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97.1 The Ticket Changes Morning Show

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97.1 The Ticket is making a change in mornings. The Detroit radio station announced today that Jamie Samuelsen will move to mornings to join Mike Stone and Sara Fouracre to form “The Jamie and Stoney Show” starting Tuesday, September 6.

Samuelsen formerly co-hosted the evening show on 97.1 The Ticket alongside Bob Wojnowski. “Wojo” will remain in the evening weekday time slot, airing from 6p-8p ET.

“I am thrilled Jamie Samuelsen is joining the morning show on The Ticket,” said Debbie Kenyon, Senior Vice President/Market Manager, CBS Radio Detroit. “Jamie and Mike Stone are old friends who worked together prior to joining The Ticket team. Jamie will bring a new and fresh sound to mornings, and I look forward to watching the evolution of the show as Jamie, Mike and Sara work together and take the show to new heights.”

Program Director Jimmy Powers added, “Jamie and Stoney will make a great morning team. They both have an enormous amount of sports knowledge and opinions, and will give a unique perspective on what is happening with your favorite teams.”

Samuelsen has been a part of The Ticket since 2012. With his addition to mornings, Bill McAllister is no longer part of the program. Sources say McAllister’s contract was up for renewal and station executives chose not to renew it.

The Fan and The Ticket Tie For 1st in Dallas

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With the Texas Rangers looking like they’re the team to beat in the American League, and the Dallas Cowboys returning for training camp, Dallas sports stations are enjoying strong listener interest in their local programming. In the August ratings book, both 105.3 The Fan and Sports Radio 1310 The Ticket had reason to celebrate.

While the focus of this piece is to analyze each daypart and how the stations performed in numerous categories, what should really be highlighted is the fact that two sports stations are riding high atop the Men 25-54 category in the nation’s 5th largest market. We often praise the strong performances of brands in northeast markets, and rightfully so, but don’t lose sleep on what’s happening deep in the heart of Texas. Both The Ticket and The Fan are rolling out great lineups and content, and their consistency is a big reason why this matchup has become fun to watch.

In sizing up the local brands, here are the key takeaways for the month of August. The numbers below are in the Men 25-54 demographic and represent the over the air ratings. No additional streaming numbers were added to lift one station at the expense of the other.

M-Su 6a-Mid

  • The Ticket = 6.3 (tied for 1st)
  • The Fan = 6.3 (tied for 1st)
  • ESPN 103.3 = 1.9 (21st)

Two sports stations tied for 1st in the ratings for the overall week speaks to the power of the sports format in the Dallas market. A job well done by the staffs of The Ticket and The Fan.

M-F 6a-7p

  • The Ticket = 8.4 (1st)
  • The Fan = 5.9 (4th)
  • ESPN 103.3 = 2.1 (tied for 17th)

When they’re head to head in weekday prime hours, The Ticket continues to lead, but that advantage has shrunk in recent months. Just three months ago, the Ticket was nearly six points higher than The Fan. During that time The Fan has increased its share by 1.4 while The Ticket has lost two full points. None the less, The Ticket still remains ahead.

6a-10a

  • The Ticket (Musers) = 10.8 (1st)
  • The Fan (Shan & RJ) = 4.1 (6th)
  • ESPN 103.3 (Mike and Mike and 1-hour of Dan LeBatard) = 3.2 (tied for 10th)

*** The Musers continue to distance themselves from every morning show in the market. They were two solid points ahead of the runner up (a Mexican station) and have a commanding 6.7 share advantage over The Fan. That said, Shan & RJ are up nearly a full point over the past three months and they were just three tenths of a point away from being inside the Top 5. Mike and Mike have held steady over the past few months but remain the third top brand during the spring and summer months. It’ll be interesting to see if their heavy football focus leads to gaining ground during the fall.

