Home Blog Page 2805

The Tide Is Turning In The Houston Ratings Race

0

The January ratings are now available for Houston, and this month there were some new developments which are certain to have one brand celebrating, another frustrated, and a third feeling encouraged but far from satisfied.

The ratings report covers December 31st to January 27th, and during that period SportsTalk 790 (KBME-AM) made some noticeable adjustments to their programming. The radio station moved Matt Thomas to mornings opposite Lance Zierlein, and shifted Adam Clanton from mornings to middays where he debuted a new program alongside former NFL player Sean Jones.

Additionally, Sports Radio 610 KILT made a change to their evening programming, giving Paul Gallant an opportunity to host a solo show.

In analyzing the numbers, here is the comparison for M-Su 6a-Mid among Men 25-54.

  • Sports Radio 610 KILT = 3.4 (tied for 11th)
  • ESPN 97.5 = 2.6 (tied for 18th)
  • Sports Talk 790 = 1.5 (25th)
  • KGOW 1560 = 0.1 (tied for 39th)

*** 610 added a half of a point from month to month, and 97.5 and 790 also added three tenths of a point. KGOW remained flat. Overall the format saw a spike from the Holiday book to January, but if you go back to the same period last year, KILT is down nearly a full point. They delivered a 4.3 last January. During that same time, 97.5 has gained a point, climbing from 1.6 to 2.6, and 790 is down seven tenths going from a 2.2 to 1.5. KGOW also has seen a major decline dropping from 0.6 to 0.1.

Next up is morning drive M-F 6a-10a. Here’s the Men 25-54 breakdown.

  • ESPN 97.5 = 3.5 (10th)
  • Sports Radio 610 KILT = 3.2 (12th)
  • Sports Talk 790 = 2.7 (tied for 16th)
  • KGOW 1560 = 0.1 (37th)

*** This was the third book in a row where ESPN 97.5 won mornings and they continue to gain share which is very impressive. When you consider that KILT and 790 go with local programming and 97.5 features “Mike and Mike” and 1-hour of the local program “Reality Check” hosted by Dylan Gwynn and Barry Warner, this is a major win for the brand. Making it even more impressive is that one year ago, the station was producing a 1.3 in mornings. This means they’ve gained more than 2 points in morning drive year to year. For KILT the news isn’t bad. They were up month to month and only three tenths away from tying 97.5. They’re also consistent year to year. For 790, they too saw an increase, which is great news given that they recently made a change in mornings. They improved by three tenths of a point from the Holiday book to January. The one concern would be the decline year to year which has seen the brand slip from a 4.1 to 2.7. However, with a new show in place, I’m sure they’re expecting bigger things to come in the future.

When you examine M-F 10a-3p this is what the midday story looks like with Men 25-54:

  • Sports Radio 610 KILT = 3.0 (13th)
  • ESPN 97.5 = 2.4 (tied for 18th)
  • Sports Talk 790 = 1.6 (25th)
  • KGOW 1560 = 0.1 (tied for 35th)

*** Middays are where KILT regains the lead and holds a comfortable six tenths of a point advantage. However, 790 rew from a 0.9 in December to 1.6 in January which is really strong and indicates that Clanton and Jones may have attracted an extra meter or two. KILT was up a tenth month to month, and 97.5 saw growth as well, picking up four tenths from the Holiday monthly to January. Looking back to the same time last year, KILT has lost 2 points slipping from a 5.0 to 3.0, 790 has dropped eight tenths falling from a 2.4 to 1.6, and 97.5 which has added John Granato to the local mix and also includes Sean Salisbury, has added nine tenths growing from a 1.5 to 2.4. Also, KGOW has fallen hard dropping from 0.9 to 0.1 during the past 12 months. 

Rounding out the key prime time matchups is the afternoon drive slot. Here’s how M-F 3p-7p with Men 25-54 stacked up.

  • ESPN 97.5 = 3.6 (11th)
  • Sports Radio 610 KILT = 3.2 (15th)
  • Sports Talk 790 = 1.4 (25th)
  • KGOW 1560 = 0.0 (tied for 41st)

*** This was a huge win for 97.5 as KILT has consistently led the afternoon battle. Month to month the radio station grew eight tenths of a point, improving from a 2.8 to 3.6, and during the past twelve months that number has risen from 2.3 to 3.6. Congrats are in order for AJ Hoffman, Fred Faour, and Russillo and Kanell who all contributed to the station’s afternoon growth. For KILT, I’m sure they’re not satisfied finishing behind 97.5 but they are only four tenths away, and one ranking position behind. They did experience slight growth month to month going from a 3.0 to a 3.2 but year to year they’ve suffered some bad luck, falling from a 4.9 to 3.2. For 790, they saw slight improvement climbing from a 1.2 to 1.4, but year to year they too are down, dropping from 1.9 in 2015 to 1.4 in 2016. KGOW had no impact for the month and are down 0.6 to 0.0 year to year.

