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BSM’s Top 20 Mid Market Local Sports Radio Morning Shows of 2019

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For our second day of the BSM Top 20 of 2019, we shift our attention to the local scene, most notably the morning shows. Before you look ahead at the results and save the photos to promote your favorite hosts and programs on social media, there are a few things I want you to be aware of.

First, the voting for our Top 20 series this year involved forty seven radio professionals from thirty cities and eighteen companies. Yours truly (Jason Barrett) does not vote on the awards, I simply collect the information, add up the votes, design the images, and present and promote the results.

Secondly, our voters are asked to consider the criteria below to judge the format’s best programs. However, each contributor values certain things more than others. Due to that fact, we understand this is an imperfect science. Nonetheless, the Top 20 series offers a collective snapshot of what radio industry executives consider to be the format’s best shows.

  • Strong ratings in 2019
  • Industry track record
  • Reputation and influence
  • Finished 2019 with the network/station
  • Ability to entertain and inform consistently
  • Points are given for each spot (EX: 20 for 1st, 1 for 20th)

That now brings us to the rankings for the Mid Market Local Sports Radio Morning Shows of 2019. The top honor once again goes to Bernie Miklasz of 101 ESPN in St. Louis. Bernie has won this award four years in a row. He recorded the most first place votes (7) and appeared in the Top 3 on more ballots than any other show eligible in this category. Ken Carman and Anthony Lima of 92.3 The Fan in Cleveland once again finished 2nd, although they did narrow the gap from last year.

BSM congratulates Bernie, Tom Carroll, and Tommy Mattern on this year’s recognition, as well as Michelle Smallmon and former PD Chris ‘Hoss’ Neupert who also had a hand in the Bernie show’s 2019 success. With that said, let’s now take a look at the full results of “BSM’s Top 20 Mid Market Local Sports Radio Morning Shows of 2019!”

Additional Notes:

  • Bernie Miklasz finished 27 points in front of Ken Carman & Anthony Lima. He also recorded the most 1st place votes with seven (7)
  • 21-25 was occupied by Mike Taylor, Mason & Gall, The Franchise Morning Show, The First Quarter and Bill & Rookie.
  • Howard & Jeremy edged Dunlap & Mack by 1 point, The Border Patrol did the same to the Wake Up Zone.
  • 38 shows were eligible for consideration this year, 10 received at least one (1) 1st place vote

Here is the remaining schedule for the BSM Top 20 of 2018.

  • Wednesday January 29 = The 2019 Top 20 Major/Mid-Market Local Sports Radio Midday Shows
  • Thursday January 30 = The 2019 Top 20 Major/Mid-Market Local Sports Radio Afternoon Shows
  • Friday January 31 = The 2019 Top 20 Major/Mid-Market Local Sports Radio Program Directors
  • Monday February 3 = The 2019 Top 20 Major/Mid-Market Local Sports Radio Stations
  • Tuesday February 4 = The 2019 Top 20 Original Sports Podcasts

BSM’s Top 20 National Sports Talk Shows of 2019

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The BSM Top 20 of 2019 has arrived. This is our fifth year of recognizing the best in sports radio by involving industry professionals. We’ve started each of the past four years by showcasing the top local morning, midday, and afternoon shows during the first three days of the series, saving national shows for day four. This year though we’ve decided to change it up and kick things off with the national shows before turning our attention to the local categories for the next five days.

Before you scroll down to look at the results and save the photos to promote your favorite show on social media, there are a few things I want you to be aware of. First, the voting for our Top 20 series involved forty seven radio professionals from thirty cities and eighteen companies. Yours truly (Jason Barrett) does not vote on the awards, I simply collect the information, add up the votes, design the images, and present and promote the results.

Secondly, our voters are asked to consider the criteria below to judge the format’s best programs. However, each contributor values certain things more than others. Due to that fact, we understand this is an imperfect science. Nonetheless, the Top 20 series offers a collective snapshot of what radio industry executives consider to be the format’s best shows.

  • Strong ratings in 2019
  • Industry track record
  • Reputation and influence
  • Finished 2019 with the network/station
  • Ability to entertain and inform consistently
  • Points are given for each spot (EX: 20 for 1st, 1 for 20th)

That now brings us to the rankings for National Sports Talk Show of 2019. For the 4th time in 5 years, industry voters have chosen ‘The Herd with Colin Cowherd’ as the best National Sports Talk program. Cowherd’s program collected the most 1st place votes (20) of any 2019 nominated show or individual, and finished comfortably ahead of runner up The Dan Patrick Show.

Heard weekdays from Noon to 3pm ET on FOX Sports Radio, FOX Sports 1, local radio affiliates, the iHeartRadio app, SiriusXM, and additional audio channels, The Herd continues to produce the type of high caliber content that sports radio executives value. BSM congratulates Colin, Joy Taylor, Don Martin, Scott Shapiro, Jon Goulet, Greg Toohey, Sam Betesh and the entire FOX Sports Radio crew on earning this year’s top honor, as well as every other show which earned a spot on this year’s list.

Now, here are the full results of “BSM’s Top 20 National Sports Talk Shows of 2019!”