10a-3p

  • The Ticket (Norm/Donovan and BaD Radio) = 6.6 (3rd)
  • The Fan (G-Bag Nation) = 6.4 (4th)
  • ESPN 103.3 (ESPN Radio and Dennis & Friedo) = 1.2 (26th)

*** This race has really tightened in recent months and although The Ticket holds a two tenths of a point lead for August, this has to be an area of concern heading into the fall. Over the past three months, The Ticket has lost 2.5 points while The Fan has gained 1.8. Even more impressive is that G-Bag Nation have gone up and gained in the ratings during each of the past seven months. For ESPN 103.3 they’re a non-factor during this daypart, and have actually lost two tenths of a point during the past three months.

3p-7p

  • The Ticket (Hardline) = 8.3 (1st)
  • The Fan (Ben & Skin) = 6.7 (2nd)
  • ESPN 103.3 (Cowlishaw and Mosley and ESPN Radio) = 2.2 (18th)

*** This is another competitive daypart between both brands and for The Ticket they have to be pleased with the continued success of The Hardline. The show has not been under an 8 share since January, and has finished 1st during every ratings book in 2016. Their one challenge though will be the Fall which was where they experienced a drop last year. Meanwhile for The Fan, they’ve got to be pleased with Ben & Skin who are only 1.6 behind The Ticket, and who have gained a little more than a point over the past three months. Last fall they beat The Hardline in the September, October, and November books, so if they can create a repeat performance it could help the radio station close out 2016 in strong fashion. Once again ESPN 103.3 is a distant third.

7P-11p

  • The Fan (Texas Rangers/K&C Masterpiece) = 9.6 (1st)
  • The Ticket (Ticket Top 10/Ferrall On The Bench) = 2.4 (20th)
  • ESPN 103.3 (ESPN Radio) = 2.0 (22nd)

*** Want to know if the Texas Rangers are making a difference? Look at the disparity during the evenings between The Fan and their two competitors. Rangers baseball is absolutely delivering an impact, and playing an integral role in helping the station perform strongly not only at night, but during the entire M-SU 6a-Mid battle. For The Ticket and ESPN 103.3 they’re way down the ladder in evenings.

There are many ways to spin the numbers from The Fan and The Ticket’s perspectives, but what should be front and center is how important it is for advertisers to buy BOTH stations. They each connect strong (but with different demographics) and given the performance turned in by both stations, if a client wants to maximize their potential in reaching Dallas sports fans, it’s smart business to invest in both stations.

When you look at it from The Ticket’s perspective, they’re going to concentrate on M-F 6a-7p because it’s what their brand does best. They win all three key dayparts head to head during the week against The Fan, and hold claim to two of their shows ranking 1st. They also tied for 1st during the overall week despite not carrying play by play. That’s outstanding. Adding to their story is the fact that they perform well with the older part of the 25-54 demographic. That can be used to their benefit when talking to clients who are trying to reach the decision makers in various households.

If you’re inside the offices of The Fan, you’re going to highlight your overall M-SU 6a-Mid performance where you’re tied for 1st overall in the market. You’re going to use the power of carrying the Rangers and Cowboys to your advantage, and you’re going to point out that two of your three weekday shows are rated in the top 5, and the other is in 6th and only two tenths of a point away. That’s another impressive story to share. When you add in that The Fan is 6th overall with Persons 25-54 (ahead of The Ticket who finished 8th) and tied for 1st overall with Men 18-34 (The Ticket is 14th) you can build a case that the brand is not only built for the present, but is in stronger shape for the future.

97.5 The Fanatic Suspends Three Over Caller Scandal

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Three employees at 97.5 The Fanatic in Philadelphia have been suspended for their roles in a fake caller scandal. The story which was first reported by CrossingBroad.com became a national topic when media outlets discovered that a white producer had been calling into the radio station for the past two years as a black man named Dwayne from Swedesboro.

Executives at the newly owned Beasley Broadcasting radio station have suspended producer Pat Egan (the creator of the character Dwayne from Swedesboro), Mike Missanelli’s on-air partner Jason Myrtetus and The Fanatic’s Program Director Matt Nahigian for three days starting Friday. All three will be eligible to return to the station next Wednesday.

