Home Blog Page 2658

Reflecting on The Best Decade of My Career

0

Over the years, I’ve tried to live in the moment rather than in the past. But the longer you stay active in the sports media business, the more you recognize how important it is to appreciate the journey, and all of the ups and downs that come with it. Those good and bad experiences play a big part in your professional development.

As I write this column with 2020 lurking around the corner, I’m fond of what I experienced between 2010 and 2019. It is without a doubt, the best decade of my professional career. Granted, I’ve only been in the industry long enough to enjoy 2.5 decades, and there’s still plenty of road left to travel, but the past ten years have given me a newfound respect and love for the business that I chose to enter in 1995.

The decade started for me in St. Louis, where I was fortunate to work for a first class GM named John Kijowski. I was hired as PD to build 101 ESPN. We launched the station in 2009, and made progress, but it was 2010 when the brand took off and became a top rated juggernaut. We had a great lineup, investments in play by play and key contributors, but most importantly, we were having fun and growing together.

It was at 101 where I developed my leadership style. I introduced monthly meetings with the programming staff which would include a lesson or two, offer a deeper look into the state of the station, and end with a couple of laughs and staff recognition for whoever earned our employee of the month award. I felt it was important to bring the group together to laugh, learn, voice their opinions, and gain a better understanding of our results and why certain decisions were being made. It was a vital part of creating a winning culture, and though I left the station in June 2011, 101 ESPN has continued winning throughout the decade, building on what we started.

The reason I left the radio station was due to receiving an incredible opportunity in San Francisco. I was hired to build and develop 95.7 The Game, working for another great GM, Dwight Walker. The difference with this situation was that it was in market #4, and included the challenge of taking on one of America’s best performing sports stations, KNBR.

I signed a four year deal with Entercom, knowing that the likelihood of winning the ratings battle the first few years would be difficult, especially without a major play by play partner driving additional cume. Don’t get me wrong, I wanted to win badly and drove the team hard to help us unseat the competition, but I knew that the real goal was to build a sustainable brand. We came out of the gate far back in 27th place, but over the next 4 years climbed to as high as 3rd right before I exited in June 2015. After I left, The Game landed the radio rights to the Golden State Warriors, and it’s helped make the battle for Bay Area sports radio supremacy even more interesting.

Similar to my time in St. Louis, the years spent in the Bay Area will always be important to me. I loved living there, and working with a ton of talented people. I helped grow two program directors in that building, and helped others earn on-air opportunities which have since changed their lives. Like every job, it had its pluses and minuses. The GM change two years in wasn’t easy. Neither was going from working with a budget to having constant conversations about every personnel decision. But when I weigh the pros vs. the cons, I look back fondly at the experience. To see the station, and many who I worked with still doing well, shows me that we created something that local people, teams, and advertisers value.

The crazy part of reflecting on the past decade is that this is just the midway point. I had no idea the back half of my journey would include a return to NY, gaining custody of my son, and launching a business as an independent consultant. It took a lot of adjusting, but I dove head first into this space in September 2015 by listening to stations, hitting the road to work with brands, building the BSM website and a stronger social media presence, hiring a writing, web, and social team, and creating the annual BSM Summit. It’s hard work, and not a path for everyone, but I’m thankful that I took the plunge when I did.

As we enter this next decade, many familiar faces who we’ve come to know, trust, and depend on for support the past few decades will exit the industry. Someone has to take the baton and move this business forward otherwise the work those folks have done will have been wasted. As stations look for help to navigate a complex sports media picture, I want to be the person they turn to for guidance.

Looking at the business today, one area where I know we can improve is in keeping more of an open mind. There are far too many assumptions made about who people are, how they operate, and what we think works or doesn’t work based on our prior experiences. The problem with that is the future is different than the past, the sports media landscape is more competitive than ever, and the only way to know what someone stands for and how they fit in your operation is to talk to them and form your own opinion.

Case in point, I was on a visit this fall when someone told me a corporate person told them to be careful of what they share with me because I could spin their ideas as my own to gain favor or talk them out of their initial idea in order to push my own agenda. I was stunned because that’s not how I work at all. But to know that, you’d need to know me or have worked with me. It annoyed me to hear that a corporate person was offering an uneducated opinion on me, but it also reminded me that I have a lot more people to win over. And I will.

I tell my clients all the time, I’m in the suggestion business. They’re in the solution business. I’m a resource who’s focus is on helping them grow their business. To do that, I listen, do research, and offer my opinions just like anyone else. When the final call has to be made though, it belongs to the client. Sometimes my work involves leading a recruitment search, other times I’m designing a podcast or social media strategy. One day I’m on location leading a sales meeting, the next I’m in a conference room working with a show and PD. There’s no one size fits all formula in my world. Much depends on what each station/market needs and values most.