Taking a look at the evenings, where KILT debuted a new program, here’s what the picture looked like M-F 7p-12a among Men 25-54.

  • Sports Radio 610 KILT = 2.5 (18th)
  • ESPN 97.5 = 1.3 (24th)
  • Sports Talk 790 = 1.2 (25th)
  • KGOW 1560 = 0.0 (tied for 39th)

*** It was a good start for KILT’s new evening program, as the show added two tenths month to month. The concern however would be a drop year to year from 3.9 to 2.5. Given though that this is the first month of a new program, we’ll need a longer sample size to see how the changes are received, but so far so good. For 97.5 and 790, this is the area where they’re not as strong. Given that these are the off-peak hours, I’m sure they’re not too concerned about it. 

To summarize, it was a big month for ESPN 97.5. Make no mistake about it, when you win mornings and afternoons and unseat the leading brand in the market, it’s going to be a little sweeter entering the workplace. We weren’t privy to the M-F 6a-7p numbers with Men 25-54 but I’m sure the story is a strong one for 97.5, and as this train continues to pick up steam, I’m sure local and national advertisers are taking notice.

For KILT, they’re used to winning so this isn’t familiar territory. That said, they are only a few tenths of a point away from reversing the latest setback. The real test will come next month when the February monthly offers little play-by-play benefit and the market’s best personalities and content stand out. Their decision to run a trade deadline promotion around their personalities was smart, but only time will tell if it made a difference in the numbers.

Last but not least is 790. Where they have to feel really good is when they look month to month and they see their latest changes paying immediate dividends. To grow four tenths in mornings, and seven tenths in middays is excellent. Now the station needs to continue that momentum in order to make up ground from where they were last year and ultimately unseat one of the top two leading brands.

As for KGOW, they’re in a different category and not a factor in the ratings.

Credit to the Houston Chronicle who were first to report this story

Simmons Partners With Publishing Platform Medium

0

Sports Media personality Bill Simmons is preparing to launch a new website called The Ringer.

Although a few hires have been announced, several key details have been kept secret.

But now there’s another development to add to the mix.

Simmons will partner with publishing platform Medium on his new project. The publisher has funded and hosted some original publications including the tech site Backchannel, which is edited by former Wired reporter Steven Levy.

Medium pared back some of its investment in original content last summer, but now it’s reloading in a big way. Simmons becomes their highest-profile content creator to date.

In addition to the brand new website, Simmons is developing a show for HBO, and produces a podcast, in addition to making media appearances to promote his brand.

Throughout his career he’s been revered as an online pioneer. He began producing a blog in the late 1990’s before anyone else knew what the term blogging even meant. He moved to ESPN.com shortly afterward and became the website’s most popular writer. He also helped ESPN develop the “30 for 30” series, and other programs for ESPN Television, and was a member of its NBA pregame show.

His brand value is even stronger when you consider his social media following. Simmons has 538,000 followers on Facebook, and 4.8 million followers on Twitter. After announcing his new site, more than 100,000 people started following The Ringer on Twitter. Responding to a fan on social media who asked “What are the lessons Bill Simmons learned from running Grantland from a business perspective?” Simmons replied “Don’t do it with ESPN.”

Credit to Business Insider who was first to provide this information

Is The NFL Combine Worth Watching?

0

The bane of the NFL’s existence, the NFL Draft Combine, begins in mind-numbing boredom this week. As recently as a few years ago, the combine was nothing but a figment of fans’ imaginations — times, reps and distances printed in a paper or quoted during the draft. Now, it’s part of the NFL’s attempt to be relevant for 366 days of the year. (Don’t forget it’s leap year!)

The combine is reminiscent of the draft in that for years no one figured it would make for entertaining television. Unlike with the draft, however, they were right. While the draft has the built-in drama of a schoolyard pick and hopeful fans believing this is going to be the guy who changes the direction of their franchise, the combine is about as interesting as watching injured football players go through rehab.