Additional Notes:

  • Colin Cowherd took 1st place with a 53 point advantage over The Dan Patrick Show; Cowherd also gained the most 1st place votes of any National Sports Talk Show (20).
  • 21-25 belonged to Mike Florio, Ferrell on the Bench, Ben Maller, and Spain and Company. Florio finished 3 points behind The Odd Couple for 20th place.
  • The closest races were Clay Travis over Chris Russo by 7 points, and Rich Eisen in front of Golic and Wingo by 5 points.
  • 61 national shows were eligible for votes. Companies with programs on the list included Barstool Sports, CBS Sports Radio, ESPN Radio, FOX Sports Radio, NBC Sports Radio, Radio.com Sports, SB Nation Radio, SiriusXM, and VSiN.

Traug Keller Is Exiting The Game While Still On Top of It

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For over 25 years, Traug Keller has been a steady force in the radio industry. 10 of his years were spent as the President of ABC Radio Networks where he led all aspects of network programming, affiliate relations, engineering, finance, research, IT, international programming, and marketing. The last 16 have been dedicated to ESPN where he’s served as Senior Vice President of ESPN Audio, managing all of the network’s business matters including talent, staffing, national programming content, scheduling, and event production. He added oversight of the ESPN Talent Office in 2016.

With Keller in charge, ESPN Radio has been the country’s largest sports radio network with programming carried by more than 500 stations, including 375 who operate as full time affiliates. Content is also delivered thru ESPN apps, SiriusXM, Apple Music, TuneIn, Slacker Radio, and ESPNRadio.com, which has been the most listened to live stream of any terrestrial broadcaster in the world, reaching more than 700,000 unique listeners per month. Altogether, ESPN’s audio division produces over 9,000 hours of talk and event content annually, reaching nearly 24 million listeners per week.

But on February 6th, Traug Keller will wake up without a commute to ESPN’s headquarters in Bristol, CT. That will be the first day when he no longer bears the responsibility of managing ESPN’s audio business.

“It will take some getting used to, but I always earmarked 60 as the end of a corporate run,” Keller told Barrett Sports Media. “My favorite team growing up was the NY Knicks, especially the 1972-1973 team with Willis Reed, Walt ‘Clyde’ Frazier, Bill Bradley and Dave DeBusschere. When Bradley and DeBusschere retired, I remember my dad saying to me ‘That’s great. They’re leaving while they still have something left.’ That always stuck with me. I wanted to be able to leave while I still had game.”

The decision to leave one of the most important positions in sports audio didn’t happen overnight. Keller started thinking about it within the past year, and when he initially told his bosses what he was considering, they had the reaction many industry folks did when we broke the news two weeks ago that Keller would be signing off.

“Are you nuts? That’s what they asked me,” said Keller. “When you’ve logged the corporate miles that I have, you start to realize there’s an end date. I loved ESPN. I couldn’t have worked for a better company with better people. The relationships I’ve made both internally and externally have been special and I’ll carry those with me forever. But there are still things I want to do in my life without being involved in the corporate world on a daily basis. It just felt like the right time to step away.”

But after twenty five years of working for a company, and having a large role in the growth of one of America’s most well known brands, it’d be understandable if one were to step away, miss the challenge, and seek to return. For Keller though, that’s not even a consideration.

“Oh god no,” Keller passionately voiced when asked if he’d consider reversing course. “I’m not Mike Francesa. This is it. As I told Jeff Smulyan, this is kind of like being alive at your own wake. Everyone has reached out and offered kind words, and they’re greatly appreciated, but I’m looking forward to watching the business grow from afar.”

Leaving a key position of this magnitude without a lot of lead time appeared curious at first. I couldn’t help but wonder if there was more to it. Anyone who knows Traug, appreciates how much he loves the audio business, how loyal he’s been to the company, and how talented of an executive he is. Keller though said it really was cut and dry. There was no internal pressure to move on nor was he looking for a different challenge inside the company. It was simply a matter of feeling like the time had arrived to move on.

The one wrinkle thrown into the situation was America Media. Having recently agreed to become the company’s COO, Keller said he initially planned to take a break from working, but the situation was one that he felt a personal connection to.

“It’s a calling. This came along and appealed to me. It was a chance to join a great team in the noble cause of expanding dialogue around faith and culture, returning to my Jesuit roots. I’ve been a longtime reader of America Magazine, and I’m excited about working with them.”

Though he’ll soon turn in his ESPN badge, and take on a new professional challenge, I couldn’t pass up an opportunity to pick his brain on a few industry items before he heads out the door. I was particularly interested in hearing his final assessment of ESPN Audio.

In the sports radio business, it’s common for industry people to have mixed opinions about talent. Everyone wants a station or network programmed to their personal tastes, which isn’t realistic. Knowing though that opinions are divided on ESPN Radio’s shows, I wanted to get Traug’s thoughts on the current lineup. As expected, he was steadfast in his belief that the network features great personalities and programs, and expects that they’ll continue to be an asset to local stations moving forward.

“One of the best things we did was give the morning show time to bake,” said Keller. “Golic and Wingo were just up 5% in the ratings, which is a reminder that sometimes you have to nurture things. We have a rising star in Will Cain. Le Batard has his audience which is extremely loyal, especially younger fans who stream his content on demand. Jason Fitz is another talent who I believe has a high ceiling.”

But where might the network need to improve to remain viable and important to local stations as it has over the past few decades? Keller offered a few interesting takeaways.

“It’ll be other people’s decisions, but having multiple offerings in the same dayparts to suit different affiliates is one way to go,” Keller shared. “I think a robust push will need to continue being made to push digital. In that space, it’s all about content. We’ve been fortunate to have some of the best talent in the business under one roof. It’s not rocket science, you build it, promote it, have patience, and consistently execute. If you do those things, it’ll work out most of the time.”