If I can make two personal requests for the next decade, the first would be for more people in our industry to lead the charge on changing the narrative about the radio business. We’re quick to embrace podcasting and social media, but haven’t done a great job of pounding the drum for radio. The last time I checked, radio was still a big part of people’s lives, even if some want to label it a thing of the past. Be proud of the business you’re in instead of apologizing for it. Many would kill to be where you are.

I get that our industry doesn’t have a great image in the eyes of the business world. Decision makers see the other media options, the frequent cuts made at stations across the country, and radio’s revenue projections, and it lessens confidence. That’s why it’s up to us to educate advertisers, teams, media partners, and fans about the cool things we do, and the successes we have doing it. That makes others want to be part of it. If your story isn’t familiar to them, why would they look past all of the other danger signs?

My second request is to see more women and minorities given opportunity to manage sports radio brands. I’ve written about it, and highlighted it at the Summit, but here we are entering 2020 with less than a handful of sports radio PD’s being female or non-white. There isn’t one valid argument to be made for why the status quo should continue. Our ability to make progress on this front has been embarrassing. I certainly hope that at the end of 2029 I’m not writing a similar paragraph.

As for myself, I love what I’m doing. Just last week I was recognized by Sports Illustrated’s JohnWall Street as one of the Top 100 sports business follows on Twitter, and my knowledge and understanding of the business has grown leaps and bounds over the past 4 years. I’ve had a chance to meet and listen to a lot of great people, while expanding my knowledge of social media metrics and strategy, website performance, podcasting data, audience behavior, and of course, radio ratings. I never want to stop challenging myself to grow, and nothing fuels that fire more than what I’m doing now.

I’ve been asked many times if I’ll return to a building one day. I never say never, but it’s highly unlikely. I’ll always take a phone call because that’s just smart business, but I won’t be the guy chasing down job openings. During my 4 years of running BSM, I’ve taken two meetings, and neither were for PD gigs. One was to run an entire sports operation for a major audio company. The other to work with a well known sports television talent and company on building a new online platform.

In both cases, the timing and fit wasn’t right, and I returned to doing the job I love most, this one. I’m fortunate to work with a lot of great brands and people, and tell stories that others care to read or listen to. I also like having my family nearby, and my son in my house, although that’ll end next year when he goes to college.

My goal moving forward is to become an even better resource for the media industry, and increase awareness and interest in our online brand and the BSM Summit. There are a lot of companies I haven’t had the privilege of working with yet. With a new decade in front us, I’m hoping to change that.

I do have one thing in development that is going to be pretty cool, but I’m not ready to share the details just yet. What I can tell you is that I expect to add more media professionals to this website as writers in the future. If interested, email me at JBarrett@sportsradiopd.com. We’re also planning to put a few merchandise items on the site at some point. I think you’ll dig some of the sayings and designs we’ve been working on.

As long as sports media remains important to people, I plan to write, report, and podcast about it. If over the next decade I can help and influence a few more brands and people, and help my staff advance in the industry, that’ll make my work even more rewarding. Whether you’ve read this website, listened to one of our podcasts, interacted on social media, retained me for a business project, or attended a BSM Summit, I want to thank you for your support. All of it matters, and is greatly appreciated.

On behalf of our entire crew, I wish you a Happy New Year. Be sure to take a few minutes today to reflect on your own experiences from the past ten years. It’s what makes the journey worthwhile. Just don’t celebrate too hard tonight, because your next decade of challenges and opportunities starts tomorrow!

The Winners of the Secret Code Email Contest Are…

0

Last week I introduced an email only contest to a few hundred sports media professionals. With the holidays here, I’ve been in a giving mood, so I thought I’d show my appreciation to those who support us by giving away two pairs of tickets to February’s 2020 BSM Summit.

I figured we’d get 15-20 emails, pick two winners, and call it a day. What I didn’t expect was the response. More than 75 people sent in the secret code to participate. GM’s, PD’s, Corporate Executives, Agents, Talent, Producers, and Sales professionals were all active in the process.

After reviewing the feedback, I decided rather than playing scrooge this Christmas, I’d play the role of Santa Barrett, and be extra generous by giving away 4 pairs of tickets instead of 2. It’s great to see industry people taking greater interest in the conference. If I can make the holidays brighter for a few folks by passing along a couple of free tickets, then I’m happy to do so.

To determine the winners, I used super advanced technology (put all of the names into a hat). The four names that were pulled out who now have a pair of tickets to February’s 2020 BSM Summit are as follows:

  • Steve Herz – The Montag Group
  • Todd Markiewicz – 97.1 The Fan
  • Dave Cadeau – Sportsnet 590 The Fan
  • Marissa Rives – SiriusXM Fight Nation

Thanks again to all who participated in the contest. If you didn’t win but wish to join us in NYC for the Summit, there’s still time to take advantage of our special holiday sale on tickets. Prices have been reduced to $224.99 until 11:59pm tonight. To get yours, visit https://BSMSummit.com. Happy holidays!