How awful is the combine? Let us count the ways:

1. Entertainment: I’d rather be forced to watch college football signing day, the Pro Bowl, a regular-season NBA game not involving the Warriors, a continuous scroll of Kanye tweets and a recording of a Coldplay concert, all showing on one screen while I’m locked down Clockwork Orange style, rather than sit and watch the combine.

2. Value: We don’t even know how much teams value it. It seems to me that if you had 42 games of tape on a player (the amount you’d have for a healthy junior, with 28 for a redshirt junior and 56 for a senior, give or take), that would take infinite precedence over a standing broad jump. I mean, can you imagine this discussion going on in NFL war rooms?

Scout: “He comes off the edge like a freight train. When he played [an All-American tackle] last year, he just man-handled him. Man-amongst-boys type of thing. He’s healthy. He’s energetic. And his coaches say he just soaks up everything you tell him. Dude just loves to put on the pads.”

Scout 2: “I don’t know. His vertical and shuttle were weak.”

3. Boredom: Do you know what’s more boring than watching a guy do reps of 225 on the bench press? Guys doing a standing broad jump. Do you know what’s more boring than watching a guy do a standing broad jump? A guy doing the vertical jump. And do you know what’s more boring than a guy doing the vertical jump? NOTHING. NOTHING AT ALL.

4. The Marquee Event Sucks. Just like at the Olympics, the sprints are the “best in show” at the combine. Unlike the Olympics, that’s solely because everything else is awful at the combine, so the slightly-less-awful 40 wins by default. That doesn’t mean it’s not terrible, though. The easiest way to tell the combine isn’t a made-for-TV event is that the 40 consists of guys just running 40 yards without competition.

Imagine watching the Kentucky Derby but with only one horse running at a time. Who’d watch that, right? Yet in that case, there’d at least be mile splits to compare and lengths to monitor. The 40 is a gunshot race. It’s over before you know it and if you didn’t have an onscreen clock or announcers you’d have no idea what the difference between a 4.3 and a 4.5 was. There’s a reason Usain Bolt and Michael Phelps race people. It’s because it’s enjoyable.

And anyway, why the 40? It clearly benefits the handful of players with a track background (it’s all in the start) and has no practical usage beyond combine comparisons. Make the guys run with the ball. Make them run crossfield. Make them do anything but run in a straight line. Granted, we all know the correlation between speed and receiving abilities, which is why all those 1980s and 1990s Raiders receivers are in the Hall of Fame.

5. Can It Be Fixed? Yeah, end it. Complete fix.

But that’s not going to happen. So if the NFL is content with the ratings it’s getting for the combine, then Princess Elsa it and let it go. (Sorry, I’ve had a sick baby for a week. LOTS of Frozen which, incidentally, I’d rather watch for the 75th time than watch the combine.) If the league wants to bring in new viewers, however, here are some possibilities:

To continue reading visit Fox Sports where this article was originally published

What Sports Radio Can Gain From Ben and Jerry’s Example

0

Inspiration can sometimes be found in the strangest places. It happened to me last month during a three-day getaway to Burlington, Vermont.

The purpose of the trip was to provide an opportunity for my girlfriend Stephanie to see her old high school classmates and show me the neighborhood where she spent her teenage years. I had never been to Vermont and I enjoy exploring new places so I figured I’d take advantage of an opportunity to experience something new.

But while the personal mini-vacation was nice, and the peace and quiet provided a much needed mental timeout, there was one stop along the way that got my wheels spinning.

bj4During our trek to Burlington, we made a stop at the Ben and Jerry’s factory in Waterbury. Stephanie wanted me to see one of Vermont’s most famous operations and I’m never one to pass up an excuse to enjoy a cup of Ben and Jerry’s ice cream so it seemed like a perfect match. But what I didn’t expect was that a trip to an ice cream factory would offer a lesson that could be helpful to the sports radio business.

When we began our tour, the folks at Ben and Jerry’s started things off by playing a video that gave everyone in attendance a peak into what the company stood for. We were shown how Ben and Jerry’s started in 1978 with a $12,000 investment ($4,000 of it borrowed) to open up their first ice cream scoop shop in a renovated gas station in Burlington. After one year of business, the duo celebrated by holding their first annual Free Cone Day, a tradition that continues nearly forty years later.

bj9With each passing year the Ben and Jerry’s brand grew more popular in Vermont, eventually leading to a bigger location in Burlington, a Vermont-only public stock option which would be utilized to build a larger manufacturing plant, and by 1986 Ben and Jerry introduced the Cowmobile, a modified mobile home used to distribute free scoops of ice cream. The two men would take the vehicle on a unique, cross-country marketing drive to further expose the Ben and Jerry’s brand but unfortunately during the return trip, the Cowmobile burned to the ground outside of Cleveland, Ohio.