Having had the opportunity recently to hear from people following the news of his forthcoming retirement from ESPN, and reflect on his professional journey, summing up his proudest accomplishments in one or two sentences isn’t easy. When you’ve operated a national network for as long as Keller has, it’s hard to single out one or two decisions, but a few important choices and relationships stand out.

“At the top of the list was moving the company from radio to audio,” Keller proudly acknowledges. “It was important for us to make sure our audio content was available everywhere and anywhere, and to get our people to buy into that mindset. We formed a great partnership with Sirius, started streaming and working with Apple and Spotify, and have been fortunate to have great support from local radio stations. Those are just some of the things that I’m proud to have been a part of.”

Great executives win more than they lose, and Keller has done a whole lot of winning, but in every business, even the best have one or two decisions that they wish they could reverse. I asked Traug, ‘if there was one move over the years that he wished he could do over, which would it be?’ He didn’t hesitate to answer.

“Losing Colin Cowherd. I’ve got no problem saying that,” said Keller. “He’s a great talent, and special person, and we should’ve done whatever we had to do to keep him. That’s the one decision I wish I could change.”

With his giant presence on the verge of fading away from ESPN’s offices, the challenge of moving the network forward will now belong to Dave Roberts, Tim McCarthy, Scott McCarthy, Amanda Gifford, and Justin Craig. All five are no stranger to audio. Dave and Amanda have important roles in TV but have previously programmed the radio network. Justin’s spent most of the past fifteen years either programming at the network or in Chicago and New York. Tim has managed 98.7 ESPN NY along with the network’s play by play operations, and Scott recently ran ESPN LA 710 (Tim will now assume oversight of the station) and has been an integral part of running the network business with Keller for the past twenty years.

The leadership team that’s been assembled to move the company forward is a big part of why Keller has confidence stepping away. He says they’re not only ready for greater responsibilities, but they’re all audio people at heart who affiliates have formed relationships with over the years. By having qualified leaders ready to drive the company’s growth, Keller is thankful that he didn’t have to delay his exit.

As he prepares for a world with much less fanfare and chaos, it’d be understandable if Keller has days in the future where he wakes up missing the daily grind. Radio has been a large part of his professional life, and once the business enters your bloodstream, even a transfusion can’t get rid of it.

But with so much uncertainty facing the industry, how does he feel about its future? Will radio remain vital? Does podcasting become the phenomenon that many expect it to? Is sports radio permanently branded as a niche format with little chance of escaping that perception?

“Podcasting is going to continue to grow, that I do believe,” stated Keller. “But nothing replaces live listening, especially when it relates to sports talk. This format has a special connection. Just look at the combined share between Mike Francesa and Michael Kay this fall. You couldn’t find a sports fan in New York that didn’t know those two shows. I’m bullish on this business, but we do have to keep preaching to advertisers how the connection between listener and host in this medium is superior to anything that can be offered elsewhere. Collectively in the radio business we need to explain and demonstrate that in a powerful way.”

There is one item though that bugs Keller. It’s the way the radio industry is presented by other forms of media. Having seen firsthand how fruitful the radio business can be for a major company like ESPN, Traug points out that others should get a better read first on what’s really going on.

“This industry is not as sick as the media makes it out to be,” Keller reminded me. “The largest radio companies are suffering from debt, not cash flow. If you compare this business to print, radio’s actually pretty good. It’s held it’s own despite the onslaught of digital media. So much of the headlines revolve around some of the troubles that the big 3 have run into, but there are a lot of other radio companies that are growing. Good Karma for example has done a great job and continues to invest in audio. We’ve even turned over some of our digital selling to them because they understand it and have success with it. These type of stories aren’t always told, but they should be.”

As we wrapped up our call, I couldn’t help but put Keller on the spot one final time. He’s always been positive, supportive, and quick to give credit to everyone but himself, and he kept that streak in tact when I asked “so when the hall of fame comes calling, who introduces you?” In typical Traug fashion he replied “it’d be presumptuous of me to assume they will, so I guess we’ll just have to wait and see.”

Traug Keller will exit ESPN Audio on February 5th with plenty of game left, leaving the network in position to remain successful for years to come. What he won’t have moving forward is the ability to put our annual lunch on ESPN’s dime. I guess that just means it’s time for Barrett Sports Media to pick up the next tab. Given what he’s done for this business, it’s the least we can do.

If You Broadcast, You Should Podcast

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Podcasts. Yes, they are a thing. According to Google, the Podcast was invented in 2004. They are everywhere now and seemingly everybody has one. An information page on Apple’s website claims that on its platform alone there are more than 750-thousand shows and more than 24-million episodes. Apple says its podcasts are available in 155 countries and in over 100 languages. So, as you can probably deduce, they are popular and far reaching. 

Image result for most popular podcasts

Armed with that information and knowledge, let me pose a question to you, “Is it a good idea for a play-by-play announcer or reporter to branch out and start one of his/her own?” Um, YES! This is especially true if you are a young broadcaster trying to hone skills and showcase your abilities. Why not get in on it and take advantage of another way to move you forward in your career?