Two College Students Earn Free Tickets to the 2020 BSM Summit

0

Over the past month and a half BSM has given tri-state area college students an opportunity to qualify to win free tickets to the 2020 BSM Summit. The rules were simple, students had to attend a school within 90-miles of NYC, and send in a video up to 2-minutes in length explaining why they wanted to attend the event. They were also encouraged in their video submissions to tell us what they’ve been doing during their college experience to prepare for a career in sports media.

I asked Cumulus Media and Westwood One’s Senior Vice President of Programming Bruce Gilbert to help me with the process. The two of us watched each of the videos submitted, and I am pleased to share that our two winners for the BSM Summit College Contest are Dominic Capone of Fordham University, and Derek Futterman of Hofstra University. Congratulations to both guys. Bruce and I look forward to seeing you at the BSM Summit on February 26-27.

For industry friends looking to attend the conference, tickets are still available. We’re running a special holiday sale thru Christmas Eve, so if you’d like to save $75 on the ticket price and make sure you’re in attendance for the show, visit https://BSMSummit.com. We also have a few sponsorships remaining. Companies interested in being associated with the event can reach out via email at JBarrett@sportsradiopd.com.

The lineup is coming together little by little, and I am thrilled to share a few new additions to the conference. FOX Sports Radio Vice President of Programming Scott Shapiro, 105.3 The Fan Program Director Gavin Spittle, Edison Research President Larry Rosin, and Front Office Sports Senior Writer Michael McCarthy have been added to the schedule. We’ll have more speaker announcements in January, so stay tuned.

One thing I do want to tease in advance is a special Tuesday night Kickoff event prior to the start of the Summit. It’ll be a 1-hour gathering, starting at 8pm ET. We’ve got a really cool guest host for it too. We’ll share that with you in January. To make the event fun and more relaxed, there will be one simple requirement – no suits and ties allowed. Dress casual, and have fun interacting and hearing our special guest host weigh in on some of the interesting twists and turns of his media career.

Additional announcements still to come include the winners of the Jeff Smulyan, Tony Bruno, and Mark Chernoff awards. I’ve enlisted 12 well respected radio executives to help determine our 2020 winners. The PD’s nominated for the Mark Chernoff Award include Chris Kinard, Spike Eskin, Chad Abbott, Ryan Hatch, Mitch Rosen, and Jeff Catlin. Our nominees for the Tony Bruno Award are Mina Kimes, Pat McAfee, Dave Portnoy, Nate Burleson, and Nick Wright. The executives list is 6-7 deep. The official results for all three awards will be revealed on Monday January 6th.

The holidays are supposed to be a time for unwinding, but it never works out that way for me. I just secured our location for Wednesday night’s private cocktail party following the first day of the Summit, retained a videographer to film the show, and ordered our very first batch of BSM t-shirts. Next on the to-do list besides Summit work is finalizing the BSM Top 20 voting, and working on a year end podcast with the BSM crew looking back at the 10 top sports radio stories of 2019. I’m hoping to release the episode on Monday December 30th.

You’ll notice lighter activity on the BSM website between December 24th and January 5th. The majority of our crew will be enjoying a break for the holidays. If you’re following along on social, we’ll use the time to feature some of our best content from the past few years. Feel free to check out some of it in your leisure. In the meantime, thanks for your continued support of BSM. I wish you and your family a great Christmas/Holiday.

Broadcaster Review: Thursday Night Football

1

In all honesty I’ve never been a fan of the Thursday Night Football game. To me, as a former Fantasy Football player, it really made setting a lineup a tough chore. No time between the end of the Monday Night game to figure out if a guy scheduled for Thursday was actually hurt or not hurt.

Image result for thursday night football pregame

I know, first world problems. 

Never understand why the Fox telecasts have their pregame show emanating from New York and not the site of the game. In the case of last week, it makes a little sense because the Jets were playing, but they were at Baltimore not at home. I can’t factor in what it actually costs a network to send a show to the game, or if the host, Michael Strahan (who has more jobs than anyone I’ve ever met in my life) is available to travel with his demanding schedule. They did have a sponsored “Tailgate” segment that was live from Ravens’ Stadium with Clarissa Thompson interviewing fans. Still it’s a bit puzzling to me that the entire show doesn’t come from the stadium. 

GAME BROADCAST UNDERWAY

It’s become a thing now in the NFL, when you hear Joe Buck’s voice, it’s a big event. Not saying that a Thursday night game with the lowly Jets and high-powered Ravens is an event, but a nationally televised game is, whether you like it or not. I think back to my childhood, it was the same when I heard Pat Summerall and John Madden. Their voices made me pay attention. It’s become that way with Buck and Troy Aikman. 

The open was kept pretty simple and Buck actually set the stage for the fact “we’ll be talking a lot about (Ravens’ QB) Lamar Jackson.” He had a chance that night to become the QB with the most rushing yards in a single season in NFL history. It was good to set that storyline early because it makes you take notice. It’s also mentioned that the Ravens can wrap up a second straight AFC North title. It was smart to do that as well, because honestly there really isn’t much more to look at in a mismatch on paper.  