According to local reports, Nahigian was scheduled to meet with Black Lives Matter Pennsylvania organizer Asa Khalif tomorrow. Whether that meeting will take place still is unclear.

95.7 The Game Lands The Golden State Warriors

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The Golden State Warriors and Entercom’s 95.7 The Game (KGMZ-FM) have reached a multi-year agreement to make the San Francisco-based sports station the new radio flagship of the Bay Area’s NBA team, it was announced today.

“We’re excited about our new partnership with 95.7 The Game and the opportunity to provide our fans with increased coverage of the Warriors in a centralized location,” said Warriors President & COO Rick Welts. “Under the terms of this partnership, virtually every Warriors game – including the playoffs – will be broadcast on 95.7. Additionally, our fans will benefit from increased programming overall throughout the year, including extended pre and post-game shows, more in-season programming, a dedicated off-season presence and numerous call-in shows featuring front office staff, players and broadcasters. We look forward to working in conjunction with an extremely talented group of individuals at 95.7 The Game and its parent company, Entercom, as we continue our journey through one of the most exciting times in the history of our franchise.”

Plans for 95.7 The Game’s expanded Warriors programming include an additional 60 minutes of coverage to each of the existing 30-minute pre and post-game programs, heightened in-season daily Warriors coverage featuring both Warriors and NBA-themed shows, Warriors Wednesdays and off-season programming centered around the draft, free agency, summer league and the continuation of selected in-season call-in shows. 95.7 The Game will continue to employ a dedicated Warriors reporter who will cover both home and road games and practices throughout the season. Radio play-by-play announcer Tim Roye will return for his 22nd season calling Warriors basketball, and will also appear regularly on 95.7 The Game programs on Monday, Wednesday and Friday during the season and on selected off-season dates.

By moving to 95.7, the Warriors join approximately one dozen NBA teams that are currently carrying their games on the clarity of the FM dial, as well as a fast-growing roster of professional sports teams that partner with Entercom stations to deliver best-in-class sports content, including the Boston Red Sox, New England Patriots, Miami Heat and Kansas City Royals. Additionally, as part of this agreement, in-market network affiliates have been established with KRTY (San Jose) and KUIC (Vacaville), stations that reside next to 95.7 on the dial (95.3).

“We are truly excited about this new relationship with the Golden State Warriors,” said David Field, President and CEO of Entercom. “It is a privilege to partner with such an extraordinary organization. We look forward to bringing our listeners exclusive, unparalleled coverage of the team both on and off the court.”

“We know that our fans turn to us for the best-in-class sports content from the teams and leagues they care about the most,” said Steve DiNardo, Vice President and General Manager of Entercom’s 95.7 The Game. “The Warriors are one of the most popular basketball teams in the world and we are proud to deliver play-by-play broadcasts and 24/7 team coverage to local fans in the Bay Area and to be the official home of Warriors basketball.”

Prior to partnering with 95.7 The Game, the Warriors flagship station for each of the last 32 seasons, and for 40 seasons overall since the team moved to the West Coast in 1962, had been KNBR 680 AM.

“We’d also like to thank KNBR and the management at Cumulus for being a valued and trusted partner for nearly four decades,” said Welts. “KNBR has been a staple of the Bay Area airwaves for many years and we’ve been extremely fortunate to enjoy such a terrific long-standing relationship.”

Last season the Golden State Warriors won an NBA-record 73 regular-season games en route to making a second-straight appearance in the NBA Finals. For more information on the Golden State Warriors 2016-17 season, presented by Kaiser Permanente, visit warriors.com.

Sports Radio WIP Parts Ways With Josh Innes

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Josh Innes’ time has expired at Sports Radio 94 WIP in Philadelphia. The talented and polarizing sports talk show host was fired prior to his afternoon program on Wednesday.

“We can confirm that Josh Innes is no longer with WIP,” said a WIP spokesperson said in a written statement. “Various station personalities will fill in during the afternoon show until a new host is announced.”

Marc Farzetta and Hollis Thomas hosted Wednesday’s show. No announcement has been made regarding the rest of the week.