From there, Ben and Jerry’s began creating new flavors (Cherry Garcia, Phish Food, etc.) which drew mainstream media attention, rallying around numerous local and national social causes, and with their increased popularity, franchises started to pop up all across the nation. Once the internet came into existence, the Ben and Jerry’s brand started to reach people all over the world, and today it has become the world’s most famous ice cream brand.

To the consumer at a local supermarket, they simply know the flavor of the ice cream they’re purchasing and the way it makes them feel when they eat it. But when you go beyond the surface, you find out that there’s a strategy to Ben and Jerry’s success and a deeper meaning to what they stand for.

bj11For starters, Ben and Jerry’s have a three part Mission which guides their decision making. Those three parts include their Product, Economic, and Social Missions. The company’s aim is to create linked prosperity for everyone that’s connected to their business: suppliers, employees, farmers, franchisees, customers, and neighbors alike.

The Product Mission is to make, distribute and sell the finest quality all natural ice cream and euphoric concoctions with a continued commitment to incorporating wholesome, natural ingredients and promoting business practices that respect the Earth and the Environment.

The Economic Mission is to operate the Company on a sustainable financial basis of profitable growth, increasing value for our stakeholders and expanding opportunities for development and career growth for our employees.

And the Social Mission is to operate the company in a way that actively recognizes the central role that business plays in society by initiating innovative ways to improve the quality of life locally, nationally and internationally.

Everything Ben and Jerry’s does comes back to meeting the objectives of all three of those categories. They know what their brand represents and they expect their people to satisfy those expectations and be unwilling to compromise the core values of their business. Check out this video to get a better understanding of what I’m talking about.

After you move past the three part mission, you find that Ben and Jerry’s also throw their support behind a number of different causes. Although some people may prefer that the company focus on making ice cream and keeping their opinions of social issues private, this is how they believe in operating and they’ve consistently done so throughout their history.

issues

When you step back and think about how their business model relates to sports radio, it starts with the mission, a clear identity of who they are as a brand, and what they want to be known for. When you watch the video above, browse their website, or read over the descriptions of each of their missions, you can fully understand what they represent as a company.

Now compare that to your local sports radio station.

bj6If I walked inside the halls of your radio station today, could I tell what your brand values are? What your product focus is? How you connect and give back to your community? Could I see how you celebrate success and which goals you’re presently chasing?

You may think that’s not important in the grand scheme of what you do on a daily basis, but just as imaging is vital to pounding a message in the audience’s brains so they remember your key messages, so is reinforcing the identity of your brand to your own staff and audience, and creating a vision that everyone can follow.

If you want your talent to present content in a specific way or your company to make a larger impact inside your community, it starts with beating the drum consistently inside your own office. Then it comes down to execution and holding people accountable to bring the vision to life.

brandIf you say you’re going to be your market’s undisputed leader in football discussion, then your talent have to understand that approach and make sure it’s delivered on the air, online, and on social on a daily basis. If you say your brand is going to get behind social causes and show how radio can make a difference in the local community, then you need to be present for important events and identify key causes that you’re comfortable attaching your brand’s reputation to.

Regardless of what you consider most important, it’s imperative to create an identity, set expectations, and be true to what you say you are. The listener and your advertisers will take notice and appreciate it but they will also expect you to deliver on your brand promises.

pointIf I can make one suggestion, when deciding what your brand focus is going to be, brainstorm with your key people to develop a strong mission statement, and then put it on paper. Keep it short, sweet, and straight to the point, and then step away from it for a few days.

When you pick it back up, make sure you still feel great about it before presenting it to the rest of the group. If you don’t feel good enough to place it on the window of your studio or see it appear in your local newspaper, then go back to the drawing board. The way you define your brand and sell it to people inside and outside of your radio station is important so make sure it captures exactly what you want.

After you’ve created your mission statement and have delivered and communicated what it means to your staff, it will make a lot of things easier. You’ll be able to identify which clients do or don’t fit the brand. Which content does and doesn’t belong on the radio station. Which community events you should and shouldn’t appear at. And more important than all of it, you’ll share a collective vision inside the walls of your company, and that type of togetherness is what produces a winning atmosphere, one which many on the outside will want to be a part of.

bj1When you stop to think about it, Ben and Jerry’s are ice cream makers. But other companies make ice cream too. So why does their brand stand head and shoulders above the competition?