A graphic supports the Jackson story when he comes onto the field for his first series. Of course with all the talk about his running, he throws a completion on the first play. After Jackson’s first run of the game, Aikman illustrates on replay just how tough it is defensively to figure out on the “read option” who has the ball and how to keep containment. 

Jackson sets the record early in the first quarter and takes a big hit in achieving it. Aikman is right on it during a replay, pointing out “he’s going to remember that run for a couple of reasons, he took a big hit”. Aikman brought up the drawbacks to a running quarterback, especially as he points out, Jackson isn’t a big guy and the hits add up. Something to think about for sure.  Jackson is taking a pounding in this game. 

Image result for lamar jackson jets

Buck brings up a great point on how Jackson has even improved his game since last season. Adding that last year, Jackson won 6 of the last 7 games to get the Ravens into the playoffs. He’s even more dangerous now that he’s a legit dual threat and his passing has been a bit more accurate. 

In a late first quarter possession, the Ravens are moving the ball in Jets territory. They set up with an “empty backfield” and Aikman is right on it. “Most quarterbacks you know are going to throw the football, and there’s still a good chance he’ll (Jackson) keep this.” Sure enough after setting up for a pass, Jackson sneaks through and takes one up the field and goes out of bounds at the 6 yard line.  

After the scamper, Buck sets up sideline reporter Erin Andrews with the fact that Jackson’s speed is “eye popping, must look even faster from down there…”. Great set up because Andrews has a story about Madden ’20 and the speed ratings. A graphic supports her story that Jackson’s speed rating is a 96, which is faster than Vick. This is the guy whose record was just broken. The quote indicates that Vick is ok about the record, but he’s a little “hot” about Jackson having a higher rating. Entertaining and a good graphic. 

Buck and Aikman have been together a long time and you know what, it sounds like it. They have each other’s pacing and rhythm down and the banter is not forced, it just flows. They also seem to have each other’s backs.

Image result for buck and aikman tnf

When Jackson made that long run to the Jets 6, I referenced earlier, Aikman commented how he didn’t see a Jets’ defender “spying” on the QB. There was nothing but open real estate. I think Aikman wanted to set the record straight that he doesn’t like the use of a “spy” in those cases. Maybe there was a conversation in the booth during a commercial?

I say this because in the 2nd quarter after another long run by Jackson, Buck referenced a conversation he and Aikman had with Jets defensive coordinator Greg Williams. Now, Williams told them that the only way he’d use a spy is if he had a guy as fast as Jackson. He doesn’t. Aikman then got to interject his disdain for that thought on defense and actually thanked Buck on the air for helping to “clean that up”. Great teamwork. 

I heard some good conversation late in the third quarter with the game starting to get out of hand. The producer showed a replay of a “sidearm” throw by Jackson that wound up zipping into the receiver’s hand. Aikman said he threw a “Kent Tekulve sidearm fastball in there,” in reference to the former Pirates closer. The discussion ensued about whether or not the Ravens have thought about tinkering with Jackson’s delivery. Aikman mentioned in a conversation with Ravens’ Offensive Coordinator Greg Roman, that the team had no plans to “fix” the delivery of the football, instead it did plan to continue progressing with Jackson’s footwork. From there the former QB Aikman told the story that when he struggled throwing, it was usually due to poor footwork. Talk about validating a conversation and the actions the Ravens will take with their young signal caller. 

Aikman at the start of the fourth quarter had another very interesting piece of information on Baltimore running back Mark Ingram. He told the story about how Ingram didn’t want to continue sharing carries with Alvin Kamara in New Orleans. The fact Aikman brought forward was that Ingram’s QB actually had more carries at this point than Kamara. Now keeping in mind Kamara missed some time due to injury and that the Saints are primarily a pass first, run second offense, it’s still a fact that speaks loudly. Not too many running backs take a back seat to their quarterback when it comes to running the football. Thought provoking story that certainly can lead to a discussion. 

Image result for mark ingram lamar jackson

This duo works and it showed in this game. They kept the conversation lively and interesting even after the game was out of reach for the Jets. Their ability to play off of each other and not cross lines is pretty amazing. Each guy seems to be in it for the “team” not themselves. You can tell as each took part in some self-deprecation only to be bailed out by his teammate.

To some Buck can come off as “snarky”, but it works, because most football fans watch games with a little “snark” themselves. The thing I really respect about Buck is, he’s a terrific traffic cop in the booth, orchestrating what the producers want to be shown, with excellent segues and knowledge. Thursday night’s telecast was good on all fronts, from the production to the talent. A touchdown for Fox. 

Amber Wilson Agrees to New Deal With 790 The Ticket

0

790 The Ticket in Miami has retained one of its best local talents. The Miami sports station has announced a multiyear contract extension has been agreed to by midday host Amber Wilson. Wilson will continue as co-host of “Zaslow & Amber” alongside Jonathan Zaslow, weekdays from 10a-2p ET.