Why? What is the value of a podcast? For you younger broadcasters, it’s a tremendous way to get more and more of your personal content out there for an audience. Use your connections in the industry to come on your podcast and interview them. The interview has no time constraints on it, because after all this is not on the air and not subject to a “clock” or the end of an inning. You can ask questions that you might not normally ask on air to showcase your subject’s sense of humor. This exercise can make you much more comfortable in a normal interviewing segment as well. The environment is so much less stressful and it will sound that way. 

Your podcast will allow your base audience, those that are listening to your broadcasts during the season, to hear you in the off-season. It’s important to stay top of mind and connected to your listeners. Plus, it’s a good forum for you to showcase your personality and other interests. To build your brand and name recognition. When I did my podcast a few years ago, I felt like my opinion segments allowed me some freedoms that a normal broadcast wouldn’t. I got to express thoughts about not only sports, but television and movies and other pop culture events. 

This is such a great opportunity to go “unplugged” or unfiltered. Show that sense of humor and build a relationship and trust between you and your audience. Not only will this help your podcast, it will help you in your regular gig. 

Image result for andy masur podcasts

Depending on how you approach your podcast mentally, it should be looked at as a labor of love. Don’t think of your podcast as extra work because this is again, free content with your name all over it. Hosting a podcast doesn’t have a deadline like your normal work life in sports might. Do it when you have time, but try to keep it on a regular schedule for people to catch on to your podcast. Once a week? Once every other week? Once a month? Up to you, but try for a little consistency for subscribers to keep up with you and your work. 

Podcasting is also a great way to promote your social media platforms. Most of the time you will advertise what’s on your latest episode via Twitter, or Facebook or Instagram. It’s another way to build that portion of your brand. People who are loyal to your podcast will in turn be loyal to your social media as well. 

Some of these podcasts are produced via a team or a radio station, but you can do it on your own. It doesn’t take a lot of expensive equipment, but if you choose to produce it, there will be an element a time investment. It’s good practice on a creative front to make it your own and to experiment with what works and what doesn’t. Advance these practices to your “day job” and you’ll be amazed at how much better that work becomes. 

I don’t mean to exclude the veteran play-by-play announcers and reporters. Just because you’ve been in the business a long time, doesn’t mean you shouldn’t learn a new skill. Stay relevant with your entire audience, not just those that remember life before cable TV.

I think it’s a good thing to expand your horizons and take the leap into the world of podcasting. For us veterans, it’s not a situation where you’ll need to further a brand or become more visible. It’s more along the lines of continuing to produce content in your “off-season”. Allow your fans, listeners and fellow broadcasters to hear you all year round. They may learn something about you in the process which can only help the cause moving forward. 

With technology being what it is, your audience is listening at their leisure and in different places. Commuters on their way to work are using apps to listen to podcasts on trains and buses. Those that drive also have the ability to listen in their cars with Apple Play and Android Play nearly standard features in automobiles now. Your podcast is readily available and in the hands of nearly everyone with a smartphone. Think of the possibilities. 

Image result for podcast on a train

The best part of the podcast is, you decide how long it is, you decide who’s on it and you decide when it gets produced. It’s a blank canvas waiting for you to paint. Unleash your creativity and see what happens. 

6 More Participants Added to the 2020 BSM Summit

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We are just over a month away from the 2020 BSM Summit in New York. It feels like yesterday when I was walking into the Ailey Citigroup Theater to see if it’d be a good venue for the event. If you’ve followed me on Facebook, Twitter or LinkedIn, you’ve likely heard about this Summit for months, and at one point or another it’s peaked your curiosity, especially if you work in the media business.

To make an event like this work, a lot has to go right. There’s the venue, the hotel partner, the sponsors, the marketing of the event, and of course, the city itself. Most important though are the speakers. If you don’t have interesting, successful people from various areas of the industry sharing insights on how to make your brand or business better, the rest won’t matter. Also of critical importance is making sure the topics cover a wide range of issues related to sales, social, programming, podcasting, new business categories, audio/video, etc..

Last year in Los Angeles, we had some outstanding people grace the stage, and we’ve built on that momentum by assembling a strong cast of speakers for our 2020 BSM Summit in NYC. It’s my pleasure to share today that we’ve added 6 more to our conference schedule. Joining us on stage in the big apple will be Premier Radio Networks/FOX Sports Radio’s SVP of Sports Programming Don Martin, newly appointed co-manager of ESPN Radio Amanda Gifford, FOX Sports Radio’s RJ Bell, 98.7 ESPN NY afternoon host Peter Rosenberg and evening host Chris Carlin. We’ve also received confirmation that ESPN/ESPN Radio host Jason Fitz will join us on site for the Wednesday night private cocktail party at the All Stars Bar and Grill. The party is open solely to conference attendees.

When I look at how the Summit has come together, I’m extremely grateful for the support I’ve received from program directors, voice/imaging folks, affiliate reps, agents, and notable on-air personalities speaking at the show. We also have more GM’s in the room this year than last, which is nice to see. That said, I’d still like to see more PD’s, market managers, and salespeople join us because a lot of the information shared at this event is helpful to future business. I also think more talent and producers should be in the building. Where else do you get access to 40-50 sports media decision makers over the span of 2 days? If you have talent and want to advance your career, you’ve got to build relationships, especially in person.

I’m also very appreciative of everyone who’s signed on as a sponsor to this year’s show. Without the help of Premier Radio Networks/FOX Sports Radio, ESPN Radio, Benztown Branding, Compass Media Networks, Harker Bos Group, Stone Voiceovers, Core Image Studio, and Skyview Networks, this conference wouldn’t be possible. Be sure to support them back as they’re doing their part to help and support our industry. I only have a few sponsor opportunities remaining so if you’re operating a company and interested in being included in this year’s event, email me here.