It starts with their three part mission and the way they inspire their employees. Because their vision is understood internally and communicated externally, consumers recognize Ben and Jerry’s for being much more than an ice cream company. Its that type of brand understanding that breeds long-term loyalty, which in turn catapults you to the top of your business.

104.3 The Fan Adds Brandon Stokley To Middays

0

Sports Radio 104.3 The Fan (KKFN-FM) in Denver announced today the signing of free agent Brandon Stokley who will join Sandy Clough to host “Sandy and Stokley”, weekdays from 12-3pm beginning Monday, February 29th, 2016.

“I’m really excited about this opportunity,” Stokley said. “Working in radio has always been an interest and now I get to work with the best, at the Fan.”

“We’re thrilled to welcome Brandon as part of our championship team at 104.3 The Fan,” said Program Director Armen Williams. “His passion and over-the-top knowledge of the Broncos and the NFL game will carry over daily during the show. Teaming Brandon with Sandy, who has had over 35 years of Denver sports radio experience, will create a major impact in the middle of the day.”

A 15-year NFL veteran and two-time Super Bowl Champion, Stokley was originally drafted in the fourth round by the Baltimore Ravens in 1999. His career extended over five different teams, including two different occasions with the Broncos, Colts and Ravens. Stokley was paired up with Peyton Manning as his quarterback in both Indianapolis and Denver.

The Dallas Sports Radio Ratings For January

0

The Dallas sports radio ratings for January are in and we’re going to present these numbers by being fair to all parties. Earlier today, the Dallas News produced an article which covered the market’s monthly performances, except they included The Ticket’s streaming numbers in the report. That created a narrative that showed the brands further apart than they actually are.

I don’t have The Fan or ESPN 103.3’s streaming numbers, so to add The Ticket’s numbers to the radio ratings totals is unfair and it creates an impression that there’s a preference in who performs better in the marketplace. As you’ll see from the actual ratings, The Ticket didn’t need to have their performance inflated, it was already pretty impressive.

To be clear to those who work in Dallas, own or operate these companies, or listen to these radio stations, my objective is to present each side’s information accurately. I do this minus any affiliation to either group, and without a rooting interest. I know people inside both companies, and I like many of the shows offered on The Ticket and The Fan.

My only concern is to make sure that the right story is being told for sports radio stations. If we’re going to add streaming numbers into the conversation (which is something that should happen in the future) then it has to be presented from all brands not just one. Otherwise you have a very lopsided story which doesn’t accurately reflect each station’s performance.

Now that we’ve got that out of the way, here is how things stacked up M-Su 6a-Mid among Men 25-54.

  • The Ticket = 5.3 (3rd)
  • The Fan = 4.7 (5th)
  • ESPN 103.3 = 2.8 (14th)

When you analyze M-F 6a-7p which is when both stations feature their best talent and content, the story looks like this:

  • The Ticket = 6.7 (2nd)
  • The Fan = 4.0 (6th)
  • ESPN 103.3 = 2.7 (15th)

As you can see, The Ticket had a great month overall. Now let’s take a look at how each brand did in their respective dayparts.

6a-10a

  • The Ticket (Musers) = 9.2 (1st)
  • ESPN 103.3 (Mike and Mike and 1-hour of Dan LeBatard) = 4.1 (5th)
  • The Fan (Shan and RJ) = 3.9 (6th)

*** The Musers delivered a dominant performance. They had the highest performance of any show in the market and have paved the way for The Ticket to have massive success. For ESPN 103.3 they’ve got to be ecstatic about finishing 5th and ahead of The Fan. I’m sure the folks at CBS Dallas weren’t thrilled coming in 6th and seeing their morning show behind the other two stations.

10a-3p

  • The Ticket (Norm/Donovan and BaD Radio) = 5.4 (4th)
  • The Fan (G-Bag Nation) = 3.9 (7th)
  • ESPN 103.3 (ESPN Radio and Dennis & Friedo) = 1.9 (19th)

*** Overall The Ticket has to be pleased. They’ve bounced back in middays to take a nice lead on G-Bag Nation. Is the addition of Donovan Lewis making a difference? For The Fan, they’ve won this battle before so it shows that they have the talent to do so. The question going forward is will it be a one-month slide or a continuous trend? The one positive on their end is that they didn’t lose audience going from mornings to middays whereas the other two stations did.