“Amber is a true sports talk talent with incredible knowledge and a witty personality,” said Keriann Worley, Senior Vice President and Market Manager, Entercom South Florida. “Her hard work and preparation have made a tremendous impact on the success of the show and we’re excited Amber will remain a part of the team.”

“I’m very fortunate to have a job that I enjoy doing every single day and I’m thrilled to be continuing my career at Entercom,” said Wilson. “It is an honor that Len Weiner [Program Director, AM 790 The Ticket] and Keriann Worley continue to trust me to entertain South Florida with sports talk.”

Wilson joined The Ticket as an on-air host in 2016. She took over for Joy Taylor who left to join FOX Sports 1 initially working in morning drive before the station made programming changes in August. Her prior experience includes hosting roles with CBS television in Miami and SNY in New York.

ESPN LA 710 Names Amanda Brown PD; Announces Additional Internal Promotions

1

It’s no secret that female program directors are rare in the sports radio industry. Fortunately, ESPN LA 710 is more interested in changing history rather than repeating it.

General Manager Scott McCarthy informed his staff today that the station will turn to 17-year veteran Amanda Brown to lead the brand forward as its new Program Director. She takes over for Dan Zampillo who left the station in November to join Spotify.

Prior to earning her PD stripes, Brown spent the past four years as 710’s Assistant Program Director. During that time she spearheaded the station’s play-by-play programming and managed local team relationships.

Her career experience also includes serving as a producer of many notable and successful shows. In Los Angeles, Brown has worked with Mason and Ireland, and Max and Marcellus. In Bristol, CT at the ESPN Radio network, she produced Mike Tirico and Scott Van Pelt, and The Sports Bash with Erik Kuselias. She also spent three years earlier in her career in Dallas at ESPN 103.3 working with a variety of hosts and shows.

With Brown moving up to the PD position, 710 is promoting Greg Bergman to Assistant Program Director. Bergman will work closely with Brown on 710’s day to day programming matters. He’s spent 18 years in the business, beginning his journey into the format in 2002 with Fox Sports Radio. Since then, Bergman has gone on to work for Sporting News Radio, NBC Sports Radio, and Salem. He joined ESPN LA 710 in 2016 and has served as the lead producer for Mason & Ireland since, helping to make the show the #1 sports talk show in Southern California.

Rounding out 710’s internal promotions is the news of Adam Braunstein  being elevated to Producer of Play-by-Play. Adam has been with the station since 2007, starting in the marketing/promotions department before making the leap into the programming circle two years later as a board operator. He’s since moved up the ladder, earning roles as a weekend producer, midday producer (Mark Willard & Mychael Thompson), and became the station’s first-ever local morning show producer working with Travis Rodgers and Kelvin Washington. Following stints on the station’s talk shows, Braunstein moved into play by play producing and has been heavily involved in 710’s presentation of the Lakers and Rams.

Due to the internal promotions, 710 will be looking for a new producer for Mason & Ireland’s show.

6 More Speakers Added to the 2020 BSM Summit

0

The 2020 BSM Summit is shaping up to be another star studded affair for sports media professionals. The two-day sports media conference will originate from the Ailey Citigroup Theater in New York City on February 26-27, and just added to this year’s speaker schedule are Bomani Jones of ESPN, Justin Craig of ESPN Radio, Tim McCarthy of ESPN New York 98.7FM, Mitch Rosen of 670 The Score and 105.7 The Fan, Scott Masteller of WBAL, and Carl Dukes of 92.9 The Game.

“I’m thrilled to have Bomani, Justin, Tim, Scott, Mitch, and Carl joining us on stage for our 2020 show” shared Barrett Sports Media President Jason Barrett. “Each of these men have unique perspective, extensive experience, and a genuine love and passion for our industry. Their willingness to share their insights on the most pressing issues facing our business, will allow our attendees to exit New York City more informed, and better prepared to help themselves, and their brands in 2020 and beyond.”

In addition, BSM has introduced a special holiday sale for tickets to the show. Individual tickets have been lowered from $299.99 to $224.99 thru December 24th. This will be the final sale on tickets leading up to the event.

With the latest speaker additions, the total list of on stage participants is now up to 30. BSM expects the total number of industry participants to be between 50-60. To stay updated on upcoming speaker announcements and to purchase tickets to the BSM Summit visit https://BSMSummit.com.

College Kids Are Different From Professionals

0

When it comes to doing play-by-play chances are pretty good that you’re going to be calling a multitude of sports. Probably on several different levels, NCAA, G-League, Minor League Baseball, MLB, etc. Is there a difference to how you call one or the other? Should you do something different when calling a college game vs. a pro game? The answer isn’t quite as simple as yes or no. It’s kind of like being a parent of two kids, love them both but parent them differently. After all, they are two different organisms. Right? 

The same basic principles of play-by-play apply to everything you call. That shouldn’t change. Describe the action accurately, follow the ball, give time and score often and use your voice as an instrument. We’ve covered a lot of that in previous columns. So make sure to understand this foundation will serve you well no matter what level you are announcing. 