The decision to drop Innes came the day after the afternoon host verbally criticized competitor Mike Missanelli and 97.5 The Fanatic for their participating in a story involving a white producer creating a black character to call in to their show.

Innes drew the ire of some listeners after sharing a photo on social media of a performer in blackface. He posted the image in response to the controversy over the incident at The Fanatic. It wasn’t the first time Innes came under fire. He was previously suspended in January after using a racial epithet to describe Philadelphia Eagles Center Jason Kelce.

David Brody, Innes’ agent, blamed WIP program director Spike Eskin for the relationship with Innes becoming sour. Eskin moved from hosting alongside Innes in afternoons to managing him when former boss Andy Bloom (the man who hired Innes in Philadelphia) lost his job due to CBS layoffs.

“Josh didn’t forget how to attract an audience in January 2016,” Brody said of his ratings decline after Bloom’s departure. “He lost a manager who knew how to manage him. He was suspended within 30 days of that managerial change. That has brought us to where we are today.”

Innes’s tenure in Philadelphia provided mixed results. Although he had his run ins with management and paid the price for a few on-air mistakes, he also recorded high ratings when paired with Tony Bruno. From February 2015 to July 2015 the duo gained the upper hand on Missanelli, beating him head to head in the ratings. When Bruno departed though after six months, the program went through a series of changes which eventually reduced the show’s momentum.

Following Bruno’s exit, Innes was paired with former Eagles defensive tackle Hollis Thomas and Eskin. Ratings for the show were strong out of the gate. But when Eskin left the show to become the station’s head programming boss, the decline began to take place.

The inconsistency with the show, combined with Innes’ love/hate relationship with local listeners led to the show experiencing a big drop in the numbers. For the past nine months, Missanelli has won the head to head battle against Innes consistently, leading to speculation that WIP wouldn’t retain him when his contract expired at the end of 2016.

With Josh now out of the picture, the big questions become, who fills his vacancy? Does the new afternoon show follow Innes’ playbook or explore a different creative direction? And which radio station will take a chance on adding Innes?

Making things more difficult for WIP is the fact that Missanelli has been on fire at The Fanatic and shows no signs of slowing down. To unseat him in the top spot won’t be easy but Eskin now has an opportunity to add someone who fits his vision, and demonstrate that he has the right blueprint to lead WIP to a stronger tomorrow. What happens next will tell us a lot about the future state of the afternoon sports radio battle in the city of brotherly love.

Bill Reiter Leaving Fox Sports For CBS Sports

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Los Angeles’ Fox Sports Radio AM 570 is losing a key member of its on-air team. Bill Reiter announced on social media that he’s departing the radio station which he’s been a part of for the past four years, and the Fox Sports company which he’s contributed to for the past six, in order to accept a position with CBS Sports.

As part of his new role at CBS, Reiter will write a national column for CBSSports.com, host a digital show “Reiter Than You”, contribute podcasts, add more written stories, provide on-air reporting, plus he’ll be involved in a few other ways which he said will be revealed in the months ahead.

Reiter expressed his gratitude to Fox Sports Radio boss Don Martin for providing him with an opportunity and helping him develop over the past few years. He also expressed his appreciation to Rick Jaffe at Fox Sports, and numerous other colleagues who he worked with and had the benefit of learning from.

No word yet on how AM 570 will replace Reiter in middays alongside Leeann Tweeden.

John Dennis To Step Down From WEEI Morning Show

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WEEI in Boston has announced that long-time morning personality John Dennis will step away immediately from his full-time co-hosting role to address health concerns. Along with partner Gerry Callahan, Dennis has been part of the highly-rated Dennis & Callahan Show since 1997. He made the decision on advice from his doctors that he reduce his workload but will continue in a moderated capacity with the station.

Entercom Boston VP/Market Manager Phil Zachary said “John is a Boston radio icon and will remain an important part of the WEEI family going forward. To that end, we have been working with John to define a new role for his considerable talents.”