3p-7p

  • The Ticket (Hardline) = 6.1 (1st)
  • The Fan (Ben & Skin) = 4.4 (5th)
  • ESPN 103.3 (Cowlishaw and Mosley and ESPN Radio) = 2.5 (17th)

*** A strong month for The Hardline, who came in #1 and gained 7 tenths of a point from middays to afternoons. Great job by The Ticket’s afternoon crew. At The Fan, they too have to be satisfied as Ben and Skin produced a Top 5 finish and added a half a point from middays to afternoons. For ESPN 103.3 they regained some momentum that disappeared during the middays but they’re also a point and a half lower in afternoons with a local program than they are in mornings when they provide a national show. Given though that Cumulus operates The Ticket and ESPN 103.3 and have the #1 rated show in the timeslot, I’m sure that’s not bothering them in the least.

If there are two areas where The Fan should feel good, it’s when you look at their Men 18-34 and Persons 25-54 stories. Many advertisers care more about Persons 25-54 than they do Men 25-54. While the hosts and listeners will focus on the Men 25-54 performance since that’s the demographic that we measure the success of most sports station’s, advertisers have a different focus.

In the current January book, The Fan won the Persons 25-54 battle against The Ticket, finishing with a 3.7 (10th) to 3.4 (13th). They have also grown from a 2.8 to 3.7 over the past twelve months so that’s another positive story to share with clients.

When you examine Men 18-34, The Fan has a distinct edge. If you look strictly at the head to head matchups between shows, The Fan registers a 4.5 (8th), while The Ticket does a 3.2 (12th) and ESPN 103.3 produces a 1.2 (26th). Those numbers are based on M-F 6a-7p.

To summarize, The Ticket had a big month and should feel great about their overall performance. To finish 1st in both drive times and in the Top 4 in middays and win each timeslot against The Fan, when they had lost a few battles in previous months, has to feel invigorating for the members of their staff. Congratulations to the crew at The Ticket on a job well done.

For The Fan, they’ll be in great shape with advertisers due to their Persons 25-54 story, and they’ve got to feel encouraged by the way the younger part of the demo is responding. However, they’ve got to get a bigger lift in mornings, have their midday show rebound, and keep the momentum strong in afternoons where they’re in the Top 5 and have a great program that’s capable of ascending even higher.

For ESPN 103.3, they’ve got a real story brewing in mornings, where Mike and Mike have been well received by the market. If you’re inside Cumulus Dallas, you have two sports radio morning shows in the Top 5 to work with and that’s an outstanding story. The challenges for the brand are when you look at middays, where the numbers are pretty low. Afternoons does a nice job regaining some of that lost momentum but they’re still a distant third behind the other two stations.

So now we move onward to February, which is often a dead period for many brands. The play-by-play benefits will be lower, and great content will be critical for engaging the local audience. Those who do it well, will be sitting in a comfortable spot when the February book is released.

Doc Emrick To Call Some Pirates Spring Training Games

0

Doc Emrick has called exactly one baseball game in his broadcasting career. As a graduate student at Miami (Ohio), he filled in at the last minute for a game against Kent State.

Emrick, the national hockey play-by-play man for NBC who has spent more than 40 years calling hockey games, will get another chance at baseball this spring by calling some Pirates spring training games.

“I didn’t know anything,” said Emrick, who visited Pirate City Thursday, of that college baseball game in the 1960s. “All we had was a lineup, no media guide, nothing.”

Emrick called the game with Stan Savran, at the time a senior at Miami and now a radio host in Pittsburgh. Future rookie of the year and MVP Thurman Munson played in the game, and Cy Young award winner Steve Stone was available to pitch but never did.

“I don’t remember who won,” Emrick said. “I do remember that you can only mention the flag blowing a certain way in center field so many times without driving people nuts, but there was a lot of time to fill between pitches. I was awful. Stan got through it OK.”

Emrick, who was honored with the Hockey Hall of Fame’s Foster Hewitt Memorial Award in 2008, began broadcasting hockey games in 1973. He spent 21 years calling New Jersey Devils games before working for NBC exclusively starting in 2011. He taught at Geneva College in Beaver Falls from 1969-71, and, during that time, covered the Penguins, on a volunteer basis, for the Beaver County Times. Over the years, he became a huge Pirates fan.

“I was raised on Bob Prince,” he said.

Emrick and Pirates play-by-play man Greg Brown have known each other for years, and Emrick will work with Brown in the booth.

“I thought, gee, if there was ever a case when I could be on with Brownie, that would be fun for me,” Emrick said. “I don’t know if it would be for the audience, but if it was a harmless spring training game, maybe people would be sympathetic, saying, that’s just Doc, let him go for a little bit.”