Related image

I’ll talk about College Basketball and G-League hoops from the perspective of a radio broadcaster, but basically the same things apply to television as well. 

The college level lends itself to a little more promoting the product, portraying schools as not just athletics but academics as well.  It’s also about telling stories about the student athletes. After all, these are 18-year old kids as freshman that become 21-year old men as seniors. Some of these players have amazing backgrounds. More and more they’re coming from foreign countries to play basketball and get an opportunity to get an education as well. I always try to keep in mind that even when a game gets intense and every play is meaningful, these are youngsters learning life lessons. How to handle adversity, how to handle being on top and how to handle the in-betweens. 

During college games, I try to picture in my head, who I believe is listening or viewing this broadcast. In most cases to me, its immediate family members, other relatives and close friends. I’m sure there are fans and alums as well out in the audience but they love this school as well as the players, so why change?

Image result for sfa beats duke

Why do I think like this? Because after calling many pro games (MLB, G-League) I have to understand that these are not professional athletes and those close to these players are tuning in to hear/view something good about the one they care about. Listen, I’m not saying sugar coat mistakes. Your audience will know. I’m saying realize who is playing and treat the players and their families with respect. 

With that in mind, there are times I take more chances in college games. I may try some new descriptions or new ways of calling a play. I do this to see if it works or not. The opportunity is there for you to experiment a little, but don’t let it affect the actual announcing of the game. Don’t change that, it will only get you in trouble. 

Professional games, like in the NBA and the G-League to me require a little more concentration on the game and less on the periphery. Sometimes there are stories of guys getting a look at the NBA level in the developmental league or a player hanging on to a dream and playing for the love of the game. More often than not these are players trying to stick out to catch interest from other NBA teams. The calls are more about command of the game and broadcast than they are of the fluff that may be surrounding a game.

The fact that players are being paid by either their G-League affiliate or NBA team, means to me that this is their job. Criticism, if handled the right way, is somewhat more acceptable in these cases. Players are held much more accountable by way of decreased playing time or being cut. Those are the facts. 

Now it can’t be all business all the time. I think it’s about a 70/30 split in the upper ranks. I try to fancy up my basics, if that makes sense. After many reps in these sports, you try to take your “basics” to a higher level each time you crack the mic to broadcast a game. It’s all about getting better no matter the sport or level you’re calling. 

When it comes to gathering notes and stats for a broadcast, I find that it’s usually easier to get information from the college teams. To me the most underrated folks around the country are the SID’s (Sports Information Directors) for colleges and universities. Most that I’ve come to know, spend enormous amounts of time on “Game Notes” providing great insight into their teams. They are dialed in with the program and are well versed to answer any questions or concerns a broadcaster may have. They have even been known to arrange interviews with opposing coaches by reaching out to the other team’s SID to set them up. This allows the play-by-play announcer and color analyst a chance to learn some of the nuances of the team they don’t normally cover. This helps to present a more balanced call of the game. 

Image result for sports information director

When it comes to calling either college games, pro games or a combination of both always be prepared. That is the one thing that never changes no matter what sport or level you are calling. It’s hard to present a good broadcast when there are gaps in your knowledge of the teams or rules. Most of all, enjoy the games and try and present your best product every time you go on the air. 

The Dark Side of Social Media

1

For most folks in the sports media business, December-February is a time when things slow down. Holidays hit, vacations get used, and aside from a few bowl games, NFL playoff games, and the Super Bowl, sports viewing becomes more manageable.

But for yours truly, this is the most chaotic three month stretch of the year. I rarely travel during this 90-day period because so much has to be done in a short amount of time. The one exception I make is a 2-3 day visit to radio row during the week of the Super Bowl. Yes I’ll be there this year even if one radio group has less of a presence. It’s just my opinion, but the biggest event in sports deserves to be covered live on-site by local sports stations, especially in cities where NFL teams reside.

But I digress.

It’s this time of year when I finalize the BSM Top 20. The process involves gathering feedback from industry executives, creating custom images of the people/shows that earned votes, writing press releases and columns, and developing a social posting schedule so the series reaches the most amount of eyeballs. Somewhere in there I also have to make time to listen to and talk with clients, manage the content flow on the website, and find time for my family.

But that’s not all that’s on my plate.

The remaining details for the 2020 BSM Summit have to be figured out in January and February too. That means hunting down speakers for specific subjects, creating visual presentations, meeting with building officials, securing the cocktail reception location, creating and producing programs, determining the award winners with a small circle of industry executives, having the custom awards made, hiring the videographer, laying out the conference schedule, writing press releases, developing a promotional content strategy ahead of the show, and selling sponsorships. It’s why at this time of year I start looking ahead to February 28th (the day after the Summit is over).

