when he hits.” he said. I’ll add too, that baseball is probably the hardest to call off of just a monitor. The ball can go in multiple directions and you are at the mercy of a good director and camera operators.”

There is another problem with the broadcasters not traveling with the team. Now that things are becoming more normal again, announcers and reporters have access to the clubhouse again. Those that are on site are getting to develop relationships and are finding out things that the team broadcasters aren’t. I can only imagine how unprepared even the most prepared broadcaster is feeling when he/she doesn’t get word of something that everybody else knows.

Every announcer will tell you that there is value in being there. Going all-in on the team you’re covering is important. Now, even Zoom press conferences are being phased out creating an additional challenge to get information when you aren’t there. I’m getting frustrated for these folks just writing this. 

2020 forced everyone into pivot mode. We all had to be creative on how the product was delivered. The layout and monitor setup we started with in Chicago changed as the season went on based on our needs. It was great to see the cooperation level back then. It was a “whatever you need” mentality. What we all need in 2022 is for teams/networks/radio stations to stop making excuses and get our broadcasters back on the road. 

Sports Media Colleagues Praise JJ Redick In First Take Debate With Chris Russo

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JJ Redick was not going to let Chris Russo get away telling Draymond Green he needs to shut up. On Wednesday’s edition of First Take, Russo took the Warriors’ forward to task after Green gave fans the finger as he exited the court in Memphis to receive stitches.

“He’s hard to root for,” Russo began. “Just shut up and play will you please? America is tired of Draymond Green. I deal with him constantly. The fans, San Francisco fans are a different story.”

Stephen A. Smith questioned how true that was. JJ Redick took a different tact. He told Mad Dog that the SiriusXM host had no idea just how few people actually want Green to shut up.

“You do realize the guy has a very popular podcast where he hosts and he talks, himself, for the majority of the episode and people listen to that,” Redick said. “He signed a talent deal with Turner because people want to hear what Draymond has to say. The reason they want to hear what Draymond has to say is because just like in this press conference, he is real, authentic and unfiltered. You can’t take away what makes a player great so there’s no “shut up and play”.

Mad Dog countered by saying that fans like him, that had followed the league for 60 years, didn’t like Green. It wasn’t a racial or political issue. It was about being tired of Green constantly talking.

“I’m not saying it’s a race situation,” Redick said. “I’m saying the fans you’re talking about, they talk about athletes that way like you just talked about an athlete snapped back. The people on Fox News talk about athletes that way, that’s my issue. I don’t actually care about the fans that watched Bob Cousy play or watched Wilt play. I don’t care. I appreciate they’ve been NBA fans that long but I don’t appreciate the undertone.”

That exchange caught the attention of a lot of Redick’s sports media colleagues.

Robert Littal of Black Sports Online pointed out that reactions from third parties are the only way to see JJ Redick make his point. ESPN is not promoting the video on any of its channels.

Locked On Launching Local Brands & Daily Shows For Atlanta, Minnesota

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Locked On Sports is going local. The podcast network is launching new shows for local markets covering the biggest sports stories in town. Atlanta and Minnesota are the first areas to get the treatment.

Locked On Sports Atlanta will feature three shows. A to Z with Mark Zinno, Hittin’ Hard with John Chuckery, and ATL Day Ones featuring Jarvis Davis and Tenitra Batiste. All three personalities have a history in the market with sports radio.

In Minnesota, there will be two shows. Superior Sports Talk features KARE 11’s Reggie Wilson and co-host Luke Inman. The Ron Johnson Show is named after host and former Golden Gopher wide receiver Ron Johnson. It is co-hosted by Sam Ekstrom.

Content from Locked On Sports Atlanta and Locked On Sports Minnesota is available on-demand through YouTube. It will soon be coming to Tegna’s local television station apps on Roku and Fire TV.