In his new capacity, Dennis will work with station advertisers, act as an ambassador to sponsors and community organizations, and occasionally host WEEI programs. “Most important to him,” said Zachary, “is that John will continue his compassionate work with our annual Jimmy Fund Radio-Telethon and will appear in our live broadcasts from Fenway Park, August 29 and 30.” After that, the WEEI morning show will move forward with Gerry Callahan and Kirk Minihane, who’s been part of the Dennis & Callahan program since 2013.

Dennis said he and Zachary had been discussing a new role with WEEI that would allow him to follow his doctor’s orders but remain involved with the radio station. He said he’s excited about (what he calls) “this next chapter of my broadcast incarnation,” stating further “I’m glad, first and foremost, for my initial duties back to host the most favored two days of my entire year, the Jimmy Fund Radio-Telethon.”

Dennis went on to say, “Pardon the cliché, but like most morning radio people, I’m really looking forward to finally sleeping in.”

Tapping Into The History of Your Radio Station

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When we were kids, we all went to school, and were educated on the history of our country. We didn’t seek out information on the Boston Tea Party, Columbus discovering America, or the Civil War, it was taught to us. There were no fact-check websites back then. Instead, we put our faith in teachers and textbooks, and formed our beliefs from what we read and discussed.

This was important because before we were able to develop as individuals and contribute to shaping a brighter future for our country, we first had to understand how we reached our current destination. By doing so, we were able to right a few wrongs, and celebrate many of the great moments and events of our nation’s past, and develop a respect, admiration, and love for our country’s history.

Today, we acknowledge many different anniversaries during each calendar month. Whether it’s New Year’s Day, Veterans Day, Christmas, Thanksgiving, or Independence Day, we recognize those days, and what they represent, and it helps us in connecting the past to the present.

As great as our nation is at remembering its history, the same unfortunately can’t be said of radio brands. That’s especially true for sports radio stations. Many are so focused on the here and now that they forget where the brand has been, why it’s important, and who played a role in its development.

I was lucky enough to attend a 40-year anniversary in July for one of my former stations WPDH in Poughkeepsie, NY. When I was invited to the event, I was immediately impressed that the radio station found it important enough to recognize its past. I was only a very small part of that rock station’s history, but it didn’t matter if a person worked for the brand for one year or thirty. They were remembered for playing a part in helping the brand reach its current status.

By recognizing those who paved the way for the current staff, it brought all generations together. When listeners see that or hear that, it makes a brand appear larger than life, and makes people feel even more proud to support it. Everyone in attendance that night was excited to be there, and was proud to have played a part in the history of WPDH. By creating an opportunity to reconnect to their past, the current members will understand, appreciate, and respect where the brand has been, and pay it forward to those who follow them in the future.

When you look at the world of sports, one of the areas that makes it special, is that we remember different eras, players, teams, moments, and statistical performances. Without a historical perspective, sports would be less fun. Some of us have an incredible memory bank and can recall every moment that occurred over the years, but whether you remember them or not, each team makes it a point to celebrate their history.

The next time you attend a game, take a look around. You’ll see famous highlights replayed on the the stadium scoreboard. Programs will contain stories and information about former individuals, teams or moments. Walk through the concourse, team store, or some of the unique locations inside each stadium, and you’ll find historic photos and memorabilia on display. Depending on the day, former players, coaches or executives may be in attendance and featured in a pre-game ceremony, and promotional products acknowledging a past accomplishment may be distributed to those in attendance.

Although each team is focused on winning its next game, organizations understand that showcasing their history is important. It makes fans and players feel more attached to the product. It’s why many organizations hire their former players as analysts on television or radio broadcasts.

Just this past weekend, the New York Yankees conducted pre-game ceremonies to honor Alex Rodriguez on Friday night, the 1996 World Series team on Saturday, and Mariano Rivera on Sunday. Every current Yankee and member of the visiting Tampa Bay Rays saw it, as did every Yankee fan young or old. The players who were honored were made to feel important, and that gives them a sense of purpose that the contributions and sacrifices they made for the organization during their careers did not go unnoticed. When an organization treats its present and past with that type of respect, others want to support it or become a part of it.