To read the rest of this story visit the Pittsburgh Post-Gazette where it was originally published

St. Louis Blues TV Ratings Drop 25%

0

It seems as if Blues fans, at least in terms of television ownership, are tired of the team’s big story. You know, big expectations, big hype, big regular season — then a big bust in the playoffs.

According to Nielsen, which measures TV viewership, Blues ratings on local carrier Fox Sports Midwest are down a whopping 25 percent this season over the same stage last year. FSM has televised all but seven of their contests, with the others being shown on NBCSN.

And NBCSN’s ratings in St. Louis for its Blues games have followed the local lead, as Nielsen says they’ve dropped just under 25 percent.

Losing a quarter of the audience is a massive decline, something that if it happened for a network program or local TV newscasts would lead to major upheaval. But in the Blues’ case it’s not the quality of the telecasts or those on the air that is the problem. And it’s not the product that is being shown, either. The Blues are among the best in the West — again. But it’s the track record of the team, with three consecutive first-round playoff exits following much regular-season success, that could be a key factor.

Fans, at least from a TV viewership standpoint, seem to be saying what the NHL’s critics blare — the regular season is too long, with not enough meaning in the grand picture. Add the fact the team doesn’t score much and it’s that recipe that probably has created the big dip.

An eventual fall in viewership for the Blues seemed inevitable, given the recent run of success. FSM had experienced a rating increase for six consecutive years, culminating with Nielsen saying an average of 4.9 percent of homes in the market with a TV turned in last season. FSM’s figure heading into Thursday’s contest, for which the rating is not yet available, was 3.5.

Despite the drop, FSM reports that the Blues are drawing the fourth-best ratings among U.S.-based NHL teams for their local telecasts, are the top-rated cable program in St. Louis most of the time and that ratings are up for the last month. Also pointed out is that their contest Sunday, at Tampa, outrated the NBA All-Star Game later that night by 36 percent.

To read more visit STL Today where this article was originally published

There’s a Big Story Brewing In New York Sports Radio

0

When the monthly ratings come out in New York, the narrative usually revolves around WFAN’s performance. And rightfully so, because they’ve won a lot and earned that respect. It’s hard to knock a brand for producing results.

But when you go inside the numbers, you find that even New York’s leading sports station has some areas to be concerned about. Especially when it comes to local competition versus ESPN New York.

Now based on the way it’s often been presented in the press, you’d be led to believe that ESPN New York is sitting in Antarctica while The Fan is laying out on South Beach in Miami, as both brands search for sunshine. And when you look at the morning story where The Fan’s Boomer and Carton soundly defeat ESPN New York’s Mike and Mike, it’s hard to argue against that notion.

But from where I sit, I think there are a few items worth pointing out.

First, The Fan deserves credit for employing a LIVE and Local strategy. It’s clear that in the nation’s #1 market that it works, and it’s especially evident between 6a-12p where The Fan drives big audiences to their local shows and ESPN New York offers national content which doesn’t have as strong of an appeal.

I’m sure ESPN is looking at the total performance of Mike and Mike throughout the country, not just the New York market, but given their proximity to New York City, I’m sure it drives them nuts to not be a bigger factor in morning drive with arguably the nation’s best national morning show.

But while WFAN holds a strong advantage in the local vs. national category, there’s a different story developing in afternoons and it’s one worth paying attention to, especially over the next 22 months.

Mike Francesa has acknowledged that he’ll be leaving his 1p-6p post on WFAN at the end of 2018. Given his track record over the years, you can see why that’s a major concern for CBS New York. But while Mike remains a top performer in the ratings, there are some signs that show his competition is gaining ground.

That’ll be really interesting to watch going forward because as the audience hears Francesa talk openly about eventually leaving, people could make the decision themselves to listen elsewhere if they feel he’s not invested in entertaining them long-term.

In the January monthly, Francesa did his usual, winning his timeslot of 1p-6p with a ___. He finished ___, which means that if you heard his interview with Katie Nolan in January, he’s likely to get a phone call soon from CBS Executives reminding him that they pay him to finish 1st.

What really stood out to me though in January, was the performance of The Michael Kay Show.

In its 3p-7p timeslot, the show placed 7th with a 4.4 among Men 25-54. WFAN was 2nd during that same time period with a 6.4.

However, this was the fourth straight month that Kay was inside the Top 10. He was 8th in December, 6th in November, and 9th in October.