Speaking of sponsors, I want to extend my appreciation to ESPN Radio, Compass Media Networks, Harker Bos Group, and Steve Stone Voiceovers for signing on as partners of the 2020 BSM Summit. Putting on this event isn’t cheap, and without their support I wouldn’t be able to continue doing it. With that in mind, we do still have a few sponsor opportunities available. If your company would like to be involved as an event partner please send me an email here. Your participation makes a big difference.

Also, if you’re planning to attend the conference, we’ll be having a special holiday sale December 16-24 on BSMSummit.com. Ticket prices will be lowered to $224.99. This will be our final sale so take advantage of it if you’re planning to come.

I’ve had a few industry friends say to me ‘you must make a killing on that event‘ and I laugh when I hear it because the amount of resources and time that goes into executing this event makes it impossible to feel like I’m walking away in the plus column. But that’s not why I do it. I built the Summit to bring the sports media industry together, and help people learn and improve their business. If in the process I can gain a few fans and earn future business, that’s icing on the cake.

If you’re reading this and not familiar with me on a personal level, I hope you’ll remember what I said in the last paragraph about why I created this conference. Sometimes we have good intentions, and try to do good for others, yet folks on social media who we don’t know take aim at us because they see an opportunity to make noise at our expense.

Last year on Christmas night, I was doing what most people do, enjoying the evening with my family. I dropped off my son at his grandparents house, and took my fiance to dinner at a casino when my Twitter timeline started blowing up. I assumed a talent with a large social following retweeted a BSM story, but soon discovered I was under attack for the 2019 BSM Summit not being diverse. The comments caught me off guard because I hadn’t finalized the conference schedule, and I’m the same guy who wrote pieces calling for more women and minorities to be given opportunities in the industry. In fact, the year prior in Chicago, I had Jason Goff and Sarah Spain participate in one of our best and most honest discussions on that very topic.

Even more frustrating was that I had talked to a few women about being part of the show but wasn’t going to announce new additions until January. I knew that releasing speaker announcements during the holiday week would receive little attention so I figured I’d wait until the first week of January when more people would take notice. As a matter of fact, I’m actually going to release some additional names to this year’s show next week just to avoid a similar headache during the upcoming holidays.

But none of that mattered.

All it took was one motivated uninformed person with a cell phone to cause chaos. Once it starts, others pile on, and soon you’re stuck defending yourself to people you have no connection to.

I learned firsthand on that night how ruthless people can be. Thankfully I developed thick skin a long time ago and don’t let negativity deter me from getting to where I want to go. I trusted that my industry friends and clients would see thru the BS and not overreact, but more importantly, I knew who I was as a person, and what my plans were for the show. Once February rolled around, we had a great event in Los Angeles with many different people involved, and I’m proud of what we created.

When I put the Summit schedule together each year, I choose people to participate based on merit and their fit with specific topics. I welcome people from all backgrounds, and give them a platform to present issues and solutions at the show that will help those in attendance. If the idiots surfing the mean streets of Twitter who don’t know me don’t like my approach, that’s OK. They’re not my audience, and they’re not going to define who I am.

Although that experience was disheartening, it opened up my eyes to the darker side of social media. I learned that night that some people browse social media looking for a reason to be offended. Some want to be activists and push for change when they’re not even aware of the facts behind the thing they’re trying to change. They also don’t reappear afterwards when you’ve done a good job to tell you they’re sorry or that they were wrong about your intentions.

Keep in mind, I’m just a consultant. The avalanche of hate that on-air talent deal with is much worse. Most of the time managers don’t even know the extent of it. If they do, most aren’t trained on how to manage it. It’s easy to tell a host ‘ignore it, he/she is a jerk’ but we’re all human and affected differently.

I remember talking to Colin Dunlap of 93.7 The Fan in Pittsburgh on Season 3 of the BSM Podcast and he shared how some trolls on Twitter took aim at his daughter who was going thru a battle with cancer. How is that not supposed to affect someone? If you were in his shoes wouldn’t you be thinking about tracking down the individual who said it to inflict some pain on them? If you did, you’d be human.

With mental health being an important issue in the country today, I can’t help but wonder how many air talent are affected by their exposure to harmful social media content without us knowing it. We’re conditioned in the media industry to be mentally tough and absorb criticism, but if someone in your building isn’t strong enough to handle it, what’s the solution for helping them? Do you have support available in house for your employees? Do you know the first call to make outside of the building?

You may not have thought about this before because so much of the job is focused on creating content, chasing ratings, and generating revenue, but the words our people see each day get baked into their brains and can have a lasting affect. Imagine if you were under constant scrutiny the way Mike Francesa has been with the Funhouse account on Twitter. Though some of the clips are funny, what if it were you in Francesa’s shoes. Could you endure that daily criticism? How would you respond when friends, family, listeners, and media outlets constantly bring it up? I don’t care how thick your skin is, you’d be affected. The only question is how much.

If you watched the HBO documentary this week with Bill Belichick and Nick Saban, you heard Belichick mention how much he hates social media. He’s right when he says ‘who cares if you get 2,000 likes from people you don’t know‘ but we’re in a business where we seek constant validation of our content and opinions. To expect talent to disappear from the space when it has many positives and offers them the fix they need is impossible.