One media brand recently decided to make a commitment to recognizing its history, and although it’s long overdue, I’m glad they’ve made the adjustment. That brand is MTV.

I grew up with MTV, and used to watch the programming often as a tennager. They’d play music videos all day, and when original programs were created they were cool. Whether it was Remote Control, Headbangers Ball, Yo MTV Raps, TRL, Beavis and Butthead or The Real World, the shows were fun, but MTV understood that they were a music content source first.

Over the past two decades, MTV changed their philosophy. They focused more on adding reality based programming, and disconnected from what put them on the map. I’m sure they had their business reasons for doing so, but I never think it’s smart to ignore the identity of your brand.

MTV became meaningful because it stood for “Music Television”. Those three letters were iconic. Instead of embracing their identity, and adding to it, they tried to create a new brand and distance themselves from what once made them important, and unique. Imagine if ESPN decided tomorrow to tell you that their four letters stood for movies, food and fun, not the world of sports. That’s what MTV did.

When I heard that MTV was launching the Classic channel in late-July I was intrigued. I wondered if they’d program it based on what they once represented, or if it would showcase content from the 90’s and 00’s. Much to my surprise, they found a way to do both, while making the earlier part of their history a key focus.

Over the past two weeks, I’ve turned on the channel to see how it’s being presented. During most days they’ll provide a large number of daytime hours to feature music videos, and at night they’ll offer a movie, and a few original MTV shows such as Punk’d, Jackass, Beavis and Butthead, Behind The Music, Unplugged, etc.

This is smart. The channel is using music to fill its daytime programming hours when less viewing is done, and turning the evenings over to programs which are more likely to draw you in for a longer period of time. That formula helped them enjoy a lot of success twenty years ago. They’re also using MTV1 and MTV2 to cross-promote the channel, which creates an impression that they are firmly behind promoting their past, an issue that has haunted them for years.

What MTV learned, is that you can create new layers of your programming, and introduce new talent and concepts, but you shouldn’t run from who you are, especially when your audience felt connected to it. It’d be like a Hall of Fame in sports deciding not to recognize the accomplishments of athletes anymore. At some point, nobody is going to care to visit your exhibit.

Music is universal, and judging from the way radio, YouTube, iTunes, Spotify, and Pandora have blossomed over the past decade, there’s no shortage of interest in it. Rather than fighting who you are, embrace it, promote it, and add to it, or in this case, develop a secondary outlet where people can get what they want from your brand, even if you have a different agenda on your main platform. MTV finally made that adjustment, and it will serve them well in reaching all demographics, not just younger fans.

So now let’s spin this forward to how it applies to a sports radio station. Do you know the date of when your radio station launched? Is your brand’s history on display throughout the halls of your operation? Do you celebrate your anniversary with your audience at a public event? Is it developed into a specialty broadcast? Do you prefer promoting it through a series or promotional promos and ten second liners? Are they sponsorable?

How else can you recreate magic from the past? Do you bring back former personalities and have them guest host or participate for a segment or two on those special days? Are former anchors involved in handling one day’s worth of updates? Do you create original programs to keep former personalities connected to the brand? Are they incorporated into the imaging or online branding?

The other aspect of this that we lose sight of is that thousands of hours of programming have occurred on many of our sports radio stations yet how often does the audience get to hear it? These belong to the radio station and when presented properly can have great value. Most of time brands air something once or twice, post it afterwards on their website, but then it’s forgotten. Some of these audio moments can not only generate additional listening in the future, but they can be sponsorable too.

Let’s say for example you were running a historic brand like WFAN, KNBR, WEEI or ESPN Radio. Do you have your archives updated to retain two decades worth of audio? Some may, but most don’t. One reason why ESPN television kicks ass anytime a major historical moment happens, is because they have the footage saved, and know exactly where to go to pull it when that situation develops. Their preparation before the moment happens is a large part of why they succeed.