Having done this now for the past few years, I get grouchy when January rolls around. Creating the Summit is a long exhausting process made harder by having to take care of my normal responsibilities and launching a BSM Top 20 during the week of the Super Bowl (results next week). I’m at the point now where I just want to execute. That said, I have a few additional things to resolve including announcing a few other heavyweights who will be added to our schedule. Look for another announcement later this week.

I started this conference to try and advance the sports media industry and bring people together. I don’t do it to get rich or show off my hosting skills in front of an audience. Too often in our business we live in our buildings and fail to make time to support and connect with each other in person, but these are challenging times for media brands. The way forward requires new ideas and strategies, advanced learning, increased relationships, and celebrating our wins. That’s the purpose behind this event.

I’ll be emailing attendees in February with a detailed layout of all we have planned. The information will also be updated on the conference website BSMSummit.com. It’s going to be a fun and informative few days in the big apple, and if you haven’t made plans to join us yet, I hope you’ll do so. Tickets can be purchased by clicking here.

Get On The Air However & Wherever You Can

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You’re looking to hire a play-by-play announcer. Where are you looking? The traditional route of those already working for a team? Probably a safe way to go, but these days there is play-by-play talent across many platforms. Have you ever considered an alternative route?  

With all the different streaming services, ESPN+, internet radio and even apps, there are many people calling many game, whether it be a young broadcaster looking to earn his/her first job, or a veteran looking to stay in the game and continue to do what they love. Both are out there and readily available to hear probably without even leaving your desk. 

Image result for espn3 play by play

Opportunities abound for broadcasters in the play-by-play realm. I always tell young broadcasters to get on the air in any way possible. I started as a DJ, but it proved to an employer that I knew how to handle myself and gave them an idea of what I sounded like.

These days, does it really matter if your tape comes from an internet broadcast? Is it so bad to be heard and/or seen on a college basketball team’s video stream on ESPN Plus? No! If you are able to perform the job at a high level, sound great, be descriptive and be prepared, to me you’re on the right track. 

Now these “alternate” platforms can create some issues. To me there are too many of them and they seem to be popping up every day. New apps like “Hot Mic” give anyone a chance to call a game with a “home team” flavor. I’m not sure that those charged with hiring new broadcasters are looking to this sort of free form site to make their decisions. Not to disparage the newcomers but “Hot Mic” is more of a fan thing, where you don’t have to watch the professional guys on TV and can join this app and watch whoever you want call the game. All good, but I don’t think this is the place to get that job. It’s definitely a place to hone your skills if you take it seriously. 

Image result for hot mic app

So, while I know that my last two paragraphs may sound like a contradiction, they really aren’t. Established platforms are taken a little more seriously by those in the business than the newer ones. As we all know, this broadcasting business has a lot of grey areas. What is wrong for one executive is correct for another and vice versa. My thought would be to pursue the more “heritage” avenues until you’ve exhausted those. Then take to the alternatives to get your craft up to speed and try again and again.  

There are also more places and teams to call games for these days as well. This gives you an opportunity to get involved with a team in the G-League, the XFL, indoor lacrosse leagues, and even independent baseball leagues. Expand the net that you cast in these directions as well.   

The problem some will run into is the person doing the hiring may go with a known commodity as opposed to the up and coming sportscaster that’s only done games on the internet. It’s not fair. But you have to put yourself in their shoes. Sometimes their own job will depend on who they hire and how that person works out. On the other hand, a younger broadcaster may work a little more “inexpensively” and not price themselves out of the market like a veteran. 

I would love to see a time where minor league clubs and even those in the four major sports, take the time to develop a roster of broadcasters. How much easier would a hiring process be if you as a major sport broadcast executive already knew about several announcers on the rise? Why wouldn’t they want to make the process as easy for them as possible by following someone’s career path and how they’ve grown in the industry? 

Let’s not expect this to happen overnight. Also, let’s not think that some of these rising stars will be ready for the ‘next’ hire a team makes, maybe it’s one or two down the road. Maybe this is going on in some organizations already, developing a pipeline for lack of a better word to their club. To make it tougher on those in the hiring position, you as a broadcaster have to continue to grow and not look at a game on a streaming platform any differently than you would a television or radio network. To make your mark you have to be on the mark every time you crack the microphone. While we never have a completely mistake free broadcast, you can hear effort, you can hear potential and you can certainly hear growth. 

Image result for basketball broadcasters

There are countless numbers of examples of announcers starting from nothing and ending up with terrific jobs. The difference between those that made it and those that didn’t is constant work. Shop your wares, do your homework, put in the time and effort.

The same can be said for those doing the hiring, expand your scope, check out a game on the internet every once in a while. You might be surprised at what you hear. 

Mitch Rosen Named First Recipient of the Mark Chernoff Award

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In sports radio programming circles, the name Mark Chernoff carries a lot of weight. As the longtime architect of WFAN, Chernoff has guided the New York sports station to decades of ratings and revenue success, managing high profile personalities, discovering and developing tomorrow’s stars, adapting to the rise of multi-platform content, and doing it all under the microscope of a feisty New York print media. It’s why BSM has introduced a new award this year in honor of one of the best to ever program a sports radio brand.