Everywhere you turn, brands are promoting social platforms in order to build deeper relationships with the audience. These channels are necessary to push content to our fans, but more importantly, they’re also a pathway to revenue. Yet the same pathway we wish to monetize is littered with people seeking to mentally damage our talent.

As I gear up for the third BSM Summit in NYC this February, this is a topic I’m interested in hearing discussed by some of our on-air talent and PD’s. How do we navigate hate on social media? What can we do to help those who use these platforms for professional purposes yet are mentally abused in the process? We may not have the answer today or by the Summit, but if we stay alert and continue working on it, those we care most about will be less damaged.

Ad Copy Is Annoying But It Matters

0

“That fly ball out is brought to you by…ACME Pest Control to get the flies out of your house choose ACME.” Ok, maybe that’s extreme, and by the way made up by me, but you’ve heard the “drop-ins” on your favorite sports radio broadcast. Let’s face it, as much of an intrusion as these “reads” can be, they allow the station to afford the broadcast rights fees and allow them to pay, you!

When it comes to baseball, everything seems to be sponsored, from the time and temperature to save opportunities all can be seen as money-making opportunities. They have to be, because the cost of doing business with a professional sports team on radio isn’t cheap. There are those occasions where the team and the station enter into a revenue share, even in these cases revenue has to be generated to be shared. See what I’m saying? 

Image result for baseball radio broadcast

Creativity has to reign supreme when it comes to sponsorships during radio broadcasts of sporting events. Why? You have to keep an audience and why not entertain when you are trying to sell. Sometimes it’s just being innovative.

For a few years Chicago White Sox home games started at 7:11pm, with a sponsorship by who else? 7-11. Makes sense doesn’t it? A team on the West Coast has a “Shake up play of the game”, which is sponsored by the California Earthquake Authority. Seems pretty obvious. As the game evolves so do the sponsorship opportunities. Now that replay challenges are a part of baseball and other sports, one baseball team calls it, “The Barbasol Close Shave Challenge” when a manager requests a replay. Clever and clean. Fun. 

There are obvious tie ins that come along in baseball games. “What’s on Tap” brought to you by a beer advertiser. “Diamond Notes” sponsored by a local jeweler. “Who’s hot and Who’s Cold” coming to you from an HVAC company. Or the “Catch of the Day” served up by a local fish restaurant. Corny, but effective and fun to play off of if you’re doing the game. 

Baseball games allow you a little more time to spend reading these in game commercials. Situations automatically lead to “read” or “card”. Double plays, stolen bases, home runs and strike outs are usually the plays that lend themselves to advertising. If one of those plays happen, you read. It’s simple right?

Not exactly.

Make your call, allow your analyst to break the play down, then, because the pace of the game allows, you can get in that ad. It’s only obtrusive if you allow it to be. Sometimes you can even go back several batters later if the moment doesn’t allow for that ad to run at that particular time. This is the beauty of baseball and its slower rate of play than other sports. Even if it’s the next half inning you can say, “the stolen base by Player X in the top of this inning was sponsored by…”. Just get the copy read. 

Football and basketball broadcasts almost work the same way as baseball. Yes, there are a lot of in game sponsorship cards to read and yes it can seem overwhelming at times. The fact is there is enough down time in these faster moving sports to get plenty of these sponsorships into the broadcast.

Image result for basketball radio broadcasters

In football, the time between plays is 40 seconds, most of the reads (if they’re written well) are between :10-:15 seconds. That’s plenty of time for the call, analysis and a sponsor read. The exception is a hurry up offense, but again, you can use the baseball trick by referring back to a play several moments after it happens. Nothing lost by either the announcer, listener or advertiser. Basketball has its definite moments of availability when it comes to sponsorships. If the starting lineups are sponsored that’s an easy one to get in moments before tip-off. Others can be read during and in between free throws, or going into or coming out of time outs. Plenty of time to take your time and give the advertiser all the value added content to keep them happy. 

Hockey broadcasts do make it a bit tougher to work in these advertisements. The game moves so quickly and especially if a “time in the game” is sponsored (ie, 15-minute mark, sponsored by that insurance company) try to get it in as close to that time as the game allows. You can’t sweat it. No advertiser worth its salt would argue with the timing. They don’t want to be intrusive into the flow of a game, they only want their copy read in a professional manner as close to that time as you can get. 

More and more these days, not only do you have to be good at play-by-play or color commentary, you need to be a salesman. Believe me, after 162 games of baseball, it can get uber repetitive and monotonous but it’s part of the gig these days.

Remember that you are there to call a game, first and foremost, that’s the job you were hired to do. At the same time, announcers have to understand that while it can get frustrating, business has to be conducted. Yes, sponsorships sometimes can ruin the flow of conversation and intrude on the game itself at times, but remember there’d be no broadcast without them.