On the day of your 20-year anniversary are you showcasing what the radio station sounded like on the day you first launched? Do you replay memorable moments that have taken place on your airwaves over the course of time? Do you re-air classic play by play broadcasts or create original programs around those games to allow the audience to reconnect to some of the great moments and play by play calls that took place on your airwaves? How else are you tapping into your most memorable audio to remind your listeners of why your brand is a big part of their lives?

If you’re of the mindset that it doesn’t belong on the air (which I disagree with) then how are you utilizing your stream, audio archives or website and social media pages to attract the audience to these special moments? Do you have some of your former talent contribute a blog on the day of the anniversary and promote it on-air and through social media? Do they take over your Twitter account and conduct a one-hour chat? Do they use Facebook Live and connect that way with the audience? Are they recording a special podcast?

Are you creating a customized t-shirt, poster, calendar, or video and selling it at your events and on your website, with the proceeds benefiting a charitable organization that the radio station works with? Or maybe you’re creating a CD of some of the classic moments from your brand’s history and making those available for purchase.

The bottom line is, everything that happens today on your airwaves becomes a part of your brand’s history. How you connect to your past is a reflection of your own creativity and desire, but doing it shouldn’t be in question. Audience’s spend years listening to your talent and personalities. When you take them down memory lane, and remind them of what made your radio station special, while showing them how you recognize the stars and special moments of yesterday, it helps you develop deeper loyalty. When that type of connection is formed, your competition is going to have a very difficult time breaking it.

You don’t have to be a brand with thirty years of history, to acknowledge your prior contributions. Even expansion teams in pro sports acknowledge their recent past. But where your brand stands today is the result of many special on-air moments created by many special people. Remember them, embrace them, promote them, even monetize them, and you’ll not only feel closer to the brand you represent, but so too will your listeners, advertisers, and staff members.

 

Arnie Spanier Joins 101.3 ESPN Afternoon Show

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The ‘Stinkin Genius’ is taking over the afternoon  airwaves on 101.3 ESPN in Burlington, Vermont. Arnie Spanier, who moved to Burlington a few years ago, and has developed a reputation as a top flight national sports radio personality, will join Rich Haskell on the afternoon show, filling the void left behind by the departing A.J. Kanell.

According to a story in the Burlington Free Press, Kanell stepped down last Tuesday in order to pursue other opportunities. He also was the voice of Vermont men’s basketball. It’s unclear who will assume the play by play position going forward.

In addition to losing Kanell, Program director Ryan Matlack is also leaving. Matlack has accepted a position as a production assistant at ESPN Radio in Bristol, Connecticut. He’ll stay on through August 27th before joining the four letter network.

Spanier is scheduled to make his debut with Haskell on Monday August 22nd. He’s expected to continue with his Fox Sports Radio weekend gig as well.

Jared and The GM To Host Afternoons in Nashville

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102.5 Game in Nashville has announced a brand new afternoon drive show starting Monday, August 15th. “Jared & The GM”, will feature long-time Titans General Manager, Floyd Reese, and on-air host Jared Stillman. The duo will air weekdays from 2pm to 6pm.

Cromwell Market Manager Jana Hampton sats, “I’m happy to report that along with the new time in afternoon drive, we have signed a multi-year extension with both Floyd and Jared.”

“I’m really looking forward to our show.” Floyd Reese said, “Jared was born and raised in Nashville and has been following Nashville sports his whole life. He’s extremely passionate about sports and talk radio. As a sidelight, it’ll be a tremendous look at two generations: the baby boomers, the finest generation ever produced (Floyd’s generation), as well as his (Jared’s) millennials, who produced Pokémon Go.” Reese added.

“I could not be more excited to continue with ESPN 102.5 The Game and Cromwell Radio.” said Jared Stillman, “We’ve taken great strides to give the city of Nashville the best sports product and have had a lot of fun doing it. We have an unbelievable team and I am absolutely thrilled to be working with Floyd Reese, who’s an amazing General Manager and a great host, but most importantly, an even better person.”

Along with the new show and time, Hampton reports the promotion of Ryan Porth, Executive Producer and now Assistant Program Director of Cromwell’s sports stations in Nashville.