To earn consideration for the first ever Mark Chernoff award, sports radio programmers needed to possess the following; Strong leadership, vision, creativity, ratings history, and multi-platform excellence. Six candidates who checked those boxes were nominated for the award, and BSM’s twelve person voting committee weighed in the determine the first recipient. The six nominees were Chad Abbott of KFAN, Chris Kinard of 106.7 The Fan, Jeff Catlin of Sports Radio 1310/96.7 The Ticket, Mitch Rosen of 670 The Score/105.7 The Fan, Ryan Hatch of Arizona Sports 98.7, and Spike Eskin of 94WIP.

After processing the feedback, Barrett Sports Media is pleased to share that the first winner of the Mark Chernoff Award is Mitch Rosen. Mitch will be honored at the 2020 BSM Summit in New York on Thursday February 27th during the awards ceremony presented by Premier Radio Networks.

Under Rosen’s watchful eye, 670 The Score has been one of the most respected and successful sports stations in the country. The lifelong Chicagoan has spent over thirty years in Chicago radio working with elite brands such as The Score, ESPN 1000, WGN, WXRT and WLUP. He’s served as program director of 670 The Score since 2005, and took on the added responsibility and challenge of programming 105.7 The Fan in Milwaukee in July 2019.

“Mitch Rosen’s contributions to the sports radio format are endless,” said Barrett Sports Media President Jason Barrett. “Spend two minutes with Mitch, and you learn quickly just how much he loves this business and appreciates his people. So much about success in our industry depends on strong leadership, creativity, vision, and adaptability, qualities that Mitch Rosen not only possesses, but puts into action on a daily basis.”

Rosen was taken aback by the news, and wanted to thank all who’ve helped him along the way: “I’m extremely honored and humbled to receive this award. Mark is a dear friend and mentor who I’ve known for a long time. That makes this extra special. But this award is not about my individual accomplishments, but rather the power of the Score brand and everyone who has contributed to its success over the past 15 plus years. I’ve been fortunate to work with amazing people and terrific companies, and am proud to accept this honor on their behalf, and share the stage with Mark at the 2020 BSM Summit.”

Chernoff was equally happy when told that Rosen would receive the award: “I am so proud to know Mitch Rosen, truly one of the best program directors in America. Mitch knows all the tricks—how to work with talent, sales and management; deal with the ups and downs of the sports world, and come up with new ideas and solutions to address problems. I’m happy to call Mitch a friend as well as a co-worker, and look forward to seeing him in New York.”

Tickets for the 2020 BSM Summit on February 26-27, 2020 at the Ailey Citigroup Theater in New York are on-sale to media members for $299.99. For further information visit https://bsmsummit.com.

Pat McAfee to Receive the 2020 Tony Bruno Award

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The Tony Bruno Award was introduced in 2019 by Barrett Sports Media to recognize a national sports media personality who has expanded their profile and cut thru the noise by offering a unique, unfiltered, and authentic approach. Clay Travis of FOX Sports Radio and FS1 was selected as the first award winner at the 2019 BSM Summit in Los Angeles, and with the 2020 BSM Summit taking place next month in New York, it’s time to announce our 2020 recipient.

To help us determine this year’s winner, twelve industry executives were asked to cast a vote for one of the following five nominees; Pat McAfee of Westwood One/DAZN/ESPN/WWE, Nate Burleson of CBS Sports and the NFL Network, Mina Kimes of ESPN, Nick Wright of FOX Sports 1, and Dave Portnoy of Barstool Sports. After tallying the results, Barrett Sports Media is pleased to share that Pat McAfee has been selected as our 2020 recipient of the Tony Bruno Award.Pat will accept the award at our special awards ceremony presented by Premier Radio Networks, next month in NYC.

2019 was a big year for McAfee. After leaving Barstool Sports in 2018, the former NFL Punter partnered with Westwood One to launch a nationally syndicated sports radio show. That program was given a television simulcast on DAZN. The CBS Sports Radio network has since added the show to its weekday lineup in January 2020.

But that’s not all. McAfee also struck an agreement with ESPN to work Thursday night College Football games as an analyst, and make appearances on the network’s popular shows ‘College Gameday’ and ‘Get Up’. The charismatic host also continued to grow his popularity by appearing on WWE pay per view pre-shows, and stepping in for emergency color analyst duty on an episode of Friday Night Smackdown. All of this was done while continuing to strengthen his social media presence and host a popular podcast multiple times per week.

“Pat McAfee’s blend of energy, drive, authenticity, and entertainment has helped him stand out on the national sports media stage,” explained BSM President Jason Barrett. “At just 32 years old, Pat has dove head first into the business, building an incredible brand across multi-platforms by being relatable, credible, and highly motivated. Though his best days in the industry are still ahead of him, executives are well aware of his rapid rise and special talent, and I am looking forward to presenting him in New York with what I’m sure will be the first of many broadcasting honors, the 2020 Tony Bruno Award.”

After being told he’d been picked to receive the Tony Bruno Award, McAfee expressed his gratitude to those who chose him for it: “It’s an honor to be recognized as this year’s Tony Bruno Award recipient. For as long as I can remember, I’ve always enjoyed great conversation. I thought that if I knew a little bit about everything, I could talk to anybody about anything. So, whether it was talking with a custodian about a new mop they were using or chatting up a billionaire about their choice of a new plane, I lived for those exchanges because I knew they were a chance to learn something. My genuine curiosity and willingness to chat about whatever hasn’t always led me to “perfect” situations but I’m thankful that in this beautifully intimate form of entertainment, radio, those 2 traits can set you up for some magical on air moments.