During the 3p-7p hours, Kay was only 2 ratings points behind Francesa, which isn’t as big as it may seem. The two shows are tied for ATE (Average Time Exposed) and Francesa holds a 40,000 plus advantage in daily and weekly cume. To the outside listener, that may seem like an impossible task, but for radio insiders, that’s a few additional quarter hours or an extra meter or two picking up the show.

Where you have to feel good if you’re in ESPN New York’s shoes, is when you look at two other key factors.

  1. The Men 18-34 story
  2. The Total Reach Story

Starting with the Men 18-34 story, the program added Peter Rosenberg in September. He’s brought a youthful exuberance and high energy act to the show from 4p-7p, and his familiarity to New York listeners on Hot 97’s morning show has also served him well.

Has his addition shown signs of making a difference?

Absolutely!

Looking at the Men 18-34 numbers, ESPN New York is ahead of WFAN in January 3.3 to 2.9.

But that’s only one month, so it has to be a fluke right?

Not exactly.

In December, ESPN New York also won the head to head battle among Men 18-34’s with a 4.0 to 2.6 advantage.

In October and November, WFAN was in front with a 3.7 to 2.8, which means they’ve lost nearly one point during the Fall in that demographic. Additionally, if you go back to the same time last year when Rosenberg wasn’t on the show, WFAN led the way in this demo with a 6.9 to 2.7.

That means that in the span of twelve months, WFAN has lost four ratings points among younger listeners, and ESPN New York has gained between a half a point and a point and a half. That’s a very interesting change.

Switching from the Men 18-34 story, we focus next on Michael Kay’s total reach story.

Why is this important? Because Kay now plays in areas that Francesa doesn’t. Most notably, on television.

In years past Francesa held this advantage and received a ton of praise for his brand being a success across multiple platforms. Well, Kay’s program now has that edge and deserves equal recognition for what he’s accomplished.

 

Here are some numbers from the Fall of 2015 that are staggering and illustrate the impact that Kay is making in the Big Apple.

  • Podcast Downloads = 509,479
  • Mobile Listening Sessions = 466,974
  • Desktop Streaming Sessions = 92,783
  • YES Television Cume = 201,000
  • Radio Total Audience (P6 listeners) = 451,900

If that’s not an impressive story of reaching people, I’m not sure what is. Keep in mind, this doesn’t include duplication or overlap.

I’m sure Francesa’s show has its own powerful digital story, and clearly he leads the Men 25-54 ratings battle, which is the most desirable demographic for sports talk radio measurement.

However, while we’re quick to highlight the power of Mike’s program, and make no mistake, it absolutely is when it comes to the radio ratings picture, we often though ignore the story on the other side of town, or assume that it’s not compelling, which is anything but true in this case.

If I’m inside the sales department of WFAN today, I’m on the phone with my clients reminding them that Mike won the month in the ratings, he wins every month, he’s the most successful host in New York sports radio history, and The Fan is New York’s ratings leader. Those are items you can’t dispute. He also hosts a 5 hour program which gives the client more access to being attached to Mike’s show.

But if I’m inside the sales department of ESPN New York, I’m showing advertisers how my afternoon show has registered in the Top 10 for four straight months (including the latest monthly where it was 7th), is ahead of The Fan with Men 18-34’s, is reaching more than 1.7 million people through radio, television and digital, and is committed to afternoon drive through the end of 2018, whereas the competition is not. I’d also highlight that my program provides three unique personalities that advertisers can connect to (Kay, Rosenberg, and Don LaGreca).

Each radio station has a powerful story to tell, one which should make them a lot of money. The real questions going forward are, will Kay’s program make a bigger impact in the radio ratings, will listeners tune in more or less to Francesa now that they know he’s planning to leave after 2017, and what will matter more to advertisers – the radio ratings or the total reach of a radio program?

The answers to those questions will tell us a lot about the success of these New York sports radio stations in the future.

Kevin Jones To Report On Bay Area Teams For KNBR

0

Kevin Jones, a writer, reporter, and on-air personality who has contributed to media outlets such as Sports Illustrated’s ‘The Cauldron’, the Cleveland Browns website, Pro Football Focus, 91.3 WZMB in Greenville, NC, and WUSA-9 in Washington DC, is heading to the city by the Bay!

Jones has been hired by KNBR to report on the San Francisco Giants and 49ers, and the World Champion Golden State Warriors. He shared the news earlier on Twitter.

KNBR

Whether Jones will contribute as a host or produce an online podcast remains to be seen. He does though have experience including hosting “The Kevin Jones Podcast” which can be heard by clicking here.