He continued: “My life has been filled with a slew of insanely cool moments happened upon serendipitously and I am grateful for every single one of them. When I tell a story, I hope the listener feels as if they were right there with me. When I interview someone, my intention is for the listener to think “I would’ve asked the same damn thing.” My goal for each show is to help listeners escape from whatever’s going on in their lives and enjoy a mental vacation for a few hours. It’s been quite a thrill to be mentioned alongside the other nominees because they are doing the exact same thing and inspire me daily. I’m a fan of all of you. Massive thanks to whomever decided I should win this award, I’m not sure I agree with you BUT I appreciate it mucho nonetheless. Cheers to the future of radio.”

Bruno was also pleased with this year’s selection, and praised McAfee’s quick surge on the national stage: “In addition to being honored by having my name on this award, seeing the incredible list of yearly finalists proves sports media’s future is in good hands for decades to come. Pat McAfee was the “go to” guy in the Colts locker room for refreshingly candid and hilarious ability to relate to media and fans alike, and since entering the media business, his star power has continued to skyrocket. Pat Summerall was the greatest kicker turned HOF broadcaster ever, and now – dare I say: Pat has *out kicked the coverage, and keeps nailing it on the air every single day (*courtesy of 2019 winner Clay Travis).”

In addition, thanks to Benztown Branding and Westwood One, McAfee will have a little more on his plate than just collecting hardware at the BSM Summit. A special BSM Summit Kickoff will take place on Tuesday February 25th at 8pm ET at The Watson Hotel. McAfee will serve as the special guest and discuss his football and media career, in addition to taking photos with conference attendees. The event, which is being billed as a casual affair (no suits and ties permitted) will include free drinks and appetizers to the first 100 thru the door.

Tickets to the 2020 BSM Summit on February 26-27, 2020 at the Ailey Citigroup Theater in New York are currently on-sale to media professionals. A special $99.00 per night hotel rate has also been established at The Watson Hotel for those wishing to attend and keep costs down. For further information visit https://bsmsummit.com.

Traug Keller and Marcia Keegan to Retire From ESPN Radio; Amanda Gifford and Dave Roberts to Manage the Network

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Big changes are underway at the ESPN Radio Network. The longtime SVP of ESPN Radio and the ESPN Talent Office, Traug Keller, has announced he’s retiring. Keller is expected to help the network thru a transition before stepping away from daily activity sometime next month.

With Keller at the helm, ESPN Radio has become one of the most successful and respected brands in the country. Under his watch, ESPNRadio.com became the most listened to live stream of any terrestrial broadcaster in the world, reaching more than 700,000 unique listeners per month. He’s also led the expansion of the ESPN Audio brand to the ESPN apps, SiriusXM, Apple Music, Slacker Radio, TuneIn.

During his time with the network, Keller has had direct oversight of all aspects of ESPN Audio’s business including talent, staffing, national programming content, scheduling, and event production. In May 2016, he added the responsibility of managing the ESPN Talent Office, which is responsible for recruiting and retaining ESPN’s more than 1,000 on-air personnel.

Prior to joining ESPN, Traug served as the President of ABC Radio Networks, leading all aspects of network programming, affiliate relations, engineering, finance, research, IT, international programming, and marketing. Prior to his time at ABC, Keller worked as a sales manager in New York for the CBS Radio Networks, and held marketing and sales positions with the New York Times.

Also retiring from the company is Marcia Keegan. Keegan worked for the company in the early 1980’s and returned for a second run in 2007. She recently served as vice president of national radio programming and production following stints as the vice president of production, and vice president of content integration & strategic planning. Most recently, she oversaw the network’s weekday shows First and Last, Golic and WingoThe Dan Le Batard Show with StugotzThe Stephen A. Smith Show, The Will Cain Show, Spain and Fitz, Freddie and Fitzsimmons, and SportsCenter AllNight.

In an email distributed today to ESPN employees, executive vice president of event and studio production Norby Williamson said, “Both Traug and Marcia have been pivotal in successfully leading the Audio division to continued growth in a dynamically changing industry.”

To fill Keller and Keegan’s roles at the network, ESPN will turn to the team of Dave Roberts and Amanda Gifford. Both have prior experience working with ESPN Audio and ESPN television. They’re both well respected, talented professionals with a lengthy track record inside the company.

Roberts, currently serves as the Vice President of Production at ESPN, overseeing production of First Take, the 6pm ET SportsCenterGet UpHigh NoonHighly QuestionableAround the Horn & Pardon the Interruption. He is directly responsible for 35 hours of programming per week on ESPN’s airwaves.

Previously, Roberts held the title of vice president of ESPN Audio network content, leading a group focused on strategy for national talk and play-by-play content. Roberts had a big role in bringing Bomani Jones to the network, and added shows such as espnW Presents: The Trifecta, Izzy & Spain, and The Morning Roast.

His experience includes time spent in New York as the general manager of ESPN Radio New York 98.7FM. He’s also held roles as senior coordinating producer of studio production for ESPNEWS, and coordinating producer for ESPNEWS, SportsCenter and Baseball Tonight. He joined ESPN after 25 years in local news, both in front of and behind the camera.

Gifford on the other hand started her career at ESPN Radio in 2004 as an intern, advancing to a producer role on ‘The Herd’ with Colin Cowherd, before taking the plunge into management. She currently serves as Coordinating Producer II, overseeing content planning and strategy for SportsCenter and the network’s studio shows. Her responsibilities include managing ESPN’s Talent Producers, and having direct oversight of guests booked on the network’s key shows and platforms.

Prior to her promotion to the CP role in February 2019, Gifford worked in the ESPN Talent Office, handling all talent matters related to SportsCenter, ESPNEWS, ESPN Radio, ESPN2’s daytime shows, MLB, NBA, Soccer, Golf and Tennis. Part of her role included assisting with contracts, and helping to recruit talent.

But radio is where Gifford first earned her stripes as a manager. As the network’s Senior Director of daytime programs, she oversaw the content, production staffs, talent and operations of “Mike and Mike,” “The Dan Le Batard show with Stugotz,” and “Russillo and Kanell. She also managed other programs such as “College GameDay,” “GameNight,” “The Erik Kuselias Show,” “The John Kincade Show” and “The V Show” with Bob Valvano. Gifford has also been heavily involved in the planning, organizing, and executing of the annual ‘Don’t Ever Give Up V Foundation Auction’.

Though Roberts and Gifford are taking on the responsibility of running the ESPN Audio division, both will remain involved in their current roles on the television side as well.

Last but certainly not least, the network has confirmed that Tim McCarthy, ESPN Audio’s Senior VP and GM, and head boss at 98.7 ESPN NY will take over GM duties of ESPN LA 710 in addition to continuing to operate 98.7 ESPN NY and managing network play by play. Scott McCarthy, who’s managed the L.A. brand in addition to holding a VP and GM role with ESPN Audio, will shift his focus to overseeing business operations for the audio division, which includes network ad sales, affiliates, marketing, digital, and podcasting.

Barrett Sports Media congratulates Traug and Marcia on all of their accomplishments with the company, and Dave, Amanda, Tim and Scott on their new opportunities.

Dan Mason to Receive the 2020 Jeff Smulyan Award

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In 2019, Barrett Sports Media introduced The Jeff Smulyan Award, named after Emmis’ CEO and the founder of the all-sports format. The goal was to annually recognize a deserving radio executive who has moved the industry forward thru a combination of leading by example, taking risks, producing results, and making a significant impact on the sports radio business.

Our first recipient of this award was Kraig Kitchin, the current Chairman of the National Radio Hall of Fame and Co-President of the talent management firm SoundMind. Kitchin played a huge role in Premier Radio Networks’ rise into national syndication including launching The Jim Rome Show. We were fortunate to have him join us on stage in Los Angeles at the 2019 BSM Summit to accept the award.

For our 2020 award, I involved twelve well respected executives in the selection process. After gathering all of the feedback, I’m pleased to share the results. The 2020 recipient of the Jeff Smulyan Award is none other than Dan Mason. Dan will join us at the 2020 BSM Summit in New York to accept the award in person.

As President and CEO of CBS Radio, Dan Mason spent more than 15 years managing all business matters for more than 125 stations in 27 markets, including all of the Top 10. Under Mason’s watch, CBS Radio’s sports stations earned high ratings and revenue, and a reputation as best in class operators. Along with CBS Radio’s EVP of Programming Chris Oliviero, Mason moved the company’s top sports brands on to the FM dial, assuring future growth for the format. He also authorized the launch of the CBS Sports Radio Network.

Following his exit from CBS Radio, Mason signed on as a special adviser to iHeart Radio, reporting to CEO Bob Pittman and CFO Rich Bressler. He also dusted off his broadcasting chops, making on-air contributions as a play by play announcer and analyst on the CBS Sports Network, and Horse Racing Radio Network.

Now entrenched as the Chairman of VSiN (Vegas Stats and Information Network), Mason is focused on helping the Las Vegas based company expand its profile and programming in the rapidly emerging sports betting space. Since joining VSiN, a partnership has been established with Gow Media to launch The BetR Network, giving the group more opportunity to expand its sports radio footprint.

“Dan Mason’s vision, confidence, and passion for sports radio is a huge reason why the format is thriving today,” said Barrett Sports Media President Jason Barrett. “He has made big decisions throughout his broadcasting career, many of which have positively and permanently impacted the sports talk format. I am thrilled to recognize him with this award, and give our attendees at the 2020 BSM Summit an opportunity to show their appreciation and respect for the significant difference he’s made on our industry.”

Emmis CEO Jeff Smulyan added “I can’t think of anyone more deserving than Dan Mason. He has done so much for sports radio and our entire business for many years. Everywhere he’s been, Dan has left an indelible mark. He is a great broadcaster, great person, and great friend, and I’m proud to have him recognized as this year’s award winner.”

“I think of all of the risks Jeff Smulyan took with WFAN back in its early years, and how important the success of that brand has been to the growth of the sports radio format,” said VSiN Chairman and former CBS Radio CEO Dan Mason. “It’s an honor to be presented with an award in Jeff’s name, and I look forward to accepting it, and seeing many of my industry friends in New York next month.”

Tickets to the 2020 BSM Summit on February 26-27, 2020 at the Ailey Citigroup Theater in New York are on-sale to media members for $299.99. A special $99.00 per night hotel rate has also been established at The Watson Hotel to help broadcasters keep expenses down. For further information on the conference visit https://bsmsummit.com.